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February 16, 2025 61 mins

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Could lunch with a celebrity change your perspective on life? Join us for a vibrant episode of the Mixed Vibes Podcast as we dis uss having lunch conversation featuring figures like Barack Obama, SZA, Kanye West and others. 

Shifting to the heart-pounding world of the Super Bowl, Kendrick Lamar’s halftime performance sparks debate. Opinions clash over his song choices, performance style, and the audacious "beef" track aimed at Drake. We reflect on the potential future of the halftime show, questioning the role of hip-hop amidst cultural and musical shifts. Ending on a lighter note, we recount a quirky Valentine's dining experience, serving up laughs and a reminder of the universal quest for good service. As always, we express our gratitude to our listeners and hint at exciting episodes ahead.

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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:03):
you y'all know what time it is.
Another episode of the mixedvibes podcast, your favorite
amateur podcast.
You can find us if you get yourpodcast you're an advisor,
support mr bill aka.

Speaker 2 (00:17):
Say your name upon his pod might not put you to
mind, man, you know what I'msaying, but we're gonna get to
get it cracking.
We're going to get it going.
We got some guests in thebuilding First off.
What up, rick?

Speaker 3 (00:29):
What up, man?
It's been a while since I'vebeen on the Mixed Vibes.
Man, I'm happy to be here.

Speaker 2 (00:33):
We're glad to have you, we're glad to have you.
And then y'all already know, mr, what's going on with you, man,
glad to be here you know whatI'm saying Real quick, shameless
plug.
You know I'm doing a serieswith these brothers.
We're ranking the legacies ofall these different record

(00:55):
labels in hip-hop.
We already did Aftermath andYoung.
Well, aftermath, cash and Money.
We did G-Unit.
We got some more coming up BadBoy, so South Delph.
So make sure y'all go over andlook up, hold Up Another thing
and y'all can check those out.
But yeah shout out to Joe, thepresident of the DEI situation.
That's what we're going to callit.

(01:15):
He's the president.
We got the white guy in chargeof DEI.
You know what I mean Over here.
You think you think it's a badidea for you.
I mean, it's a predominantlyblack company, so why not have
the white guy charge the I'm?

Speaker 1 (01:32):
gonna get in all the politics and whatnot.

Speaker 2 (01:35):
Man, y'all get it alright, that's enough, alright,
ben you can't do that, bro.

Speaker 1 (01:42):
You can't put him in charge of that.
See what happens.
Why they was afraid?
Because they thought it wasgoing to break a whole bunch of
us in there.
So now he's going to break awhole bunch of them in here.

Speaker 2 (01:52):
Hey, that's not going to happen.
Last time I checked, I run this.

Speaker 1 (01:56):
That's what you think .
See, that's how I got started.

Speaker 2 (02:00):
Hey, that's what I know.
That ain't what I know.
It ain't too much I know inthis world.

Speaker 1 (02:05):
But they took over a whole country bro.

Speaker 2 (02:08):
They ain't going to take over this company, they can
just take over a company, butthey took over a country.
Not this one.
They can create a new one, butthey ain't going to take over
this one.

Speaker 1 (02:17):
They said United, we stand, we taking this land.

Speaker 2 (02:20):
Yeah, all right, they can take that land, but they
ain't taking these mics.
Let me tell you that.
I can tell you that right now.

Speaker 1 (02:25):
Hey, y'all ain't know .
They already tried to take overthe company, but we got them up
out of here.

Speaker 2 (02:30):
They can take over the land, but they ain't taking
over these mics.

Speaker 1 (02:34):
They already tried it .

Speaker 2 (02:36):
Going to get you up out the paint, my boy, that's
not it, that that nah, we ain'tgoing to do with that one.
That was her, me.
I bet Ain't no jurors here.

Speaker 3 (02:47):
We're not going to do an ex-jurors.

Speaker 2 (02:49):
But I am going to ask the fellas this If you could
have lunch with any celebrity,who would it be?
And I'm going to put the caveaton it they got to be living,
they got to be what they got tobe living.
They got to be what they got tobe living.
All right, you said what?

Speaker 1 (03:10):
They got to be alive.

Speaker 2 (03:11):
They got to be alive.
So any celebrity.
It could be a sports figure, itcould be an entertainer, it
could be a politician, it couldbe anybody.
But you only get to have lunchwith one person, will.
Who would it be?

Speaker 1 (03:29):
You can make me go first and you can make me do it
immediately.

Speaker 2 (03:32):
Yeah, make you go first Jeez, mr Breakglass
himself.

Speaker 1 (03:39):
I'm always available.
I'm going to go with apolitician.
I would like to meet withBarack Obama.

Speaker 2 (03:54):
That's a solid choice .
That's a solid choice.
Why Barack?

Speaker 1 (03:58):
Well, first of all, at this point he's not just a
politician anymore.
He's crossed so many differentindustries now, so you can pick
his brain about so manydifferent things, not just
politics.
But I don't know, I think thiswould be a.
I wouldn't really go in withthe intent of learning much.
I would go in with the intentof gaining a friend.

(04:22):
I'm not here to pick your brain.
I'm here to get to know youbetter.
Gaining a friend.
Okay, I'm here to pick yourbrain.
I'm here to get to know youbetter as a person and get
closer to you.

Speaker 2 (04:32):
So, yeah, all right, I'll rock with it.
All right, ray, who you got?
Ah damn, that's hard, I wasgoing to say, but you knew it
was coming.

Speaker 3 (04:44):
You said a date.
No a, it was coming man.
You said a date uh, no, a lunchah, I said a lunch yeah, I do
like a.
I do like a man.
It's a hard one, you know I belike hey, bro, invite your
homies.
You know what.
I don't wanna sit down withKanye.
Be like man.

(05:04):
What the fuck's going on withyou, bro?
You know what.
I don't want to sit down withkanye like man.
What the fuck's going on withyou, bro, you know, let me.
Let's have a, let's have a deepheart to heart.
Bro, don't be getting on yourlittle hey, lock the doors.
I'm gonna tell the restaurant,lock the doors, bro.
This nigga ain't going nowhere,bro, we're getting, we're
getting to the bottom of thisshit, bro, let me be your
therapist for a moment.
Let me be your homie and yourtherapist.
Man, man, let's get you back tothe old Kanye or whatever, bro,

(05:25):
you know.

Speaker 2 (05:27):
I like that one.
I like that one.
We're going to turn this into acounseling section.
You know, tell me what's onyour mind and why you doing the
things that you do.

Speaker 3 (05:37):
Bring your girl too.
I'd like to have something tolook at.
I know you're going to dressall crazy and shit.
I wouldn't mind that either,but the primary thing is the
conversation.

Speaker 2 (05:48):
Red said you was going so well.
Red.
But then you know, you wasdoing so well.

Speaker 3 (05:54):
Hey, I said you going to dress me.
You can go ahead and bring yourman, I'll watch, I'll look.

Speaker 2 (05:59):
Alright man Quay, why Boosie?

Speaker 1 (06:06):
You say Boosie.

Speaker 2 (06:07):
Yeah, I think you're just going with Boosie Reddits.
That ain't who you're goingwith.

Speaker 1 (06:11):
I'm not even going with a male.
I'm going with Jocelyn fromLove Hip Hop.

Speaker 2 (06:18):
That's a wild one right there.
Okay, why, jocelyn?

Speaker 1 (06:22):
She get low, she like to party too, Okay, watch out,
she get low.
She like to party too.
Look, this lunch will turn intoa dinner and turn into
breakfast in the next morning,hey, All right, cool, cool.

