November 5, 2025 • 60 mins
A beat can cross oceans faster than any plane ticket—this showcase proves it. We’re celebrating Filipino producers from Manila to Sacramento with a curated trip through sample alchemy, razor-sharp cuts, and pulse-raising drum and bass. The goal is simple: connect you with artists worth following and give you a map to explore their catalogs, crews, and scenes.
We open with a Filipino alchemist from Florida named Soy or Soyisreal then we feature a track with atmosphere and intent—Free The Robots sets a cinematic frame before HeruHeruHeru reminds us not to overthink a great loop. Elijah B raises the stakes with head-twisting arrangements, then Roboplex teams with Hendrik to merge live visuals culture with studio craft. KiNG HYSTERiA, Imaginary Other, Chewy, and IF1 light up the cipher, while D-Styles demonstrates why scratching remains composition, percussion, and storytelling all at once. The energy pivots into TKDPLL’s drum and bass, a lane resonating deeply across Filipino circles, and lands on LUSTBASS and Filipino 1990 where feel meets message.
From there, Six The NorthStar tightens the groove, Skeematic explores meditative texture, and 4B5ynth out of Marikina turns off-kilter rhythm into a hypnotic flip. Higher Ground’s The PHARM brings collective firepower, Dpsht and Tenkousei.’s cool the room with downtempo warmth, and Skeptics and Ize pull dancers to the front with summer color and clever edits. We close with Loopin_iii’s high-velocity DnB, then shout Wave Groove and tease that this is only part one of the all-Filipino spotlight.
If something moves you, follow the links, grab a tee, buy a coffee, or send us a text directly from the description—we read every message.
Edited, Mixed and Mastered by Gldnmnd
Podcast Website Link: The Rec Show Podcast
Subscribe to Our YouTube Channel: Press Here
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
SPEAKER_02 (01:15):
What do I tell you?
SPEAKER_10 (02:06):
Salamat.
Malaki yang kahulugan nang yungsupport.
Upang mapalago ito.
At masma support hangmasmaraming beatmakers.
SPEAKER_02 (03:25):
What is good, everybody?
Welcome to episode 134 of theRagshore Podcast.
I'm your host, Golden Mine.
And today is a really specialone because we're shining a
spotlight on Filipino beatmakers from all over the globe.
We got some amazing talent fromright here in the States to the
(03:47):
Philippines and beyond.
You know, so I won't even Iwon't even waste your time.
I want to get right into it,man.
But before I do that, I justwant to go over some of the you
know the included beat makersthat we included, man, right
from the top, and then we'lltalk about them as as we weave
(04:10):
in and out of the tracks, man.
So first off, shout out to FatRocky 50s.
Um he sent me to uh free therobots, man.
So shout out to you.
Free the robots is super dope,man.
I appreciate that.
Um we also are including Heyru.
That is a uh recommendation fromthe homie Mons Rock, man.
(04:35):
Um I wish I could have beenthere for that DB Yassie
birthday party, but you know, Iseen the clips.
Man, it look fired, dog.
It look fired, man.
So shout out to Mons Rock, shoutout to DB Yassie, happy you
know, late birthday, DB Yassie.
Um and Huru was so dope.
I had to include two tracks,man.
So shout out to Hiru.
(04:56):
Um, also got Elijah B.
I included the track.
Uh he's from Sacramento,California as well.
Um and I also got Roboplex fromSacramento, California.
I included uh King Hysteria,Imaginary Other, Chewy, and IF1.
(05:18):
I also included D-Styles 1.
Uh DKDPLL.1 also included inthis mix.
I also got Lust Bass included.
I got Filipino 1990.
I also got Six the North Star.
(05:41):
Um who else?
I got schematic.
I got uh four by synth.
I hope I saying that right, man.
Four, the letter B, the numberfive, and then Y-N-T-H from uh
Marikina, Philippines.
(06:01):
I also have higher ground um orthe farm.
That's uh P-H-A-R-M.
Super dope as well.
Also got and Ken Kenosi fromManila, Philippines.
I also got Skeptics, I also gotuh Easy from the Manila
(06:24):
Philippines.
I also have included um let mesee who else I got Kemba, I also
included Lupin the third.
So yeah, man, I um man, I triedto find and and go all over to
try and find these Filipino beatmakers, man, and uh producers,
(06:45):
artists.
So I hope y'all enjoy this mix,man.
This is gonna be a super dopeone.
So you know, go ahead, do whaty'all do, like, subscribe, share
it, all that type of jazz, man.
And then um, you know, we'regonna just play some of the
tracks and you know let me knowwhat y'all think.
Alright, so um, also, you know,hey, if you enjoy what you hear,
(07:11):
don't forget to you know like,subscribe, check out our link,
our link tree at the retropodcast for all the ways you can
support us.
It's always gonna be in thedescription of the show.
But then also if you go toInstagram, x, our YouTube
channels, our bus sproutaccount, like it's gonna be
there too.
I updated it, so it's gonna begoing through my website, and
(07:34):
uh, I think it's super dope.
I'm just getting started on it,man.
But it looks super dope so far,so um, you know, all the ways
you can support the show, youcan grab a t-shirt, you can buy
us a coffee, you can help youknow keep these beats coming.
We really appreciate all yoursupport.
And uh yeah, man, let's let'sget into let's get into these
beats, man.
We're gonna go and kick it offwith Free the Robots.
(07:59):
Alright, the name of this trackis called Introbot from the
Prototype Volume 2.
Free the Robot Year AnniversaryEdition.
Alright, let's get into it, man.
And we'll be right back.
SPEAKER_11 (08:32):
Greetings, my friends.
We are all interested in thefuture, for that is where you
and I are going to spend therest of our lives.
And remember, my friends, futureevents such as these will affect
you in the future.
You are interested in theunknown, the mysterious, the
unexplainable.
That is why you are here.
(08:53):
And now for the first time, weare bringing to you the full
story.
SPEAKER_04 (09:03):
Set the season of your time.
We have been on.
Permit me to specify the each.
We do not have a car, onlystates.
We have destroyed that all thesystem.
unknown (09:22):
I have it.
SPEAKER_04 (09:25):
You must first.
That is what you destroy.
If you persist to design of mystuff, you can store you before
(09:45):
you destroy.
We shouldn't havedisappointments.
See what you should.
unknown (09:57):
You are destroying.
We are all this is all right.
