It’s Jazz Fest season in New Orleans, and The Shadow People are back with a heavy-hitting episode featuring trombonist, arranger, and all-around musical badass Alex Wasily—best known for his work with Dumpstaphunk, Earth Wind & Power, and the Very Good Mondays series.Alex joins Nigel Hall, Derrick Freeman, and Danny Abel for a full-on hang in the Brown Hound Sounds studio, talking everything from the importance of rehearsal, the legacy of horn sections, and learning to lead from within, and the deeper meaning of “no covers.”
🔥 Key Topics in this Episode:
How Wasily got called up to join Dumpstaphunk
The origins of Very Good Mondays, an original jam night with no covers allowed
The jazz school mindf*ck and finding your way back to music
Shoutouts to Earth Wind & Power, Natalie Cressman, Brad Walker, and Stevie Wonder
What it means to truly listen on a gig
How music can still be spiritual in an industry that often isn’t
Why Alex considers a “monetary loss a spiritual win”
Recorded deep in Jazz Fest madness, this episode is a love letter to New Orleans music, community, tradition, and transformation.
🎷 Produced at Brown Hound Sounds
📢 Like, share, and hit that subscribe button to support real musicians having real conversations.
📸 Follow us @ShadowPeoplePodcast for new episodes, behind-the-scenes, and Shorts.
❤️ Much love to Crescent Canna for the delicious seltzers and waters
📩 Email shadowpeoplepodcast@gmail.com for any concerns, comments, questions, or confrontations.
👇 Drop a comment below—especially if you’ve caught a Very Good Monday, a Dumpstaphunk set, or for whatever
⏱️ Timestamps:
0:00 – Intro & guest reveal: Alex Wasily joins the show
1:36 – Jazz Fest rehearsal stories & the importance of preparation
4:00 – Alex breaks down what a horn section leader really does
6:14 – Alex’s origin story: Egypt → Savannah → Dumpsterfunk
7:43 – First gig with Dumpsterfunk and getting invited to Jazz Fest
9:31 – Horn sections, arrangements, and the New Orleans tradition
13:10 – Cover bands vs. precision musicianship
14:42 – Earth, Wind & Power tribute: origins and chart arranging
16:04 – Jam Cruise memories & Earth Wind & Fire-level praise
18:33 – Artistic competition, social media, and the death of gratitude
21:47 – Nigel’s mantra: “I am unavailable for that project”
27:25 – Very Good Mondays: how the jam session series began
30:28 – No covers rule & the problem with jamfluencers
34:06 – How to move to New Orleans the right way
36:57 – Ivan Neville’s 5-word masterclass on restraint
38:43 – Social media clout vs. real musical chemistry
40:12 – Sampling vs. stealing — and calling out content thieves
44:08 – The reset button: jazz jams as workouts for musicians
46:04 – Mondays in New Orleans: a deep tradition revived
48:35 – Dungeons & Dragons? No—Do Not Disturb
50:51 – The Pope is dead? Political absurdity & betting on the next one
54:54 – Nigel holds back—for now: racial and social frustration builds
59:01 – Why the podcast exists: connection, healing, and brotherhood
1:02:25 – Final shoutouts: vintage Rhodes, Crescent 9, and Very Good Mondays
#ShadowPeoplePodcast #JazzFest2025 #AlexWasily #dumpstaphunk #VeryGoodMondays #neworleansmusic #TromboneTalk #HornSections #NoCovers #RehearsalFest #Crescent9 #thcseltzer #EarthWindAndPower #DannyAbel #nigelhall #derrickfreeman #brownhoundsounds #podcaststudio #MusicianPodcast #LiveMusicCulture
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