August 17, 2024 • 47 mins
What if you could turn your struggles into a powerful source of creativity and personal growth? Join us on the The S.H.I.T.T.S Podcast as we welcome the brilliant Chicago MC, Andreaus Haley, to share his transformative journey. Formerly known as "Dat Bizness," Andreaus opens up about his path to mindfulness, the significance of being present, and how focusing on the now has profoundly impacted his well-being. We explore the intriguing concept of self-accountability and the art of keeping promises to oneself.
In a heartfelt discussion, Andreaus delves into his battle with anxiety and depression, shedding light on his darkest times, including the loss of his parents and experiencing homelessness. By embracing his real name and taking responsibility for his actions, Andreaus has turned his music into a therapeutic outlet. You'll hear about the evolution of his sound, moving toward a more personal and soulful expression that captures the essence of the Chicago music scene. We also highlight his collaborations with renowned producers like Audacity and Vader, emphasizing the magic that happens when artist-producer chemistry clicks.
Get excited for the section on live performances and upcoming events, including the much-anticipated Barmageddon on August 23rd. Andres shares his creative process for solo projects and collaborations, stressing the importance of making a strong impression every time. With humor, insightful reflections, and a fun rapid-fire question segment, this episode is packed with engaging content. Don’t miss out on hearing from one of Chicago's finest as he talks about his journey, upcoming projects, and the importance of artistic connections.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Hey, hey, hey, hey, yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah.
We are now back at the ChizPodcast.
We the shooting the shit,starting some shit or picking up
what shit left off.
Ayo, I'm your host, monson.
It's the raw, the coolest catchyou heard thus far, aka DJ
(00:20):
Booty Rubber Like no other.
And if you don't believe me,man, go ask your mother.
Ayall, check it out.
This week we got a very, veryspecial guest to the podcast and
I say this shit.
I say very special guest everyfucking week, but it applies,
goddammit.
This week we got a motherfuckeron the podcast and I tell y'all
you know what I'm saying.
I'll be honest about if I'm afan of a motherfucker's music.
(00:41):
Y'all been hearing me talkabout this dude's music and the
shit that he put out, and Ifinally had the chance to get
him on a podcast.
So, with that being said,without further ado, y'all make
some noise for one of the dopestMCs in the city of Chicago, man
, my man, andres Haley.
Y'all, what up, bro, how youfeel, man?
(01:02):
Yes, sir, yes, feel man, yes,sir, yes, sir, man, Thanks for
coming on the podcast, fam.
Speaker 2 (01:07):
Yes, sir, thanks for having me, bro, thanks for
having me.
Speaker 1 (01:09):
So before we go any further, man, I got to get some
shots out to some people.
Man, that's fucking with us andI'm fucking with them.
First of all, man, y'all makesure y'all check me out on Soul
106.3 FM every Sunday, sunday, 9pm to 11 pm with ownership club
.
And I also want to give somehuge shout outs to um, hold up,
what's going on with my shit.
(01:30):
Um, the ladies of the cityfemale motorcycle club.
They can be found supportinglocal and out of state mc clubs,
also supporting the communityor simply enjoying life.
October 5th they are hostingtheir 10-year anniversary 10
years.
Y'all, make sure y'all get intune.
That's some major shit rightthere.
Ayo, they are open for vendors.
(01:51):
So if y'all interested in beinga vendor, y'all make sure y'all
contact, happy, at 773-416-3095.
Once again, thatappy at773-416-3095.
And, man, every time I thinkabout a female motorcycle club,
they just do something to me.
Speaker 3 (02:11):
You know what I'm saying.
Speaker 1 (02:12):
Some cold ass females in leather and motorcycles.
Nigga, come on, man, you can'tbeat that shit Straight up.
So yo, andres man, so on thepodcast man, we'd like to do a
check in with our guest.
How Yo, andres man, so on thepodcast man, we like to check in
with our guests.
Speaker 2 (02:26):
How your week been, bro.
It's been a good week, man.
I'm coming off my birthday andmy daughter's birthday Happy
birthday to both of you, man.
Gratitude, gratitude.
It's been a pretty good week,you know what I'm saying, and
today been a good day.
Specifically, you know what I'msaying.
I ran into some good,unexpected energy earlier is
just.
Speaker 3 (02:42):
That's always a beautiful thing, bro.
It's been actually a good week,bro.
Speaker 2 (02:44):
You know what I'm saying Straight up it's been a
good week.
Thanks for asking too.
No problem, no problem.
Speaker 1 (02:48):
So I also ask this question too, man.
So when I ask people what theyworking on, I know as an artist,
you know they'd be like man,I'm working on this project with
this person.
This person, I like to phraseit in a, I like to apply it a
different way.
When I asked you what youworking on, I ain't talking
about like a project.
Well, I'm talking about aproject, but the project is you
(03:09):
Right?
I ain't talking about like themusic stuff.
What are you working on withinyourself this week?
Speaker 2 (03:15):
Um, I've been working on trying to be more present,
bro, right, my nigga Like um,nigga like um, you know you
could be there and not be there.
I know my folks do it all thetime, right, right.
So, um, you know, you think inthe head all the time I gotta do
this, gotta do that, whatever,whatever you know I'm saying.
So is it like overthinking?
(03:36):
I mean, I wouldn't even sayoverthinking because it come and
go, but it just be interruptinglike right at the moment.
Speaker 1 (03:43):
Okay, you know what I'm saying.
Speaker 2 (03:44):
And I'm learning like I be at my most peaceful when I
be super.
In that moment.
You know what I'm saying, atthat very moment.
You know what I'm saying.
So that's what I've beenworking on, trying to like,
master that shit.
You know what I'm saying,that's what's up.
Practice it.
You know what I'm sayingBecause you know it mattered to
me and anything that mattered tome, I'm going to work on it,
(04:04):
you know what I'm saying.
Speaker 1 (04:05):
And I'm so glad you said that, man, because for me,
what I've been working on is thewhole concept of we will try to
keep our word to other people,but do we keep our word to
ourselves?
You see what I'm saying.
And that's crazy.
When you think about it, manlike you would tell somebody
yeah man, bro, I'm gonna makesure I got you.
(04:26):
You know what I'm saying, I'mgonna make sure I come pick you
up all this week or whatever.
But you didn't tell yourselfnumerous times I'm gonna go to
the gym.
Nigga didn't go.
You know what I'm saying.
Or somebody say, hey, man, Iain't gonna drink this week you
didn't keep your word toyourself, but you'll keep your
word to somebody else.
You know, what I'm saying.
So for me, that's what I'mworking on is mainly keeping my
(04:48):
word to myself, because I feellike if I can discipline myself
to make sure that I'm there and,like you said, being present,
being present for myself, Ithink it's easier for me to be
present for somebody else.
Speaker 4 (05:00):
That's dope.
Yeah, that's what I'm workingon.
Yeah, that's dope.
So yeah, that's what.
Speaker 1 (05:02):
I'm working on.
Yeah, that's ill.
Um.
So for the people out there,like I said, I didn't say the
name so many times Andres Haley.
Where's Andres Haley from?
Speaker 2 (05:12):
oh man, I think anybody who ever heard any of my
music already know already.
Man, I'm from the east side ofChicago.
Um Jamal Milgate housing, wecall it South C.
You know what I'm saying?
8806 South Burley, yeah, yeah.
Speaker 1 (05:25):
I love the bar.
Yeah, what from Burley Street?
Yeah, yeah, yeah, I love it, Ilove it, I love it.
So I know you as Andres Haley,but you had a different name
before that.
Let the people know what theother name was that business.
Speaker 2 (05:41):
You know what I'm saying?
One half of the infamous group.
You know what I'm saying?
Substance Music.
You know what I'm saying.
That's where I really gotestablished at.
You know what I'm saying?
Them Substance Music days.
Yeah, yeah, it was dope shit,that business.
You know what I'm saying.
So it's still today, even withthe name switch nobody calls me
(06:09):
Andreas Haley, me, they gotta.
Speaker 1 (06:10):
It's your butt, like when I'm off stage and we
chilling.
Yeah, might as be like biz.
That biz, you know what I'msaying.
Yeah, because that thatbusiness name got stamped, man
and, and I can see that.
Speaker 2 (06:14):
So two questions first of all, why that business,
but and also why the transitionfrom that business to andres
haley um, that business, becauseI always wanted a name that
just said I'm cold, withoutwithout me having to say I'm
cold.
I wanted, like, when you saythe words, it means like I'm
cold, like that business.
That business like man, andthat business is
(06:35):
self-explanatory, right so?
And during that time, I wastrying to, like, find who I am
as an artist.
Okay, okay, I was always.
I was always just Dre, you knowwhat?
I'm saying yeah, Like just DreDre be over there rapping and
shit that type of shit.
You know what I'm saying.
Speaker 1 (06:47):
That could have been a name too, just Dre, yeah, yeah
, I mean yeah, it could havebeen you know what I'm saying.
Speaker 2 (06:59):
Yeah, but I have thousand.
I'm just I was just like I needyou know.
I'm saying, and I used to saythe word, that business a lot.
Okay, I was with shorty gay,shorty that business whatever,
whatever.
Speaker 3 (07:08):
Right, you know what I'm saying.
He's present.
Yeah, you know what I mean.
Speaker 2 (07:12):
So so, uh, I just man , I.
I remember hollering at mycousin murk.
He was the first one I told I'mlike man, I think I got my name
.
Yeah, I'm that business.
You know I'm saying he like man, it's, it's nice, he like,
that's a decent name, he like.
But you gonna have to, yougonna have to make people like
you gonna have to earn that name.
Yeah, you know what I'm saying.
You gonna have to be on thatlike random mogs pull up on you.
(07:33):
Random, you know what I'msaying, cause mogs are bumping
to mogs in them days and yougotta get it in.
Gotta give it to him.
Speaker 1 (07:40):
Gotta give it to him.
I missed that shit bro, realquick, yeah.
Speaker 2 (07:43):
yeah, I kind of missed it too on the real.
You know what I'm saying.
Speaker 1 (07:46):
Because you had to spit for motherfuckers.
Yeah, yeah, like real talk,like I want to say out south, up
north, wherever Over east.
You know what I'm saying.
Speaker 2 (08:01):
You had to spit for motherfuck the escalator.
Right there by the escalator,you can get it, bro.
Don't run up on me like that.
You know what I'm saying.
Yeah, gave it to him rightthere, bro.
Boom, catch this.
It's like 24.
Boom, boom.
You know what I'm saying?
Damn, right there in the watertower.
I think part of it was low-key,filmed like a very small piece.
That's good, though random andit was so ill because me and
(08:27):
Gordo had the photographer withus that day.
We just happened to be downtowntaking flicks on the real life
bro, real life universe universe, you know what I'm saying
that's what made me come up withthe name that business.
You know what I'm saying.
Like I just wanted somethingthat felt like, yeah, you know
what I'm saying when you hearyou gonna be like who, this mind
think you got a ring to it.