Speaker 2 (06:40):
I should have known something like that was coming
with you.
I should have known.
Quaid got her trying to get itin Red, trying to save a man.
We are trying to be a friendand you got hurt just trying.
Okay, cool, I should have known.
I should have known.
Off the top of my head.

(07:02):
My choice was Sizzle, my choicewas Sizzle and my choice was
Sizzle One because, like Randsaid, it's something nice to
look at.
But I really want to ask herhow do you feel about the Drake
and Kendrick beef?
What?
Because you cool with both ofthem?
Hell, you dated Drake.
What do you think?
What?
What's your?
You know you going on tour withKendrick, but you was just on

(07:23):
the song with Drake.
What's your perspective of thewhole beef?
You think somebody took you toofar.
You think somebody wrong?
You think yeah so my choicewould be Sizzle.

Speaker 3 (07:36):
Can we do male and female?

Speaker 2 (07:37):
Yeah, you can do whatever you want.
I'm talking about one dude.
Oh, so one of each sex?
All right, cool, we could dothat.
So, quag, you gotta come overthe male, I'll do two.
Where you gotta come over thefemale, all right, go ahead,
except me.
Yeah, you, the one, came upwith the idea, so I thought you
had one.

Speaker 3 (07:55):
Hey, kind of like quaggy man, I would invite uh
scotty with a body from baddies.
Um no, what is that?
Yeah, baddies?
Fine as hell.
Let me google her real quick.

Speaker 1 (08:07):
I don't want whoa, whoa, whoa, whoa, whoa.
So, man, you don't hurtyourself, man I don't know who
it is.

Speaker 2 (08:13):
Let me do a quick google.
She's cold man.

Speaker 3 (08:16):
You said scotty yeah she went to uh eku scotty lynn
ryan or some shit.

Speaker 1 (08:24):
Scottie Lynn Ryan or some shit.

Speaker 2 (08:28):
All right, man, who would you go with?
Can I get a little space onthis?
Am I having to be first?
Okay, okay, okay, all right,cool, cool, cool, go ahead.
Who would the male?

Speaker 1 (08:43):
be for you, probably Jonathan Majors for real hmm, he
be now making a friend, notreally picking the brain a
little bit.
I just want to see you knowwhat type of nigga be dealing
with here, cause he be talkingthat MLK talk.

(09:06):
He'd be dancing, that shuckingand jiving.
He'd be doing all that.
I need to know what's reallybehind the music, what's behind
the mask.
Okay, is he really this abusive?
He out here calling the whitewoman Coretta?
I need to know what's going onwith this man for real like, is

(09:33):
it just a play?
Like, is you really like youknow nigga from the block or
something like that?
You just you know dressing itup real, real, real nice, like
you know.
Are you really you knowdressing it up real, real, real,
nice, like you know?
Are you really Juilliard likeyou say?
You are Just pick and bring,you know, not really picking,

(09:54):
though I need to know.
I don't need to know, but weneed to know.

Speaker 2 (10:00):
He's still with Megan Good, ain't he?
Yeah, hell, james Franklin,megan Good's ex.
He just proposed to someone Idon't want to say someone,
because that sounds bad, but Idon't know who the young lady
was but they just proposed downin Hawaii.
So shout out andcongratulations to them.
But all right, will, is thisfar to go now?

Speaker 1 (10:20):
Okay, I'm so high, boo.
Okay, I'm sorry, boo.
So me personally, man, I'm aperson who likes to stick to my
goals, even if it's a long time.
I may never achieve some ofthem, but I keep them in my mind
all the time.
So even since I was a lad, awee little lad, growing up on

(10:47):
the west side of Louisville,kentucky, I seen this lady on TV
young woman, and her name wassomething that's hard to
pronounce.
At first it was Beyonce.
So I'm going to keep chasingthat dream.
I can sit down with her andtalk for a little while.
You know that nigga's alwaysbusy.
Alright, bro, sit down with thequeen bro.

Speaker 2 (11:14):
Alright, go sit down with the queen.
I respect it, I ain't mad at it, I ain't mad.

Speaker 1 (11:19):
I listen to the whole country album and everything.
It was Grammy award winning.
Shit was fire.
I got a question for y'all.
I seen that the Beehive is madthat non-Beyonce fans is buying
her tickets so they can sellthem.

(11:39):
Everybody would have to come up.
You don't have to miss out onthe hustle People who don't.
We're Jordans by Jordans.
What you mean?
Get out of here.

Speaker 3 (11:48):
Nah, I was mad about them.
Jackie Robinson dunks man.
A whole bunch of white peoplegot them.
I'm trying to buy shoes from mybrother.

Speaker 1 (11:58):
You know it's all about the hustle.
Be all safe, man.
You got to understand this.
Is Y'all seen that me?
You got to be quicker than that.
So you know that's where we arewith Beyonce.
You got to be a little quick.
You can't fight the robots.
They still struggling to getpayday rent from the last tour.

(12:19):
Y'all ready to go back onanother one?
Yeah, they go anywhere she go.
Let somebody else have it.
Loyalty I would argue thatBeyonce fans are more devoted
than a lot of religions.

Speaker 3 (12:40):
Half of them probably say like oh, I don't listen to
country on a normal day.
You know they trying to golisten to her perform some
country.

Speaker 1 (12:46):
So it's like I may never listen to country before
Beyonce came out with thatcountry, and probably I never
listened to nobody else that wasalready in the country.
Yeah, or Shabuzy, I mean theyprobably listen to the.

Speaker 3 (12:57):
Shabuzy.

Speaker 1 (12:59):
Yeah, I mean, you know radio hits, I can't tell
you.
First time I heard of Shaboosit was his Super Bowl commercial
.
I just never find myself in themood to listen to it.
They say he's cool, ain't heeverybody in the club getting
tips, ain't that him Ain't.

Speaker 3 (13:23):
So, man, he got that song about the drink.
The drink don't need no mix orsomething like that.
I don't know what the fuck songis, but drink don't need no mix
everybody in this bitch gettingtips.

Speaker 1 (13:36):
Hey to Isha Young yeah, I'm gonna go see, I'm
gonna go.
You know I'm sitting down withme, I'll take.
Look, q.
Q said Scissor, did y'all seethe new Scissor movie, the
Scissor?
And Kiki Palmer?
He's the one.
Nah, I ain't seen that yet.
Yeah, he's seen that.

(13:57):
I ain't gonna hug.
It's decent.
Now I.
I just equated it to the femaleversion of Lottery Ticket, but
I like Lottery Ticket personally.
This a real thing.
No, it's a real movie.
Yeah, like in theaters it'scalled One of them Days, or Just

(14:19):
that Day, or something,something Days.

Speaker 2 (14:22):
No, I think you had it right the first time One of
them Days.

Speaker 1 (14:24):
One of them Days.
Yeah, it was decent, though wehad them.
Cat was in there, lil Real.
I guess he's really Lil Realnow.
Hey, can I Say it again you?

Speaker 3 (14:42):
saw it at the theaters.
Nah man, come on, bro.
You know I'm an honest man, Ilike to support.
Say it again you saw it at theO's.
Nah man, come on, bro.
You know I'm an honest man, Ilike to support yeah, I feel it.

Speaker 1 (14:51):
I stopped going to the movies when they started
shooting movies up.

Speaker 2 (14:56):
I feel that hey, can I, can I say something here and
y'all, y'all tell me if I'mwrong for saying this or if I'm
out of my pocket.
And y'all tell me if I'm wrongfor saying this or if I'm out of
pocket.
I don't know if L'Oreal tooksome meds.
I don't know if he on the stuffor he took the shots, or
whatever.
He look a little out, don't he?
He lost all that weight.

