Good Burger / Shut it Down (Guest: Mellinda Hensley)

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
SPEAKER_02 (00:00):
Didn't you have a thing you wanted to do here?

SPEAKER_03 (00:02):
I think I'm going to let that go, especially
considering that's where thiswill end up or whatever it was I
just said.
Were

SPEAKER_02 (00:12):
you going to sing, it's all that?

SPEAKER_03 (00:15):
I'm a dude.
You're a dude.
He's a dude.
She's a dude.
We're all dudes yet.
Welcome to the Review ReviewPodcast, home of the Review
Review Podcast.
Can I take your format?

SPEAKER_02 (00:30):
That was really good.

SPEAKER_03 (00:31):
New, new.
We've got two new.
We've got debate, debate.
What do you want?

SPEAKER_02 (00:37):
Okay, everybody.
Welcome to the Review Review.
You have just tuned in.
If you are surfing the channelson your podcast station, I don't
know.
What's wrong

SPEAKER_03 (00:49):
with you?
Bienvenue, dude.

SPEAKER_02 (00:52):
We're in 1997, so I imagine you're surfing on your
Ford Taurus looking forsomething to listen to, and you
have found a movie podcast.
What is this podcast, you mightask?
Well, we are a podcast where wehave a guest.
That guest brings us a movie,something that they feel
passionate about, and they askus here to watch it.
They say, watch this, and wewatch it, and then we come

(01:12):
together and we talk about whatour rating out of five is.
And I am one of your co-hosts.
My name is Ben.

SPEAKER_03 (01:19):
I am your other regular co-host.
My name is Paul.

SPEAKER_02 (01:23):
And today we do have a guest, and it is return guest
Melinda Hensley.
Hi!

SPEAKER_01 (01:29):
Hi! The crowd goes wild.
I hear it now.

SPEAKER_02 (01:35):
Like we just blew up a...
Did you know that Mondo Burgeris a dentistry?

SPEAKER_01 (01:40):
That makes...
Like just looking at theexterior of it, that totally
makes sense.

SPEAKER_03 (01:44):
Does anyone else think that someone showed this
to RFK and they're like, this isa documentary?
And he was like,

SPEAKER_01 (01:50):
totally, dude.
They're doing their food, dude.
They're putting shark poison inthe food.

SPEAKER_02 (01:59):
Those

SPEAKER_01 (01:59):
poor sharks.

SPEAKER_02 (02:00):
If you haven't caught on yet, the movie that
we're doing today is Welcome toGood Burger.
Can I take your order?
It's Good Burger.
But before we get to GoodBurger, I want to talk about us.
Melinda, we haven't seen you ina while.
How are you?
Tell the people, what have youbeen doing?

SPEAKER_00 (02:24):
What you been doing?

UNKNOWN (02:24):
What you been doing?

SPEAKER_01 (02:38):
I directed a music video back in January that I'm
super jazzed about.
We're just about to finish ColorOn It and it should be ready in
like two, three weeks.
So maybe by the time like thisdrops, it'll be out in the
world.
Song's called Quiet Place.
Artist is called Pisha,P-I-C-H-Y-A.
Everybody should go look her upand listen to her.

(02:58):
She's great.
But I really, really enjoyedmaking that music video.
I think it's where I finally,like I felt really at home as a
director doing it and I wanteddo more of them.
So if you listen to this and youmake music and you want to have
someone make a cool thing withyou, I would love to do it.
Aside from that, been like doingwriting and all the other
general good stuff.

(03:19):
So

SPEAKER_03 (03:20):
is the music video conceptual?
Is it?
Yeah.
Tell me a little about it.

SPEAKER_01 (03:25):
A lot of inspiration came from like late 90s, early
aughts kind of grunge cyberstuff.
I made it.
I made like two different moodboards for her.
And I was like, here's one thatlike kind of this one's like a
little more more vibey and thisone's a little more narrative
and she really gravitatedtowards like the vibes uh

SPEAKER_02 (03:43):
must mention the doug loves movies t-shirt that
just

SPEAKER_01 (03:46):
uh oh yes yeah

SPEAKER_02 (03:47):
bye

SPEAKER_01 (03:48):
my boyfriend eric is a big fan

SPEAKER_02 (03:49):
me

SPEAKER_01 (03:50):
too but uh we basically we did one day of
shooting inside a studio wherewe did my dp chris cuthbert is
phenomenal i couldn't have askedfor anyone better we did a lot
of like really fun light playstuff put her in front of a tv
wall we did some really coolstuff there was at one point
where we were shooting like avideo recorder, like camcorder.

(04:11):
So the footage kind of takes onthat vibe.
Part of the song is about likemoving home.
So I was like, hey, would youmind if I put you in the back of
a U-Haul?
And we like shot out the back ofa U-Haul and we framed different
parts of LA behind you.
And it turned out really cool.
I'm really excited about it.

SPEAKER_03 (04:25):
That's awesome.
Can you say the name of theartist one more time?

SPEAKER_01 (04:28):
It's Picha, P-I-C-H-Y-A.
She's great.
And on Spotify.
And the song that for the musicvideo is called Quiet Place.

SPEAKER_03 (04:38):
Excellent.
She's

SPEAKER_01 (04:39):
awesome.

SPEAKER_03 (04:40):
Ben?
Yeah?
What have you been doing?

SPEAKER_02 (04:43):
What have I been doing or why am I excited?
Which one have we gone withtoday?
I can't talk about it

SPEAKER_03 (04:47):
anymore.
I think we'll go with doingtoday.

SPEAKER_02 (04:49):
Here,

SPEAKER_01 (04:51):
take two of these.

SPEAKER_02 (04:52):
Well, I'm going to talk about why I'm excited.
You?
I'm

SPEAKER_00 (04:57):
going to say

SPEAKER_02 (04:59):
it just like this movie does and subverts your
expectations, right?
Because it's so subversive.

SPEAKER_00 (05:05):
You don't expect anything that's going to happen.
I will.
At any moment.

SPEAKER_02 (05:10):
I think I'm excited these days because we're
wrapping up towards one of myfavorite hobbies in past times,
which is fantasy football.
It's a thing that I quite enjoy.
And this season's already off toa fun start.
And so I have three drafts inthe next three weeks.
And I've been diving intopodcasts, watching Hard Knocks,

(05:33):
you know, doing all the stuff.
The league's been around forabout 16 years.
You know, we've had a lot ofturnover in terms of, uh,
members, but there are some OGsstill around.
And, um, yeah, it's fun to like,just connect with people and
talk shit.
And, uh, you know, most of thegames luck anyway.
So, you know, you can do allthis research and, and it

(05:54):
doesn't fucking matter.
Paul, what are you doing?
What do you got?
What are you excited?
What are you, what are youexcited?
What should I'm

SPEAKER_03 (06:01):
excited about what I've been doing?

SPEAKER_01 (06:03):
Okay.
Hey, I like that.
I can't

SPEAKER_03 (06:07):
make that.
joke.
What I've been doing is huntingfor Criterion.
Is that 50% off?
Just passed us.
And now Arrow Video is 50% off.
We're in the throes of that.
And so, I've been indulging myphysical format media love and

(06:28):
collecting and got Videodrome,Criterion, Arrow.
I got Long Kiss Goodnight for 20bucks, which I was super excited
about.
And the The original threeTeenage Mutant Ninja Turtles

SPEAKER_01 (06:42):
are

SPEAKER_03 (06:43):
being released by Arrow Video.
And I had to snag thatimmediately.
So I'm excited to receive someof these things in the coming
weeks.

SPEAKER_01 (06:55):
May I shamelessly plug one more thing I'm
extremely excited about?
Apologies.
No, please.
I don't know if any of y'all arelike D20 fans or CritRole fans,
but Graham Wentz to...
wanted to start uh and his buddyalex wanted to start a similar
show uh to that where i'll be acast member for the first time

(07:16):
like i'm gonna becongratulations i'm gonna be i'm
gonna be role it's like it'svery like web series it's very
bootstraps we're pulling ittogether but we're all really
excited about it essentiallywe're all in hero rehab because
we've all fucked up in some wayor another on our quest to be
heroes and now we've like goneinto this rehab where we have to
go through different uh we haveto all of our different stories

(07:36):
or campaigns are like us tryingto really reach hero status and
graduate from Herb's Hero Rehab.
In the same way that I feltreally welcomed back into D&D as
a super beginner and I got tohave a lot of fun, I feel like
that's the heart of what theshow is.
It's just making it superaccessible.

SPEAKER_02 (07:51):
If Critical Role wasn't five hours an episode, I
would watch it more.

SPEAKER_01 (07:56):
It's fun being a nerd.

SPEAKER_03 (07:58):
Careful, though.
Those dice could be loaded.
I mean, maybe make sure you getthose dice.
Order them loaded, you know?
I'll

SPEAKER_02 (08:09):
take all the advantage I can get, right?
We need to move on, Paul.

SPEAKER_01 (08:12):
It's true.

SPEAKER_02 (08:14):
We need to move on, because I'm curious.
Melinda, what have you beenwatching?

UNKNOWN (08:19):
What am I watching?
What are we watching?
What are we watching?

SPEAKER_01 (08:34):
have I been watching?
Okay, I started Mad Men for thefirst time.
Oh, nice.
I had never seen it before.
I started it about two monthsago, and we're three episodes
away from being done with thewhole thing.
Wow.
I flew through it.
I can't believe how...
I didn't expect to love it asmuch as I did.
Boy, is it great.
The first couple episodes, I waslike, I feel like these are just

(08:57):
men monologuing at each otherabout ads.
And I wasn't sure how to feelabout it.
I really wanted to see like dondraper lose that was really
important not because i hatedhim just because it felt like he
could do no wrong so it feltreally good when they made him
and i i think it was always theintention but like felt really
good when they made him workcomplicated and wow i'd never

(09:18):
really seen i haven't watchedhandmade still or anything but
like elizabeth moss just crushesit kills it uh i related to
peggy more than i'm willing toadmit like it was really good i
loved it a lot

SPEAKER_03 (09:29):
i really appreciate that you said it took a couple
few episodes to like really getinto it it took me seven or
eight episodes to get into thatshow that is the show i always
point out that i felt like thegrind was worth it

SPEAKER_01 (09:42):
to be honest peggy was my entry like my access
point like when she had all theanyone listening should watch it
so i'm not gonna like spoil itlike her journey in season one i
think mad men is more about thewomen than it is about the men
and so like it's interesting tolike figure that out as you go
through season one and i latchedon to peggy real quick which
made don more tolerable but realgreat so yeah but watching that

(10:04):
and I also did a notback-to-back but day in the next
day went to go see the naked gunand then weapons the other oh my
god what what great movies I'mso like that made me really
excited I'm like oh it feelslike a really fun comedies are
kind of like back in businesswhich felt really cool and then
I don't think Zach Greger canweapons interesting

SPEAKER_03 (10:30):
that these are directors that come from sketch
comedy comedy backgrounds andwe're talking about a movie that
is from a sketch comedy seriesthat's interesting to me because
i'm a weirdo ben yeah you'vebeen watching

SPEAKER_02 (10:46):
that video i saw jurassic park at the la
philharmonic at the hollywoodbowl with the live with dude
doing the conducting it was sofucking cool and i love that
movie paul was thinking abouthow during our last crusade
episode we were saying likethere's never a time that i
would be at There's never a timeI'd be upset to watch Jurassic

(11:07):
Park.
It is a movie that isrewatchable constantly.
Even after we watched it at theHollywood Bowl the next day, I
could put it on again.

SPEAKER_03 (11:16):
Two five-star movies.

SPEAKER_02 (11:17):
Yeah.
And watching it with the liveorchestra was so cool because at
times I'd forget that that waslive.
And I always think that's soimpressive timing-wise.
Yeah, they're syncing up withthe movie track.
And also, there were other timeswhere I was really tuned in
because you would hearinstruments that maybe in the
mix or whatever of a blu-ray oreven a streaming it wouldn't be

(11:38):
as prominent but you'd hear itlive in a way that like hit
differently and the way thatwilliams kind of like uses his
themes i think we can all agreethat that's probably one of the
best movie theme tracks like interms of creating a theme ever
it's

SPEAKER_03 (11:56):
so iconic yeah it just feels like sorry okay

SPEAKER_02 (12:02):
sorry universal reach out

SPEAKER_03 (12:04):
Yeah, literally reached out into my space just
now.
Okay, we're done.
All right.
Sorry,

SPEAKER_02 (12:11):
Ben, go on.
This episode is brought to youby Cease and Desist.
Cease and Desist.
You want one, you know?

SPEAKER_03 (12:17):
Don't do that.

SPEAKER_02 (12:18):
Don't do that.

