Sequels are a tricky thing. Should it be like the last one but bigger, or take a left turn that'll send the story into new territory? Or is it more nuanced than that? Will the audience care more about specific plot or character choices than the overall tone? Let's do a few dark horse sequels—Alien 3 and Quantum of Solace—that don't get nearly enough love in their franchises. Guest: Jon.
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