October 19, 2023 • 57 mins
Season 2 : Episode VII Streamed Live on Monday, July 31st, 2017
- Featured Guest - Karl Lind http://karllindfilms.com/ The Peasant Revolution Band Variety Hour with Host Jeff Dodge will bring some of the world’s greatest musical talent, local writers & artists, producers & programmers and just plain old regular folk to our planet Earth’s attention. Also with topical sketches, stand-up comedy and live music. 00:01 "Li'l Red Riding Hood" (written by Ron Blackwell 1966)
- 10:00 Protester Confrontation "Atlantis" (written by Donovan Leitch 1968)
- 12:06 "War Pigs" (written byTony Iommi, Ozzy Osbourne, Geezer Butler, & Bill Ward 1970)
- 21:36 Karl Lind http://karllindfilms.com Trackers Earth http://trackersearth.com
- 27:01 Music Video: Muscle Beach n' Friend(s) "Charles Bronson says" Dir. by Karl Lind
- 44:33 Music Video: Rustlah "Fearless Leader" Dir. by Karl Lind
- 52:22 "Lucy In The Sky With Diamonds" (Written by John Lennon & Paul McCartney 1967)
- Website: http://www.trenchdigger.us Official store: http://trenchdigger.us/peasant-revolution-band.html Twitter: https://twitter.com/trenchdigging
Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
(00:00):
A-hoo!
(00:05):
Who's that I see walking in these woods?
Why, it's Little Red Riding Hood
Hey there, Little Red Riding Hood
You sure are looking good
You're everything a big bad boy could want
(00:28):
Listen to me
Little Red Riding Hood
I don't think little big girls should
Walkin' in these spooky old woods alone
(00:50):
What big eyes you have
The kind of eyes that drive wolves mad
So just to see that you don't get chased
I hope it's up, cause up the walk is plain
What full lips you have
(01:11):
A shoulder lure and someone bad
So until you get to Grandma's place
I think you'll have to walk with me
You'll be safe
I'm gonna keep my cheap suit on
Until I'm sure that stupid show
I can be trusted to walk with you alone
(01:37):
A-hoo!
Little Red Riding Hood
I'd like to hold you if I could
But you might think I'm a big bad bastard
I won't
I love you!
What a big heart I have
(02:01):
The better too I love you with
Little Red Riding Hood
If bad wolves can't be good
I try to be satisfied
Just to walk by your side
Maybe, maybe you'll see things my way
(02:25):
But before we get to Grandma's place
Little Red Riding Hood
You sure are lookin' good
You're everything a big bad wolf could want
Wow!
(02:46):
I said bad!
I said bad!
Mmm!
A big bad wolf could want!
Thank you very much! Welcome to the Peasant Revolution Band Variety Hour!
(03:09):
Yeah!
We are 27 years away
From the planet blowing us away
In the illidomal estate
The local dodoff in the Milky Way
The terror of Peasant Revolution Band
(03:33):
Where it's hard to really understand
And the truth of our mission is to peel off the division
Join our peasant revolution band
Join our peasant revolution band
Join our peasant revolution band
Join our peasant revolution band
(04:02):
Well, the status quo just can't stay
It's gotta go get the hell away
Well, I tried to get me some peace today
But the future seems so far away
Hey, we're a peasant revolution band
(04:23):
Where it's hard to really understand
And the truth of our mission is to peel off the division
Join our peasant revolution band
Join our peasant revolution band
Join our peasant revolution band
Join our peasant revolution band
(04:48):
Join our peasant revolution band
Hi, I'm Jeff Dodge and welcome back to the Peasant Revolution Band Variety Hour
I'll be hosting tonight, we have with us the magical mystical Mr. Rich Reese
Oh, hi, hi folks, I was just getting up to date here on the
(05:11):
On the face chat thing that all those people are doing
Yeah, I posted our show and a link to it and it's just blowing up
Alright, alright, and I'm hoping they can all hear us
We have Mr. Steven Luce Sibila on the bass as always
Ready to go and we might be doing, I heard we might be looking at some potential new employees here
(05:37):
Let me check out my notes
Well, first off I wanted to say Rich, I hope you've been doing well
I know we have a kind of a heat thing coming on here this week
That's right
A heat wave they call it in Portland
Yep, whenever I'm with him, I can't think of the next lyric actually
(05:58):
Well, we're going to do a heat wave
Heat wave, but I wanted to bring up Jamila and I were watching this
You know, we did this, I think they call it Amazon Prime
We've dug in deep and we're watching these series and stuff
And I noticed there was a series called The House of Saddam
(06:23):
It was so cool
It really like, I don't know, it starts with, maybe the audience doesn't know
Saddam Hussein was the president of Iraq for a while
The president is a very generous way of putting it
Well, you know, in the 70s they had a lot of different terms for that
(06:44):
But he was, they show how he started in 79
And it was brutal, he turned into like a brutal dictator
I don't know if you've heard about that
I heard he sprung from the disco rebellion in Chicago
That might have been more Uday
Uday was into the disco and tormenting disco stars and soccer stars
(07:08):
Right, there's quite a bit of homophobia underlying that whole movement
A lot of folks don't like to talk about that
You know, my take on that was it was projection, really
I saw some projection there specifically with Uday
It was very displeasing
But anyway, I just thought it was a good point to make
And I wanted to point that out
(07:29):
Great series, if you get a chance, it was released about seven years ago
And I just saw it, so there you go
Tremendous
Alright, well let's see what my notes here lead us to
We're moving on to talk about, oh yeah, there's some
Steve might know about this
We were getting some applications after we did our last month's show
(07:51):
And it appears that the great Debbie Wasserman Schultz might actually be looking for a job
I was told that you might have talked to her, Steve
Is that...
I saw her at the coffee shop
Did she get, did she got her application in on time then or no?
(08:14):
Because you were supposed to get it at the coffee shop, that did happen then?
Or... we had coffee
No application
You know, I don't know what's with her
I've, you know, I wanted to help her out, but apparently
She's not going to bother to fill out the application
We've got to have some rules around here, geez
(08:36):
We do need a new scapegoat, so...
Well, speaking of scapegoats, let's take a look at one of our favorite scapegoats
Mr. Good Sid Sebastian has a new ad for us, so let's take a look at that
People are always asking me, what is it about Safford Brothers, Downtown Blend, coffee, and Crunchy Raisin Bran that are so good together?