SPEAKER_03 (12:19):
Don't do that.
Oh,

SPEAKER_02 (12:22):
don't

SPEAKER_03 (12:22):
do it.

SPEAKER_02 (12:22):
And then I started Alien Earth on FX, the new Noah
Hawley Alien series.
We just watched one episode, butI quite liked it.
That's me.

SPEAKER_03 (12:33):
Wow.
Wow.
What I've been watching, I couldgo over several of the things
that y'all just said even.
So look at us go.
But I am planning to tell youthat I'm re-watching Portlandia.

SPEAKER_01 (12:44):
Woo! Being

SPEAKER_03 (12:46):
so many years removed and also never having
finished it, I was like, oh,this is way more seasons than I
realized.
It's just a very strange,nostalgic journey.

SPEAKER_01 (13:01):
So go back to the club.

SPEAKER_03 (13:02):
Portland has always been such a way in my entire
life.
I mean, I'm 77.
I have a broken ass andeverything.
But the things that have alwaysexisted in terms of Portland and
the way it's kind of beenpopulated in the energy of it
and whatnot I remember having adiscussion with a prominent

(13:26):
actor told me they were veryupset about their property value
in Portland because it hadbecome something that it
shouldn't be and it was like ohbut you're just talking about
Portland alright whatever butit's such a funny show So that I

(13:47):
didn't expect to be so kind oftimeless for me, partially
because I'm from here.
And there were things that Ikind of took personally at a
time, again, like where it'slike, don't be talking about
Portland like that.
And now I watch it.
I'm like, yeah, wow.
So on the nose.
And I also rewatched recently,The Whitest Kids You Know.
I rewatched recently, like, whatother sketch comedy did I

(14:11):
rewatch?
The State.
So like, I've been on this runof this stuff, but like
recently.
portlandia and it just scratchesan itch that i almost didn't
even realize that i had sothat's been kind of cool

SPEAKER_01 (14:22):
for sure kyle mclaughlin is the mayor

SPEAKER_03 (14:25):
can kyle mclaughlin recurring as the mayor winery
the event of vintner he's a canyou name his winery

SPEAKER_01 (14:33):
pursued by bear

SPEAKER_03 (14:34):
yeah

SPEAKER_01 (14:36):
it's no i've had a bottle it's delicious

SPEAKER_03 (14:39):
yeah that was a good job that was very quick like
well

SPEAKER_02 (14:41):
and he named it after his time as a performer in
ashland because he was an actorin Ashland early in his career

SPEAKER_03 (14:48):
at most shakes at shakes yeah yeah well we've
talked about what we've beendoing and why we're excited
about what we've been doing orwhy we've been doing what we're
excited about and we've beentalking about what we've been
watching Ben let's talk aboutthe movie

SPEAKER_02 (15:05):
you need some facts on that burger

SPEAKER_00 (15:08):
Theology is the search for fact.

SPEAKER_03 (15:14):
Yeah.
Just don't give me the audiowith the facts.
I don't need the audio of theburger being built and
deconstructed.
I don't need it at all,Nickelodeon.
I know you think I need splat,glop, moist, glub, stink.
I don't need it.
Well,

SPEAKER_02 (15:30):
we're also doing Double Dare in the back, so...

SPEAKER_03 (15:33):
Yeah.
I'm out.
You get slimed with your burger.
I'm out of here.
I have to go.
have no interest in doingsomething dangerous that is
dangerous

SPEAKER_02 (15:41):
no dangerous it's just slime we're doing good
burger that pink

SPEAKER_03 (15:44):
sauce is dangerous

SPEAKER_02 (15:46):
i can't do that the entire time good burger was
brought to you by nickelodeon uhthe opening nickelodeon i had a
lot of uh nostalgia feels fornickel i i grew up just loving
nickelodeon it was oh

SPEAKER_03 (15:57):
same

SPEAKER_02 (15:58):
prime yeah

SPEAKER_03 (15:59):
rugrats and real monsters and double dares you
said

SPEAKER_02 (16:02):
yeah nickelodeon tall tolan robbins paramount
sure rated PG, not G.

SPEAKER_01 (16:11):
We got ass in there, that's why.
We got Abe Vigoda's characterthroughout next.
Couple asses.
Couple

SPEAKER_03 (16:18):
asses?
Couple of ways of how you get EdSauce that are explained

SPEAKER_02 (16:22):
graphically.
Abe Vigoda had to do this.
This is from 1997.
A genius?
It is an hour and 35 minutes,which I can tell you is a
straight up lie because it wasclearly two and a half hours.

SPEAKER_03 (16:35):
Correct! No! This was the longest episode of all
that.
This was a director's cut ofbrunch special or whatever.
Yeah, this is nuts.

SPEAKER_02 (16:48):
The budget of this movie is$9 million, which
adjusted is$18 million.
They spend more money on TVshows, single episodes.

SPEAKER_03 (16:57):
Yeah, the glue budget on this was crazy.

SPEAKER_02 (16:59):
And the foam budget.
Foam.
They're like, do we have anythings that look like meat?
I got all this foam and garbagebags great

SPEAKER_03 (17:10):
can you just staple it to that kid's costume at the
end no problem

SPEAKER_01 (17:14):
can you let it melt for a little bit can you like
make it look as humanly possiblethat'd be great

SPEAKER_03 (17:19):
normally we just tape a bunch of cats together

SPEAKER_02 (17:21):
opening weekend was july 25th bullish yeah 1997 uh
it made seven million dollars uhadjusted that's 14.16 final
gross north america 23.7 whichis 47.7 adjusted final gross
worldwide same i mean kids aredumb yeah yeah kids are dumb

(17:44):
other releases this weekend airforce one i didn't do anything i
don't care get off

SPEAKER_01 (17:51):
my get off my burger get off my wife

SPEAKER_02 (17:55):
i didn't do anything get out of my burger no uh get
out of my uh milkshake

SPEAKER_03 (18:02):
milkshake machine yeah my flying milkshake machine
to the sun you

SPEAKER_02 (18:08):
Weekend top five, Air Force One, Georgia the
Jungle,

SPEAKER_03 (18:13):
Men

SPEAKER_02 (18:14):
in Black.
Go ahead, Paul.
Contact.
Oh, I was going to have you doyour quote from Men in Black
that you always do.

SPEAKER_03 (18:21):
Which one?
Whoopsie.
I do that?
Edgar.
Oh, you mean in private?
I thought you meant on this.
I was like, oh, I felt like areal Edgar.
Edgar, the skin is hanging offyour balls.

SPEAKER_02 (18:36):
That's good.
Thank you.
Contact and this movie.
Other films from 1997.
Masterminds, Free Willy, Three,The Rescue.
You mean three

SPEAKER_01 (18:45):
of those?
They made a third one.

UNKNOWN (18:46):
it's

SPEAKER_02 (18:47):
I feel like they made a lot of them.
They were all straight to D orstraight to VHS at this point.

SPEAKER_03 (18:53):
Talk about bleak

SPEAKER_02 (18:54):
gang related Cole, the conqueror Uli's gold, the
postman Evita

SPEAKER_03 (19:01):
weird list, but

SPEAKER_02 (19:02):
box average 3.2.
If you're not on letterbox, it'swhere we get our five star
rating system.
You can follow me on letterboxat run BMC.

SPEAKER_03 (19:12):
You can follow myself on letterbox at Paul acts
badly.
Melinda Do you have aLetterboxd?

SPEAKER_01 (19:19):
You know, every time I'm on, you ask me that question
and I go, you know, I reallyshould start Letterboxd.
But now that I'm like activelykind of flying through movies, I
really should.
I don't have one yet.
But if I get one, I'll let youknow.

SPEAKER_03 (19:30):
Our main goal apparently is to get more people
to use Letterboxd and Letterboxdis like, we don't care.
Yeah.
We don't care that you're doingthat.
Have a good day or a bad.
We don't care.

SPEAKER_02 (19:42):
We don't.
Have a good burger.
You know, who knows?
Cease and desist, please.
Cease and desist.
Please stop mentioning us onyour podcast.
Taking a sip of my coffee.

SPEAKER_03 (19:55):
We're also about to get a cease and desist from the
estates of Siskel and Ebert.

SPEAKER_02 (20:01):
because they were two thumbs way down on this
movie.
Rotten Tomatoes score 33%,33.3333.
Popcorn Meter is a meager 63%.
Metacritic 41, 7.4 user.
Major awards and wins andnominations.

(20:21):
Not even a Nickelodeon.

SPEAKER_01 (20:23):
Not even a kid's choice?

SPEAKER_02 (20:24):
Globie or whatever they call

SPEAKER_03 (20:25):
them.

SPEAKER_01 (20:25):
They

SPEAKER_03 (20:25):
didn't even keep that at home.
They didn't even keep it in thecircle.
What did they call those?
oh the blint yeah yeah

SPEAKER_02 (20:34):
that's right didn't they do a broadcast yeah they
did an NFL broadcast onNickelodeon

SPEAKER_03 (20:39):
and it's dangerously yeah that was weird CG imposed
over yeah slime they slimedpeople and people say we don't
need AI people are fucking dumbthe director of this movie kids
are dumb kids are dumb cease anddesist with that joke think of
the children director of thisfilm is Brian Robbins meet Dave

(21:00):
Norbit the perfect score writersHeath Seifert mostly Nickelodeon
TV you don't say and KevinCoppola mostly Nickelodeon TV
also Dan Schneider big fat liarthat's the name of the movie

SPEAKER_02 (21:18):
you know what's funny as I was watching this
movie I was thinking very I wasthinking a lot about big fat
liar because I was just like isthis what passed as
entertainment in 1997 and I wasthinking about Big Fat Liar a
lot.

SPEAKER_03 (21:34):
Is that what passed for entertainment in 2002?
I

SPEAKER_02 (21:39):
mean,

SPEAKER_03 (21:39):
that Frankie Muniz, Paul Giamatti vehicle?
The Paul Giamatti vehicle?

SPEAKER_02 (21:46):
And if you go on the Universal Backloft tour, they
still show clips from thatbecause of the flood section.
They use that in Big Fat Liar.
And I'm like, are we stillreferencing this movie?
Anyway.

SPEAKER_03 (21:56):
I mean, we are.
Director of photography of thisfilm was Matt Jack Allberg, RIP,
From Beyond, Robot Jocks,Striking Distance.
Has anyone seen StrikingDistance with Bruce Willis?

SPEAKER_01 (22:09):
Negative.

SPEAKER_03 (22:10):
If you are into unnecessarily heightened
thrillers that have a verykinetic 90s energy but look like
a giallo movie, I'm just goingto try to break this down the
best I can.
Imagine the guy who directedRoadhouse was like, I could do a
giallo movie starring BruceWillis set on the water in New
Jersey.

SPEAKER_01 (22:29):
Great.

SPEAKER_03 (22:30):
It's great fun music Stuart Copeland yes that's
Stuart Copeland from the policerumblefish she's all that fresh
producers Brian Robbins coachCarter Mike Tolan radio Keenan
Thompson played Dexter snakes ona plane bros they came together

(22:53):
I think you just went into thebathroom you shit in your suit
you took it off then you took ashower and then you just left
your your suit sitting therefilled with shit i don't know if
anyone understands

SPEAKER_02 (23:05):
i did not understand what you're talking about

SPEAKER_03 (23:06):
that is keenan thompson to a dead serious
deadpan and this is why thatmovie works so well it's got a
naked gun thing about it whereeveryone approaches everything
so seriously and christophermaloney being like i think
someone else went in there wheni went and took my costume to
take a shower and they pooped inthe costume because it wasn't me

(23:29):
i have to leave this party youhave to cut all that too
probably including ken kelmitchell dell the adventures of
rocky and bullwinkle no that'scompletely wrong kel mitchell
was ed the adventures of rockyand bullwinkle good burger two

(23:52):
mystery men listen to ourmystery men

SPEAKER_01 (23:54):
episode where did you get fantastic movie

SPEAKER_03 (23:56):
i don't know i probably didn't you didn't
delete something from the lastLast one.
I'm so mad at you.

SPEAKER_02 (24:03):
Sinbad.
This is just a template that youuse?

SPEAKER_03 (24:06):
Look, you as an adult, this is your fault that
my summer is ruined.
I stole my mom's car and wasdriving it around perfectly,
stuntily, precisely, and youtried to get in my way by making
me accountable, and it's yourfault.

(24:26):
Sinbad was Mr.
Wheat.
Houseguest Jingle all the way.
Put

SPEAKER_02 (24:32):
the cookie

SPEAKER_03 (24:37):
down! It will happen, Ben.
It will.
We will manifest it.

SPEAKER_02 (24:43):
Holidays are coming, Paul.
It's true.

