June 8, 2024 • 118 mins
“Be a homie & let us know what you think”
What if a simple road trip could transform the way you experience music? This episode marks the triumphant return after a brief hiatus, enriched with stories from a cross-country drive from San Antonio, Texas, to Southern California. We introduce an exciting new interactive feature—fan mail—where you can text us directly with your thoughts and encouragement. We also dive into the latest albums like "Corner Shop Cowboys" by Asar and Lo-Tek, delve into the unique production styles of Telly McLean's album, "Mia Wallace Loves Red Apple Cigarettes," inspired by Quentin Tarantino films.
Ready to uncover hidden gems from the beat scene? This episode features highlights from Philth Spector and Killer Kane's gritty "Face Off," and heartfelt tributes like "Donutsss with 3S's" by eu-IV, Tatzumakiii’s “DAiiiFUKU 大福餅”, Iman Omari’s 404 Day Beat-tape on Untitled App, Tuamie’s “Written Prescriptions”, Coldfingerz “Memory Cards” Ali Wan Kenobi’s “Kenobi Express 6”, The Kid Flames’s “The Time Your Given”, Spirits! by Impreshn and Ohricky and more!
Finally, we wrap things up with reflections from our cross-country drive, emphasizing the cultural landscapes we encountered and the timeless beats that accompanied our journey. Tune in for a celebration of beat makers and a musical exploration that promises to inspire and move you.
Edited, Mixed and Mastered by Gldnmnd
Podcast Website Link: The Rec Show Podcast
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 2 (00:01):
What is that sound, you ask?
Speaker 3 (00:11):
Welcome to the Wreck Show podcast, a show dedicated
to beatmakers around the world.
Speaker 4 (00:42):
Kick back, relax with the Mayhem Party.
Okay, welcome back everybody,welcome back yo to the rec show
podcast man.
Yo, I didn't abandon thepodcast, everybody didn't?
(01:07):
I didn't abandon it, man, Ijust been, um, taking care of
personal business, you know.
So sometimes you just gotta putsome things down in order to
take care of what's what you got, what you hold near and dear,
you know I mean.
So, um, that's what I had to do, man.
It was just, you know, a littlebit too much, so put it down,
took care of business now.
So the babies are out of schoolfor the summer and I got a
little bit of time, so I'm back,took care of business Driving
(01:31):
from San Antonio, texas, tosunny Southern California.
So, shout out to all of myCalifornians, man, my Arizonians
, my New Mexicans, where elsedid we drive to?
Man, we drove through Nevada,yeah, man.
Um, shout out to all my Texansas well, man.
(01:53):
So, yeah, if you listening fromaround the world, man, let me
know.
But I do want to let y'all knowthat there is a new feature
that I want y'all to to, youknow, actually get it, get
interactive with me.
Um, it's called fan mail, man.
So if you look in thedescription of the show.
Um, through any episode you'llsee texts, the podcast, or you
(02:18):
know what I mean, or somethingto that effect, man.
So fan mail, it just lets you,uh, the listener man, the
supporter text, the podcast I'llread.
I'll read your messages, man,as they appear, and, um, yeah,
and I think I'm gonna actuallyinclude those in the next
episode as well.
Man, so you know, it's the bestway to get encouragement and
(02:40):
feedback from you, the audience,directly, man, don't go through
no middleman, it comes directlyfrom you to me via text, via
text message.
So you already, you know, 85%of podcast downloads are already
on phones.
So you know it's natural forlisteners to just click the link
and then send a quick text, man.
So that's super easy for you todo.
(03:01):
Fan mail is included right now,man.
So you know, go ahead, go crazywith it, man.
And yeah, man, I look forwardto reading these messages that
you're about to send me.
But yo, let's get into why youhere today, man, listen, so you
know, I mean, once again I hadto take a trip.
(03:22):
I had to take a trip, personalbusiness.
But then also, you know, we had, once again I had to take a
trip, I had to take a trippersonal business, but then also
, you know, we had to play whilewe were in California.
So, yeah, man, I had to takesome music with me and you know
me, I listen to music while I'mdoing things, you know, yard
work, driving, working, justreading books, anything man.
(03:45):
So now, driving as well, man.
So what I did was, you know, Iwas diving into the beat tapes
that I had on my band camp, manor I, saved on like album music
and stuff like that.
But then also not just beattapes and instrumental albums,
it was also some albums that I,you know, supported on Bandcamp
and some albums I wanted tolisten to via, you know, apple
(04:09):
Music and stuff like that too.
So they accompanied me from theepic drive from San Antonio,
texas, to sunny SouthernCalifornia.
So, listen, welcome to episodenumber 122.
Trust me, it's going to be a.
This episode is going to be aride filled with some amazing
beats, some unique sounds andsome hidden gems that you might
not have, you know, heard of, oryou know, because social media
(04:32):
is social media, you're notgoing to see everything that
everybody posts.
You know what I mean.
So, yeah, but let's, let's kickthings off real quick, man, um.
On the first album that I wantto talk about, it's called
Corner Shop Cowboys, man.
So this is featuring a SARwho's an MC and Low Tech aka
(04:53):
Thank you, man.
This album was a perfect startto the journey, man.
I listened to this while westarted to drive and it really
set the.
It really set the mood right asI was driving, man.
So you know it's veryadventurous.
You know, low tech man, um, akathank you, thank you.
(05:15):
Aka.
Low tech yo, man, he, all hisbeats are always like, they
always just pull you in, holdyou and then, um, the rhymes
that asar was talking about.
Man, yo, he's dope man.
I've never heard of asar, now Ihave.
So you know the cover isincredible as well, man, some of
(05:37):
the stands outs on this jointnight, two uh city fielders
featuring, uh, I think that'scease greenie um, easy rider man
like, yeah, laser tech, likethese are.
These are albums that um, orthese are tracks from this album
, corner shop cowboy, that Ireally uh liked, man.
So let's get into this album,corner shop cowboys, and then
(06:02):
we're going to go into albumnumber two, which I think um was
an amazing project as well, man.
So let's listen to a couple ofjoints from that.
All right, yeah.
Speaker 2 (06:13):
I'm starting to see a change.
Yeah, I'm starting to see achange.
Yeah, I'm starting to see achange.
Yeah, I'm starting to see achange.
Yeah, I'm starting to see achange.
Yeah, yeah, yeah.
(06:33):
Brain work like meditation.
How can I calm my patienceEnough to break away from
changes and evolution for my ownsake?
It's cold game next to a coldname.
I love privacy and space.
Need to dive to get away.
They don't understand my pain,probably never will.
So I'm complacent and hoping towin the game.
Emotions we read the motions.
They're open to defeat.
(06:55):
All I'm saying is breathe.
Nah, man, yeah, yeah, yeah.
Now I'm starting to see achange.
I'm starting.
I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm
sorry, I'm sorry, I'm sorry, I'msorry, I'm sorry, I'm sorry,
I'm sorry, I'm sorry, I'm sorry,I'm sorry, I'm sorry, I'm sorry
, I'm sorry, I'm sorry.
Speaker 5 (07:24):
I'm saying I couldn't sit there and rap about being
in the streets and being brokeno more, because I ain't in the
streets and.
Speaker 3 (07:32):
I'm far from broke.
Right right, right, right,right, right, right, right,
right, right, right, right,right, right, right, right,
right, right, right, right,right right, right, right, right
, right, right, right, right,right, right, right, right,
right, right, right, right,right, right, good cruise music.
Speaker 2 (07:45):
Yeah, what?
Approximately 10.53 when Iwrote this Day and night.
No, I'm specified Skeptics,stay away.
You'll never ride Petrifiedpetrogas.
Lego worries, the river keepsyou.
Weep on before therefore, yourstation See some record
reputation tainted.
(08:06):
Stay awake, kid, yourfrustration seeps greatly.
Achieve balance then, maybe.
Until then, be aware, humbleself, be prepared, breathe daily
.
Et gave me 40 bones.
I drove him home.
Stay off Woodhaven, he call itWoodhaven.
I took some Amy once, but thenthe hunts gave her a wallet back
.
The jury would do it plus thedamn bitch whack.
(08:28):
Ain't want to put her throughall that True story.
Yeah, man.
Speaker 4 (08:43):
That's Corner Shop Cowboys man, asarstrap cowboys
man, asar and, uh, low tech man.
Let me come up out the waterfor this joint man.
That joint was fire man.
Um, yeah, man.
And then you know, like all allI was trying to do was, um,
keep the vibes going, man.
(09:04):
So so I moved on to Earth Signman.
So if y'all don't know aboutthis album, man, this is an
album by who knows man.
I really appreciate who knowsproduction man.
Earth Sign was I think y'allreally need to tap into.
It felt like a, you know, aspiritual experience while I'm
(09:25):
driving and I'm literally justin the driver's seat cruising,
man, cruising, trying to makesure, you know, we, we on
schedule and everything likethat Everybody's having a good
time, can relax and not have tostress out about driving and
what's going on around them andstuff like that.
So this album definitely helped.
Um, just the you know etherealbeats and ambient sounds just
(09:49):
made me feel connected to the,to earth man.
I was having some some deepthoughts while I was driving man
, the sky around me, I'm justobserving more in the mountains
and everything, man.
So it's that kind of album thatmakes you just ponder life's
big questions and why youdriving through the deserts and
stuff like that man.
But, yeah, man, let's get intouh, earth signs by who knows,
(10:10):
we're going to play a couple ofjoints off that and then we'll
go into the third album, um,that features the homie, another
, another Californian man, uh,the chef.
Man, the chef telling me cleanman, man.
So we'll be right back withthat one.
Speaker 6 (10:26):
So yeah, let's get into this one.
So Thank you so.
Speaker 4 (12:49):
Outro Music.
Thank you, outro Music, getthese, get these, get these, get
(13:15):
these.
Yeah, man, so that is, uh, whoknows man?
Earth signs, listen, shout outto who knows man.
I know he's working on musiccontinuously, so, uh, yeah,
y'all definitely check out thatone.
He came out with another onetoo, man, but that's the one
that came up in my band camp asI hit the shuffle on that joint
man, but, um, but yo, let's talkabout this.
(13:38):
Um, meo wallace loves red applecigarettes.
Man, this, hey, man, it'sdefinitely like you know, I grew
up on Pulp Fiction anyway.
But he's in his description forthe album man, it's not a
concept beat tape or anythinglike that, it's more just an
audio conversation.
(14:00):
The chef, telly McLean, washaving quentin tarantino, uh, as
he was making this on thesp404sx man.
So, shout out, you coulddefinitely hear, I hear the
differences now between you knowthe, the music boxes as well,
whoever has like a sp.
You know the, the compressionand things that y'all do with
(14:21):
them.
The koala uh, you, I gotMachine.
I'm definitely hearing more ofwhat y'all love about these
different devices that y'allcreate y'all's music experiences
with.
But shout out to Telly McLean,the chef man.
He was watching Reservoir Dogs,pulp Fiction, kill Bill 1 and 2
(14:41):
while he was enjoying this andcreating this man.
So let's get into Meo.
Wallace Loves Red AppleCigarettes.
I got the cassette with thistoo, man.
So shout out to Telly man withthe stickers and all that stuff
that it came with.
Man, that's going to come onanother episode of the
Beatmaker's Corner, by the way.
Still doing that, I'm going toget back in the mix of things,
but let's listen to the firsttrack, and then we're going to
(15:05):
go to a second one that I'mgoing to pick, and then we're
going to go into the fourthalbum that I was listening to.
Speaker 1 (16:21):
Let's get into it, man.
Thank you, we'll be right backso fucking funny.
Speaker 5 (16:24):
Look, I'm not a fucking idiot.
All right, that's a big man'swife.
I'm going to sit across fromher, chew my food with my mouth
closed, laugh at her fuckingjokes and that's it.
Speaker 7 (16:33):
My name's Paul and this shit's between us
no-transcript.
Speaker 4 (19:20):
So yeah, man, shout-out to Telly McLean's
production man, it's top-notchman.
Yeah, man, shout out to TellyMcLean's production man, it's
top notch.
Man Just creating a veryrelaxed yet sophisticated
(19:41):
atmosphere, man.
So yeah, man, but yo I can.
This album is a wild ride, man.
And, uh, some predictable beats, distorted sounds, just kept me
on my toes, kept me enjoyingthe ride, man, that's one of the
things that you know I don'thave to like just keep searching
through the radio and stufflike that.
Man, these albums kept the rideinteresting.
(20:04):
The drive, man, you know I brokeit up.
You know it's like a 17-hourdrive from Texas to California,
so probably might be even more,but I broke it up into like
eight-hour, nine-hour days.
So it took us two days to getthere, two days to get back, you
know.
So you know what you know.
(20:25):
I mean just putting this on,kept me on my toes.
Just add an element of surprisefor the drive.
So you know, it's a reminderthat you know.
Sometimes, as you know, it'sthe unexpected moments that make
the journey memorable.
Man, that's super dope man.
So shout out to my homie, afroblue man doing his thing.
Let's get into uhorted andUnpredictable and then we're
(20:47):
going to come back with you knowsome more.
Thank you, man, because thiswas a dope couple of dope albums
.
Thank you is all over mydiscography, bro.
So let's get into it, man.
I ain't going with y'all, man,let's get into it.
Man, tell me what y'all thinkabout what you've been hearing
(21:10):
so far.
Man, text me, go to thedescription of the show, text me
what y'all thinking so far.
And who would you want to hearon the next one that I might do
when I drive, you know, allright.
Speaker 7 (21:46):
What causes distortion?