Speaker 1 (08:40):
You know what I'm rock.
Speaker 2 (08:42):
You're gonna be interested, or you're gonna
already hate like that business.
Like who does nigga think he isyou know what I'm saying like.
Or you're gonna be interested,like to hear it one or the other
, it's definitely marketable.
Yeah, and then the name chainscame from just, you know, life
growth.
Yeah, I had.
I had been through so much inmy life at at the time, at the
(09:02):
moment when, when I was goingthrough shit, it was my first
time battling.
I had an anxiety attack.
I was battling depression.
I had never really, you knowwhat I'm saying.
Even growing up in the hood, Imight have been depressed,
without knowing it, but that'sdifferent.
You just living every day, butwhen you feel it on you, when
you losing weight, when you youlosing weight, when you moving
(09:24):
different, when you actingdifferent, you know what I'm
saying.
So this was like it was abattle.
You know what I'm saying.
Speaker 1 (09:30):
Yeah, no, I feel you, I feel you and, bro, I commend
you for putting that out there,man, cause it's you would be
amazed at how many motherfuckersare experiencing that same shit
and don't even fucking realizeit you know what?
I'm saying and it's like forblack men, how can we really
even address this shit?
Ayo, we gotta take a break realquick and man shout out to all
(09:51):
the motherfuckers out there manthat tried to run up on
motherfuckers at the water toweror Evergreen Plaza, man, you
got your ass served Now thatshit on camera Yo goof ass.
That's the shit's podcast.
Speaker 3 (10:02):
Zaja Smith.
Zevin Heaven at gmailcom.
Zevin Heaven at Instagram.
Zevin Heaven Facebook.
Zaja Smith.
(10:24):
Facebook.
Zaja Smith 20, instagram.
I have the cupcakes that youneed.
I have the cupcakes that youwant and all the flavors, any
flavor that you can imagineChocolate chip cookies, any type
of sweet treats.
That's why I have seven sweettreats.
Y'all.
I'm mobile If you want to callme.
Area code 872 225 2680.
That's 872 225 2680.
Speaker 1 (10:45):
Yeah, yeah, yeah, yeah, yeah, yeah.
Yeah.
We are not back at the ShizPodcast man and we're in this
motherfucker man.
I got my man, andres Haley, inthis motherfucker aka that
Business and so you was talkingabout the transition from that
Business to Andres Haley andjust some things that you was
going through, some personalthings you was going through.
So, when you think about that,how were you able to take
(11:12):
everything, or at least a majorportion of the stuff that you
was going to going through, andchannel that into your music and
use that shit as therapy, broWell, before the music.
Speaker 2 (11:24):
I had to hold myself accountable for a lot of things
I had did before I could evenget back to the music Like
that's why I say, bro, I wasreally having a like my mom's at
past.
Yeah, I was really goingthrough it.
Then my pops had just passed,you know.
Speaker 1 (11:40):
I'm saying both of them yeah.
Speaker 2 (11:41):
So it was like I really had to, was going through
like bigger than music.
So I had to take accountabilityfor a lot of things.
I did good and bad.
A lot of shit.
I let slide a lot of shit Ishouldn't have let slide, like a
lot of things, bro.
And through it all I just feltlike, man, I don't want, I ain't
hiding from nothing.
No more, ever again in life.
(12:02):
You know I'm saying so.
I'm gonna just go back my realname that my mother and father
gave me, and it honored them.
But I'm just like I ain't gotnothing to hide.
No more, bro.
I've been through everything.
I was homeless.
Bro mogs don't know none ofthat.
Bro, I swear to god, I slept onthe train, bro, not for long,
not for long.
I don't want to act like that,but just you know what I'm
saying it was real, though.
You know what I'm saying.
It was, it was a bad, it was adark time and I came back up and
then boom, it's just like man,me yo, andreas Haley.
(12:24):
Now everybody know I'm, I'mthat business, but but it was
just like a way of just beingfree man.
Anything I went through.
I felt like I came out shiningand I just wanted to be like.
You know, moms and pops, whatup, it's just me, andreas haley.
You know what I'm saying heybro I ain't gonna lie to you,
man.
It's cons to it, dude, it's consto it.
Though, because I can't donothing, I can't hide, you know,
you can hide behind that shiteverybody know it.
Speaker 1 (12:48):
Google that nigga.
You know it's right.
There we're.
Hey, bro, I got to be honestwith you, man, I was familiar, I
was definitely familiar withSubstance.
You know what I'm saying, youand Gordo.
However, bro, it was justsomething.
I ain't going to lie to you,man, it was just something when
you went and you start using theAndres Haley, like, and you
(13:11):
start using the Andreas Haley,like, using that name, it was
just something in the musicwhere I was listening to it,
like, to me it kind of felt likeit was a change in the music.
You know what I'm saying.
Like it felt more personal, youknow what I'm saying.
Like, the shit that you wasputting out there, like it
seemed like it was definitelythat boom bap, that hard ass rap
, but what I liked about it wasit was sold in that shit, bro,
not to say that you know,substance wasn't.
Speaker 2 (13:33):
I know what you mean.
Speaker 1 (13:34):
But it was like your personal.
It's like you was putting yourpersonal shit out there in a
dope ass way.
You know, what I'm saying.
So, like I always tellmotherfuckers man, one of the
coldest albums for me, man, isReal Life Rap.
I bump that shit damn nearevery day, bro.
Yeah, and one of the thingsthat stand out to me is I think
(13:56):
you have been able to embody aChicago sound.
See what I'm saying.
Like a Chicago sound thatsounds like you ain't.
You know how they say New Yorkmotherfucker sound Like nigga.
(14:16):
You sound like a motherfuckerfrom Chicago that's just talking
on his motherfucking,motherfucking songs.
You know what I'm saying andthat's what I like about it.
So was it a challenge to dothat?
Like, did you ever feel like Ineed to switch it up?
I need I gotta go do a rewriteso it sound different, or
whatever you know.
I'm saying, like, how did you,how were you able to really like
embody that sound like that?
Speaker 2 (14:31):
man, bro, it just, it's just been through the
growth like years of likecoaching, like years of veda
telling me, like, stop having arap voice, like just rap, how
you rap with your voice.
Like years of people telling methings, bro, that finally
clicked when I went through allthat.
You know it just it was like soI felt more free, I was able to
(14:52):
write more freer.
You know more natural, morenatural, yeah, freer, yeah, but
you know what I'm saying.
I was saying so I felt, um andand believe it or not, even
going by the name change, evengoing by my real name, made me
feel like a new artist again ina sense.
You know what i'm'm sayingBecause I had mogs hitting me up
(15:13):
from, like third grade bro,because when you that's a
familiar name, like if you knew,like if you knew somebody in
third grade named Andreas Haley,and you see something come
across your screen about AndreasHaley performing, you like it
can't be him.
And you look and it's me forreal, in this in this me for
(15:35):
real.
It's like that's that nigga,that's my business, that's that,
that's dude, that's from janethorpe, boom.
You know I'm saying so.
I the music, felt fresh againand, like I say, after
everything I had went through,I'm like all, right now I'm
ready to rap again.
Yeah, yeah, like, even though Iwas putting albums out when I
was going through it down, theyain't good to me.
They sound like depressing,depressing music.
You know what I'm saying to mepersonally.
Speaker 1 (15:57):
But you never know, bro, that could be the shit
that'll get somebody throughtheir day and you don't even
realize it.
You see what I'm saying becausesomebody else hearing it and
they hear it and they like, damn, this motherfucker going
through the same shit I'm goingthrough and the B-code, you know
what I'm saying.
And then it's like, and likeyou said, I better told you
don't use the like you rappingrap.
Speaker 2 (16:19):
You know what I'm saying, use it like you talking
to him, talk to him and say thatway man, when you wanna, when
that feeling come for real, it'sgonna come out through your
voice for real, Instead of itjust sounding like a bar.
Right, it's going.
They going to know you.
That was real, everything real.
But you get what I'm saying?
Speaker 1 (16:36):
No, I get it.
I get it.
And the only reason why I'mlaughing, man, because I think
about the line when I firstheard it.
And I laughed my ass off when Ifirst heard it Because you was
like yo get your goof ass out ofhere.
Like it was like, and I heardon the thing, I was like nigga,
it sound like that nigga wasn'trapping, that.
It sound like he just got onthe mic and somebody did some
stupid shit and he just said it.
Speaker 2 (16:56):
Shout out my cousin Boo man.
I was kicking it with my cousinBoo man and we was smoking, we
was chilling, just kicking it,and somebody had did some shit
like in front of us Cuz likethis goof ass nigga.
And when he said it I laughedso hard at the shit dude was
doing.
I say, man, I'm gonna go to thecrib and I'm gonna write a
(17:17):
verse tonight.
I'm gonna start it saying getyour goof ass out of here, swear
to god, you know what I'msaying.
And then I went and did it.
And then I like, two days laterI went and recorded the verse.
Speaker 1 (17:23):
Yeah, boom that shit sound dope.
I can't lie to you, but it justsound dope.
Speaker 2 (17:28):
Yeah, yeah, and that's some chicago shit, man,
like it is.
I realized when I startedtraveling, man, when we was
traveling and that stuff andshit, I realized like I never I
hadn't been outside the city toomuch.
You know what I'm saying.
So I ain't never really feltlike Chicago mocks had an accent
.
I just felt like we, just us,you know what I'm saying Until
you go somewhere else.
Speaker 1 (17:48):
Until you go somewhere else, maybe somewhere
else, and they'd be like whereyou from, like yeah, yeah, get
your goofy ass out of there.
Exactly you know what I'msaying so when you started
thinking about beats, man cause,like I think, the beats that
you use, man like it works youknow what I'm saying how
important is it to you beatselection on a project?
(18:11):
And also, do you think amotherfucker can make a dope
record off an average beat?
Speaker 2 (18:20):
I first yes, you can definitely make a dope record
off an average beat.
It's definitely possible.
I'll come back to that.
As far as the beat selection,bro, shit man, when I was
partners with Gordo, likecertain, I feel like Moggs
always had a better ear than me.
Okay, my homie Dawi had a greatear, great beat selection.
Gordo, great beat selector, youknow what I'm saying.
(18:43):
Even Cuzzo Merc great beatselector.
So, and Moggs used to tell methat I didn't pick dope beats.
Oh, you know what I'm saying.
To be quite honest, yeah, notall the time, but like certain
ones, like, ah, you know whatI'm saying.
And, um, I guess, through yearsof that, I just I kinda I think
I'm developing the ear.
But I think I'm developing theear for, like, knowing who I am.
Speaker 1 (19:07):
So I know, I know what I get in the pocket.
Speaker 2 (19:09):
Yeah, yeah, like.
So, like, every beat ain't thesame, but every beat is fitting
for me, right?
You?
know what I'm saying all thebeats on every album I put out.
All the beats is up and down,they is everywhere.
None of it sound the same.
