April 18, 2025 • 71 mins
Strap in for an unfiltered journey through sports controversies, relationship betrayals, and hip-hop's most heated debates. We kick things off exploring whether Aaron Rodgers should take his talents to Minnesota, weighing if his undeniable skill outweighs his controversial personality. Could the Vikings be the perfect landing spot for a redemption arc with Justin Jefferson?
The conversation shifts to a relationship dilemma that sparks passionate debate: what cuts deeper — discovering infidelity or learning someone else is financially supporting your partner behind your back? Our hosts share raw personal experiences that reveal how financial betrayal can be just as devastating as cheating, especially when you're still being asked for money while someone else is footing the bills.
The heat rises as we dive into hip-hop's Mount Rushmore conversations. Who truly deserves immortalization among mixtape legends? Is Lil Wayne the undisputed leader? Does 50 Cent's early mixtape dominance earn him a spot? Our hosts construct their dream lineups for mixtapes, trap pioneers, and influential white rappers, examining the difference between innovators and perfectors of the form.
We also untangle the Keri Hilson controversy following her Breakfast Club revelation that she was forced to record her infamous Beyoncé diss track. Was this truly career suicide, or was poor management the real culprit? Then, we break down the seemingly eternal feud between 50 Cent and Ja Rule — now with both approaching 50 years old — questioning why some beefs never die despite decades passing.
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Yo, you know what time it is.
Another episode of the MixedVibes Podcast, your favorite
amateur podcast.
You can find it wherever youget your podcasts.
Mom, your boy Young Quaggy T,the dream.
Speaker 2 (00:12):
Hey, you already know the vibes.
It's your boy, mr Bell, aka,say your name up on his pod.
Mind up with you tomorrow.
What up, jerk?
Well, shout out Jerk.
What it do my boy?
Shout her out.
What's good?
Huh, shit, I can't call it dog,I can't call it how you doing.
Speaker 1 (00:32):
Hey bro, same old shit, just a different day.
Speaker 2 (00:37):
I had a Damn Let me do the ass quag.
I'm going to ask you if youwant to do this ass quag, Ass
quag.
I heard Aaron Rodgers wastalking to the Vikings about you
know, just give me a one yearand I could be a mentor type
fellow.
How you feel about that?
Because you know, beforepre-pod you had on the whole
Vikings jersey and all that.
(00:57):
You still got that on right,yeah, so I mean, how you feel
about Aaron Rodgers being yourquarterback next year, letting
JJ be his understudy?
Speaker 1 (01:09):
I mean, if you're going to follow the blueprint,
follow the blueprint.
I mean it's already been set instone Bretton already did this.
Packers Jets, Vikings had hisbest season with the Vikings
best season ever so.
Aaron Best season ever so.
(01:30):
Aaron Rodgers had a bad seasonlast season.
I mean he due for a good one.
You know you already got aready-made offense.
Okay, Damn you getting the keysfrom a nigga that didn't know
how to drive a car.
He don't know how to drive astick.
Speaker 2 (01:42):
All right, hold on, bro.
He got you out of what Like 13wins 14?
Speaker 1 (01:46):
13 wins.
But I think his last threegames this nigga.
Speaker 2 (01:52):
We ain't got time for that.
Speaker 1 (01:53):
Same Darnold bro.
Speaker 2 (01:55):
I'm saying Wait, wait .
I don't think it's necessary.
Speaker 1 (02:02):
Hey, get a key to somebody to know what they doing
bro.
Speaker 2 (02:06):
Does Aaron know what he doing?
Speaker 1 (02:09):
We know he would.
Just based on what we knowabout Aaron Rodgers, when it's
going good, it's going good.
This is a.
This is a nice car, bro.
It barely got, bro.
Look, I look at it like this wesold the car to somebody that
couldn't afford the car note.
I think Aaron Rodgers canafford that car note.
Speaker 2 (02:38):
I don't know, bro.
I'm just gonna be all the wayhonest, though I know, like you
said, same dog.
The last three games, includingthe playoff game, he was bad.
Speaker 1 (02:48):
Terrible.
Speaker 2 (02:49):
He was bad, but those first couple games bro was
solid, he was good.
Speaker 1 (02:56):
He was winning, bro.
He wasn't good bro, he waswinning.
Speaker 2 (02:59):
I ain't saying bro was great.
I ain't saying bro was an MVPcandidate.
Bro was a solid startingquarterback.
He was a solid startingquarterback.
Speaker 1 (03:05):
Solid.
He was a solid startingquarterback in that first half.
Speaker 2 (03:10):
Yeah and then, but Aaron Rodgers wasn't a solid
starting quarterback.
He was a below average startingquarterback.
Especially for all that comeswith Aaron Rodgers.
You can't have a below averagestory quarterback.
I mean, we say everything thatcomes with Aaron.
Speaker 1 (03:27):
You say everything that comes with Aaron Rodgers
bro.
Speaker 2 (03:29):
Come on, bro.
You know Aaron Rodgers is aheadof you.
Speaker 1 (03:31):
He playing with the Jets, bro Bro.
He was like that with Green Bay, but they ain't really had no
ownership Like they ownership isthey fans?
They don't care, they love thatshit.
Speaker 2 (03:41):
Bro, that don't mean he still go out here and act the
way he act.
Nah, bruh, I ain't hearing it.
Dog, I ain't hearing it.
Speaker 1 (03:48):
You dealing with actual, actual people, you feel
me, you gonna bump some heads.
And I ain't even talking aboutjust on the field, I'm talking
about the off the field stuff,like you, gonna bump some heads.
Speaker 2 (04:01):
I'm saying bruh, bruh , I got.
He don't know if he's going toretire.
He had her taking retreats,doing ayahuasca and all that
good stuff.
Like it's a lot that you knowwhat.
The year before he wentsomewhere it was in a cave and
all black he sat there.
I mean like all black we don'tcount that, bro.
Speaker 1 (04:16):
He got hurt.
He got hurt last year, bro, I'mnot counting that.
All right, yes, I would love tohave Aaron Rodgers is the
answer?
Yes, I would love to have himbecause I know what he would
come here and do.
Jed doesn't have a Randy Mossseason Damn.
I think he can get on the ball.
All you got to do is throw itin his vicinity, and I think he
(04:37):
can get him in his vicinity.
Speaker 2 (04:39):
I mean I was getting ready to say he going to have a
good season, but everybody goingto have a good season, but
everybody's going to have a goodseason with Justin Jefferson.
He's your rival.
Speaker 1 (04:48):
I mean, that's true.
Speaker 2 (04:49):
All you got to do is get in an arm of reach.
We're going to figure it out.
That's Justin Jefferson.
He's going to figure it out.
Speaker 1 (04:56):
But look Q.
Look what he did with Kirk.
Made Kirk into an all-star, apro bowler.
Look what he did to Sam.
Speaker 2 (05:09):
Put Sam into the pro bowl.
Okay, I don't know if he madeKirk.
I think Kirk gets a lot of hatethat he don't deserve.
I think Kirk is a top 20quarterback.
Speaker 1 (05:24):
I know that it go down and down every time.
I'm glad you realize,quarterback.
I know that they say it go downand down every time.
I'm glad you realize, bro, itgo down every time.
Speaker 2 (05:30):
I mean, yeah, because I had a you know saying like
top 15, I could think a 10 in myhead, so that's why I said 20.
That being said, I think KirkCousins is a good quarterback.
So I don't want to say JustinJefferson made Kirk.
I do think he helped SamDarnold and he would help Aaron
Rodgers.
I just think Aaron Rodgers is aheadache.
That's the only reason I'mgiving you a little pushback,
(05:51):
hey man.
Speaker 1 (05:51):
I don't mind it, bro.
We got Advil.
Speaker 2 (05:52):
Y'all might as well play Tech.
We got Advil All right bro, youget it.
Speaker 1 (05:58):
Hey, I didn't know he hadn't signed.
I thought I saw something thatsaid he signed with the Steelers
a couple weeks ago, but hestill ain't signed.
Speaker 2 (06:06):
The Steelers want you .
That's another thing.
The Steelers want you and youstill ain't signed.
That's a headache.
Move right there.
Speaker 1 (06:13):
Low-key.
I'm not going to hold you, bro.
I'm not saying I wouldn't wantto go there, but you.
I don't know what they, whatthey offensive coordinator, who
they offensive coordinator is,but you're going to be working
hand-in-hand with that person.
Speaker 2 (06:28):
Arthur Smith.
He used to be a tight.
Speaker 1 (06:32):
Oh hell.
No, I was no bro, but he'ssolid.
No bro, he was the Falconscoach bro.
No, I don't want that.
I would never go there.
I don't blame him.
Speaker 2 (06:41):
Okay, I'm not judging him off his head coaching
abilities.
I'm judging him on what he didas an offensive coordinator for
the Tigers.
Burrow was pretty good.
Don't you got the number onepick, because that's what it's a
job he got now.
He was in love with the players.
That ain't got nothing to dowith him.
Don't put that stink on him.
Do a bunch of other people.
We got a whole mess down therein Nashville.
(07:02):
There's nothing funny aboutthat.
I'm just looking at before hebecame the Falcons head coach
and he was our offensivecoordinator.
I think he'd be solid.
I don't think I was about tosay Dan's brand, but Seattle.
What is his name?
Speaker 1 (07:18):
Metcalf.
Speaker 2 (07:21):
Yeah, thank you.
Yeah, Metcalf, he got a weapon.
You already know the Pittsburgh.
They're going to keep a soliddefense.
I don't know, bro, I think Ithink you know.
All things being equal, I wouldlook at Pittsburgh.
That's just me.
Speaker 1 (07:43):
Pittsburgh over the Vikings, though when no?
If I admit, pittsburgh over theVikings, though when no?
Speaker 2 (07:48):
if I'm saying Pittsburgh over the Vikings, I
think I don't know, bro, I ain'tgonna lie to you, tomlin ain't
gonna have a losing record, soyou already know you're gonna be
winning over.
I think it boils down tobecause Justin Jefferson is
better.
I'm not like that's not even aquestion.
All right, I think it will boildown to who's like, what their
(08:10):
running game looks like and whothey second-round receivers.
I think that's what it willboil down to.
If I'm Aaron Rodgers and I'mtrying to decide between the two
and also you know what I'msaying I was going to say which
defense is better, because it'sgoing to happen on the other
side, but I think they probablyclose to even.
Speaker 1 (08:28):
I think they might be as far as personnel goes, but I
think, coaching-wise, I thinkwe I mean they got Tomlin but we
got Black Flores.
Flores is our defense.
Speaker 2 (08:36):
Yeah, yeah, yeah, I do got Flores.
So who was that number two?
I think that's what it was.
Speaker 1 (08:43):
Ours is.
We got Addison and then we gotAaron Jones.
Is our running back?
Speaker 2 (08:48):
Oh Jones, he played with Jones, exactly.
Speaker 1 (08:53):
That's why he reaching out Now.
Speaker 2 (08:56):
Let me see who.
Pittsburgh still a second whenI receive these Cause.
I think George Pickens.
Speaker 1 (09:02):
Or did they trade Pickens?
Oh yeah, pickens would still bethere.
Speaker 2 (09:03):
I think Pickens Nor is Pickens, or did they trade
Pickens?
Speaker 1 (09:04):
I don't think they traded Pickens.
Speaker 2 (09:06):
Yeah, pickens would still be there.
I think Pickens would be therethis year.
So, yeah, going with Pittsburgh.
Well, pickens is a headache too.
I'm going with Pittsburgh.
I'm going with Pittsburghbecause of that.
I'm glad you said Pickens.
I'm proud of that.
Pickens, I don't think.
Speaker 1 (09:26):
Pickens is playing back here.
That's a.
That's a no go, at least for myone of them.
You know for sure one of themwant the ball.
Yeah they, what am I going toneed the ball?
Speaker 2 (09:37):
yeah, but see, here's the thing Pickens be fighting
the DBs and stuff.
When his quarterback throw aninterception to the other side
of the field, not even on histhrow an interception to the
other side of the field, noteven on his side of the field.
On the other side of the fieldhe starts swinging at the DB.
They ain't got nothing to dowith the situation.
I don't think Pickens is goingto be there long term.
I think they trying to tradehim.
Speaker 1 (09:55):
You don't want to trade for Beckhead unless, yeah,
you can get off of him.
Speaker 2 (10:01):
Yeah, for sure, all right then it's X-Jarge, but
Jarge's not here.
But you know, I wanted both ofy'all, on this one, go ahead.
What is worse?
What is worse Getting cheatedon or finding out someone that
chose significant other money topay bills?
(10:22):
Say it again which one is worseFinding out you was getting
cheated on or finding out thatsomebody was sending your
significant other money to paybills?
Oh, it's the cheating, bro,it's the cheating.
Speaker 1 (10:34):
See, bro, I thought that too, because the cheating
leads to the second thing, thecheating.
Speaker 2 (10:44):
See, bro, I thought that too.
Because the cheating leads tothe second thing the cheating
can lead it can I done been inthat situation.
Speaker 1 (10:52):
The cheating led to her getting the money because
she hit him with the.
I'm pregnant.
Speaker 2 (10:59):
Nah.
Speaker 1 (11:00):
Yeah, bro.
Speaker 2 (11:01):
You put a story behind it.
I'm looking at just like justfor straight up basis.
You find out, let's say youknow they sending the money, you
know they got a relation, butthey ain't you know they ain't
go there yeah, but he takingcare of your household, he
taking care of your girl, he gotyou out here looking less of me
(11:26):
.
Which one is worse?
That's how I looked at it.
I didn't look at it from howshe got the money, I was just
looking at it from that life.
I don't know bro you got me outhere looking like a sucker a
little bit.
Speaker 1 (11:40):
Nah, because that bitch was still asking me for
money too.
The bitch was just gettingdouble the money.
Look, one situation.
Speaker 2 (11:51):
That makes it worse.
Speaker 1 (11:53):
It does, bro.
But one situation, shawty,listen, Shawty left her purse
with the nigga and had to comehome and ask me for money, where
your shit at.
So now I gotta go into mywallet just to have you some
bread.
Honestly, mine's still a cheat.
(12:22):
You know, mine is still a cheat, I ain't gonna lie.
I done got bread, I done gotcake, man.
You know what's going on.
That bitch send me tax money,man, every year.
And uh, let me tell yousomething.
Here you go for your troubles,babe.
Speaker 2 (12:36):
I ain't never, I ain't never had nobody send me
no tax Bread.
That's different.
You know you different, but Idone had.
You know Her.
Here's some money.
Go get you some lunch.
Go put some gas in your car ohshit, it does feel good.
I ain't going to lie when afemale sends you some bread,
(12:57):
Because you know the way it look.
Now, the females don't want adude that ain't sending them
money.
So you get you a female that'ssending you bread.
You feel like you did somethingright.
He ain't gonna hold you.
You get an extra little swag, alittle extra little pep in your
step.
But nah, back to the question.
I feel like I'm sending themoney to her Because, like you
(13:19):
said, I don't buy.
I gave you some bread too,because I'm trying to be on my
job, doing what I'm supposed todo and what society says a man's
role is.
I'm trying to do it, but yougot to get bread for me and him.
Nah, now I really feel likeit's over.
We ought to get you to go.
We all been there.
You know what I'm saying.
(13:40):
But you getting double thebread.
I really feel the way.
I really feel the way.
Speaker 1 (13:49):
Yeah.
When you start playing it likethat.
Yeah, no, no, no, like, like,but no, I feel like one lead to
the other one.
If you was just doing the otherone, like if Shadi like I said,
shadi had a whole she'spregnant story.
If she was just getting thebread, yeah, Okay, cool.
(14:09):
But you can already fuck thisthing on top of it.
To get the bread to be like I'mpregnant, I need, you know, gas
, money to go to the doctor.
They be come back with a new.
I ain't gonna lie.
I, I went through the big phone.
I went through the big phone.
So I'm serious, she's pregnant.
I'm this, I'm that.
(14:29):
Ooh, I got a doctor'sappointment on Tuesday.
I know the big schedule shetalking about.
She work Tuesday, okay, cool,she come in.
She come in with new nails.
What you do today, oh, I wentand got my nails done on my
lunch break after I got out.
You ain't been nowhere else,you ain't had no doctor's
(14:52):
appointment or nothing.
I'm letting the bitch know, Iknow, nah, I've been at work all
day.
Speaker 2 (14:57):
I went and got my nails done on my lunch.