This is actually a very, verycomplex question if we want to
dive deep into the details ofdistortion, because in an audio
or video system every componentcan lend a certain amount and a
certain type of distortion.
But today I want to just talk alittle bit about focusing on
(22:11):
distortion and what causes it.
What causes it?
We had a magnificent technicalgrasp of classical music, music,
(22:37):
music, music, music.
I love it when you're downthere.
I'd rather get down than Ratherthan this.
Now, when I get down, young man, I'm a man of my own, I know
it's meant I know it's meantOnce again back yesterday.
Speaker 1 (23:28):
Cast your mind to yesterday.
Do you remember?
You ready bud, you ready bud.
I find myself with anungovernable impulse to indulge
(23:55):
in musical composition tonight,night night, night, night, night
, night, night, night, night,night, night, night, night,
night, night, night, night,night, night night night night,
night, night, night, night,night, night, night, night,
night, night, night, night,night, night, night, night,
night night, night, night, night, night, night, night, night
(24:15):
night night, night, night nightnight night, night, night, night
, night, night Ain't it good.
Speaker 6 (24:39):
Yeah, bro, you're right.
Speaker 9 (24:54):
Yeah, yeah, find a place, Find a place, find a
place, find a place good gosh.
(25:26):
Will you listen to that?
Well, you know.
Speaker 1 (25:51):
Yeah, I'm gonna call you down, but I ain't gonna
control that thing.
No, no, no, no.
Speaker 4 (26:12):
Oh, oh, oh, oh, oh, oh yo.
What did I tell y'all man?
Afro blue, man is um man, histhe way he creates his beats.
Man is something crazy man.
Something crazy man, distortedand unpredictable man.
Get it on Bandcamp right now.
(26:32):
All right, afro Blue, I'm goingto put the link in the
description of the show.
Man Shout out to my guy butyeah, man, now let's talk about
this.
Ultimo side A and side B,because I started this journey
listening to side b first, justbecause I do things like that,
(26:52):
and then I went to side a, andum man, when thank you said last
year that he, he's like, hethink he hit another level, he
hit another level, man.
He wasn't lying, man.
This is a double-sided album.
It's a masterpiece of, you know, storytelling through music,
(27:14):
man.
Each track just keeps flowingseamlessly into the next,
creating a cohesive narrativethat kept me hooked from start
to finish.
It's like listening to um audiomovies, man.
That's you know what.
That's the best way I can putit.
Man, these albums are likeaudio movies and I love movies
(27:37):
and I love music, man.
So you combine them into whatyo man, what yo man.
So let's get into some of this.
Ultimo side A and side B.
I think I'm going to play onefrom side B and then one from
side A and then we're going toget into my guy Phil Spector's
face-off.
Man, which boy, yo, we'll beback man.
Speaker 1 (28:31):
We'll be back, man we'll be back, man.
Speaker 3 (28:34):
So, oh, we'll be right back.
(29:28):
No, you sent me, you sent me,you sent me.
Speaker 4 (30:29):
You sent me.
Thank you, okay.
So so, yeah, man, yo, yo man, Ikeep telling y'all low tech man
(31:15):
, thank you, is uh, he's doinghis thing, man doing his thing.
Shout out to koala gang man.
Shout out to the sb heads.
Shout out to machine gang.
Shout out to floor fl studiogang.
Shout out to the uh npc gang.
Who else?
Who else?
Who else out there?
Yo, um, but yo, let's get intothis next joint man that I was
(31:39):
telling y'all about.
Man featuring, you know, uh,flip a beat club, philadelphia's
own phil specter man.
He came out this album calledface off, and if y'all don't
know this, this is a, uh like a,a joint project with phil
specter and killer kane.
(32:00):
Yo, man, yo, yo, man, like heused um, so you have of course,
some vinyl, killer Kane, yo man,yo man, like he used, of course
, some vinyl records Makai andPC Live 2.
Roll NSP 404, mark II, seratoStudio Ableton to make this
thing come to life.
Man and man, killer Kane, philSpector, philadelphia of Flippa
(32:25):
B Club, man, face off.
Yo, I'm going to let y'alllisten to a couple tracks, man,
and I'm going to let y'all y'allshould be grabbing this joint
man from our fan camp.
Man, this joint is amazing, tookme like way back to the movie,
man.
I'm telling y'all, man, visualmovies or audio movies, man,
like it really just brought meback to that.
(32:48):
You know what I'm saying.
Like you know what I mean.
It was like it's like a gritty,raw energy to the, to this trip
, man.
The heavy beats, the intense,you know what I mean.
Rhythms were perfect for thesemoments when I when needed an
energy boost as well, man.
So you know, phil Spector'sstyle is unapologetically bold.
(33:09):
You already know that.
It's definitely made animpression on me.
So shout out to Phil Spectorman, yo, man, let's get into
Face Off, man.
Killer Kane.
Speaker 2 (33:21):
Phil Spector.
Fabc.
Speaker 5 (33:23):
Philly Presents subconscious programming Direct,
directed to the subconsciousmind, to enhance the wonder of
you.
Speaker 10 (33:32):
It's like looking in a mirror, only not.
We'll be right back.
Speaker 1 (34:29):
See you bud, see you bud.
You are entering a phase ofsensitivity allowing you to
utilize your psychic abilities,abilities so okay, I'd like to
(35:44):
take his face off.
Speaker 4 (35:53):
Yeah, man, listen, that is just the intro.
The intro joins to this wholeexperience that is Face Off by
Phil Spector man.
So if y'all want to tap intothat, go ahead to his bandcamp,
man, philspectorbandcampcom.
Check it out.
Man.
Shout out to him for sending meyou know what I mean the first
listen.
Shout out to Yo, when I getback home to Jersey In a week
(36:16):
and a half, man, hopefully I canstop by that record store when
y'all host for the man I won'tbe there for the third Friday,
but coming back for graduationman, my nephews is graduating
high school.
Man, the first ones from thisgeneration.
Shout out to my nephew, samirMaxwell.
Man, uncle David's coming back,man, you know what I mean.
(36:37):
We gonna party.
Man, it's a celebration, man.
Um, but yeah, yo, so listen, Igotta tap into this one, one of
my personal favorites.
Um, so listen, I got to tapinto this one.
One of my personal favoritesbeat tapes, man, that came out
this year so far Donuts, with3S's by U4, man.
Shout out to the DMV man, thisalbum is a tribute to J Doe's
(36:59):
Donuts album.
You know.
It's filled with delicious,smooth beats and soulful samples
.
It's just a feel-good albumthat kept me in high spirits, no
matter how many miles I hadleft to go.
Yo, man, I was.
Yo, I was in the miles, man.
So shout out to my wife, man,for being an amazing co-pilot as
(37:21):
well.
You know what I mean?
The kids was comfortable, thekids was super great on this
trip, man and um man, the energywas just good, as we're going
to take care of business, man.
So yo, let's get into donuts byu4.
We're gonna put a couple jointsup there and then we're gonna
come back and we're gonna tapinto um, this is the monthly
(37:41):
duct tape, volume 11.
This is the monthly duct tape,volume 11.
Speaker 1 (37:58):
Boy, I gotta talk about this one.
My guys and girls, my yo, what?
All right, we'll be back.
Okay, thank you.
Mama used to take me across thelap.
She used to whip me with astrap when I was bad.
Speaker 4 (40:52):
Let's go, we'll be right back.
So yo donuts man.
By u4 man.
This is an incredible tributejoint man that he did.
Now I wonder why he said he waslike just creatively burnt man.
He did 32 joints on this jointman, 32 tracks off this joint
tribute to jd man.
Spirit inspired him.
Here's what he wrote, man.
Let me just say this man.
So a tribute to JD.
The original inspired me a lot.
(41:13):
Around 18 years old, you know,out of nowhere felt the urge to
attack this project since I'm inmy early 30s right now.
Discovered J Dilla a littlelate, but was right on time for
my life.
I'm still moved by his workevery era.
Enjoy man, we and I enjoy thisjoint man.
So if y'all don't know aboutthe U4 Donuts with three S's,
(41:38):
it's on Bandcamp right now.
Go ahead and tap into that man.
I'm gonna put the link in thedescription.
Y'all already know, so youalready gotta work.
Just click on it.
Support the homie, become asubscriber to you.
Speaker 8 (41:48):
For me it's your, the joints you for the joints that
you've been playing out, beensmacking the headphones, man.
I'm just telling you that youknow.
Speaker 4 (42:02):
But uh, yeah, man, let's go ahead and get into this
, um, this um, duck world, themonthly duct tape, volume 11.
Man, I heard uh, so many firejoints on this joint man.
Uh, it's 43 joints on this man.
So yo just go to duck world 808.
Support the monthly beat tapesas they put out, man, it goes a
(42:25):
long way and brace yourself forsome electrifying instrumental
hip-hop journey.
That's your ultimate pass tothe global beat-making scene.
Let's go.
Take it easy A lot of littlescratches yo, slow down.
Speaker 11 (42:42):
I had this friend of mine who, just you know he was
moving too fast.
You know what I'm saying.
I told him slow down.
He said the sun don't chill.
I said still.
I said still, you got to justappreciate life.
Just appreciate life, sit back,don't let it fly right past you
(43:07):
.
Let it fly right past you, nomatter what.
Go on, I'm still, still, still,still, still, still, still,
still, still, still, still,still, still, still, still,
still, still, still, still,still, still, still, still,
still, still, still, gettingmine, still, still, still, still
(43:28):
, still, getting mine, getting,getting mine, getting, getting,
getting, getting mine.
Thank you.
Speaker 1 (44:09):
The, the, the, the, the.
Speaker 4 (45:44):
Thank you so yeah, man, that's um, another joint,
that um came out of this trip,man, the monthly duct tape, man,
volume 11.
Y'all need to tap into, uh,duck world, man, duck world,
duck world, chicago.
(46:05):
Tap into them, man.
Tap into what they're doing,man.
So leah, let's get into thisnext one, man, written
prescriptions by the homie tuamit-u-a-m-i-e.
Y'all know how y'all know his.
You know, I mean, how hestarted his beat tapes, man, his
(46:27):
intros and all that stuff.
You already know this was adose of pure creativity, man.
The experimental beats, uniquesoundscapes, made it like a
thought-provoking listen, man.
So, man, it's an album thatchallenged you to think outside
the box, perfect for thosestretches when I needed that.
Pick me up as well, man, um,man, and, and, and, thinking
(46:51):
about it, what he did with theremixes?
He remixed the uh, the battles,man.
So you know, we just coming offthat incredible hip-hop moment
with featuring, uh, kendricklamar I mean kung fu, kenny
slicing through Drake, you knowwhat I mean.
(47:12):
And the battle man, where Drakenow removed all of his diss
tracks off his discography.
Yo, that ain't a dub.
I don't know what it is, man,when you make somebody remove
the music from all diss tracks.
Yo, man, what, what?
I guess he's like, yo, he wonthis battle, he won his battle,
(47:35):
but yeah, anyway, man.
So we listen, man.
Written prescriptions by twamiman.
This was a dope album I thinky'all need to uh definitely tap
into.
Uh, twami man, um, who'sactually been going through his
own health issues lately, man,so, if you can support Twami man
, go ahead and support Twami.
Go to his Instagram, go to hiswebsite, man, type in there, buy
(48:01):
the music.
Man, help the homie out man,because we really appreciate
what he's giving.
You know what I mean the beatculture, hip hop.
You know what I mean Doing someamazing things over there.
Um, I think he's a.
I want to say I want, I want to, I don't want to miss that man.
Um, I think he is a richmond va.
(48:22):
Yeah, yeah, yeah, yeah,richmond va, stand up, man.
All right.
So let's get into um writtenprescriptions.
Man, we're gonna play couple ofjoints off of that and then
we're going to come right backinto this incredible album that
I listened to while I was down,while I was driving Kenobi
Express 6 by Ali Von Kenobi,turkey.
(48:44):
Stand up, man.
Yo, we worldwide with this,let's go, man.
Speaker 7 (48:50):
Twami, the challenge is always gonna beat us home.
Sometimes our parents makemistakes that affect us.
Until we grown and you're agood kid you need good
leadership.
Let me be your mentor, sinceyour daddy don't teach you shit.
(49:14):
Never let a man piss on yourleg, son.
Either you die right there orpop that man in the head.
Speaker 10 (49:19):
Son, never fall in the S-buck business.
That's bad religion.
Please remember you could be abitch even if you got bitches.
Never code switch.
(49:59):
You're at the right of home.
You're a.
We'll be right back.
You know how it feels to be inalignment With emotion, hoping a
man can see you but not befinding.
Dear Dennis, you gave birth to amaster manipulator.
Even using you to prove who heis is a huge favor.
I think you should ask for morepaper and more paper and more,
uh, more paper.
(50:19):
I'm blaming you for all of thegallant addictions, psychopaths
and tuition.
The man that liked to playvictim.
You raised a horrible fuckingperson.
The nerve of you.
Dennis.
Sandra Outro Music.
Thank you, we'll be right back.
I'm out.
History do repeats itselfSometimes it don't need a reason
(50:39):
, but I would like to say it'snot your fault that he's hiding
another child.
Give him grace.
That's the reason I made MrMorale, so our babies, like you,
(52:15):
can cope later.
Give you some confidence to gothrough something.
It's hope later.
I never wanted you to chase aman, cause it's failed behavior,
sitting in the club with sugardaddies for validation.
You need to know that love iseternity and trumps all pain.
I tell you who your father is.
Just play this song when it yes, he's a hit makeup songwriter,
superstar, right and a fuckingdead beat that should never say
(54:08):
more life.