Speaker 1 (15:17):
Yeah, bro, he got classic issue when you go from
being a little.
In his case he wasn't really areally big dude, he was just
like we would have called himjust kind of chunky.
Back in the day he was notsuper big.
But then you go from beinglittle, you end up looking like
a bobblehead.
It's still common.

(15:40):
You do the math, bro.
If you enter the math on acalculator, I lose all this
weight.
And now I'm this size, they'regoing to be like oh, bobblehead,
that's going to be the solution, bro.
He's.

Speaker 2 (15:49):
Al Sharpton to me, that's what he remind me of.
Like Al Sharpton, his head justain't as big.
But you know, al Sharpton got aglobe on his shoulders, but but
little real.
Look.
I don't know, dog, some ofthese people they get on that
and they take all that stuff,they lose all that weight.

Speaker 3 (16:08):
they don't look yeah, I think he just need to buff up
, like I mean, he look up toKevin Hart and shit yeah.

Speaker 1 (16:18):
Walmart.
Kevin Hart.
Can't.
Nobody look up to Kevin Hart,short ass, his man's up that's
his man.

Speaker 2 (16:27):
Yeah, like you know, somebody look up to Kevin Hart's
short ass.
His man's up.
That's his man.
Yeah like you know, he don'tget like his dog.

Speaker 1 (16:33):
Yeah, he cool dude.
But I'm saying muscle ain't foreverybody, though he probably
can't hold the muscle.

Speaker 3 (16:37):
He need to take some steroids.
Man, Go ahead, get big am Iwrong, though?

Speaker 2 (16:43):
tell me he don't look a little funny he look weird in
the movie.

Speaker 1 (16:46):
He came out with the American Eagle shirt on, like
some little tight shit.

Speaker 2 (16:51):
I said damn Lil Rel you little for real, bro, and I
think Lil Rel is funny like thecomedian.
Lil Rel dude is funny to me.
I done watched a couple of hisstand ups, but seeing him now,
hey bro, it just don't.
I don't know, man, maybe hejust ain't laying in front of me
.
My bad.

Speaker 3 (17:09):
Maybe I'm used to seeing the brother one way.

Speaker 2 (17:12):
And now I'm looking at him concerned, Like hey, you
all right.

Speaker 1 (17:16):
Now you on his neck because he done dropped the
weight.

Speaker 2 (17:20):
Yeah, but I'm saying all right, bro, hold on, let's
be real, you wouldn't look at methat way.
If I dropped out that way andcame out looking like Lil Rel,
you wouldn't be looking at methe same way.
Not like damn bro, stop lyingbro.
Yeah, you would bro.

Speaker 1 (17:34):
You achieving that bobblehead effect I was talking
about.
So I'm going to tell you as youget in there.

Speaker 2 (17:39):
Thank you.
It wouldn't be nothing butjokes.
It wouldn't be nothing butjokes If I went down, if I start
slimming down, looking like LilRel man, looking like I'm out
here on some stuff.

Speaker 1 (17:49):
I'm not going to ask you are you all right?
I'm going to be concerned, I'mgoing to ask.
I mean, you know, if you on theZip, you on the Zip?
As soon as I tell you I'm onthe Zip it ain't, I'm going to
tell you to use that shitconsciously.
There's got to be a lick of.
If you turn up looking like LilRay, I'm going to tell you to

(18:10):
slow down.

Speaker 2 (18:12):
Hey, don't do so many injections, bro.

Speaker 1 (18:16):
Hey bro, get off of them, Leave them alone.

Speaker 2 (18:21):
That's all I'm saying , bro.
That's all I'm saying.
No disrespect to the man, Ithink he's funny, but I saying,
bro, that's all I'm saying.
No disrespect to the man, Ithink he's funny, but I don't
know.
That's all I'm saying.

Speaker 1 (18:31):
A little zimp, that's all.
Maybe too much zimp.

Speaker 2 (18:36):
He took one too many shots, one too many ejections.
There's a few people like that.
I ain't going to say no names.
I ain't going to say no morenames.
I ain't going to say no names.
I ain't going to say no morenames.

Speaker 1 (18:47):
I ain't going to say no more names.
Lizzo, I heard two horrorstories.
Lizzo just came out with her.
You know she just released somepictures.

Speaker 2 (18:58):
I thought hers was all natural.

Speaker 1 (19:01):
Can I address the whole Lizzo thing too?
I'm glad I got that.
I'm glad you brought her up.
So I seen the pictures youtalking about where she.
It was an old picture of herand she wrote something on that.
Yeah yeah, like I knew itwasn't a good match To me.
That's kind of messed up.
Like that's still you, my nigga.

(19:22):
Like that's still you, my nigga.
Like at the end of the day, Idon't care if I lost a lot of
weight.
That don't look like that.
No more, that's still me.

Speaker 2 (19:34):
I'm still the same person, yeah.

Speaker 1 (19:37):
I don't know, that came off a little weird to me.
You know I might not, maybe I'mlooking at it a different way
than what it really is, butthat's how I've seen it.

Speaker 3 (19:50):
She's still big.
But you know I respect thehustle.
You know you got to.
You know, even with Lil Rel,you know what I'm saying.
I respect it.
I'm happy for them.
You know they're going to behealthy as a result.

Speaker 2 (20:02):
But you know she's still got some work to do.
Yeah, man, she's still got somework to do.
Yeah, she's still big.
Yeah, but, like I said, Ithought hers was natural.

Speaker 1 (20:12):
She's in the gym doing the thing, she naturally
took them shots when she woke up.

Speaker 2 (20:17):
My bad, that's a misunderstanding on my bad
People doesn't actually Losingweight like doing a workout
weight and changing your eatinghabits.
That's a task.

Speaker 1 (20:28):
Yeah, bro, A lot of people right now, like, since
the Olympic came out, bro, it'slike when they released crack,
you feel me?
Everybody on it.
They get to see the way to getwhat they want and how they want
it bro, so they just go outthere and get it.
I don't Like I'm hearing aboutpeople who ain't even big doing
ozempic.
So come on, bro, when it getsto that point you already smiled

(20:50):
on it Get out of here, bro.
You're doing light ozempic,watering it down and shit man.
Get the hell up out of here,bro.

Speaker 2 (20:57):
No, I got to say, man , I hollered at my doctor about
it.
She told me, boy, if you don'twork out, if you don't just
change the way you eat, she said, all you got to do is do some
push-ups and push away from thetable, but you can get the
results you want.
Yeah, so yeah, man.
That's why I said, man, shoutout to people that's actually
that's not doing it.

Speaker 1 (21:17):
You're going to end up with an ozempic booty.
I know be thinking of the headyeah you got an Olympic booty,
nigga.
When you start taking thoseshots, nigga, your ass drop like
it's hot, nigga.

Speaker 2 (21:31):
Out here looking like you got a diaper on and shit.

Speaker 1 (21:33):
Walking around here looking like you about to flap
away at that motherfucker.
You got a little tail on thatmotherfucker, but you a duck.

Speaker 2 (21:40):
I ain't cool, dog, I ain't cool, I ain't know what
that means.

Speaker 1 (21:47):
I ain't know, I ain't know, I ain't know, I ain't
know, I ain't know, I ain't know, I ain't know, I ain't know, I
ain't know, I ain't know, Iain't know, I ain't know, I
ain't know, I ain't know, Iain't know, I ain't know, I
ain't know, I ain't know, Iain't know, I ain't know.

Speaker 2 (22:04):
I ain't know.
You did all that.
You did some man Alright bet.
Let me go back Before we getinto entertainment news.
The mail out because I said Iwould take SZA.
I would take Vladimir Putin,the president of Russia.

Speaker 1 (22:20):
What the how you getting killed, nigga, you
fucked up.

