Welcome in, I'm Jon Gay. There are typically two types of people that start a podcast Some throw caution to the wind and just go for it. Others meticulously plan every detail before they start. Now, there's probably a happy medium between those two extremes. But too often, folks think once they start the show, it has to stay the same format. So my advice to you this week is that it's ok to make changes to your podcast. For example, take the two biggest podcasts I listen to. The Daily from the New York Times used to run a 2 minute list of credits at the end of every Friday show. I doubt a ton of people stuck around for that. Now, they do 30 seconds at the end of each episode thanking the behind the scenes staff. And Pod Save America used to be 2 segments with the hosts, followed by a guest. Over the last few weeks, they've played with having the guest as the middle segment and moving them around, probably because they are looking at their listening stats and what causes tune out (which you can usually get on premium plans from podcast hosts). And even me, I've been trying different things with the video version of my podcast, as well as playing with the compression settings on my audio. Here's the point. Whether you have 5 million downloads or 5 downloads, you can always make changes if you think it will improve the show. Unless it REALLY degrades the quality of your audio or your content, it's not going cost you audience.
Speaking of audience, podcast Facebook groups are always littered with the question "How do I grow my audience?" Some are looking for hacks or cheap tricks. Others are willing to invest time and effort into tried and true strategies. But this week's newsletter from Vancouver podcast company JAR audio breaks it down so beautifully simply:
There are a million ways to try to game the charts, artificially increase your downloads, and otherwise stroke your own ego with numbers. But if you want true, honest growth on your podcast, start with the content. Why would someone else want to listen?
The IAB, or Interactive Advertising Bureau, projects that not only will podcasting revenue hit ONE billion dollars this year, but it will hit TWO billion dollars by 2023. https://podcastbusinessjournal.com/iab-projects-2-billion-in-ad-revenue-by-2023
For example, The New York Times has announced their Q1/21 results. Revenues overall are up 6.6%; digital advertising revenue, which includes podcasts, grew from 48.2% of the company’s revenue a year ago to 61.3%.
Also, iHeartMedia reported their first quarter earnings, with Year over Year numbers doubling, from nearly $16 million to over $38 million. Worth noting their total revenue is DOWN 10% year over year. But hey, they have launched a self service ad platform where you can create an ad to run on your favorite podcast or radio station. Looks like they're automating away sales people the way they did on-air DJ's. I feel like I say this every week, but it's worth repeating. iHeartMedia, Audacy, and many other companies are focused on podcasting and digital audio. These are huge companies that have to answer to stockholders. The only way that radio will survive is if it's owned by smaller companies that can afford to invest in local markets and local talent that can connect with their audiences. For iHeart, it's hard to care about Cheyenne when you're worrying about New York.
Let's do a quick check-in on Apple Podcasts - James Cridland at PodNews says they are now crawling his feed for new content every 20 minutes as opposed to two hours. And it seems the bugs are slowly being worked out of the new system. However, for some users, the new iOS update seems to be downloading every episode of every podcast you subscribe to - this can be a major issue if you've got limited storage space left on your device. Here's an article on how to fix that: https://tidbits.com/2021/05/04/prevent-apples-updated-podcasts-app-from-eating-your-storage/
Now, while Apple struggles, Spotify continues to revolutionize the podcast space. If you like a particular story in a podcast, you can now share that exact SPOT in a podcast to social media through Spotify. For example, share today's episode at this spot....right here.
Finally, if you want to know more about Clubhouse - now available on Android in the US - the
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
The Burden
The Burden is a documentary series that takes listeners into the hidden places where justice is done (and undone). It dives deep into the lives of heroes and villains. And it focuses a spotlight on those who triumph even when the odds are against them. Season 5 - The Burden: Death & Deceit in Alliance On April Fools Day 1999, 26-year-old Yvonne Layne was found murdered in her Alliance, Ohio home. David Thorne, her ex-boyfriend and father of one of her children, was instantly a suspect. Another young man admitted to the murder, and David breathed a sigh of relief, until the confessed murderer fingered David; “He paid me to do it.” David was sentenced to life without parole. Two decades later, Pulitzer winner and podcast host, Maggie Freleng (Bone Valley Season 3: Graves County, Wrongful Conviction, Suave) launched a “live” investigation into David's conviction alongside Jason Baldwin (himself wrongfully convicted as a member of the West Memphis Three). Maggie had come to believe that the entire investigation of David was botched by the tiny local police department, or worse, covered up the real killer. Was Maggie correct? Was David’s claim of innocence credible? In Death and Deceit in Alliance, Maggie recounts the case that launched her career, and ultimately, “broke” her.” The results will shock the listener and reduce Maggie to tears and self-doubt. This is not your typical wrongful conviction story. In fact, it turns the genre on its head. It asks the question: What if our champions are foolish? Season 4 - The Burden: Get the Money and Run “Trying to murder my father, this was the thing that put me on the path.” That’s Joe Loya and that path was bank robbery. Bank, bank, bank, bank, bank. In season 4 of The Burden: Get the Money and Run, we hear from Joe who was once the most prolific bank robber in Southern California, and beyond. He used disguises, body doubles, proxies. He leaped over counters, grabbed the money and ran. Even as the FBI was closing in. It was a showdown between a daring bank robber, and a patient FBI agent. Joe was no ordinary bank robber. He was bright, articulate, charismatic, and driven by a dark rage that he summoned up at will. In seven episodes, Joe tells all: the what, the how… and the why. Including why he tried to murder his father. Season 3 - The Burden: Avenger Miriam Lewin is one of Argentina’s leading journalists today. At 19 years old, she was kidnapped off the streets of Buenos Aires for her political activism and thrown into a concentration camp. Thousands of her fellow inmates were executed, tossed alive from a cargo plane into the ocean. Miriam, along with a handful of others, will survive the camp. Then as a journalist, she will wage a decades long campaign to bring her tormentors to justice. Avenger is about one woman’s triumphant battle against unbelievable odds to survive torture, claim justice for the crimes done against her and others like her, and change the future of her country. Season 2 - The Burden: Empire on Blood Empire on Blood is set in the Bronx, NY, in the early 90s, when two young drug dealers ruled an intersection known as “The Corner on Blood.” The boss, Calvin Buari, lived large. He and a protege swore they would build an empire on blood. Then the relationship frayed and the protege accused Calvin of a double homicide which he claimed he didn’t do. But did he? Award-winning journalist Steve Fishman spent seven years to answer that question. This is the story of one man’s last chance to overturn his life sentence. He may prevail, but someone’s gotta pay. The Burden: Empire on Blood is the director’s cut of the true crime classic which reached #1 on the charts when it was first released half a dozen years ago. Season 1 - The Burden In the 1990s, Detective Louis N. Scarcella was legendary. In a city overrun by violent crime, he cracked the toughest cases and put away the worst criminals. “The Hulk” was his nickname. Then the story changed. Scarcella ran into a group of convicted murderers who all say they are innocent. They turned themselves into jailhouse-lawyers and in prison founded a lway firm. When they realized Scarcella helped put many of them away, they set their sights on taking him down. And with the help of a NY Times reporter they have a chance. For years, Scarcella insisted he did nothing wrong. But that’s all he’d say. Until we tracked Scarcella to a sauna in a Russian bathhouse, where he started to talk..and talk and talk. “The guilty have gone free,” he whispered. And then agreed to take us into the belly of the beast. Welcome to The Burden.