SPEAKER_03 (24:46):
And The Meteor Man, a movie that came out on August
6th, the worst day in history.
Abe Vigoda, R.I.P.
Otis, The Godfather, North...
Look who's talking.
What was Chris Olds's?
Oh, right.
The adults are conversing.
His was funny.

(25:10):
Char Jackson was Monique.
Reboot camp, toxic, love andbasketball.
Dan Schneider played Mr.
Bailey, the head of the classfrom television.
I watched that.
Did anybody watch that?
I want to say Billy Connolly dida season Maybe more.
Sir Billy Connolly.

(25:31):
Jan Schwiderman was Kurt.
Fallen Arches, Warlock 3, Alongthe Way.
Ron Lester, R.I.P.
was Spatch.
Not Another Teen Movie, VarsityBlues, Racing Legacy.
Josh Server was Fi...
Fizz, Await the Dawn uploadedThe Final Rose.

(25:54):
Was that the prequel to TheBachelor?
I think that's a fair question.
Yeah.
It sounds fun, though.

SPEAKER_01 (26:02):
Yeah.
And Josh was, I think Josh wasthe only cast member to last all
six seasons of all that.

SPEAKER_00 (26:08):
Oh, that's a fun fact.
Fun facts, fun facts, everybody.
It's fun fact time.
You have more of those.
Because

SPEAKER_01 (26:16):
I went down a little bit of a Josh rabbit hole once I
saw it.
I saw him in there.
So, so many people are in thismovie.
There's Linda Cardellini, whowas in Mad Men also.
What a weird tie-in in laterseasons.
I do

SPEAKER_02 (26:28):
love Linda Cardellini.

SPEAKER_01 (26:29):
Same.
Shaq's in this movie.
Carmen Electra's in this movie.
Marcuse Houston, who's stillmaking music.
Robert Wool and George Clinton,who is super funky.

SPEAKER_03 (26:40):
Why is Shaq surrounded by football players,
by the way?
Clearly, those are footballplayers.

SPEAKER_01 (26:47):
To make him as tall as humanly possible.
I

SPEAKER_02 (26:49):
guess.
Yeah, that's a good point.
Why is George Clooney in theinsane asylum?

SPEAKER_01 (26:55):
Why did we go to an insane asylum?
Because

SPEAKER_03 (26:58):
Ghostbusters did.
That made money.

SPEAKER_01 (27:00):
Kids like that.
Kids are dumb.
The idea from this movie, whatinspired this money or movie,
was a sketch from Nickelodeon'sAll That.
This also came out a year afterKenan and Kel premiered, which
probably also kind of, it was away to kind of capitalize on

(27:22):
them being big stars.
For stuff on screen, in order tokeep the food looking good,
Elmer's spray glue was used toseal and preserve edibles.
Any ice cream used was actuallyvegetable shortening with food
coloring, as real ice creamwould have melted under those
studio lights.
Looks foul.
All of it.

SPEAKER_03 (27:41):
All of it looks

SPEAKER_01 (27:42):
terrible.
Horrendous.
I

SPEAKER_03 (27:44):
never want to eat again.

SPEAKER_01 (27:47):
Made me consider being a vegetarian for a hot
minute, truly.

SPEAKER_03 (27:51):
You can eat the ice cream.
Everything is foam andshortening.
I don't feel good.

SPEAKER_01 (27:58):
When Kenan Thompson was talking about filming, he
said that there would bevirtually 2,000 pounds of meat
on set, some of which had grownold.
He said it was so nasty, some ofthose burgers would stay out
there for a long time.
I felt sorry for the extras whohad to eat them with those cold,
clammy fries.
But on screen, those burgerslook good.
What's up

SPEAKER_03 (28:16):
with that?

SPEAKER_02 (28:17):
What's up with that?
What's What's up with that?
What's up with that?

SPEAKER_03 (28:22):
Oh, I like that.
That's a good thing, Ben.
I like

SPEAKER_01 (28:27):
that.
And it would not go withoutsaying that we can't talk about
a Dan Schneider film withoutkind of talking about Dan
Schneider.
Gotta mention the explosivedocumentary Quiet on Set, where
it discussed his allegedbehavior at Nickelodeon.
He responded by apologizing, butdenied other allegations
regarding the sexualization ofchildren in his past
productions.
Filed a lawsuit against WarnerBrothers, Sony picks and the

(28:50):
series directors claiming thatthe docuseries defamed him by
falsely implying that hesexually abused child actors he
worked with.
In a statement, he acknowledgedthat he made mistakes and poor
judgment during his time atNickelodeon and expressed that
reactions to the series left himno choice but to take legal
action against the people behindit.
Again, that's Dan Schneider ofBig Fat.

SPEAKER_03 (29:14):
Oh, well.
No, he did write that.
That's

SPEAKER_01 (29:19):
a fact.
He wrote that.
Listen, if we promote anythingtoday, go watch Quiet on Set.
It's not an easy watch by anymeans, but it should be seen.

SPEAKER_03 (29:28):
Oh, boy.
Yeah, it is not easy at all.

SPEAKER_01 (29:33):
Yeah, that's the other thing.
There's so much more to it.
I would like to say that we'vegotten better since then, but
like, you know.

SPEAKER_02 (29:42):
Yeah.

SPEAKER_03 (29:44):
I am certain that we will all say and or note at
different times, things in thismovie that are like, what the
fuck is going on?
Yeah.
Like, like some of this movie isfucking weird.

SPEAKER_02 (30:00):
I mean, in line though, with quiet on the set, I
think we should just all say,you know, I mean, release the
Epstein Epstein list, right?
Like

SPEAKER_03 (30:07):
what the fuck?
Yes, yes, yes, yes.
Cause maybe whoopsie is onthere.
Who knows?
I just like to read.
That's all.

SPEAKER_01 (30:16):
I just like reading.
I just

SPEAKER_03 (30:18):
like reading.

SPEAKER_01 (30:19):
I need material.
I feel like he's just copypasted.
You know what I mean?
There's just a spreadsheet, justmultiple.

SPEAKER_03 (30:26):
From the definite nonfiction too.
That's where I really like toread from.
Ben, do you want me to do it?

SPEAKER_02 (30:34):
You always make me do it.
I can do it.

SPEAKER_03 (30:37):
Yeah.
Okay.

SPEAKER_02 (30:39):
Yeah.
You've been on this podcastbefore, so you know we do this.
What is, what would What do youthink, if you were to create it
out of thin air, what's thelogline of this movie?
Give us a one to two to threesentence description of this
movie like you're pitching it onan elevator.

SPEAKER_01 (30:55):
A failed attempt at Friday for Children.

SPEAKER_03 (30:58):
That's pretty solid.
Yeah, I mean...
Smokey's back here taking a shitand eating a Mondo burger.

SPEAKER_02 (31:09):
If people heard me, I was shuffling because I'm
getting ready for our...
we're going to do after ourbreak, but we do have to break.
We received a cease and desistand said we must take a break.

SPEAKER_03 (31:21):
Can you tell them the logline right now?

SPEAKER_02 (31:25):
The actual logline, Linda, is a dim-witted teenager
and his new co-worker try tosave the old burger joint they
worked for from failing afterthe opening of a brand new
burger restaurant across thestreet, which is planning to put
them out of business.
That gives this movie way toomuch credit.

SPEAKER_03 (31:41):
It's like you're playing dodgeball here, trying
to dodge a bullet or whatever.
You ever done anythingdangerous?

SPEAKER_02 (31:46):
Yeah.
I mean,

SPEAKER_03 (31:48):
yeah.
Cease and desist that joke.
Okay, we will be back in amoment.
That is dangerous.
Ben, Melinda, I have great news.

(32:08):
We were granted an injunction tofinish this episode.
Was it a lower court,

SPEAKER_02 (32:15):
a lower judge?

SPEAKER_03 (32:16):
Yes.
And we are going to be able tokeep this episode going within
the framework of the GoodBurger.
That's the order.

SPEAKER_02 (32:26):
Okay.

SPEAKER_03 (32:27):
Okay.

SPEAKER_01 (32:29):
Exciting news.

SPEAKER_03 (32:30):
Before that, though.

SPEAKER_02 (32:32):
Well, we have to play Cinephile, Melinda.
Did we play this when you werehere last?

SPEAKER_03 (32:37):
We did on Iron Giant for certain we did.

SPEAKER_01 (32:40):
Listen, we were having Twinkies that day.
What happened that day?

SPEAKER_03 (32:45):
Turbo injected fuel explosion Allison transmission
Twinkies.

SPEAKER_02 (32:50):
That's true.
Those things were

SPEAKER_03 (32:51):
nuts.

SPEAKER_01 (32:52):
I still don't think anyone has looked at me the way
that the checkout clerk lookedat me when I bought nothing but
Twinkies and a full ass bottleof whipped cream.
I was like, I don't listen.
Don't worry about

SPEAKER_02 (33:04):
it.
Except for the checkout clerk inweapons who watched it kid by
48.

SPEAKER_01 (33:08):
So many cans of soup!

SPEAKER_02 (33:10):
Every day.

SPEAKER_03 (33:11):
Kid, are you...
Do you have a job at a shelteror does your parent or
guardian...

SPEAKER_02 (33:18):
Get a job, sir.
So I'm going to flip thesecards.
On this card is an actor.
You will...
I'm going to show it to thecamera.
You're going to say who thatactor is and what movie is also
on the card.
Paul will then have to name amovie that actor's in.
I have to name a movie thatactor's in.
You have to name a movie thatactor's in.
and go around the horn until oneof us messes up.

SPEAKER_01 (33:40):
I need you to understand that I will fail at
this immediately.
That's probably why I don'tremember this because I mentally
blocked it.
Well,

SPEAKER_02 (33:46):
that's why you get the freebie movie and then Paul
and I still have to name one.
So sometimes Paul and I screw upbefore it comes back around to
you.

SPEAKER_03 (33:53):
That's

SPEAKER_01 (33:53):
fair.
We

SPEAKER_02 (33:54):
keep

SPEAKER_03 (33:55):
things fair in this court, counselor.
That's why we've been allowed tocontinue.

SPEAKER_02 (34:00):
Let me know when

SPEAKER_03 (34:01):
to stop.

SPEAKER_01 (34:02):
Stop.
Oh, okay.
It's Laura Dern, Wild at Heart.

SPEAKER_02 (34:07):
Well, I think...
Have we done Laura Dern?

SPEAKER_03 (34:10):
I'm almost certain we maybe have, but my response
is Jurassic Park.

SPEAKER_02 (34:16):
That's a good response.
I'm going to say Jurassic Park3.

UNKNOWN (34:22):
Uh...

SPEAKER_01 (34:22):
Twin Peaks Firewalk with me?
Question mark?

SPEAKER_02 (34:26):
I think so, as Diane.
Oh, I think you're right.
I think you're right.

SPEAKER_03 (34:34):
I'll say Inland Empire.

SPEAKER_02 (34:35):
I'll say Jurassic World Dominion.

SPEAKER_01 (34:41):
I'm riding the lynch train.
She was in Blue Velvet, too.

SPEAKER_02 (34:45):
Yep,

SPEAKER_03 (34:46):
for sure she was.
That was the next one I had, andnow I am jammed.
What kind of jam?
Raspberry.
Only Lone Star uses raspberry.

SPEAKER_02 (35:00):
I need you to get unjammed, Paul.
I need you to talk about...
I need you to get sauced.
I need you to not have a jam.
I need you to have some sauce inthis.

SPEAKER_03 (35:10):
Are we sure that's not just raspberry jam?
I guess it's just glue with redfood coloring.
It's slime,

SPEAKER_02 (35:16):
man.
Literally, they're doing doubledare behind this thing, and they
just took the green slime andput some red food coloring in
it.
Oh,

SPEAKER_03 (35:22):
gross.
Okay, gross.
All right.
It's just recycling slime.
Oh, yeah, that sounds gross.
And they didn't get a cease anddesist because they're a big
corporation.

SPEAKER_01 (35:32):
That sounds like Paul doesn't have an answer.

SPEAKER_03 (35:36):
Oh, yeah, I've been jammed up for a while.
So my first experience with GoodBurger.
I know I've seen this before.
it was on cable

SPEAKER_02 (35:45):
it was on Nickelodeon to be exact

SPEAKER_03 (35:47):
I was young it may have been Nickelodeon I watched
it and walked away that was it Ihave not seen it ever again I
guess I would have rated it atwo and a half because it was
something that I had seen anddidn't have a desire to watch
again or watch the sequel andsometimes there are things that

(36:10):
I hold on to that will rewatcheveryone that listens to this
knows I'm a rewatcher forcertain.
Watching this today was...
a continuation of starting itlast night.
Cause I started it in theevening last night and got to
about the 35 minute mark andpaused it and was like, Oh fuck

(36:32):
that.
And went to bed.
I finished it this morning andI'm, I'm sorry, kid.
I'm 77 and I'm, I got a brokenass and I'm not super cool.
Maybe I just don't get this.
The movie feels a little moremean.
Then...