Speaker 4 (54:09):
Feed the grams, thank you, yeah, yeah, twami, shout
out to twami man, writtenprescriptions.
Man, yo support the homies man.
And um, yo, man, we're gonna goall the way to inst Turkey man,
featuring you know somebody, Ijust I listened to him on a what
(54:37):
was it?
It was DB Yossi's DB FlipSessions that he hosted.
It was like a seven hour, aseven hour joint man, and I
heard his beats and I was like,was like whoa, whoa, that's
crazy, bro.
And then, um, I went digging ofcourse you know I gotta go
digging and um found that.
(54:57):
You know he's been puttingmusic up for a while, man, so
I'm a new fan ali juan kenobi,instant bull, turkey.
We're going to play a couple ofjoints off this album called
Kenobi Express 6.
All right, so we're going tojump into that man.
This was just another highlight, man, another highlight joint.
(55:20):
You know the album is a journeyin itself, but each track was
taking me to a different Sonicuniverse.
You know his production is outof this world, like literally yo
.
So, um, let's get into thisjoint.
We're gonna play a couplejoints off of this and then
we're gonna go into this.
Um, dusty gems, volume one bythe homie, theo, who I've been
(55:43):
following on youtube um for afew months now.
And then I asked him like yo,where can we find your music?
Because I couldn't find any ofthe links to get to his music.
So I'm going to hook you all upwith the link so y'all can
support the homie too.
Man, my man got a spaceship inhis beat room.
You know what I mean.
But yo, let's get into this.
(56:05):
Ali Wan, kenobi man, kenobiExpress 6.
All right, we'll be right back,thank you.
(57:02):
So how?
How many times?
Speaker 1 (57:20):
How many times when I lay eyes on you, how many times
, how many times is I'm sorry?
(58:14):
I think people always take youas they see you, not necessarily
as you are.
I mean in every situation,whether you're a singer or
you're working in a shop andyou're meeting people, they take
you for what they think you are.
So that's inevitable.
When you're ready, when you'reready no-transcript.
Speaker 4 (01:02:24):
That, uh, definitely helped me during this drive as
well, man, man.
So yo shout out to all the beatmakers around the world man,
doing their thing, man.
It's just, it's so many ofy'all.
Every day I'm learning aboutsomebody new you know what I
mean and then adding them to the.
You know what I mean, either myband camp discography or the
(01:02:44):
wish list, or, you know,playlist, something like that,
man.
So keep making y'all music, man.
Keep making what y'all do,believe in what y'all doing, man
.
Count them blessings, not yourproblems.
All that good stuff, man.
But let's get into this nextone, man.
Dust Gems, volume 1 by Theo man.
I was listening to this on theride, man, and I was like yo.
(01:03:05):
I got a.
Actually, actually, this albummight be the one where I was
like yo.
I'm gonna just put a podcastepisode together that features
everything I've been listeningto.
This one brought that to arealization.
So, man, you know this albumjust brought a touch of
nostalgia to the trip is.
You know, the vintage samples,the classic beats made it feel
(01:03:26):
like it was a love letter to thegolden age of hip hop.
You know it's a timelesscollection, that's.
That's perfect for any roadtrip, man.
So listen, if y'all really likeabout listening to dope beats,
dope albums.
Man, tap into dust gems, volumeone by theo man.
So we're gonna play a couplejoints off of this when we come,
(01:03:48):
come back, we're going to tapin with the homies Impression
and, oh, ricky man, with theSpirits beat tape.
Man, we'll be no-transcript.
(01:06:50):
That's, that's jim's volume oneby the old man telling y'all
man.
So yo, man, let's, um, let'stalk about the beat tape, the
actual cassette.
(01:07:13):
The design of this joint isamazing.
It's like a spirits cigarettespack.
It's designed like that.
Yo, it's super fire man.
They had like a thing of mintgreen and a blue one, I think,
something like that.
Yo, o'ricky, hook me boy up.
You know what I?
I mean, put one to this.
No, I mean no, don't hook me up, put one to the side for me,
man, so I can grab one.
(01:07:34):
Yo, um, but yo, this is a like aintrospective beat tape, you
know, I mean it's a personallistening experience as well.
It's kind of albums that makeyou reflect.
This album made me reflect aswell while I was driving,
literally and metaphorically, onjust you know the important
things, man, you know thesedrives with my family, you know,
(01:07:55):
I mean across the states of theUnited States of America.
You know, I mean like pricelessman, priceless, priceless
experience, man.
So let's get into spirits.
We're gonna hear a couple ofjoints from there, one from I
think I'm going to do one fromO'Ricky, one from Impression,
and then, you know, we'll go tothis 404 Day beat tape by Iman
(01:08:19):
Omori on the Untitled app thatcame out on 404 Day.
Man, no-transcript, shout out toto texas and uh oh ricky shout
(01:11:30):
out to california.
Man, but, um, man, let's keepthis show moving.
Man, we are um man.
So I'm, you know, just give youour story real quick, man.
So you know we're drivingthrough, um, through texas.
Man, to get out of, out ofTexas is like 10 hours by
(01:11:51):
yourself in the first place,right.
So we get to El Paso.
You know what I mean.
We stop in El Paso.
We see some things.
El Paso is El Paso.
Texas is a little crazy rightnow with what's going on with
the borders and stuff like that.
So all we see is state troopersall over the place In the
hotels.
We got these little signs up inthe hotels that say refugee, uh
(01:12:17):
area.
You know I'm like yo what theheck is happening right now, man
.
So you know to see thatfirsthand.
It's crazy.
We drive from El Paso, um,through New Mexico, through
Arizona, um, where we used tolive at a few years ago, and
then made it to California, man,which was, you know, to see it
(01:12:41):
from the sun up, and then see it.
You know, as we're driving, umis incredible, man.
So you know just to see themountains and then you know the
areas that we're driving through.
So you know, just to see themountains and you know the areas
that we're driving through, andyou know everybody was saved.
There was one crash, my Amazontruck.
I hope that driver is okay, butall we seen was Amazon packages
all over the place.
You know so.
(01:13:03):
But for the most part, man,this drive was incredible, man,
and big ups to the incredible.
You know architects, themutants that are putting these,
these albums together, man, theyreally helped this thing.
Go um off without a hitch.
You know I'm saying, but yo, solet's keep it going, man, um,
(01:13:25):
so okay, 404 Day was in April,that passed already, but this
404 Day beat tape by Iman Omarion the Untitled app.
Now, I don't know if you allknow what that is, but the
Untitled app is a applicationwhere musicians can use that,
store their musical ideas, shareit with fans, and things like
(01:13:49):
that.
Man.
So, um, they put out a four,four day beat tape, uh,
featuring the supercard.
So if y'all know anything aboutsupercard, yo get your Googles
on.
Man, get your Googles on, causesupercard is incredible.
Um, I, you know, man, yo theygoing to be selling out venues.
(01:14:10):
You know, man, yo they going tobe selling out venues.
You know, one day I hope to bea part of that.
I hope to be able to cover thatfrom the, you know, from a
fan's perspective.
There's so many amazing peopleMarcus Murray, lowkey, rto Beats
, tyrone John Brown, pazalOrganism, dibiase, fidratic I
(01:14:36):
hope I said that name Fidrac.
P-h-d-i-r-a-c.
I hope I'm saying that, right.
Iman Amori and Taki man.
So yo, we only going to play acouple joints off this joint,
man, because I want y'all to goahead and get this.
The only place you can get thisalbum is on the untitled app,
all right, so we're gonna play acouple joints, let y'all hear
(01:14:59):
what y'all missing, and then I'mgonna put the link in the
description where you can findthis album.
But of course, you gottadownload the app and then it's
incredible to use it too.
So yeah, we'll be right back,man.
Peace and love marcus murray.
Speaker 7 (01:15:16):
Bye, I am going to be all alone.
I am going all the time.
(01:16:13):
I am talking all the time.
Speaker 1 (01:16:24):
I am so, uh, I am happy all the day.
(01:17:43):
I am happy all the day.
I am happy all the day.
Speaker 4 (01:19:28):
I saw.
Thank you, thank you.
404 day beat tape, manomori manand Marquise Murray With the
joint sad Yo man, I put this on,man, I was like, yo, this is a
(01:19:51):
very well put together beat tape.
You know, if I could play allof them I would man um, yes, 10
joints, man, so many dope guy,incredible.
Uh, beat makers on this jointman.
So, yeah, y'all, y'all, checkthis out.
404 day beat tape.
Uh, featuring supercar.
(01:20:12):
Um, just look up iman amari.
All one word in the untitledapp and you'll be able to find
it.
Man.
Um.
But yeah, man, you know techsavvy.
This joint is amazing how farmusic production has come from
the 70s, 60s, 70s, 80s, 90s,2000s.
(01:20:36):
Now we're in the teens of the2000s, now we're in the 20s of
the 2000s.
What the heck is happeningright now?
Yo, so much happening, man.
But yeah, man, let's keep itmoving, man.
So this next joint man, Ilistened to this maybe seven,
(01:20:57):
eight, nine times, seven, eight,nine times, man, and this is an
incredible body of work.
Man by the homie Future Wave, abrand new fan.
I'm a brand new fan.
I'm a brand new fan.
Um to future wave man, his beattape mcfly is amazing.
It took me to another dimensionwith his futuristic beats and
(01:21:20):
innovative soundscapes.
It's an album that feels aheadof its time.
Perfect for, you know, forwardthinking road trip, if that
makes sense.
You know what I'm saying.
So, yeah, we're going to play acouple joints off of McFly from
the homie Future Wave, and thenwe're going to get into Divine
(01:21:40):
Science, because that wasanother one that I was listening
to on this trip as well, man.
So stick with me, enjoy thesevibes.
Let me know what you think, man.
Send a message.
You can send me a podcast, atext, man.
So stick with me, enjoy thesevibes.
Let me know what you think, man.
Send a message.
You can send me a.
Send a podcast, a text, man.
Just go to the description ofthe show and go ahead.
Hit you know, send fan mail.
Boom, it's like a text message.
(01:22:02):
Go ahead and send that.
We'll be right back, man.
Peace and love yo.
Speaker 11 (01:22:06):
Sampling started in hip-hop as part of the art form.
It's been deemed as stealingand so on and so forth.
Speaker 1 (01:22:11):
It's not that in any way, shape or form blast off on
another exciting adventure inouter space with I wanna go love
(01:23:42):
.
I wanna go home.
Right about now we're insideRexdale.
Speaker 2 (01:25:18):
You know that this is where I reside.
Speaker 5 (01:25:21):
Thank you, we'll be right back.
You know what I'm saying?
Speaker 2 (01:25:25):
It's not good stuff?
Speaker 4 (01:25:28):
Yeah, man, mcfly from the homie Future Wave, man, if
y'all don't know about FutureWave, like I'm a new fan, so I
just found out.
So if y'all just hearing aboutFuture Wave, I think he's an
artist, beat maker, musicproducer from Canada, man, so
y'all tap into uh future wavewhenever you can.
(01:25:50):
I went to his website and allit like the physicals sold out
man, sold out.
I was trying to get a couplealbums, man, because I listened
to like three more albums of hissold out man.
So obviously there's peoplewith some good music ear, good
musical ears, listening to hismusic, supporting the homie so
he can do what he do, um, butyeah, support your homies, man,
(01:26:14):
support your homies.
Um, let me see, let's go to, um, let's go to divine science,
man.
So, uh, divine science three iswhat I'm about to play.
And when I tell you this isanother audible experience, I'm
(01:26:37):
not yo listen internets, y'allknow I'm not playing with y'all
man, this is a dope album and yo, as soon as I, by the time
y'all hear this, I probably haveordered a physical, because
this joint is just amazing, thewordplay, the messaging in it,
but then the beats matched itlike it's yo, man, as, as music
(01:27:05):
fans.
Yo, we cannot ask for more thanwhat Divine Science 3 gave us
in this joint, man.
And they've been doing it foryears.
If you go to kingoddivinecomyou'll know that They've been
putting out records for years,man.
But yo, this joint, maybe a fanof both of them all over again,
(01:27:29):
and I've been following king Idivine for some years now.
So I'm on ig doing this thingwith the pad work, you know, I
mean with his babies in thebackyard or wherever he was
recording.
So I was like, yeah, man, andthen the piece is just dope.
So let's get into a couplejoints from divine science 3,
and then we going to go aheadand probably start closing this
(01:27:52):
out with a couple more joints.
And yeah, once again, man, senda message to the podcast, man,
if y'all can.
It's called Fan Mail.
Just go ahead and click on thedescription of the show.
Boom, click on it.
You can send a text message andthen I'm going to read the
(01:28:12):
messages that I get from thisepisode on the next episode.
All right, so once again, weback, we back, we going full
force.
This is another level up.
Thank you for rocking with me.
Let's get to it.
Speaker 12 (01:28:35):
All praises due.
Top five dead or alive inUkihola.
I remember rhyming in juniorhigh with a throwback, had the
uniform making formulas with thehomies Used to rhyme to find
the reason.
Maneuvering on a phone jack,outro Music that top five dead
(01:28:56):
or alive.
Give me my flow back.
Peace, peace, meet me outside.
Let's shoot the fair one.
I put so many people on game.
It's kind of played out, butgame p game.
The sky remains a clear one,infatuated with bright things.
(01:29:17):
My whole life used to walkaround the crypt seeing music
with no lights.
Eyes closed, I can see pastshorties keeping that run around
.
Please respect that shit.
This isn't underground word,don't you know?
It's all automatic.
Wearing all black.
No time for other fabrics.
Time is of the essence.
I'm tired.
I'm always tired.
I've been working non-stop tothe wire.