Speaker 2 (22:25):
Hopefully I can survive.
Hopefully I can survive.
I wouldn't survive, because thequestion I would want to ask
him is man, you've been fightingUkraine for this long and you
still ain't got the country.
How do you feel about that?
That would literally be myquestion how do you feel about
not taking over this countrythat you thought was going to be

(22:47):
taken down in two months?
It's going on two years and youstill losing the war.
Hell they in your countrytaking land now.

Speaker 3 (22:55):
Hey, to break the ice , you should tell them a joke.
You should say, hey, you can'tdo that.

Speaker 2 (23:01):
I'm really going to die if I get that.

Speaker 1 (23:04):
I think you look at it wrong.
I think pooch type type ofnigga who, like you remember,
back in the day there was alwaysthat one dude in the
neighborhood who liked to fight.
Yeah, like he wasn't like apsych Most of us we would fight
if we had to.
You know we didn't go aroundlooking for it.
But there was that one dude wholike he fiend to fight.

Speaker 2 (23:28):
I think that's what Putin is.
Yeah, but I didn't think he wasgoing to be fighting.
I think he thought he was goingto be fighting something
different by now Not the samepeople he thought he was going
to take them.
He was out here ready to gocountry to country.
He's still on country one.
I don't think that's what hethought was going to happen.
I just want to ask him what doyou feel about this and what's
your extra strategy?

Speaker 1 (23:50):
Are you still going to keep going?
You know extra strategy.
I think I'm taking over, iswhat he's saying.
So there's only one way tocomplete this goal, and that's
to take what I want.
All right, bet bet.

Speaker 2 (24:02):
Yeah, that's where I'm going to go.
All right, man, let's get tothe entertainment news.
All right, let's start around.
Let's just start with thehalftime show.
Man Kendrick Lamar performed atthis past year's Super Bowl
halftime show.
We haven't had the opportunityto discuss, but we're going to
go ahead and get into it now.
He sent a lot of messages inthis performance.
It wasn't just about DrakeEverybody sees that.

(24:23):
He talked about Drake but healso did the Uncle Sam, which
was really like an Uncle Tom.
He also did, uh, the streetlight.
When he was performing on thestreet lights, it reminds you of
, you know, black people.
They tell us to get home beforethe street lights go off,
before the street lights come on.
He also did the uh, theplaystation controller.

(24:46):
He also did the inmatesituation.
He also had black peopledressed up as the flag.
And then, of course, we hadSerena Williams crip walking on
stage, which everybody points to.
That that's Drake's ex, but theother symbolization in that was
she was doing a crip walk,which she got a lot of heat for
when she won Wimbledon, I thinkabout 10, 15 years ago,

(25:09):
something like that.
So there's a lot of messages inthis.
What do y'all?
Before we get into the messagesand the jerk shots and all of
that, let's just give overallgrade.
What did you think about theperformance Red?
What'd you think?

Speaker 3 (25:21):
Man.
So for me it's like I ain'teven I boycotted this shit man.
For me it's like I boycottedthis shit man, fuck Kendrick.
Lil Wayne should have beendoing it.
Mr Cool should have been on thegoddamn stage.
Juvenile, all themmotherfuckers.
You know, if you're from theNOLA, that's how they should
have advertised it.
It's the NOLA show.
You know what I'm saying andthat's how we're going to

(25:42):
fucking do it.
But you know they got Kendrickup there, you know.
So I boycotted the shit.
I didn't watch it.
But you know, I watched thevideo and everything and you
know I went to work.
You got a lot of like people notlike us that go up there.
You know they're like oh man,that was terrible.
That was the worst halftimeperformance, you know.
Like then I'm like, all right,you know, now I gotta go watch

(26:02):
it and see, because it couldn'thave been that bad.
It's Kendrick.
Even though I'm hating, Iunderstand that Kendrick is a
fucking generational act.
That dude is good.
He got songs that I like, eventhough I'm hating right now.
He got songs that I grew upwith and that I enjoy.
So I go look at it and I'm likebro, it's not that bad.
But at the same time I got gottaunderstand like not everybody

(26:24):
is in the rap, you know, and Ithink he could have done better
by performing his bigger hitsinstead of, like, you know, a
lot of it was on his newer albumand stuff like that.
So yeah, he could havedefinitely done better by
performing his newer hits, butat the same time, it's like I
don't know.
It's kind of crazy to see thedivide where some people's like,
oh, it was bad.
But it's like man, even withhim performing the new album, it

(26:47):
wasn't that bad.
It was pretty good, wellchoreographed, I like the
storytelling and everything.
So I just think, like I said,rap it kind of makes you realize
, like rap, even though it has,you know, passed some barriers
and everything, it's stillpredominantly Black.
You know, pass some barriersand everything, it's still
predominantly black.
You know, and some people stilldon't see across that line

(27:12):
other than the crossover shit.
Like you know, hotline Bling orsomething you know, referencing
Drake, they're going to fuckingfuck with that shit, but then
you know they're going to comeback to fucking Kendrick Lamar
and his shit that's not seen bythe Caucasian community and he'd
be like man, what the fuck isthis shit?
You know what I'm saying.
So it's kind of crazy, but I waslike bro, I guarantee you, if a
country motherfucker came upand did the same thing, y'all

(27:34):
going to be praising that shitand acting like that shit was
the best ever, you know.
So I think it was good, youknow, and like I forgot who
tweeted it, I think it mighthave been Jermaine Dupri.
The motherfucker didn't have nobacking tracks on some of them.
Songs you know went out there.
Good breath control, all thatshit.
You gotta think I mean that wasa pretty goddamn good show.

Speaker 2 (27:56):
Alright, so what you giving it Like a, B, an.

Speaker 3 (27:58):
A.
If I'm gonna rate it, I'm gonnagive it like a.
I'm gonna give it like an F,because Lil Wayne should have
been there.

Speaker 2 (28:05):
All right, bro Like.

Speaker 1 (28:06):
All right bro Like you know, you can get at me, you
can get up there and say the Fof fuck that shit, and then
you're going to wheeze again.

Speaker 2 (28:14):
All right bro, all right Will.
What you think of just theperformance itself?

Speaker 1 (28:20):
Shit.
So, all right, I'm giving it.
I'm just going to have myschool right off the top, I'm
not going to try to talk myselfin or anything.
I'm giving it a five out of 10.
So because now I'll give youwhy I just I don't know, all my

(28:40):
years of watching Super Bowlperformances and I've seen a lot
it just didn't.
I didn't get the same vibe fromit.
Maybe there wasn't enough, likeextra people featured in it
besides SZA and that that song.
I really wasn't feeling thatfor real.
And then you had Musta come out, you know, and he didn't do

(29:01):
nothing but just beat her.
So I and when somebody tells mea story, I want them to just
tell me a story and want it tobe flat right.
I want them to get from A to B.
I want to understand it.
I don't want to have to divedeep three days later to
understand your performance,like, oh, it's a controller.

(29:21):
Because you know this is a game, what like?
Why do we have to look thatdeep into it?
If it's going to be a story, putit out there, like, write it
out simple, don't give me hiddenmessages.
I don't want to go look foreaster eggs.
That's not the type of viewwhere I am.
Uh, and as far as the songchoices, I mean, I knew, I think

(29:43):
two maybe of the songs I don'tknow how many performed in that
short amount of time.
He did have good breath control.
That's why I give him points,but I was not.
I mean, I wasn't really lookingforward to it though, because
I'm not the biggest fan.
So I guess I can understandwhat some people say when they

(30:06):
say they didn't, they didn'tlike it.
It wasn't one that they wouldturn back in time and look at
again, because you know, that'show I kind of feel too.
So it's just that wasn't for me,it wasn't this year, wasn't my
year.