(36:53):
I think it needs to, it doesn'tfeel like a naked gun, but it
feels like it wants to be that.
And I think with naked gun whereit's like authority figures and
bad guys exist in a differentworld and everybody else exists
in this fun world.
And in this movie, I get theidea that it's like, Oh, the
real world should be, or kind ofis the way that Ed sees it.

(37:18):
And everyone else is the weirdperson or what?
And it's like, sometimes the,And I think they're trying to, I
don't think this movie is tryingto say anything, but the
character comes off as likesomeone who may be on the
spectrum and it's just likeinsanely kind and not worried
about putting themselves firstin any situation or anything

(37:38):
like that.
But at times he seems insanely,insanely smart.
And then it's sometimes it'slike, do you know how to take a
piss?
I know some of those words.
And a lot of those wordplayjokes that work in the naked gun
universe are, that this movietries to do don't really work.
And also this world makes mewant to barf.

(38:00):
I don't want to eat or drinkanything again in my life.
I don't want to hear anythingagain in my life.
I certainly don't want to hearpeople fucking eating again in
my life.
So the edit of this is I'mreminded of this feeling is also
going to be painful, but thereare some fun things about the
movie.
I will admit.
I like the first few minutes,one and a half broken asses.

SPEAKER_01 (38:23):
okay

SPEAKER_02 (38:25):
i remember very clearly the first time i watched
this movie because i rented itwhen i was staying at my
grandparents house in kingstonwashington

SPEAKER_03 (38:33):
probably blockbuster next to the good burger

SPEAKER_02 (38:36):
they didn't have a blockbuster in kingston it's too
tiny of a town it was like uh

SPEAKER_01 (38:41):
i think or something

SPEAKER_02 (38:42):
no you like rented from the grocery store yeah back
in the day so the thrift way inkingston and i remember watching
it on their giant box tv in thefront room not the living room,
the front room.
And I remember enjoying it now,full disclosure.
I loved all that.
And Keenan and Cal was a, I wasa big fan of Keenan and Cal as

(39:03):
well.
And I was a pretty dumb kid.
So like I enjoyed it.
And I remember coming away fromit and probably would have given
it four again, entertainingenough.
I was 11 when this movie cameout.
So still pretty dumb.
And then, uh, I've probably,I've know that i've referenced

(39:24):
this movie before you knowespecially quoted the welcome to
good burger home with a goodburger now remember this sketch
was not a very there wasn't muchgoing on in this sketch the
sketch was just people walkingup to a counter and ordering and
then like encountering dumbpeople

SPEAKER_03 (39:43):
yeah yeah and it was the it was like you open the
package and it's the same thingevery time yeah like it's it
feels like this troll and thenthe movie tries to to make it
much bigger than just like thistroll or this kid that is so
dumb.
All the kids in Springfield

SPEAKER_02 (39:59):
are so big.
Watching it yesterday, it'sfunny because it's like I
frequently will, I don't havekids or anything, but sometimes
I'll see something like that mynephews or friends' kids are
watching and I'm just like, God,this is so stupid.
And my thought will be like,God, I didn't watch dumb stuff
when I was a kid.
And to some degree it was like,yeah, I watched Teenage Mutant
Turtles, the cartoon, which wasawesome.

(40:21):
There were cool things.
And in watching this last nightor two nights ago whenever i
watched it i just kept thinkingabout how stupid it is how did i
find this entertaining and itmade me think is it just easier
to make content dumb content forkids because the good content
for kids you know usually peoplewill say like oh that's a good

(40:44):
one that's a good like peoplethese days bluey bluey's a good
one right and

SPEAKER_03 (40:48):
it's like

SPEAKER_02 (40:49):
and that's what i hear i hear bluey's great
because it's not playing to thelow is common denominator.

SPEAKER_03 (40:54):
We've talked about this with Melinda on this
program.
Making kids programming anddoing it well is very difficult.
And it does feel like I agreewith you, Ben, that this all
feels like extremely low hangingfruit jokes.

SPEAKER_02 (41:14):
Yeah, except the fruit is very fake looking and
sprayed with glue.
My rating after watching it acouple nights ago is we're at
two enhanced meats.
Two enhanced meats.

SPEAKER_03 (41:30):
I would let my 10-year-old fake child that
doesn't exist watch HappyGilmore before this movie.

SPEAKER_02 (41:40):
Full disclosure, right after this movie ended, I
started Good Burger 2 onParamount.

SPEAKER_00 (41:44):
Really?

SPEAKER_02 (41:45):
Out of sick curiosity, because I was just
like, I have to know what toneand what sort of...
I had to know how do youtranslate this...
1997, very Nickelodeon tone,which was a different beast at
that time.
How do you put that into when2023?
And I, so I was like, I have tosee this.
I have to know what they did.
And I saw Pete Davidson, RobGronkowski, and like someone

(42:08):
else went off the patent.
Like, what are we doing?

SPEAKER_03 (42:11):
Like happy Gilmore too.
It's a lot of cameos.
Okay.
Did you finish it?
Or did you see, I watched like20 minutes of it.
You see, okay.
There's a season.

UNKNOWN (42:23):
Okay.

SPEAKER_01 (42:23):
melinda

SPEAKER_02 (42:25):
you brought us this movie i'm sorry we just i'm

SPEAKER_01 (42:27):
so sorry i brought

SPEAKER_02 (42:29):
you this

SPEAKER_01 (42:30):
movie no no yeah i think it's i listen i brought
you iron giant last time i hadto go directly to the other end
of the spectrum we couldn't talkabout guns today we had to do
something else i distinctly okayi distinctly remember watching
this movie i also think i rentedit it was like an orange tape of
much like other yeah oh yeahorange tape the only moment from

(42:55):
this movie that i really reallyremembered and i have not seen
it since like i saw it as a kidwas uh ed putting the grapes up
his nose and doing the blubitysong because all it made

SPEAKER_00 (43:06):
and

SPEAKER_01 (43:08):
and all it made me think of is what it means to
translate okay what it means totranslate a thing for adults to
make it for kids i.e like uh allthat was like snl for kids right
um i feel like I don't know ifthis is actually for well it's
for kids it's weird and strangeand we probably saw it before we

(43:29):
should have I was a big spaceghost fan so when like that
feels like what late like aweird version of late night for
kids or like that's your gatewayentry into like watching Beavis
and Butthead or something likethat

SPEAKER_02 (43:42):
in the same vein Ren and Stimpy was on this network
and it was like very Mike Judgecoded

SPEAKER_03 (43:49):
yes yeah I wonder if I watched this movie when i was
young and i saw it as some sortof shining example for summit
something and it's part of thereason i became an asshole for
so long i don't it could be anorigin story for me it's hard to
say

SPEAKER_01 (44:06):
it does feel it feels much like the insane mondo
patties of the enhanced or thisweird amalgamation or there's
this thing added to it thatmakes it this like fucked up
version of it it doesn'ttranslate well it feels like
they took elements of likefriday and elements of sketch
comedy shows and elements of TheNaked Gun and squished them all

(44:30):
together and then tried to addthe Nickelodeon droplet to it to
be like, oh, we'll make it forkids.
The Blorp.
The Blorp.
That's what messed it up in away.
There are some genuine momentsthat I thought were really
funny.
There's

SPEAKER_02 (44:46):
funny jokes, for sure.

SPEAKER_01 (44:48):
I think I'm going to start quoting Pushing Buttons
and Hanging Out as just a thing.
It's like, Oh, wow.

SPEAKER_03 (44:54):
I can't believe I snickered at that just

SPEAKER_02 (44:56):
now.
I genuinely laughed and waslike, uh, is it because I'm
black?
I genuinely laughed and he waslike, no, I'm, anyway, and just
keeps going.

SPEAKER_01 (45:03):
Don't worry about it.
Yeah, yeah.
The ending where he goes throughthe whole justice system thing
was also very funny.
The I know some of these wordswas funny.
Like, there were moments where Iwas like, fantastic.
But it's also, there's other,you're right that there's other
better stuff during this timethat like you could have
watched.
I just distinctly rememberfinding moments of it much
funnier when I was a kid.

(45:23):
Also, they drive a sandwicharound and it made me think of
the Spongebob movie where youdon't need a license to drive a
sandwich.
Why not?
I'll say coming off of it, myfirst time watching it, it's
been eons, like three out offive shark poisons, you know?
Okay.

SPEAKER_02 (45:41):
You just watched it, same?

SPEAKER_01 (45:43):
Having just watched it now, I think it is impossible
to ignore the context of whichthis, like in which this movie
was probably made.
And also, like you said, I thinkthere's better stuff going on
that I would probably introducea kid to during this time.
It's kind of like you said, Iwould rather have my kid watch
Space Coast or watch somethingway more ridiculous.

SPEAKER_03 (46:03):
Space Balls, a movie we just referenced.
There's so many things.

SPEAKER_01 (46:08):
I think I would take it down to two shark poisons at
this point.

SPEAKER_02 (46:12):
It somehow feels like it's for kids and also
inappropriate.

SPEAKER_01 (46:18):
But also not inappropriate enough.
Again, knowing the context makesit more inappropriate but if you
would watch it not knowing likethe allegations around it I
think you'd be like oh this istrying to do something but it
feels like it got noted

SPEAKER_03 (46:31):
there are a couple things watching this movie doing
my best to remove that from itconsidering this is all alleged
on one person's one party's endbut trying to remove that piece
from the context there are acouple specific things where I'm
like this feels like an adultdoing a thing that they think is

(46:51):
like very funny and like gettingaway with something and it's
bizarre.

SPEAKER_01 (46:55):
Yeah.

SPEAKER_02 (46:56):
I know that we should probably start the movie
because...

SPEAKER_00 (46:59):
Start the movie! Start the movie! Start the
movie!

SPEAKER_03 (47:07):
And now, our feature presentation.

SPEAKER_02 (47:11):
This is a television show.

SPEAKER_03 (47:14):
I am grossed out.
The very first part of themovie, the audio of the burger
being constructed anddeconstructed.
And I'm sure this is aNickelodeon movie.
That's probably the goal of themovie.
But the movie immediately isvery quick about being like,
there will essentially be littleto no lessons and it's going to
be gross.
And I do get a few laughs in thefirst few minutes, but that

(47:37):
burger, we've been saying realwords, but it's also like stonk,
Those are the sounds I'm hearingin my head as that burger, and I
hate it.

SPEAKER_01 (47:48):
I would like to make a petition to bring back eye
sound effects, though.

SPEAKER_03 (47:52):
The wink, wink, wink, or the squishy, poppy kind
of, oh.

SPEAKER_01 (47:57):
Give it to me.
I want it.
I want more.
We should be using it.
I want a Christopher Nolan filmwith eye sound effects.
Do it.
Do it, you coward.

SPEAKER_02 (48:05):
I have a question, important question.
What is a good chunk?
It's called the Danger Witch.

SPEAKER_03 (48:10):
I hate that it says that.
that on the outside of theplace.

SPEAKER_02 (48:14):
It says good shakes, good burgers, and good chunks.
Good chunks.
What are we talking about here?
I

SPEAKER_03 (48:20):
don't want to know.
I don't want to see it.
That is the one thing I think inthis movie where I'm like, show
me.
Don't tell me.
Show me.
In this case, don't show methat.
It's fine.
Let's talk around it.

SPEAKER_02 (48:34):
Speaking of filming here though, this movie was made
pretty much all in West Covina.
And now the new was made in,like, Rhode Island, so.

SPEAKER_03 (48:44):
Oh,

SPEAKER_02 (48:44):
interesting.
Things don't shoot here anymore.

SPEAKER_03 (48:47):
And I assume the new one looks, like, super digital.
Oh, yeah.
Yeah, and made for streaming,essentially.
Less foam.
Less foam or computers.

SPEAKER_02 (48:58):
I mean, if there's anything Nickelodeon had in
surplus, it was foam and slime.
And they used

SPEAKER_01 (49:03):
all of

SPEAKER_03 (49:04):
it.

SPEAKER_02 (49:04):
Blurp.
This is the foam from when kidsjump into a pit in Wild and
Crazy Kids.
You want to use it as meat?
Yes, I I do.

SPEAKER_03 (49:12):
Yeah.
A couple of kids died in it acouple months ago, but we
changed some of it out.