(09:10):
Why is that? Everybody wants to know
And I've got to tell you something, I don't know if it's out of habit or if it's just that I love Safford Brothers, Downtown Blend, coffee, and Crunchy Raisin Bran
But, you see, one complements the other
You've got the coffee, that smooth and bitter and robust flavor of the coffee
(09:37):
And then you've got the crunchiness, and it's not smooth, it's crunchy and you're crunch, crunch, crunch
And you wash the cereal down with that Safford Brothers coffee
These are two things that are good together
(09:58):
Okay, we're back, thanks for joining us
Hey, I told you, I told you no more shit, I don't want any shit on this show
Sir
I was out there, where were you this afternoon? I was protesting, I don't want Sid, Sid sucks
David, we should get someone on the, can we get this guy removed?
Listen, Sid does not belong on this show, I told you I don't want any more Sid, you didn't even do Sid last week, last month, or whatever the last show was
(10:23):
Sid, look, read the sign
I know, Sid, Sid is our friend and we stand by Sid, we stand by Sid, we stand by Sid
Get him off the show, Steve, remove this guy, remove this guy, remove this guy
Why are you doing this? Stupid
(11:01):
So it's a little tough for me because you know, wherever I go, I have to bring two things
Safford Brothers coffee, the downtown blend, taste the city
And of course, I can't go anywhere without Crunchy Raisin Bran
(11:23):
So you should see my luggage, I mean, there's coffee on one side and there's boxes of cereal on the other
Because like I said, I'm hooked and I gotta have that stuff
I can't be without my Safford Brothers downtown blend, taste the city coffee, I can't be without it
(11:46):
And I can't go anywhere without my Crunchy Raisin Bran
I mean, what if I get to a place where they don't have Safford Brothers coffee and Crunchy Raisin Bran
What am I gonna do? What am I gonna do?
(13:26):
The party's burning as the warm machine keeps turning
And after the hatred to mankind, all the things that it bring was mine
(14:04):
My head is spinning, I can't stand my way
I'm getting started and I'm on fire, I'm getting up and I'm on fire
(14:35):
And I'm on fire
And I'm on fire
And I'm on fire
(14:58):
Making all the things I want to buy
Making sure I come in with a gift, making sure to take them
(15:32):
And I'm on fire
(16:02):
And I'm on fire
(16:32):
Now with justice, now with the fire
Now with love, I'll fight
I'm walking from the cattle, and I'm starting from the hour
(17:03):
Now you're just an old man, on the road to old Exile
Making sure she's always in the hand, making sure she's always in the hand
(17:42):
And I'm on fire
(18:12):
And I'm on fire
(18:42):
And I'm on fire
(19:12):
And I'm on fire
(19:42):
And I'm on fire
When it comes to breakfast, I enjoy two things that are good together
(20:08):
I love Safford Brothers Coffee, the downtown blend, the taste of the city
And I love Crunchy Raisin Bran
I don't mess around, I have a drink of Safford Brothers Downtown Blend Coffee
(20:30):
And then I have a spoonful of Crunchy Corn Bran
And then I have some more Safford Brothers Downtown Blend Coffee
And then another spoonful of Crunchy Raisin Bran
And that's how I do it, I alternate
(20:52):
Hey, I am so excited
This is the activity that we do on the side
This is the high back, I've been on coffee for quite a while, but I'm sure you've seen the coffee
It's out there, and I'm looking over at it, and I'm seeing the high back
(21:17):
It's out there, and I'm looking over at it, and I'm seeing the high back
And I'm looking over at it, and I'm seeing the high back
I'm so excited to bring out Carlman
(21:42):
Ugh! Yeah
I'm so excited to bring out Carlman
I love the smell
I'm gonna wait a couple hours
(22:05):
I feel so good
I feel so good
I'm about to play
This is exciting
It's exciting
In theumbling
We are taking.
(22:29):
We are taking.
We are taking.
We are taking.
Carrington Share Store is having our great
July 4th sale with deals
(22:54):
too explosive to miss. I know you've got
old chairs around your house. Get some new chairs.
We've got great chairs. We've got fancy, comfortable chairs.
We've got incredible handmade seating. We've got
dinette set chairs. We've got metal and
(23:19):
those poofy, comfortable chairs. And if you've got to need
a wooden chair, we've got those too. In our
basement you can get chairs for your car or a beanbag
chair. Hey look, there's comedians and Sebastian in our
showroom.
(23:44):
Hey we're back.
We're sorry about the technical difficulties there. Carl Lind has joined us.
We do have it on. Well that's the fun with our technical
director. You never know which camera you're looking into.
We're all looking into my soul. We're seeing good audio and
(24:09):
we do have the earlier audio on tape we believe or somewhere. We didn't miss a whole
hell of a lot right now. He's just asking me what I'm doing with my life.
God, I'm constantly busy. First of all, hi to my sweetheart, Camille.
I love you. Camille. You're watching. I know you're watching. You're probably going to text me
and I'll turn my ringer off so I don't embarrass anybody. She might be the only one watching.
(24:34):
What have I been doing? Well since about the beginning of summer, a little bit before that,
I actually ended up taking a full time job. Basically completely
in my field of expertise. Which is the same as yourself.
Video gorilla, video janitor, video...
I'm an old janitor when I'm a sound guy. We're the janitors of rock and roll.
(24:59):
After they've spit and wiped the beer off the towels and stuff,
we come in and clean it up. That's the sound guys. I called myself, yeah, oh the sound guys.
That's right. Sometimes I see you in the camera. Anyways, Jeff and I have known each other in the Portland community
for 15, 16 years. It is over a decade, isn't it?
I'm trying to remember. I think the first time I ever met you was at a gig with
(25:24):
Clint Casper. And Clint Sargent. It was Omzi Gala.
I should try and find that for the night. That was an interesting show. Yes it was.
It was like Cirque du Lait. Wasn't there a book theme or something?
Like giant large books and frames? I want to say it was some sort of fundraiser. I always want to say
Friends of the Children or SEI.
(25:49):
The Chappies people are always there for Body Vox. Maybe they showed the film where they dance with the tractor
which is amazing. You ever seen this piece?
I want to say it was Body Vox. There's some dancers that are associated with Body Vox.
Basically, since the beginning of summer, taking on a job,
teaching at Trackers Earth. What is the company?
(26:14):
Do you want to talk about this company? I'll talk about this company. I'm proud to be working there.
Teaching video and photography production to ages 10 to 14 years.
Wow. I'm thinking why don't we take a look at one of your clips and then we'll come back
and talk about what you're doing. Fantastic. Is there anything
in particular we should be going for? I was just laughing because I think it's probably something
(26:39):
I would not even show my students. It's got one of the three, nothing?
Let's go ahead since we had the producer earlier. Let's show them the music video with Restless.
That's a fun one.
Let's show them this.
There will be some questions. I don't know if there's any from the audience.
(27:29):
Let's go.
(27:59):
Let's go.
(28:29):
Let's go.