SPEAKER_11 (12:07):
Wow, free.
Do you still believe that theimpossible we exist?
SPEAKER_02 (12:12):
That's super dope.
Yo, we shout out to Hero, man.
I know where this is from, butthis guy, this is dope how you
flipped this though, yo.
So shout out to the name of thistrack is called Every Time from
Suddenly Album by Hero, man.
Enjoy it.
SPEAKER_01 (13:02):
Who knows it's what you want every time.
SPEAKER_02 (13:33):
Yo, be makers, don't overthink the loop.
This was not overthinking theloop, and it's a fire joint, yo.
Man, all right, yo, we gettinginto this this riots from that
Suddenly album by Hero again,man.
Shout out to Hero, man.
Yeah, this is dope, man.
SPEAKER_14 (13:53):
Woof.
SPEAKER_02 (13:55):
You did your thing, man.
(15:16):
Yeah, man.
Wow.
Shout out to you, man.
Salute, man.
So, yo, we gonna get to thisElijah B from the All of Alted
album.
The number this name of thistracker's called number three.
This is fire.
Let me shut up.
Y'all listen to this joint, man.
(16:47):
Elijah B, what the fuck was yousmoking, dog?
This is crazy, man.
Alright, man.
Name of this joint is called 8Bfrom that unvaulted album by
Elijah B, man.
Everybody's gonna be linked inthe description.
Alright.
Enjoy it.
Well, yeah, yeah, no, no, no,no.
Let me let me read let me runthis back real quick, yeah.
(17:54):
Smashed it, yo.
Elijah B.
Man, wow.
So yo, Roboplex, man.
Visual artists.
You know what I mean?
Live events he does for MonsRock and D Bassy, and then when
they have live events for Flip AB Club and I think burgers and
beats and some other joints,man.
You should check out his uhportfolio on his website, yo.
(18:15):
But yo, the name of this jointis called Ignition with Hendrik.
Hey, Sacramento, California.
(20:01):
But that that switch up iscrazy, man.
Yeah, Roboplex and Andrique.
Y'all did your thing, man.
Yo, I had to let y'all hear thisjoint.
Um, the name of this joint'scalled Cookin' Us from Nobodies
by King Hysteria, ImaginaryOther, and Chewy and IF.
Super dope, man.
(20:22):
So enjoy this, yo.
unknown (20:24):
Alright.
SPEAKER_02 (20:25):
This joint is dope.
Ah man.
SPEAKER_16 (20:28):
Yeah.
Yeah.
Hey, wait a second, wait aminute.
Before you be talking about thegreatest, did it?
Before you be talking about thegreatest ever, you better be
talking about me and my niggas.
I'm walking on water, fountainvia pivot in search of a
workaround to pee a mirror.
Looking for dirt, I bet youyou'll get it.
unknown (20:44):
I think I'm Osiris.
SPEAKER_16 (20:45):
Nigga, keep you digging.
This shit being 4K.
So definitive.
I'm up to seal off slabin', I'maget it in.
Bully on newest shit is soderivative.
Sound like the shit I do whenI'm just pitting it.
Isn't it wonderful when you bewinning?
When you kept it real it ain'tfrom the beginning.
We used to be dirty, dancing inthe trenches, recordin' in vocal
boosts and popsicle.
Hey, who do you know is reallyon a mission?
We started this shit, I thinkyou keep forgetting.
(21:05):
Politic little, everybody getit.
But if you ain't brotherhood,then you ain't need it.
She wanna trouble me, but Iain't win it.
I wish there was other means,I'm all led to it.
They know my pitmanship is overvivid.
I come from the bottom, now I'min the middle.
Hey, diddle diddle, this shitain't a riddle.
I'm still out here pullingstrings like a fiddle.
We got the party hotter than agriddle.
We had to act the party at thesizzler.
She wanna trouble me, but Iain't win it.
(21:26):
I wish there was other means,I'm all led to it.
Now my pittman ship is overvivid.
I come from the bottom, not inthe middle.
Swing the block in theconvertible top.
If you talkin' vicious, I'mamurder the ops.
What you need, I can serve you alot.
Jumpin' ranks, I've been hurlin'spots.
Niggas wish they had thispinnacle spot.
But I keep a plug, I'm on themineral rock.
Only fan that she's a minimalthought.
Niggas talking down like I ain'tbeen through a lot.
(21:48):
Way to go, you niggas fucked upthe groove.
Party crushers came and fuckedup the mood.
Chunk of dudes, like what thefuck up with you?
Talkin' crazy, had the fuck upis crew.
Can they tell you why they dressup and move?
I thought them niggas had theirwits about them.
Everything with us officialabout it, it's the cream shit.
Who do you know is really on amission?
We started this shit, I thinkyou keep forgetting.
Politic little, everybody getit.
(22:08):
But if you ain't brotherhood andyou ain't need it.
She wanna trouble me, but Iain't with it.
I wish there was other means, Iwould led to it, ain't no my
pinmanship is over vivid.
I come from the bottom, now I'min the middle.
Hey, diddle diddle, this shitain't a riddle.
I'm still out here pullingstrings like a fiddle.
We got the party hotter than agriddle.
We had to after party at thesizzler.
She wanna trouble me, but Iain't with it.
I wish there was other means, Iwould led to it.
(22:29):
They know my pimming ship isover vivid.
I come from the bottom, now I'min the middle.
SPEAKER_02 (22:36):
Hey, this video is bonkers too, yo.
Hey diddle didle.
Fire, dog.
Yeah, man.
Yo, we're gonna get into thisD-Styles joint.
SPEAKER_00 (22:50):
Make a decision.
Come to my seminar.
SPEAKER_02 (22:53):
Have some guts.
The name of this joint is calledRoll Call, featuring motions
from noises in the right order.
Like D-Styles, man.
So the Philippines, bro.
SPEAKER_05 (23:11):
Unless the verb return, the herb of stress
berserk or more sick.
SPEAKER_02 (24:26):
Can I tell y'all, man?
Philippines, man.
Hey.
Episode 134.
That's what y'all listening to,all Filipino beat makers,
artists.
You know what I mean?
Listen, we're gonna get intothis uh Dara from the Cyber
Gardens album.
It's on Bandcamp by TKDPLL.
(24:49):
Enjoy it.
This joint's fire, y'all.
I had to include this, man.
I think I'm I think I'm reallystarting to like drum and bass,
man, and all these otherdifferent types of genres, man.