SPEAKER_01 (49:19):
We

SPEAKER_03 (49:19):
rotate

SPEAKER_01 (49:19):
it.
You know, I didn't hate thesetup of the movie though.
Like I didn't hate the firstcouple of minutes if they would
have just like kind of stayed inthat world.
Like I love watching KeenaThompson and I love watching Kel
Mitchell.
Like they're great.
And I also, I will say this.
It is kind of cool to see amovie with a predominantly black
cast be

SPEAKER_02 (49:40):
from 1997, 1997.

SPEAKER_01 (49:41):
I mean like I'm glad that like younger kids got to
like see that even though it iskind of a silly dumb dumb I was

SPEAKER_02 (49:49):
also thinking about that too as a kid who grew up in
a very white area that like atno point in watching this or
watching all that or watchingKing and Kel was my thought I'm
watching black centric storyyeah I'm just watching a story
and these are just like I countKing and Kel were funny and it's
an interesting thing to now youmake this and and people will be

(50:12):
like, well,

SPEAKER_03 (50:14):
that's woke.
Sure.
Why?
Oh, because it's like real life?

SPEAKER_02 (50:19):
Yeah, because it's people that aren't you.
What are we talking

SPEAKER_03 (50:23):
about?
Don't make me wake from thedream with the living burgers.

SPEAKER_02 (50:28):
Oh, man, the puppets.
I do like those puppets.
The puppets.

SPEAKER_03 (50:30):
I would have loved

SPEAKER_01 (50:31):
more puppets.

SPEAKER_03 (50:33):
I am with you, Melinda.
In this first few minutes, I'mon board where it's like, oh,
this almost feels like it existsin kind of a fun like Pee Wee
Harmony kind of universe.
He's so dedicated to the job.
He wears the uniform.
I want to second what Ben wassaying about some of the
performances and the actors.
It's like, I don't like thismovie.

(50:53):
Kel Mitchell is very good inthis movie.
He is very dedicated.
I also like Abe Vigoda in thismovie.
I like Linda Cardellini in thismovie.
I like Sinbad in this movie.
So there's some pretty goodperformances where people are
really giving it.
But the movie around them thatstarts to happen because like
the uniform shower thing happensand the jump rope drag thing the

(51:16):
jump rope drag i fucking died atthat i was dying

SPEAKER_02 (51:20):
the plot is pretty simple right we meet ed who
works at this fast food placeand then we meet dexter and he's
summer he's so excited he's areally egotist like that the
writing is so by the book a to bto c he's a very like you see
his fault immediately like ohthis is a very like
self-centered egotisticalindividual and he's gonna have

(51:42):
to come to terms with that andthe big thing the inciting
incident is he wrecks his mom'scar

SPEAKER_01 (51:47):
into his teacher's car played by the funkiest
version of Sinbad he calls himShaft

SPEAKER_03 (51:57):
as an insult how is that an insult that's not a
fucking insult he calls himShaft he steals his mom's car
and hits this guy's car andapparently Sinbad's greatest
crime in this movie which likethey make light of at the end of
the movie is that he wants tohold this kid accountable and

(52:19):
adults are fucking assholescease and desist with your
bullshit it's summer vacationfuck off i'm going blorp blorp
squirt glompling

SPEAKER_01 (52:28):
leave me alone that just meant that man just wanted
his detroit leather in a mailboxhe didn't want anything

SPEAKER_03 (52:34):
yes i mean he just like he probably had worked his
fucking ass off for thatinfinity if he's but like That
guy is working a night job.
He's doing drama fuckingcoaching.
He's sports coaching.
He's working the summers.
Like, that guy is working hard.

SPEAKER_02 (52:51):
I mean, this movie is equivalent to one of those,
like, young adult books meantfor middle school that's just
like, kids rule, adults drool,you know?
Kind of,

SPEAKER_03 (53:02):
yeah.
That's

SPEAKER_02 (53:03):
what Nick Lodian was also just presenting all the
time.
It's so cool being a kid.

SPEAKER_01 (53:07):
I will also say, like...
We're tough! Here's the thing.
It definitely does sound likethe impetus for any ad.
Yes.
Where it's like, adults suck andkids are cool and don't you wish
you understood this as an adult,but you just don't get it
because you're not a kid.
But I do feel like asmanufactured as that is, you do

(53:30):
kind of need it.
Kids need the space to be like,we are kids, we are distinctly
different from adults.
Not that we're cooler, but weare different.
I don't know.
I think that, especially nowkids are being treated like
adults earlier and earlier theywant to feel like adults earlier
and earlier and I don't knowthat feels kind of especially
when your brain's still good

SPEAKER_03 (53:52):
at times this movie should help kids feel that it's
just Ben you had said a thingwhere it's like it feels like
the script and the movie anditself are going A B C D E F G H
I J K and that's how Nick the itdoesn't have any it feels like

(54:16):
it has no act structure like ifeel no real tension like that
happens in any real points atall

SPEAKER_02 (54:23):
the thing they set up right is that ed was the one
who like skated in front of himwhich how did you forget about
that it was clearly a dude in aburger costume wearing it was

SPEAKER_03 (54:31):
clearly garth come on wayne

SPEAKER_02 (54:34):
yeah

SPEAKER_03 (54:34):
yeah

SPEAKER_02 (54:35):
but

SPEAKER_03 (54:35):
he's clearly tommy

SPEAKER_02 (54:36):
he has to pay for uh mr simbad's

SPEAKER_01 (54:40):
car he didn't has to pay for the damages.
So he has to have a

SPEAKER_02 (54:44):
summer job.

SPEAKER_01 (54:44):
Nightmare.
Absolute nightmare.

SPEAKER_02 (54:47):
Also, I had a job job

SPEAKER_01 (54:49):
at this age.
I was going to say, did you guyshave summer jobs?
I had a

SPEAKER_02 (54:53):
job at 16 during school.
I was working at the grocerystore.

SPEAKER_03 (54:57):
Retail fast food.

SPEAKER_01 (55:00):
Yeah, I worked at an ice cream shop.

SPEAKER_03 (55:02):
There you go.
And this kid, it's relatable ina way that he is going to have
to work to learn some sort ofaccountability and I get no
payoff for that at all.
And when he's at Mondo Burger,which essentially is repackaged
as Globo Gym, I feel so manyechoes of Dodgeball.

(55:24):
Dodgeball was the slightlybetter version and Tommy Boy was
a better version.
And then Wayne's World is likethe apex version.
My

SPEAKER_02 (55:32):
question is with Mondo Burger, how is there a kid
running this place?

SPEAKER_01 (55:37):
They're all like 16.
Who talks about himself in thethird person?
Kurt?
yeah

SPEAKER_02 (55:42):
but like purple costumes and shit yeah why do
they they're wearing like thexenon space princess

SPEAKER_01 (55:48):
or whatever it's the future k-pop

SPEAKER_03 (55:51):
demon hunters

SPEAKER_01 (55:52):
i was talking about it when they so when mondo
burger opened i was like how didstudio 54 and the opening
credits from saved by the bellopen a fucking

SPEAKER_03 (56:02):
restaurant well it's funny you wake up in the morning

SPEAKER_02 (56:05):
when they hit the where you go into, the dining
area is pretty small.

SPEAKER_03 (56:15):
Yeah.

SPEAKER_02 (56:16):
Yeah.
I was like, there's like eighttables in there.
That

SPEAKER_03 (56:19):
grinder's so big.
Those burgers are so big.
Also,

SPEAKER_02 (56:23):
I don't think at any point when I'm eating a burger,
I'm like, you know what wouldmake this better?
If this patty was like six

SPEAKER_03 (56:30):
inches.
If it were just a six inch thickpiece of fucking foam.
I would rather have that.
When Ed is...
And I'm just thinking at thispoint, it's like, oh, their
burgers are just really big.
And I haven't seen this foodtampering situation.

(56:51):
And Ed is swimming in the shakemachine.
And I'm like, shut it down.
Shut it

SPEAKER_01 (56:56):
down.
Shut it down right now.
Both of them should be bustedfor very different health code
violations.

SPEAKER_03 (57:05):
Absolutely.

SPEAKER_02 (57:06):
Pink jacuzzi.

SPEAKER_03 (57:08):
And Keenan gets fired and goes over from Mondo
burger goes over to good burger.
And I want to say another thingabout this movie that I like, I
love the good burger uniform.
It's super classic.
It looks like very high end.
They always want it to presentwell in the movie.
It has like embroidered work onlike the hats and they're all
fitted.

(57:28):
And obviously Kels fits verywell.
Cause the dread wig or whateveris attached to it or whatever it
is.
That good burger uniform isreally solid.

SPEAKER_02 (57:37):
Yeah.
Yeah.
Well, when Dexter's making theburgers at Mondo, burger and
he's like throwing like eightpickles and like seven slices of
cheese

SPEAKER_03 (57:45):
yeah

SPEAKER_01 (57:46):
so much cheese

SPEAKER_02 (57:48):
uh but yeah he goes to good burger and the hiring
process is dumb by dan schneiderbut i guess he's a kid so he'll
hire him

SPEAKER_01 (57:55):
as

SPEAKER_03 (57:55):
far as you know

SPEAKER_01 (57:56):
like do you have any do you have any accidents on
your yeah any do you have anyaccidents on your record not to
your knowledge like that waskind of that was great because

SPEAKER_03 (58:05):
i i hate that spatch thing

SPEAKER_01 (58:08):
oh

SPEAKER_03 (58:09):
yeah where he like eats the fly and it and

SPEAKER_02 (58:11):
you're like yep close it down shut

SPEAKER_03 (58:13):
it shut it the fuck down cease and desist your
operation sir we're we'rethrough here like mr schneider
does

SPEAKER_02 (58:22):
everyone have a favorite uh burger like fast
food burger

SPEAKER_03 (58:26):
oh like national or local known

SPEAKER_02 (58:29):
either i think either

SPEAKER_03 (58:31):
the burgerville double beef cheeseburger hits in
a way like nothing else dicks isalso very good I also like Kid
Valley.
Now I'm mentioning kind of atri-state thing and then more
hyper-local Seattle stuff.

SPEAKER_02 (58:50):
Yeah, I mean, I love a good Dick's burger when I'm in
Seattle.
I'm also, I'm a huge, I know I'ma transplant, but I'm a huge
In-N-Out fan.
I

SPEAKER_03 (59:02):
like that

SPEAKER_02 (59:02):
burger a lot.

SPEAKER_03 (59:03):
It has so much seasoning on it for my taste
buds, and that's like, I'm sureI taste it maybe, we all taste
it differently, right?

SPEAKER_02 (59:11):
I could use one right now.

SPEAKER_01 (59:11):
That would be, I hear a lot about going up with
one.
Yeah, I think at the end of theday, pound for pound, price for
price, In-N-Out is like probablythe best burger you can get but
if we're gonna go to the otherend of the spectrum here uh and
hyper local if you're incalifornia moose barbecue does
it you should be there to likemaybe get brisket or like ribs
or whatever the burger is thebest thing on the menu hands

(59:32):
down uh but i also i'm a bigsmash burger fan and i haven't
tried for the win yet so that'slike my

SPEAKER_02 (59:39):
moose burger did just contact us and told us a
cease and desist oh no i

SPEAKER_03 (59:45):
was on such a high so

SPEAKER_02 (59:47):
we have to move on

SPEAKER_03 (59:48):
okay hi ho cheeseburger shout special k hi
ho cheeseburger okay the hyperlocal la thing

SPEAKER_02 (59:54):
so obviously here's the tension they're trying to
build right is that is that edwas responsible for dexter's
crash and and ruining his summeri guess yeah it's not that he

SPEAKER_03 (01:00:07):
stole a fucking car and act like a fucking maniac
it's really

SPEAKER_02 (01:00:10):
not

SPEAKER_03 (01:00:10):
ed's fault

SPEAKER_02 (01:00:11):
but whatever

SPEAKER_01 (01:00:11):
they become friends i think that's the thing is like
he becomes friends with i i keepjust wanting to call him kel
with ed who is very like superchildlike and ed exists in the
like naked gun universe as inhe's the one constantly kind of
making those verbal jokes oflike i understand some of these
words are like that like you getthose mr x in there keenan like

(01:00:34):
takes advantage of him which wecan just which yeah but i think
it's about him learning how tohave a friend

SPEAKER_02 (01:00:42):
and care about someone other than himself

SPEAKER_01 (01:00:44):
yeah and

SPEAKER_03 (01:00:45):
but i also would worry that he could potentially
fall backward and not learn alesson and ed will just be like
whatever and just continue tothis is a weird movie that we're
even talking about this becauseagain we're giving this mood
we're this is just this is a bunwith fucking nothing nothing on
it and we are turning this intoif nothing else like at least a

(01:01:10):
six dollar burger from fuckingcarl's junior hardy

SPEAKER_02 (01:01:13):
seven a 7-eleven burger

SPEAKER_03 (01:01:15):
exactly

SPEAKER_02 (01:01:16):
sitting under a heat lamp for a

SPEAKER_03 (01:01:20):
actually start to feel kind of bad for Sinbad he's
like take some accountabilityyou fucked up my car life is
hard and then like the mailboxthings happen happens and you're
like or whatever the secondthing is that happens to him I
fucking forget but it's justlike what did this guy do what
are we gonna find out why thisguy is just such a piece of shit

(01:01:42):
like why is he Jerry Gary Larrylike make him the mayor make him
the fucking mayor at the end

SPEAKER_02 (01:01:48):
make him the entire in some way, make him an
investor in Mondo burger.
I don't know.