(28:59):
Let's go.
(29:29):
And we're back
and we seem to still have audio.
Yes, we are back with Carl Lind. That was a piece
that Charles Bronson agreed to star in apparently.
How was it that you were able to do that?
(29:54):
It was right before he passed away.
No, I stole all that footage off YouTube.
Which movie is that?
Are you talking the main clencher if you will?
Sure, the meat piece.
(30:19):
The meat of the piece if you will.
It was from Evil That Men Do.
Is that his last film?
Death Wish was 80s and Death Wish 4 or 5.
That video ended up being the result of me being obsessed by my friend's
(30:44):
song of the same name Charles Bronson says by Muscle Beach and Friends.
I just told him I was like, I've got to make a video of this.
I started researching the found footage piece.
Sorry, you look like you're about to ask me.
I was going to say this band at Muscle Beach and Friends.
(31:09):
Do you know Jonathan Boomer?
He does No Fest on St. John's.
He does the festival that happens at the Kenton Club every year.
Maybe it's Boomer Palooza.
Ron Gassaway is also part of Muscle Beach.
(31:34):
Party Killer is Ron's other band.
Ron Mason Gassaway is a independent composer.
Several artists in town do this.
This song is available for purchase if you want.
It's probably much easier to steal it for free.
(31:59):
I would advocate finding a way to pay for that.
That song is on iTunes.
I'm so internet untech savvy.
To get a copy I put my tape cassette recorder right next to the speaker.
You're in a better world when we have no internet here shortly or it's just completely regulated.
(32:24):
I get these videos with this thing they call dislikes.
That's a lie.
Everyone likes you.
Seven dislikes on a video is a lie.
A righteous person would just change the channel.
(32:49):
I think the internet has contributed to this.
People like to troll.
You have been here.
Let's talk about your background.
I moved here from Denver, Colorado in 1997.
(33:14):
I can't claim not.
Even that's the thing I'm talking about.
What is old Portland anymore?
My family was here in 1903.
That's really old Portland.
(33:39):
I'm not getting any Pradeem off of it.
It's true.
My great grandmother, my father Stewart's grandmother.
He wanted me to work tonight.
This is the work that matters.
(34:04):
Speaking of the work that matters in new Portland,
you find yourself in this position working with children.
I find myself yes.
You'll want to go back and see the recorded version of this.
Working at an establishment called Trackers Earth.
(34:29):
To sum it up,
it's been quite the radical summer for me.
I was offered a job to teach video and photography
and also be year-round staff in their media department.
Is this part of what you're doing with the video?
(34:54):
Is it in the wild?
We have not.
We've been outdoors quite a bit shooting.
I would say as far as incorporating a particular viewpoint or ethos
within what we're doing,
(35:19):
what's important and so radical for me and so freeing
is that I'm really there to help facilitate their creativity in the best way that I possibly can.
The first week we did it, we only had four students,
myself and another really talented cinematographer and photographer named Devin,
who are still there.
(35:44):
We even had a steady rigs.
The handy cam?
No, not the handy cam.
It's got the same people who make the drones.
It's like a DJI stabilizer.
(36:09):
It's like a diffening rod, but you're trying to get images out of it.
We have a weird little rig in the studio here.
Maybe our TD could give us a demonstration.
Some magic could happen.
I'll help him with it.
(36:34):
I'll put it in our subject.
Not that one, but I was thinking this guy here.
We riffed this off.
This is our monkey cam.
Remember the monkey cam?
(36:59):
This is a feather boom, they call it, but I'm imagining a similar type of effect
is what you're talking about.
We shot some sort of weights and counterbalances.
We had that at our disposal.
We had our Sony DSLR.
(37:24):
Are you shooting on 4K?
We decided that since it was the first week with four students that we'd be more hands on.
We thought the films that were made the year prior that we watched were
technically not quite there.
You're competing with last year's.
(37:49):
First year, I could do a better job than those instructors did.
Only having four students first week, course stacked, and technically you're able to take the time.
This is the wrong approach.
Compared to the week after that fall,
we had 13 kids, we did not have time to fuck around with trying to
(38:14):
get the kids to come in.
Have you done the fall semester then?
The fall will bring a more immersive
opportunity where it's essentially like an apprenticeship.
They're just coming in once a month all day.
(38:39):
Sign up at trackersearth.com
We will include a link to this when we get the syndicated version.
I'm also plugging Cravedog.
Todd Crosby, if you're watching this show.
Michael is no longer with Cravedog,
(39:04):
but he's still there.
Back to the students.
The next week, more organic, we're overflowed.
Our capacities are just pushing to the max.
The first rule of trackers camp is nobody dies.
(39:29):
This is great.
It's a radically different type of thing than I've ever done.
It's been a challenge.
You thought you knew best as a season veteran,
yet these kids are coming in every day.
(39:54):
I wanted to get on that.
I used to work in Clackamas County as a technical instructor
teaching kids how to do video, TV, teleconferencing.
This was the 90s.
I was dealing with the millennial generation.
(40:19):
When I was in it, they beat up on me pretty good.
No one wanted to use a tripod.
The Blair Witch frustrated me.
What I've learned is that it works out best for me
if I see them doing something.
(40:44):
You can show them the most masterful scene
from Alfred Hitchcock.
Notice the finesse.
What people need to learn to do first
is it's very much gaining building blocks.
(41:09):
You can't read the dictionary until you pronounce some vowels.
You need to have the gear in your hands,
start to learn how to do it.
The Socratic method.
I find that it flows well.
(41:34):
I find that I'm going with them
when that happens.
If I can ask questions, they often understand that question is coming from a place
of going to the tripod.
It rings something.
(41:59):
I'm very excited about having the camera in my hand.
I forget that my shot is not steady.
You watch these kids.
What we as adults learn
is that you're not seeing
(42:24):
anything that's outside of that screen.
A younger mind has this idea
that it's magically
whatever that is that's going in here.
I'm just out there trying to ask questions.
(42:49):
I'm just a kid.
Think about how the panels are laid out.
We have the close-ups.
I want to do that shot and there will be blood.
I will drink your milkshake.
(43:14):
I will do the pulls at the heartstrings.
That's a great film.
When the youth are being encouraged to see today
with the traditional, that's a benefit for everybody.
They're going to kill us.
(43:39):
They've had it all.
Don't worry, one of you knows how to edit.
They just jump on there.
It's nothing to them.
They may have some questions.
(44:04):
I think that brings me to a good point.
Let's take a look at some traditional editing.
Let's take a look at protesters.
This is Rusla.
You shouldn't be hearing us talk.
(44:29):
Let's take a look at the syndicated version.
(44:59):
The revolution will not be televised.