Enjoy, I think, and I thinkthat's a good thing.
(26:51):
Shout out, yo.
This joint is dope, man.
This whole album is fired, man.
So shout out to shout out to FloBama.
I know I'm going off track, butshout out to Flo Bama, who's
been flipping crazy joints.
Um, and in his German based bag,man.
Shout out to Austin, Texas.
What up?
I miss y'all down there, man.
Miss kicking it with y'all.
But yo, um, we're gonna get intothis, trust me, from sentimental
(27:15):
volume one by Lust Beast, ManilaPhilippines.
I can understand what up.
SPEAKER_00 (27:24):
I can see by that look.
SPEAKER_02 (27:26):
This is he's a crazy drummer so many times before.
But if you just remind me ofJust Play so bad.
(28:23):
Like, in but in a good way.
Just play?
Yo, man.
Yo, less bass, what up, man?
I know nah.
Yo, so we're gonna get into thisum to this right words, wrong
audience instrumental from theOctober 23rd.
The instrumentals by Filipino1990.
Super dope project.
(28:45):
Enjoy, man.
SPEAKER_14 (28:47):
What we want y'all to do, man, is just keep
listening to our music and webring science amongst us.
And you gotta pay attention tothat.
Don't just get into it becauseof the beat.
The beat is gonna be fatregardless.
Just know what the fuck we talkabout and what we what we
dealing with, man.
You know what I'm saying?
This ain't for everybody, man.
You know what I'm saying?
Let's get this shit's cool.
It ain't for everybody.
It's only for certain people,man.
SPEAKER_02 (31:17):
Need you to be a guest on the show, okay?
All right, but yo, let's getinto this uh this trek by Six
the North Star.
Name of this joint is calledSlick Stretch from Six True
Mentals, volume three.
Sixth the North Star, Anu Na,what up?
(31:40):
Yeah, this is movement.
(33:12):
I like this trait, man.
Damn.
You know what I mean?
I had to cleanse the palette alittle bit for y'all, you know
what I'm saying?
We gonna get we're gonna go toManila, Philippines, man.
We're gonna listen to thiscompose or decompose from sound
therapy by schematic.
This is dope, man.
(33:32):
Schematic Anuna.
Yo, all of these you can find onBandcad too, yo, by the way.
So you mean support the homies,young?
(36:24):
Skip at it, man.
That's the honey.
Yeah.
Okay, well, we're gonna get intothis.
Uh oh, matter of fact, we goingto Marikina, Philippines.
Yo, the name of this joint iscalled Arrhythmia.
From the I don't know what I'mwhat am I doing by four B synth.
(36:53):
I hope I'm saying that right,man.
Four B, five, S.
No.
Y and Top.
This is a dope.
(39:05):
This is a dope flip, yo.
Man.
Wow.
All right, man.
We're gonna listen to thisvoices we deliver from the
farmer's guide to higher groundby the farm.
Just listen to the words, man.
Enjoy this, yo.
This is dope.
Super dope group, yo.
SPEAKER_08 (39:33):
Yo, never gave a fuck of what they thinkin' in
me.
Cause yo, the farmer with theboy, you killin suckers for
free.
And I mean, do a lot of moves,I'm also then disapproved.
But with the forces we deliver,we ask you to improve.
Yo, never gave a fuck of whatthey thinkin' in me.
Cause yo, the farmer with theboy, you're killing suckers for
free.
And I mean, do a lot of moves,and most of them disapprove.
But with the forces we deliver,we ask you to approve.
SPEAKER_09 (39:53):
Yo, I see the source emanating from a distant energy.
Nowhere to be found around thesights and sounds of enemies.
Hidden in the mix is our allies.
Yet the storm approachesswiftly.
Now they're paralyzed.
Suddenly they tend to becuriously absent when they're
furiously adamant.
The loyalty is stronger than therest.
It's all off a sad plastic size.
Communication happens on a dailybasis.
Empty words and phrases leave athick skin and faceless.
(40:14):
There's no more running fromreality.
In fact, it's really best thatwe commence with sensing an
attack and then preempting itwith forces undiscovered by the
lesser fact.
Far beyond the rhyme, reason andthe vision that they lack.
Ha, it's quite a tragedy.
Through the years, it allremains a parody.
But we never really think a planto be part of the solution.
Since the effort that we use totry and change the minds, leaves
behind impressions on the waythat I never gave a fuck what
(40:36):
they think it's a mean.
SPEAKER_08 (40:37):
Yo, the farmer with the part killing sucks for free.
And I'm into a lot of moves.
I'm also then disapproved.
But with the forces we deliver,we ask you to improve.
Seen the many ways, they use thepoison is past to the mind.
Confuse you with a diamondlight.
Get blinded if you're too weak,too frail for the shine.
Skin getting pale from thecritical mind.
Dependent like an umbilicalmind.
An illusion is competitivestate.
(40:57):
No solution to cut your face ortake a plate to conversate.
What you lack is a fact, or it'stoo verbal attacks, choose too
exposed by acts.
Moral and honor rap side.
Never hinder a man to find atrail across.
As we are faded by the pain ofloss, so we chose to drift
across unfamiliar walls.
Who's next in line to get tossedto test the competitive boss?
Yeah, I chose to get away fromthe devil.
The scheme's a banner.
(41:18):
Let them do what they can.
Great walls on a new way.
But a few craving dependent toplay the fool's game.
New day in the dawn.
Let's make these crocodiles pay.
Yo, never gave a fuck of whatthey think of me.
Yo, the farmer with the boardkillin' suckers for free.
And I'm me doing a lot of moves.
SPEAKER_15 (41:36):
Step back and step black to the tracks, that
enhanced wagons and pack.
The caliber factor with a fact.
The main display, whatevermatters for play.
Remain the black and white withadventurous for the color for
day.
Mates in place with a way todispose of the poison sway.
Pigs to the page, scriptures,which is visibly opaque up pace.
Look up side of shape.
Obviously, you see the pictureof mixture with reads, but
different choose to drink.
(41:56):
Kill your next administer.
Particular times, people wouldjust listen to what's real and
dime.
It's just among the other wordsis written.
You've been living in thematerial wall, them counting
seconds of the lessons.
And the truth to the curse.
And the farmers shine bright.
Make you live your life white.
Cage to walk with jigs.
Mike rubber like Mike Tyson.