Speaker 2 (30:23):
Okay, you gave me five out of ten Quag my brother.
I feel like I got to defendKendrick Chris, because I
already know where this is going.
You know where it's going.
I know where this is going, bro.
I know where this is going.
Prove me wrong.

Speaker 1 (30:42):
But I feel like I know where this is going.
Did I enjoy the halftime show?
It was an experience.
I don't get up enjoy thehalftime show.
It was, it was an experience.
I don't get up for the halftimeshow anyway.
That's usually my nap time.
I usually go to sleep halfwaythrough the second, wake up in
the fourth.
That's usually how they go thistime.
You know, I needed to see.
I needed to be right there,okay.

Speaker 3 (31:05):
And.

Speaker 1 (31:09):
Let me just start out by saying Kendrick needs to be
locked up in the same asylum.

Speaker 2 (31:16):
Like I said, I knew where this was going.
Why?

Speaker 1 (31:19):
He looked this man dead.

Speaker 2 (31:21):
He looked dead in the camera.
We ain't talking about that, wejust talking about the
performance and all that's partof the performance.
You going straight to the drink, shit.
I just want to talk about theoverall performance.

Speaker 1 (31:32):
Go ahead and looked him dead in the eye.
No, no, no, no, no, that shitwas out of pocket.
Respect it, though I respect it.

Speaker 2 (31:45):
We can't do nothing but respect it.

Speaker 1 (31:48):
Overall, if I got to give it a 1 to 10, I'm going to
give it a five as well, becauseyou know it ain't holding.
I watched it but I also enjoyedmy portions and I was looking

(32:09):
more at the food than I was atthe TV.
I didn't see all the symbolismand all that.
I seen them making a flag andthen shaping this, shaping that
blood, whatever white people,all that kind of shit.
I saw all that.
The Sizzler shit was short, butit was there, man.

(32:30):
It's not for me, man, all right, cool.

Speaker 2 (32:38):
Now I feel like I'm in a position where I got to
feed Kendrick.
Oh, really, the first thing Ido nah, you're right, I don't
have to First thing I do want tosay is you pointed to that was
my biggest takeaway was the SZAshit.
I do, I do.
I wish SZA was able to get asong off of hers, not just her
features on Kendrick songs.
That is my biggest takeaway,because when they said SZA's

(32:59):
going to be there too, I'mthinking I know they're going to
do songs that she's on withKendrick, but I figured she was
going to get at least Snooze offor something.
So that's my biggest critiqueis that SZA didn't get the
performance of Osama.
Of course you know I'm a male.
Of course I want to look at SZA.
You know what I mean.
Let's keep it above um.

(33:21):
As far as the overallperformance, I think I gave it a
.
I give it a B because, like,like Red said, from the jump he
did it without backtracks and hedid it.
He actually did a performance.
Most rappers like I was justdownstairs watching Jello
perform Tweaker at the All-StarWeekend.

(33:43):
I heard the music in thebackground.
I don't even hear him sayinghis words.
I heard the words performingthrough the speaker.
Now, if you a rapper, performyour words, you know your.
Now, if you a rapper performyour words, you know your song,
especially if you jello.

Speaker 3 (33:57):
Like bro you only got one.

Speaker 2 (33:58):
You only got one big song.
What we doing.
You should know these words.
You know what I'm saying.
You should know these words.
Kendrick took the time, knewall his words and was able to do
the take care of the breathcontrol and all that.
So I give him credit for that.
I give him credit for themessages that was in there.
The problem with it, theproblem with the messages, is,

(34:18):
like Will said, you kind of gotto eat the egg on them and then
they also.
The presentation was kind ofit's kind of boring a little bit
.
The thing I give him credit foreverybody was waiting on the
jerk shit.
Was he going to perform?
Not like us?
We always waiting on that.
Everybody was waiting on that.
That's the way and, let's bereal, that's why you fool,

(34:39):
that's why you watch it and younormally sleep.
You want to see what bro wasgoing to do.
If he really was going to takeit there, he took it there.
I like the fact that he builtup to it.
It was like I'm going to keepy'all guessing.
I'm going to keep y'allanticipating what we're going to
get her in a gather.
I also give him credit forbringing out Mustard because,

(35:01):
let's be real, the wobble, theTV off, joint, the wobble up or
whatever, and not like us, themshits went because Mustard made
these dope ass beats.
I'm glad that he brought outMustard, these dope-ass beats,
so I'm glad that he brought upMustard.
So I did my beat.
You know before that it waskind of slow Before the
build-ups, plus shout-out toSamuel.

(35:27):
He put a show together.
Is it a brand show, likeBeyonce or Taylor Swift would
have put together?
No, but he took a KendrickLamar show to the half and I
give him credit for that.
It should have been Master P.
Okay, you say that?
Stop, it should not have beenMaster P.
That's great.
It should have been Murder Inc.

(35:47):
Whatever, it should have beenWayne.
If it was going to be anybody,it was going to be Wayne, but we
got to stop playing this.
So if it's new or no newOrleans, we got to do new
Orleans artists, cause that'snot they normally.
They typically don't do that.
They typically don't havesomebody that's from the city
perform.

Speaker 1 (36:01):
That's a new thing.

Speaker 2 (36:04):
That ain't never been the history of of, if anybody.
If you want a New Orleans andlet's be real, we all know Lil
Wayne ain't the best performer Ithink that's fair to say.
Can Lil Wayne carry the wholehalftime show, dog?
I don't know.
I think he could do it for real.
Your better bet to get a Wayneappearance would have been Drake

(36:27):
in the halftime show, and thenhe brings out Wayne.

Speaker 3 (36:31):
Or Lil Wayne bringing out his artists.
You know what?

Speaker 2 (36:34):
I'm saying Even Juvenile.

Speaker 3 (36:36):
I feel like Juvenile would have probably killed the
shit.

Speaker 1 (36:37):
Juvenile's not going to stop.

Speaker 2 (36:39):
You start with.

Speaker 3 (36:39):
Hot Boys and you end with Young Money.

Speaker 2 (36:41):
You end with Tiger and Nicki Minaj and all them
motherfuckers you know Right,juvenile's not a big enough
artist to perform at the HatTrap Show.

Speaker 3 (36:47):
What you talking about, Bro.
You go into any white club, bro, and you know which song you're
going to fucking hear at thatwhite club.

Speaker 2 (36:53):
You're right, big Enough Back.
That Ass Up is a iconic song.
We already discussed that.
We know that.
Yeah, that's true.
But as far as other songs, stop, stop.
Juvenile's not a big enoughartist.
That's why you said Master B,come on man.

Speaker 3 (37:08):
You only need one song if it's Lil Wayne's
performance, it's a head turn,yeah, and you got two more.

Speaker 1 (37:14):
You got that rodeo and that slow motion and you
don't have any white personsthat don't know them.
But he only need one song.

Speaker 3 (37:21):
That's it.
Lil Wayne got his songs.
You got Nicki Minaj he going todo a song with her.
You got Drake He'll do a songwith him.
You know what I'm saying.
You got.
You know what I'm saying.
You got a whole bunch.
He can even do what is it withT-Pain?

Speaker 2 (37:35):
you know, got Money we black people hold on, man,
the black people, the blackpeople.
We starting to feel entitledand now we think the halftime
show is ours.
We can just get anybody out.
We can't just get anybody out.
It's the halftime show.
Super Bowl.
You gotta be a name, you gottabe a star.
You can't just be, you can't behood famous.

Speaker 3 (37:55):
Hood, famous man T-Pain could kill that shit by
himself.

Speaker 2 (38:00):
Stop it, quag.
Tell me I'm wrong.