Only YouTube can tweet it.
They've been around a man, a plan to bring back the land.
Turning cities into sand, something they don't understand.
You need a cause, you want to make it stand.
(45:24):
You don't understand, you see the flaws, they try to form a plan.
They need your fight, something you don't understand.
You fought the leader, baby kisser, grandma greeter,
born a teacher, eager to take the place of preacher,
true believer, embrace the face of fever, break the siever,
(45:49):
spread states and place states, the bluest bleeders, soon a seeker,
hold the reins of change by the hard strings, leave the stain on the art scenes,
green print, hard scenes of armies embarking on a dark king,
who bathes in golden buildings, speaks to millions like, let's do this for the children.
You need a cause, you want to make it stand.
(46:14):
They see you coming, something you don't understand.
You see the flaws, they try to form a plan.
They need your fight, something you don't understand.
(46:37):
You're the man they chart in, in manchurian circuits don't understand your purpose,
but it's work in streets of circus, the G-man pulls your strings,
immersed in combined purses, the masses thirsts his mercy,
at first they seem like zombies, at worst they purely purses,
but you know that this is circus, you've done your job,
(47:00):
the cops, sick dogs, upon the moths of God's fast laws,
they keep us cagey, safely confined within our jobs,
they give us screams to watch, and songs to sing along,
you thought you were a leader, but in truth you played the pawn,
we point the bats and smile and laugh and know that nothing's wrong.
(47:22):
You need a cause, you want to make it stand.
They see you coming, something you don't understand.
You see the flaws, they try to form a plan.
They need your fight, something you don't understand.
You need a cause, you want to make it stand.
(47:44):
They see you coming, something you don't understand.
You see the flaws, they try to form a plan.
They need your fight, something you don't understand.
We're back! We're back with Carl Lynn,
and the Peasant Revolution Band, you're with us on the...
This band is fucking amazing, I love them.
(48:06):
Thank you. They are great.
It's the greatest rhythm section on this whole block.
And probably about ten blocks.
And that's the best rhythm section I've ever heard.
And I'm gonna go ahead and play it for you.
I'm gonna play it for you.
This whole block, and probably about ten blocks.
(48:27):
We're talking Alberta Rose right next door.
That's including the guy that hits the buckets on last Thursdays.
Yeah, there's a lot of rhythm out in this area.
That's a very inside joke, unless you live in Portland, I guess.
There's a mattress out there.
If anyone wants, there's a free mattress.
Last Thursday, it's a semi-void now, instead of trying to check out.
That's where it's becoming.
So how far do you live from our Trench Digger studios here?
(48:50):
I've skated over here on my skateboard.
About five minutes.
He's a skateboard away.
Yeah, a skateboard away.
It's all downhill on the way here.
It's kind of a little slightly, like a three degree incline.
Right, right.
I'm sensing Coley, perhaps.
Yeah, yeah.
Coley is tremendous.
(49:11):
The Coley neighborhood, it's beautiful.
Portland East.
A colonoscopy.
Another horrible inside Portland joke.
No offense to my homies in Coley.
At all.
I hope to learn the history of Coley at some point.
And I will probably learn the history of colonoscopies in my 50s.
(49:34):
Well, that's what's going to happen when they gentrify Coley.
There will be a colonoscopy.
It's just going to be all these Californians moving up that have colonoscopy problems.
I'm like, dude, this is a cool upcoming neighborhood, man.
I see it a lot now.
It's like, where are they?
Look at the prices, it's already happened.
Oh, it's already happened.
(49:55):
But I was like, kind of bitching on the way home from dinner with my lady a little earlier.
And I was like, where are they coming from?
Is there like a portal somewhere?
Well, there's like these giant mansions that they've transformed the neighborhoods.
I find that very fascinating.
There's a few houses out here that I'm not going to say it.
I won't say I'm not going to advocate it.
(50:17):
But let me just say, when I go past the thing that you put in place of a, you know,
just what I consider a wonderful looking home and turned it into your fucking so fucked up
yuppie mansion that does not fit anything else in the neighborhood.
(50:38):
I was walking up.
And your leaf is parked out in front of it, but your Benz is in the garage.
Right, right.
So, anyway, I could rant.
There's literature posted too in their yard about how free-minded they are.
Oh, usually.
What I found weird was when I was walking from 15th and Prescott to get some supplies for the show,
(51:02):
there was this mansion that like, it was this one kid.
He's got this toy fortress.
And he's like, by himself, this mom.
I'm just like, it's so...
Send that kid to trackers.
What about that side of Generation C?
Send that kid to trackers right now.
Okay.
Send that kid to trackers.
(51:23):
We'll have an answer.
We'll learn how to use a knife, shoot a bow and arrow, live outdoors,
live off dead squirrels he finds on the street.
Well, Carl, it has been a blast having you here.
Absolutely.
It's been wonderful.
I wanted to close out the show with a little message I usually do.
I like to talk about the history of the mayors we've had in this city and the city counselors.
(51:45):
Some wonderful, wonderful mayors.
Like Charlie Hales.
Oh, really?
I didn't know that comment was a joke.
Really? You're going to make...
Okay. All right. So, okay. I'll let...
I'm sorry. I don't want to fuck up a good piece of satire.
I mean, it's not, you know...
(52:07):
I even see that that's not going to go over too well.
I goldsmith.
I goldsmith. Yeah.
All right.
I don't want your ego to get shrunk.
But that joke was failing.
Good night, bureaucrats.
(52:36):
Picture yourself in a boat on a river
With tangerine trees and marmalade skies
Somebody calls you, you answer quite slowly
A girl with kaleidoscopic
(53:05):
Tell the same flowers in yellow and green
Tell her ring over your head
Look for the girl with the sun in her eyes
And she's gone
(53:26):
Lucy in the sky with diamonds
All the way down to a bridge by a fountain
(53:50):
Where rocking horse people eat marshmallow pies
Everyone smiles as you drift past the flowers
That grow so incredibly high
(54:13):
The sun in my eyes up in the sky
Will take you away
Diamonds in the back with your head in the clouds
And you're gone
Lucy in the sky with diamonds
(54:48):
Picture yourself in a train on a station
With a huge plaster scene porters with looking glass ties
Suddenly someone is there at the turnstile
(55:11):
To go with her kaleidoscope eyes
Lucy in the sky with diamonds
Lucy in the sky with diamonds
(55:40):
Lucy in the sky with diamonds
Lucy in the sky with diamonds
Lucy in the sky with diamonds
Ahhhhhhhhhh
(56:26):
Ahhhhhhh
We've been going seven years of play
From a planet going us all away
If you really don't want us today
(56:49):
I might find somewhere else to play
In Europe as in Revolution Band
Just try to really understand
You can't buy me here if you're fucking out of here
Join our nice Revolution Band
(57:12):
Join our nice Revolution Band
A-hoo!