Yeah, you know I'm saying but,but they all are right for for
how I could be, yeah, type, youknow I'm saying so I feel you,
(19:30):
I'm just learning my sound, man,and shout out to all the
producers that have beenblessing me man, I'm telling you
it's nasty outside, whoo so,speaking of such cause, you work
with a lot of producers.
Speaker 1 (19:44):
You know what I'm saying.
So when you start to thinkabout the producers that you
work with, can you speak aboutthe chemistry that you have with
these different producers, anddoes that chemistry navigate the
record or does that chemistrynavigate the project?
You know what I'm saying.
Just say life.
Oh man, my bad, all right,we're gonna take a break real
quick.
(20:04):
Ayo, shout out to motherfuckersthat get caught up in the
questions and they don't see thecadres with his finger up
saying wrap that shit up.
I'm talking about my stupid ass.
Man, it's the Shits Podcast.
Speaker 4 (20:13):
Man, it's the Shits, it's comedian Marnie P checking
in from the Shits Podcast.
What's up, man, what's up, it'sall good.
Yo check it.
Black male from the ghetto.
You know the story.
Substitute whatever your blockis for.
Burly 91st brought the flow,made a nigga worldly is avoid
(21:06):
the beast.
Speaker 1 (21:07):
I don't know, y'all better get up on it, man.
Yo, I heard that shit bro, andthe beat just sound different as
fuck to me.
You know what I'm saying.
Yo, I heard that shit bro, andthe beat just sound different as
fuck to me.
You know what I'm saying.
It sound different as hell.
So, like I said, the questionwas the chemistry that you have
with different producers, andhow does that chemistry navigate
(21:28):
the record?
You know what I'm saying.
How does it?
You know what I'm saying ordoes it make you go a different
direction with the record?
You know I'm saying.
How does it?
You know I'm saying does it ordoes it or does it make you go a
different direction with therecord, depending on the
producer?
You know I'm saying um, thechemistry definitely matter with
the producer, you know I'm
Speaker 2 (21:43):
saying, um, but some joints is just like, like I had
been no audacity.
You know what I'm saying.
Yeah, like we both done, didshows together and, you know,
been in numerous places together, and so when I finally got some
tracks from him, that was oneof them, and I'm like man, you
know this joint, different it is.
(22:05):
You know what I'm saying.
And I'm going to say something,joe, like I'm a huge Black
Thought fan and I'm a fan of howblack thoughts get on, how
black thought get on beatsthat's like 90 bpms and better
and just glide.
He just be on them joints, likelike you're doing shit.
You know what I'm saying.
And on certain tracks I'll belike man, this like a I'm a, I'm
(22:28):
a ride.
I'm gonna try to ride this onelike a, like a black thought
type.
You know what I'm saying.
So that was my mindset comingin.
It don't sound nothing a BlackThought type.
You know what I'm saying.
So that was my mindset comingin.
It don't sound nothing likeBlack Thought at all.
You know what I'm saying.
But my mindset was to justrapid fire, just flowing.
You know what I'm saying.
So, yeah, and that track wasjust different, shout out,
audacity, like I say.
And then, yeah, it mattered,like the energy we produce, it
mattered more.
(22:48):
I feel like when I'm locking into do whole albums, okay like I
could just get a track fromsomebody and just lace a track,
any track, you know I'm sayingbut um, like when you, when
you're trying to do projects,the whole project.
Speaker 1 (22:59):
It's different.
Yeah, it is different.
Speaker 2 (23:01):
You, you want, you want the energy to coincide.
Um, you know y'all, y'all wantto be linked in, like the
consistency.
Yeah yeah you know I'm saying so, um, you know, and every
everybody I've done a full albumwith, I feel like I've been
locked in.
At least you know what I'msaying at those moments.
You know what I'm saying.
Vader is the ace in the hole.
Vader, vader.
I've been going to Vader sinceI was you know what I'm saying a
(23:22):
young youth, as Ray would sayyeah, you know what I'm saying.
So, yeah, you know what I'msaying.
But this new joint I got wascustom made made, bro.
It's nasty outside.
It was like I've been hearingyou speak about it.
Yeah, yeah, man, I'm excitedabout it.
It's just, it's almost.
It's finishing touches, bro,and I'm excited, though you know
I'm saying like and and that'swhat I mean, bro like this the
(23:42):
first time I feel excited againto drop some music and oh, they
gotta be one of the well before,they gotta be one of the best
feelings.
Speaker 1 (23:50):
I do gotta say this, though I want everybody to go
check out that record, cause,hey, man, it's a line that you
saying that motherfucker man,and I was rolling when I fucking
heard this shit and I had toexplain it to my son.
Something about niggas sketchylike.
Speaker 2 (24:05):
Etch-A-Sketches.
I'm fucking everybody up,Fuckin' some.
Yeah shaky like Etch-A-Sketches.
I'm fucking everybody up Fuckyour sexual preference.
Speaker 1 (24:12):
That shit was funny as hell to me, so I sat there
and explained it to him.
So I said and I put becausehe's 16.
He's 16.
He getting it.
And I was like so you don't getthat.
Speaker 2 (24:22):
He was like no, I'm like fuck it, though it's funny
as hell.
Speaker 1 (24:32):
Yeah, I be wanting to say some funny shit.
You know what I mean, man.
Hey, you succeeded.
Speaker 3 (24:36):
You succeeded.
Speaker 1 (24:37):
And I say that, man, because I think there's
definitely an importance inwordplay and humor, especially
like with today's hip hop.
Bro, like you know,motherfuckers so angry nowadays
yeah, bro, it's crazy, superfucking angry and it's like
everybody want to kill the nextnigga beat the next nigga, even
the bitches want to.
The bitches want to beat thenext bitch.
Speaker 2 (24:59):
It's like come on, man way, way out of line, bro,
and and I ain't gonna lie, likelook, music has always been
brash.
You know, you guys, we grew upon mop.
Yeah, oh, yeahp, yeah.
Speaker 1 (25:10):
Oh yeah, that's loud motherfuckers, bro Mobb.
Speaker 2 (25:12):
Deep.
You know what I'm saying.
Woo MOP name is Mash Out Posse.
Bro, beat the shit out you.
You know what I'm saying.
And they rapped about that allday, every day, right?
So my thing ain't necessarilyalways content as much as it is
about the craft, bro, right?
Like mop, talk about whoopingyour ass all day coldly, though
(25:34):
doply and lyrically, bro, it wasjust cold.
You know what I'm saying?
like yeah like and it's just areal world.
So it's niggas in the worldthat's like that.
It's robber niggas, scammers.
It's niggas that see you andjust try to whoop you.
So I ain't necessarily mad atthe content, but what I am mad
at is like bringing all of theday-to-day gangbang into the hip
(25:55):
hop Like niggas on the block,pop fam, and then y'all go to
the studio and do a song aboutit.
That's way too.
That's too much, man you know,what I'm saying.
Then y'all on, live, on, likepeople getting killed on live
and all that.
It's different.
This generation is different.
It's like they don't care aboutbeing alive.
Yeah, yeah.
Speaker 3 (26:14):
They're desensitized.
Speaker 2 (26:14):
Yeah, yeah, yeah, as a motherfucker, they've been
doing a job on us for a while,bro.
I remember when the internetfirst jaded down.
You know what I'm saying yeah,yeah, yeah, it was crazy.
Speaker 1 (26:22):
So, speaking of such man, you got a song.
I feel like there's some linesthat you dropped in there that
talked about.
Speaker 2 (26:35):
Man first off, thank you for even acknowledging the
juke.
Speaker 3 (26:38):
Man, that shit cold as fuck.
Speaker 2 (26:39):
I dropped that project, bro.
It's only seven songs, uh-huh.
No one ever talks about thejuke.
Mog's telling me about numerousother songs.
Mog like to join Osco.
I got with Gordo.
Yeah, people tell me theirfavorite song is Bars with Blaze
B.
That's cultural, but ain't nountil you, bro, you the first
person.
Speaker 1 (26:58):
So thank you.
Hey man, no problem, takeknowledge in the juke man man.
Hey look bro, nigga.
You said taking pills just toget an erection.
The juke bro.
The juke.
So explain that for people.
That for people that don'tunderstand the juke, explain it
man, the juke is the overlay.
Speaker 2 (27:18):
For the underlay, the juke is the hey, come over here
.
Everything is love gotcha it'snot love.
You know I'm saying it's notwhat we said it was.
You know I'm saying like, likeI, I got a line in there I say
think, think about this, bro.
This happened in real life,right?
So I just want to be clearabout all my lyrics.
Like this is we all saw thishappen with our own eyes.
(27:41):
We all grew up eating chickennuggets from McDonald's.
All of us, if you 80s babies,90s babies, even 2000s, whatever
, I don't know what year, but weall remember the year where
they said chicken nuggets nowmade with the real meat, the
white meat.
(28:02):
Now, in 2000, something Right,they said this what was it made
with?
Before?
It was just six piece nuggets,Six piece now made with all
white meat.
So so, mog, tell me, man, theyjust saying, like before they
probably was using the dark meat.
Hey, man, listen.
Nevertheless, nigga, you knowwhat I'm saying.
(28:23):
I don't think none of that shitis.
It's all a juke, bro.
Yeah, it's all a juke bro.
It's all poison, a lot of stuff.
You know what I'm saying, but Itried to put it in song form,
but it might have been too, youknow.
But I said the juke becauseit's like you know what I'm
saying, they juking you.
Speaker 1 (28:39):
It's like I got it as soon as I heard it.
Speaker 2 (28:41):
I got it.
Yeah, you know what I'm saying.
And it's like, it's regularthough, bro, like, because we
born in it, like got a tab onyou from birth.
Bro, that's you, nigga.
I got the number.
Yeah, andreas Haley, thatbusiness, whatever.
Nigga.
You this number, you the numberas far as American citizenship.
(29:03):
You know what I'm saying.
Speaker 1 (29:05):
And I feel like this.
When I say GPS juke bro, I lookat it like that's the shit
motherfuckers should be peepingbecause it's informative and
it's entertaining.
You get what I'm saying.
So that's what really got meabout it, cause it's like even
the way you arranged it you knowwhat I'm saying.
You know the way you arrangedthe song I was like that shit
(29:26):
dope.
It's clever and the lyrics wasclever and the beat was dope.
So that's why I reallygravitated towards it.
Speaker 2 (29:31):
I was like man, that's one of my favorite
motherfucking songs right there.
It's one of the favorite jointsI wrote.
I had the little boy shit skidat the beginning off the
Bloodsport.
A dude said don't fall for thetrick.
A dude said don't fall for thetrick On the real Joe.
I like doing stuff like that.
Speaker 1 (29:47):
Joe, the crazy shit about it is still falling for it
.
Hey, y'all, man, we gotta takea break real quick.
Hey, shout out to all themotherfuckers out there, man,
that uh still eating themnuggets and fuck it, man.
10, you on my nigga.
It's just podcast, man, it'sthe shit for all erotic needs
and fantasy needs.