SPEAKER_03 (01:01:53):
He's ruining my summer.
What the fuck?

SPEAKER_02 (01:01:56):
Why was he a teacher?

SPEAKER_01 (01:01:59):
It felt very snow day adjacent where the, like,
that

SPEAKER_02 (01:02:04):
was a Nickelodeon movie too.

SPEAKER_01 (01:02:05):
That's

SPEAKER_02 (01:02:11):
another one.
That's like kids.
This is our world.

SPEAKER_01 (01:02:15):
Yes.

SPEAKER_02 (01:02:16):
I guess, you know, like if you think about like
Goonies, right.
Where Goonies, you know, issimilar where it's just like,
this is, we're going to takecare of this.
Kids are going to take care ofthis.
The adults are useless orwhatever.
It's not like that was a newthing.
It's just like Nickelodeon didit in a way that in retrospect,
it doesn't, it feels like we,maybe, I don't know.

(01:02:37):
It just feels.
It

SPEAKER_01 (01:02:38):
slapped the nineties on it.
It did it, but it went extreme.
Like it did, it did that soundeffect in

SPEAKER_03 (01:02:45):
front of it.
The thing from Goonies is thismovie wants to be adventure or
at least adventure adjacentGoonies is adventure in terms of
the like it makes sense fromalmost any age like wait you
think you're gonna find fuckingtreasure yeah keep that super
tight don't call the cops don'tjust keep it very inside this

(01:03:07):
movie could have ended so manytimes if it's like just call
just call the cops you just callthe cops

SPEAKER_02 (01:03:12):
call the I understand like I

SPEAKER_03 (01:03:14):
don't trust the police either but yeah yeah yeah
call the alcohol halldistributor?
Just

SPEAKER_02 (01:03:21):
complain.
The Mondo Burger kitchen isdisplaying those water bottles
of poison on a shelf.
They're not even hidden in alocked cabinet or something.
They're just out.

SPEAKER_03 (01:03:31):
In the open, everywhere.
Yeah.
Absolutely everywhere.
And the movie,

SPEAKER_02 (01:03:38):
it's slow at Good Burger.
It's

SPEAKER_03 (01:03:41):
slow at Good Burger for a fucking day, two days, and
they're like, nah, gonna go outof business.
And then suddenly, Ed, the...
Ed is getting recognition nowbecause he's created this sauce.
He's finally getting some creditfor, if nothing else, his
loyalty and pride in terms ofthe Good Burger brand.

(01:04:03):
Oh.
I guess.
Okay.
And I laugh again, though, whenAbe Vigoda, I legitimately laugh
when he falls and he's like, Ithink I broke my ass.

SPEAKER_01 (01:04:12):
Yeah.
Come on.
I also love when Keenan is, soto backtrack a little bit,
Keenan gets hired and he'smeeting everybody and he meets
Abe Vigoda and he He's like, Ishould have died years ago.
I laughed at that, too.

SPEAKER_03 (01:04:25):
I laughed at that, too.
So the lunchtime Bloobity song,Bloobity Blop, Scorp Bloop.
That song, this is the, andmaybe it's a Freddie got
fingered thing, too, and allsorts of things where it's like,
are you trying to do Chaplinwith the, I don't know, only
Grandpa Simpson can do that,even close to the same.

(01:04:48):
But the, it's, it's one of thesethings where I am massively
annoyed at the idea of peoplerecreating things from this
movie.
And that's what I think themovie wants, right?
It wants to

SPEAKER_01 (01:05:05):
mean itself.

SPEAKER_03 (01:05:07):
Well, it wants like, it wants 10 year olds to see it
and go, yes, that

SPEAKER_02 (01:05:11):
I'm

SPEAKER_03 (01:05:12):
going to talk like that.
I'm going to, that's how I feel.
What I feel like the movie wantsto be quotable.
It wants to be, Mimicable andinimitable.
Begging.

SPEAKER_01 (01:05:23):
Stepbrothers.

SPEAKER_03 (01:05:24):
Sure, exactly.
It wants to be in that sphere ofa lot of movies that we've been
talking about.
And it does have great moments.
Funny moments.
Not great.

SPEAKER_02 (01:05:35):
I mean, funny.
It feels, and I'm sure this ishow it was.
It felt like they had a handfulof sketches that maybe were
written or were written for thismovie.
And then they were like, okay,how do we tie all this together?

SPEAKER_03 (01:05:45):
Oh, yeah.

SPEAKER_02 (01:05:47):
And just like figure out what this plot is.

SPEAKER_03 (01:05:50):
You get Kurt to tie it all together.

SPEAKER_02 (01:05:51):
They're going to investigate the Mondo Burgers
and they dress up like oldwomen.
Yeah.
Very unconvincingly.
Yeah.
You're like, what do we do?
Because then they just getcaught.
At that point, you're right,there's no...
I felt like that was the pointwhere there was no longer any

(01:06:12):
act structure or an attempt atstructure.

SPEAKER_01 (01:06:13):
And it felt very like...
So we went from...
So Ed creates this sauce thatlike...
gets business up and runningback to their pools.
They had

SPEAKER_03 (01:06:24):
a hard day in between, though.
There was a really tough day in

SPEAKER_01 (01:06:27):
there.
They pulled in like$40.
It was bad.
It was not going to go well.
But then Ed creates the sauce.
Business is back, baby.
Everyone's excited.
Everyone loves it.
And then it becomes the impetusfor Mondo Burger to figure out
what's in the sauce.
And so in order to do that, theyhire Carmen.

(01:06:48):
First of all, it seemed like shewas bankrolled like it was like
oh bring out Roxanne like shewas just on you know what I mean
like she was just on on call

SPEAKER_02 (01:06:58):
I mean Carmen Electra wasn't too busy at this
time

SPEAKER_01 (01:07:01):
right also side note hold on when Carmen Electra
enters listen Carmen Electravery hot we'd love to see it

SPEAKER_03 (01:07:08):
do

SPEAKER_01 (01:07:10):
it but like she shows up her hair is all over
the place it is as though theyasked for last looks and they
put a fan in but it's They put afan in front of her and she had,
it was as though her hair wasup.
I know no one can see thisbecause we're not, but like it
was just this.
It was like this.

(01:07:30):
It just made no goddamn sense.
But if you're

SPEAKER_02 (01:07:34):
10, it's so cool.

SPEAKER_01 (01:07:36):
Also,

SPEAKER_02 (01:07:37):
Karma Electra for kids, I think.

SPEAKER_01 (01:07:40):
Yeah, for kids.

SPEAKER_03 (01:07:42):
Kenan as a child who drives illegally and drives the
mirth mobile illegally and allthis other stuff.
coaxes Kel, I can't help iteither, Ed into this bad deal
and is going to exploit him.
Yes.
And then you get this attempt ata moment where Kenan is like, I

(01:08:05):
don't know my dad.
I've never had a relationshipwith my dad.
And they have like, you know,Shaq to cameo just for the sake
of cameoing or whatever.
But the Kurt offering ed the tendollars an hour and blah blah
blah but the yo-yo thing whereed was listening and gives him

(01:08:27):
the yo-yo and again it's likeyou are setting up the so many
of these moments and there is notrue ultimate payoff like as far
as i'm concerned i

SPEAKER_02 (01:08:38):
mean i was talking with guests program matt barrel
the other day about one of myfavorite christmas movies which
is bad santa

SPEAKER_00 (01:08:45):
and

SPEAKER_02 (01:08:46):
in that you have a child who presumably is a little
dumb at least that's how theydisplayed but then you have
moments of like pure tendernessyou know when he's like i made
you this uh what is it it's awooden pickle why is it all
brown i cut myself when i wastrying to carve it it's like oh
shit kid thanks and it's likethis moment of just like it's

(01:09:07):
silly it's dumb but it's alsoreally really like tender and
you see the character crack alittle bit

SPEAKER_03 (01:09:13):
that that movie the tone of that movie is like
masterful it's a it's a prettyincredible thing overall when
you can put it all

SPEAKER_02 (01:09:21):
together.
You've never seen

SPEAKER_03 (01:09:22):
Bad Santa.
I would highly recommend aswell.
And I'm going to ask if anybodyknows, is this line from Bad
Santa in relation to a childthat appears in that movie or
from this movie in relation to achild?
If anyone can get the sauce outof Ed, she can.

SPEAKER_02 (01:09:41):
Well, that's where I see things just a little
differently.
So how old is Carmen Electra atthis point?

SPEAKER_03 (01:09:45):
She's got to be in her late 20s, early 30s at
least.

SPEAKER_02 (01:09:49):
And They're saying Ed is like a teenager.
I

SPEAKER_03 (01:09:52):
think they're trying to portray them as like 15 and a
half, 16 and a half, somewherein that.

SPEAKER_01 (01:09:57):
But he's also been working at Good Burger for like
five years.
It was a long

SPEAKER_03 (01:10:01):
time.

SPEAKER_01 (01:10:02):
Yeah.
Just imagine nine-year-old Edbehind.
Maybe

SPEAKER_03 (01:10:05):
Ed's like 26.
I

SPEAKER_01 (01:10:07):
think Ed's a little older, but I don't know how old.

SPEAKER_02 (01:10:10):
They're trying to like start this budding
relationship as well.
Cause every movie at this timeneeded a romantic

SPEAKER_03 (01:10:16):
edge to it.
So hacky.

SPEAKER_02 (01:10:18):
And it's just like, well, why do we care about
Kenan's love life?
And then she finds out about theraw deal that he's giving to Ed
and like,

SPEAKER_03 (01:10:28):
was anyone obsessed with people's asses hurting or
getting their asses broken orlike, not like being
uncomfortable to sit down.
This movie has like an obsessionwith that.
Like Carmen Electra.
And yeah.
And Abe Vigoda and all of that.
Like, I don't understand thislike broken ass thing.
And the Carmen Electra thingcomes off like the movie blank

(01:10:49):
check.
When I was young, that was amovie that influenced me to be
like, yeah, I'll do that.
Yes.

SPEAKER_01 (01:10:57):
Mr.
McIntosh?

SPEAKER_03 (01:10:58):
30-year-old FBI agent?
Absolutely.
Not a problem.
And this movie is essentiallypositing something pretty
similar.
And it's so bizarre.
And when they...
Ben, you were talking aboutshoveling in this love storyline
with Kenan and Monique and howshe is mad about, she is like in

(01:11:25):
love with Keenan on this datebecause Ed told her how great
Keenan was, which I don't thinkwe saw.
And then she's mad at himbecause she finds a contract in
his jacket, the one thatexploits Ed.
I would have liked to have seeneither of those moments, maybe
both, but just something like ifshe found, like she grabs the

(01:11:48):
jacket, smells it, Like, Oh, Imiss him.
And then what's this?
Like that it's 10 seconds.
And to me, it just makes thoselittle things about those pieces
of storyline, Ben, that you weresaying like so much better

SPEAKER_02 (01:12:01):
when they, and I'm jumping ahead here, but like, I
kind of am tired.
This is also the point of themovie where I was like, how much
longer is left?

SPEAKER_03 (01:12:11):
Oh yeah.
Yeah.

SPEAKER_02 (01:12:13):
Because all of this shit still happens.
Like they get caught, they go tothe insane asylum, they meet the
giant dude, who's there for a

SPEAKER_03 (01:12:20):
second.
Why are we there?
Mongo.
We'll call him Mongo.

SPEAKER_02 (01:12:22):
Yeah.

SPEAKER_03 (01:12:24):
They discover the burger drug additive thing
that's happening.
And it's even like with Ed beingdumb, but also smart where he
can understand the dog.
It's like on the way to go dowhat you're doing, just show
that he was right.
Just like these things are sosimple.
No, they did, but like let Edexperience it.
I mean, I misspoke.