The mic placed in the mic standwith a light thought of a mind.
Which in the middle will ever topedal when I would consider the
members the whites.
SPEAKER_08 (42:17):
Never gave a fuck of what they think of me.
Yo, the farmer with the boy,you're killing sucks for free.
And I mean, do a lot of moves,and most of them disapprove.
SPEAKER_12 (42:24):
But with the forces we deliver, we ask you to know
it won't be long before my floatwithin your ground.
So rocket steadily, don't needthe new shints in the crowd.
I'ma slide how I'm livingearthbound.
Persisting through the night,guided by these lamps to release
the true sound.
More styles from old piles, butnew tiles come meanwhile.
The loop flies soon try to reachhigh on these skies.
My formal thought to ease,breathe heavily through a
(42:44):
breeze.
Allowing myself to stimulatespeech from magical trees.
Simple as it seems, delegatelike a sea.
Composing these arrangements towitness energy.
Yes, the force of the lightbrings course for the right.
Consumed by the night forendless tales from the might.
No might, no might, no might.
SPEAKER_02 (42:58):
Man, they remind me of the Fujies.
Oh my gosh, this man.
Super doof.
The farm.
Shout out to y'all, man.
Anu na.
Alright, we're going back toManila.
Yeah.
This is by Dipshit.
D P S H T.
(43:18):
The name of this joint is calledVera.
From Obvious album.
Wow.
Actually, Dipshit and Tinkle C.
I hope that's how you say thename.
Super dope.
(44:35):
Yeah, man.
Laid back vibes, yo.
Yo, we're gonna check out thehomie skeptics.
The name this joint is calledPure Bliss.
From the Summer Bliss album, yo.
This is dope.
(46:28):
Yeah, man.
Super dope.
Y'all know I gotta take y'all ona journey, man.
With the vibes, you know what Imean?
But um, yeah, we're gonna go toManila, Philippines again.
We're gonna check out thisgenuine Holler 9 Easy edit from
the album Kembot with me, baby.
(46:53):
Man, this is dope by Izzy.
Super dope, yo.
I like how you flip this, yeah.
Enjoy.
Hit that like, subscribe, allthat.
unknown (47:10):
You only give me another baby.
SPEAKER_06 (47:57):
It's nothing change.
Still in love with you, strong,you're not being trained.
I'll be back, tell me what todo.
Feeling good in my heart, you'rereal.
You turn me on, just as if it'sa baby, you only give me on the
(48:31):
baby give me on the baby.
You only give me on the babygive me on the baby.
I'll be mad as I'm a should Igive you all the heads.
If you all I got to give you,too.
(48:56):
Don't need to tell me to have nofear on you.
unknown (49:00):
Don't be waiting.
SPEAKER_03 (49:19):
I tell him my face and trying to get my kids my
turn on the church.
When you swept, get it off.
This is what you've left.
unknown (49:26):
And we do find the bottom up my face.
Now I want the offensive when Ijoined the back.
Yeah, I like it like that.
SPEAKER_03 (49:32):
I make no words when you won't want to hear you holla
back.
unknown (49:39):
I've got the buttons of the feature.
SPEAKER_03 (49:43):
I don't know that the features I got a feature,
you can make that beat up, youcan make that beat up, but
(50:05):
that's a beat.
SPEAKER_02 (50:33):
I don't know now.
This is super dope, man.
I had to include that, man.
This is super dope, man.
Um yeah, man, we're gonna roundit off with uh the homie Lupin
who I just met.
Um so shout out to Lupin.
(50:53):
Um the name of this joint iscalled Third Cursed Sword from
some drum and bass.
So that's how we're gonna closeit out, you know what I'm
saying?
Uh that's a wrap for one episode134 of our special all Filipino
Beatmaker showcase.
I hope you enjoy discoveringthese amazing talents from all
(51:14):
over the world.
And if you love what you heard,definitely show some love so we
can keep the vibes going.
Remember you can support the RagShow podcast by hitting the like
button, subscribing, uh,wherever you listen.
All right, wherever you getlisten to your podcast, um,
especially on YouTube.
We're growing it.
We're at 174 right now, so wewant to keep that growing as
(51:37):
well.
Thank you to 174 of y'alltapping in every week, leaving
comments and and things likethat.
Um if you want to rock some ofthe merch, go ahead and uh you
know, buy a t-shirt thatdefinitely supports us.
Uh, or buy us a coffee.
There's a link in thedescription uh as well.
(51:58):
That goes a long way in keepingthis show rolling.
Uh, or just check out the linksin the description, period, man,
and support the homies.
But don't forget, you canactually text into the show,
y'all.
Alright, so if you like what youheard, you know, send me a
message, man.
Let me know.
Let me know what you what youliked about it and everything
like that.
They come directly to me, theydon't go to anybody else.
(52:19):
Alright?
Um, just click that link at thetop of the description, drop us
a message, and you know, I loveto hear from y'all.
Alright.
But uh, yeah, man, thanks fortuning in.
Until next time.
You know what I mean?
We start with the record, werecognize the beats, we count
blessings, not problems.
And uh we're gonna keep itrolling, man.
(52:41):
Alright.
Everybody have a great, amazingweek.
Alright.
Keep it positive, and um don'tbe afraid to ask for help, man,
if you need it, alright?
Because it's a lot going onaround the world, man.
So just don't be afraid to askfor help.
Reach out.
Alright?
It's gonna be somebody that iswilling to help you out.
(53:01):
Alright?
Remember, I said that.
Cold of mine.
Alright?
Peace and love, yo.
SPEAKER_10 (53:37):
Episode is sanda an atlum put apat, ang special
nating palabas para salahat ngFilipino beatmakers sabu oung
mundu.
Sana nagen joy kayo sa mang a tonoug at talento na itinang pok
natin na yon.
Kung nagusto hanin yoang episodenato, kuwag kalimutan y like, i
(53:58):
subscribe.
At is share angrek show podcastsa mang a ka ibiga nino.
Support ta hanbi ng show sa pamamagita ng pakbilin ng official
t-shirt o pakbay ng kofi,malaking tulung yan para patuloy
kaming maka pak dalan ng mgabagung tunub at inspiration sa
inyo.
(54:19):
At oo, kwederin ka yung mangtext o mg message direcho sa
amin.
Ik klik lang ang link sa ita asng description at magiwa ng
mensahe.