Speaker 1 (14:59):
Oh okay, I couldn't wait.
You know, after my shithappened, after I get caught up,
I couldn't wait to hit thebitch who was fucking some nigga
telling him you pregnant.
Yeah, so I can keep some moneyin my pocket.
You know she trying to justifythis shit nah, don't justify the
shit.
Speaker 2 (15:16):
You did what you did.
You out here leavingbreadcrumbs like you had a
doctor's appointment, I know,you know.
Speaker 1 (15:23):
I know no doctor's appointment.
I know, you know, I know, soknow that you know.
A doctor's appointment.
Nigga, what are you talkingabout?
No, she said she was fakingthat shit because the nigga kept
putting money in her pocket.
Hmm, interesting.
Speaker 2 (15:42):
Alright, let's get into the news.
I don't know if you've been,but it's been a lot of Mount
Rushmore here lately.
I mean when we did our podAbout Mount Rushmore that was
about two years ago MountRushmore was still popping.
It had to be about two yearsago.
Speaker 1 (15:58):
Two or three yeah.
Speaker 2 (16:01):
We did that.
But you know what I'm saying.
It's back out a bunch of people.
They're doing a bunch ofdifferent Mount Rushmores.
Speaker 1 (16:06):
We're halfway through the decades.
I think that's the time that itusually yeah.
Speaker 2 (16:11):
But I'm saying they're going back to Mount
Rushmores all the time though.
So look, they had a bunch ofdifferent ones.
I've seen some for soccer, I'veseen some for music.
I've seen some for soccer.
I've seen some for music.
I've seen some for NBA players,I don't know.
Let's get into the musical.
There's been a bunch ofdisagreements as far as trap,
(16:33):
the trap music mixtapes and thewhite rappers.
There's also an R&B one, butI'm going to see what you think
I mean for me, when I think ofMount Rushmore, I think of, like
you know, four or five, becausethat's what's on the actual
Mount Rushmore, not the mostpopular, not the best, but you
(16:54):
know who established this, whostarted this and who you know
transitioned it into somethingbigger and better.
So for mixtapes mixtapes is ahot hobby because the one that's
circulating is a bunch ofSouthern rappers.
It's Wayne, gucci, jeezy Iforgot the other ones, wayne
(17:17):
Gucci and they put Future onthere.
The people up in New York islike 50 Cent is one of the ones
that started mixtapes and madeit pop.
Then you can't forget aboutPham.
And then a lot of people'stalking about Wiz Khalifa,
because you know, wiz Khalifahad an amazing mixtape run, and
then so did Wale.
(17:39):
My question to you is first, howwould you build that Mount
Rushmore Like?
Are you looking at it as far asthe best or who started it?
Who's the best?
Who started it?
I think that's two ways tobuild a Mount Rushmore.
Is it the four best or is itthe four that made it popular?
Who made it into a thing?
Speaker 1 (18:01):
I think it's in transition in transcendence.
I think it's the second one.
You said the best.
I don't think it's the.
It's not four or five, it's youthink it's the best?
Yeah, it's who took it and madeit best.
Okay, I'm looking at MountRushmore right now.
It's Washington, ThomasJefferson, Teddy Roosevelt and
(18:24):
Lincoln.
Yeah, it may sound like thebest to me.
Speaker 2 (18:31):
True, well, I guess at the time it probably was.
But I feel like they alsoout-forwarded him.
You know, played a part inhistory like Lincoln yeah no,
like a major part in history forsure.
Speaker 1 (18:41):
So you got the first and then you got everybody who
made a difference after that.
Yeah, so I don't, I can'tdisagree with Wayne and Gucci.
They gotta go on there.
Speaker 2 (18:54):
I disagree With.
Speaker 1 (18:58):
Gucci.
Speaker 2 (19:00):
I'll tell, but go ahead, go ahead, bro, I agree, I
disagree.
Speaker 1 (19:04):
There's nothing wrong with that, there's nothing
wrong with that.
But I feel why somebody wouldautomatically go Wayne Gucci,
okay, I mean, if anything, mepersonally, if you could do
drama on there.
I mean, I'm not saying, youcan't, but I wouldn't even.
Speaker 2 (19:24):
I was thinking of DJ too, but you can't, but I
wouldn't even.
I was thinking a DJ too, but itwasn't drama, but go ahead.
Speaker 1 (19:31):
Everybody need a.
Everybody need a Need to do thegangster grills.
Speaker 2 (19:38):
Yeah, yeah, but I think, but go ahead, go ahead
Because I got, because you saidDJ and it's a DJ in my head, but
it ain't, it ain't drama.
Speaker 1 (19:53):
I mean, if anything, I'd go, wayne, see, and I'd flip
it up.
Though I'd flip it up, wayne,I'd go drama, this might throw
y'all off.
Wayne, I'd go drama, this mightthrow y'all off.
Speaker 2 (20:15):
Wiz and Currency Currency A lot of people didn't
mention Currency.
Speaker 1 (20:17):
Okay.
Speaker 2 (20:19):
Okay.
Speaker 1 (20:20):
Because Currency, look, Currency mixtape game is
still going on.
Speaker 2 (20:26):
True, true.
So I don't wish Jersey to serve, because me and you Southern
dudes we both from the SouthJersey, you know got a little
bit of both.
Speaker 1 (20:38):
Okay, I'm going to give you this, I'm going to give
you you from the South.
Kentucky is not the South.
Kentucky is not the South.
Kentucky is not the South.
You definitely have Southernroots besides your Kentucky
roots, but what I'm saying isKentucky is not the South.
Speaker 2 (20:53):
All right, hold on, hear me out, we're going to have
another conversation.
I disagree with it.
Kentucky is the South,louisville is not the South.
You get us out of Louisville.
It's very the.
Speaker 1 (21:06):
South.
Okay, yes, this is true, yeah.
Speaker 2 (21:09):
Louisville is a mixture of South, because we're
in Kentucky, we got a lot ofMidwest and we also got a lot of
that Eastern Central, likeIndiana, you know West Virginia.
We got a lot of those into it.
Louisville's very Louisvillesomebody described it.
(21:30):
Louisville's a very big of amulti, multi-pop.
You put a bunch of stuff in it,mix it together, it come out to
be something that's whatLouisville used to be Kentucky.
You go down a lake, down a lake, you go to a lake.
It's crazy how Louisville andLake City ain't nobody out there
.
They're completely different.
They're very southern.
But again, where I'm from, welisten to a lot of southern
(21:50):
music.
That's why I said we from thesouth you got the southern roots
, my boy, but you're not fromthe south people from the south
look at Kentucky as the northand that's crazy that it's not,
though, but that's because yougot to think they don't come
here.
Nah, yeah, for me I put Wayneon there, because Wayne, I think
(22:22):
he's not a forefather, but he'slike the leader To me, I put's
like the leader To me.
I would put 50 on the earth.
I know 50 made a big name inNew York based off his mixtapes.
They was playing his mixtapestuff on the radio back then,
before it was a thing.
So I would put Wayne, I wouldput 50.
The fourth one is a toss-up tome, but I'm taking my third.
(22:44):
You said drama.
My DJ is actually DJ Clue,because back in the day that's
what they wanted to be on the DJClue mixtape.
All the rappers wanted to be onthe Clue mixtape.
That's how a lot of rappers gotfans and a lot of rappers got
their buzz out being on Cluemixtapes.
So that's where I would.
I would be in on Clue mixtapes,so that's where I would be.
(23:05):
Mads would be Wayne, wayne, 50Cent DJ Clue.
My flip was kind of hardbecause part of me won't say
fail.
Speaker 1 (23:14):
I did too.
Speaker 2 (23:16):
Part of me wants to say fail.
Speaker 1 (23:17):
But I feel like you can't put, see, and I feel like
you putting Clue For some reason, I feel like putting for some
reason, I feel like, even thoughthey don't, you got Clue and 50
, you got two heavy hitters andI feel like they too heavy of
hitters, if that makes sense.
Speaker 2 (23:37):
I mean, but they the full fathers of it, I think,
clue I had to put Clue becausehe's the one your dramas, your
callous, all these dudes thatcame out, I mean we didn't even
mention Callous All these dudesthat came out True.
I mean, we didn't even mentionKhaled.
Speaker 1 (23:48):
Yeah, but I would have Speaking of Khaled.
We'll get back to him duringHot Dog, but I got a bond to
pick with him.
Speaker 2 (23:53):
Okay, bet my fuck on Brian gonna lie.
I want to pick Faye out.
I kind of want to pick Jeezy.
Over Gucci over Gucci.
You know me, bro, I ain't thebiggest Gucci fan, so I know
Gucci's mixed taste, but I don'treally.
Speaker 1 (24:11):
Man Gucci had DJ Spanatic.
Them motherfuckers went crazy.
These was the ones with thedifferent covers and stuff.
Yeah, bro, man nuts.
Speaker 2 (24:23):
I think I'm going to go.
I don't know, bro, I think I'mgoing to go.
Don't know, bro, I think I'mgonna go Pham, yeah, I'm gonna
say Pham, I'm gonna go Pham.
For me it's Kluge Wayne andhonestly I don't.
I got a reason for every singleone of them, but the fourth one
and Pham, cause it's like, bro,I really don't know.
I don't know who don't get.
(24:44):
I don't know who to get becauseI want to get.
I want to look at wiz, but Ifeel like wiz don't feel
forefathers to me it for.
Speaker 1 (24:55):
So unless you don't look at the vlog, rap era yes
and no, because I I want to sayyou change it more to.
The wiz khalifa was the firstlike internet mixtape.
I guess you could say yeah, sothat was his like, he was the
forefather, I can say the first,but I'm saying like to do yeah.
(25:17):
If you think about it.
You think about oh, we wasgoing to download the wiz
khalifa mixtape.
That's the first person thatbecause he, he, that was our
time.
He was like shit.
I'm putting my shit out just soyou can just download it off of
DatPip, off of live mixtapes,off of MySpace, off of Hot New
Hip Pop.
You know what I'm saying?
He was making it accessible toyou like it.
(25:38):
All Hot New Hip Pop days, boy,all hot hip hop days.
You can download his shit offof worldstar.
You can get it anywhere.
So that's why you know if Wizmade the list, okay, I feel that
that's respectable.
But I put did I do Wiz andCurrency?
I did both of them you put WayneGucci Currency yeah, I did
(26:02):
Currency over Wiz cause I feellike Currency.
I mean to me.
I didn't say currency is notmainstream, but all these
presidents wasn't mainstream.
Or, let's see, I mean TeddyRoosevelt wasn't necessarily
mainstream to me.
Ooh, wasn't he the asshole?
(26:26):
Wait, teddy Roosevelt, that'sthe one from the museum.
Never mind, I'm tripping.
Thomas Jefferson he fuckedblack bitches.
Abraham Lincoln he fucked blackbitches too.
Speaker 2 (26:40):
You know, Abraham freed the slaves but he really
didn't vote to, he just did itas like a basically to get votes
.
You know what?
Speaker 1 (26:48):
I mean he didn't really care.
They said he was one of us too.
It was in him.
Speaker 2 (26:57):
So what was your four again?
Speaker 1 (27:00):
Wiz, currency Drama and Wayne.
Speaker 2 (27:05):
Okay, I thought you had Gucci over Wiz.
Speaker 1 (27:08):
Oh, gucci over Wiz, drama and Wayne.
Okay, I thought you had Gucciover Wiz.
Oh, gucci over Wiz, that'sright.
Okay, yeah, because Wayne,Gucci Drama and you can
interchange either Currency orWiz, but I'm going Currency.
Speaker 2 (27:23):
All right, bad, I'm going Wayne.
I'm going Wayne, 50 Cent, djClue and I'm going Pham.
Just because I fuck with Pham.
All right, trap music.
The one I seen with trap musicwas Gucci, gucci, jeezy, yo
Gotti.
What was the fourth one?
Damn, I don't think Drew abling was the fourth one.
(27:45):
Damn, I done drew a blink onthe fourth one.
I done, damn, bro, you know whoit was.
I done drew a blink on thefourth one.
Oh ti, there we go.
Yeah ti, jeezy, gucci ti, yogod, do you agree with that?
Speaker 1 (28:09):
no god, he's just an itch.
So uh, tip, gucci jeezy, butsee, I Gucci Jeezy, but see.
Speaker 2 (28:31):
The only one I think as far as trap music, I think
it's Jeezy, gucci and Till.
I think it's them three withoutquestion.
The floor point to me is twochains Because I don't feel like
Future's trap music.
I feel like you play it in thetrap, but I don't feel like he's
really necessarily trap music.
Speaker 1 (28:52):
Early Future trap music yes.
Speaker 2 (28:56):
So I don't.
Speaker 1 (29:00):
That's why I'm like I don't know, I think Future
could get on there.
If you're looking at, you knowthe typical Mount Rushmore
buildup.
You put Future on instead of uh, I don't.
Is Yo Gotti make trap music?
I mean, yes, okay.
(29:20):
Yeah, yo Gotti make trap music?
I mean, yes, okay, technicallyhe does.
I feel like that's a preferencething.
Me personally, president statusGotti is, I don't know.
I don't know.
I feel like Future's more theDonald Trump.
(29:41):
He come in and he just put hisface up there because he can't.
Eventually.
Speaker 2 (29:51):
I'm excited, All right bro.
Speaker 1 (29:54):
Yeah, gotti goes on, but me personally.
Nah, he's the Teddy Rooseveltof it.
I don't really want that niggaup there.
Speaker 2 (30:02):
Yeah, that's why I said it boiled down to Gotti and
Gotti and 2 Chainz for me,Alright, and then the last one.
What is a bunch of them?
But the last one we're going totalk about is the White Rockets
.
This is where, like, I havebeen seeing them all these
rushes, but I wasn't reallypaying attention to them.
This is the one that got mebecause MGK said he deserved to
(30:24):
be on the White Rappers, MountRushmore.
And I'm going to tell you who'son this.
Who's on it, the one thatcirculated, Eminem, Mac Miller,
Paul Wall damn, who was thefourth one?
Speaker 1 (30:46):
Oh Russ.
Speaker 2 (30:46):
Interesting.
Speaker 1 (30:48):
Interesting.
Speaker 2 (30:49):
So I have a feeling, I know.
I have a feeling.
I know who you're going to pickout first.
But let me ask you this Do youthink MGK deserved to?
Speaker 1 (30:59):
be on MGK.
Speaker 2 (31:06):
He wasn't on the one that's circulating.
Speaker 1 (31:09):
No, no, no, I get that MGK is.
I'm a wild boy, ain't he Callme Steve-O?
Yeah.
Speaker 2 (31:19):
You know, him and Eminem had that back and forth
yeah, yeah.
Speaker 1 (31:22):
So you definitely I feel like he, he low key, so I'm
not gonna say he's the first,but he okay.
How can I put this?
Stop it we was not fucking withwhite rappers like that.
We was fucking with.
Eminem we was not fucking withwhite rappers like that.
We was fucking with Eminem.
We was not fucking with whiterappers until that shit came out
(31:43):
.
He made it cool to be like,yeah, I'm hanging out with my
white friends.
He got to get on the list.
Speaker 2 (31:55):
Bubba Sparks, paul Wall, you saying we wasn't
fucking with Rory Roberts, weknow they hits.
Speaker 1 (32:01):
bro, you wasn't going to go pick up a Paul Wall album
.
I wasn't.
Speaker 2 (32:05):
I'm not Okay.
Whoa, whoa, whoa.
In fairness, at the time PaulWall was dropping albums, I had
quit buying albums.
Speaker 1 (32:15):
He's up for that A-frame.
Paul Wall, what was the otherone?
Bubba had hits, too, a BubbaSparks Bro, you went to go pick
up a Bubba Sparks album.
Speaker 2 (32:24):
I didn't at the time.
I went by the album store.
Speaker 1 (32:28):
What Bubba Sparks songs do you know?
Because I know you only knowone.
Speaker 2 (32:32):
Nah, bro, Bubba Sparks has some joints dog.
Speaker 1 (32:35):
Name them.
Speaker 2 (32:35):
We not doing that dog ?
Name them If you got somepeaches, nah bro Name them bruh?
We not doing that, bruh?
I've been indulging in liquorso I can't remember names.
How old is this at this time?
Speaker 1 (32:48):
Bubba Sparks.
Speaker 2 (32:52):
What's the Miss New Booty?
I've been indulging in alcoholat this time, so I can't
remember.
Speaker 1 (32:56):
Paul Wall Grills.