I'm on the wire.
No joke, they be asking to chill.
(01:29:38):
They wanna build.
But to keep it real, if I ain'tat home, I'm in the field.
Yeah, I swear, it's true.
If I ain't at home, I'm in thefield.
Work, don't you know?
It's all automatic.
Wearing all black.
No time for other fabrics.
Time is of the essence.
I'm tired.
I'm always tired.
I've been working nonstop tothe wire.
I'm on the wire.
No joke they be asking to chill.
(01:29:59):
They wanna build.
But to keep it real, if I ain'tat home I'm in the field.
Yeah, I swear, it's true, topfive that are alive.
Don't let me reload South by.
Stay on that vibe If you ain'tpeeped though.
Easy like free throws, the aimprecise, like small gems or keys
going in key holes, it's allthe same.
(01:30:20):
When jewels is all you drop in,blessed.
To be a testament here for allthe options.
I used to let fear control themind.
Got rid of that, replaced itwith faith and now I'm fine.
I'm sitting in rooms withtoilet windows.
The red sun reflect nice acrossthe waves.
I'm drinking champagne becauseI can.
Laughing about problems.
That's too small for the hand.
That's a champagne problem.
(01:30:41):
I'm too high for the land.
My luggage is too small for thefree air in Japan.
So many L's.
I'm celebrating the wind.
My glass is too small for thecelebration.
Again, don't you know?
It's automatic.
So many L's.
I'm celebrating the win.
My glass is too small for thecelebration.
Again, don't you know?
It's automatic.
Wearing all black.
No time for other fabrics.
Time is of the essence.
I'm tired.
I'm always tired.
I've been working non-stop tothe wire, I'm on the wire.
No joke they be asking to chill.
(01:31:02):
They wanna build.
But to keep it real, if I ain'tat home, I'm in the field.
If I ain't at home, I'm in thefield.
If I ain't at home, I'm in thefield.
I should build niggas Word.
Don't you know?
Don't you know?
Don't you know?
Don't you know I love you.
Speaker 1 (01:31:26):
And I swear it's true .
Divine science, baby, don't youknew?
And I swear it's true, don'tyou knew?
And I swear it's true, don'tyou knew.
Speaker 12 (01:32:15):
I feel like I'm on a roll mayonnaise.
Radish and ketchup is on theclose.
See the drip.
Every time that you skip youwipe your nose.
No one knows what I'm goingthrough holding inside the fold.
Keep it quiet.
I was taught only family couldimpose what you dealing with.
Nigga, I'm on the road.
Leave me alone unless youpaying some bills or giving
loans.
Seen the lows, had to learn torebuild to see the high.
(01:32:36):
Whoa, I learned resilience ishappiness magnified.
Whoa, most of these recordsrecording was on the fly.
Whoa, I'm in my feelings andpersonally I don't mind.
Whoa, you want the smokebecause lately I've been on fire
.
Child known as warlock, grownto open minds at 16.
I realized that the glow wasoversized, whole different tribe
, overly focused and fortified.
This whole shit is mine.
Built me an ocean to cast aline.
(01:32:57):
Yeah, it's like that boy.
I've been cold.
Speaker 9 (01:33:00):
Numbers on the board like it's bingo.
There's more smoke, hits theend of.
Please crack another windowLike that for my campfire.
Nod your long nose like it'slimbo.
There's more smoke.
Hits the end of.
Please crack another window.
Speaker 5 (01:33:19):
As we blow tree, it's the big B-L.
You know.
No E, oh Jesus.
I decided to flow free.
A cold piece of work I needthat work in a cold piece on me,
plus a cold piece of heat forthese cold streets.
Everybody gonna be free if mycolds leave Codeine for the pain
cause you know you gonna bleedPromethazine.
(01:33:40):
If you pain cause, you know yougon' bleed Promethazine.
If you ill cause you know yougon' sneeze, I flow breeze.
Get your coat and a beanie.
Need a pass, flash yourautograph.
I wrote on a CD Smoke grass,then be sure to pass a blunt
when you see me.
Bl.
I'm a legendary nigga.
On repeat, the streets keepcalling me back to rap bricks,
going against seven differentwinds, with a match lit, rap
shit solidified.
Why would I be back, bitch?
Speaker 12 (01:34:00):
Crabs.
It's like that boy I beencalled.
Speaker 9 (01:34:03):
Numbers on the board.
Like it's bingo.
They want smoke.
Here's the end of.
Please crack another window.
Like that's for my campos,notching all those like it's
limbo, they want smoke.
Here hits the end of Pleasecrack another window.
Speaker 4 (01:34:39):
Yeah, man Divine, yeah, man Divine.
Science 3, man King, god Divineand Science Rapping over.
Yo, yo, raheem, divine, raheem,yo, come on, man, yo, y'all
going crazy right now, but yo,we're going to take you to San
Antonio, man, I got to take itback to the hometown.
(01:34:59):
Man giuliani doing his thingwith this album called knowledge
is jewels that's j-u-w-e-l-s.
Man, it's an ep he put out.
I feel like it's a dope project,man, dope ep.
Definitely one of the ones Iwas listening to, and I was
(01:35:20):
listening to all the words justbecause there was nothing else
to do while I'm driving.
So I'm zeroed in on the road,everything around me, but also
the music and the words, man.
So yeah, man giuliani, shoutout to you, man, man, we're
going to play a couple of jointsfrom Knowledge is Jewels and
(01:35:40):
then maybe one more that Ilistened to.
I think it was Rue God.
Man, I was listening to thatjoint.
So, yeah, we're going to getinto Rue God right after that
and then we're going to close itout.
Man, I hope you all beenenjoying this show.
Speaker 6 (01:36:12):
Peace and love y'all.
Percentage.
Putting the game on my lane.
Now I'm running the scrimmage.
Rags to riches.
Could've fucked over this breadwith bitches.
Death for bads is missing.
Half is flipping, rocked youwith the baddest boys, but we
have the pistons.
Told myself this how magic didit?
Tragic how that man wasswitching.
We thought of him different.
Fuck em.
(01:36:33):
Now they are suspicious.
We all could be winning.
Let the god forgive em.
I cut in the states.
The rest was all from business.
Feel like I'm running the place, how I'm funding them.
Way Man's like the dust in thesafe.
The bag made enough in a day.
Trust me, we all could get paid.
None of them thought of thegreat, the fate of how I come to
take the throne.
Feel like 09 Braun, thedifference, what you is and who
(01:36:56):
you really think you are.
And what the fuck did we gowrong?
I had enough of this too long.
It's what it costs to be theboss.
How the feds want it all.
Speaker 8 (01:37:06):
Ain't seen a thing, ray Charles, cause all I seen
was dark.
Ain't seen a thing, ray Charles, all I seen was dark.
Speaker 4 (01:37:19):
Yeah, giuliani man Ray Charles.
All I seen was dark.
Yeah, giuliani man, now it'sjust Jules, this joint is fire
man.
Shout out to you, man.
Shout out to San Antonio man.
Shout out to Austin, dallas,houston.
You know All the Texas areasthat's popping with this beat
culture.
Man, the MCs is killing it aswell.
All the Texas areas that'spopping with this beat culture.
(01:37:39):
Man, the MCs is killing it aswell.
And then I want to go back toJersey.
Man, I got to holler at my guyYTC.
Man, he did this joint calledthe Joy Remixes and I was
listening to this joint.
I was like, wow, he did histhing, man.
I mean, you know what?
Man?
I don't expect anything otherthan greatness from this guy.
(01:38:03):
He's just that good man, he'sjust that good.
So we're going to play maybeone or two joints off of the Joy
Remisses by YTC and then we'regoing to wrap this up.
Man, all right.
Speaker 13 (01:38:30):
We'll be back, cause I remember Lincoln at the
school and we be plottin' Talkabout our problems and what we
do about them, journals and itjottin'.
We ain't know the world waswatchin'.
We was just two kids tryna makeit out the bottom.
Now I'm rich and rotten.
Everyday I think about him.
It's a virus, cute wishin' Icouldn't stop him, let alone
just know how he feel Lyrically.
(01:38:52):
Couldn't top him.
He was the nigga with the bell,yeah, and that's real rap.
I couldn't do this shit withouthim, and that's just fact.
You see this, you ain't nosteelo, then you really don't
know me, though, and that's howI separate all the real from
fake people, all the real fromfake fans who claim that they
stands, but they ain't.
On my man until the very end,when she was still here, I swear
it feels without.
(01:39:12):
People could accuse me for hisdeath.
Sometimes I got a shit a realPeople way back in 2012, but now
that is the mainstream topic,I'm guessing I could finally
open up and talk about it.
So, yeah, let's talk about it.
Coming to my mind, I'll showyou where the darkest clout is.
You ready?
I got it, but let's go.
(01:39:32):
You see, stealer was my biggerboat at a point in time,
spiritually we was in the sameboat, but I wanted to take it
slow.
He wanted to take it as fastand deep as he could go.
Pause, yeah, we had someproblems, but we're brothers,
don't show.
Then I called a little wave andheaded back to shore and that's
when he started drowning and hehad no one around him.
So partially I feel it's myfault and that right there is my
(01:39:56):
internal wall, the reason why Igotta feel these external flaws
, the reason why I can't healthese eternal loss, the reason
why I gotta feel this survival'sremorse.
And here's a message to thisfam I know y'all got emotional
trauma.
That I understand.
But I couldn't fuck with If Itried to tell the world I wasn't
who I am.
And all I ever try to do islend a hand and give the fans
(01:40:17):
the thing that they demand themost King Capital, the fucking
go.
I'm just trying to get my niggahurt.
Get him what he deserves.
Speaker 4 (01:40:38):
I get this.
So I gotta add one more to thislist, because when I listened
(01:40:59):
to this joint I was like, damn,he doing his thing, man.
Not only is he a beat maker,engineer, live performer like yo
man, sound creator, he does.
(01:41:19):
You know this album right herecalled memory cards, and if you
already know, you already knowwho I'm talking about.
It's the one and only ice coldfingers with a z man listen.
When I put on this album I waslike wow, wow, this joint is
(01:41:44):
fire man.
If you come out with physicalscold fingers, man, let me know,
man, I need a tape.
Or if you want to put it to atape, sell it just off the tape,
let me know, because I wouldsure grab it from you, just
because yo, I can hear the levelup once again, man.
So yo, let's get into this lastjoint.
It's called Ascaloscope.
Speaker 1 (01:42:09):
I don't know.
Speaker 4 (01:42:10):
I don't even know if I'm saying that right, but yo,
for memory cards by Covingt man,let's get into it, man.
And then, uh, my final words,we're gonna wrap it up, yo, yeah
(01:43:27):
, thank you.
All right, um, I got one more,one more, one more joint man,
it's from um, the kid flames man.
The Kid Flames man, dallas man,the Time You're Given album,
streets of Gold, I gotta end itwith that because you know gold,
(01:43:48):
you know what I mean.
Streets of Gold.
Yo, we're gonna end it withthat.
One man, listen, I uh, yeah,man, I don't know what y'all be
on, but yeah, y'all been doingyour thing, man.
And um, let's get to this one,let's get, let's get up out of
(01:44:14):
here, man, look on to the nextepisode no-transcript.
(01:48:04):
The kid flames, yo.
And then we got one more, twomore, last two man Magnus
Andretti, 11.35 pm.
I gotta play this one.
This one is just man Magnus, yo, you come out with some new
joints.
Man Hit the Red Show Podcast.
I mean, we'd love to have youfeatured on On our Bistro Mentos
(01:48:27):
Series, but let's get into this.
11.35pm Off the Magnus SubvertExceptions Album Alright, yeah.
(01:50:16):
Subvert Exceptions albumAlright, yeah.
So, thank you.
And then this final one is goingout to the homie the, the one
(01:50:37):
and only Tatsumaki man, killingit with this new album that he
came out with.
Only on SoundCloud, though,okay, so only on SoundCloud.
And it's called let me makesure I get the name right,
(01:51:02):
though.
Well, it looks like Musashi,musashi, I want to say that's
right.
Musashi or Daifuku, how do yousay that?
Yo, daifuku, yeah, daifuku,yeah, daifuku.
Let me say it like that.
I gotta hit my Japanese brainback on Daifuku.
(01:51:24):
Only on SoundCloud, though,alright.
So we are about to listen toBollywood man Doing his thing,
and he just came out withanother album On Bandcamp.
So Tap in with the homie man.
He's definitely one.
Yo, just tap in with the homieman.
He's definitely one.
Yo, just tap in with the homie,all right.
Tatumaki with two, three eyes,all right, we're, and then we'll
(01:51:47):
round it out.
Oh, actually, you know what?
Let's round it out right now.
So I just want to say Iappreciate every single one of
y'all listening to this episode,tapped into the virtual podcast
, tapped into the beat makerscorner, tapped into be
strumentals, tapped into youknow, everything that I'm doing
as well.
Um, thank you for your support,thank you for your you know
(01:52:08):
well wishes, thank you for, youknow, just being down, man, I
appreciate every single one ofy'all man.
Man, y'all already know, like,when I meet people, especially
my awesome family or anybodyelse around, you already know,
man, I really appreciate y'allman.
But, yeah, that wraps up themusical journey going 1,350
(01:52:32):
miles from San Antonio toSouthern California.
You know, each one of thesealbums brought something special
to the trip, man, making it anunforgettable experience.
So if you're planning a roadtrip, I highly recommend you add
these beat tapes and albums toyour playlist.
Trust me, they'll make yourjourney as epic as mine.
And then, thanks for tuning into episode 122.
(01:52:54):
You know, I mean, if youenjoyed this episode, be sure to
subscribe.