Speaker 1 (38:03):
Why you trying to drag me into it.

Speaker 2 (38:05):
Nah, because bro you on the pod bro, say something.
Am I wrong?
Tell me I'm wrong.
T-pain.

Speaker 3 (38:12):
Bro, T-Pain got a lot of hits.

Speaker 1 (38:14):
No, I'm asking Q.
You saying T-Pain, can't.

Speaker 2 (38:17):
He's saying okay, we're not talking about T-Pain,
let's not move, let's not movethe goalposts.
That was the question.

Speaker 3 (38:25):
He's talking about Juvenile.
Oh Nah, you bringing it back tothis.
I ain't.
I said he could do one, onesong.

Speaker 1 (38:35):
I'm not even going to hold you.
I'm glad Lil Wayne didn't getthis Super Bowl, because who
wanted to see that?
You want to see the Chiefs gettheir ass whooped and then watch
Lil Wayne?
There was, no, I didn't enjoythis one.
So why would I enjoy watchingthe Chiefs get their ass whooped
, then have to watch Lil Waynego out there and perform and

(38:56):
then go back to watching theChiefs get their ass whooped
again?
I'll pass and you a Chiefs fan?
No Me.
And how many points did theChiefs have at halftime?
I forgot, that's my peeps.

Speaker 2 (39:13):
What's the my point is?

Speaker 1 (39:15):
How many points did the Chiefs have at halftime?

Speaker 2 (39:19):
Zero, if I remember right.
Yeah, zero, because they didn'tget past.
They didn't get past, theydidn't get past midfield Until
the second quarter.
They went through the thirdquarter.

Speaker 1 (39:30):
So Lil' Wayne probably got about four more
dreads than Steve's had points.
Did nobody want to see thatperfect?
Probably nobody want to seethat Wayne out there.
But I want Wayne.
But they got to get in the timemachine.

Speaker 2 (39:44):
That's all I'm saying .
That's all.
Hold on.
Does Wayne have the yes?
But can Wayne perform enough tobe a Super Bowl anti-magic?

Speaker 3 (39:53):
No, yeah, but I think he got so many features and
shit that he would have beenthere to make up for it and I
would have liked to have seenthat man, all the people that
he's going to bring out, right,wayne, don't even know to look
for his songs.

Speaker 1 (40:06):
That does make me want to think about this, though
If they did do Wayne, if Waynedidn't do any of his actual
songs and just did features andbrought out all other artists,
similar to the LA show for Dre,I think it would be better than
the LA show.

Speaker 2 (40:25):
Okay, I can see that.
That I can see, but it wouldstill be based on Wayne, and
then Wayne don't even know thelyrics to his songs.
Yeah, he do, bro, he wasperforming on.

Speaker 3 (40:35):
ESPN doing freestyles and shit.
Bro, literally wrote a song forthe NBA green and yellow.
Bro, you can't say this manain't put on for sports.

Speaker 1 (40:45):
I just heard him on the uh, the tweaker remix.
He killed shit, he killed shityou talking about Jello.
So that means he's superrelevant.
So his relevant.
You can't say he wasn'trelevant enough to do the Super
Bowl cause he had to.

Speaker 3 (40:58):
He said I'm gonna cross your ass up like Jesus.
Man.
What the fuck that shit hardyeah, you missing the point.

Speaker 2 (41:05):
Nobody said he couldn't rap.
You missing the point.
I didn't say.
I didn't say Wayne couldn't rap.
I said Wayne can't perform wellenough to do a halftime show.
I think he can.
People go to Wayne's shows nowand complain they ain't never
buying them seats again.
Their tickets are getting.

Speaker 1 (41:20):
When he came here my sister said that she was like
I'm glad I saw it, but I hatethat I saw it.

Speaker 2 (41:28):
Wayne's not a good performer.
Wayne is a rapper.
Wayne can rap his ass off.
Wayne is not a performer.

Speaker 3 (41:34):
I'd say 50-50, man.

Speaker 1 (41:35):
I think now he's talking about a performance back
in the day he used to be.

Speaker 2 (41:39):
Cool, you're right.
Okay, I dig that.
But, like you said, we'retalking about now.

Speaker 1 (41:44):
I wouldn't, but I said like I said, I want the
time machine, I'll go back.

Speaker 2 (41:48):
Yeah, yeah, but no, I ain't rocking with it.
I went down a little thing.
Kendrick's taking shots ofDrake the Game Over the Serena
Williams, because as much asthey trying to say it's the
women and shit, it's alsobecause it's Drake's ex, so it's
not a scholar's space.
Right, you know what I'm saying.
It can have multiple meanings,but that is one of the meanings

(42:08):
that you had his ex doing thenot like us shit.
The mean is that you had his exdoing not like a shit Will,
when he looked in the camera,like Koye said, and said say
Drake, you take it too far.

Speaker 1 (42:23):
Nah, when it's to this, it's to this man, it's to
this what it is.
There's no rules to this shit.
It's like fighting in theschoolyard.
I throw some dirt in your facereal quick.
It's just what it is yeah, Idon't know, man.

Speaker 2 (42:48):
I don't know, red, what you think.

Speaker 3 (42:51):
I'm going to take the high road type of guy man.
Like I said, I've been hatingon Kendrick bro, but I think nah
, I don't even think he shouldhave performed, Not Like Us.
Fuck that shit.

Speaker 1 (43:04):
Nigga do your old record.
I don't think he should haveperformed it either.
That's because of fatigue.

Speaker 3 (43:09):
You got a whole bunch of other songs you could do.
It ain't no reason for you tocontinue to bring this up.
Brother, I don't even think youshould have won a Grammy on
that dish record, you know,because at the end of the day,
it's a whole bunch of better rapartists and better rap songs
that came out that didn't evenget nominated, you know.
But you don't win on a dishrecord, you know.
I don't rap with it, I don't, Idon't, I don't rap with it, I

(43:34):
don't.
And I don't think that heshould have brought beef into
the super bowl.
He should have took the highroad and performed off merit,
you know, versus trying to.
Oh well, you know.
So I mean, I kind of understandwhy he did it.
That is a big record.
People like it, you know, evenif it's not a crossover record,
the shit didn't cross over.
You know to where you got peoplethat's not in the rap community
for real coming over and belike oh man, not like us man,

(43:58):
Kind of getting into the beef inthe rap game, but at the same
time I ain't fucked with it Allright.

Speaker 2 (44:08):
Can I read this from a white person before you go
quick?
This white person said the shitwas fine.
Talking about the Super Bowlhalftime, he said but I hate my
fucking people, bro, a lot ofmiddle-aged old white prejudice
with white people complaining.
I hate my people.
So he's saying he liked it, butit was a lot of prejudice,

(44:32):
prejudice white people thatcomplained about the halftime
show because of the beefsituation, because it brought
that in.
Greg, what you think?

Speaker 1 (44:49):
Come on, bro.
Hey man, White people sayanything, man.
This ain't anything, won't they?
This ain't got nothing to dowith white people and they'll
say anything I respect it.

Speaker 2 (45:06):
He looked in that man , he looked in the camera and
said that man's name dog, that'syour dog Out of pocket, out of
pocket, out of pocket.
Yeah, nah, I think he had toperform it Because, from my
perspective, I think that's whyhe got the halftime show in the
first place.
It was because of Sam Riker.
He had the year that he hadbecause of Not Like Us.

(45:29):
So you gotta perform the song.
You gotta perform the song.
You gotta perform the song.
It ain't no other, it ain't no,really, no other way around it.
You gotta perform that songSaying that man's saying that
man's name is crazy.

Speaker 3 (45:45):
And when I seen it I said man ain't nothing left for
Drake to do.