Speaker 2 (33:00):
All right, bro, you sure Paul Wall can go.
I'm not saying he can't, butI'm saying I'm saying Name
something bro.
Come on, bro, I've beendrinking, bro.
He got a bunch of shit with himand Mike Jones, him and Slim
Thug Like nah, bro, I'm notdoing that.
Speaker 1 (33:14):
A bunch of shit with other people.
You know Paul Wall, bro.
But I'm saying In other people.
Speaker 2 (33:21):
You know Paul Wilder, but I'm saying In all fairness,
though, only person that's onlyperson that's, you know,
solidified, that's guaranteed aspot, is him, yeah for sure, for
sure.
I think Mac Miller.
I think he's close to, I thinkhe's basically number two.
Speaker 1 (33:37):
I ain't gonna say number two, I'm gonna say he's
on the list.
Speaker 2 (33:41):
Yeah, I ain't gonna say number two, I'm gonna say
he's on the list.
Yeah, so, but only like.
But even Mac Miller, you coulddebate a little bit RIP to him,
you know, no disrespectwhatsoever, but only person
that's for sure is himPersonally.
Yeah, only person that's forsure is him.
I would put Mac on there justbecause he's in that same vein
as like.
When we talked about WizKhalifa earlier, he was out in
(34:02):
that time frame.
He's that new Asian whiterapper.
I ain't gonna stunt.
I know you can't put all ofthem up there, but I definitely
would put the Beastie Boys.
Who?
The Beastie Boys, that's what'sup.
You know listen, that's what'sup.
(34:23):
They, you know like, we listen,it ain't like it's that mean we
can go.
I know for sure I wouldn't haveRuss up.
That ain't no knocking to Russ.
I like Russ, but I ain'tputting him up for her.
Speaker 1 (34:38):
Russ is part of the quote.
Unquote the new age where Iknow the songs, I don't know the
person that sings the songs.
So I was like I said, oh, russdropping a new album.
I was like I don't know none ofhis music, no way.
They went to telling me, oh no,russ, is this Russ is that?
Oh okay, I know that nigga.
Then okay, we cool, we cool, wecool.
But no, for me he don't get on.
I'm taking him MGK's going onthere.
(35:04):
Like I said, I'm saying if wegot to do it, I'm going to go.
I want to say Ice, vanilla Ice.
Speaker 2 (35:20):
I can't rock.
Speaker 1 (35:25):
And my Teddy Roosevelt is Mark Wahlberg.
Speaker 2 (35:28):
Marky Mark in the fucking.
Speaker 1 (35:31):
Mark Wahlberg, my Teddy Roosevelt.
Nah, for real, I think I'll do.
I think I'll leave Mark andI'll put Mac Miller instead of
Vanilla Ice.
Speaker 2 (35:41):
All right, I'm going Ice, I'm going Em, I'm going Em,
I'm going Mac Miller, I'mputting the Beastie Boys up
there and then I'm putting PowWow.
Pow Wow was the first Southernwhite rapper.
Well, I think Boba actuallycame out before, but you get my
point.
Pow Wow is the biggest Southernwhite rapper, even though, like
you said, I can't claim theSouth.
(36:01):
But he was the first one thathurt.
Speaker 1 (36:05):
I'm trying to think bro, at what point did I find
out Paul Wall was white?
I don't think I always knew.
Nah, I did.
I'm trying to think yeah, Iknew he wasn't black.
Speaker 2 (36:31):
I knew he wasn't black.
Alright, man, that's all on theMount of Merciful right now.
They got the R&B one, but wemight look into that next week.
Man, let's get in Carrie Hilson.
Man, there's a lot going on atthe Burr Club this week.
Let's get to the Carrie Hilsonfirst.
All right, so Carrie Hilson shewas on the Burr Club and they
asked her about the Beyonce diss.
(36:52):
You know as many peopleattribute to that Beyonce diss
to the ending of her career Well, not the ending, but the down
slope in her career.
She said she didn't write thesong.
She said she wrote three barson the song and she said
somebody else that was in thePolo to Don camp at the time
wrote the verse.
They wrote this.
She said she fought back, shewas in tears in the studio,
(37:16):
Don't want to do this.
But they said either you do itor we're going to pull your
career and you're going torelease no more music.
That's what she said.
Apollo to Don said I bet Carrienever said a name about who
wrote the song, but a lot ofpeople tagged Astrid Dean into
the comments.
Astrid Dean, you know she wrotea bunch of.
She wrote Rude Boy for Rihanna.
(37:36):
Astrid Dean got jokes Like asfar as her pin game, she did
some music herself, but for themost part you know it.
For her pin game she got hits,like real hits.
She said, yeah, I wrote it, sowhat it is, what it is.
When she first, her initialresponse was like yeah, I wrote
(37:59):
it big and bad, I ain't worriedabout bad, like ain't nobody, I
ain't worried about nobody,ain't got nothing to do with
none of that Cool.
Ten minutes later probably notten minutes later, but a little
bit later she took her commentsback, stepped aside.
Hey, my fault, you right.
At the time.
You know I wrote differentverses.
(38:21):
I wasn't really trying to causeno harm, I was just doing what
I was told as well, like Kerrywas doing.
So you know, I don't mean noharm.
She walked in comments back realquick, I feel like.
So a lot of people's getting onKerry saying that she's
bringing up old dirt.
Then a lot of people's gettingon Curry saying that she's
(38:43):
bringing up O'Dyrd.
Then a lot of people got on SDsaying like why'd you?
You know why'd you write thissong?
Why did you not help Curry whenshe was in the studio crying?
Sd was like I wasn't there.
A lot of people getting on themtwo, but nobody's saying too
much about Polo the Don.
I feel like Polo the Don needto come up and step forward to
(39:07):
see, to discuss if theseallegations is true or not,
because if he's starting tocarry, it don't look too good.
Speaker 1 (39:24):
What's the question, Bray?
What's the question?
What's the question?
Speaker 2 (39:29):
I just got a back story.
I was just talking about thewhole situation my should have
stepped forward to say so, butain't nobody questioning him.
It's like they put the two backwhen they get to each other.
Should have stepped forward tosay so, but ain't nobody
questioning him at this point.
It's like they're putting thetwo black women against each
other.
Speaker 1 (39:47):
I mean, that's crazy.
You know, can you reach out toPolo to done Like, what are we
talking about?
Are we tweeting at this nigga?
Like what is he going to say?
Speaker 2 (40:01):
That's what they did with Eska.
Speaker 1 (40:06):
That's what they did with Eska.
How can I put this?
How can I even start this,carrie Ilsen, it ain't the fact
that you you bringing up oldstuff, it's the fact that you
not standing on business.
Speaker 2 (40:22):
Whoa, whoa, whoa, whoa whoa.
She didn't bring it up, she wasasked.
Speaker 1 (40:26):
No, no, that's what I'm saying.
You said somebody said she wasjust bringing the old stuff.
Nah, it ain't that Like.
If you ask the question on theshow, yeah, that's one thing,
it's the fact that you ain'tstanding on business.
I think she was on R&B Moneyand she told a completely
different story.
I could be wrong.
Speaker 2 (40:46):
I don't remember her on R&B Money for the first time.
Speaker 1 (40:51):
I think she told a completely different story about
that situation.
Okay, when she was.
I've seen somewhere where shesaid it might not have been R&B
Money.
I might be speaking out of turn.
She told recently, in the last4-5 years, a completely
different story about that andit didn't involve her crying in
a studio saying she didn't writeit, she didn't want to perform
(41:13):
it.
Speaker 2 (41:16):
I honestly don't remember that I look she's only
trying to avoid talking about it.
Speaker 1 (41:21):
That's why I'm like yeah, that's what I'm saying.
That was my favorite song,kerry.
Why would you even?
You know what I'm saying.
You don't listen to the remix.
I do listen to the remix.
Yeah, because she it got T-Painon it.
This was during the T-Pain era.
(41:43):
It was cause she clapped it.
Damn.
At first I didn't catch itcause, you know, I ran that back
.
I'm like wait a minute, wait aminute, wait, wait, wait.
And then she said them othergirls I need work, my time to
talk about.
Oh yeah, nah, nah, nah, nah,nah.
She was in her bag.
At least I liked it, she didn't.
(42:06):
She didn't Crying in the studio.
Now, if you was victimized, ifthey told you, if you didn't
want to do it, come on.
I mean, yes, it was the end ofyour career, the ending of your
career.
Speaker 2 (42:21):
What's it, though, bruh?
She Okay, but what is the blame?
Let me ask, I'm sorry, was thatthe reason to blame?
Speaker 1 (42:30):
Bruh, if people don't want to listen to you, if, when
you come on the radio, theyturn the radio, we don't talk
about how long these stans beenout here.
Bruh the radio, they turn theradio.
We don't talk about how longthese stans been out here, bro.
Speaker 2 (42:45):
Yeah, they been out here for a minute.
Speaker 1 (42:46):
They been cooking and this is.
Look, this is like earlyinternet days, so this is before
the.
This is what cancel cultureused to be.
This is when they was likecancel culture's real.
We not going to download yourshit, we turn it out when it
come on the radio.
That was it for her that's thething.
Speaker 2 (43:12):
Hold on see, that's the thing.
I don't think it was, becausethat, uh, that turning me on
stuff was off her first album.
Then they dropped the remix.
She came out with a secondalbum that had the One Night
Stand on it with her and Chris.
She had the Pretty Girl Rock.
Speaker 1 (43:28):
Pretty Girl Rock.
That was the song.
How long did Pretty Girl Rocklast, bro?
A month.
Speaker 2 (43:34):
Nah, it lasted longer than that, nah, bro.
Speaker 1 (43:36):
No, they pushed it longer than that.
Pretty Girl Rock went for amonth.
Pretty Girl Rock went for amonth.
How long was Girls?
Speaker 2 (43:47):
No, no, no no, wait a minute.
No, no, no, no, no.
Pretty Girl Rock came out inSeptember.
It was released as a single inSeptember.
They didn't come back with athird single until March of the
next year Nah, it ran for aminute, as a matter of fact.
March of the next year.
Nah, it ran for a minute,matter of fact, it was good
enough that she got a thirdsingle, nah bro, I ain't letting
you get that off.
Speaker 1 (44:05):
I'm going to have to disagree with you on that.
They pushed Pretty Girl Rockthat long, bro.
They was trying to scramble andscrape, trying to put some shit
together.
Let me see, let me pull this up, bro.
I don't believe it.
Speaker 2 (44:20):
Pretty Girl Rock peaked at number 6 on the
billboard no 6th of the Hot R&Band Hip Hop in 24th on the Hot
100.
I'm saying if she was reallydone with the Beyonce, they came
out on the album before shewouldn't have had a top 24 hit.
(44:41):
I'm saying if she was reallydumb but the Beyonce did, they
came out on the album before shewouldn't have had a top 24 hit.
She got mismanaged.
That's why her career went theway it went.
Speaker 1 (44:53):
Peaked at 24?
Speaker 2 (44:55):
Yeah, it peaked at 24 .
Speaker 1 (44:57):
And then it doesn't say how many weeks, eric.
I mean I guess it don't matter.
What did it do in the UK?
53 in the UK.
Speaker 2 (45:13):
One Night Stand, the third single with Chris Brown.
It put it on the US US Armyhip-hop song short at 19.
Speaker 1 (45:27):
One night stand, do I know that?
One Hold on Lose Control wasafter that, yeah, but her career
was over with after that.
I ain't gonna say it was.
I mean she could have beenmismanaged.
I mean a lot of people havebeen mismanaged.
But I don't even see nofeatures on here Like what were
(45:51):
you doing?
For I mean no, no, I don't eventhink it was.
Nah, she did get an R Kellyjoint.
That was before.
That's between.
Speaker 2 (46:01):
I'm saying bro, she had joints.
I'm saying I don't think theBeyonce record killed her, I
think she got mismanaged.
Speaker 1 (46:12):
Maybe not killed, but , like I said, that's the
turning point.
That is where we're like it'seither going to help us or not,
and it didn't help.
Like it's either going to helpus or not and it didn't help,
all right, nah, you got to standon business, though, though,
like it happened, you got tostand on it.
Speaker 2 (46:31):
Man, she coming out telling her truth.
I ain't mad at it, but who's tosay she's telling the truth?
Though that's what didn't thenews wrote it.
You talking about the bully?
That's what wrote it.
You talking about the uh bully?
That's what I said.
Speaker 1 (46:46):
I don't know you not getting back in it cause?
No, bro, I disagree bro, I knowshe gotta stand on business,
bro, cause I remember exactlywhat it is now.
I remember the story when shegot up there and told it.
She said it came from.
(47:07):
She saw them at a performance.
She was performing somewhere.
They sit in front row, beyoncesitting there stiff as a board,
jay-z standing up.
I think she said hecongratulated her and Beyonce
didn't move from that seat andshe said that's where the
(47:30):
animosity came from.
You gotta stand on that.
Speaker 2 (47:35):
Okay, she had some animosity, but if you, okay, I'm
sure she had some animosity.
Speaker 1 (47:42):
But If you, if you didn't feel the way, you
wouldn't perform that song.
They didn't twist.
Okay, you All this, I wascrying and shit.
I don't know I wasn't there, Ican't.
You know, I'm not saying shelied.
What I'm saying is it wasn'tthat hard to get you to perform
that song.
Speaker 2 (48:02):
Alright, cool.
Speaker 1 (48:04):
You feel how you feel , but it wasn't a root canal.
Now we not pulling teeth.
It ain't rocket science.
A part of you wanted to do that.
Speaker 2 (48:18):
All right, cool, another Breakfast Club back and
forth with people John RoolBreakfast Club.
They asked him about how hefelt about 50 Cent's post on
Instagram when Irv Gotti died.
And you know 50 Cent, you knowhe posted a picture of him
smoking and said smoking on thatIrv Gotti thing he been like in
(48:39):
that same.
Posted a picture of him smokingand said smoking.
On that Irv Gotti thing he beenlike in that same.
He said nah, but you know, forhis family he did say that, but
it started out with smoking onthat Irv Gotti thing.
Cool, john said he felt the way.
John said he talked to DJPremier or whatever, and Premier
(49:00):
told him basically like he gavehim some words of advice I wish
I had it because he did somegood stuff, but basically he was
like man, just let that shit go.
Yeah, it is, let that shit go.
That's all Ja said.
He didn't say nothing bad about50.
He didn't say nothing.
Crazy, cool His name.
(49:21):
He responded Said a bunch ofstuff, jaru, let off a bunch of
tweets.
After the fact he said at 50cents suck my dick, you bitch
ass, nigga.
I already ate your lunch.
Shut up At 50.
Until you do something to theniggas that shot you.
You can't troll, no more.
End of your business, chumpNigga, you will use car sales.
(49:43):
Everything you do is trashmusic.
One good album after that trashliquor.
Trash TV shows yeah, I said itTrash.
How many times you gonna makethe same show?
That coke step on parentingtrash character, trash nigga.
You the garbage man.
From now on, your name boo,name boo boo.
That's what they call on thestreets, right, lmfao, boo boo
(50:08):
the fool.
50 cent is a street nigga fromBrooklyn.
You boo boo from Queens.
Hold on, 50 cent, a streetnigga from Brooklyn.
You boo boo from Queens.
Mc Gusto, cb4 ass nigga.
You hold on, you're right.
Boots from Queens MC Gusto CB4ass nigga.
You hold on, you're right.
He told the feds Murder Inc.
Somebody said he ended MurderInc.
(50:31):
Ja Rule replied You're right.
He told the feds Murder Inc hadhim shot and they put us under
federal indictment.
50 cent, go ahead and lie andtell these good people, tell the
paperwork, frank, so I can sendthe next shot.
We got receipts.
Boo-boo, it's a script.
It's a picture of where 50 Centwas at her hotel and his name's
(50:55):
in the paper.
Ja Rule got receipts becausethere's another tweet of Curtis
Jackson's name in the paper.
Ja Rule got receipts becauseit's another tweet of Curtis
Jackson's name in the paperwork.
You did just get on your bodyearlier from being a snitch.
Now Ja Rule and 50 been beefingfor years.
50 said Ja Rule got him shot at, not the nine times, but
(51:20):
something after that.
Ja Rule Merton got him shot atNot the nine times but something
after that Ja Rule.
50 said got Ja Rule beat up, hegot him jumped.
Ja got Kyle Sliver, he got hisass jumped by 50 cents people.