Subscribe, leave us a reviewand don't forget, man, you can
uh send me a message, uh in thefan mail.
So just, it's the first link inthe description of the show.
Click it, send a text from yourphone.
Boom, you know, I mean, and uh,leave us a review as well.
(01:53:14):
And if you're listening to thison youtube, be sure to like it.
Hit that thumbs up, that's thelike button on on youtube.
Subscribe to the channel anddon't forget to follow us on
social media, on ig and twitter.
Um, everything is direct showpod at the rectal pod, and um,
stand by for you know more musicrecommendations, road trip
(01:53:37):
stories like these.
But until next time, man, makesure y'all count y'all blessings
, not your problems.
Save travels to everyonelistening.
No-transcript.
What is that sound, you ask?
Speaker 3 (00:11):
Welcome to the Wreck Show podcast, a show dedicated
to beatmakers around the world.
Speaker 4 (00:42):
Kick back, relax with the Mayhem Party.
Okay, welcome back everybody,welcome back yo to the rec show
podcast man.
Yo, I didn't abandon thepodcast, everybody didn't?
(01:07):
I didn't abandon it, man, Ijust been, um, taking care of
personal business, you know.
So sometimes you just gotta putsome things down in order to
take care of what's what you got, what you hold near and dear,
you know I mean.
So, um, that's what I had to do, man.
It was just, you know, a littlebit too much, so put it down,
took care of business now.
So the babies are out of schoolfor the summer and I got a
little bit of time, so I'm back,took care of business Driving
(01:31):
from San Antonio, texas, tosunny Southern California.
So, shout out to all of myCalifornians, man, my Arizonians
, my New Mexicans, where elsedid we drive to?
Man, we drove through Nevada,yeah, man.
Um, shout out to all my Texansas well, man.
(01:53):
So, yeah, if you listening fromaround the world, man, let me
know.
But I do want to let y'all knowthat there is a new feature
that I want y'all to to, youknow, actually get it, get
interactive with me.
Um, it's called fan mail, man.
So if you look in thedescription of the show.
Um, through any episode you'llsee texts, the podcast, or you
(02:18):
know what I mean, or somethingto that effect, man.
So fan mail, it just lets you,uh, the listener man, the
supporter text, the podcast I'llread.
I'll read your messages, man,as they appear, and, um, yeah,
and I think I'm gonna actuallyinclude those in the next
episode as well.
Man, so you know, it's the bestway to get encouragement and
(02:40):
feedback from you, the audience,directly, man, don't go through
no middleman, it comes directlyfrom you to me via text, via
text message.
So you already, you know, 85%of podcast downloads are already
on phones.
So you know it's natural forlisteners to just click the link
and then send a quick text, man.
So that's super easy for you todo.
(03:01):
Fan mail is included right now,man.
So you know, go ahead, go crazywith it, man.
And yeah, man, I look forwardto reading these messages that
you're about to send me.
But yo, let's get into why youhere today, man, listen, so you
know, I mean, once again I hadto take a trip.
(03:22):
I had to take a trip, personalbusiness.
But then also, you know, we had, once again I had to take a
trip, I had to take a trippersonal business, but then also
, you know, we had to play whilewe were in California.
So, yeah, man, I had to takesome music with me and you know
me, I listen to music while I'mdoing things, you know, yard
work, driving, working, justreading books, anything man.
(03:45):
So now, driving as well, man.
So what I did was, you know, Iwas diving into the beat tapes
that I had on my band camp, manor I, saved on like album music
and stuff like that.
But then also not just beattapes and instrumental albums,
it was also some albums that I,you know, supported on Bandcamp
and some albums I wanted tolisten to via, you know, apple
(04:09):
Music and stuff like that too.
So they accompanied me from theepic drive from San Antonio,
texas, to sunny SouthernCalifornia.
So, listen, welcome to episodenumber 122.
Trust me, it's going to be a.
This episode is going to be aride filled with some amazing
beats, some unique sounds andsome hidden gems that you might
not have, you know, heard of, oryou know, because social media
(04:32):
is social media, you're notgoing to see everything that
everybody posts.
You know what I mean.
So, yeah, but let's, let's kickthings off real quick, man, um.
On the first album that I wantto talk about, it's called
Corner Shop Cowboys, man.
So this is featuring a SARwho's an MC and Low Tech aka
(04:53):
Thank you, man.
This album was a perfect startto the journey, man.
I listened to this while westarted to drive and it really
set the.
It really set the mood right asI was driving, man.
So you know it's veryadventurous.
You know, low tech man, um, akathank you, thank you.
(05:15):
Aka.
Low tech yo, man, he, all hisbeats are always like, they
always just pull you in, holdyou and then, um, the rhymes
that asar was talking about.
Man, yo, he's dope man.
I've never heard of asar, now Ihave.
So you know the cover isincredible as well, man, some of
(05:37):
the stands outs on this jointnight, two uh city fielders
featuring, uh, I think that'scease greenie um, easy rider man
like, yeah, laser tech, likethese are.
These are albums that um, orthese are tracks from this album
, corner shop cowboy, that Ireally uh liked, man.
So let's get into this album,corner shop cowboys, and then
(06:02):
we're going to go into albumnumber two, which I think um was
an amazing project as well, man.
So let's listen to a couple ofjoints from that.
All right, yeah.
Speaker 2 (06:13):
I'm starting to see a change.
Yeah, I'm starting to see achange.
Yeah, I'm starting to see achange.
Yeah, I'm starting to see achange.
Yeah, I'm starting to see achange.
Yeah, yeah, yeah.
(06:33):
Brain work like meditation.
How can I calm my patienceEnough to break away from
changes and evolution for my ownsake?
It's cold game next to a coldname.
I love privacy and space.
Need to dive to get away.
They don't understand my pain,probably never will.
So I'm complacent and hoping towin the game.
Emotions we read the motions.
They're open to defeat.
(06:55):
All I'm saying is breathe.
Nah, man, yeah, yeah, yeah.
Now I'm starting to see achange.
I'm starting.
I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm
sorry, I'm sorry, I'm sorry, I'msorry, I'm sorry, I'm sorry,
I'm sorry, I'm sorry, I'm sorry,I'm sorry, I'm sorry, I'm sorry
, I'm sorry, I'm sorry.
Speaker 5 (07:24):
I'm saying I couldn't sit there and rap about being
in the streets and being brokeno more, because I ain't in the
streets and.
Speaker 3 (07:32):
I'm far from broke.
Right right, right, right,right, right, right, right,
right, right, right, right,right, right, right, right,
right, right, right, right,right right, right, right, right
, right, right, right, right,right, right, right, right,
right, right, right, right,right, right, good cruise music.
Speaker 2 (07:45):
Yeah, what?
Approximately 10.53 when Iwrote this Day and night.
No, I'm specified Skeptics,stay away.
You'll never ride Petrifiedpetrogas.
Lego worries, the river keepsyou.
Weep on before therefore, yourstation See some record
reputation tainted.
(08:06):
Stay awake, kid, yourfrustration seeps greatly.
Achieve balance then, maybe.
Until then, be aware, humbleself, be prepared, breathe daily
.
Et gave me 40 bones.
I drove him home.
Stay off Woodhaven, he call itWoodhaven.
I took some Amy once, but thenthe hunts gave her a wallet back
.
The jury would do it plus thedamn bitch whack.
(08:28):
Ain't want to put her throughall that True story.
Yeah, man.
Speaker 4 (08:43):
That's Corner Shop Cowboys man, asarstrap cowboys
man, asar and, uh, low tech man.
Let me come up out the waterfor this joint man.
That joint was fire man.
Um, yeah, man.
And then you know, like all allI was trying to do was, um,
keep the vibes going, man.
(09:04):
So so I moved on to Earth Signman.
So if y'all don't know aboutthis album, man, this is an
album by who knows man.
I really appreciate who knowsproduction man.
Earth Sign was I think y'allreally need to tap into.
It felt like a, you know, aspiritual experience while I'm
(09:25):
driving and I'm literally justin the driver's seat cruising,
man, cruising, trying to makesure, you know, we, we on
schedule and everything likethat Everybody's having a good
time, can relax and not have tostress out about driving and
what's going on around them andstuff like that.
So this album definitely helped.
Um, just the you know etherealbeats and ambient sounds just
(09:49):
made me feel connected to the,to earth man.
I was having some some deepthoughts while I was driving man
, the sky around me, I'm justobserving more in the mountains
and everything, man.
So it's that kind of album thatmakes you just ponder life's
big questions and why youdriving through the deserts and
stuff like that man.
But, yeah, man, let's get intouh, earth signs by who knows,
(10:10):
we're going to play a couple ofjoints off that and then we'll
go into the third album, um,that features the homie, another
, another Californian man, uh,the chef.
Man, the chef telling me cleanman, man.
So we'll be right back withthat one.
Speaker 6 (10:26):
So yeah, let's get into this one.
So Thank you so.
Speaker 4 (12:49):
Outro Music.
Thank you, outro Music, getthese, get these, get these, get
(13:15):
these.
Yeah, man, so that is, uh, whoknows man?
Earth signs, listen, shout outto who knows man.
I know he's working on musiccontinuously, so, uh, yeah,
y'all definitely check out thatone.
He came out with another onetoo, man, but that's the one
that came up in my band camp asI hit the shuffle on that joint
man, but, um, but yo, let's talkabout this.
(13:38):
Um, meo wallace loves red applecigarettes.
Man, this, hey, man, it'sdefinitely like you know, I grew
up on Pulp Fiction anyway.
But he's in his description forthe album man, it's not a
concept beat tape or anythinglike that, it's more just an
audio conversation.
(14:00):
The chef, telly McLean, washaving quentin tarantino, uh, as
he was making this on thesp404sx man.
So, shout out, you coulddefinitely hear, I hear the
differences now between you knowthe, the music boxes as well,
whoever has like a sp.
You know the, the compressionand things that y'all do with
(14:21):
them.
The koala uh, you, I gotMachine.
I'm definitely hearing more ofwhat y'all love about these
different devices that y'allcreate y'all's music experiences
with.
But shout out to Telly McLean,the chef man.
He was watching Reservoir Dogs,pulp Fiction, kill Bill 1 and 2
(14:41):
while he was enjoying this andcreating this man.
So let's get into Meo.
Wallace Loves Red AppleCigarettes.
I got the cassette with thistoo, man.
So shout out to Telly man withthe stickers and all that stuff
that it came with.
Man, that's going to come onanother episode of the
Beatmaker's Corner, by the way.
Still doing that, I'm going toget back in the mix of things,
but let's listen to the firsttrack, and then we're going to
(15:05):
go to a second one that I'mgoing to pick, and then we're
going to go into the fourthalbum that I was listening to.
Speaker 1 (16:21):
Let's get into it, man.
Thank you, we'll be right backso fucking funny.
Speaker 5 (16:24):
Look, I'm not a fucking idiot.
All right, that's a big man'swife.
I'm going to sit across fromher, chew my food with my mouth
closed, laugh at her fuckingjokes and that's it.
Speaker 7 (16:33):
My name's Paul and this shit's between us
no-transcript.
Speaker 4 (19:20):
So yeah, man, shout-out to Telly McLean's
production man, it's top-notchman.
Yeah, man, shout out to TellyMcLean's production man, it's
top notch.
Man Just creating a veryrelaxed yet sophisticated
(19:41):
atmosphere, man.
So yeah, man, but yo I can.
This album is a wild ride, man.
And, uh, some predictable beats, distorted sounds, just kept me
on my toes, kept me enjoyingthe ride, man, that's one of the
things that you know I don'thave to like just keep searching
through the radio and stufflike that.
Man, these albums kept the rideinteresting.
(20:04):
The drive, man, you know I brokeit up.
You know it's like a 17-hourdrive from Texas to California,
so probably might be even more,but I broke it up into like
eight-hour, nine-hour days.
So it took us two days to getthere, two days to get back, you
know.
So you know what you know.
(20:25):
I mean just putting this on,kept me on my toes.
Just add an element of surprisefor the drive.
So you know, it's a reminderthat you know.
Sometimes, as you know, it'sthe unexpected moments that make
the journey memorable.
Man, that's super dope man.
So shout out to my homie, afroblue man doing his thing.
Let's get into uhorted andUnpredictable and then we're
(20:47):
going to come back with you knowsome more.
Thank you, man, because thiswas a dope couple of dope albums
.
Thank you is all over mydiscography, bro.
So let's get into it, man.
I ain't going with y'all, man,let's get into it.
Man, tell me what y'all thinkabout what you've been hearing
(21:10):
so far.
Man, text me, go to thedescription of the show, text me
what y'all thinking so far.
And who would you want to hearon the next one that I might do
when I drive, you know, allright.
Speaker 7 (21:46):
What causes distortion?
This is actually a very, verycomplex question if we want to
dive deep into the details ofdistortion, because in an audio
or video system every componentcan lend a certain amount and a
certain type of distortion.
But today I want to just talk alittle bit about focusing on
(22:11):
distortion and what causes it.
What causes it?
We had a magnificent technicalgrasp of classical music, music,
(22:37):
music, music, music.
I love it when you're downthere.
I'd rather get down than Ratherthan this.
Now, when I get down, young man, I'm a man of my own, I know
it's meant I know it's meantOnce again back yesterday.
Speaker 1 (23:28):
Cast your mind to yesterday.
Do you remember?
You ready bud, you ready bud.