(00:05):
Who's that I see walking in these woods?
Why, it's Little Red Riding Hood
Hey there, Little Red Riding Hood
You sure are looking good
You're everything a big bad boy could want
(00:28):
Listen to me
Little Red Riding Hood
I don't think little big girls should
Walkin' in these spooky old woods alone
(00:50):
What big eyes you have
The kind of eyes that drive wolves mad
So just to see that you don't get chased
I hope it's up, cause up the walk is plain
What full lips you have
(01:11):
A shoulder lure and someone bad
So until you get to Grandma's place
I think you'll have to walk with me
You'll be safe
I'm gonna keep my cheap suit on
Until I'm sure that stupid show
I can be trusted to walk with you alone
(01:37):
A-hoo!
Little Red Riding Hood
I'd like to hold you if I could
But you might think I'm a big bad bastard
I won't
I love you!
What a big heart I have
(02:01):
The better too I love you with
Little Red Riding Hood
If bad wolves can't be good
I try to be satisfied
Just to walk by your side
Maybe, maybe you'll see things my way
(02:25):
But before we get to Grandma's place
Little Red Riding Hood
You sure are lookin' good
You're everything a big bad wolf could want
Wow!
(02:46):
I said bad!
I said bad!
Mmm!
A big bad wolf could want!
Thank you very much! Welcome to the Peasant Revolution Band Variety Hour!
(03:09):
Yeah!
We are 27 years away
From the planet blowing us away
In the illidomal estate
The local dodoff in the Milky Way
The terror of Peasant Revolution Band
(03:33):
Where it's hard to really understand
And the truth of our mission is to peel off the division
Join our peasant revolution band
Join our peasant revolution band
Join our peasant revolution band
Join our peasant revolution band
(04:02):
Well, the status quo just can't stay
It's gotta go get the hell away
Well, I tried to get me some peace today
But the future seems so far away
Hey, we're a peasant revolution band
(04:23):
Where it's hard to really understand
And the truth of our mission is to peel off the division
Join our peasant revolution band
Join our peasant revolution band
Join our peasant revolution band
Join our peasant revolution band
(04:48):
Join our peasant revolution band
Hi, I'm Jeff Dodge and welcome back to the Peasant Revolution Band Variety Hour
I'll be hosting tonight, we have with us the magical mystical Mr. Rich Reese
Oh, hi, hi folks, I was just getting up to date here on the
(05:11):
On the face chat thing that all those people are doing
Yeah, I posted our show and a link to it and it's just blowing up
Alright, alright, and I'm hoping they can all hear us
We have Mr. Steven Luce Sibila on the bass as always
Ready to go and we might be doing, I heard we might be looking at some potential new employees here
(05:37):
Let me check out my notes
Well, first off I wanted to say Rich, I hope you've been doing well
I know we have a kind of a heat thing coming on here this week
That's right
A heat wave they call it in Portland
Yep, whenever I'm with him, I can't think of the next lyric actually
(05:58):
Well, we're going to do a heat wave
Heat wave, but I wanted to bring up Jamila and I were watching this
You know, we did this, I think they call it Amazon Prime
We've dug in deep and we're watching these series and stuff
And I noticed there was a series called The House of Saddam
(06:23):
It was so cool
It really like, I don't know, it starts with, maybe the audience doesn't know
Saddam Hussein was the president of Iraq for a while
The president is a very generous way of putting it
Well, you know, in the 70s they had a lot of different terms for that
(06:44):
But he was, they show how he started in 79
And it was brutal, he turned into like a brutal dictator
I don't know if you've heard about that
I heard he sprung from the disco rebellion in Chicago
That might have been more Uday
Uday was into the disco and tormenting disco stars and soccer stars
(07:08):
Right, there's quite a bit of homophobia underlying that whole movement
A lot of folks don't like to talk about that
You know, my take on that was it was projection, really
I saw some projection there specifically with Uday
It was very displeasing
But anyway, I just thought it was a good point to make
And I wanted to point that out
(07:29):
Great series, if you get a chance, it was released about seven years ago
And I just saw it, so there you go
Tremendous
Alright, well let's see what my notes here lead us to
We're moving on to talk about, oh yeah, there's some
Steve might know about this
We were getting some applications after we did our last month's show
(07:51):
And it appears that the great Debbie Wasserman Schultz might actually be looking for a job
I was told that you might have talked to her, Steve
Is that...
I saw her at the coffee shop
Did she get, did she got her application in on time then or no?
(08:14):
Because you were supposed to get it at the coffee shop, that did happen then?
Or... we had coffee
No application
You know, I don't know what's with her
I've, you know, I wanted to help her out, but apparently
She's not going to bother to fill out the application
We've got to have some rules around here, geez
(08:36):
We do need a new scapegoat, so...
Well, speaking of scapegoats, let's take a look at one of our favorite scapegoats
Mr. Good Sid Sebastian has a new ad for us, so let's take a look at that
People are always asking me, what is it about Safford Brothers, Downtown Blend, coffee, and Crunchy Raisin Bran that are so good together?
(09:10):
Why is that? Everybody wants to know
And I've got to tell you something, I don't know if it's out of habit or if it's just that I love Safford Brothers, Downtown Blend, coffee, and Crunchy Raisin Bran
But, you see, one complements the other
You've got the coffee, that smooth and bitter and robust flavor of the coffee
(09:37):
And then you've got the crunchiness, and it's not smooth, it's crunchy and you're crunch, crunch, crunch
And you wash the cereal down with that Safford Brothers coffee
These are two things that are good together
(09:58):
Okay, we're back, thanks for joining us
Hey, I told you, I told you no more shit, I don't want any shit on this show
Sir
I was out there, where were you this afternoon? I was protesting, I don't want Sid, Sid sucks
David, we should get someone on the, can we get this guy removed?
Listen, Sid does not belong on this show, I told you I don't want any more Sid, you didn't even do Sid last week, last month, or whatever the last show was
(10:23):
Sid, look, read the sign
I know, Sid, Sid is our friend and we stand by Sid, we stand by Sid, we stand by Sid
Get him off the show, Steve, remove this guy, remove this guy, remove this guy
Why are you doing this? Stupid
(11:01):
So it's a little tough for me because you know, wherever I go, I have to bring two things
Safford Brothers coffee, the downtown blend, taste the city
And of course, I can't go anywhere without Crunchy Raisin Bran
(11:23):
So you should see my luggage, I mean, there's coffee on one side and there's boxes of cereal on the other
Because like I said, I'm hooked and I gotta have that stuff
I can't be without my Safford Brothers downtown blend, taste the city coffee, I can't be without it
(11:46):
And I can't go anywhere without my Crunchy Raisin Bran
I mean, what if I get to a place where they don't have Safford Brothers coffee and Crunchy Raisin Bran
What am I gonna do? What am I gonna do?