My question to you is what areyour thoughts At what point?
(51:41):
Question to you is what areyour thoughts At what point?
At what point we gonna let thebad guys be the bad guys,
because both of them basicallyfit in?
Speaker 1 (51:51):
Which is crazy, they both basically fit in.
Speaker 2 (51:56):
What's your thoughts?
Speaker 1 (51:57):
So just to start off addressing the paperwork
situation wish-up-ups.
So just to start off addressingthe paperwork situation.
Speaker 2 (52:06):
You got pictures of me.
Speaker 1 (52:12):
I mean, if you're out the streets, you're out the
streets.
You see what I mean.
If you're severe, you're severe, you ain't the same, no more.
You ain't the same, no more,you ain't the same, no more.
So as long as he was out thestreets, that's fine.
It could have been over with.
(52:36):
All Ja Rule had to do was notrespond, didn't you?
Just, he says, premier told himto damn, leave it alone.
Speaker 2 (52:43):
Yep told him to leave it alone.
Speaker 1 (52:45):
And you fall right back into the trap.
Nigga, you never gonna work inthis town again.
This nigga buy the seats atyour shows for fun.
Stop it, leave him alone, bro.
You talking about these trashass shows.
Come out.
You talking about these trashass shows.
Come out.
You got paperwork of himtelling that you tried to get
(53:07):
him killed.
I mean, it's no rebuttal, bro.
Speaker 2 (53:17):
All right, but in J's defense it's Josh's defense.
Alright, he took the high road50 responding.
That ain't really necessarilyhis fault.
How many times did you go turnthe other team?
Speaker 1 (53:38):
you just had to turn it one more time, alright 50
ain't gonna never stop.
Speaker 2 (53:41):
He's not.
He's going to turn the Chiefs.
You just had to turn it onemore time.
Speaker 1 (53:43):
All right, 50 ain't going to never stop.
He's not.
Speaker 2 (53:45):
He's not John who's going to turn the Chiefs, then
50 going to talk about how he'sgoing to turn the Chiefs.
All right, cool.
I ain't never seen thispaperwork.
This paperwork situation is newto me, did you?
Speaker 1 (53:55):
know about this.
Speaker 2 (53:57):
Never heard of it, bro.
I'm looking at it, I'm like, ohdamn, he really.
Nothing ain't really out herelike that.
You know I.
Speaker 1 (54:04):
What's the date on it ?
What's the date on it?
Can you see that?
Speaker 2 (54:11):
Let me see if I can 04?
Did you say 04?
Speaker 1 (54:18):
2004.
I mean it.
Speaker 2 (54:21):
It said four counts.
It don't have a date on it youknow date on it, I mean it's
real paperwork.
He get it Curtis, it's got hisname circled and all of that and
it got gang assault in firstdegree, assault in second degree
.
And it says gang assault infirst degree, assault in first
degree, assault in second degree.
(54:41):
And it says informant CurtisJackson informant yeah, it says
informant Curtis Jackson.
I well, I'm on.
You know I fuck with Jai.
I got a Jai outfit.
It's in my playlist.
I fuck with y'all.
I got a job.
That's in my playlist.
(55:03):
And you know what I'm saying.
I fuck with y'all.
50 gonna be 50.
You right, he should haveturned the sheet up one more
time, but this is for both of us.
Alright, bro, we ain't gonnalet this go.
Y'all never gonna be cool.
We know that.
Y'all got real beef Like y'alldone harm to each other.
(55:24):
Y'all gotta let this go, though,bro.
Y'all both about to be 50.
50 cent is about to be 50, ifain't already 50.
Y'all about to be 50.
Come on, bro.
Bro, what we doing?
I think it's time to move onand let this go.
(55:45):
Both of y'all.
Ja Rule's 49, 50 cents, 49.
Yeah, they both 50.
They both will be 50 this year.
Come on, bro, what y'all doing?
Let this go.
It's over with.
Y'all got to mature.
Let it back off.
Both of y'all.
Get y'all bread.
(56:05):
Y'all rule out here on tools.
You know these OG tools 50 outhere making TV shows.
I ain't going to lie, a lot ofthese TV shows are kind of
similar, but that's the samething I say about Tyler Perry
they similar, bro, because theyfrom the same group, bml Dunker
yeah, I get it that's me story,I mean that's what I'm saying.
(56:28):
All his stories are similar.
But I'm not knocking it,because I say the same thing
about Tyler Perry.
A lot of Tyler Perry storiesare similar, so a lot of Tyler
Perry stories are similar too.
So I just think I hope both ofthem find a way out of going
back and forth with each other.
Find something else to do so.
Speaker 1 (56:52):
you believe in beef die after a while.
Is that the thing?
Is that what you're saying?
You gotta let the beef goeventually?
Is it all beefs Right?
They both 50.
I'm saying, bro, all beefs gotto be let go when you hit 50?
Speaker 2 (57:10):
I'm saying, bro, at some point.
I'm glad this didn't happen.
But if somebody don't losetheir life after it and y'all
ain't like, then when somebodylose their life, it should be
over.
If y'all going on 30 years andy'all still going back and forth
(57:31):
, it's gotta be over at somepoint can you lose your life?
Speaker 1 (57:37):
you Can you lose your life.
You could still potentiallylose your life.
Speaker 2 (57:43):
True, but I'm saying at this point, neither one of
them got too much money to betrying to figure out how to get
the other one here.
Speaker 1 (57:50):
One of them's paying the other one At this point.
Speaker 2 (57:54):
He's paying you to beef with him, more or less less
, keeping you relevant cool,because I don't think neither
one of them need the other oneat this point.
Speaker 1 (58:06):
Ja Rule, ja Rule.
Need 50 cent bruh.
He do, bruh.
You go right to the breakfastclub and talk about him, like
they ask you a question.
All you had to do was be likeno comment, bro, or hit him with
the 50s funny and leave it atthat.
Speaker 2 (58:23):
Bro, that's basically what he did.
He said I felt a way about it.
He got real, he got honest.
I felt a way about the stuff hesaid.
It made the nigga upset.
I wanted to do something.
Pring said bro, just let thatshit go.
That's what I did.
He didn't really say shit to 50.
It ain't like he went up thereand was like, man, fuck 50 and
all that blah, blah, blah.
He didn't say shit about thatnigga.
Speaker 1 (58:44):
I wanted to do something.
I mean, I think that was thestraw, I think that was it right
there, what you wanted to do,bro, what you wanted to.
But okay.
Speaker 2 (58:54):
To the other point.
I don't think Jai don't need 50to make him relevant.
Jai's out here doing the tour.
Jai's in the music world.
That's what he doing.
He's going on what I call theOG tours.
He's on the it's tours.
Go out there, I'm making mybread, I do my shows, I come
(59:15):
home.
I ain't bothering you.
50 out here making televisionshows and, I think, working on
movie tissue.
Y'all ain't even got to sayeach other's name.
If somebody asks you, kind oflike the job, you answer the
question.
The other one ain't got to feela way to feel like he got a
response, At least from myperspective.
Speaker 1 (59:34):
But it's 50, though you already know.
Yeah, you are how that wasgoing to end up.
All you had to be.
I didn't see that and leave itat that.
Speaker 2 (59:44):
That would have been a lot of hair, because we all
would have got on this head ifnot lying.
We all would have got upbecause we all see this.
We would have got on that man'shead if not lying.
Speaker 1 (59:56):
And leave it at that.
No, I didn't see that one.
Speaker 2 (01:00:01):
Charlotte.
What's the next question?
All right, but nah, you knowwhat I'm saying.
First, both of the men, allright.
Last thing, before I let youget cracking I don't know if
you've seen it, because theywasn't up there that long Gayle
King, katie Burr and a bunch ofother young ladies flew into
space.
They was up there for about10-11 minutes, katie Furry
(01:00:23):
supposedly saying it's a bunchof memes going around about
Gayle King's face when she waspouring the air craft.
Some people are mad because theysaid we wasted tax dollars to
send these women up to space.
To be clear, it is a Jeff Bezosproject.
It wasn't actually tax dollarsspent.
(01:00:44):
Now you can make the argumentthat Jeff Bezos, instead of
paying taxes on his money, heain't paying no taxes because he
get a cut, because he's a boyand he can spend his money on
this.
That's all about theconversation.
A lot of them, wealthy dudes,don't pay taxes.
Government be a.
You have to be in a wholedifferent situation if a lot of
(01:01:06):
these companies pay taxes andthese people pay taxes like
they're supposed to.
That's a conversation for adifferent day.
It's a lot like I said, it wasa joke because I was only up
there for 11 minutes.
People said they didn't evenfinish their ball in Syria when
he was already back down on theground.
(01:01:26):
They said they didn't even goto space.
My boy, do you think?
Speaker 1 (01:01:30):
they actually went to space.
I mean, from what I can see,they was in space.
Okay, now, I don't know a lot.
I do know Gil King will be upher line, though I don't think
Gil King will be a part of noline.
Talking about she, about lying,about going to space?
I hope not.
(01:01:50):
She know how the internet work.
Speaker 2 (01:01:56):
Maybe Katie Perry Wendy said she know how the
internet work.
Maybe Katie Perry Wendy saidhey, can y'all leave her up
there.
Who Wendy's the restaurant Saidcan y'all leave her up there?
Katie Perry I don't know whatthey beef is.
What's going on with them?
Speaker 1 (01:02:16):
I have no clue what Katie Perry and Wendy's beef is,
but yeah, oh yeah, I meanpersonally, you know she ain't
she make music, but I mean shecan come back.
I mean, what's the stray for?
Speaker 2 (01:02:35):
I don't know, bro, I don't know, I don't know.
But yeah, they tell her to stayup there, yeah no, I think it's
real.
Speaker 1 (01:02:42):
Though I think it's real, I mean I do too.
Why?
Speaker 2 (01:02:45):
would you get?
up there fake it you gotta thinkthat they didn't go to it ain't
like they went to the moon,they just went to the rocket.
They went up there where thesatellite is, went up there to
the rocket.
They went up there where thesatellites is, went up there to
the satellites, took enough, youknow, got up there, was up
there for a quick second andcame back down.
Was they in space, technically?
But was they?
(01:03:05):
Was they orbiting anything?
No, that wasn't what themission was.
They went on the space station,they went up, came back down.
But yeah, a lot of people wasmad.
A lot of people was mad, but Ithink a lot of people was mad.
A lot of people was mad, but Ithink a lot of people was mad
because it was misinformation.
Yeah, what I further do?
Speaker 1 (01:03:28):
Hey man, you know what time is another episode of
High Thoughts.
Today's edition of HighThoughts is brought to you by
Starburst Shit.
Actually you by Starburst Shitactually tastes like Starburst
Crazy as fuck.
Yeah, I was trying to see whatwas really going on with the
(01:03:50):
Katy Perry shit.
Speaker 2 (01:03:53):
I meant to look it up before we got up here, because
it don't even make no sense tome.
What's the Katy Perry beat?
Speaker 1 (01:04:04):
I don't know, bray, it's something on here, but it
ain't nothing on here.
Speaker 2 (01:04:11):
They got people Katy Perry bro.
Speaker 1 (01:04:16):
Oh, I think something to do with Kesha.
What Kesha got to do with it.
Speaker 2 (01:04:20):
Damn, I ain't heard that name in a minute.
Speaker 1 (01:04:29):
Yeah, oh, ok, yeah, that's, I sent it to you.
Speaker 2 (01:04:36):
Yeah, you see, I looked up my what'm like whoa,
what you mean, oh, whoa, what'sgoing on?
Speaker 1 (01:04:41):
Yeah, yeah, yeah, my whole thing with Khaled.
I know we was talking about DJsand this was the perfect segue.
I listened to a Khaled songearlier this week.
It was I'm so Hood, okay, and Iknow we got on people about
(01:05:06):
this before, but I think he needto issue it.
We need an apology at somepoint.
Speaker 2 (01:05:15):
For what?
Speaker 1 (01:05:17):
Khaled was saying Khaled, say the N-word like it
ain't nobody's business bro.
Speaker 2 (01:05:23):
So does Fat Joe.
Speaker 1 (01:05:25):
But Fat Joe answered for that shit.
Fat Joe answered for that shit.
Khaled, I don't necessarilyneed an apology, but you need to
.
You need to be like yeah, I wasout of pocket.
Y'all need to look, come forcali next.
I'm not saying like we need tocome for cali, but the next time
that album come up, somebodyneed to be like cali.
(01:05:47):
You was dropping a whole bunchof niggas and and, and it wasn't
even just a regular nigga.
You know how cali say shit.
Now, back then, look, look, Ithought these niggas was black.
I thought Cal was one of us too.
I thought that nigga, one ofhis parents had some color in
(01:06:09):
him.
No, he was getting that shitoff and we needed to.
It needs to be addressed forsure.
Speaker 2 (01:06:20):
Alright, that's cool it out, and we needed to.
Uh, it needs to be, it needs tobe addressed for sure.
All right, I guess I ain'tnever really tried to touch the
galaxy anymore crazy on that uhI really don't need right you
need.
Speaker 1 (01:06:35):
He was, he was going ham with it.
I don't really think I had itreally ain't nothing else going
on for real that I could really,you know, touch on.
I did see that look in spiritof the NBA playoffs.
I did see that video of MichaelJordan where the referee was
(01:07:00):
talking to him.
He said he said, michael, Ididn't, I didn't see him, I
didn't see him foul you, butI'll believe you.
I'll believe you if you tell mehe did.
I didn't see him foul you,michael, but if you say he
fouled you, I'll call the foul.
(01:07:21):
He said hell, yeah, he fouledme.
He said foul on 55.
Alright, bro, no Q.
He looked up in that nigga'seyes, bro.
He said I believe you, michael.
Speaker 2 (01:07:36):
I gotta see this video.
Hold on, I believe you, michael.
I gotta see this video.
Hold on I got you.
Speaker 1 (01:07:43):
He stood on business bruh.
Speaker 2 (01:07:45):
Yeah, I gotta see this video.
Speaker 1 (01:07:48):
You ain't never seen this.
He said Michael, I believe you,Michael, If you tell me he
found you.
He said believe you, Michael,If you tell me he found you.
(01:08:08):
Alright, here we go.
Speaker 2 (01:08:13):
Yeah, but I ain't never seen that.
I'm surprised the LeBron peopleAin't brought that up.
Speaker 1 (01:08:23):
I got you Right here.
Speaker 2 (01:08:41):
Yeah, yeah, michael, I didn't see two hands.
Speaker 1 (01:08:43):
That's the thing you think.
So Michael 55 hits, two to come, michael.
I didn't see two hands on him,michael, but I believe you.
But I believe you, I saw one.
Speaker 2 (01:08:53):
I only saw the one hand on him All right bud.
Good, believe you.
I saw one.
I saw the one hand on it,alright, bro?
Speaker 1 (01:09:02):
Hey, hold on, hold on , hold on.
I got one more for you Q, I gotone more for you.
Then we gonna get up out ofhere.
I need you to lock in with me,bro.
I just need you to lock in withme Now.
I done seen a lot of crazy shit, bro, a lot of crazy shit.
I just need you to bear with mefor a second my dog.
(01:09:26):
Now, we dog people, bro, likeyou know, you got dogs and if
your dog was getting attacked byanother dog, you know you gotta
do what you gotta do, right?
Yeah, like you know, my dogbeen attacked by your dog before
(01:09:49):
, but you know, whatever,whatever it is.
Speaker 2 (01:09:54):
I wasn't about to talk bad.
I wasn Don't talk bad about mydog.
Speaker 1 (01:09:58):
I wasn't about to talk bad.
I wasn't about to talk bad, bro.
I was just saying it happened.
Speaker 2 (01:10:03):
They was playing, it got, you know.
My dog didn't know, becauseyour dog was a bigger dog.
He didn't know.
He didn't know if we were stillplaying or what was going.
What's going on?
All right, bro, come on, youcan't put this on YouTube.
(01:10:45):
Cut this out.
Yeah, bro, you ain't helpingthe YouTube right there, but
chill.
Speaker 1 (01:10:53):
Hey, with that being said, this has been another
episode of Deep Bro.
What would you do, bro?
Would you go that?
Speaker 2 (01:10:58):
far.
Hey bro, you gotta get your dog.
Bro, If you don't get your dogquick enough, I'm gonna slap
shit at you.
The lock for your dog ain'tmove.
Speaker 1 (01:11:08):
I'm not even gonna urge you, bro.
He did that for a smooth 10seconds.