I find myself with anungovernable impulse to indulge
(23:55):
in musical composition tonight,night night, night, night, night
, night, night, night, night,night, night, night, night,
night, night, night, night,night, night night night night,
night, night, night, night,night, night, night, night,
night, night, night, night,night, night, night, night,
night night, night, night, night, night, night, night, night
(24:15):
night night, night, night nightnight night, night, night, night
, night, night Ain't it good.
Speaker 6 (24:39):
Yeah, bro, you're right.
Speaker 9 (24:54):
Yeah, yeah, find a place, Find a place, find a
place, find a place good gosh.
(25:26):
Will you listen to that?
Well, you know.
Speaker 1 (25:51):
Yeah, I'm gonna call you down, but I ain't gonna
control that thing.
No, no, no, no.
Speaker 4 (26:12):
Oh, oh, oh, oh, oh, oh yo.
What did I tell y'all man?
Afro blue, man is um man, histhe way he creates his beats.
Man is something crazy man.
Something crazy man, distortedand unpredictable man.
Get it on Bandcamp right now.
(26:32):
All right, afro Blue, I'm goingto put the link in the
description of the show.
Man Shout out to my guy butyeah, man, now let's talk about
this.
Ultimo side A and side B,because I started this journey
listening to side b first, justbecause I do things like that,
(26:52):
and then I went to side a, andum man, when thank you said last
year that he, he's like, hethink he hit another level, he
hit another level, man.
He wasn't lying, man.
This is a double-sided album.
It's a masterpiece of, you know, storytelling through music,
(27:14):
man.
Each track just keeps flowingseamlessly into the next,
creating a cohesive narrativethat kept me hooked from start
to finish.
It's like listening to um audiomovies, man.
That's you know what.
That's the best way I can putit.
Man, these albums are likeaudio movies and I love movies
(27:37):
and I love music, man.
So you combine them into whatyo man, what yo man.
So let's get into some of this.
Ultimo side A and side B.
I think I'm going to play onefrom side B and then one from
side A and then we're going toget into my guy Phil Spector's
face-off.
Man, which boy, yo, we'll beback man.
Speaker 1 (28:31):
We'll be back, man we'll be back, man.
Speaker 3 (28:34):
So, oh, we'll be right back.
(29:28):
No, you sent me, you sent me,you sent me.
Speaker 4 (30:29):
You sent me.
Thank you, okay.
So so, yeah, man, yo, yo man, Ikeep telling y'all low tech man
(31:15):
, thank you, is uh, he's doinghis thing, man doing his thing.
Shout out to koala gang man.
Shout out to the sb heads.
Shout out to machine gang.
Shout out to floor fl studiogang.
Shout out to the uh npc gang.
Who else?
Who else?
Who else out there?
Yo, um, but yo, let's get intothis next joint man that I was
(31:39):
telling y'all about.
Man featuring, you know, uh,flip a beat club, philadelphia's
own phil specter man.
He came out this album calledface off, and if y'all don't
know this, this is a, uh like a,a joint project with phil
specter and killer kane.
(32:00):
Yo, man, yo, yo, man, like heused um, so you have of course,
some vinyl, killer Kane, yo man,yo man, like he used, of course
, some vinyl records Makai andPC Live 2.
Roll NSP 404, mark II, seratoStudio Ableton to make this
thing come to life.
Man and man, killer Kane, philSpector, philadelphia of Flippa
(32:25):
B Club, man, face off.
Yo, I'm going to let y'alllisten to a couple tracks, man,
and I'm going to let y'all y'allshould be grabbing this joint
man from our fan camp.
Man, this joint is amazing, tookme like way back to the movie,
man.
I'm telling y'all, man, visualmovies or audio movies, man,
like it really just brought meback to that.
(32:48):
You know what I'm saying.
Like you know what I mean.
It was like it's like a gritty,raw energy to the, to this trip
, man.
The heavy beats, the intense,you know what I mean.
Rhythms were perfect for thesemoments when I when needed an
energy boost as well, man.
So you know, phil Spector'sstyle is unapologetically bold.
(33:09):
You already know that.
It's definitely made animpression on me.
So shout out to Phil Spectorman, yo, man, let's get into
Face Off, man.
Killer Kane.
Speaker 2 (33:21):
Phil Spector.
Fabc.
Speaker 5 (33:23):
Philly Presents subconscious programming Direct,
directed to the subconsciousmind, to enhance the wonder of
you.
Speaker 10 (33:32):
It's like looking in a mirror, only not.
We'll be right back.
Speaker 1 (34:29):
See you bud, see you bud.
You are entering a phase ofsensitivity allowing you to
utilize your psychic abilities,abilities so okay, I'd like to
(35:44):
take his face off.
Speaker 4 (35:53):
Yeah, man, listen, that is just the intro.
The intro joins to this wholeexperience that is Face Off by
Phil Spector man.
So if y'all want to tap intothat, go ahead to his bandcamp,
man, philspectorbandcampcom.
Check it out.
Man.
Shout out to him for sending meyou know what I mean the first
listen.
Shout out to Yo, when I getback home to Jersey In a week
(36:16):
and a half, man, hopefully I canstop by that record store when
y'all host for the man I won'tbe there for the third Friday,
but coming back for graduationman, my nephews is graduating
high school.
Man, the first ones from thisgeneration.
Shout out to my nephew, samirMaxwell.
Man, uncle David's coming back,man, you know what I mean.
(36:37):
We gonna party.
Man, it's a celebration, man.
Um, but yeah, yo, so listen, Igotta tap into this one, one of
my personal favorites.
Um, so listen, I got to tapinto this one.
One of my personal favoritesbeat tapes, man, that came out
this year so far Donuts, with3S's by U4, man.
Shout out to the DMV man, thisalbum is a tribute to J Doe's
(36:59):
Donuts album.
You know.
It's filled with delicious,smooth beats and soulful samples
.
It's just a feel-good albumthat kept me in high spirits, no
matter how many miles I hadleft to go.
Yo, man, I was.
Yo, I was in the miles, man.
So shout out to my wife, man,for being an amazing co-pilot as
(37:21):
well.
You know what I mean?
The kids was comfortable, thekids was super great on this
trip, man and um man, the energywas just good, as we're going
to take care of business, man.
So yo, let's get into donuts byu4.
We're gonna put a couple jointsup there and then we're gonna
come back and we're gonna tapinto um, this is the monthly
(37:41):
duct tape, volume 11.
This is the monthly duct tape,volume 11.
Speaker 1 (37:58):
Boy, I gotta talk about this one.
My guys and girls, my yo, what?
All right, we'll be back.
Okay, thank you.
Mama used to take me across thelap.
She used to whip me with astrap when I was bad.
Speaker 4 (40:52):
Let's go, we'll be right back.
So yo donuts man.
By u4 man.
This is an incredible tributejoint man that he did.
Now I wonder why he said he waslike just creatively burnt man.
He did 32 joints on this jointman, 32 tracks off this joint
tribute to jd man.
Spirit inspired him.
Here's what he wrote, man.
Let me just say this man.
So a tribute to JD.
The original inspired me a lot.
(41:13):
Around 18 years old, you know,out of nowhere felt the urge to
attack this project since I'm inmy early 30s right now.
Discovered J Dilla a littlelate, but was right on time for
my life.
I'm still moved by his workevery era.
Enjoy man, we and I enjoy thisjoint man.
So if y'all don't know aboutthe U4 Donuts with three S's,
(41:38):
it's on Bandcamp right now.
Go ahead and tap into that man.
I'm gonna put the link in thedescription.
Y'all already know, so youalready gotta work.
Just click on it.
Support the homie, become asubscriber to you.
Speaker 8 (41:48):
For me it's your, the joints you for the joints that
you've been playing out, beensmacking the headphones, man.
I'm just telling you that youknow.
Speaker 4 (42:02):
But uh, yeah, man, let's go ahead and get into this
, um, this um, duck world, themonthly duct tape, volume 11.
Man, I heard uh, so many firejoints on this joint man.
Uh, it's 43 joints on this man.
So yo just go to duck world 808.
Support the monthly beat tapesas they put out, man, it goes a
(42:25):
long way and brace yourself forsome electrifying instrumental
hip-hop journey.
That's your ultimate pass tothe global beat-making scene.
Let's go.
Take it easy A lot of littlescratches yo, slow down.
Speaker 11 (42:42):
I had this friend of mine who, just you know he was
moving too fast.
You know what I'm saying.
I told him slow down.
He said the sun don't chill.
I said still.
I said still, you got to justappreciate life.
Just appreciate life, sit back,don't let it fly right past you
(43:07):
.
Let it fly right past you, nomatter what.
Go on, I'm still, still, still,still, still, still, still,
still, still, still, still,still, still, still, still,
still, still, still, still,still, still, still, still,
still, still, still, gettingmine, still, still, still, still
(43:28):
, still, getting mine, getting,getting mine, getting, getting,
getting, getting mine.
Thank you.
Speaker 1 (44:09):
The, the, the, the, the.
Speaker 4 (45:44):
Thank you so yeah, man, that's um, another joint,
that um came out of this trip,man, the monthly duct tape, man,
volume 11.
Y'all need to tap into, uh,duck world, man, duck world,
duck world, chicago.
(46:05):
Tap into them, man.
Tap into what they're doing,man.
So leah, let's get into thisnext one, man, written
prescriptions by the homie tuamit-u-a-m-i-e.
Y'all know how y'all know his.
You know, I mean, how hestarted his beat tapes, man, his
(46:27):
intros and all that stuff.
You already know this was adose of pure creativity, man.
The experimental beats, uniquesoundscapes, made it like a
thought-provoking listen, man.
So, man, it's an album thatchallenged you to think outside
the box, perfect for thosestretches when I needed that.
Pick me up as well, man, um,man, and, and, and, thinking
(46:51):
about it, what he did with theremixes?
He remixed the uh, the battles,man.
So you know, we just coming offthat incredible hip-hop moment
with featuring, uh, kendricklamar I mean kung fu, kenny
slicing through Drake, you knowwhat I mean.
(47:12):
And the battle man, where Drakenow removed all of his diss
tracks off his discography.
Yo, that ain't a dub.
I don't know what it is, man,when you make somebody remove
the music from all diss tracks.
Yo, man, what, what?
I guess he's like, yo, he wonthis battle, he won his battle,
(47:35):
but yeah, anyway, man.
So we listen, man.
Written prescriptions by twamiman.
This was a dope album I thinky'all need to uh definitely tap
into.
Uh, twami man, um, who'sactually been going through his
own health issues lately, man,so, if you can support Twami man
, go ahead and support Twami.
Go to his Instagram, go to hiswebsite, man, type in there, buy
(48:01):
the music.
Man, help the homie out man,because we really appreciate
what he's giving.
You know what I mean the beatculture, hip hop.
You know what I mean Doing someamazing things over there.
Um, I think he's a.
I want to say I want, I want to, I don't want to miss that man.
Um, I think he is a richmond va.
(48:22):
Yeah, yeah, yeah, yeah,richmond va, stand up, man.
All right.
So let's get into um writtenprescriptions.
Man, we're gonna play couple ofjoints off of that and then
we're going to come right backinto this incredible album that
I listened to while I was down,while I was driving Kenobi
Express 6 by Ali Von Kenobi,turkey.
(48:44):
Stand up, man.
Yo, we worldwide with this,let's go, man.
Speaker 7 (48:50):
Twami, the challenge is always gonna beat us home.
Sometimes our parents makemistakes that affect us.
Until we grown and you're agood kid you need good
leadership.
Let me be your mentor, sinceyour daddy don't teach you shit.
(49:14):
Never let a man piss on yourleg, son.
Either you die right there orpop that man in the head.
Speaker 10 (49:19):
Son, never fall in the S-buck business.
That's bad religion.
Please remember you could be abitch even if you got bitches.
Never code switch.
(49:59):
You're at the right of home.
You're a.
We'll be right back.
You know how it feels to be inalignment With emotion, hoping a
man can see you but not befinding.
Dear Dennis, you gave birth to amaster manipulator.
Even using you to prove who heis is a huge favor.
I think you should ask for morepaper and more paper and more,
uh, more paper.
(50:19):
I'm blaming you for all of thegallant addictions, psychopaths
and tuition.
The man that liked to playvictim.
You raised a horrible fuckingperson.
The nerve of you.
Dennis.
Sandra Outro Music.
Thank you, we'll be right back.
I'm out.
History do repeats itselfSometimes it don't need a reason
(50:39):
, but I would like to say it'snot your fault that he's hiding
another child.
Give him grace.
That's the reason I made MrMorale, so our babies, like you,
(52:15):
can cope later.
Give you some confidence to gothrough something.
It's hope later.
I never wanted you to chase aman, cause it's failed behavior,
sitting in the club with sugardaddies for validation.
You need to know that love iseternity and trumps all pain.
I tell you who your father is.
Just play this song when it yes, he's a hit makeup songwriter,
superstar, right and a fuckingdead beat that should never say
(54:08):
more life.
Speaker 4 (54:09):
Feed the grams, thank you, yeah, yeah, twami, shout
out to twami man, writtenprescriptions.
Man, yo support the homies man.
And um, yo, man, we're gonna goall the way to inst Turkey man,
featuring you know somebody, Ijust I listened to him on a what
(54:37):
was it?
It was DB Yossi's DB FlipSessions that he hosted.
It was like a seven hour, aseven hour joint man, and I
heard his beats and I was like,was like whoa, whoa, that's
crazy, bro.
And then, um, I went digging ofcourse you know I gotta go
digging and um found that.
(54:57):
You know he's been puttingmusic up for a while, man, so
I'm a new fan ali juan kenobi,instant bull, turkey.
We're going to play a couple ofjoints off this album called
Kenobi Express 6.
All right, so we're going tojump into that man.