Speaker 2 (45:47):
You gotta fight that man At this point, like ain't no
, you can't.
He said your name in front thatman At this point, like I know
you can't.
He said your name in front of160 million people.

Speaker 1 (45:59):
I think I would do what Drake did, though I think I
would do exactly what he didand release music.
You just did all my marketing,bro.

Speaker 2 (46:11):
True, because now Drake got the number one album
in the country.

Speaker 1 (46:15):
Exactly so, like it's like come on, bro, go ahead,
keep it up, make some new money.

Speaker 3 (46:22):
I mean you could argue he wouldn't have been
there without Drake.

Speaker 2 (46:25):
Yeah, that's my whole thing.
That's why I think he had toperform the record, because you
wouldn't have.
I don't want to make it soundlike I'm taking something away
from Kendrick Lamar.
He's a talented artist, he's agreat rapper, he might be top 10
, top 15, all time.
Maybe you know what I'm saying.
I want to make sure I givebruhs flowers, but at the same
time, kendrick Lamar does notget that half-time show without

(46:47):
this jerk.

Speaker 3 (46:49):
I think he was falling off prior to this whole
beef shit.
If you ask somebody to nametheir top rappers, kendrick
Lamar he'd probably still be upthere, but at the same time it'd
be like I think you'd get morepeople without him on the list
until the beef came to be.
You know like, came, broughthim back and everybody like, oh,

(47:11):
kendrick, kendrick, kendrick.
But I'm like Brad, like I mean,that's just life.
You know people going to forgetabout you if you ain't really
dropping or you ain't reallyeven if you're dropping and your
music is not relevant.
You know what I'm saying.
Same with Lil Wayne Lil Wayne'sstill dropping heat, but people
not really checking for him, sothey're not going to put him in
the top list anymore.
So it's like, like I said, manwithout Drake and that beef he

(47:33):
wouldn't have.
Like you said, probably wouldhave got it.

Speaker 2 (47:37):
I don't think he would have got it, and that's no
shade to him, that's nodisrespect to him, I just don't
think.
I think it's kind of the sameshit.
With 50 Dishes of Ja Rule, youjust won the hottest dudes in
the game.
It's going to gather you a lotof attention.
Kendrick was already one of thetop three dudes in the game as
far as record sales.

(47:58):
So then you diss number one inrecord sales.
People don't slur to you.
Ain't no shame.
But I mean, he did what he hadto do.
He did what needed to be done,at least from my perspective.
Quay, you got anything else youwant to say about the Drake and
Kendrick 2?

Speaker 1 (48:16):
Get them up out of here.
I ain't listened to the newDrake yet, but get them up out
of here.

Speaker 2 (48:19):
Keep it.
Yeah, I'm planning to listen tothe new Drake, see what he's
talking about.
The thing I would will say hesaid that's what Drake would
have had to do was release themusic.
I think Drake should have tookthe Lil Flip Game Over record
and flipped it and sampled itand came out with a.

(48:40):
Came out with a record with himjust rapping on it.
But make sure it ain't no, youknow, make sure it ain't no
other rappers, ain't no otherwriters on it.
It's just you.
It's just body of shit.
I think that's what he shoulddo.
You talking about a diss?
Nah, just rap.
If you throw some subliminalshots, you throw some shots.

Speaker 1 (49:02):
Let people think, whoever it is you better get in
his ear, then you better get thethat's right.

Speaker 2 (49:09):
as soon as I seen Game Over, that's when I was
like, ah shit, I would just getthat little flip record, flip
the little flip record, samplethat shit and go ahead and go in
.

Speaker 3 (49:19):
That'd be hard, but I can't see him on that, though.
For some reason, I just can'tvisualize Drake on the Game Over
beat.

Speaker 2 (49:24):
That's why you sample it to make it sound like, make
it turn it into a Drake record.
You don't use just that beat.
Like I said, you sample it,turn it into something that
Drake can get on.
But Drake actually get on hisrapping shit.
Buy that shit up.
If I was Drake, that's what Iwould do.
You know what I'm saying Frommy perspective.

(49:45):
That's what I would do.

Speaker 1 (49:48):
I got a question real quick.
Two, actually One.
It's a statement.
The statement is I got aquestion real quick.
Go ahead.
Two, actually One.
I'm One, I'm just going to ask.
It's a moment of statement.
Second was a question.
The statement is I think thatbecause of this, we're going to
maybe not see the hip-hopartists in the Super Bowl,

(50:08):
because of the reason you said,because of the white people
Pretty angry, right?
So it wasn't like with the Snoopand Dre.
These are classic hits.
They can get with those.
I don't think they were madbecause the beef was introduced.
I think they were mad becausethe music they couldn't get with
it wasn't music that theyrocked with.
They were just like what isthis?

(50:30):
Imagine them putting on TimMcGraw.
You're going to be like what isthis?
I mean, imagine them putting onTim McGraw.
You're going to be like what isthis?
You feel me.
So that's why I think it wasmore than that.
But do you think it will changethe Super Bowl for the future,
going forward?
Do you think they'll take thehip-hop act maybe out of it for
a few years Because we had anice little run I mean you can
throw Shakira and J-Lo in themiddle of it because we had a
nice little run.

(50:50):
I mean, you can throw Shakiraand J-Lo in the middle of it,
but for the most part it's beenan urban halftime show.

Speaker 2 (50:57):
Yes, I ain't going to lie.
When we got the usher off,matter of fact, I looked at my
Facebook memories and I said, hi, y'all, we got to enjoy this
one because we ain't going tohave another one in a while.
Then we turned around and hadKendrick.
I think the reason we hadKendrick because, not Like Us
was that big of a record.
I understand why it won theGrammys for record of the year.

(51:18):
I think Glo should have wonsong of the year.
Yeah, glo, but that's a wholeother conversation.
But I think that record helpedput Kendrick in the spotlight.
Also, taylor Swift keep turningthem down.
That's the other thing.
Because they keep asking TaylorSwift.
She just keeps telling them no,I don't, I do.
I'm going to say it again, eventhough I got it wrong last year

(51:40):
because of the book withKendrick.
I don't think it's going to bean Urban X shirt Because, like
you said, it's been a trend ofnothing but Urban X and I know
Jay-Z's in charge.
I know it's kind of part of thesituation, but you also got to
give these.
You got to give thesenon-hip-hop fans I ain't even
going to say the congregationpeople you got to give these
non-hip-hop, these non-R&B fans.
You got to give them one.

(52:01):
You got to give them one.
So I'm making sure it's goingto be a country person.
Who that country person is, donot know, because I can't think
of a pop artist off the top ofmy head because I know I think
Katy Perry did it.
I think Katy Perry already didit, if I remember right.
So I don't know who the popperson or the country person is,

(52:21):
but I think it's going.
I would think it's going to becountry From, at least that's
what I think.

Speaker 3 (52:28):
I was thinking the same thing.
But I was thinking the samething that it you know has been
a while with, like you said,urban X and stuff.
But I was also thinking aboutpeople that could like do it,
that's a piece to all crowds andstuff like that, and this I
mean I feel like it is a lot.
But at the same time I don'tknow.
You know, like that's a, that'sa hard thing.

(52:49):
Like that's a, that's a hardthing.
Like I was like damn, it'd bedope if, like, uh, rick rubin is
some shit, where he, you know,he's produced rock acts, he's
produced rap artists comes andbrings.
Like it'd be like rick rubinand friends or some shit like
that, but they would, theywouldn't do that.
But at the same time, I mean, Ihad that same thought.
Well, I was like, damn man,they didn't have a lot of black
artists.
Now people were up in arms like, oh man, I wasn't rocking with

(53:12):
that.
And like I said, they wasn'teven rocking with fucking.
Uh, when they had a big boy andsleepy brown on stage, I was in
the room.
People's like who's, who's this?
I'm like bruh, all y'allmotherfuckers jam out to this
shit.
You don't even know who.
Who the fuck is singing thissong, bro, hey, because that
record crossed over.
You said what that recordcrossed over.
That's what I'm saying.
So I'm like, bro, how do younot know who this is?