Gusto naming marinigang in yungmangaboses at kwento.
Maraming salamat muli sapakikin, hangang sa sususunod,
(54:39):
manatiling malikhain at patulu ysa paggawa ng mangabits.
Ning at kayupalagi.
SPEAKER_02 (55:42):
Hey, yo, if you stayed long enough to listen to
this part, thank you, man.
You were you're a real one, yo.
Yo, I had to include the homiewave group, man.
Um, he's got a Horizon Mirage LPthat's out on Bandcamp right
now.
Super dope, yo.
So I had to include Phase 1988,which is super dope, man.
(56:04):
So, yeah, man.
He's he's one of the uh thegroup members that puts together
Beat Cinema, man.
If y'all know about BeastCinema, smack yourselves.
But uh Yeah, this is only partone of the all Filipino beat
makers, man.
So I'll see y'all in anotherone, man.
Alright, for real, I'm reallyout though.
Peace and love, yeah.
What do I tell you?
SPEAKER_10 (02:06):
Salamat.
Malaki yang kahulugan nang yungsupport.
Upang mapalago ito.
At masma support hangmasmaraming beatmakers.
SPEAKER_02 (03:25):
What is good, everybody?
Welcome to episode 134 of theRagshore Podcast.
I'm your host, Golden Mine.
And today is a really specialone because we're shining a
spotlight on Filipino beatmakers from all over the globe.
We got some amazing talent fromright here in the States to the
(03:47):
Philippines and beyond.
You know, so I won't even Iwon't even waste your time.
I want to get right into it,man.
But before I do that, I justwant to go over some of the you
know the included beat makersthat we included, man, right
from the top, and then we'lltalk about them as as we weave
(04:10):
in and out of the tracks, man.
So first off, shout out to FatRocky 50s.
Um he sent me to uh free therobots, man.
So shout out to you.
Free the robots is super dope,man.
I appreciate that.
Um we also are including Heyru.
That is a uh recommendation fromthe homie Mons Rock, man.
(04:35):
Um I wish I could have beenthere for that DB Yassie
birthday party, but you know, Iseen the clips.
Man, it look fired, dog.
It look fired, man.
So shout out to Mons Rock, shoutout to DB Yassie, happy you
know, late birthday, DB Yassie.
Um and Huru was so dope.
I had to include two tracks,man.
So shout out to Hiru.
(04:56):
Um, also got Elijah B.
I included the track.
Uh he's from Sacramento,California as well.
Um and I also got Roboplex fromSacramento, California.
I included uh King Hysteria,Imaginary Other, Chewy, and IF1.
(05:18):
I also included D-Styles 1.
Uh DKDPLL.1 also included inthis mix.
I also got Lust Bass included.
I got Filipino 1990.
I also got Six the North Star.
(05:41):
Um who else?
I got schematic.
I got uh four by synth.
I hope I saying that right, man.
Four, the letter B, the numberfive, and then Y-N-T-H from uh
Marikina, Philippines.
(06:01):
I also have higher ground um orthe farm.
That's uh P-H-A-R-M.
Super dope as well.
Also got and Ken Kenosi fromManila, Philippines.
I also got Skeptics, I also gotuh Easy from the Manila
(06:24):
Philippines.
I also have included um let mesee who else I got Kemba, I also
included Lupin the third.
So yeah, man, I um man, I triedto find and and go all over to
try and find these Filipino beatmakers, man, and uh producers,
(06:45):
artists.
So I hope y'all enjoy this mix,man.
This is gonna be a super dopeone.
So you know, go ahead, do whaty'all do, like, subscribe, share
it, all that type of jazz, man.
And then um, you know, we'regonna just play some of the
tracks and you know let me knowwhat y'all think.
Alright, so um, also, you know,hey, if you enjoy what you hear,
(07:11):
don't forget to you know like,subscribe, check out our link,
our link tree at the retropodcast for all the ways you can
support us.
It's always gonna be in thedescription of the show.
But then also if you go toInstagram, x, our YouTube
channels, our bus sproutaccount, like it's gonna be
there too.
I updated it, so it's gonna begoing through my website, and
(07:34):
uh, I think it's super dope.
I'm just getting started on it,man.
But it looks super dope so far,so um, you know, all the ways
you can support the show, youcan grab a t-shirt, you can buy
us a coffee, you can help youknow keep these beats coming.
We really appreciate all yoursupport.
And uh yeah, man, let's let'sget into let's get into these
beats, man.
We're gonna go and kick it offwith Free the Robots.
(07:59):
Alright, the name of this trackis called Introbot from the
Prototype Volume 2.
Free the Robot Year AnniversaryEdition.
Alright, let's get into it, man.
And we'll be right back.
SPEAKER_11 (08:32):
Greetings, my friends.
We are all interested in thefuture, for that is where you
and I are going to spend therest of our lives.
And remember, my friends, futureevents such as these will affect
you in the future.
You are interested in theunknown, the mysterious, the
unexplainable.
That is why you are here.
(08:53):
And now for the first time, weare bringing to you the full
story.
SPEAKER_04 (09:03):
Set the season of your time.
We have been on.
Permit me to specify the each.
We do not have a car, onlystates.
We have destroyed that all thesystem.
unknown (09:22):
I have it.
SPEAKER_04 (09:25):
You must first.
That is what you destroy.
If you persist to design of mystuff, you can store you before
(09:45):
you destroy.
We shouldn't havedisappointments.
See what you should.
unknown (09:57):
You are destroying.
We are all this is all right.
SPEAKER_11 (12:07):
Wow, free.
Do you still believe that theimpossible we exist?
SPEAKER_02 (12:12):
That's super dope.
Yo, we shout out to Hero, man.
I know where this is from, butthis guy, this is dope how you
flipped this though, yo.
So shout out to the name of thistrack is called Every Time from
Suddenly Album by Hero, man.
Enjoy it.
SPEAKER_01 (13:02):
Who knows it's what you want every time.
SPEAKER_02 (13:33):
Yo, be makers, don't overthink the loop.
This was not overthinking theloop, and it's a fire joint, yo.
Man, all right, yo, we gettinginto this this riots from that
Suddenly album by Hero again,man.
Shout out to Hero, man.
Yeah, this is dope, man.
SPEAKER_14 (13:53):
Woof.
SPEAKER_02 (13:55):
You did your thing, man.
(15:16):
Yeah, man.
Wow.
Shout out to you, man.