This was just another highlight, man, another highlight joint.
(55:20):
You know the album is a journeyin itself, but each track was
taking me to a different Sonicuniverse.
You know his production is outof this world, like literally yo
.
So, um, let's get into thisjoint.
We're gonna play a couplejoints off of this and then
we're gonna go into this.
Um, dusty gems, volume one bythe homie, theo, who I've been
(55:43):
following on youtube um for afew months now.
And then I asked him like yo,where can we find your music?
Because I couldn't find any ofthe links to get to his music.
So I'm going to hook you all upwith the link so y'all can
support the homie too.
Man, my man got a spaceship inhis beat room.
You know what I mean.
But yo, let's get into this.
(56:05):
Ali Wan, kenobi man, kenobiExpress 6.
All right, we'll be right back,thank you.
(57:02):
So how?
How many times?
Speaker 1 (57:20):
How many times when I lay eyes on you, how many times
, how many times is I'm sorry?
(58:14):
I think people always take youas they see you, not necessarily
as you are.
I mean in every situation,whether you're a singer or
you're working in a shop andyou're meeting people, they take
you for what they think you are.
So that's inevitable.
When you're ready, when you'reready no-transcript.
Speaker 4 (01:02:24):
That, uh, definitely helped me during this drive as
well, man, man.
So yo shout out to all the beatmakers around the world man,
doing their thing, man.
It's just, it's so many ofy'all.
Every day I'm learning aboutsomebody new you know what I
mean and then adding them to the.
You know what I mean, either myband camp discography or the
(01:02:44):
wish list, or, you know,playlist, something like that,
man.
So keep making y'all music, man.
Keep making what y'all do,believe in what y'all doing, man
.
Count them blessings, not yourproblems.
All that good stuff, man.
But let's get into this nextone, man.
Dust Gems, volume 1 by Theo man.
I was listening to this on theride, man, and I was like yo.
(01:03:05):
I got a.
Actually, actually, this albummight be the one where I was
like yo.
I'm gonna just put a podcastepisode together that features
everything I've been listeningto.
This one brought that to arealization.
So, man, you know this albumjust brought a touch of
nostalgia to the trip is.
You know, the vintage samples,the classic beats made it feel
(01:03:26):
like it was a love letter to thegolden age of hip hop.
You know it's a timelesscollection, that's.
That's perfect for any roadtrip, man.
So listen, if y'all really likeabout listening to dope beats,
dope albums.
Man, tap into dust gems, volumeone by theo man.
So we're gonna play a couplejoints off of this when we come,
(01:03:48):
come back, we're going to tapin with the homies Impression
and, oh, ricky man, with theSpirits beat tape.
Man, we'll be no-transcript.
(01:06:50):
That's, that's jim's volume oneby the old man telling y'all
man.
So yo, man, let's, um, let'stalk about the beat tape, the
actual cassette.
(01:07:13):
The design of this joint isamazing.
It's like a spirits cigarettespack.
It's designed like that.
Yo, it's super fire man.
They had like a thing of mintgreen and a blue one, I think,
something like that.
Yo, o'ricky, hook me boy up.
You know what I?
I mean, put one to this.
No, I mean no, don't hook me up, put one to the side for me,
man, so I can grab one.
(01:07:34):
Yo, um, but yo, this is a like aintrospective beat tape, you
know, I mean it's a personallistening experience as well.
It's kind of albums that makeyou reflect.
This album made me reflect aswell while I was driving,
literally and metaphorically, onjust you know the important
things, man, you know thesedrives with my family, you know,
(01:07:55):
I mean across the states of theUnited States of America.
You know, I mean like pricelessman, priceless, priceless
experience, man.
So let's get into spirits.
We're gonna hear a couple ofjoints from there, one from I
think I'm going to do one fromO'Ricky, one from Impression,
and then, you know, we'll go tothis 404 Day beat tape by Iman
(01:08:19):
Omori on the Untitled app thatcame out on 404 Day.
Man, no-transcript, shout out toto texas and uh oh ricky shout
(01:11:30):
out to california.
Man, but, um, man, let's keepthis show moving.
Man, we are um man.
So I'm, you know, just give youour story real quick, man.
So you know we're drivingthrough, um, through texas.
Man, to get out of, out ofTexas is like 10 hours by
(01:11:51):
yourself in the first place,right.
So we get to El Paso.
You know what I mean.
We stop in El Paso.
We see some things.
El Paso is El Paso.
Texas is a little crazy rightnow with what's going on with
the borders and stuff like that.
So all we see is state troopersall over the place In the
hotels.
We got these little signs up inthe hotels that say refugee, uh
(01:12:17):
area.
You know I'm like yo what theheck is happening right now, man
.
So you know to see thatfirsthand.
It's crazy.
We drive from El Paso, um,through New Mexico, through
Arizona, um, where we used tolive at a few years ago, and
then made it to California, man,which was, you know, to see it
(01:12:41):
from the sun up, and then see it.
You know, as we're driving, umis incredible, man.
So you know just to see themountains and then you know the
areas that we're driving through.
So you know, just to see themountains and you know the areas
that we're driving through, andyou know everybody was saved.
There was one crash, my Amazontruck.
I hope that driver is okay, butall we seen was Amazon packages
all over the place.
You know so.
(01:13:03):
But for the most part, man,this drive was incredible, man,
and big ups to the incredible.
You know architects, themutants that are putting these,
these albums together, man, theyreally helped this thing.
Go um off without a hitch.
You know I'm saying, but yo, solet's keep it going, man, um,
(01:13:25):
so okay, 404 Day was in April,that passed already, but this
404 Day beat tape by Iman Omarion the Untitled app.
Now, I don't know if you allknow what that is, but the
Untitled app is a applicationwhere musicians can use that,
store their musical ideas, shareit with fans, and things like
(01:13:49):
that.
Man.
So, um, they put out a four,four day beat tape, uh,
featuring the supercard.
So if y'all know anything aboutsupercard, yo get your Googles
on.
Man, get your Googles on, causesupercard is incredible.
Um, I, you know, man, yo theygoing to be selling out venues.
(01:14:10):
You know, man, yo they going tobe selling out venues.
You know, one day I hope to bea part of that.
I hope to be able to cover thatfrom the, you know, from a
fan's perspective.
There's so many amazing peopleMarcus Murray, lowkey, rto Beats
, tyrone John Brown, pazalOrganism, dibiase, fidratic I
(01:14:36):
hope I said that name Fidrac.
P-h-d-i-r-a-c.
I hope I'm saying that, right.
Iman Amori and Taki man.
So yo, we only going to play acouple joints off this joint,
man, because I want y'all to goahead and get this.
The only place you can get thisalbum is on the untitled app,
all right, so we're gonna play acouple joints, let y'all hear
(01:14:59):
what y'all missing, and then I'mgonna put the link in the
description where you can findthis album.
But of course, you gottadownload the app and then it's
incredible to use it too.
So yeah, we'll be right back,man.
Peace and love marcus murray.
Speaker 7 (01:15:16):
Bye, I am going to be all alone.
I am going all the time.
(01:16:13):
I am talking all the time.
Speaker 1 (01:16:24):
I am so, uh, I am happy all the day.
(01:17:43):
I am happy all the day.
I am happy all the day.
Speaker 4 (01:19:28):
I saw.
Thank you, thank you.
404 day beat tape, manomori manand Marquise Murray With the
joint sad Yo man, I put this on,man, I was like, yo, this is a
(01:19:51):
very well put together beat tape.
You know, if I could play allof them I would man um, yes, 10
joints, man, so many dope guy,incredible.
Uh, beat makers on this jointman.
So, yeah, y'all, y'all, checkthis out.
404 day beat tape.
Uh, featuring supercar.
(01:20:12):
Um, just look up iman amari.
All one word in the untitledapp and you'll be able to find
it.
Man.
Um.
But yeah, man, you know techsavvy.
This joint is amazing how farmusic production has come from
the 70s, 60s, 70s, 80s, 90s,2000s.
(01:20:36):
Now we're in the teens of the2000s, now we're in the 20s of
the 2000s.
What the heck is happeningright now?
Yo, so much happening, man.
But yeah, man, let's keep itmoving, man.
So this next joint man, Ilistened to this maybe seven,
(01:20:57):
eight, nine times, seven, eight,nine times, man, and this is an
incredible body of work.
Man by the homie Future Wave, abrand new fan.
I'm a brand new fan.
I'm a brand new fan.
Um to future wave man, his beattape mcfly is amazing.
It took me to another dimensionwith his futuristic beats and
(01:21:20):
innovative soundscapes.
It's an album that feels aheadof its time.
Perfect for, you know, forwardthinking road trip, if that
makes sense.
You know what I'm saying.
So, yeah, we're going to play acouple joints off of McFly from
the homie Future Wave, and thenwe're going to get into Divine
(01:21:40):
Science, because that wasanother one that I was listening
to on this trip as well, man.
So stick with me, enjoy thesevibes.
Let me know what you think, man.
Send a message.
You can send me a podcast, atext, man.
So stick with me, enjoy thesevibes.
Let me know what you think, man.
Send a message.
You can send me a.
Send a podcast, a text, man.
Just go to the description ofthe show and go ahead.
Hit you know, send fan mail.
Boom, it's like a text message.
(01:22:02):
Go ahead and send that.
We'll be right back, man.
Peace and love yo.
Speaker 11 (01:22:06):
Sampling started in hip-hop as part of the art form.
It's been deemed as stealingand so on and so forth.
Speaker 1 (01:22:11):
It's not that in any way, shape or form blast off on
another exciting adventure inouter space with I wanna go love
(01:23:42):
.
I wanna go home.
Right about now we're insideRexdale.
Speaker 2 (01:25:18):
You know that this is where I reside.
Speaker 5 (01:25:21):
Thank you, we'll be right back.
You know what I'm saying?
Speaker 2 (01:25:25):
It's not good stuff?
Speaker 4 (01:25:28):
Yeah, man, mcfly from the homie Future Wave, man, if
y'all don't know about FutureWave, like I'm a new fan, so I
just found out.
So if y'all just hearing aboutFuture Wave, I think he's an
artist, beat maker, musicproducer from Canada, man, so
y'all tap into uh future wavewhenever you can.
(01:25:50):
I went to his website and allit like the physicals sold out
man, sold out.
I was trying to get a couplealbums, man, because I listened
to like three more albums of hissold out man.
So obviously there's peoplewith some good music ear, good
musical ears, listening to hismusic, supporting the homie so
he can do what he do, um, butyeah, support your homies, man,
(01:26:14):
support your homies.
Um, let me see, let's go to, um, let's go to divine science,
man.
So, uh, divine science three iswhat I'm about to play.
And when I tell you this isanother audible experience, I'm
(01:26:37):
not yo listen internets, y'allknow I'm not playing with y'all
man, this is a dope album and yo, as soon as I, by the time
y'all hear this, I probably haveordered a physical, because
this joint is just amazing, thewordplay, the messaging in it,
but then the beats matched itlike it's yo, man, as, as music
(01:27:05):
fans.
Yo, we cannot ask for more thanwhat Divine Science 3 gave us
in this joint, man.
And they've been doing it foryears.
If you go to kingoddivinecomyou'll know that They've been
putting out records for years,man.
But yo, this joint, maybe a fanof both of them all over again,
(01:27:29):
and I've been following king Idivine for some years now.
So I'm on ig doing this thingwith the pad work, you know, I
mean with his babies in thebackyard or wherever he was
recording.
So I was like, yeah, man, andthen the piece is just dope.
So let's get into a couplejoints from divine science 3,
and then we going to go aheadand probably start closing this
(01:27:52):
out with a couple more joints.
And yeah, once again, man, senda message to the podcast, man,
if y'all can.
It's called Fan Mail.
Just go ahead and click on thedescription of the show.
Boom, click on it.
You can send a text message andthen I'm going to read the
(01:28:12):
messages that I get from thisepisode on the next episode.
All right, so once again, weback, we back, we going full
force.
This is another level up.
Thank you for rocking with me.
Let's get to it.
Speaker 12 (01:28:35):
All praises due.
Top five dead or alive inUkihola.
I remember rhyming in juniorhigh with a throwback, had the
uniform making formulas with thehomies Used to rhyme to find
the reason.
Maneuvering on a phone jack,outro Music that top five dead
(01:28:56):
or alive.
Give me my flow back.
Peace, peace, meet me outside.
Let's shoot the fair one.
I put so many people on game.
It's kind of played out, butgame p game.
The sky remains a clear one,infatuated with bright things.
(01:29:17):
My whole life used to walkaround the crypt seeing music
with no lights.
Eyes closed, I can see pastshorties keeping that run around
.
Please respect that shit.
This isn't underground word,don't you know?
It's all automatic.
Wearing all black.
No time for other fabrics.
Time is of the essence.
I'm tired.
I'm always tired.
I've been working non-stop tothe wire.
I'm on the wire.
No joke, they be asking to chill.
(01:29:38):
They wanna build.
But to keep it real, if I ain'tat home, I'm in the field.
Yeah, I swear, it's true.
If I ain't at home, I'm in thefield.
Work, don't you know?
It's all automatic.
Wearing all black.
No time for other fabrics.
Time is of the essence.
I'm tired.
I'm always tired.
I've been working nonstop tothe wire.
I'm on the wire.
No joke they be asking to chill.
(01:29:59):
They wanna build.
But to keep it real, if I ain'tat home I'm in the field.
Yeah, I swear, it's true, topfive that are alive.
Don't let me reload South by.
Stay on that vibe If you ain'tpeeped though.
Easy like free throws, the aimprecise, like small gems or keys
going in key holes, it's allthe same.