SPEAKER_01 (01:12:43):
Oh, I see.
That was the other joke that Ilaughed at where like, so the
way that Mondo Burger is usingsomething insane in their
burgers is that they go to feed,like a dog runs up to Keenan and
Kel and it's like Kel can liketalk to the dog and he's like,
what?
There's four clowns in a brokendown car?
And Keenan's like, man, youcan't talk to a dog and they try

(01:13:05):
to feed him.
He doesn't want the Mondoburger.
It's revealed that they have togo figure out what's in there.
And then we cut to four clownsbroken down on the side of the
road in a car.
That was great.
I was like, oh, that's agenuinely funny moment.
There's some stuff that There'ssome stuff.

SPEAKER_03 (01:13:21):
I want Ed to experience the validation of
that

SPEAKER_01 (01:13:25):
with

SPEAKER_03 (01:13:27):
Dexter.
I want to see that.
I don't want like an aside oflike, look how smart Ed is
actually though.
And it's like, but have thepeople around him notice it a
little more before we get to theend and it just drops a bomb.

SPEAKER_02 (01:13:39):
At the very end, I'm jumping ahead, but at the very
end when Ed is like, goes off onall of, says that very like long
monologue and is very smart, Iwanted there to be when Dexter
brings up the contract and sayssomething like, he's like,
probably shouldn't have donethis.
I wanted there to be arecognition of Ed being like,
oh, I knew that you got moremoney than me, but I thought

(01:14:02):
maybe you needed it.
Me

SPEAKER_03 (01:14:03):
too.
Yeah, I agree.
It's just a pure soul.
Just show me that.
Yes,

SPEAKER_02 (01:14:09):
Ben.
And then we see Kenan see thatand be like, oh, I thought I was
just getting one over on a dumbdude, but actually he was just
like, this super nice soul thatwas handing me something

SPEAKER_03 (01:14:22):
well and we're just but two 30 year olds and myself
a super advanced geniuseight-year-old we can see this
in that little piece ofperformance but and i also think
looking at it like superanalytically it's like oh yeah
he sees how good ed is but it'slike that's a little too that's

(01:14:43):
just very nuanced i think whatyou're saying like it's just
like it's a weird thing thatit's like no spoon feet here
don't do what you're

SPEAKER_01 (01:14:49):
doing no time for nuance yeah

SPEAKER_03 (01:14:51):
like and as a movie that is like obese brother's ice
cream truck these things likecan't super exist in the same
universe

SPEAKER_02 (01:14:59):
for me can we rewind all the way to the very
beginning again oh please godbecause i just need to talk
about when he's rollerbladingand he runs in and grabs a
random baby and then runs intothe basketball players and

SPEAKER_01 (01:15:13):
that was funny

SPEAKER_02 (01:15:14):
they throw a baby through a basketball

SPEAKER_01 (01:15:16):
the cut a real baby like a true child well

SPEAKER_02 (01:15:20):
yeah that shot is but when they cut to him
carrying it it's clearly a dolllike there's not even yes

SPEAKER_01 (01:15:26):
well then the basketball players are passing
it around in the background

SPEAKER_02 (01:15:30):
and paul i'll send you the clip because i'm yes i
know the clip of the guy findingthe baby in his hands please
play it here

SPEAKER_03 (01:15:39):
the so mondo burger breaks into good burger and
poisons the magic sauce ed'ssauce

SPEAKER_01 (01:15:45):
poison

SPEAKER_03 (01:15:46):
and yeah for shark those poor sharks And so Kenan
and Kel break in as ladies orwhatever.
I don't even know where we arein terms of that part of it, but
like, cause I think they getcaught a couple few times, but
they break into Mondo burger.
And again, show me, you've shownme that you're willing to use
clearly dolls, like not actualbabies for stuff, use obvious

(01:16:09):
stunt people to climb up andjump up these things and shimmy.
And it just cuts.
And it's like, Oh, here we are.
And it's like, damn it.
Like show me a couple of these,things.
And when they're going to go inthe kitchen and go steal the
chemical, they are literallysurrounded by boxes of the
fucking chemical everywhere inthe room.

(01:16:31):
As Ben mentioned, it isliterally everywhere you look.
Whenever you go behind anyclosed door in that place.

SPEAKER_02 (01:16:38):
Yeah, it's not even an attempt at trying to hide it.
No.

SPEAKER_03 (01:16:42):
And Kel Ed pours a bunch of chemical in the meat
vat and what happens is i guesswhat we assume is what would
happen is that the burgers startexploding and

SPEAKER_02 (01:16:55):
what do we assume would happen

SPEAKER_03 (01:16:56):
that i figured they were going to get so big that
they would explode or that iremembered that that was going
to happen potentially

SPEAKER_02 (01:17:03):
i don't know like in reality that's not a thing

SPEAKER_03 (01:17:06):
right right well in this reality

SPEAKER_02 (01:17:09):
they should have had a giant burger just keep growing
until it

SPEAKER_01 (01:17:15):
took like the inside of the yeah

SPEAKER_02 (01:17:17):
like the blob and it just like

SPEAKER_01 (01:17:19):
He gains vengeance and starts consuming Mondo
Burger employees.

SPEAKER_02 (01:17:22):
Also, at the very end, when they're like arresting
Kurt, they're arresting him.
And then Kel comes up and it'slike, they've been using,
they're like enhancing theirburgers.
And they're like, is that true?
And they're like, great, we'retaking it.
And they were already in theprocess of arresting him.
And I was like, why are theyarresting?
Also, they're taking people outin stretchers.

(01:17:44):
And like, Keenan and Kel arejust celebrating.
I'm like, whoa, did you killpeople?
I

SPEAKER_01 (01:17:50):
was going to

SPEAKER_03 (01:17:54):
say, in the news report later, it's like five
people died today.

(01:18:18):
and like I know it's like kindof shitty to be like test on the
last day but like and him justscreaming that like

SPEAKER_01 (01:18:26):
why

SPEAKER_03 (01:18:26):
what

SPEAKER_01 (01:18:27):
did I do he literally like looks to the sky
and screams at God what did I dohow did I

SPEAKER_03 (01:18:34):
deserve this

SPEAKER_02 (01:18:34):
the burger that flies very clearly on a wire or
something that like comes downand lands

SPEAKER_03 (01:18:41):
I also it's just like Sinbad in that moment when
Kenan's like here's some of yourmoney maybe I'll get you the
other money later I feel I feellike Kenan has this story.
The line of the character ishe's gone through some serious
trauma, but hurt people, hurtpeople.
And that's okay.
And it's like, no, that no, noget better.

(01:19:04):
Not hurt people, hurt people.
Like I've been hurt.
So I don't want to hurt anybodyelse.
And I want to be better.
And I don't feel like that atall by the end of this, like,
Oh, I hurt Ed.
So I have to, it's like, no, Edwas not really the girl that
kissed you.
That one time was, hurt and hedidn't I don't know it's just
like I want some like all truestact from this kids movie which

(01:19:26):
is silly but that's what I wantand I also want this unsanitary
fucking burger place to be shutthe fuck down cease and desist
your ingress shut it down

SPEAKER_01 (01:19:37):
shut it down it just feels like I mean this this
feels like it belongs in thesame category as like like the
bench warmers you know what Imean like this is you

SPEAKER_02 (01:19:48):
seen it.

SPEAKER_01 (01:19:49):
That's okay.
You're not...
Is that

SPEAKER_02 (01:19:52):
Napoleon Dynamite?
Heater, Spade, and Schneider.

SPEAKER_01 (01:19:56):
Schneider.

SPEAKER_02 (01:19:57):
Schneider.
Different Schneider.

SPEAKER_01 (01:19:59):
Different Schneider.
A kangaroo.
A posaken psychopath.
It doesn't go into any lessonsdeeply enough to cause harm to
any...
Like, it literally...
I think it's...
You could watch a blank wall andand leave the same way you came

(01:20:20):
in.
I

SPEAKER_03 (01:20:21):
don't know.
Cause this did damage to me.
And if I had a child around methat decided to mimic it all the
time, I would lose my fuckingmind.

SPEAKER_02 (01:20:28):
I think it's one of those things where it's, I kind
of wish I just left it in theannals of my childhood.
Like I remember it fondly to adegree because I think I really
conflated a lot with Keenan andKel and all that.

SPEAKER_01 (01:20:43):
Which was a fun show.
I mean, Keenan and Kel was thefresh Prince of Nicola.
Like, quite a lot

SPEAKER_02 (01:20:50):
yeah and I liked all that too even though I'm sure
that probably doesn't hold upfor the most part and I think
maybe most of Nickelodeon liveaction stuff probably doesn't
hold up very well

SPEAKER_03 (01:21:02):
that may include are you afraid of the dark even I
hate to say it but it could beeven it goes that far

SPEAKER_02 (01:21:08):
I would agree so I kind of just wish I hadn't
watched it again and I'm I kindof will hold this against you
forever

SPEAKER_01 (01:21:17):
you know what that's fair fucking...
Here's the thing, though.
I think that it does make usrealize that when we were kids,
we all liked a cringey thing.
We've all been cringe in our

SPEAKER_02 (01:21:31):
lives.
And

SPEAKER_01 (01:21:33):
colors.

SPEAKER_02 (01:21:34):
The 90s were...
There were a lot of colors inthe 90s.
Oh, yeah,

SPEAKER_01 (01:21:37):
sure.
I feel...
I'm torn in two very distinctdirections here, because on the
one hand, yeah, I would trustthe adults in my life, and also
the adults making stuff for meas a kid to, like, have somewhat
to have my best interests, butin reality...
Mistake.
Mistake! In reality, this wasmade because Kenan and Kel was

(01:21:59):
popular, and then they went backthrough the catalog and went,
what could we make into a moviethat would, like, make us money?
And then they, like, picked thissketch, and they said, okay,
yeah, sure, we can, like, in twoweeks, spit out a script that we
can make and, like, make moneyoff of this.
I get that.
Like, that's fine.
But also at the same time, like,it's also okay that we shouldn't
be mad at our as kids for buyinginto it and liking the silliness

(01:22:22):
of it you know what I mean Iwatched plenty of like bad shit
when I was a kid I probablywatch plenty of bad shit now but
it's you gotta watch you're notgonna recognize if anything's
bad if you don't see anythinggood too so

SPEAKER_03 (01:22:35):
the thing that's bizarre about this to me is that
to make those decisions theymade that you're talking about I
am almost certain focus groupsstudies tests and the popularity
of those two actors and thatskit in particular kind of like
got that ball rolling.

(01:22:57):
It's wild to me that Coca-Cola'sbrand shows up in this movie
like several times.

SPEAKER_01 (01:23:02):
There's

SPEAKER_03 (01:23:05):
some like advertising shit or whatever
that's in this movie, but it'sjust

SPEAKER_02 (01:23:10):
as we've been going over.
Nickelodeon was just a bunch ofcommercials.
So for the most part,commercials, soda commercials,

SPEAKER_03 (01:23:16):
right?
I miss it.
And let's be honest, it's morepeople like me, apparently, that
are like, eh, kids are dumb.
Yeah.
Just sell them.
Just go ahead.
Sell them whatever.
No one's going to make a ceaseand desist.
Just

SPEAKER_02 (01:23:30):
send Carmen a lecture of this hot 25-year-old
girl to seduce a 15-year-oldkid.

SPEAKER_03 (01:23:34):
Totally fine.

SPEAKER_01 (01:23:36):
No problem.
But it is interesting that therewas probably, I hesitate to use
the word care, because I'm notgoing to call it that, but it
was probably shown to multipletest audiences and like it got
noted to death and like therewas a lot of like effort in that
part of making it there wasnever real consideration for

(01:23:59):
like how it would like affect akid but they're like oh do they
find it funny and are we goingto make money plenty of risk
assessment was done there and

SPEAKER_00 (01:24:06):
i think yeah

SPEAKER_01 (01:24:07):
i think that's something we can like in
translating it to like anythingtoday i think that risk
assessment is such a big dealwhen it comes to trying to make
stuff whether it's kidsentertainment or just anything
in entertainment It's not likeit's no longer.
Do you have like a conceptthat's fun that we can watch and
build over time and like worktogether to make this thing?
It's like, oh, do you know whathappens in season three?

(01:24:29):
Because we need to be sure thatthis is viable and it's going to
stick around.

SPEAKER_03 (01:24:33):
It's crazy.