They got the dog separated, bro.
He was still back there coolingbro.
Oh my god, this has beenanother episode of the Mixed
Vibes Podcast, your favoriteamateur podcast.
You can find us wherever youget your podcasts, such as Apple
(01:11:29):
, spotify, pandora.
They fuck with us over there.
You hit the Instagram, theFacebook, the Twitter for
questions, comments, concernsonly.
We hit the phone number andemail as well.
But I'm your boy UnquietlyDreaming.
I'll talk to y'all next week.
Speaker 2 (01:11:45):
And you already know the bassist, your boy, mr Bell
aka.
Say your name up on this podMight not put you to mild.
We're going to catch y'alllater.
Yo, you know what time it is.
Another episode of the MixedVibes Podcast, your favorite
amateur podcast.
You can find it wherever youget your podcasts.
Mom, your boy Young Quaggy T,the dream.
Speaker 2 (00:12):
Hey, you already know the vibes.
It's your boy, mr Bell, aka,say your name up on his pod.
Mind up with you tomorrow.
What up, jerk?
Well, shout out Jerk.
What it do my boy?
Shout her out.
What's good?
Huh, shit, I can't call it dog,I can't call it how you doing.
Speaker 1 (00:32):
Hey bro, same old shit, just a different day.
Speaker 2 (00:37):
I had a Damn Let me do the ass quag.
I'm going to ask you if youwant to do this ass quag, Ass
quag.
I heard Aaron Rodgers wastalking to the Vikings about you
know, just give me a one yearand I could be a mentor type
fellow.
How you feel about that?
Because you know, beforepre-pod you had on the whole
Vikings jersey and all that.
(00:57):
You still got that on right,yeah, so I mean, how you feel
about Aaron Rodgers being yourquarterback next year, letting
JJ be his understudy?
Speaker 1 (01:09):
I mean, if you're going to follow the blueprint,
follow the blueprint.
I mean it's already been set instone Bretton already did this.
Packers Jets, Vikings had hisbest season with the Vikings
best season ever so.
Aaron Best season ever so.
(01:30):
Aaron Rodgers had a bad seasonlast season.
I mean he due for a good one.
You know you already got aready-made offense.
Okay, Damn you getting the keysfrom a nigga that didn't know
how to drive a car.
He don't know how to drive astick.
Speaker 2 (01:42):
All right, hold on, bro.
He got you out of what Like 13wins 14?
Speaker 1 (01:46):
13 wins.
But I think his last threegames this nigga.
Speaker 2 (01:52):
We ain't got time for that.
Speaker 1 (01:53):
Same Darnold bro.
Speaker 2 (01:55):
I'm saying Wait, wait .
I don't think it's necessary.
Speaker 1 (02:02):
Hey, get a key to somebody to know what they doing
bro.
Speaker 2 (02:06):
Does Aaron know what he doing?
Speaker 1 (02:09):
We know he would.
Just based on what we knowabout Aaron Rodgers, when it's
going good, it's going good.
This is a.
This is a nice car, bro.
It barely got, bro.
Look, I look at it like this wesold the car to somebody that
couldn't afford the car note.
I think Aaron Rodgers canafford that car note.
Speaker 2 (02:38):
I don't know, bro.
I'm just gonna be all the wayhonest, though I know, like you
said, same dog.
The last three games, includingthe playoff game, he was bad.
Speaker 1 (02:48):
Terrible.
Speaker 2 (02:49):
He was bad, but those first couple games bro was
solid, he was good.
Speaker 1 (02:56):
He was winning, bro.
He wasn't good bro, he waswinning.
Speaker 2 (02:59):
I ain't saying bro was great.
I ain't saying bro was an MVPcandidate.
Bro was a solid startingquarterback.
He was a solid startingquarterback.
Speaker 1 (03:05):
Solid.
He was a solid startingquarterback in that first half.
Speaker 2 (03:10):
Yeah and then, but Aaron Rodgers wasn't a solid
starting quarterback.
He was a below average startingquarterback.
Especially for all that comeswith Aaron Rodgers.
You can't have a below averagestory quarterback.
I mean, we say everything thatcomes with Aaron.
Speaker 1 (03:27):
You say everything that comes with Aaron Rodgers
bro.
Speaker 2 (03:29):
Come on, bro.
You know Aaron Rodgers is aheadof you.
Speaker 1 (03:31):
He playing with the Jets, bro Bro.
He was like that with Green Bay, but they ain't really had no
ownership Like they ownership isthey fans?
They don't care, they love thatshit.
Speaker 2 (03:41):
Bro, that don't mean he still go out here and act the
way he act.
Nah, bruh, I ain't hearing it.
Dog, I ain't hearing it.
Speaker 1 (03:48):
You dealing with actual, actual people, you feel
me, you gonna bump some heads.
And I ain't even talking aboutjust on the field, I'm talking
about the off the field stuff,like you, gonna bump some heads.
Speaker 2 (04:01):
I'm saying bruh, bruh , I got.
He don't know if he's going toretire.
He had her taking retreats,doing ayahuasca and all that
good stuff.
Like it's a lot that you knowwhat.
The year before he wentsomewhere it was in a cave and
all black he sat there.
I mean like all black we don'tcount that, bro.
Speaker 1 (04:16):
He got hurt.
He got hurt last year, bro, I'mnot counting that.
All right, yes, I would love tohave Aaron Rodgers is the
answer?
Yes, I would love to have himbecause I know what he would
come here and do.
Jed doesn't have a Randy Mossseason Damn.
I think he can get on the ball.
All you got to do is throw itin his vicinity, and I think he
(04:37):
can get him in his vicinity.
Speaker 2 (04:39):
I mean I was getting ready to say he going to have a
good season, but everybody goingto have a good season, but
everybody's going to have a goodseason with Justin Jefferson.
He's your rival.
Speaker 1 (04:48):
I mean, that's true.
Speaker 2 (04:49):
All you got to do is get in an arm of reach.
We're going to figure it out.
That's Justin Jefferson.
He's going to figure it out.
Speaker 1 (04:56):
But look Q.
Look what he did with Kirk.
Made Kirk into an all-star, apro bowler.
Look what he did to Sam.
Speaker 2 (05:09):
Put Sam into the pro bowl.
Okay, I don't know if he madeKirk.
I think Kirk gets a lot of hatethat he don't deserve.
I think Kirk is a top 20quarterback.
Speaker 1 (05:24):
I know that it go down and down every time.
I'm glad you realize,quarterback.
I know that they say it go downand down every time.
I'm glad you realize, bro, itgo down every time.
Speaker 2 (05:30):
I mean, yeah, because I had a you know saying like
top 15, I could think a 10 in myhead, so that's why I said 20.
That being said, I think KirkCousins is a good quarterback.
So I don't want to say JustinJefferson made Kirk.
I do think he helped SamDarnold and he would help Aaron
Rodgers.
I just think Aaron Rodgers is aheadache.
That's the only reason I'mgiving you a little pushback,
(05:51):
hey man.
Speaker 1 (05:51):
I don't mind it, bro.
We got Advil.
Speaker 2 (05:52):
Y'all might as well play Tech.
We got Advil All right bro, youget it.
Speaker 1 (05:58):
Hey, I didn't know he hadn't signed.
I thought I saw something thatsaid he signed with the Steelers
a couple weeks ago, but hestill ain't signed.
Speaker 2 (06:06):
The Steelers want you .
That's another thing.
The Steelers want you and youstill ain't signed.
That's a headache.
Move right there.
Speaker 1 (06:13):
Low-key.
I'm not going to hold you, bro.
I'm not saying I wouldn't wantto go there, but you.
I don't know what they, whatthey offensive coordinator, who
they offensive coordinator is,but you're going to be working
hand-in-hand with that person.
Speaker 2 (06:28):
Arthur Smith.
He used to be a tight.
Speaker 1 (06:32):
Oh hell.
No, I was no bro, but he'ssolid.
No bro, he was the Falconscoach bro.
No, I don't want that.
I would never go there.
I don't blame him.
Speaker 2 (06:41):
Okay, I'm not judging him off his head coaching
abilities.
I'm judging him on what he didas an offensive coordinator for
the Tigers.
Burrow was pretty good.
Don't you got the number onepick, because that's what it's a
job he got now.
He was in love with the players.
That ain't got nothing to dowith him.
Don't put that stink on him.
Do a bunch of other people.
We got a whole mess down therein Nashville.
(07:02):
There's nothing funny aboutthat.
I'm just looking at before hebecame the Falcons head coach
and he was our offensivecoordinator.
I think he'd be solid.
I don't think I was about tosay Dan's brand, but Seattle.
What is his name?
Speaker 1 (07:18):
Metcalf.
Speaker 2 (07:21):
Yeah, thank you.
Yeah, Metcalf, he got a weapon.
You already know the Pittsburgh.
They're going to keep a soliddefense.
I don't know, bro, I think Ithink you know.
All things being equal, I wouldlook at Pittsburgh.
That's just me.
Speaker 1 (07:43):
Pittsburgh over the Vikings, though when no?
If I admit, pittsburgh over theVikings, though when no?
Speaker 2 (07:48):
if I'm saying Pittsburgh over the Vikings, I
think I don't know, bro, I ain'tgonna lie to you, tomlin ain't
gonna have a losing record, soyou already know you're gonna be
winning over.
I think it boils down tobecause Justin Jefferson is
better.
I'm not like that's not even aquestion.
All right, I think it will boildown to who's like, what their
(08:10):
running game looks like and whothey second-round receivers.
I think that's what it willboil down to.
If I'm Aaron Rodgers and I'mtrying to decide between the two
and also you know what I'msaying I was going to say which
defense is better, because it'sgoing to happen on the other
side, but I think they probablyclose to even.
Speaker 1 (08:28):
I think they might be as far as personnel goes, but I
think, coaching-wise, I thinkwe I mean they got Tomlin but we
got Black Flores.
Flores is our defense.
Speaker 2 (08:36):
Yeah, yeah, yeah, I do got Flores.
So who was that number two?
I think that's what it was.
Speaker 1 (08:43):
Ours is.
We got Addison and then we gotAaron Jones.
Is our running back?
Speaker 2 (08:48):
Oh Jones, he played with Jones, exactly.
Speaker 1 (08:53):
That's why he reaching out Now.
Speaker 2 (08:56):
Let me see who.
Pittsburgh still a second whenI receive these Cause.
I think George Pickens.
Speaker 1 (09:02):
Or did they trade Pickens?
Oh yeah, pickens would still bethere.
Speaker 2 (09:03):
I think Pickens Nor is Pickens, or did they trade
Pickens?
Speaker 1 (09:04):
I don't think they traded Pickens.
Speaker 2 (09:06):
Yeah, pickens would still be there.
I think Pickens would be therethis year.
So, yeah, going with Pittsburgh.
Well, pickens is a headache too.
I'm going with Pittsburgh.
I'm going with Pittsburghbecause of that.
I'm glad you said Pickens.
I'm proud of that.
Pickens, I don't think.
Speaker 1 (09:26):
Pickens is playing back here.
That's a.
That's a no go, at least for myone of them.
You know for sure one of themwant the ball.
Yeah they, what am I going toneed the ball?
Speaker 2 (09:37):
yeah, but see, here's the thing Pickens be fighting
the DBs and stuff.
When his quarterback throw aninterception to the other side
of the field, not even on histhrow an interception to the
other side of the field, noteven on his side of the field.
On the other side of the fieldhe starts swinging at the DB.
They ain't got nothing to dowith the situation.
I don't think Pickens is goingto be there long term.
I think they trying to tradehim.
Speaker 1 (09:55):
You don't want to trade for Beckhead unless, yeah,
you can get off of him.
Speaker 2 (10:01):
Yeah, for sure, all right then it's X-Jarge, but
Jarge's not here.
But you know, I wanted both ofy'all, on this one, go ahead.
What is worse?
What is worse Getting cheatedon or finding out someone that
chose significant other money topay bills?
(10:22):
Say it again which one is worseFinding out you was getting
cheated on or finding out thatsomebody was sending your
significant other money to paybills?
Oh, it's the cheating, bro,it's the cheating.
Speaker 1 (10:34):
See, bro, I thought that too, because the cheating
leads to the second thing, thecheating.
Speaker 2 (10:44):
See, bro, I thought that too.
Because the cheating leads tothe second thing the cheating
can lead it can I done been inthat situation.
Speaker 1 (10:52):
The cheating led to her getting the money because
she hit him with the.
I'm pregnant.
Speaker 2 (10:59):
Nah.
Speaker 1 (11:00):
Yeah, bro.
Speaker 2 (11:01):
You put a story behind it.
I'm looking at just like justfor straight up basis.
You find out, let's say youknow they sending the money, you
know they got a relation, butthey ain't you know they ain't
go there yeah, but he takingcare of your household, he
taking care of your girl, he gotyou out here looking less of me
(11:26):
.
Which one is worse?
That's how I looked at it.
I didn't look at it from howshe got the money, I was just
looking at it from that life.
I don't know bro you got me outhere looking like a sucker a
little bit.
Speaker 1 (11:40):
Nah, because that bitch was still asking me for
money too.
The bitch was just gettingdouble the money.
Look, one situation.
Speaker 2 (11:51):
That makes it worse.
Speaker 1 (11:53):
It does, bro.
But one situation, shawty,listen, Shawty left her purse
with the nigga and had to comehome and ask me for money, where
your shit at.
So now I gotta go into mywallet just to have you some
bread.
Honestly, mine's still a cheat.
(12:22):
You know, mine is still a cheat, I ain't gonna lie.
I done got bread, I done gotcake, man.
You know what's going on.
That bitch send me tax money,man, every year.
And uh, let me tell yousomething.
Here you go for your troubles,babe.
Speaker 2 (12:36):
I ain't never, I ain't never had nobody send me
no tax Bread.
That's different.
You know you different, but Idone had.
You know Her.
Here's some money.
Go get you some lunch.
Go put some gas in your car ohshit, it does feel good.
I ain't going to lie when afemale sends you some bread,
(12:57):
Because you know the way it look.
Now, the females don't want adude that ain't sending them
money.
So you get you a female that'ssending you bread.
You feel like you did somethingright.
He ain't gonna hold you.
You get an extra little swag, alittle extra little pep in your
step.
But nah, back to the question.
I feel like I'm sending themoney to her Because, like you
(13:19):
said, I don't buy.
I gave you some bread too,because I'm trying to be on my
job, doing what I'm supposed todo and what society says a man's
role is.
I'm trying to do it, but yougot to get bread for me and him.
Nah, now I really feel likeit's over.
We ought to get you to go.
We all been there.
You know what I'm saying.
(13:40):
But you getting double thebread.
I really feel the way.
I really feel the way.
Speaker 1 (13:49):
Yeah.
When you start playing it likethat.
Yeah, no, no, no, like, like,but no, I feel like one lead to
the other one.
If you was just doing the otherone, like if Shadi like I said,
shadi had a whole she'spregnant story.
If she was just getting thebread, yeah, Okay, cool.
(14:09):
But you can already fuck thisthing on top of it.
To get the bread to be like I'mpregnant, I need, you know, gas
, money to go to the doctor.
They be come back with a new.
I ain't gonna lie.
I, I went through the big phone.
I went through the big phone.
So I'm serious, she's pregnant.
I'm this, I'm that.
(14:29):
Ooh, I got a doctor'sappointment on Tuesday.
I know the big schedule shetalking about.
She work Tuesday, okay, cool,she come in.
She come in with new nails.
What you do today, oh, I wentand got my nails done on my
lunch break after I got out.
You ain't been nowhere else,you ain't had no doctor's
(14:52):
appointment or nothing.
I'm letting the bitch know, Iknow, nah, I've been at work all
day.
Speaker 2 (14:57):
I went and got my nails done on my lunch.
Speaker 1 (14:59):
Oh okay, I couldn't wait.
You know, after my shithappened, after I get caught up,
I couldn't wait to hit thebitch who was fucking some nigga
telling him you pregnant.
Yeah, so I can keep some moneyin my pocket.
You know she trying to justifythis shit nah, don't justify the
shit.
Speaker 2 (15:16):
You did what you did.
You out here leavingbreadcrumbs like you had a
doctor's appointment, I know,you know.
Speaker 1 (15:23):
I know no doctor's appointment.
I know, you know, I know, soknow that you know.
A doctor's appointment.
Nigga, what are you talkingabout?
No, she said she was fakingthat shit because the nigga kept
putting money in her pocket.