(01:30:20):
When jewels is all you drop in,blessed.
To be a testament here for allthe options.
I used to let fear control themind.
Got rid of that, replaced itwith faith and now I'm fine.
I'm sitting in rooms withtoilet windows.
The red sun reflect nice acrossthe waves.
I'm drinking champagne becauseI can.
Laughing about problems.
That's too small for the hand.
That's a champagne problem.
(01:30:41):
I'm too high for the land.
My luggage is too small for thefree air in Japan.
So many L's.
I'm celebrating the wind.
My glass is too small for thecelebration.
Again, don't you know?
It's automatic.
So many L's.
I'm celebrating the win.
My glass is too small for thecelebration.
Again, don't you know?
It's automatic.
Wearing all black.
No time for other fabrics.
Time is of the essence.
I'm tired.
I'm always tired.
I've been working non-stop tothe wire, I'm on the wire.
No joke they be asking to chill.
(01:31:02):
They wanna build.
But to keep it real, if I ain'tat home, I'm in the field.
If I ain't at home, I'm in thefield.
If I ain't at home, I'm in thefield.
I should build niggas Word.
Don't you know?
Don't you know?
Don't you know?
Don't you know I love you.
Speaker 1 (01:31:26):
And I swear it's true .
Divine science, baby, don't youknew?
And I swear it's true, don'tyou knew?
And I swear it's true, don'tyou knew.
Speaker 12 (01:32:15):
I feel like I'm on a roll mayonnaise.
Radish and ketchup is on theclose.
See the drip.
Every time that you skip youwipe your nose.
No one knows what I'm goingthrough holding inside the fold.
Keep it quiet.
I was taught only family couldimpose what you dealing with.
Nigga, I'm on the road.
Leave me alone unless youpaying some bills or giving
loans.
Seen the lows, had to learn torebuild to see the high.
(01:32:36):
Whoa, I learned resilience ishappiness magnified.
Whoa, most of these recordsrecording was on the fly.
Whoa, I'm in my feelings andpersonally I don't mind.
Whoa, you want the smokebecause lately I've been on fire
.
Child known as warlock, grownto open minds at 16.
I realized that the glow wasoversized, whole different tribe
, overly focused and fortified.
This whole shit is mine.
Built me an ocean to cast aline.
(01:32:57):
Yeah, it's like that boy.
I've been cold.
Speaker 9 (01:33:00):
Numbers on the board like it's bingo.
There's more smoke, hits theend of.
Please crack another windowLike that for my campfire.
Nod your long nose like it'slimbo.
There's more smoke.
Hits the end of.
Please crack another window.
Speaker 5 (01:33:19):
As we blow tree, it's the big B-L.
You know.
No E, oh Jesus.
I decided to flow free.
A cold piece of work I needthat work in a cold piece on me,
plus a cold piece of heat forthese cold streets.
Everybody gonna be free if mycolds leave Codeine for the pain
cause you know you gonna bleedPromethazine.
(01:33:40):
If you pain cause, you know yougon' bleed Promethazine.
If you ill cause you know yougon' sneeze, I flow breeze.
Get your coat and a beanie.
Need a pass, flash yourautograph.
I wrote on a CD Smoke grass,then be sure to pass a blunt
when you see me.
Bl.
I'm a legendary nigga.
On repeat, the streets keepcalling me back to rap bricks,
going against seven differentwinds, with a match lit, rap
shit solidified.
Why would I be back, bitch?
Speaker 12 (01:34:00):
Crabs.
It's like that boy I beencalled.
Speaker 9 (01:34:03):
Numbers on the board.
Like it's bingo.
They want smoke.
Here's the end of.
Please crack another window.
Like that's for my campos,notching all those like it's
limbo, they want smoke.
Here hits the end of Pleasecrack another window.
Speaker 4 (01:34:39):
Yeah, man Divine, yeah, man Divine.
Science 3, man King, god Divineand Science Rapping over.
Yo, yo, raheem, divine, raheem,yo, come on, man, yo, y'all
going crazy right now, but yo,we're going to take you to San
Antonio, man, I got to take itback to the hometown.
(01:34:59):
Man giuliani doing his thingwith this album called knowledge
is jewels that's j-u-w-e-l-s.
Man, it's an ep he put out.
I feel like it's a dope project,man, dope ep.
Definitely one of the ones Iwas listening to, and I was
(01:35:20):
listening to all the words justbecause there was nothing else
to do while I'm driving.
So I'm zeroed in on the road,everything around me, but also
the music and the words, man.
So yeah, man giuliani, shoutout to you, man, man, we're
going to play a couple of jointsfrom Knowledge is Jewels and
(01:35:40):
then maybe one more that Ilistened to.
I think it was Rue God.
Man, I was listening to thatjoint.
So, yeah, we're going to getinto Rue God right after that
and then we're going to close itout.
Man, I hope you all beenenjoying this show.
Speaker 6 (01:36:12):
Peace and love y'all.
Percentage.
Putting the game on my lane.
Now I'm running the scrimmage.
Rags to riches.
Could've fucked over this breadwith bitches.
Death for bads is missing.
Half is flipping, rocked youwith the baddest boys, but we
have the pistons.
Told myself this how magic didit?
Tragic how that man wasswitching.
We thought of him different.
Fuck em.
(01:36:33):
Now they are suspicious.
We all could be winning.
Let the god forgive em.
I cut in the states.
The rest was all from business.
Feel like I'm running the place, how I'm funding them.
Way Man's like the dust in thesafe.
The bag made enough in a day.
Trust me, we all could get paid.
None of them thought of thegreat, the fate of how I come to
take the throne.
Feel like 09 Braun, thedifference, what you is and who
(01:36:56):
you really think you are.
And what the fuck did we gowrong?
I had enough of this too long.
It's what it costs to be theboss.
How the feds want it all.
Speaker 8 (01:37:06):
Ain't seen a thing, ray Charles, cause all I seen
was dark.
Ain't seen a thing, ray Charles, all I seen was dark.
Speaker 4 (01:37:19):
Yeah, giuliani man Ray Charles.
All I seen was dark.
Yeah, giuliani man, now it'sjust Jules, this joint is fire
man.
Shout out to you, man.
Shout out to San Antonio man.
Shout out to Austin, dallas,houston.
You know All the Texas areasthat's popping with this beat
culture.
Man, the MCs is killing it aswell.
All the Texas areas that'spopping with this beat culture.
(01:37:39):
Man, the MCs is killing it aswell.
And then I want to go back toJersey.
Man, I got to holler at my guyYTC.
Man, he did this joint calledthe Joy Remixes and I was
listening to this joint.
I was like, wow, he did histhing, man.
I mean, you know what?
Man?
I don't expect anything otherthan greatness from this guy.
(01:38:03):
He's just that good man, he'sjust that good.
So we're going to play maybeone or two joints off of the Joy
Remisses by YTC and then we'regoing to wrap this up.
Man, all right.
Speaker 13 (01:38:30):
We'll be back, cause I remember Lincoln at the
school and we be plottin' Talkabout our problems and what we
do about them, journals and itjottin'.
We ain't know the world waswatchin'.
We was just two kids tryna makeit out the bottom.
Now I'm rich and rotten.
Everyday I think about him.
It's a virus, cute wishin' Icouldn't stop him, let alone
just know how he feel Lyrically.
(01:38:52):
Couldn't top him.
He was the nigga with the bell,yeah, and that's real rap.
I couldn't do this shit withouthim, and that's just fact.
You see this, you ain't nosteelo, then you really don't
know me, though, and that's howI separate all the real from
fake people, all the real fromfake fans who claim that they
stands, but they ain't.
On my man until the very end,when she was still here, I swear
it feels without.
(01:39:12):
People could accuse me for hisdeath.
Sometimes I got a shit a realPeople way back in 2012, but now
that is the mainstream topic,I'm guessing I could finally
open up and talk about it.
So, yeah, let's talk about it.
Coming to my mind, I'll showyou where the darkest clout is.
You ready?
I got it, but let's go.
(01:39:32):
You see, stealer was my biggerboat at a point in time,
spiritually we was in the sameboat, but I wanted to take it
slow.
He wanted to take it as fastand deep as he could go.
Pause, yeah, we had someproblems, but we're brothers,
don't show.
Then I called a little wave andheaded back to shore and that's
when he started drowning and hehad no one around him.
So partially I feel it's myfault and that right there is my
(01:39:56):
internal wall, the reason why Igotta feel these external flaws
, the reason why I can't healthese eternal loss, the reason
why I gotta feel this survival'sremorse.
And here's a message to thisfam I know y'all got emotional
trauma.
That I understand.
But I couldn't fuck with If Itried to tell the world I wasn't
who I am.
And all I ever try to do islend a hand and give the fans
(01:40:17):
the thing that they demand themost King Capital, the fucking
go.
I'm just trying to get my niggahurt.
Get him what he deserves.
Speaker 4 (01:40:38):
I get this.
So I gotta add one more to thislist, because when I listened
(01:40:59):
to this joint I was like, damn,he doing his thing, man.
Not only is he a beat maker,engineer, live performer like yo
man, sound creator, he does.
(01:41:19):
You know this album right herecalled memory cards, and if you
already know, you already knowwho I'm talking about.
It's the one and only ice coldfingers with a z man listen.
When I put on this album I waslike wow, wow, this joint is
(01:41:44):
fire man.
If you come out with physicalscold fingers, man, let me know,
man, I need a tape.
Or if you want to put it to atape, sell it just off the tape,
let me know, because I wouldsure grab it from you, just
because yo, I can hear the levelup once again, man.
So yo, let's get into this lastjoint.
It's called Ascaloscope.
Speaker 1 (01:42:09):
I don't know.
Speaker 4 (01:42:10):
I don't even know if I'm saying that right, but yo,
for memory cards by Covingt man,let's get into it, man.
And then, uh, my final words,we're gonna wrap it up, yo, yeah
(01:43:27):
, thank you.
All right, um, I got one more,one more, one more joint man,
it's from um, the kid flames man.
The Kid Flames man, dallas man,the Time You're Given album,
streets of Gold, I gotta end itwith that because you know gold,
(01:43:48):
you know what I mean.
Streets of Gold.
Yo, we're gonna end it withthat.
One man, listen, I uh, yeah,man, I don't know what y'all be
on, but yeah, y'all been doingyour thing, man.
And um, let's get to this one,let's get, let's get up out of
(01:44:14):
here, man, look on to the nextepisode no-transcript.
(01:48:04):
The kid flames, yo.
And then we got one more, twomore, last two man Magnus
Andretti, 11.35 pm.
I gotta play this one.
This one is just man Magnus, yo, you come out with some new
joints.
Man Hit the Red Show Podcast.
I mean, we'd love to have youfeatured on On our Bistro Mentos
(01:48:27):
Series, but let's get into this.
11.35pm Off the Magnus SubvertExceptions Album Alright, yeah.
(01:50:16):
Subvert Exceptions albumAlright, yeah.
So, thank you.
And then this final one is goingout to the homie the, the one
(01:50:37):
and only Tatsumaki man, killingit with this new album that he
came out with.
Only on SoundCloud, though,okay, so only on SoundCloud.
And it's called let me makesure I get the name right,
(01:51:02):
though.
Well, it looks like Musashi,musashi, I want to say that's
right.
Musashi or Daifuku, how do yousay that?
Yo, daifuku, yeah, daifuku,yeah, daifuku.
Let me say it like that.
I gotta hit my Japanese brainback on Daifuku.
(01:51:24):
Only on SoundCloud, though,alright.
So we are about to listen toBollywood man Doing his thing,
and he just came out withanother album On Bandcamp.
So Tap in with the homie man.
He's definitely one.
Yo, just tap in with the homieman.
He's definitely one.
Yo, just tap in with the homie,all right.
Tatumaki with two, three eyes,all right, we're, and then we'll
(01:51:47):
round it out.
Oh, actually, you know what?
Let's round it out right now.
So I just want to say Iappreciate every single one of
y'all listening to this episode,tapped into the virtual podcast
, tapped into the beat makerscorner, tapped into be
strumentals, tapped into youknow, everything that I'm doing
as well.
Um, thank you for your support,thank you for your you know
(01:52:08):
well wishes, thank you for, youknow, just being down, man, I
appreciate every single one ofy'all man.
Man, y'all already know, like,when I meet people, especially
my awesome family or anybodyelse around, you already know,
man, I really appreciate y'allman.
But, yeah, that wraps up themusical journey going 1,350
(01:52:32):
miles from San Antonio toSouthern California.
You know, each one of thesealbums brought something special
to the trip, man, making it anunforgettable experience.
So if you're planning a roadtrip, I highly recommend you add
these beat tapes and albums toyour playlist.
Trust me, they'll make yourjourney as epic as mine.
And then, thanks for tuning into episode 122.
(01:52:54):
You know, I mean, if youenjoyed this episode, be sure to
subscribe.
Subscribe, leave us a reviewand don't forget, man, you can
uh send me a message, uh in thefan mail.
So just, it's the first link inthe description of the show.
Click it, send a text from yourphone.
Boom, you know, I mean, and uh,leave us a review as well.
(01:53:14):
And if you're listening to thison youtube, be sure to like it.
Hit that thumbs up, that's thelike button on on youtube.
Subscribe to the channel anddon't forget to follow us on
social media, on ig and twitter.
Um, everything is direct showpod at the rectal pod, and um,
stand by for you know more musicrecommendations, road trip
(01:53:37):
stories like these.
But until next time, man, makesure y'all count y'all blessings
, not your problems.
Save travels to everyonelistening.
No-transcript.
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