(13:26):
The party's burning as the warm machine keeps turning
And after the hatred to mankind, all the things that it bring was mine
(14:04):
My head is spinning, I can't stand my way
I'm getting started and I'm on fire, I'm getting up and I'm on fire
(14:35):
And I'm on fire
And I'm on fire
And I'm on fire
(14:58):
Making all the things I want to buy
Making sure I come in with a gift, making sure to take them
(15:32):
And I'm on fire
(16:02):
And I'm on fire
(16:32):
Now with justice, now with the fire
Now with love, I'll fight
I'm walking from the cattle, and I'm starting from the hour
(17:03):
Now you're just an old man, on the road to old Exile
Making sure she's always in the hand, making sure she's always in the hand
(17:42):
And I'm on fire
(18:12):
And I'm on fire
(18:42):
And I'm on fire
(19:12):
And I'm on fire
(19:42):
And I'm on fire
When it comes to breakfast, I enjoy two things that are good together
(20:08):
I love Safford Brothers Coffee, the downtown blend, the taste of the city
And I love Crunchy Raisin Bran
I don't mess around, I have a drink of Safford Brothers Downtown Blend Coffee
(20:30):
And then I have a spoonful of Crunchy Corn Bran
And then I have some more Safford Brothers Downtown Blend Coffee
And then another spoonful of Crunchy Raisin Bran
And that's how I do it, I alternate
(20:52):
Hey, I am so excited
This is the activity that we do on the side
This is the high back, I've been on coffee for quite a while, but I'm sure you've seen the coffee
It's out there, and I'm looking over at it, and I'm seeing the high back
(21:17):
It's out there, and I'm looking over at it, and I'm seeing the high back
And I'm looking over at it, and I'm seeing the high back
I'm so excited to bring out Carlman
(21:42):
Ugh! Yeah
I'm so excited to bring out Carlman
I love the smell
I'm gonna wait a couple hours
(22:05):
I feel so good
I feel so good
I'm about to play
This is exciting
It's exciting
In theumbling
We are taking.
(22:29):
We are taking.
We are taking.
We are taking.
Carrington Share Store is having our great
July 4th sale with deals
(22:54):
too explosive to miss. I know you've got
old chairs around your house. Get some new chairs.
We've got great chairs. We've got fancy, comfortable chairs.
We've got incredible handmade seating. We've got
dinette set chairs. We've got metal and
(23:19):
those poofy, comfortable chairs. And if you've got to need
a wooden chair, we've got those too. In our
basement you can get chairs for your car or a beanbag
chair. Hey look, there's comedians and Sebastian in our
showroom.
(23:44):
Hey we're back.
We're sorry about the technical difficulties there. Carl Lind has joined us.
We do have it on. Well that's the fun with our technical
director. You never know which camera you're looking into.
We're all looking into my soul. We're seeing good audio and
(24:09):
we do have the earlier audio on tape we believe or somewhere. We didn't miss a whole
hell of a lot right now. He's just asking me what I'm doing with my life.
God, I'm constantly busy. First of all, hi to my sweetheart, Camille.
I love you. Camille. You're watching. I know you're watching. You're probably going to text me
and I'll turn my ringer off so I don't embarrass anybody. She might be the only one watching.
(24:34):
What have I been doing? Well since about the beginning of summer, a little bit before that,
I actually ended up taking a full time job. Basically completely
in my field of expertise. Which is the same as yourself.
Video gorilla, video janitor, video...
I'm an old janitor when I'm a sound guy. We're the janitors of rock and roll.
(24:59):
After they've spit and wiped the beer off the towels and stuff,
we come in and clean it up. That's the sound guys. I called myself, yeah, oh the sound guys.
That's right. Sometimes I see you in the camera. Anyways, Jeff and I have known each other in the Portland community
for 15, 16 years. It is over a decade, isn't it?
I'm trying to remember. I think the first time I ever met you was at a gig with
(25:24):
Clint Casper. And Clint Sargent. It was Omzi Gala.
I should try and find that for the night. That was an interesting show. Yes it was.
It was like Cirque du Lait. Wasn't there a book theme or something?
Like giant large books and frames? I want to say it was some sort of fundraiser. I always want to say
Friends of the Children or SEI.
(25:49):
The Chappies people are always there for Body Vox. Maybe they showed the film where they dance with the tractor
which is amazing. You ever seen this piece?
I want to say it was Body Vox. There's some dancers that are associated with Body Vox.
Basically, since the beginning of summer, taking on a job,
teaching at Trackers Earth. What is the company?
(26:14):
Do you want to talk about this company? I'll talk about this company. I'm proud to be working there.
Teaching video and photography production to ages 10 to 14 years.
Wow. I'm thinking why don't we take a look at one of your clips and then we'll come back
and talk about what you're doing. Fantastic. Is there anything
in particular we should be going for? I was just laughing because I think it's probably something
(26:39):
I would not even show my students. It's got one of the three, nothing?
Let's go ahead since we had the producer earlier. Let's show them the music video with Restless.
That's a fun one.
Let's show them this.
There will be some questions. I don't know if there's any from the audience.
(27:29):
Let's go.
(27:59):
Let's go.
(28:29):
Let's go.
(28:59):
Let's go.
(29:29):
And we're back
and we seem to still have audio.
Yes, we are back with Carl Lind. That was a piece
that Charles Bronson agreed to star in apparently.
How was it that you were able to do that?
(29:54):
It was right before he passed away.
No, I stole all that footage off YouTube.
Which movie is that?
Are you talking the main clencher if you will?
Sure, the meat piece.
(30:19):
The meat of the piece if you will.
It was from Evil That Men Do.
Is that his last film?
Death Wish was 80s and Death Wish 4 or 5.
That video ended up being the result of me being obsessed by my friend's
(30:44):
song of the same name Charles Bronson says by Muscle Beach and Friends.
I just told him I was like, I've got to make a video of this.
I started researching the found footage piece.
Sorry, you look like you're about to ask me.
I was going to say this band at Muscle Beach and Friends.
(31:09):
Do you know Jonathan Boomer?
He does No Fest on St. John's.
He does the festival that happens at the Kenton Club every year.
Maybe it's Boomer Palooza.
Ron Gassaway is also part of Muscle Beach.
(31:34):
Party Killer is Ron's other band.
Ron Mason Gassaway is a independent composer.