Hmm, interesting.
Speaker 2 (15:42):
Alright, let's get into the news.
I don't know if you've been,but it's been a lot of Mount
Rushmore here lately.
I mean when we did our podAbout Mount Rushmore that was
about two years ago MountRushmore was still popping.
It had to be about two yearsago.
Speaker 1 (15:58):
Two or three yeah.
Speaker 2 (16:01):
We did that.
But you know what I'm saying.
It's back out a bunch of people.
They're doing a bunch ofdifferent Mount Rushmores.
Speaker 1 (16:06):
We're halfway through the decades.
I think that's the time that itusually yeah.
Speaker 2 (16:11):
But I'm saying they're going back to Mount
Rushmores all the time though.
So look, they had a bunch ofdifferent ones.
I've seen some for soccer, I'veseen some for music.
I've seen some for soccer.
I've seen some for music.
I've seen some for NBA players,I don't know.
Let's get into the musical.
There's been a bunch ofdisagreements as far as trap,
(16:33):
the trap music mixtapes and thewhite rappers.
There's also an R&B one, butI'm going to see what you think
I mean for me, when I think ofMount Rushmore, I think of, like
you know, four or five, becausethat's what's on the actual
Mount Rushmore, not the mostpopular, not the best, but you
(16:54):
know who established this, whostarted this and who you know
transitioned it into somethingbigger and better.
So for mixtapes mixtapes is ahot hobby because the one that's
circulating is a bunch ofSouthern rappers.
It's Wayne, gucci, jeezy Iforgot the other ones, wayne
(17:17):
Gucci and they put Future onthere.
The people up in New York islike 50 Cent is one of the ones
that started mixtapes and madeit pop.
Then you can't forget aboutPham.
And then a lot of people'stalking about Wiz Khalifa,
because you know, wiz Khalifahad an amazing mixtape run, and
then so did Wale.
(17:39):
My question to you is first, howwould you build that Mount
Rushmore Like?
Are you looking at it as far asthe best or who started it?
Who's the best?
Who started it?
I think that's two ways tobuild a Mount Rushmore.
Is it the four best or is itthe four that made it popular?
Who made it into a thing?
Speaker 1 (18:01):
I think it's in transition in transcendence.
I think it's the second one.
You said the best.
I don't think it's the.
It's not four or five, it's youthink it's the best?
Yeah, it's who took it and madeit best.
Okay, I'm looking at MountRushmore right now.
It's Washington, ThomasJefferson, Teddy Roosevelt and
(18:24):
Lincoln.
Yeah, it may sound like thebest to me.
Speaker 2 (18:31):
True, well, I guess at the time it probably was.
But I feel like they alsoout-forwarded him.
You know, played a part inhistory like Lincoln yeah no,
like a major part in history forsure.
Speaker 1 (18:41):
So you got the first and then you got everybody who
made a difference after that.
Yeah, so I don't, I can'tdisagree with Wayne and Gucci.
They gotta go on there.
Speaker 2 (18:54):
I disagree With.
Speaker 1 (18:58):
Gucci.
Speaker 2 (19:00):
I'll tell, but go ahead, go ahead, bro, I agree, I
disagree.
Speaker 1 (19:04):
There's nothing wrong with that, there's nothing
wrong with that.
But I feel why somebody wouldautomatically go Wayne Gucci,
okay, I mean, if anything, mepersonally, if you could do
drama on there.
I mean, I'm not saying, youcan't, but I wouldn't even.
Speaker 2 (19:24):
I was thinking of DJ too, but you can't, but I
wouldn't even.
I was thinking a DJ too, but itwasn't drama, but go ahead.
Speaker 1 (19:31):
Everybody need a.
Everybody need a Need to do thegangster grills.
Speaker 2 (19:38):
Yeah, yeah, but I think, but go ahead, go ahead
Because I got, because you saidDJ and it's a DJ in my head, but
it ain't, it ain't drama.
Speaker 1 (19:53):
I mean, if anything, I'd go, wayne, see, and I'd flip
it up.
Though I'd flip it up, wayne,I'd go drama, this might throw
y'all off.
Wayne, I'd go drama, this mightthrow y'all off.
Speaker 2 (20:15):
Wiz and Currency Currency A lot of people didn't
mention Currency.
Speaker 1 (20:17):
Okay.
Speaker 2 (20:19):
Okay.
Speaker 1 (20:20):
Because Currency, look, Currency mixtape game is
still going on.
Speaker 2 (20:26):
True, true.
So I don't wish Jersey to serve, because me and you Southern
dudes we both from the SouthJersey, you know got a little
bit of both.
Speaker 1 (20:38):
Okay, I'm going to give you this, I'm going to give
you you from the South.
Kentucky is not the South.
Kentucky is not the South.
Kentucky is not the South.
You definitely have Southernroots besides your Kentucky
roots, but what I'm saying isKentucky is not the South.
Speaker 2 (20:53):
All right, hold on, hear me out, we're going to have
another conversation.
I disagree with it.
Kentucky is the South,louisville is not the South.
You get us out of Louisville.
It's very the.
Speaker 1 (21:06):
South.
Okay, yes, this is true, yeah.
Speaker 2 (21:09):
Louisville is a mixture of South, because we're
in Kentucky, we got a lot ofMidwest and we also got a lot of
that Eastern Central, likeIndiana, you know West Virginia.
We got a lot of those into it.
Louisville's very Louisvillesomebody described it.
(21:30):
Louisville's a very big of amulti, multi-pop.
You put a bunch of stuff in it,mix it together, it come out to
be something that's whatLouisville used to be Kentucky.
You go down a lake, down a lake, you go to a lake.
It's crazy how Louisville andLake City ain't nobody out there
.
They're completely different.
They're very southern.
But again, where I'm from, welisten to a lot of southern
(21:50):
music.
That's why I said we from thesouth you got the southern roots
, my boy, but you're not fromthe south people from the south
look at Kentucky as the northand that's crazy that it's not,
though, but that's because yougot to think they don't come
here.
Nah, yeah, for me I put Wayneon there, because Wayne, I think
(22:22):
he's not a forefather, but he'slike the leader To me, I put's
like the leader To me.
I would put 50 on the earth.
I know 50 made a big name inNew York based off his mixtapes.
They was playing his mixtapestuff on the radio back then,
before it was a thing.
So I would put Wayne, I wouldput 50.
The fourth one is a toss-up tome, but I'm taking my third.
(22:44):
You said drama.
My DJ is actually DJ Clue,because back in the day that's
what they wanted to be on the DJClue mixtape.
All the rappers wanted to be onthe Clue mixtape.
That's how a lot of rappers gotfans and a lot of rappers got
their buzz out being on Cluemixtapes.
So that's where I would.
I would be in on Clue mixtapes,so that's where I would be.
(23:05):
Mads would be Wayne, wayne, 50Cent DJ Clue.
My flip was kind of hardbecause part of me won't say
fail.
Speaker 1 (23:14):
I did too.
Speaker 2 (23:16):
Part of me wants to say fail.
Speaker 1 (23:17):
But I feel like you can't put, see, and I feel like
you putting Clue For some reason, I feel like putting for some
reason, I feel like, even thoughthey don't, you got Clue and 50
, you got two heavy hitters andI feel like they too heavy of
hitters, if that makes sense.
Speaker 2 (23:37):
I mean, but they the full fathers of it, I think,
clue I had to put Clue becausehe's the one your dramas, your
callous, all these dudes thatcame out, I mean we didn't even
mention Callous All these dudesthat came out True.
I mean, we didn't even mentionKhaled.
Speaker 1 (23:48):
Yeah, but I would have Speaking of Khaled.
We'll get back to him duringHot Dog, but I got a bond to
pick with him.
Speaker 2 (23:53):
Okay, bet my fuck on Brian gonna lie.
I want to pick Faye out.
I kind of want to pick Jeezy.
Over Gucci over Gucci.
You know me, bro, I ain't thebiggest Gucci fan, so I know
Gucci's mixed taste, but I don'treally.
Speaker 1 (24:11):
Man Gucci had DJ Spanatic.
Them motherfuckers went crazy.
These was the ones with thedifferent covers and stuff.
Yeah, bro, man nuts.
Speaker 2 (24:23):
I think I'm going to go.
I don't know, bro, I think I'mgoing to go.
Don't know, bro, I think I'mgonna go Pham, yeah, I'm gonna
say Pham, I'm gonna go Pham.
For me it's Kluge Wayne andhonestly I don't.
I got a reason for every singleone of them, but the fourth one
and Pham, cause it's like, bro,I really don't know.
I don't know who don't get.
(24:44):
I don't know who to get becauseI want to get.
I want to look at wiz, but Ifeel like wiz don't feel
forefathers to me it for.
Speaker 1 (24:55):
So unless you don't look at the vlog, rap era yes
and no, because I I want to sayyou change it more to.
The wiz khalifa was the firstlike internet mixtape.
I guess you could say yeah, sothat was his like, he was the
forefather, I can say the first,but I'm saying like to do yeah.
(25:17):
If you think about it.
You think about oh, we wasgoing to download the wiz
khalifa mixtape.
That's the first person thatbecause he, he, that was our
time.
He was like shit.
I'm putting my shit out just soyou can just download it off of
DatPip, off of live mixtapes,off of MySpace, off of Hot New
Hip Pop.
You know what I'm saying?
He was making it accessible toyou like it.
(25:38):
All Hot New Hip Pop days, boy,all hot hip hop days.
You can download his shit offof worldstar.
You can get it anywhere.
So that's why you know if Wizmade the list, okay, I feel that
that's respectable.
But I put did I do Wiz andCurrency?
I did both of them you put WayneGucci Currency yeah, I did
(26:02):
Currency over Wiz cause I feellike Currency.
I mean to me.
I didn't say currency is notmainstream, but all these
presidents wasn't mainstream.
Or, let's see, I mean TeddyRoosevelt wasn't necessarily
mainstream to me.
Ooh, wasn't he the asshole?
(26:26):
Wait, teddy Roosevelt, that'sthe one from the museum.
Never mind, I'm tripping.
Thomas Jefferson he fuckedblack bitches.
Abraham Lincoln he fucked blackbitches too.
Speaker 2 (26:40):
You know, Abraham freed the slaves but he really
didn't vote to, he just did itas like a basically to get votes
.
You know what?
Speaker 1 (26:48):
I mean he didn't really care.
They said he was one of us too.
It was in him.
Speaker 2 (26:57):
So what was your four again?
Speaker 1 (27:00):
Wiz, currency Drama and Wayne.
Speaker 2 (27:05):
Okay, I thought you had Gucci over Wiz.
Speaker 1 (27:08):
Oh, gucci over Wiz, drama and Wayne.
Okay, I thought you had Gucciover Wiz.
Oh, gucci over Wiz, that'sright.
Okay, yeah, because Wayne,Gucci Drama and you can
interchange either Currency orWiz, but I'm going Currency.
Speaker 2 (27:23):
All right, bad, I'm going Wayne.
I'm going Wayne, 50 Cent, djClue and I'm going Pham.
Just because I fuck with Pham.
All right, trap music.
The one I seen with trap musicwas Gucci, gucci, jeezy, yo
Gotti.
What was the fourth one?
Damn, I don't think Drew abling was the fourth one.
(27:45):
Damn, I done drew a blink onthe fourth one.
I done, damn, bro, you know whoit was.
I done drew a blink on thefourth one.
Oh ti, there we go.
Yeah ti, jeezy, gucci ti, yogod, do you agree with that?
Speaker 1 (28:09):
no god, he's just an itch.
So uh, tip, gucci jeezy, butsee, I Gucci Jeezy, but see.
Speaker 2 (28:31):
The only one I think as far as trap music, I think
it's Jeezy, gucci and Till.
I think it's them three withoutquestion.
The floor point to me is twochains Because I don't feel like
Future's trap music.
I feel like you play it in thetrap, but I don't feel like he's
really necessarily trap music.
Speaker 1 (28:52):
Early Future trap music yes.
Speaker 2 (28:56):
So I don't.
Speaker 1 (29:00):
That's why I'm like I don't know, I think Future
could get on there.
If you're looking at, you knowthe typical Mount Rushmore
buildup.
You put Future on instead of uh, I don't.
Is Yo Gotti make trap music?
I mean, yes, okay.
(29:20):
Yeah, yo Gotti make trap music?
I mean, yes, okay, technicallyhe does.
I feel like that's a preferencething.
Me personally, president statusGotti is, I don't know.
I don't know.
I feel like Future's more theDonald Trump.
(29:41):
He come in and he just put hisface up there because he can't.
Eventually.
Speaker 2 (29:51):
I'm excited, All right bro.
Speaker 1 (29:54):
Yeah, gotti goes on, but me personally.
Nah, he's the Teddy Rooseveltof it.
I don't really want that niggaup there.
Speaker 2 (30:02):
Yeah, that's why I said it boiled down to Gotti and
Gotti and 2 Chainz for me,Alright, and then the last one.
What is a bunch of them?
But the last one we're going totalk about is the White Rockets
.
This is where, like, I havebeen seeing them all these
rushes, but I wasn't reallypaying attention to them.
This is the one that got mebecause MGK said he deserved to
(30:24):
be on the White Rappers, MountRushmore.
And I'm going to tell you who'son this.
Who's on it, the one thatcirculated, Eminem, Mac Miller,
Paul Wall damn, who was thefourth one?
Speaker 1 (30:46):
Oh Russ.
Speaker 2 (30:46):
Interesting.
Speaker 1 (30:48):
Interesting.
Speaker 2 (30:49):
So I have a feeling, I know.
I have a feeling.
I know who you're going to pickout first.
But let me ask you this Do youthink MGK deserved to?
Speaker 1 (30:59):
be on MGK.
Speaker 2 (31:06):
He wasn't on the one that's circulating.
Speaker 1 (31:09):
No, no, no, I get that MGK is.
I'm a wild boy, ain't he Callme Steve-O?
Yeah.
Speaker 2 (31:19):
You know, him and Eminem had that back and forth
yeah, yeah.
Speaker 1 (31:22):
So you definitely I feel like he, he low key, so I'm
not gonna say he's the first,but he okay.
How can I put this?
Stop it we was not fucking withwhite rappers like that.
We was fucking with.
Eminem we was not fucking withwhite rappers like that.
We was fucking with Eminem.
We was not fucking with whiterappers until that shit came out
(31:43):
.
He made it cool to be like,yeah, I'm hanging out with my
white friends.
He got to get on the list.
Speaker 2 (31:55):
Bubba Sparks, paul Wall, you saying we wasn't
fucking with Rory Roberts, weknow they hits.
Speaker 1 (32:01):
bro, you wasn't going to go pick up a Paul Wall album
.
I wasn't.
Speaker 2 (32:05):
I'm not Okay.
Whoa, whoa, whoa.
In fairness, at the time PaulWall was dropping albums, I had
quit buying albums.
Speaker 1 (32:15):
He's up for that A-frame.
Paul Wall, what was the otherone?
Bubba had hits, too, a BubbaSparks Bro, you went to go pick
up a Bubba Sparks album.
Speaker 2 (32:24):
I didn't at the time.
I went by the album store.
Speaker 1 (32:28):
What Bubba Sparks songs do you know?
Because I know you only knowone.
Speaker 2 (32:32):
Nah, bro, Bubba Sparks has some joints dog.
Speaker 1 (32:35):
Name them.
Speaker 2 (32:35):
We not doing that dog ?
Name them If you got somepeaches, nah bro Name them bruh?
We not doing that, bruh?
I've been indulging in liquorso I can't remember names.
How old is this at this time?
Speaker 1 (32:48):
Bubba Sparks.
Speaker 2 (32:52):
What's the Miss New Booty?
I've been indulging in alcoholat this time, so I can't
remember.
Speaker 1 (32:56):
Paul Wall Grills.
Speaker 2 (33:00):
All right, bro, you sure Paul Wall can go.
I'm not saying he can't, butI'm saying I'm saying Name
something bro.
Come on, bro, I've beendrinking, bro.
He got a bunch of shit with himand Mike Jones, him and Slim
Thug Like nah, bro, I'm notdoing that.
Speaker 1 (33:14):
A bunch of shit with other people.
You know Paul Wall, bro.
But I'm saying In other people.
Speaker 2 (33:21):
You know Paul Wilder, but I'm saying In all fairness,
though, only person that's onlyperson that's, you know,
solidified, that's guaranteed aspot, is him, yeah for sure, for
sure.
I think Mac Miller.