(53:33):
And you'll sit there.
If it came on at a club, you'dbe like, oh, I know the lyrics
and all that shit.
But you can't even point thismotherfucker out.
You know what I'm saying andyou don't like it now because
you don't know who that issinging the song, so I don't
know.
That is kind.
It's kind of interesting.
I would like to see who doesperform next, you know.

Speaker 2 (53:54):
Yeah, I think it would be dope.
I think I do want to see who'sgoing to come up next.
I bet We've been here for aminute.
Hey Quay, without further ado.

Speaker 1 (54:05):
Damn.
Today's edition of HighThoughts is brought to you by.
You know a little of this, alittle of that.
You know what I'm smoking on.
Life should be on Cinemade.
I ain't going to hold you.
I already know I was notthinking about a high five at

(54:30):
all.
You know what I was thinkingabout.
I was thinking, actually I dogot a high five at all.
You know what I was thinkingabout.
I was thinking, you know,actually I do got a high five.
It's crazy too.

Speaker 3 (54:39):
So we go to the restaurant.

Speaker 1 (54:42):
last night, you know last night's Valentine's Day,
and it's already late, like Iget it.
You feel me, like me personally.
I understand I'm not trippingat all people.
They might.

(55:03):
It's cool.
The food come out.
Her food come out, but theyonly bring the wings and they
bring her fries.
Her food come out, but theyonly bring the wings, then they
bring her fries separately.
Like 10 minutes later I don'thave nothing in front of me.

(55:28):
So I felt their foot tappingunder the table.
You know, whatever, whatever,like oh shit, here we go, you're
about to go All the wages over.
It's Valentine's Day.
I'm supposed to be eating withmy man and I'm not, so doesn't
that seem like a problem to you?
I'm sitting there.
I'm like oh my God, man, thegirl.

(55:52):
She's like well, yeah, but youknow we have a policy.
You know we bring when theycome, when they come up, it go
out.
She was like Make that myproblem, get a, get a manager.
I'm like come on, man, nottoday, what you doing.

(56:18):
She was on it.

Speaker 2 (56:25):
Couldn't even be mad, though What'd the manager?

Speaker 1 (56:27):
do.
Took half the meal off.
Ah, okay, that's what's up.
I mean it is, but I mean wedon't got to do all that.

Speaker 2 (56:43):
So was it an upscale place.

Speaker 1 (56:45):
It would be the.

Speaker 2 (56:47):
Oh, come on.
What are we doing?
Come on.
Hey, I can sympathize with youbecause my mom do that every.
What are we doing, come?

Speaker 3 (56:52):
on.
Hey, I can sympathize with youbecause my mom do that every
like it's not even on specialoccasions every time we go out,
and like she always got thesespecific ass requests and like,
god damn mom, like I feel likethey end up doing some shit
because like she just alwaysgotta look at them, you know.
So I kind of sympathize withyou a little bit.

Speaker 2 (57:18):
It's B-dubs though, Like yeah, bro, we ain't got to
do that.
I don't think it's.
I don't know if it's the spotto be doing that at.

Speaker 1 (57:27):
Yeah, it was cool.
I feel it Get on business whenmoney's being spent.
I feel it Get on business whenmoney's being spent.
I understand it, but I ain'tgoing to hold you.
We should have known shit wasoff, because I looked over to
the right Black dude in therewith his shorty when we first

(57:47):
got there.
He's a bigger dude, not thatthat matters, but Damn bro.

Speaker 2 (57:53):
Why do you get us destroyed?
This is what I was thinking.

Speaker 1 (57:55):
I'm saying he was higher calorie.

Speaker 2 (57:59):
Damn bro Now he's higher calorie.
I ain't never heard a fatperson as far as he was higher
calorie, bro.

Speaker 1 (58:05):
I say that all the time because I be trying to be
respectful.

Speaker 2 (58:08):
All right, bro, this nigga be calling me higher
calorie.

Speaker 1 (58:11):
I don't even know what bro, hey bro, learn
something new what I'm saying isI look over to the right.
We was in there probably about10-15 minutes.
I look over to the right.
His whole burger on the plateon the plate.
They gone though.
I said, oh, we might not, wemight not need to be eating here
.
Then Appetizer come out.

(58:34):
Got the nachos.
It's got the cheese on it, thecheese coat, the mozzarella
sticks Ain't got no cheese inthem, it's just shells.
That's why I said I couldn't be.
The mozzarella sticks ain't gotno cheese in them, it's just

(58:55):
shells.
Yeah, she should have workedwith the parlor.
That's why I said I couldn't bemad at it because of the whole
night.

Speaker 2 (58:59):
Okay, now it makes sense.

Speaker 1 (59:01):
Yeah.

Speaker 2 (59:03):
It was a build-up.
It wasn't just a mop who heardhis name.
Okay, it was a build-up.

Speaker 1 (59:09):
No, no, no, yeah, it was.
Well, it was.

Speaker 3 (59:14):
How many people was in this beat-up?

Speaker 2 (59:20):
Just like Pac?
I don't think so.

Speaker 1 (59:25):
Asshole what you mean by Pac.

Speaker 3 (59:29):
By every seat taken or something I don't know.
That's what it sound like youknow it was 10 o'clock.

Speaker 1 (59:35):
It was.
Let me, if I had to say itmight have been 10 other people
in there.

Speaker 3 (59:44):
God, yeah, man.
Hey, that's good that you goton them, though, man.

Speaker 2 (59:49):
Okay, okay, now what's?
All the details come down.
Yeah, that's why you gave.
Yeah, yeah, she's why you can't.
Yeah, yeah, she was right, shewas right.
Okay, yeah, but yeah, b-dubsclosing with like 12-1.
So that ain't even an excusefor them One.

Speaker 1 (01:00:05):
It was like yeah, I would say, it was like 10
o'clock.

Speaker 2 (01:00:07):
So they had, yeah, that.
That ain't even an excuse forgod damn alright man.
B-dubs are her wallet.
That's why I quit going toB-dubs, cause they charge you
$30 for a piece of chicken.
That's this big.
What are we doing?

Speaker 1 (01:00:25):
bill was finna be $50 $60.
No siree, nah got it down to 20.
She took her business, handledit.
I ain't mad at it yes, sir yes,sir, but yeah no, valentine's

(01:00:46):
Day.
We don't celebrate paganholidays anymore, so we
celebrate throughout the yearwhat you said.
This has been another episodeof the Mixed Vibes Podcast, your
favorite amateur podcast.
You can find us wherever youget your podcasts, like Apple,
spotify, pandora.

(01:01:07):
They fuck with us over there.
You can hit the Instagram,facebook, twitter for questions,
comments, concerns only byYoung Quaggity Dream.

Speaker 2 (01:01:16):
Hey, man Red, I appreciate you.
Nah, thank you for having me,man.
Yes, sir, will I appreciate youas well?
My brother, mr Birdglasshimself.

Speaker 1 (01:01:25):
Man, I'm always happy to be here.

Speaker 2 (01:01:27):
Yes, sir, yes, sir, man, thank y'all for listening.
It's your boy, mr Bill akacan't say your name up on this
pod, might not put you to mine.
You know what I'm saying.
We're going to get that shot onthe next one, peace.
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