Several artists in town do this.
This song is available for purchase if you want.
It's probably much easier to steal it for free.
(31:59):
I would advocate finding a way to pay for that.
That song is on iTunes.
I'm so internet untech savvy.
To get a copy I put my tape cassette recorder right next to the speaker.
You're in a better world when we have no internet here shortly or it's just completely regulated.
(32:24):
I get these videos with this thing they call dislikes.
That's a lie.
Everyone likes you.
Seven dislikes on a video is a lie.
A righteous person would just change the channel.
(32:49):
I think the internet has contributed to this.
People like to troll.
You have been here.
Let's talk about your background.
I moved here from Denver, Colorado in 1997.
(33:14):
I can't claim not.
Even that's the thing I'm talking about.
What is old Portland anymore?
My family was here in 1903.
That's really old Portland.
(33:39):
I'm not getting any Pradeem off of it.
It's true.
My great grandmother, my father Stewart's grandmother.
He wanted me to work tonight.
This is the work that matters.
(34:04):
Speaking of the work that matters in new Portland,
you find yourself in this position working with children.
I find myself yes.
You'll want to go back and see the recorded version of this.
Working at an establishment called Trackers Earth.
(34:29):
To sum it up,
it's been quite the radical summer for me.
I was offered a job to teach video and photography
and also be year-round staff in their media department.
Is this part of what you're doing with the video?
(34:54):
Is it in the wild?
We have not.
We've been outdoors quite a bit shooting.
I would say as far as incorporating a particular viewpoint or ethos
within what we're doing,
(35:19):
what's important and so radical for me and so freeing
is that I'm really there to help facilitate their creativity in the best way that I possibly can.
The first week we did it, we only had four students,
myself and another really talented cinematographer and photographer named Devin,
who are still there.
(35:44):
We even had a steady rigs.
The handy cam?
No, not the handy cam.
It's got the same people who make the drones.
It's like a DJI stabilizer.
(36:09):
It's like a diffening rod, but you're trying to get images out of it.
We have a weird little rig in the studio here.
Maybe our TD could give us a demonstration.
Some magic could happen.
I'll help him with it.
(36:34):
I'll put it in our subject.
Not that one, but I was thinking this guy here.
We riffed this off.
This is our monkey cam.
Remember the monkey cam?
(36:59):
This is a feather boom, they call it, but I'm imagining a similar type of effect
is what you're talking about.
We shot some sort of weights and counterbalances.
We had that at our disposal.
We had our Sony DSLR.
(37:24):
Are you shooting on 4K?
We decided that since it was the first week with four students that we'd be more hands on.
We thought the films that were made the year prior that we watched were
technically not quite there.
You're competing with last year's.
(37:49):
First year, I could do a better job than those instructors did.
Only having four students first week, course stacked, and technically you're able to take the time.
This is the wrong approach.
Compared to the week after that fall,
we had 13 kids, we did not have time to fuck around with trying to
(38:14):
get the kids to come in.
Have you done the fall semester then?
The fall will bring a more immersive
opportunity where it's essentially like an apprenticeship.
They're just coming in once a month all day.
(38:39):
Sign up at trackersearth.com
We will include a link to this when we get the syndicated version.
I'm also plugging Cravedog.
Todd Crosby, if you're watching this show.
Michael is no longer with Cravedog,
(39:04):
but he's still there.
Back to the students.
The next week, more organic, we're overflowed.
Our capacities are just pushing to the max.
The first rule of trackers camp is nobody dies.
(39:29):
This is great.
It's a radically different type of thing than I've ever done.
It's been a challenge.
You thought you knew best as a season veteran,
yet these kids are coming in every day.
(39:54):
I wanted to get on that.
I used to work in Clackamas County as a technical instructor
teaching kids how to do video, TV, teleconferencing.
This was the 90s.
I was dealing with the millennial generation.
(40:19):
When I was in it, they beat up on me pretty good.
No one wanted to use a tripod.
The Blair Witch frustrated me.
What I've learned is that it works out best for me
if I see them doing something.
(40:44):
You can show them the most masterful scene
from Alfred Hitchcock.
Notice the finesse.
What people need to learn to do first
is it's very much gaining building blocks.
(41:09):
You can't read the dictionary until you pronounce some vowels.
You need to have the gear in your hands,
start to learn how to do it.
The Socratic method.
I find that it flows well.
(41:34):
I find that I'm going with them
when that happens.
If I can ask questions, they often understand that question is coming from a place
of going to the tripod.
It rings something.
(41:59):
I'm very excited about having the camera in my hand.
I forget that my shot is not steady.
You watch these kids.
What we as adults learn
is that you're not seeing
(42:24):
anything that's outside of that screen.
A younger mind has this idea
that it's magically
whatever that is that's going in here.
I'm just out there trying to ask questions.
(42:49):
I'm just a kid.
Think about how the panels are laid out.
We have the close-ups.
I want to do that shot and there will be blood.
I will drink your milkshake.
(43:14):
I will do the pulls at the heartstrings.
That's a great film.
When the youth are being encouraged to see today
with the traditional, that's a benefit for everybody.
They're going to kill us.
(43:39):
They've had it all.
Don't worry, one of you knows how to edit.
They just jump on there.
It's nothing to them.
They may have some questions.
(44:04):
I think that brings me to a good point.
Let's take a look at some traditional editing.
Let's take a look at protesters.
This is Rusla.
You shouldn't be hearing us talk.
(44:29):
Let's take a look at the syndicated version.
(44:59):
The revolution will not be televised.
Only YouTube can tweet it.
They've been around a man, a plan to bring back the land.
Turning cities into sand, something they don't understand.
You need a cause, you want to make it stand.
(45:24):
You don't understand, you see the flaws, they try to form a plan.
They need your fight, something you don't understand.
You fought the leader, baby kisser, grandma greeter,
born a teacher, eager to take the place of preacher,
true believer, embrace the face of fever, break the siever,
(45:49):
spread states and place states, the bluest bleeders, soon a seeker,
hold the reins of change by the hard strings, leave the stain on the art scenes,
green print, hard scenes of armies embarking on a dark king,
who bathes in golden buildings, speaks to millions like, let's do this for the children.
You need a cause, you want to make it stand.
(46:14):
They see you coming, something you don't understand.
You see the flaws, they try to form a plan.
They need your fight, something you don't understand.
(46:37):
You're the man they chart in, in manchurian circuits don't understand your purpose,
but it's work in streets of circus, the G-man pulls your strings,
immersed in combined purses, the masses thirsts his mercy,
at first they seem like zombies, at worst they purely purses,
but you know that this is circus, you've done your job,
(47:00):
the cops, sick dogs, upon the moths of God's fast laws,
they keep us cagey, safely confined within our jobs,
they give us screams to watch, and songs to sing along,
you thought you were a leader, but in truth you played the pawn,
we point the bats and smile and laugh and know that nothing's wrong.