SPEAKER_01 (01:24:34):
Yeah.
And you have to know that out ofthe get go.
And I think that we're spendingway too much effort on that part
of making sure that it's good asopposed to like, is the content
good and can it

SPEAKER_03 (01:24:45):
grow?
And hopefully that's changingsupposedly.
some studios or whatever havesome level of interest in some
of that and some don't seem tohave as much interest last thing
I want to say about this movie Ido appreciate the work of I
forget her name Mary Beth Maryshe talks really fast and bangs

(01:25:08):
out that order and I was a

SPEAKER_02 (01:25:10):
fan of hers as a kid too she was really funny oh

SPEAKER_03 (01:25:14):
funny great I'm glad they brought her back that makes
sense and then I I like theRobert wool appearance in this.
And that's the thing.
I mean, I've been mad at HBOever since they canceled our
list, but it was nice to seehim.

SPEAKER_01 (01:25:28):
Yeah, he's great.
Lori

SPEAKER_03 (01:25:30):
Beth Denberg.
Thank you.
Lori Beth Denberg, not Mary.
I'm ready to re-rate unlesspeople have things that they
need to.
Do we need to, anyone?
Funny, she was also inDodgeball.
Oh, yeah, she was.
That's right.
She tries out.
Yeah.

UNKNOWN (01:25:48):
Oh.

SPEAKER_03 (01:25:49):
Is that a thing?
Is that something?
Oh, no, it's not.
Oh, I'm being told it's not.
And don't worry about it.
Don't no need to go deeper intothe annals there.

SPEAKER_02 (01:25:58):
All right.
Melinda, did we miss anything?
I don't have any deep.

SPEAKER_01 (01:26:02):
It's not.
Listen, it's not.
It's not that deep.
Even though we kind of got wegot this shoehorned moment of
tenderness, which this is theother thing that definitely that
was like, oh, we have to likeput this moment in here.
Otherwise, there won't be anyemotional attachment to it.
But because those two like actthe hell out of that scene, I
was like, Oh, this is like anice, like they did justice to

(01:26:26):
the scene itself as a containedthing.
But like, it felt cheap in the,in the overall thing.
Yeah.

SPEAKER_03 (01:26:31):
There's, there's no payoff.
Like they don't really readdressit,

SPEAKER_01 (01:26:35):
but y'all, I don't think we, I don't think we
missed anything.
I don't know how we could.
So

SPEAKER_03 (01:26:40):
fair.
It's me first.
Yeah.

SPEAKER_01 (01:26:42):
Yeah.

SPEAKER_03 (01:26:43):
Paul's at five.
I indicated it in the, uh,Private text thread.
Yeah! That's my order! And nowhe's eating a burger?
Wow.
I am not.
Drinking a strawberry milkshake?
No, I'm just going to get a bagof peanut butter M&M's like a
piece of shit and do that soundeffect.

(01:27:05):
This movie gets a one for me.
I think we've all mentioned thatwe chuckled at parts of this,
sometimes pretty hard.
When that girl gets it's thatangle of her when she's tangled
in the jump rope.
Holy smokes.
I died.

(01:27:25):
But outside of that, not onlydid I not have a great time
revisiting this, this is a moviethat I would hope like most kids
that I asked, let's say underthe age of 15, that'd be like,
you seen good burger.
And I would hope they said, no,

SPEAKER_01 (01:27:43):
I'm

SPEAKER_03 (01:27:44):
that active about it.
So, and it's just one of thosethings where it's like, Like,
just Pixar, DreamWorks, I canname other studio distributors
that, and even things that wesaid that are PG-13 and R-rated
that I would rather show a kid,especially if I'm going to be
there to, you know, be like, eh,don't do this or that.

(01:28:05):
But yeah, I can't liberty ruleit, so I have to go to one.
But this was an unpleasant watchfor me.
I don't need to have thoselaughs again at any point, I
don't think.
And I definitely need to try trynot to mimic them too hard.
Cause being, I'm almost 80 yearsold being like, welcome to good
burgers.

(01:28:25):
A little weird.

SPEAKER_02 (01:28:29):
Oh man.
Yeah, no, it's, I'm going tostick with my, uh, two enhanced
meats.
They're enhanced meats.
Um, I think one of those starsis just pure nostalgia for this
time period.
And this like, uh, for thatNickelodeon time period.
And I'm like, I'm never, goingto watch any of that shit again

(01:28:50):
like I'm never going to go man Ideep dive and binged all of all
that again so I think like thismovie is probably the closest
I'll ever get to it and yeahit's dumb as hell and I hope I
never watch it again so

SPEAKER_01 (01:29:10):
I feel like I owe you at the end of the like I
have to work a summer job to payback emotional damage

SPEAKER_03 (01:29:17):
you know I put myself through two seasons of
Cobra Kai and it's not like abad show but I was like I don't
need to watch

SPEAKER_01 (01:29:24):
no no I need to do this

SPEAKER_03 (01:29:25):
yeah and like I would rate that I mean that's TV
I would rate that a littlehigher than this but

SPEAKER_02 (01:29:30):
would I continue watching Good Burger 2 in the
background while I'm doingsomething else maybe

SPEAKER_03 (01:29:37):
ah insane maybe insane

SPEAKER_02 (01:29:40):
just to see I'm mostly just curious because
again they are now like 45 yearold gentlemen

SPEAKER_03 (01:29:47):
right

SPEAKER_01 (01:29:48):
They're the Abe Magotas

SPEAKER_03 (01:29:52):
now.

SPEAKER_01 (01:29:54):
They're Abe.
Yeah.
Wow.
That's

SPEAKER_03 (01:29:58):
funny.
I, yeah, I, I want to give myone star.
It's a big gold star that issplit across like, you know, six
or eight people of the cast.
Like that's the main thing forme is that I feel like a lot of
the cast just really gave a lotto this.
Yeah.
Melinda.

SPEAKER_01 (01:30:14):
Yeah.
It's time.
I feel like I harmed you all.
Hey, here's the thing.
I, I think about the fact thathaving been on this podcast
before, uh, cause we didHeather's the first time I was
on here and then Iron Giant andlike very different movies.
And now like this movie, causeit's like, oh, I remember things
about it, but not like fully.
And I do kind of want to revisitit.

(01:30:35):
I think it's fair to say thatlike we, like as viewers and
consumers, we containmultitudes.
We watch weird stuff at weirdtimes.
Like when we were kids and like,sometimes we leave it behind and
sometimes we watch it again.
And sometimes it's not the sameas what we remember it but i
think that like

SPEAKER_03 (01:30:51):
why we're here

SPEAKER_01 (01:30:52):
it's why we're here and i also think that like
movies find you when they needto uh or you find them when you
need to i

SPEAKER_03 (01:31:00):
deserve this you're right i deserve this

SPEAKER_01 (01:31:03):
my thing is like i think it's my my thing is i
think it's very silly to likethere are definitely movies that
i hope that everyone sees buti'm not gonna force anyone to
watch a movie i'm not gonnathink that their taste is less
than mine because like theyhaven't seen insert movie here
it's all

SPEAKER_03 (01:31:17):
yeah it's all subject it's all personal i'm
with i agree with you

SPEAKER_01 (01:31:21):
great and sometimes a movie that you watch when
you're younger should stay therebut it also might have like
formed some part of you i thinkit's still are you

SPEAKER_03 (01:31:28):
about to give this like a four no what's going on i
feel like you're setting me upfor you being like i have to i
have to make a podcast aroundonly good burger

SPEAKER_01 (01:31:38):
no the movie the movie is bad please don't get me
wrong oh okay i just feel i ifeel like like i said i don't
think we should uh giveourselves a hard time for what
we watched as kids because Wewatched a lot of stuff back
then, and I think we're going towatch a lot more things as we
grow and refine our taste,because that's what it's about.
You watch good stuff and badstuff.

(01:32:00):
But boy, howdy, there were somejokes in this movie that were
really great that did make melaugh a lot, but yeah, at the
end of the day, it's a nothingburger, if you will.
I think I'm going to, and also,again, I feel it's more
difficult to ignore the contextof movies that are viewed

(01:32:21):
really, really well.
You're like, oh, this is areally well-made movie made by
someone who wasn't great.
It's harder for us.
Like

SPEAKER_02 (01:32:26):
Rosemary's Baby.

SPEAKER_01 (01:32:26):
It's harder for us to separate things.
This is an easy separation.
I do not mind being mean to thismovie.
So I'm gonna, including thecontext and including the fact
that it is just a whole lot ofnothing, I'm gonna give it one
big fat liar.

SPEAKER_02 (01:32:44):
That's great.
Actually, I'm gonna change mine.
I'm I'm going to one and a half.
One and a half.
Oh,

SPEAKER_01 (01:32:52):
yes.
There we go.
Yes.

SPEAKER_03 (01:32:55):
I feel good right now.
One and a half.
I feel like I went through helland I made it to the other side.
Like, you know,

SPEAKER_01 (01:33:04):
I haven't had a very good day.
I feel like dreams

SPEAKER_03 (01:33:07):
may come.
Here we are.
I

SPEAKER_01 (01:33:09):
feel like right now you're printing out a photo of
my face that says do not haveback on the podcast and you're
like taping it to a board.
What is the

SPEAKER_03 (01:33:16):
mean?
What is the mean girl thing thatregina writes in the yeah
exactly

SPEAKER_01 (01:33:25):
wait also have you guys not done i i couldn't do it
because i watch it every yearyou guys haven't done jingle all
the way yet

SPEAKER_02 (01:33:31):
no

SPEAKER_03 (01:33:31):
no

SPEAKER_01 (01:33:33):
holiday classic

SPEAKER_02 (01:33:35):
i know yeah i mean our holiday seasons are so short
so we don't have i mean we doboth for spooky season and
christmas i think we do an extraepisode or two

SPEAKER_03 (01:33:44):
usually yeah i mean we usually try to do something
aligned with things Thanksgivingish.
It's like last year we did hardtarget where it was about like,
you know, weird, um, uh, familyties and hunting.
So, uh, would we, and then wedid Scrooged and gremlins for

(01:34:04):
Christmas.
So, yeah.
And I, I think usually wesqueeze, squeeze an extra one in
there.
Well, that is what we ended atpeople, two ones and a 1.5.
Yeah.
Yeesh.

SPEAKER_02 (01:34:18):
So, you know, Good Burger.

SPEAKER_01 (01:34:20):
Bad movie.
Good

SPEAKER_02 (01:34:22):
Burger,

SPEAKER_03 (01:34:23):
bad movie.
Shit movie.
Ben, who else helps us withthis?

SPEAKER_02 (01:34:28):
Jamie Henwood does our intro and outro themes.
Chris Olds does our fun factstheme.
Matthew Foskett does our whatyou doing, what are you excited
themes that we interchange.
Paul does a lot of work on thisshow and should be given a lot
of credit for all of his littlezany ads and sound effects and
slams, whams, splash.

(01:34:50):
You know what?
You are the Nickelodeon.
Don't point out things

SPEAKER_03 (01:34:55):
that I

SPEAKER_02 (01:34:55):
can't cope or

SPEAKER_03 (01:34:57):
deal with.

SPEAKER_02 (01:34:58):
Because you wanted to make those onomatopoeias.

SPEAKER_03 (01:35:02):
Watching Portlandia, which is full of a bunch of
weird sound effects, I'm justlike, oh god.

SPEAKER_02 (01:35:09):
I do a little few of the little interstitial stuff
Melinda is there anything youwant people to know about where
can they follow you where canthey find you

SPEAKER_01 (01:35:18):
yeah I'm on let's see I'm on blue sky follow me
there follow me on InstagramMelinda H two L's in Melinda
yeah and I would just say be onthe lookout maybe by the time
this is out the music video Imentioned earlier will be out I

(01:35:39):
think also the first episode ofour D&D show will be out.
So I think we'll call it HerbsHero Rehab.
But yeah, I'm super excited forthat.
And yeah, good time.

SPEAKER_02 (01:35:49):
Nice.
Thanks for coming back.

SPEAKER_01 (01:35:52):
Thank you guys for letting me be on this, my last
episode of this show.
No, you have to come to be arepeat customer.
You have to wake up for

SPEAKER_02 (01:36:01):
this.
You need to redeem yourself.

SPEAKER_01 (01:36:03):
I really

SPEAKER_02 (01:36:03):
do.
You can follow us, the podcast,at ReviewX2Podcast on Instagram.
I'm running RunBMC on Instagramand Letterboxd.

SPEAKER_03 (01:36:12):
I am Paul Axt, badly on Letterboxd.
You can listen to this podcaston, I think, literally every
platform available in America.
Good Pods is one that we like.
Wait, what?
Oh.

SPEAKER_02 (01:36:24):
Oh,

SPEAKER_03 (01:36:24):
no, we have to.
That's it.
They said we haven't.
It's been too long since we'vetalked about

SPEAKER_02 (01:36:29):
shit movie.
Like, subscribe, eat yourveggies and nothing else.

SPEAKER_03 (01:36:35):
No, fuck you, adult.
Die.

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