Episode 201: Archivist Ari Kahan on his phenomenal Phantom of the Paradise website, The Swan Archives.

This week on the blog, a podcast interview with Ari Kahan, who assembled and oversees the most complete compendium of on-line information on Brian DePalma’s classic rock music horror classic, Phantom of the Paradise.

 

LINKS

A Free Film Book for You:  https://dl.bookfunnel.com/cq23xyyt12

Another Free Film Book:  https://dl.bookfunnel.com/x3jn3emga6

Fast, Cheap Film Website: https://www.fastcheapfilm.com/

The Swan Archives: https://www.swanarchives.org/

Eli Marks Website:  https://www.elimarksmysteries.com/

Albert’s Bridge Books Website:  https://www.albertsbridgebooks.com/

YouTube Channel:  https://www.youtube.com/c/BehindthePageTheEliMarksPodcast

INTERVIEW TRANSCRIPT

Do you remember when you first saw it? What were the circumstances? How old are you? What was your reaction?

ARI KAHAN: Sure. I first saw it when I was 12. It was double billed with Young Frankenstein. This would have been in early 1975, and my mom took me to see Young Frankenstein, which was okay. It was pretty good, but I was really enamored with the second feature on the bill, which was Phantom. And I've been in love with it ever since.

Did you know anything about it before you went in?

ARI KAHAN: Nothing. Nothing at all.

So, what has been the attraction for you for that film, low those many, many years ago?

ARI KAHAN: It may have just hit me at an impressionable time. But I think that, you know, being 12 and being kind of a nerd, I probably identified with Winslow and his fervent belief that if the world could only hear from his heart, and especially if all the girls in school could only hear from his heart, then they would love him and not the jerk that they always went out with.

So, there's probably some of that.

There was certainly, I do remember very, very clearly that the direction in some respect stood out to me. I had seen a lot of movies when I was 12, and I remember even today, thinking when I was 12, that there was a moment where the Phantom is rising up into the rafters in the foreground as Beef is descending in the background. And I looked at that and I thought, boy, that's complex. Anybody else would have done a shot of the Phantom starting to climb a rope, and then cut away, and then come back to him up in the rafters. This guy is trying to do things that are more interesting than he needs to and I thought that was really fun.

After seeing Phantom I went back and saw Sisters.

Which was no mean feat