(30:08):
Please contact coldpleasures,that's c-o-l-pleasures dot com
yeah, yeah, yeah yeah, we're nowback at the Shiz Podcast, man,
and we're in here.
Man Woman Andres Haley, man,dope-ass lyricist out to the
Chicago man.
Hey, man, let me tell y'allsomething, real shit.
Y'all make sure y'all get up onall his music, man.
Speaker 2 (30:35):
Hey, matter of fact, tell them any all the shit.
I want to find all the DSPs youknow I'm saying.
Just type in address Haley,that's a and dr e a us.
That's Andreas.
Last name Haley H a le why I'msaying a and dr e a us H a le
why any of that.
I told Spotify, google Play orjust what you know wherever
music be, and and on all thesocial medias that's my name
tick, tiktok, twitter, instagram, facebook.
(30:55):
It's all me, andreas Haley youknow what I'm saying you can get
that music while you're waitingon this new joint.
You know what I'm saying.
Speaker 1 (31:04):
Hey, man, I know motherfuckers, hey, I've been
hearing motherfuckers speakabout your body of work, so I
know they're going to feel thenew shit coming out.
Your body of work, so I knowthey're gonna feel a new shit
coming out.
So when you start to thinkabout, like you got your own
stuff, that you do your ownprojects, but then people ask
you to hop on they shit, right.
So when you think about that,what's the difference in
(31:28):
murdering somebody on they ownshit compared to being
competitive?
Is it a difference?
Speaker 2 (31:37):
um, it is a difference, um, because when I'm
when I'm just writing my ownshit, I'm just on whatever I'm
on right, it's just the jukejoint, whatever you know, what
I'm saying, um, but whensomebody got me on a feature, um
, either they, if they give me aparticular topic or if they
just like man, just do you.
(31:59):
You know what I'm saying?
Um, I ain't necessarily I don'tlike to come in with the
mindset to to murder the othermc, but I do come in with the
mindset to make my stamp as, aslike it don't matter what you,
what your verse is, it's noteven about you.
At this point, it's like nigga,this is time for me to come on
(32:21):
this other track, get some otherfan base.
Speaker 5 (32:24):
Yeah, this ain't even really got nothing to do with
you, fam I mean I rock with youas we, we rock but I gotta do
what I gotta do as far as my pen.
Yeah, I gotta do what I gottado.
Speaker 3 (32:30):
I'm coming over here just man what's I gotta do, what
I gotta do.
Speaker 2 (32:32):
I'm coming over here to man what's up, joe, look what
y'all on over here.
Joe, check me out.
Boom, let it be known I'm righthere.
Who was dude on that song?
Speaker 1 (32:41):
Exactly.
Speaker 2 (32:42):
Exactly, yeah, yeah, you know what I'm saying.
Say that, say those kind ofconversations after my 16 be
finished.
Speaker 1 (32:47):
You know what?
I'm going to get on there andsay no disrespectful shit about
you.
I ain't about to do a Kendrick.
Speaker 2 (32:53):
No, you know what I'm saying.
Yeah, that's all I need.
Yeah.
Speaker 1 (32:56):
But I definitely got to get on this motherfucking end
.
I need motherfuckers to talkabout my verse more than they
talk about yours.
Yeah, yeah, I get it.
Speaker 2 (33:04):
I like crew joints.
I got a crew joint on my album,man, that I think you know.
I want to hear what people sayabout it.
You know what I'm saying.
So can we ask who won?
I mean, it ain't a lot ofpeople, it's just me, vic Spence
and Philmore Green.
You know what I'm saying.
Oh shit, yeah.
So I want Mox to hit his joint.
I like this joint.
You know what I'm saying.
(33:24):
That should be dope, the wholealbum bro Okay.
You know what I'm saying.
But that joint, like I likecrew joints, like I'm working on
another album right now,actually, you know what I'm
saying and I'm trying to getthis crew joint together with
some of my brothers from overeast.
That you know, we all likedoing separate things, but we
(33:48):
had seen each other other at theat the little old school south
sea reunion.
You know what I'm saying.
We was out there, we was allout there at the reunion.
We spit a couple bars, littlesparring practice.
You know I'm saying I'm likeman, look in real life though,
because you know, not, not thatI'm saying nothing from the
happen to nobody, but just timeis of the essence, bro.
We should all.
You know I need to make thathappen, where I get on the song
with all those brothers, one,one particular song, all us
(34:11):
together, that's.
I'm putting that out here whileI'm on the interview, because
I'm going to make that happen.
I'm speaking that to existenceand then I'm going to call them
when I leave here.
You know what.
Speaker 1 (34:20):
I'm saying Straight up there it is Tell us about the
event coming up August 23rd man, barmageddon man.
Speaker 2 (34:29):
Barmageddon man First off.
Shout out GQ, the teacher.
Shout out my man Griffin, youknow what I'm saying.
Shout out, like everybodyinvolved in this, the brothers
from the West Coast, the Licks,razz Cash.
You know what I'm saying, king T, now Everybody that helped put
this show together, man you knowwhat I'm saying I think I'ma do
(34:52):
Like maybe one or two Of my newjoints Off the new album, like
nobody never heard None of thisstuff Off the new album, bro.
Okay, so and.
But I'm also a little tornBecause I know there's gonna be
a few people there to rock withme.
So I'm like I should just dosome, make sure I do the joints
that people already knowFamiliar, familiar.
But I gotta sneak in at leastone or two of these new joints,
(35:12):
bro, like not necessarily awhole song, but a verse or two.
You know, bro, because becauseI'm ready to, I'm ready to start
.
You know I'm saying lettingmogs know.
Speaker 1 (35:22):
Yeah, you know I'm saying it's nasty, you know I'm
saying and this set of um, I'mbe honest with you, man, I ain't
never really heard of this spot.
You know I'm saying it'srelatively new bro.
Speaker 2 (35:31):
Okay, maybe three to five years max.
Okay, five years I would saywould be max.
And this is me visually,because I drive that block a lot
.
Okay, you know what I'm saying.
So I'm you know what.
I'm saying, something like that.
But, um, what's that?
Speaker 1 (35:43):
privilege.
Yeah, yeah, yeah.
Speaker 2 (35:44):
6947 South Chicago Avenue man and all my east side
people know man, this man.
This my first time performingat a venue over east bro.
And me being from over east,like I'm kind of excited about
that, you know what I'm saying.
Like everyone in Chicago, we'vebeen performing, you know,
either up north or in thehundreds.
Speaker 3 (36:03):
That is true.
You know what I'm saying.
Speaker 2 (36:05):
You know, it's like you got on 47, the Coach Center,
but that ain't really over east.
You know what I'm saying?
That's still south side.
Speaker 1 (36:13):
Yeah, that's like you know, that's like Bronzeville.
Yeah, that's like, yeah,bronzeville, you know what I'm
saying Like.
Speaker 2 (36:18):
So I'm like, yeah, 69th and South Chicago, Like man
, shit, we could drive a coupleblocks, we in the land, you
right there.
Yeah, I'm back on Burley, myguys from the land up in there
with me, man.
So you know, it's just, yeah,man, it's going to be.
And, to be honest, I'm a fanman of the Licks and the
Razzcast man, so I'm just like.
(36:39):
You know, I ain't going to letme, being the MC, make me act
like I'm not a fan of thesedudes and I'm not Like.
So, yeah, you know what I'msaying.
I got joints in the chainbecause I know this is going to
be a rapping ass show.
Speaker 1 (36:56):
It is, it is bro, and you got, you got Big Spence on
there.
I'm not going.
You got Jujula, yeah.
Speaker 2 (37:03):
I.
Speaker 1 (37:03):
Am God, oh man come on man bro all three of them.
Speaker 2 (37:10):
I've been inspired watching all three of these
dudes man rufus, sims, joel q,my man, ill, gordon man, like
I've been watching mogs, uh,veal the general.
I've been watching, bro, youknow I'm saying I've been, I've
been gathering, getting my athing together, you know I'm
saying, but I've been watchingit and I've been inspired by
everything, bro, like the cribgoing crazy right now.
Really, you know I'm saying sothat's why I say, man, I'm
(37:31):
excited to be on this show with,not only with the west coast
brothers, but with the these,the legends from the crib, yeah,
you know, I'm saying theselegends, bro.
Speaker 1 (37:40):
You said it best.
You said it's gonna be arapping ass show like this.
Speaker 2 (37:43):
I'm looking at the names on that man these are all
rapping niggas, man rapping bars, rap ass mogs man.
Me too.
I've been rapping boys for along time.
I rap, I be rapping.
You know what I'm saying.
Speaker 1 (37:57):
And a plus to the whole thing is going to be beat
sets by Cool Out, chris IllBrown and the one, the only my
man, decker Durz.
Hey, and I'm going to telly'all just like this we heard
some of the beats.
Decker was playing man LikeDecker got some shit and I'm
pretty sure you know everybodybring their A-game.
Speaker 2 (38:15):
I know everybody got some shit, but listen Durs, hey,
listen man.
Speaker 1 (38:18):
This is going to be some hip-hop shit y'all.
Speaker 2 (38:19):
Yeah, man, this is going to be some hip-hop shit.
Speaker 1 (38:21):
Friday August 23rd.
Friday August 23rd.
Doors open at 8 pm.
7th South Chicago Avenue y'all.
Speaker 2 (38:31):
Yeah, man, pull up over east, man, you know what
I'm saying and y'all know, justgo on my page, man.
I got the links and the biosand the comments, statuses and
all that shit.
Man, the links is up there, man, hit the link, you know what
I'm saying.
Grab them tickets, man.
Come out, support man we overeast you know what I'm saying
next Friday, joe.
Speaker 1 (38:48):
So, yeah, man, anybody that's anybody out there
that's a fan of bars and a fanof beats not like getting your
ass beat, because I don't thinka motherfucker like getting his
ass beat.
Nah, and you do.
That's your only thing.
But anyway, if you're a fan ofbars or you're a fan of beats,
y'all need to bring your ass outto Barmageddon.
(39:09):
Doors open 8 pm Friday, august23rd at Privilege 6947 South
Chicago Avenue.
Get y'all tickets.
Man the Licks Razzcast King T.
I Am God.
Andreas Haley, jujilla, vicSpencer, hey man, it's going to
be a crazy-ass night.
Hey y'all, I got to take a breakreal quick.
(39:30):
Shout out to all themotherfuckers out there man that
still ain't got theirmotherfucking tickets, they're
going to be outside begging fora motherfucker to get their ass
in, man.
Get your goof ass out of here,man.
It's just podcast this shit.
Speaker 3 (39:41):
Hey everybody, it's comedian Stephanie Robertson
with the shits.
Come check it out.
You can follow me on Instagramat Stephanie underscore
underscore Robertson.
I will see you there.
Make sure to follow.
Speaker 1 (39:52):
Ghost with the Rose.
We are not back at the ShizPodcast.
We're either shooting the Shiz,starring some shit or picking
up shit left off.