Salute, man.
So, yo, we gonna get to thisElijah B from the All of Alted
album.
The number this name of thistracker's called number three.
This is fire.
Let me shut up.
Y'all listen to this joint, man.
(16:47):
Elijah B, what the fuck was yousmoking, dog?
This is crazy, man.
Alright, man.
Name of this joint is called 8Bfrom that unvaulted album by
Elijah B, man.
Everybody's gonna be linked inthe description.
Alright.
Enjoy it.
Well, yeah, yeah, no, no, no,no.
Let me let me read let me runthis back real quick, yeah.
(17:54):
Smashed it, yo.
Elijah B.
Man, wow.
So yo, Roboplex, man.
Visual artists.
You know what I mean?
Live events he does for MonsRock and D Bassy, and then when
they have live events for Flip AB Club and I think burgers and
beats and some other joints,man.
You should check out his uhportfolio on his website, yo.
(18:15):
But yo, the name of this jointis called Ignition with Hendrik.
Hey, Sacramento, California.
(20:01):
But that that switch up iscrazy, man.
Yeah, Roboplex and Andrique.
Y'all did your thing, man.
Yo, I had to let y'all hear thisjoint.
Um, the name of this joint'scalled Cookin' Us from Nobodies
by King Hysteria, ImaginaryOther, and Chewy and IF.
Super dope, man.
(20:22):
So enjoy this, yo.
unknown (20:24):
Alright.
SPEAKER_02 (20:25):
This joint is dope.
Ah man.
SPEAKER_16 (20:28):
Yeah.
Yeah.
Hey, wait a second, wait aminute.
Before you be talking about thegreatest, did it?
Before you be talking about thegreatest ever, you better be
talking about me and my niggas.
I'm walking on water, fountainvia pivot in search of a
workaround to pee a mirror.
Looking for dirt, I bet youyou'll get it.
unknown (20:44):
I think I'm Osiris.
SPEAKER_16 (20:45):
Nigga, keep you digging.
This shit being 4K.
So definitive.
I'm up to seal off slabin', I'maget it in.
Bully on newest shit is soderivative.
Sound like the shit I do whenI'm just pitting it.
Isn't it wonderful when you bewinning?
When you kept it real it ain'tfrom the beginning.
We used to be dirty, dancing inthe trenches, recordin' in vocal
boosts and popsicle.
Hey, who do you know is reallyon a mission?
We started this shit, I thinkyou keep forgetting.
(21:05):
Politic little, everybody getit.
But if you ain't brotherhood,then you ain't need it.
She wanna trouble me, but Iain't win it.
I wish there was other means,I'm all led to it.
They know my pitmanship is overvivid.
I come from the bottom, now I'min the middle.
Hey, diddle diddle, this shitain't a riddle.
I'm still out here pullingstrings like a fiddle.
We got the party hotter than agriddle.
We had to act the party at thesizzler.
She wanna trouble me, but Iain't win it.
(21:26):
I wish there was other means,I'm all led to it.
Now my pittman ship is overvivid.
I come from the bottom, not inthe middle.
Swing the block in theconvertible top.
If you talkin' vicious, I'mamurder the ops.
What you need, I can serve you alot.
Jumpin' ranks, I've been hurlin'spots.
Niggas wish they had thispinnacle spot.
But I keep a plug, I'm on themineral rock.
Only fan that she's a minimalthought.
Niggas talking down like I ain'tbeen through a lot.
(21:48):
Way to go, you niggas fucked upthe groove.
Party crushers came and fuckedup the mood.
Chunk of dudes, like what thefuck up with you?
Talkin' crazy, had the fuck upis crew.
Can they tell you why they dressup and move?
I thought them niggas had theirwits about them.
Everything with us officialabout it, it's the cream shit.
Who do you know is really on amission?
We started this shit, I thinkyou keep forgetting.
Politic little, everybody getit.
(22:08):
But if you ain't brotherhood andyou ain't need it.
She wanna trouble me, but Iain't with it.
I wish there was other means, Iwould led to it, ain't no my
pinmanship is over vivid.
I come from the bottom, now I'min the middle.
Hey, diddle diddle, this shitain't a riddle.
I'm still out here pullingstrings like a fiddle.
We got the party hotter than agriddle.
We had to after party at thesizzler.
She wanna trouble me, but Iain't with it.
I wish there was other means, Iwould led to it.
(22:29):
They know my pimming ship isover vivid.
I come from the bottom, now I'min the middle.
SPEAKER_02 (22:36):
Hey, this video is bonkers too, yo.
Hey diddle didle.
Fire, dog.
Yeah, man.
Yo, we're gonna get into thisD-Styles joint.
SPEAKER_00 (22:50):
Make a decision.
Come to my seminar.
SPEAKER_02 (22:53):
Have some guts.
The name of this joint is calledRoll Call, featuring motions
from noises in the right order.
Like D-Styles, man.
So the Philippines, bro.
SPEAKER_05 (23:11):
Unless the verb return, the herb of stress
berserk or more sick.
SPEAKER_02 (24:26):
Can I tell y'all, man?
Philippines, man.
Hey.
Episode 134.
That's what y'all listening to,all Filipino beat makers,
artists.
You know what I mean?
Listen, we're gonna get intothis uh Dara from the Cyber
Gardens album.
It's on Bandcamp by TKDPLL.
(24:49):
Enjoy it.
This joint's fire, y'all.
I had to include this, man.
I think I'm I think I'm reallystarting to like drum and bass,
man, and all these otherdifferent types of genres, man.
Enjoy, I think, and I thinkthat's a good thing.
(26:51):
Shout out, yo.
This joint is dope, man.
This whole album is fired, man.
So shout out to shout out to FloBama.
I know I'm going off track, butshout out to Flo Bama, who's
been flipping crazy joints.
Um, and in his German based bag,man.
Shout out to Austin, Texas.
What up?
I miss y'all down there, man.
Miss kicking it with y'all.
But yo, um, we're gonna get intothis, trust me, from sentimental
(27:15):
volume one by Lust Beast, ManilaPhilippines.
I can understand what up.
SPEAKER_00 (27:24):
I can see by that look.
SPEAKER_02 (27:26):
This is he's a crazy drummer so many times before.
But if you just remind me ofJust Play so bad.
(28:23):
Like, in but in a good way.
Just play?
Yo, man.
Yo, less bass, what up, man?
