Episode 264: Interpreting Experience: Abstract Approaches

We may think of abstract painting as exploring the visual elements and the process of painting strictly for their own sakes, but that’s only one kind of abstract work. Many abstract artists have a more personal approach, in which aspects of their lives, memories and experiences fuel their work. They want to feel a direct connection between their inner lives and what they create. But finding ways to interpret these personal sources in abstract terms is a big challenge. Without obvious subject matter, how can you express an experience, tell a personal story, or evoke a memory? Today we’ll talk about some approaches to abstraction when very personal expression is the goal. if you are an artist seeking this kind of personal involvement with your abstract work, a key is developing a meaningful visual language that feels connected to your own experiences. Personal visual language means the way you use the visual elements and composition that are most expressive to you. This can include certain color combinations or textural effects, kinds of mark-making, and considerations of scale or format. This is the result of lot of practice, building up aspects of it over time. Working in a personal way with abstraction has limitations in how specific you can be in conveying your ideas. You might think of the process as setting a stage that invites your viewer into a certain evocative realm, for example something organic or nature-related, or a something that seems architectural. But a challenge in developing abstraction with personal meaning includes avoiding literal depiction and insisting on a particular interpretation. It's very easy to slide into imagery even if you decide you want to avoid that; finding a context for your ideas that is consistent in its degree of abstraction is important. Finding the essence of experiences, places, objects, or other subject matter is an important aspect of personally expressive abstraction. Essence means the most basic and pervasive qualities of something, the distillation of an idea. It’s typically the motivation behind wanting your work to be more abstract, because it helps your own responses to your subject be more powerful. You can express essence via any of the visual elements that seem related, and you can use them freely in compositions that are not literal in their depiction. Thanks to everyone who has been sharing the show and donating! If you would like to donate to the Messy Studio Podcast donate here (https://www.paypal.com/donate?token=Yyrf7Ht1DYfkYzAaWNoW8zuvCpTryLYsxY2VAj4qGZ3o2o4F7xHGv4VmDDef7kFxuvbgpz_z4jUa-z7F). • When you buy art supplies at Blick remember to use our affiliate link to support the podcast! Bookmark this link and then you don't even have to think about it again. This is one of the best ways to support the show. It takes a few seconds and costs you nothing! The Blick website works exactly the same way, but we earn 10% every time you buy art supplies. ​ www.messystudiopodcast.com/blick ​ What's new at Cold Wax Academy? Fall quarter is now underway with sessions on Texture, Materiality and Process, Finding Time for your Work, a return visit with Gamblin representative Mary Tevlin, a painting clinic for works in progress, and the quarterly member critique. As always, Members are encouraged to take part in the online sessions, where lively discussions take place as Rebecca and Jerry respond in real time, But if you can't make it to the live sessions, remember that Cold Wax Academy Members have unlimited streaming access to over 100 previously recorded sessions --and now you can navigate the extensive range of topics with an index to easily find what you need. By the way, you don't have to use cold wax medium to benefit from the content in these recordings. Artists who use other painting media will also find a wealth of valuable information --including effective use of the visual elements and composition, personal voice and intentions, mentoring topics like procrastina