Speaker 2 (39:59):
Hey, man, hey man, that's some funny shit.
Speaker 1 (40:03):
Let me tell y'all man , hey, when a nigga tell y'all
that he done, god damn it, hedone Like don't say shit else
nigga straight up, go on withthe roast, unless you want the
smoke.
you know what I'm saying, sospeak.
So we about to get into thisshit right here, man, it's the
game.
This is the game portion of theshow.
I don't know where my shit at.
(40:25):
Get into my shit, all right,y'all, y'all know what it is.
It's just podcast and it's thegame portion of the show.
And today's participant is myman, andres Haley, and the game
this week is, first of all, it'seasy as fuck.
You know what I'm saying.
(40:47):
Easy as you do, and I'm goingto say it just like this man, if
y'all hear this shit on anyother podcast, stop the shit out
there and start fighting.
It's real easy to do, all right, so check it out, man.
So, basically, all we're doing,man, you got a minute right.
So really, we're just trying tosee how many you can answer,
(41:10):
and you're just answering asreal as possible, man.
First thing, come to your head,right?
So I think the highest anybodyever got was 10, and I think
that was over way from power,shit.
Oh, edward Williams, the third.
Yeah, I think he got like 10,alright, so whatever come to
mind, bro.
Whatever come to mind, alright,you ready.
(41:32):
Alright, quickest way to gethired lie on your resume
quickest way to get famous dosome bullshit on camera.
Speaker 2 (41:43):
Quickest way to get famous do some bullshit on
camera.
Quickest way to get robbed flexin the wrong place quickest way
to get blocked it don't matterthat, shit don't matter to me.
Quickest way to go viral again,like show your ass.
Or if you a guy like do somedumb shit, jump in the aisle at
(42:04):
walmart or some type of poursome milk on yourself.
Quickest way to get in shape,um, eat better and do and walk
more quickest way to get yourass?
Speaker 1 (42:16):
what?
Speaker 2 (42:19):
hey man, just being on some dumb shit, yo you know
what.
I'm saying it's the wrong place, wrong time.
Sometimes there's all kinds ofways in Chicago Quickest way to
get fired.
I thought we said that.
I don't know, man, disrespectyour boss.
Speaker 1 (42:40):
Hey man, I think you had.
What's that About eight?
That's about eight man.
Hey look, check.
What's that About eight?
That's about eight man.
Hey look, check it out.
Y'all, that was my man, andresHaley man.
The game is, first of all, likeI told y'all, man.
Speaker 3 (42:51):
Hey, if y'all hear this game, anywhere else.
Speaker 1 (42:53):
Slap the shit out, the motherfuckers, man, because
that game is only on the ShitsPodcast.
Man, when we come back, we Comeback.
We're going to have thisinterview with the one, the only
, andreas Hedman.
Y'all keep on tuning in andlook if y'all don't want to get
fired.
Man, don't disrespect the box.
I'm telling you that shit ain'tcool y'all, it's just my cat
man, man.
Speaker 2 (43:12):
What up, ladies and?
Speaker 5 (43:12):
gentlemen, it's the American Dream, the American
Nightmare, the Heartbreaker,young Baka.
And when I come I get on theradio with the shits podcast.
One more time.
Man Give a big shout out to hisshits podcast.
Young Bach productions.
Man Hollis we out here.
Speaker 1 (43:27):
Yeah, we are now back at the shits podcast, man, and
look y'all, I'll tell y'all,just like this, it's been a cool
last night Cause, like I said,man, I'm not motherfucker to say
man, I'm a fan, you know.
So I'm a fan of my man music,you know.
I'm saying where he came fromwith his music and how he
putting it, how he putting themessage out there, the content,
(43:48):
the delivery man.
So, uh, man, on that note, man,let the people know what you
got going on, where they canfind you at.
You know, I'm saying what youlike, like what you're gonna be
up to um all social media.
Speaker 2 (43:59):
Like I said, andreas haley, a-n-d-r-e-a-u-s-h-a-l-e-y
.
You know I'm saying and, um, asfar as, uh, you know, august
23rd, like I say, we'll be atprivilege 69, 47, south south
chicago.
You know I'm saying shout outto the licks razzcast everybody
involved with that.
Um, besides that, you know I'msaying, uh, y'all check out for
my new album coming soon it'snasty outside fully produced by
(44:21):
Custom Made.
You know what I'm saying.
I'm going to be dropping somevideos for that soon.
I just got a couple morefinishing touches we're putting
on the album.
Then we're going to start thiswhole promo run.
So, just really, that's what Iwant to tell people to be on the
lookout for when you startseeing that it's Nasty Outside
hashtag float around.
You know what I'm saying shareit, because it's coming it
(44:44):
because it's coming.
Speaker 1 (44:44):
You know what I'm saying yeah, yeah.
Speaker 2 (44:45):
And then you got the barmageddon thing coming up.
Yeah, that's the 23rd.
You know I'm saying like I saywe'll be at privilege 69, 47,
south south chicago, so youcatch me there.
You know I'm saying you hit meon social media and just stay in
tune to the new music man likeum and I appreciate everybody
for rocking with me.
You know I'm saying, throughall the ups and downs I know
I've been a pretty transparentartist.
You know what I'm saying.
So Mog's done, seen when I wason bullshit or whatever.
(45:05):
Mog's just know like, yeah, dreass be.
You know he be on some Dre shit,you know what I'm saying
Straight up, you know, but Ilike that because that's me,
this is where I am of a person.
You know what I'm saying, soyeah, meet me on the socials and
I'll see y'all next Friday.
Speaker 1 (45:24):
Man at the Bar, mcgann, joe For sure I'm going
to leave y'all with this man.
I don't know who need to hearthis, but the most important
person that should make youhappy is you.
You know what I'm saying.
So, like a lot of people A lotof people, not a lot, but some
people they like to say thatperson makes me happy, this
person makes me happy.
I'm looking for somebody thatmakes me happy.
(45:45):
The person that should bemaking your ass happy is you.
So if you focus on that,anybody else that comes along is
just to add on.
Remember that shit I'm gonna layyou out with this.
Make fans, not followers.
Followers will get you clout,fans will get you work.
Though, trust the process,understand that nothing happens
(46:06):
nothing great, in my opinion,nothing great happens overnight,
and also realize the wholeconcept of change, which is
conflict, helps and nurturesgrowth.
Eventually.
You know what I'm saying.
Remember that Change ain't abad thing.
And y'all make sure y'all checkout my man, Andres Haley, at
Barmageddon next Friday.
(46:27):
Also, y'all make sure y'allcheck out my man, decker Durs,
with the beat set.
Hey, listen, we heard the beatsalready.
We heard the beats, so we knowthem.
Motherfuckers is bananas, realshit, and I'd like to definitely
express my appreciation toanybody that's been rocking with
the shits podcast.
(46:47):
Um, tuning in telling a friend,telling a friend to tell a
friend.
I definitely appreciate it.
Check us out on spotify applepodcast.
Anywhere you get your podcastat man, you can check out.
Check out the shits podcast andyou can find me on instagram at
monsoon staraw that'ss-t-a-r-a-w.
Also at the shits podcast.
You can follow me on Instagramat monsoons the raw S S T A R A
W, also at the shits podcast.
You can follow me on Facebookmy son's the raw the shits
(47:08):
podcast.
Tick tock, um, and that'spretty much it.
You know other than that I'mout.
Holler y'all later.
Thanks for y'all support.
Oh, once again, shout out to myman.
Hey, hey, hey, hey, yeah, yeah, yeah, yeah, yeah,
yeah, yeah, yeah.
We are now back at the ChizPodcast.
We the shooting the shit,starting some shit or picking up
what shit left off.
Ayo, I'm your host, monson.
It's the raw, the coolest catchyou heard thus far, aka DJ
(00:20):
Booty Rubber Like no other.
And if you don't believe me,man, go ask your mother.
Ayall, check it out.
This week we got a very, veryspecial guest to the podcast and
I say this shit.
I say very special guest everyfucking week, but it applies,
goddammit.
This week we got a motherfuckeron the podcast and I tell y'all
you know what I'm saying.
I'll be honest about if I'm afan of a motherfucker's music.
(00:41):
Y'all been hearing me talkabout this dude's music and the
shit that he put out, and Ifinally had the chance to get
him on a podcast.
So, with that being said,without further ado, y'all make
some noise for one of the dopestMCs in the city of Chicago, man
, my man, andres Haley.
Y'all, what up, bro, how youfeel, man?
(01:02):
Yes, sir, yes, feel man, yes,sir, yes, sir, man, Thanks for
coming on the podcast, fam.
Speaker 2 (01:07):
Yes, sir, thanks for having me, bro, thanks for
having me.
Speaker 1 (01:09):
So before we go any further, man, I got to get some
shots out to some people.
Man, that's fucking with us andI'm fucking with them.
First of all, man, y'all makesure y'all check me out on Soul
106.3 FM every Sunday, sunday, 9pm to 11 pm with ownership club
.
And I also want to give somehuge shout outs to um, hold up,
what's going on with my shit.
(01:30):
Um, the ladies of the cityfemale motorcycle club.
They can be found supportinglocal and out of state mc clubs,
also supporting the communityor simply enjoying life.
October 5th they are hostingtheir 10-year anniversary 10
years.
Y'all, make sure y'all get intune.
That's some major shit rightthere.
Ayo, they are open for vendors.
(01:51):
So if y'all interested in beinga vendor, y'all make sure y'all
contact, happy, at 773-416-3095.
Once again, thatappy at773-416-3095.
And, man, every time I thinkabout a female motorcycle club,
they just do something to me.
Speaker 3 (02:11):
You know what I'm saying.
Speaker 1 (02:12):
Some cold ass females in leather and motorcycles.
Nigga, come on, man, you can'tbeat that shit Straight up.
So yo, andres man, so on thepodcast man, we'd like to do a
check in with our guest.
How Yo, andres man, so on thepodcast man, we like to check in
with our guests.
Speaker 2 (02:26):
How your week been, bro.
It's been a good week, man.
I'm coming off my birthday andmy daughter's birthday Happy
birthday to both of you, man.
Gratitude, gratitude.
It's been a pretty good week,you know what I'm saying, and
today been a good day.
Specifically, you know what I'msaying.
I ran into some good,unexpected energy earlier is
just.
Speaker 3 (02:42):
That's always a beautiful thing, bro.
It's been actually a good week,bro.
Speaker 2 (02:44):
You know what I'm saying Straight up it's been a
good week.
Thanks for asking too.
No problem, no problem.
Speaker 1 (02:48):
So I also ask this question too, man.
So when I ask people what theyworking on, I know as an artist,
you know they'd be like man,I'm working on this project with
this person.
This person, I like to phraseit in a, I like to apply it a
different way.
When I asked you what youworking on, I ain't talking
about like a project.
Well, I'm talking about aproject, but the project is you
(03:09):
Right?
I ain't talking about like themusic stuff.
What are you working on withinyourself this week?