(47:22):
You need a cause, you want to make it stand.
They see you coming, something you don't understand.
You see the flaws, they try to form a plan.
They need your fight, something you don't understand.
You need a cause, you want to make it stand.
(47:44):
They see you coming, something you don't understand.
You see the flaws, they try to form a plan.
They need your fight, something you don't understand.
We're back! We're back with Carl Lynn,
and the Peasant Revolution Band, you're with us on the...
This band is fucking amazing, I love them.
(48:06):
Thank you. They are great.
It's the greatest rhythm section on this whole block.
And probably about ten blocks.
And that's the best rhythm section I've ever heard.
And I'm gonna go ahead and play it for you.
I'm gonna play it for you.
This whole block, and probably about ten blocks.
(48:27):
We're talking Alberta Rose right next door.
That's including the guy that hits the buckets on last Thursdays.
Yeah, there's a lot of rhythm out in this area.
That's a very inside joke, unless you live in Portland, I guess.
There's a mattress out there.
If anyone wants, there's a free mattress.
Last Thursday, it's a semi-void now, instead of trying to check out.
That's where it's becoming.
So how far do you live from our Trench Digger studios here?
(48:50):
I've skated over here on my skateboard.
About five minutes.
He's a skateboard away.
Yeah, a skateboard away.
It's all downhill on the way here.
It's kind of a little slightly, like a three degree incline.
Right, right.
I'm sensing Coley, perhaps.
Yeah, yeah.
Coley is tremendous.
(49:11):
The Coley neighborhood, it's beautiful.
Portland East.
A colonoscopy.
Another horrible inside Portland joke.
No offense to my homies in Coley.
At all.
I hope to learn the history of Coley at some point.
And I will probably learn the history of colonoscopies in my 50s.
(49:34):
Well, that's what's going to happen when they gentrify Coley.
There will be a colonoscopy.
It's just going to be all these Californians moving up that have colonoscopy problems.
I'm like, dude, this is a cool upcoming neighborhood, man.
I see it a lot now.
It's like, where are they?
Look at the prices, it's already happened.
Oh, it's already happened.
(49:55):
But I was like, kind of bitching on the way home from dinner with my lady a little earlier.
And I was like, where are they coming from?
Is there like a portal somewhere?
Well, there's like these giant mansions that they've transformed the neighborhoods.
I find that very fascinating.
There's a few houses out here that I'm not going to say it.
I won't say I'm not going to advocate it.
(50:17):
But let me just say, when I go past the thing that you put in place of a, you know,
just what I consider a wonderful looking home and turned it into your fucking so fucked up
yuppie mansion that does not fit anything else in the neighborhood.
(50:38):
I was walking up.
And your leaf is parked out in front of it, but your Benz is in the garage.
Right, right.
So, anyway, I could rant.
There's literature posted too in their yard about how free-minded they are.
Oh, usually.
What I found weird was when I was walking from 15th and Prescott to get some supplies for the show,
(51:02):
there was this mansion that like, it was this one kid.
He's got this toy fortress.
And he's like, by himself, this mom.
I'm just like, it's so...
Send that kid to trackers.
What about that side of Generation C?
Send that kid to trackers right now.
Okay.
Send that kid to trackers.
(51:23):
We'll have an answer.
We'll learn how to use a knife, shoot a bow and arrow, live outdoors,
live off dead squirrels he finds on the street.
Well, Carl, it has been a blast having you here.
Absolutely.
It's been wonderful.
I wanted to close out the show with a little message I usually do.
I like to talk about the history of the mayors we've had in this city and the city counselors.
(51:45):
Some wonderful, wonderful mayors.
Like Charlie Hales.
Oh, really?
I didn't know that comment was a joke.
Really? You're going to make...
Okay. All right. So, okay. I'll let...
I'm sorry. I don't want to fuck up a good piece of satire.
I mean, it's not, you know...
(52:07):
I even see that that's not going to go over too well.
I goldsmith.
I goldsmith. Yeah.
All right.
I don't want your ego to get shrunk.
But that joke was failing.
Good night, bureaucrats.
(52:36):
Picture yourself in a boat on a river
With tangerine trees and marmalade skies
Somebody calls you, you answer quite slowly
A girl with kaleidoscopic
(53:05):
Tell the same flowers in yellow and green
Tell her ring over your head
Look for the girl with the sun in her eyes
And she's gone
(53:26):
Lucy in the sky with diamonds
All the way down to a bridge by a fountain
(53:50):
Where rocking horse people eat marshmallow pies
Everyone smiles as you drift past the flowers
That grow so incredibly high
(54:13):
The sun in my eyes up in the sky
Will take you away
Diamonds in the back with your head in the clouds
And you're gone
Lucy in the sky with diamonds
(54:48):
Picture yourself in a train on a station
With a huge plaster scene porters with looking glass ties
Suddenly someone is there at the turnstile
(55:11):
To go with her kaleidoscope eyes
Lucy in the sky with diamonds
Lucy in the sky with diamonds
(55:40):
Lucy in the sky with diamonds
Lucy in the sky with diamonds
Lucy in the sky with diamonds
Ahhhhhhhhhh
(56:26):
Ahhhhhhh
We've been going seven years of play
From a planet going us all away
If you really don't want us today
(56:49):
I might find somewhere else to play
In Europe as in Revolution Band
Just try to really understand
You can't buy me here if you're fucking out of here
Join our nice Revolution Band
(57:12):
Join our nice Revolution Band
Popular Podcasts
Stuff You Should Know
If you've ever wanted to know about champagne, satanism, the Stonewall Uprising, chaos theory, LSD, El Nino, true crime and Rosa Parks, then look no further. Josh and Chuck have you covered.
Dateline NBC
Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com
On Purpose with Jay Shetty
I’m Jay Shetty host of On Purpose the worlds #1 Mental Health podcast and I’m so grateful you found us. I started this podcast 5 years ago to invite you into conversations and workshops that are designed to help make you happier, healthier and more healed. I believe that when you (yes you) feel seen, heard and understood you’re able to deal with relationship struggles, work challenges and life’s ups and downs with more ease and grace. I interview experts, celebrities, thought leaders and athletes so that we can grow our mindset, build better habits and uncover a side of them we’ve never seen before. New episodes every Monday and Friday. Your support means the world to me and I don’t take it for granted — click the follow button and leave a review to help us spread the love with On Purpose. I can’t wait for you to listen to your first or 500th episode!