I think he's close to, I thinkhe's basically number two.
Speaker 1 (33:37):
I ain't gonna say number two, I'm gonna say he's
on the list.
Speaker 2 (33:41):
Yeah, I ain't gonna say number two, I'm gonna say
he's on the list.
Yeah, so, but only like.
But even Mac Miller, you coulddebate a little bit RIP to him,
you know, no disrespectwhatsoever, but only person
that's for sure is himPersonally.
Yeah, only person that's forsure is him.
I would put Mac on there justbecause he's in that same vein
as like.
When we talked about WizKhalifa earlier, he was out in
(34:02):
that time frame.
He's that new Asian whiterapper.
I ain't gonna stunt.
I know you can't put all ofthem up there, but I definitely
would put the Beastie Boys.
Who?
The Beastie Boys, that's what'sup.
You know listen, that's what'sup.
(34:23):
They, you know like, we listen,it ain't like it's that mean we
can go.
I know for sure I wouldn't haveRuss up.
That ain't no knocking to Russ.
I like Russ, but I ain'tputting him up for her.
Speaker 1 (34:38):
Russ is part of the quote.
Unquote the new age where Iknow the songs, I don't know the
person that sings the songs.
So I was like I said, oh, russdropping a new album.
I was like I don't know none ofhis music, no way.
They went to telling me, oh no,russ, is this Russ is that?
Oh okay, I know that nigga.
Then okay, we cool, we cool, wecool.
But no, for me he don't get on.
I'm taking him MGK's going onthere.
(35:04):
Like I said, I'm saying if wegot to do it, I'm going to go.
I want to say Ice, vanilla Ice.
Speaker 2 (35:20):
I can't rock.
Speaker 1 (35:25):
And my Teddy Roosevelt is Mark Wahlberg.
Speaker 2 (35:28):
Marky Mark in the fucking.
Speaker 1 (35:31):
Mark Wahlberg, my Teddy Roosevelt.
Nah, for real, I think I'll do.
I think I'll leave Mark andI'll put Mac Miller instead of
Vanilla Ice.
Speaker 2 (35:41):
All right, I'm going Ice, I'm going Em, I'm going Em,
I'm going Mac Miller, I'mputting the Beastie Boys up
there and then I'm putting PowWow.
Pow Wow was the first Southernwhite rapper.
Well, I think Boba actuallycame out before, but you get my
point.
Pow Wow is the biggest Southernwhite rapper, even though, like
you said, I can't claim theSouth.
(36:01):
But he was the first one thathurt.
Speaker 1 (36:05):
I'm trying to think bro, at what point did I find
out Paul Wall was white?
I don't think I always knew.
Nah, I did.
I'm trying to think yeah, Iknew he wasn't black.
Speaker 2 (36:31):
I knew he wasn't black.
Alright, man, that's all on theMount of Merciful right now.
They got the R&B one, but wemight look into that next week.
Man, let's get in Carrie Hilson.
Man, there's a lot going on atthe Burr Club this week.
Let's get to the Carrie Hilsonfirst.
All right, so Carrie Hilson shewas on the Burr Club and they
asked her about the Beyonce diss.
(36:52):
You know as many peopleattribute to that Beyonce diss
to the ending of her career Well, not the ending, but the down
slope in her career.
She said she didn't write thesong.
She said she wrote three barson the song and she said
somebody else that was in thePolo to Don camp at the time
wrote the verse.
They wrote this.
She said she fought back, shewas in tears in the studio,
(37:16):
Don't want to do this.
But they said either you do itor we're going to pull your
career and you're going torelease no more music.
That's what she said.
Apollo to Don said I bet Carrienever said a name about who
wrote the song, but a lot ofpeople tagged Astrid Dean into
the comments.
Astrid Dean, you know she wrotea bunch of.
She wrote Rude Boy for Rihanna.
(37:36):
Astrid Dean got jokes Like asfar as her pin game, she did
some music herself, but for themost part you know it.
For her pin game she got hits,like real hits.
She said, yeah, I wrote it, sowhat it is, what it is.
When she first, her initialresponse was like yeah, I wrote
(37:59):
it big and bad, I ain't worriedabout bad, like ain't nobody, I
ain't worried about nobody,ain't got nothing to do with
none of that Cool.
Ten minutes later probably notten minutes later, but a little
bit later she took her commentsback, stepped aside.
Hey, my fault, you right.
At the time.
You know I wrote differentverses.
(38:21):
I wasn't really trying to causeno harm, I was just doing what
I was told as well, like Kerrywas doing.
So you know, I don't mean noharm.
She walked in comments back realquick, I feel like.
So a lot of people's getting onKerry saying that she's
bringing up old dirt.
Then a lot of people's gettingon Curry saying that she's
(38:43):
bringing up O'Dyrd.
Then a lot of people got on SDsaying like why'd you?
You know why'd you write thissong?
Why did you not help Curry whenshe was in the studio crying?
Sd was like I wasn't there.
A lot of people getting on themtwo, but nobody's saying too
much about Polo the Don.
I feel like Polo the Don needto come up and step forward to
(39:07):
see, to discuss if theseallegations is true or not,
because if he's starting tocarry, it don't look too good.
Speaker 1 (39:24):
What's the question, Bray?
What's the question?
What's the question?
Speaker 2 (39:29):
I just got a back story.
I was just talking about thewhole situation my should have
stepped forward to say so, butain't nobody questioning him.
It's like they put the two backwhen they get to each other.
Should have stepped forward tosay so, but ain't nobody
questioning him at this point.
It's like they're putting thetwo black women against each
other.
Speaker 1 (39:47):
I mean, that's crazy.
You know, can you reach out toPolo to done Like, what are we
talking about?
Are we tweeting at this nigga?
Like what is he going to say?
Speaker 2 (40:01):
That's what they did with Eska.
Speaker 1 (40:06):
That's what they did with Eska.
How can I put this?
How can I even start this,carrie Ilsen, it ain't the fact
that you you bringing up oldstuff, it's the fact that you
not standing on business.
Speaker 2 (40:22):
Whoa, whoa, whoa, whoa whoa.
She didn't bring it up, she wasasked.
Speaker 1 (40:26):
No, no, that's what I'm saying.
You said somebody said she wasjust bringing the old stuff.
Nah, it ain't that Like.
If you ask the question on theshow, yeah, that's one thing,
it's the fact that you ain'tstanding on business.
I think she was on R&B Moneyand she told a completely
different story.
I could be wrong.
Speaker 2 (40:46):
I don't remember her on R&B Money for the first time.
Speaker 1 (40:51):
I think she told a completely different story about
that situation.
Okay, when she was.
I've seen somewhere where shesaid it might not have been R&B
Money.
I might be speaking out of turn.
She told recently, in the last4-5 years, a completely
different story about that andit didn't involve her crying in
a studio saying she didn't writeit, she didn't want to perform
(41:13):
it.
Speaker 2 (41:16):
I honestly don't remember that I look she's only
trying to avoid talking about it.
Speaker 1 (41:21):
That's why I'm like yeah, that's what I'm saying.
That was my favorite song,kerry.
Why would you even?
You know what I'm saying.
You don't listen to the remix.
I do listen to the remix.
Yeah, because she it got T-Painon it.
This was during the T-Pain era.
(41:43):
It was cause she clapped it.
Damn.
At first I didn't catch itcause, you know, I ran that back
.
I'm like wait a minute, wait aminute, wait, wait, wait.
And then she said them othergirls I need work, my time to
talk about.
Oh yeah, nah, nah, nah, nah,nah.
She was in her bag.
At least I liked it, she didn't.
(42:06):
She didn't Crying in the studio.
Now, if you was victimized, ifthey told you, if you didn't
want to do it, come on.
I mean, yes, it was the end ofyour career, the ending of your
career.
Speaker 2 (42:21):
What's it, though, bruh?
She Okay, but what is the blame?
Let me ask, I'm sorry, was thatthe reason to blame?
Speaker 1 (42:30):
Bruh, if people don't want to listen to you, if, when
you come on the radio, theyturn the radio, we don't talk
about how long these stans beenout here.
Bruh the radio, they turn theradio.
We don't talk about how longthese stans been out here, bro.
Speaker 2 (42:45):
Yeah, they been out here for a minute.
Speaker 1 (42:46):
They been cooking and this is.
Look, this is like earlyinternet days, so this is before
the.
This is what cancel cultureused to be.
This is when they was likecancel culture's real.
We not going to download yourshit, we turn it out when it
come on the radio.
That was it for her that's thething.
Speaker 2 (43:12):
Hold on see, that's the thing.
I don't think it was, becausethat, uh, that turning me on
stuff was off her first album.
Then they dropped the remix.
She came out with a secondalbum that had the One Night
Stand on it with her and Chris.
She had the Pretty Girl Rock.
Speaker 1 (43:28):
Pretty Girl Rock.
That was the song.
How long did Pretty Girl Rocklast, bro?
A month.
Speaker 2 (43:34):
Nah, it lasted longer than that, nah, bro.
Speaker 1 (43:36):
No, they pushed it longer than that.
Pretty Girl Rock went for amonth.
Pretty Girl Rock went for amonth.
How long was Girls?
Speaker 2 (43:47):
No, no, no no, wait a minute.
No, no, no, no, no.
Pretty Girl Rock came out inSeptember.
It was released as a single inSeptember.
They didn't come back with athird single until March of the
next year Nah, it ran for aminute, as a matter of fact.
March of the next year.
Nah, it ran for a minute,matter of fact, it was good
enough that she got a thirdsingle, nah bro, I ain't letting
you get that off.
Speaker 1 (44:05):
I'm going to have to disagree with you on that.
They pushed Pretty Girl Rockthat long, bro.
They was trying to scramble andscrape, trying to put some shit
together.
Let me see, let me pull this up, bro.
I don't believe it.
Speaker 2 (44:20):
Pretty Girl Rock peaked at number 6 on the
billboard no 6th of the Hot R&Band Hip Hop in 24th on the Hot
100.
I'm saying if she was reallydone with the Beyonce, they came
out on the album before shewouldn't have had a top 24 hit.
(44:41):
I'm saying if she was reallydumb but the Beyonce did, they
came out on the album before shewouldn't have had a top 24 hit.
She got mismanaged.
That's why her career went theway it went.
Speaker 1 (44:53):
Peaked at 24?
Speaker 2 (44:55):
Yeah, it peaked at 24 .
Speaker 1 (44:57):
And then it doesn't say how many weeks, eric.
I mean I guess it don't matter.
What did it do in the UK?
53 in the UK.
Speaker 2 (45:13):
One Night Stand, the third single with Chris Brown.
It put it on the US US Armyhip-hop song short at 19.
Speaker 1 (45:27):
One night stand, do I know that?
One Hold on Lose Control wasafter that, yeah, but her career
was over with after that.
I ain't gonna say it was.
I mean she could have beenmismanaged.
I mean a lot of people havebeen mismanaged.
But I don't even see nofeatures on here Like what were
(45:51):
you doing?
For I mean no, no, I don't eventhink it was.
Nah, she did get an R Kellyjoint.
That was before.
That's between.
Speaker 2 (46:01):
I'm saying bro, she had joints.
I'm saying I don't think theBeyonce record killed her, I
think she got mismanaged.
Speaker 1 (46:12):
Maybe not killed, but , like I said, that's the
turning point.
That is where we're like it'seither going to help us or not,
and it didn't help.
Like it's either going to helpus or not and it didn't help,
all right, nah, you got to standon business, though, though,
like it happened, you got tostand on it.
Speaker 2 (46:31):
Man, she coming out telling her truth.
I ain't mad at it, but who's tosay she's telling the truth?
Though that's what didn't thenews wrote it.
You talking about the bully?
That's what wrote it.
You talking about the uh bully?
That's what I said.
Speaker 1 (46:46):
I don't know you not getting back in it cause?
No, bro, I disagree bro, I knowshe gotta stand on business,
bro, cause I remember exactlywhat it is now.
I remember the story when shegot up there and told it.
She said it came from.
(47:07):
She saw them at a performance.
She was performing somewhere.
They sit in front row, beyoncesitting there stiff as a board,
jay-z standing up.
I think she said hecongratulated her and Beyonce
didn't move from that seat andshe said that's where the
(47:30):
animosity came from.
You gotta stand on that.
Speaker 2 (47:35):
Okay, she had some animosity, but if you, okay, I'm
sure she had some animosity.
Speaker 1 (47:42):
But If you, if you didn't feel the way, you
wouldn't perform that song.
They didn't twist.
Okay, you All this, I wascrying and shit.
I don't know I wasn't there, Ican't.
You know, I'm not saying shelied.
What I'm saying is it wasn'tthat hard to get you to perform
that song.
Speaker 2 (48:02):
Alright, cool.
Speaker 1 (48:04):
You feel how you feel , but it wasn't a root canal.
Now we not pulling teeth.
It ain't rocket science.
A part of you wanted to do that.
Speaker 2 (48:18):
All right, cool, another Breakfast Club back and
forth with people John RoolBreakfast Club.
They asked him about how hefelt about 50 Cent's post on
Instagram when Irv Gotti died.
And you know 50 Cent, you knowhe posted a picture of him
smoking and said smoking on thatIrv Gotti thing he been like in
(48:39):
that same.
Posted a picture of him smokingand said smoking.
On that Irv Gotti thing he beenlike in that same.
He said nah, but you know, forhis family he did say that, but
it started out with smoking onthat Irv Gotti thing.
Cool, john said he felt the way.
John said he talked to DJPremier or whatever, and Premier
(49:00):
told him basically like he gavehim some words of advice I wish
I had it because he did somegood stuff, but basically he was
like man, just let that shit go.
Yeah, it is, let that shit go.
That's all Ja said.
He didn't say nothing bad about50.
He didn't say nothing.
Crazy, cool His name.
(49:21):
He responded Said a bunch ofstuff, jaru, let off a bunch of
tweets.
After the fact he said at 50cents suck my dick, you bitch
ass, nigga.
I already ate your lunch.
Shut up At 50.
Until you do something to theniggas that shot you.
You can't troll, no more.
End of your business, chumpNigga, you will use car sales.
(49:43):
Everything you do is trashmusic.
One good album after that trashliquor.
Trash TV shows yeah, I said itTrash.
How many times you gonna makethe same show?
That coke step on parentingtrash character, trash nigga.
You the garbage man.
From now on, your name boo,name boo boo.
That's what they call on thestreets, right, lmfao, boo boo
(50:08):
the fool.
50 cent is a street nigga fromBrooklyn.
You boo boo from Queens.
Hold on, 50 cent, a streetnigga from Brooklyn.
You boo boo from Queens.
Mc Gusto, cb4 ass nigga.
You hold on, you're right.
Boots from Queens MC Gusto CB4ass nigga.
You hold on, you're right.
He told the feds Murder Inc.
Somebody said he ended MurderInc.
(50:31):
Ja Rule replied You're right.
He told the feds Murder Inc hadhim shot and they put us under
federal indictment.
50 cent, go ahead and lie andtell these good people, tell the
paperwork, frank, so I can sendthe next shot.
We got receipts.
Boo-boo, it's a script.
It's a picture of where 50 Centwas at her hotel and his name's
(50:55):
in the paper.
Ja Rule got receipts becausethere's another tweet of Curtis
Jackson's name in the paper.
Ja Rule got receipts becauseit's another tweet of Curtis
Jackson's name in the paperwork.
You did just get on your bodyearlier from being a snitch.
Now Ja Rule and 50 been beefingfor years.
50 said Ja Rule got him shot at, not the nine times, but
(51:20):
something after that.
Ja Rule Merton got him shot atNot the nine times but something
after that Ja Rule.
50 said got Ja Rule beat up, hegot him jumped.
Ja got Kyle Sliver, he got hisass jumped by 50 cents people.
My question to you is what areyour thoughts At what point?
(51:41):
Question to you is what areyour thoughts At what point?
At what point we gonna let thebad guys be the bad guys,
because both of them basicallyfit in?
Speaker 1 (51:51):
Which is crazy, they both basically fit in.
Speaker 2 (51:56):
What's your thoughts?
Speaker 1 (51:57):
So just to start off addressing the paperwork
situation wish-up-ups.
So just to start off addressingthe paperwork situation.
Speaker 2 (52:06):
You got pictures of me.
Speaker 1 (52:12):
I mean, if you're out the streets, you're out the
streets.
You see what I mean.
If you're severe, you're severe, you ain't the same, no more.