Speaker 2 (03:15):
Um, I've been working on trying to be more present,
bro, right, my nigga Like um,nigga like um, you know you
could be there and not be there.
I know my folks do it all thetime, right, right.
So, um, you know, you think inthe head all the time I gotta do
this, gotta do that, whatever,whatever you know I'm saying.
So is it like overthinking?
(03:36):
I mean, I wouldn't even sayoverthinking because it come and
go, but it just be interruptinglike right at the moment.
Speaker 1 (03:43):
Okay, you know what I'm saying.
Speaker 2 (03:44):
And I'm learning like I be at my most peaceful when I
be super.
In that moment.
You know what I'm saying, atthat very moment.
You know what I'm saying.
So that's what I've beenworking on, trying to like,
master that shit.
You know what I'm saying,that's what's up.
Practice it.
You know what I'm sayingBecause you know it mattered to
me and anything that mattered tome, I'm going to work on it,
(04:04):
you know what I'm saying.
Speaker 1 (04:05):
And I'm so glad you said that, man, because for me,
what I've been working on is thewhole concept of we will try to
keep our word to other people,but do we keep our word to
ourselves?
You see what I'm saying.
And that's crazy.
When you think about it, manlike you would tell somebody
yeah man, bro, I'm gonna makesure I got you.
(04:26):
You know what I'm saying, I'mgonna make sure I come pick you
up all this week or whatever.
But you didn't tell yourselfnumerous times I'm gonna go to
the gym.
Nigga didn't go.
You know what I'm saying.
Or somebody say, hey, man, Iain't gonna drink this week you
didn't keep your word toyourself, but you'll keep your
word to somebody else.
You know, what I'm saying.
So for me, that's what I'mworking on is mainly keeping my
(04:48):
word to myself, because I feellike if I can discipline myself
to make sure that I'm there and,like you said, being present,
being present for myself, Ithink it's easier for me to be
present for somebody else.
Speaker 4 (05:00):
That's dope.
Yeah, that's what I'm workingon.
Yeah, that's dope.
So yeah, that's what.
Speaker 1 (05:02):
I'm working on.
Yeah, that's ill.
Um.
So for the people out there,like I said, I didn't say the
name so many times Andres Haley.
Where's Andres Haley from?
Speaker 2 (05:12):
oh man, I think anybody who ever heard any of my
music already know already.
Man, I'm from the east side ofChicago.
Um Jamal Milgate housing, wecall it South C.
You know what I'm saying?
8806 South Burley, yeah, yeah.
Speaker 1 (05:25):
I love the bar.
Yeah, what from Burley Street?
Yeah, yeah, yeah, I love it, Ilove it, I love it.
So I know you as Andres Haley,but you had a different name
before that.
Let the people know what theother name was that business.
Speaker 2 (05:41):
You know what I'm saying?
One half of the infamous group.
You know what I'm saying?
Substance Music.
You know what I'm saying.
That's where I really gotestablished at.
You know what I'm saying?
Them Substance Music days.
Yeah, yeah, it was dope shit,that business.
You know what I'm saying.
So it's still today, even withthe name switch nobody calls me
(06:09):
Andreas Haley, me, they gotta.
Speaker 1 (06:10):
It's your butt, like when I'm off stage and we
chilling.
Yeah, might as be like biz.
That biz, you know what I'msaying.
Yeah, because that thatbusiness name got stamped, man
and, and I can see that.
Speaker 2 (06:14):
So two questions first of all, why that business,
but and also why the transitionfrom that business to andres
haley um, that business, becauseI always wanted a name that
just said I'm cold, withoutwithout me having to say I'm
cold.
I wanted, like, when you saythe words, it means like I'm
cold, like that business.
That business like man, andthat business is
(06:35):
self-explanatory, right so?
And during that time, I wastrying to, like, find who I am
as an artist.
Okay, okay, I was always.
I was always just Dre, you knowwhat?
I'm saying yeah, Like just DreDre be over there rapping and
shit that type of shit.
You know what I'm saying.
Speaker 1 (06:47):
That could have been a name too, just Dre, yeah, yeah
, I mean yeah, it could havebeen you know what I'm saying.
Speaker 2 (06:59):
Yeah, but I have thousand.
I'm just I was just like I needyou know.
I'm saying, and I used to saythe word, that business a lot.
Okay, I was with shorty gay,shorty that business whatever,
whatever.
Speaker 3 (07:08):
Right, you know what I'm saying.
He's present.
Yeah, you know what I mean.
Speaker 2 (07:12):
So so, uh, I just man , I.
I remember hollering at mycousin murk.
He was the first one I told I'mlike man, I think I got my name
.
Yeah, I'm that business.
You know I'm saying he like man, it's, it's nice, he like,
that's a decent name, he like.
But you gonna have to, yougonna have to make people like
you gonna have to earn that name.
Yeah, you know what I'm saying.
You gonna have to be on thatlike random mogs pull up on you.
(07:33):
Random, you know what I'msaying, cause mogs are bumping
to mogs in them days and yougotta get it in.
Gotta give it to him.
Speaker 1 (07:40):
Gotta give it to him.
I missed that shit bro, realquick, yeah.
Speaker 2 (07:43):
yeah, I kind of missed it too on the real.
You know what I'm saying.
Speaker 1 (07:46):
Because you had to spit for motherfuckers.
Yeah, yeah, like real talk,like I want to say out south, up
north, wherever Over east.
You know what I'm saying.
Speaker 2 (08:01):
You had to spit for motherfuck the escalator.
Right there by the escalator,you can get it, bro.
Don't run up on me like that.
You know what I'm saying.
Yeah, gave it to him rightthere, bro.
Boom, catch this.
It's like 24.
Boom, boom.
You know what I'm saying?
Damn, right there in the watertower.
I think part of it was low-key,filmed like a very small piece.
That's good, though random andit was so ill because me and
(08:27):
Gordo had the photographer withus that day.
We just happened to be downtowntaking flicks on the real life
bro, real life universe universe, you know what I'm saying
that's what made me come up withthe name that business.
You know what I'm saying.
Like I just wanted somethingthat felt like, yeah, you know
what I'm saying when you hearyou gonna be like who, this mind
think you got a ring to it.
Speaker 1 (08:40):
You know what I'm rock.
Speaker 2 (08:42):
You're gonna be interested, or you're gonna
already hate like that business.
Like who does nigga think he isyou know what I'm saying like.
Or you're gonna be interested,like to hear it one or the other
, it's definitely marketable.
Yeah, and then the name chainscame from just, you know, life
growth.
Yeah, I had.
I had been through so much inmy life at at the time, at the
(09:02):
moment when, when I was goingthrough shit, it was my first
time battling.
I had an anxiety attack.
I was battling depression.
I had never really, you knowwhat I'm saying.
Even growing up in the hood, Imight have been depressed,
without knowing it, but that'sdifferent.
You just living every day, butwhen you feel it on you, when
you losing weight, when you youlosing weight, when you moving
(09:24):
different, when you actingdifferent, you know what I'm
saying.
So this was like it was abattle.
You know what I'm saying.
Speaker 1 (09:30):
Yeah, no, I feel you, I feel you and, bro, I commend
you for putting that out there,man, cause it's you would be
amazed at how many motherfuckersare experiencing that same shit
and don't even fucking realizeit you know what?
I'm saying and it's like forblack men, how can we really
even address this shit?
Ayo, we gotta take a break realquick and man shout out to all
(09:51):
the motherfuckers out there manthat tried to run up on
motherfuckers at the water toweror Evergreen Plaza, man, you
got your ass served Now thatshit on camera Yo goof ass.
That's the shit's podcast.
Speaker 3 (10:02):
Zaja Smith.
Zevin Heaven at gmailcom.
Zevin Heaven at Instagram.
Zevin Heaven Facebook.
Zaja Smith.
(10:24):
Facebook.
Zaja Smith 20, instagram.
I have the cupcakes that youneed.
I have the cupcakes that youwant and all the flavors, any
flavor that you can imagineChocolate chip cookies, any type
of sweet treats.
That's why I have seven sweettreats.
Y'all.
I'm mobile If you want to callme.
Area code 872 225 2680.
That's 872 225 2680.
Speaker 1 (10:45):
Yeah, yeah, yeah, yeah, yeah, yeah.
Yeah.
We are not back at the ShizPodcast man and we're in this
motherfucker man.
I got my man, andres Haley, inthis motherfucker aka that
Business and so you was talkingabout the transition from that
Business to Andres Haley andjust some things that you was
going through, some personalthings you was going through.
So, when you think about that,how were you able to take
(11:12):
everything, or at least a majorportion of the stuff that you
was going to going through, andchannel that into your music and
use that shit as therapy, broWell, before the music.
Speaker 2 (11:24):
I had to hold myself accountable for a lot of things
I had did before I could evenget back to the music Like
that's why I say, bro, I wasreally having a like my mom's at
past.
Yeah, I was really goingthrough it.
Then my pops had just passed,you know.
Speaker 1 (11:40):
I'm saying both of them yeah.
Speaker 2 (11:41):
So it was like I really had to, was going through
like bigger than music.
So I had to take accountabilityfor a lot of things.
I did good and bad.
A lot of shit.
I let slide a lot of shit Ishouldn't have let slide, like a
lot of things, bro.
And through it all I just feltlike, man, I don't want, I ain't
hiding from nothing.
No more, ever again in life.
(12:02):
You know I'm saying so.
I'm gonna just go back my realname that my mother and father
gave me, and it honored them.
But I'm just like I ain't gotnothing to hide.
No more, bro.
I've been through everything.
I was homeless.
Bro mogs don't know none ofthat.
Bro, I swear to god, I slept onthe train, bro, not for long,
not for long.
I don't want to act like that,but just you know what I'm
saying it was real, though.
You know what I'm saying.
It was, it was a bad, it was adark time and I came back up and
then boom, it's just like man,me yo, andreas Haley.
(12:24):
Now everybody know I'm, I'mthat business, but but it was
just like a way of just beingfree man.
Anything I went through.
I felt like I came out shiningand I just wanted to be like.
You know, moms and pops, whatup, it's just me, andreas haley.
You know what I'm saying heybro I ain't gonna lie to you,
man.
It's cons to it, dude, it's consto it.
Though, because I can't donothing, I can't hide, you know,
you can hide behind that shiteverybody know it.
Speaker 1 (12:48):
Google that nigga.
You know it's right.
There we're.
Hey, bro, I got to be honestwith you, man, I was familiar, I
was definitely familiar withSubstance.
You know what I'm saying, youand Gordo.
However, bro, it was justsomething.
I ain't going to lie to you,man, it was just something when
you went and you start using theAndres Haley, like, and you
(13:11):
start using the Andreas Haley,like, using that name, it was
just something in the musicwhere I was listening to it,
like, to me it kind of felt likeit was a change in the music.
You know what I'm saying.
Like it felt more personal, youknow what I'm saying.