I know nah.
Yo, so we're gonna get into thisum to this right words, wrong
audience instrumental from theOctober 23rd.
The instrumentals by Filipino1990.
Super dope project.
(28:45):
Enjoy, man.
SPEAKER_14 (28:47):
What we want y'all to do, man, is just keep
listening to our music and webring science amongst us.
And you gotta pay attention tothat.
Don't just get into it becauseof the beat.
The beat is gonna be fatregardless.
Just know what the fuck we talkabout and what we what we
dealing with, man.
You know what I'm saying?
This ain't for everybody, man.
You know what I'm saying?
Let's get this shit's cool.
It ain't for everybody.
It's only for certain people,man.
SPEAKER_02 (31:17):
Need you to be a guest on the show, okay?
All right, but yo, let's getinto this uh this trek by Six
the North Star.
Name of this joint is calledSlick Stretch from Six True
Mentals, volume three.
Sixth the North Star, Anu Na,what up?
(31:40):
Yeah, this is movement.
(33:12):
I like this trait, man.
Damn.
You know what I mean?
I had to cleanse the palette alittle bit for y'all, you know
what I'm saying?
We gonna get we're gonna go toManila, Philippines, man.
We're gonna listen to thiscompose or decompose from sound
therapy by schematic.
This is dope, man.
(33:32):
Schematic Anuna.
Yo, all of these you can find onBandcad too, yo, by the way.
So you mean support the homies,young?
(36:24):
Skip at it, man.
That's the honey.
Yeah.
Okay, well, we're gonna get intothis.
Uh oh, matter of fact, we goingto Marikina, Philippines.
Yo, the name of this joint iscalled Arrhythmia.
From the I don't know what I'mwhat am I doing by four B synth.
(36:53):
I hope I'm saying that right,man.
Four B, five, S.
No.
Y and Top.
This is a dope.
(39:05):
This is a dope flip, yo.
Man.
Wow.
All right, man.
We're gonna listen to thisvoices we deliver from the
farmer's guide to higher groundby the farm.
Just listen to the words, man.
Enjoy this, yo.
This is dope.
Super dope group, yo.
SPEAKER_08 (39:33):
Yo, never gave a fuck of what they thinkin' in
me.
Cause yo, the farmer with theboy, you killin suckers for
free.
And I mean, do a lot of moves,I'm also then disapproved.
But with the forces we deliver,we ask you to improve.
Yo, never gave a fuck of whatthey thinkin' in me.
Cause yo, the farmer with theboy, you're killing suckers for
free.
And I mean, do a lot of moves,and most of them disapprove.
But with the forces we deliver,we ask you to approve.
SPEAKER_09 (39:53):
Yo, I see the source emanating from a distant energy.
Nowhere to be found around thesights and sounds of enemies.
Hidden in the mix is our allies.
Yet the storm approachesswiftly.
Now they're paralyzed.
Suddenly they tend to becuriously absent when they're
furiously adamant.
The loyalty is stronger than therest.
It's all off a sad plastic size.
Communication happens on a dailybasis.
Empty words and phrases leave athick skin and faceless.
(40:14):
There's no more running fromreality.
In fact, it's really best thatwe commence with sensing an
attack and then preempting itwith forces undiscovered by the
lesser fact.
Far beyond the rhyme, reason andthe vision that they lack.
Ha, it's quite a tragedy.
Through the years, it allremains a parody.
But we never really think a planto be part of the solution.
Since the effort that we use totry and change the minds, leaves
behind impressions on the waythat I never gave a fuck what
(40:36):
they think it's a mean.
SPEAKER_08 (40:37):
Yo, the farmer with the part killing sucks for free.
And I'm into a lot of moves.
I'm also then disapproved.
But with the forces we deliver,we ask you to improve.
Seen the many ways, they use thepoison is past to the mind.
Confuse you with a diamondlight.
Get blinded if you're too weak,too frail for the shine.
Skin getting pale from thecritical mind.
Dependent like an umbilicalmind.
An illusion is competitivestate.
(40:57):
No solution to cut your face ortake a plate to conversate.
What you lack is a fact, or it'stoo verbal attacks, choose too
exposed by acts.
Moral and honor rap side.
Never hinder a man to find atrail across.
As we are faded by the pain ofloss, so we chose to drift
across unfamiliar walls.
Who's next in line to get tossedto test the competitive boss?
Yeah, I chose to get away fromthe devil.
The scheme's a banner.
(41:18):
Let them do what they can.
Great walls on a new way.
But a few craving dependent toplay the fool's game.
New day in the dawn.
Let's make these crocodiles pay.
Yo, never gave a fuck of whatthey think of me.
Yo, the farmer with the boardkillin' suckers for free.
And I'm me doing a lot of moves.
SPEAKER_15 (41:36):
Step back and step black to the tracks, that
enhanced wagons and pack.
The caliber factor with a fact.
The main display, whatevermatters for play.
Remain the black and white withadventurous for the color for
day.
Mates in place with a way todispose of the poison sway.
Pigs to the page, scriptures,which is visibly opaque up pace.
Look up side of shape.
Obviously, you see the pictureof mixture with reads, but
different choose to drink.
(41:56):
Kill your next administer.
Particular times, people wouldjust listen to what's real and
dime.
It's just among the other wordsis written.
You've been living in thematerial wall, them counting
seconds of the lessons.
And the truth to the curse.
And the farmers shine bright.
Make you live your life white.
Cage to walk with jigs.
Mike rubber like Mike Tyson.
The mic placed in the mic standwith a light thought of a mind.
Which in the middle will ever topedal when I would consider the
members the whites.
SPEAKER_08 (42:17):
Never gave a fuck of what they think of me.
Yo, the farmer with the boy,you're killing sucks for free.
And I mean, do a lot of moves,and most of them disapprove.
SPEAKER_12 (42:24):
But with the forces we deliver, we ask you to know
it won't be long before my floatwithin your ground.
So rocket steadily, don't needthe new shints in the crowd.
I'ma slide how I'm livingearthbound.
Persisting through the night,guided by these lamps to release
the true sound.
More styles from old piles, butnew tiles come meanwhile.
The loop flies soon try to reachhigh on these skies.
My formal thought to ease,breathe heavily through a
(42:44):
breeze.
Allowing myself to stimulatespeech from magical trees.
Simple as it seems, delegatelike a sea.
Composing these arrangements towitness energy.