You ain't the same, no more,you ain't the same, no more.
So as long as he was out thestreets, that's fine.
It could have been over with.
(52:36):
All Ja Rule had to do was notrespond, didn't you?
Just, he says, premier told himto damn, leave it alone.
Speaker 2 (52:43):
Yep told him to leave it alone.
Speaker 1 (52:45):
And you fall right back into the trap.
Nigga, you never gonna work inthis town again.
This nigga buy the seats atyour shows for fun.
Stop it, leave him alone, bro.
You talking about these trashass shows.
Come out.
You talking about these trashass shows.
Come out.
You got paperwork of himtelling that you tried to get
(53:07):
him killed.
I mean, it's no rebuttal, bro.
Speaker 2 (53:17):
All right, but in J's defense it's Josh's defense.
Alright, he took the high road50 responding.
That ain't really necessarilyhis fault.
How many times did you go turnthe other team?
Speaker 1 (53:38):
you just had to turn it one more time, alright 50
ain't gonna never stop.
Speaker 2 (53:41):
He's not.
He's going to turn the Chiefs.
You just had to turn it onemore time.
Speaker 1 (53:43):
All right, 50 ain't going to never stop.
He's not.
Speaker 2 (53:45):
He's not John who's going to turn the Chiefs, then
50 going to talk about how he'sgoing to turn the Chiefs.
All right, cool.
I ain't never seen thispaperwork.
This paperwork situation is newto me, did you?
Speaker 1 (53:55):
know about this.
Speaker 2 (53:57):
Never heard of it, bro.
I'm looking at it, I'm like, ohdamn, he really.
Nothing ain't really out herelike that.
You know I.
Speaker 1 (54:04):
What's the date on it ?
What's the date on it?
Can you see that?
Speaker 2 (54:11):
Let me see if I can 04?
Did you say 04?
Speaker 1 (54:18):
2004.
I mean it.
Speaker 2 (54:21):
It said four counts.
It don't have a date on it youknow date on it, I mean it's
real paperwork.
He get it Curtis, it's got hisname circled and all of that and
it got gang assault in firstdegree, assault in second degree
.
And it says gang assault infirst degree, assault in first
degree, assault in second degree.
(54:41):
And it says informant CurtisJackson informant yeah, it says
informant Curtis Jackson.
I well, I'm on.
You know I fuck with Jai.
I got a Jai outfit.
It's in my playlist.
I fuck with y'all.
I got a job.
That's in my playlist.
(55:03):
And you know what I'm saying.
I fuck with y'all.
50 gonna be 50.
You right, he should haveturned the sheet up one more
time, but this is for both of us.
Alright, bro, we ain't gonnalet this go.
Y'all never gonna be cool.
We know that.
Y'all got real beef Like y'alldone harm to each other.
(55:24):
Y'all gotta let this go, though,bro.
Y'all both about to be 50.
50 cent is about to be 50, ifain't already 50.
Y'all about to be 50.
Come on, bro.
Bro, what we doing?
I think it's time to move onand let this go.
(55:45):
Both of y'all.
Ja Rule's 49, 50 cents, 49.
Yeah, they both 50.
They both will be 50 this year.
Come on, bro, what y'all doing?
Let this go.
It's over with.
Y'all got to mature.
Let it back off.
Both of y'all.
Get y'all bread.
(56:05):
Y'all rule out here on tools.
You know these OG tools 50 outhere making TV shows.
I ain't going to lie, a lot ofthese TV shows are kind of
similar, but that's the samething I say about Tyler Perry
they similar, bro, because theyfrom the same group, bml Dunker
yeah, I get it that's me story,I mean that's what I'm saying.
(56:28):
All his stories are similar.
But I'm not knocking it,because I say the same thing
about Tyler Perry.
A lot of Tyler Perry storiesare similar, so a lot of Tyler
Perry stories are similar too.
So I just think I hope both ofthem find a way out of going
back and forth with each other.
Find something else to do so.
Speaker 1 (56:52):
you believe in beef die after a while.
Is that the thing?
Is that what you're saying?
You gotta let the beef goeventually?
Is it all beefs Right?
They both 50.
I'm saying, bro, all beefs gotto be let go when you hit 50?
Speaker 2 (57:10):
I'm saying, bro, at some point.
I'm glad this didn't happen.
But if somebody don't losetheir life after it and y'all
ain't like, then when somebodylose their life, it should be
over.
If y'all going on 30 years andy'all still going back and forth
(57:31):
, it's gotta be over at somepoint can you lose your life?
Speaker 1 (57:37):
you Can you lose your life.
You could still potentiallylose your life.
Speaker 2 (57:43):
True, but I'm saying at this point, neither one of
them got too much money to betrying to figure out how to get
the other one here.
Speaker 1 (57:50):
One of them's paying the other one At this point.
Speaker 2 (57:54):
He's paying you to beef with him, more or less less
, keeping you relevant cool,because I don't think neither
one of them need the other oneat this point.
Speaker 1 (58:06):
Ja Rule, ja Rule.
Need 50 cent bruh.
He do, bruh.
You go right to the breakfastclub and talk about him, like
they ask you a question.
All you had to do was be likeno comment, bro, or hit him with
the 50s funny and leave it atthat.
Speaker 2 (58:23):
Bro, that's basically what he did.
He said I felt a way about it.
He got real, he got honest.
I felt a way about the stuff hesaid.
It made the nigga upset.
I wanted to do something.
Pring said bro, just let thatshit go.
That's what I did.
He didn't really say shit to 50.
It ain't like he went up thereand was like, man, fuck 50 and
all that blah, blah, blah.
He didn't say shit about thatnigga.
Speaker 1 (58:44):
I wanted to do something.
I mean, I think that was thestraw, I think that was it right
there, what you wanted to do,bro, what you wanted to.
But okay.
Speaker 2 (58:54):
To the other point.
I don't think Jai don't need 50to make him relevant.
Jai's out here doing the tour.
Jai's in the music world.
That's what he doing.
He's going on what I call theOG tours.
He's on the it's tours.
Go out there, I'm making mybread, I do my shows, I come
(59:15):
home.
I ain't bothering you.
50 out here making televisionshows and, I think, working on
movie tissue.
Y'all ain't even got to sayeach other's name.
If somebody asks you, kind oflike the job, you answer the
question.
The other one ain't got to feela way to feel like he got a
response, At least from myperspective.
Speaker 1 (59:34):
But it's 50, though you already know.
Yeah, you are how that wasgoing to end up.
All you had to be.
I didn't see that and leave itat that.
Speaker 2 (59:44):
That would have been a lot of hair, because we all
would have got on this head ifnot lying.
We all would have got upbecause we all see this.
We would have got on that man'shead if not lying.
Speaker 1 (59:56):
And leave it at that.
No, I didn't see that one.
Speaker 2 (01:00:01):
Charlotte.
What's the next question?
All right, but nah, you knowwhat I'm saying.
First, both of the men, allright.
Last thing, before I let youget cracking I don't know if
you've seen it, because theywasn't up there that long Gayle
King, katie Burr and a bunch ofother young ladies flew into
space.
They was up there for about10-11 minutes, katie Furry
(01:00:23):
supposedly saying it's a bunchof memes going around about
Gayle King's face when she waspouring the air craft.
Some people are mad because theysaid we wasted tax dollars to
send these women up to space.
To be clear, it is a Jeff Bezosproject.
It wasn't actually tax dollarsspent.
(01:00:44):
Now you can make the argumentthat Jeff Bezos, instead of
paying taxes on his money, heain't paying no taxes because he
get a cut, because he's a boyand he can spend his money on
this.
That's all about theconversation.
A lot of them, wealthy dudes,don't pay taxes.
Government be a.
You have to be in a wholedifferent situation if a lot of
(01:01:06):
these companies pay taxes andthese people pay taxes like
they're supposed to.
That's a conversation for adifferent day.
It's a lot like I said, it wasa joke because I was only up
there for 11 minutes.
People said they didn't evenfinish their ball in Syria when
he was already back down on theground.
(01:01:26):
They said they didn't even goto space.
My boy, do you think?
Speaker 1 (01:01:30):
they actually went to space.
I mean, from what I can see,they was in space.
Okay, now, I don't know a lot.
I do know Gil King will be upher line, though I don't think
Gil King will be a part of noline.
Talking about she, about lying,about going to space?
I hope not.
(01:01:50):
She know how the internet work.
Speaker 2 (01:01:56):
Maybe Katie Perry Wendy said she know how the
internet work.
Maybe Katie Perry Wendy saidhey, can y'all leave her up
there.
Who Wendy's the restaurant Saidcan y'all leave her up there?
Katie Perry I don't know whatthey beef is.
What's going on with them?
Speaker 1 (01:02:16):
I have no clue what Katie Perry and Wendy's beef is,
but yeah, oh yeah, I meanpersonally, you know she ain't
she make music, but I mean shecan come back.
I mean, what's the stray for?
Speaker 2 (01:02:35):
I don't know, bro, I don't know, I don't know.
But yeah, they tell her to stayup there, yeah no, I think it's
real.
Speaker 1 (01:02:42):
Though I think it's real, I mean I do too.
Why?
Speaker 2 (01:02:45):
would you get?
up there fake it you gotta thinkthat they didn't go to it ain't
like they went to the moon,they just went to the rocket.
They went up there where thesatellite is, went up there to
the rocket.
They went up there where thesatellites is, went up there to
the satellites, took enough, youknow, got up there, was up
there for a quick second andcame back down.
Was they in space, technically?
But was they?
(01:03:05):
Was they orbiting anything?
No, that wasn't what themission was.
They went on the space station,they went up, came back down.
But yeah, a lot of people wasmad.
A lot of people was mad, but Ithink a lot of people was mad.
A lot of people was mad, but Ithink a lot of people was mad
because it was misinformation.
Yeah, what I further do?
Speaker 1 (01:03:28):
Hey man, you know what time is another episode of
High Thoughts.
Today's edition of HighThoughts is brought to you by
Starburst Shit.
Actually you by Starburst Shitactually tastes like Starburst
Crazy as fuck.
Yeah, I was trying to see whatwas really going on with the
(01:03:50):
Katy Perry shit.
Speaker 2 (01:03:53):
I meant to look it up before we got up here, because
it don't even make no sense tome.
What's the Katy Perry beat?
Speaker 1 (01:04:04):
I don't know, bray, it's something on here, but it
ain't nothing on here.
Speaker 2 (01:04:11):
They got people Katy Perry bro.
Speaker 1 (01:04:16):
Oh, I think something to do with Kesha.
What Kesha got to do with it.
Speaker 2 (01:04:20):
Damn, I ain't heard that name in a minute.
Speaker 1 (01:04:29):
Yeah, oh, ok, yeah, that's, I sent it to you.
Speaker 2 (01:04:36):
Yeah, you see, I looked up my what'm like whoa,
what you mean, oh, whoa, what'sgoing on?
Speaker 1 (01:04:41):
Yeah, yeah, yeah, my whole thing with Khaled.
I know we was talking about DJsand this was the perfect segue.
I listened to a Khaled songearlier this week.
It was I'm so Hood, okay, and Iknow we got on people about
(01:05:06):
this before, but I think he needto issue it.
We need an apology at somepoint.
Speaker 2 (01:05:15):
For what?
Speaker 1 (01:05:17):
Khaled was saying Khaled, say the N-word like it
ain't nobody's business bro.
Speaker 2 (01:05:23):
So does Fat Joe.
Speaker 1 (01:05:25):
But Fat Joe answered for that shit.
Fat Joe answered for that shit.
Khaled, I don't necessarilyneed an apology, but you need to
.
You need to be like yeah, I wasout of pocket.
Y'all need to look, come forcali next.
I'm not saying like we need tocome for cali, but the next time
that album come up, somebodyneed to be like cali.
(01:05:47):
You was dropping a whole bunchof niggas and and, and it wasn't
even just a regular nigga.
You know how cali say shit.
Now, back then, look, look, Ithought these niggas was black.
I thought Cal was one of us too.
I thought that nigga, one ofhis parents had some color in
(01:06:09):
him.
No, he was getting that shitoff and we needed to.
It needs to be addressed forsure.
Speaker 2 (01:06:20):
Alright, that's cool it out, and we needed to.
Uh, it needs to be, it needs tobe addressed for sure.
All right, I guess I ain'tnever really tried to touch the
galaxy anymore crazy on that uhI really don't need right you
need.
Speaker 1 (01:06:35):
He was, he was going ham with it.
I don't really think I had itreally ain't nothing else going
on for real that I could really,you know, touch on.
I did see that look in spiritof the NBA playoffs.
I did see that video of MichaelJordan where the referee was
(01:07:00):
talking to him.
He said he said, michael, Ididn't, I didn't see him, I
didn't see him foul you, butI'll believe you.
I'll believe you if you tell mehe did.
I didn't see him foul you,michael, but if you say he
fouled you, I'll call the foul.
(01:07:21):
He said hell, yeah, he fouledme.
He said foul on 55.
Alright, bro, no Q.
He looked up in that nigga'seyes, bro.
He said I believe you, michael.
Speaker 2 (01:07:36):
I gotta see this video.
Hold on, I believe you, michael.
I gotta see this video.
Hold on I got you.
Speaker 1 (01:07:43):
He stood on business bruh.
Speaker 2 (01:07:45):
Yeah, I gotta see this video.
Speaker 1 (01:07:48):
You ain't never seen this.
He said Michael, I believe you,Michael, If you tell me he
found you.
He said believe you, Michael,If you tell me he found you.
(01:08:08):
Alright, here we go.
Speaker 2 (01:08:13):
Yeah, but I ain't never seen that.
I'm surprised the LeBron peopleAin't brought that up.
Speaker 1 (01:08:23):
I got you Right here.
Speaker 2 (01:08:41):
Yeah, yeah, michael, I didn't see two hands.
Speaker 1 (01:08:43):
That's the thing you think.
So Michael 55 hits, two to come, michael.
I didn't see two hands on him,michael, but I believe you.
But I believe you, I saw one.
Speaker 2 (01:08:53):
I only saw the one hand on him All right bud.
Good, believe you.
I saw one.
I saw the one hand on it,alright, bro?
Speaker 1 (01:09:02):
Hey, hold on, hold on , hold on.
I got one more for you Q, I gotone more for you.
Then we gonna get up out ofhere.
I need you to lock in with me,bro.
I just need you to lock in withme Now.
I done seen a lot of crazy shit, bro, a lot of crazy shit.
I just need you to bear with mefor a second my dog.
(01:09:26):
Now, we dog people, bro, likeyou know, you got dogs and if
your dog was getting attacked byanother dog, you know you gotta
do what you gotta do, right?
Yeah, like you know, my dogbeen attacked by your dog before
(01:09:49):
, but you know, whatever,whatever it is.
Speaker 2 (01:09:54):
I wasn't about to talk bad.
I wasn Don't talk bad about mydog.
Speaker 1 (01:09:58):
I wasn't about to talk bad.
I wasn't about to talk bad, bro.
I was just saying it happened.
Speaker 2 (01:10:03):
They was playing, it got, you know.
My dog didn't know, becauseyour dog was a bigger dog.
He didn't know.
He didn't know if we were stillplaying or what was going.
What's going on?
All right, bro, come on, youcan't put this on YouTube.
(01:10:45):
Cut this out.
Yeah, bro, you ain't helpingthe YouTube right there, but
chill.
Speaker 1 (01:10:53):
Hey, with that being said, this has been another
episode of Deep Bro.
What would you do, bro?
Would you go that?
Speaker 2 (01:10:58):
far.
Hey bro, you gotta get your dog.
Bro, If you don't get your dogquick enough, I'm gonna slap
shit at you.
The lock for your dog ain'tmove.
Speaker 1 (01:11:08):
I'm not even gonna urge you, bro.
He did that for a smooth 10seconds.
They got the dog separated, bro.
He was still back there coolingbro.
Oh my god, this has beenanother episode of the Mixed
Vibes Podcast, your favoriteamateur podcast.
You can find us wherever youget your podcasts, such as Apple
(01:11:29):
, spotify, pandora.
They fuck with us over there.
You hit the Instagram, theFacebook, the Twitter for
questions, comments, concernsonly.
We hit the phone number andemail as well.
But I'm your boy UnquietlyDreaming.
I'll talk to y'all next week.
Speaker 2 (01:11:45):
And you already know the bassist, your boy, mr Bell
aka.
Say your name up on this podMight not put you to mild.
We're going to catch y'alllater.
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