Like, the shit that you wasputting out there, like it
seemed like it was definitelythat boom bap, that hard ass rap
, but what I liked about it wasit was sold in that shit, bro,
not to say that you know,substance wasn't.
Speaker 2 (13:33):
I know what you mean.
Speaker 1 (13:34):
But it was like your personal.
It's like you was putting yourpersonal shit out there in a
dope ass way.
You know, what I'm saying.
So, like I always tellmotherfuckers man, one of the
coldest albums for me, man, isReal Life Rap.
I bump that shit damn nearevery day, bro.
Yeah, and one of the thingsthat stand out to me is I think
(13:56):
you have been able to embody aChicago sound.
See what I'm saying.
Like a Chicago sound thatsounds like you ain't.
You know how they say New Yorkmotherfucker sound Like nigga.
(14:16):
You sound like a motherfuckerfrom Chicago that's just talking
on his motherfucking,motherfucking songs.
You know what I'm saying andthat's what I like about it.
So was it a challenge to dothat?
Like, did you ever feel like Ineed to switch it up?
I need I gotta go do a rewriteso it sound different, or
whatever you know.
I'm saying, like, how did you,how were you able to really like
embody that sound like that?
Speaker 2 (14:31):
man, bro, it just, it's just been through the
growth like years of likecoaching, like years of veda
telling me, like, stop having arap voice, like just rap, how
you rap with your voice.
Like years of people telling methings, bro, that finally
clicked when I went through allthat.
You know it just it was like soI felt more free, I was able to
(14:52):
write more freer.
You know more natural, morenatural, yeah, freer, yeah, but
you know what I'm saying.
I was saying so I felt, um andand believe it or not, even
going by the name change, evengoing by my real name, made me
feel like a new artist again ina sense.
You know what i'm'm sayingBecause I had mogs hitting me up
(15:13):
from, like third grade bro,because when you that's a
familiar name, like if you knew,like if you knew somebody in
third grade named Andreas Haley,and you see something come
across your screen about AndreasHaley performing, you like it
can't be him.
And you look and it's me forreal, in this in this me for
(15:35):
real.
It's like that's that nigga,that's my business, that's that,
that's dude, that's from janethorpe, boom.
You know I'm saying so.
I the music, felt fresh againand, like I say, after
everything I had went through,I'm like all, right now I'm
ready to rap again.
Yeah, yeah, like, even though Iwas putting albums out when I
was going through it down, theyain't good to me.
They sound like depressing,depressing music.
You know what I'm saying to mepersonally.
Speaker 1 (15:57):
But you never know, bro, that could be the shit
that'll get somebody throughtheir day and you don't even
realize it.
You see what I'm saying becausesomebody else hearing it and
they hear it and they like, damn, this motherfucker going
through the same shit I'm goingthrough and the B-code, you know
what I'm saying.
And then it's like, and likeyou said, I better told you
don't use the like you rappingrap.
Speaker 2 (16:19):
You know what I'm saying, use it like you talking
to him, talk to him and say thatway man, when you wanna, when
that feeling come for real, it'sgonna come out through your
voice for real, Instead of itjust sounding like a bar.
Right, it's going.
They going to know you.
That was real, everything real.
But you get what I'm saying?
Speaker 1 (16:36):
No, I get it.
I get it.
And the only reason why I'mlaughing, man, because I think
about the line when I firstheard it.
And I laughed my ass off when Ifirst heard it Because you was
like yo get your goof ass out ofhere.
Like it was like, and I heardon the thing, I was like nigga,
it sound like that nigga wasn'trapping, that.
It sound like he just got onthe mic and somebody did some
stupid shit and he just said it.
Speaker 2 (16:56):
Shout out my cousin Boo man.
I was kicking it with my cousinBoo man and we was smoking, we
was chilling, just kicking it,and somebody had did some shit
like in front of us Cuz likethis goof ass nigga.
And when he said it I laughedso hard at the shit dude was
doing.
I say, man, I'm gonna go to thecrib and I'm gonna write a
(17:17):
verse tonight.
I'm gonna start it saying getyour goof ass out of here, swear
to god, you know what I'msaying.
And then I went and did it.
And then I like, two days laterI went and recorded the verse.
Speaker 1 (17:23):
Yeah, boom that shit sound dope.
I can't lie to you, but it justsound dope.
Speaker 2 (17:28):
Yeah, yeah, and that's some chicago shit, man,
like it is.
I realized when I startedtraveling, man, when we was
traveling and that stuff andshit, I realized like I never I
hadn't been outside the city toomuch.
You know what I'm saying.
So I ain't never really feltlike Chicago mocks had an accent
.
I just felt like we, just us,you know what I'm saying Until
you go somewhere else.
Speaker 1 (17:48):
Until you go somewhere else, maybe somewhere
else, and they'd be like whereyou from, like yeah, yeah, get
your goofy ass out of there.
Exactly you know what I'msaying so when you started
thinking about beats, man cause,like I think, the beats that
you use, man like it works youknow what I'm saying how
important is it to you beatselection on a project?
(18:11):
And also, do you think amotherfucker can make a dope
record off an average beat?
Speaker 2 (18:20):
I first yes, you can definitely make a dope record
off an average beat.
It's definitely possible.
I'll come back to that.
As far as the beat selection,bro, shit man, when I was
partners with Gordo, likecertain, I feel like Moggs
always had a better ear than me.
Okay, my homie Dawi had a greatear, great beat selection.
Gordo, great beat selector, youknow what I'm saying.
(18:43):
Even Cuzzo Merc great beatselector.
So, and Moggs used to tell methat I didn't pick dope beats.
Oh, you know what I'm saying.
To be quite honest, yeah, notall the time, but like certain
ones, like, ah, you know whatI'm saying.
And, um, I guess, through yearsof that, I just I kinda I think
I'm developing the ear.
But I think I'm developing theear for, like, knowing who I am.
Speaker 1 (19:07):
So I know, I know what I get in the pocket.
Speaker 2 (19:09):
Yeah, yeah, like.
So, like, every beat ain't thesame, but every beat is fitting
for me, right?
You?
know what I'm saying all thebeats on every album I put out.
All the beats is up and down,they is everywhere.
None of it sound the same.
Yeah, you know I'm saying but,but they all are right for for
how I could be, yeah, type, youknow I'm saying so I feel you,
(19:30):
I'm just learning my sound, man,and shout out to all the
producers that have beenblessing me man, I'm telling you
it's nasty outside, whoo so,speaking of such cause, you work
with a lot of producers.
Speaker 1 (19:44):
You know what I'm saying.
So when you start to thinkabout the producers that you
work with, can you speak aboutthe chemistry that you have with
these different producers, anddoes that chemistry navigate the
record or does that chemistrynavigate the project?
You know what I'm saying.
Just say life.
Oh man, my bad, all right,we're gonna take a break real
quick.
(20:04):
Ayo, shout out to motherfuckersthat get caught up in the
questions and they don't see thecadres with his finger up
saying wrap that shit up.
I'm talking about my stupid ass.
Man, it's the Shits Podcast.
Speaker 4 (20:13):
Man, it's the Shits, it's comedian Marnie P checking
in from the Shits Podcast.
What's up, man, what's up, it'sall good.
Yo check it.
Black male from the ghetto.
You know the story.
Substitute whatever your blockis for.
Burly 91st brought the flow,made a nigga worldly is avoid
(21:06):
the beast.
Speaker 1 (21:07):
I don't know, y'all better get up on it, man.
Yo, I heard that shit bro, andthe beat just sound different as
fuck to me.
You know what I'm saying.
Yo, I heard that shit bro, andthe beat just sound different as
fuck to me.
You know what I'm saying.
It sound different as hell.
So, like I said, the questionwas the chemistry that you have
with different producers, andhow does that chemistry navigate
(21:28):
the record?
You know what I'm saying.
How does it?
You know what I'm saying ordoes it make you go a different
direction with the record?
You know I'm saying.
How does it?
You know I'm saying does it ordoes it or does it make you go a
different direction with therecord, depending on the
producer?
You know I'm saying um, thechemistry definitely matter with
the producer, you know I'm
Speaker 2 (21:43):
saying, um, but some joints is just like, like I had
been no audacity.
You know what I'm saying.
Yeah, like we both done, didshows together and, you know,
been in numerous places together, and so when I finally got some
tracks from him, that was oneof them, and I'm like man, you
know this joint, different it is.
(22:05):
You know what I'm saying.
And I'm going to say something,joe, like I'm a huge Black
Thought fan and I'm a fan of howblack thoughts get on, how
black thought get on beatsthat's like 90 bpms and better
and just glide.
He just be on them joints, likelike you're doing shit.
You know what I'm saying.
And on certain tracks I'll belike man, this like a I'm a, I'm
(22:28):
a ride.
I'm gonna try to ride this onelike a, like a black thought
type.
You know what I'm saying.
So that was my mindset comingin.
It don't sound nothing a BlackThought type.
You know what I'm saying.
So that was my mindset comingin.
It don't sound nothing likeBlack Thought at all.
You know what I'm saying.
But my mindset was to justrapid fire, just flowing.
You know what I'm saying.
So, yeah, and that track wasjust different, shout out,
audacity, like I say.
And then, yeah, it mattered,like the energy we produce, it
mattered more.
(22:48):
I feel like when I'm locking into do whole albums, okay like I
could just get a track fromsomebody and just lace a track,
any track, you know I'm sayingbut um, like when you, when
you're trying to do projects,the whole project.
Speaker 1 (22:59):
It's different.
Yeah, it is different.
Speaker 2 (23:01):
You, you want, you want the energy to coincide.
Um, you know y'all, y'all wantto be linked in, like the
consistency.
Yeah yeah you know I'm saying so, um, you know, and every
everybody I've done a full albumwith, I feel like I've been
locked in.
At least you know what I'msaying at those moments.
You know what I'm saying.
Vader is the ace in the hole.
Vader, vader.
I've been going to Vader sinceI was you know what I'm saying a
(23:22):
young youth, as Ray would sayyeah, you know what I'm saying.
So, yeah, you know what I'msaying.
But this new joint I got wascustom made made, bro.
It's nasty outside.
It was like I've been hearingyou speak about it.
Yeah, yeah, man, I'm excitedabout it.
It's just, it's almost.
It's finishing touches, bro,and I'm excited, though you know
I'm saying like and and that'swhat I mean, bro like this the
(23:42):
first time I feel excited againto drop some music and oh, they
gotta be one of the well before,they gotta be one of the best
feelings.
Speaker 1 (23:50):
I do gotta say this, though I want everybody to go
check out that record, cause,hey, man, it's a line that you
saying that motherfucker man,and I was rolling when I fucking
heard this shit and I had toexplain it to my son.
Something about niggas sketchylike.
Speaker 2 (24:05):
Etch-A-Sketches.
I'm fucking everybody up,Fuckin' some.
Yeah shaky like Etch-A-Sketches.
I'm fucking everybody up Fuckyour sexual preference.
Speaker 1 (24:12):
That shit was funny as hell to me, so I sat there
and explained it to him.