Yes, the force of the lightbrings course for the right.
Consumed by the night forendless tales from the might.
No might, no might, no might.
SPEAKER_02 (42:58):
Man, they remind me of the Fujies.
Oh my gosh, this man.
Super doof.
The farm.
Shout out to y'all, man.
Anu na.
Alright, we're going back toManila.
Yeah.
This is by Dipshit.
D P S H T.
(43:18):
The name of this joint is calledVera.
From Obvious album.
Wow.
Actually, Dipshit and Tinkle C.
I hope that's how you say thename.
Super dope.
(44:35):
Yeah, man.
Laid back vibes, yo.
Yo, we're gonna check out thehomie skeptics.
The name this joint is calledPure Bliss.
From the Summer Bliss album, yo.
This is dope.
(46:28):
Yeah, man.
Super dope.
Y'all know I gotta take y'all ona journey, man.
With the vibes, you know what Imean?
But um, yeah, we're gonna go toManila, Philippines again.
We're gonna check out thisgenuine Holler 9 Easy edit from
the album Kembot with me, baby.
(46:53):
Man, this is dope by Izzy.
Super dope, yo.
I like how you flip this, yeah.
Enjoy.
Hit that like, subscribe, allthat.
unknown (47:10):
You only give me another baby.
SPEAKER_06 (47:57):
It's nothing change.
Still in love with you, strong,you're not being trained.
I'll be back, tell me what todo.
Feeling good in my heart, you'rereal.
You turn me on, just as if it'sa baby, you only give me on the
(48:31):
baby give me on the baby.
You only give me on the babygive me on the baby.
I'll be mad as I'm a should Igive you all the heads.
If you all I got to give you,too.
(48:56):
Don't need to tell me to have nofear on you.
unknown (49:00):
Don't be waiting.
SPEAKER_03 (49:19):
I tell him my face and trying to get my kids my
turn on the church.
When you swept, get it off.
This is what you've left.
unknown (49:26):
And we do find the bottom up my face.
Now I want the offensive when Ijoined the back.
Yeah, I like it like that.
SPEAKER_03 (49:32):
I make no words when you won't want to hear you holla
back.
unknown (49:39):
I've got the buttons of the feature.
SPEAKER_03 (49:43):
I don't know that the features I got a feature,
you can make that beat up, youcan make that beat up, but
(50:05):
that's a beat.
SPEAKER_02 (50:33):
I don't know now.
This is super dope, man.
I had to include that, man.
This is super dope, man.
Um yeah, man, we're gonna roundit off with uh the homie Lupin
who I just met.
Um so shout out to Lupin.
(50:53):
Um the name of this joint iscalled Third Cursed Sword from
some drum and bass.
So that's how we're gonna closeit out, you know what I'm
saying?
Uh that's a wrap for one episode134 of our special all Filipino
Beatmaker showcase.
I hope you enjoy discoveringthese amazing talents from all
(51:14):
over the world.
And if you love what you heard,definitely show some love so we
can keep the vibes going.
Remember you can support the RagShow podcast by hitting the like
button, subscribing, uh,wherever you listen.
All right, wherever you getlisten to your podcast, um,
especially on YouTube.
We're growing it.
We're at 174 right now, so wewant to keep that growing as
(51:37):
well.
Thank you to 174 of y'alltapping in every week, leaving
comments and and things likethat.
Um if you want to rock some ofthe merch, go ahead and uh you
know, buy a t-shirt thatdefinitely supports us.
Uh, or buy us a coffee.
There's a link in thedescription uh as well.
(51:58):
That goes a long way in keepingthis show rolling.
Uh, or just check out the linksin the description, period, man,
and support the homies.
But don't forget, you canactually text into the show,
y'all.
Alright, so if you like what youheard, you know, send me a
message, man.
Let me know.
Let me know what you what youliked about it and everything
like that.
They come directly to me, theydon't go to anybody else.
(52:19):
Alright?
Um, just click that link at thetop of the description, drop us
a message, and you know, I loveto hear from y'all.
Alright.
But uh, yeah, man, thanks fortuning in.
Until next time.
You know what I mean?
We start with the record, werecognize the beats, we count
blessings, not problems.
And uh we're gonna keep itrolling, man.
(52:41):
Alright.
Everybody have a great, amazingweek.
Alright.
Keep it positive, and um don'tbe afraid to ask for help, man,
if you need it, alright?
Because it's a lot going onaround the world, man.
So just don't be afraid to askfor help.
Reach out.
Alright?
It's gonna be somebody that iswilling to help you out.
(53:01):
Alright?
Remember, I said that.
Cold of mine.
Alright?
Peace and love, yo.
SPEAKER_10 (53:37):
Episode is sanda an atlum put apat, ang special
nating palabas para salahat ngFilipino beatmakers sabu oung
mundu.
Sana nagen joy kayo sa mang a tonoug at talento na itinang pok
natin na yon.
Kung nagusto hanin yoang episodenato, kuwag kalimutan y like, i
(53:58):
subscribe.
At is share angrek show podcastsa mang a ka ibiga nino.
Support ta hanbi ng show sa pamamagita ng pakbilin ng official
t-shirt o pakbay ng kofi,malaking tulung yan para patuloy
kaming maka pak dalan ng mgabagung tunub at inspiration sa
inyo.
(54:19):
At oo, kwederin ka yung mangtext o mg message direcho sa
amin.
Ik klik lang ang link sa ita asng description at magiwa ng
mensahe.
Gusto naming marinigang in yungmangaboses at kwento.
Maraming salamat muli sapakikin, hangang sa sususunod,
(54:39):
manatiling malikhain at patulu ysa paggawa ng mangabits.
Ning at kayupalagi.
SPEAKER_02 (55:42):
Hey, yo, if you stayed long enough to listen to
this part, thank you, man.
You were you're a real one, yo.
Yo, I had to include the homiewave group, man.
Um, he's got a Horizon Mirage LPthat's out on Bandcamp right
now.
Super dope, yo.
So I had to include Phase 1988,which is super dope, man.
(56:04):
So, yeah, man.
He's he's one of the uh thegroup members that puts together
Beat Cinema, man.
If y'all know about BeastCinema, smack yourselves.
But uh Yeah, this is only partone of the all Filipino beat
makers, man.
So I'll see y'all in anotherone, man.
Alright, for real, I'm reallyout though.
Peace and love, yeah.
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