So I said and I put becausehe's 16.
He's 16.
He getting it.
And I was like so you don't getthat.
Speaker 2 (24:22):
He was like no, I'm like fuck it, though it's funny
as hell.
Speaker 1 (24:32):
Yeah, I be wanting to say some funny shit.
You know what I mean, man.
Hey, you succeeded.
Speaker 3 (24:36):
You succeeded.
Speaker 1 (24:37):
And I say that, man, because I think there's
definitely an importance inwordplay and humor, especially
like with today's hip hop.
Bro, like you know,motherfuckers so angry nowadays
yeah, bro, it's crazy, superfucking angry and it's like
everybody want to kill the nextnigga beat the next nigga, even
the bitches want to.
The bitches want to beat thenext bitch.
Speaker 2 (24:59):
It's like come on, man way, way out of line, bro,
and and I ain't gonna lie, likelook, music has always been
brash.
You know, you guys, we grew upon mop.
Yeah, oh, yeahp, yeah.
Speaker 1 (25:10):
Oh yeah, that's loud motherfuckers, bro Mobb.
Speaker 2 (25:12):
Deep.
You know what I'm saying.
Woo MOP name is Mash Out Posse.
Bro, beat the shit out you.
You know what I'm saying.
And they rapped about that allday, every day, right?
So my thing ain't necessarilyalways content as much as it is
about the craft, bro, right?
Like mop, talk about whoopingyour ass all day coldly, though
(25:34):
doply and lyrically, bro, it wasjust cold.
You know what I'm saying?
like yeah like and it's just areal world.
So it's niggas in the worldthat's like that.
It's robber niggas, scammers.
It's niggas that see you andjust try to whoop you.
So I ain't necessarily mad atthe content, but what I am mad
at is like bringing all of theday-to-day gangbang into the hip
(25:55):
hop Like niggas on the block,pop fam, and then y'all go to
the studio and do a song aboutit.
That's way too.
That's too much, man you know,what I'm saying.
Then y'all on, live, on, likepeople getting killed on live
and all that.
It's different.
This generation is different.
It's like they don't care aboutbeing alive.
Yeah, yeah.
Speaker 3 (26:14):
They're desensitized.
Speaker 2 (26:14):
Yeah, yeah, yeah, as a motherfucker, they've been
doing a job on us for a while,bro.
I remember when the internetfirst jaded down.
You know what I'm saying yeah,yeah, yeah, it was crazy.
Speaker 1 (26:22):
So, speaking of such man, you got a song.
I feel like there's some linesthat you dropped in there that
talked about.
Speaker 2 (26:35):
Man first off, thank you for even acknowledging the
juke.
Speaker 3 (26:38):
Man, that shit cold as fuck.
Speaker 2 (26:39):
I dropped that project, bro.
It's only seven songs, uh-huh.
No one ever talks about thejuke.
Mog's telling me about numerousother songs.
Mog like to join Osco.
I got with Gordo.
Yeah, people tell me theirfavorite song is Bars with Blaze
B.
That's cultural, but ain't nountil you, bro, you the first
person.
Speaker 1 (26:58):
So thank you.
Hey man, no problem, takeknowledge in the juke man man.
Hey look bro, nigga.
You said taking pills just toget an erection.
The juke bro.
The juke.
So explain that for people.
That for people that don'tunderstand the juke, explain it
man, the juke is the overlay.
Speaker 2 (27:18):
For the underlay, the juke is the hey, come over here
.
Everything is love gotcha it'snot love.
You know I'm saying it's notwhat we said it was.
You know I'm saying like, likeI, I got a line in there I say
think, think about this, bro.
This happened in real life,right?
So I just want to be clearabout all my lyrics.
Like this is we all saw thishappen with our own eyes.
(27:41):
We all grew up eating chickennuggets from McDonald's.
All of us, if you 80s babies,90s babies, even 2000s, whatever
, I don't know what year, but weall remember the year where
they said chicken nuggets nowmade with the real meat, the
white meat.
(28:02):
Now, in 2000, something Right,they said this what was it made
with?
Before?
It was just six piece nuggets,Six piece now made with all
white meat.
So so, mog, tell me, man, theyjust saying, like before they
probably was using the dark meat.
Hey, man, listen.
Nevertheless, nigga, you knowwhat I'm saying.
(28:23):
I don't think none of that shitis.
It's all a juke, bro.
Yeah, it's all a juke bro.
It's all poison, a lot of stuff.
You know what I'm saying, but Itried to put it in song form,
but it might have been too, youknow.
But I said the juke becauseit's like you know what I'm
saying, they juking you.
Speaker 1 (28:39):
It's like I got it as soon as I heard it.
Speaker 2 (28:41):
I got it.
Yeah, you know what I'm saying.
And it's like, it's regularthough, bro, like, because we
born in it, like got a tab onyou from birth.
Bro, that's you, nigga.
I got the number.
Yeah, andreas Haley, thatbusiness, whatever.
Nigga.
You this number, you the numberas far as American citizenship.
(29:03):
You know what I'm saying.
Speaker 1 (29:05):
And I feel like this.
When I say GPS juke bro, I lookat it like that's the shit
motherfuckers should be peepingbecause it's informative and
it's entertaining.
You get what I'm saying.
So that's what really got meabout it, cause it's like even
the way you arranged it you knowwhat I'm saying.
You know the way you arrangedthe song I was like that shit
(29:26):
dope.
It's clever and the lyrics wasclever and the beat was dope.
So that's why I reallygravitated towards it.
Speaker 2 (29:31):
I was like man, that's one of my favorite
motherfucking songs right there.
It's one of the favorite jointsI wrote.
I had the little boy shit skidat the beginning off the
Bloodsport.
A dude said don't fall for thetrick.
A dude said don't fall for thetrick On the real Joe.
I like doing stuff like that.
Speaker 1 (29:47):
Joe, the crazy shit about it is still falling for it
.
Hey, y'all, man, we gotta takea break real quick.
Hey, shout out to all themotherfuckers out there, man,
that uh still eating themnuggets and fuck it, man.
10, you on my nigga.
It's just podcast, man, it'sthe shit for all erotic needs
and fantasy needs.
(30:08):
Please contact coldpleasures,that's c-o-l-pleasures dot com
yeah, yeah, yeah yeah, we're nowback at the Shiz Podcast, man,
and we're in here.
Man Woman Andres Haley, man,dope-ass lyricist out to the
Chicago man.
Hey, man, let me tell y'allsomething, real shit.
Y'all make sure y'all get up onall his music, man.
Speaker 2 (30:35):
Hey, matter of fact, tell them any all the shit.
I want to find all the DSPs youknow I'm saying.
Just type in address Haley,that's a and dr e a us.
That's Andreas.
Last name Haley H a le why I'msaying a and dr e a us H a le
why any of that.
I told Spotify, google Play orjust what you know wherever
music be, and and on all thesocial medias that's my name
tick, tiktok, twitter, instagram, facebook.
(30:55):
It's all me, andreas Haley youknow what I'm saying you can get
that music while you're waitingon this new joint.
You know what I'm saying.
Speaker 1 (31:04):
Hey, man, I know motherfuckers, hey, I've been
hearing motherfuckers speakabout your body of work, so I
know they're going to feel thenew shit coming out.
Your body of work, so I knowthey're gonna feel a new shit
coming out.
So when you start to thinkabout, like you got your own
stuff, that you do your ownprojects, but then people ask
you to hop on they shit, right.
So when you think about that,what's the difference in
(31:28):
murdering somebody on they ownshit compared to being
competitive?
Is it a difference?
Speaker 2 (31:37):
um, it is a difference, um, because when I'm
when I'm just writing my ownshit, I'm just on whatever I'm
on right, it's just the jukejoint, whatever you know, what
I'm saying, um, but whensomebody got me on a feature, um
, either they, if they give me aparticular topic or if they
just like man, just do you.
(31:59):
You know what I'm saying?
Um, I ain't necessarily I don'tlike to come in with the
mindset to to murder the othermc, but I do come in with the
mindset to make my stamp as, aslike it don't matter what you,
what your verse is, it's noteven about you.
At this point, it's like nigga,this is time for me to come on
(32:21):
this other track, get some otherfan base.
Speaker 5 (32:24):
Yeah, this ain't even really got nothing to do with
you, fam I mean I rock with youas we, we rock but I gotta do
what I gotta do as far as my pen.
Yeah, I gotta do what I gottado.
Speaker 3 (32:30):
I'm coming over here just man what's I gotta do, what
I gotta do.
Speaker 2 (32:32):
I'm coming over here to man what's up, joe, look what
y'all on over here.
Joe, check me out.
Boom, let it be known I'm righthere.
Who was dude on that song?
Speaker 1 (32:41):
Exactly.
Speaker 2 (32:42):
Exactly, yeah, yeah, you know what I'm saying.
Say that, say those kind ofconversations after my 16 be
finished.
Speaker 1 (32:47):
You know what?
I'm going to get on there andsay no disrespectful shit about
you.
I ain't about to do a Kendrick.
Speaker 2 (32:53):
No, you know what I'm saying.
Yeah, that's all I need.
Yeah.
Speaker 1 (32:56):
But I definitely got to get on this motherfucking end
.
I need motherfuckers to talkabout my verse more than they
talk about yours.
Yeah, yeah, I get it.
Speaker 2 (33:04):
I like crew joints.
I got a crew joint on my album,man, that I think you know.
I want to hear what people sayabout it.
You know what I'm saying.
So can we ask who won?
I mean, it ain't a lot ofpeople, it's just me, vic Spence
and Philmore Green.
You know what I'm saying.
Oh shit, yeah.
So I want Mox to hit his joint.
I like this joint.
You know what I'm saying.
(33:24):
That should be dope, the wholealbum bro Okay.
You know what I'm saying.
But that joint, like I likecrew joints, like I'm working on
another album right now,actually, you know what I'm
saying and I'm trying to getthis crew joint together with
some of my brothers from overeast.
That you know, we all likedoing separate things, but we
(33:48):
had seen each other other at theat the little old school south
sea reunion.
You know what I'm saying.
We was out there, we was allout there at the reunion.
We spit a couple bars, littlesparring practice.
You know I'm saying I'm likeman, look in real life though,
because you know, not, not thatI'm saying nothing from the
happen to nobody, but just timeis of the essence, bro.
We should all.
You know I need to make thathappen, where I get on the song
with all those brothers, one,one particular song, all us
(34:11):
together, that's.
I'm putting that out here whileI'm on the interview, because
I'm going to make that happen.
I'm speaking that to existenceand then I'm going to call them
when I leave here.
You know what.
Speaker 1 (34:20):
I'm saying Straight up there it is Tell us about the
event coming up August 23rd man, barmageddon man.
Speaker 2 (34:29):
Barmageddon man First off.
Shout out GQ, the teacher.
Shout out my man Griffin, youknow what I'm saying.
Shout out, like everybodyinvolved in this, the brothers
from the West Coast, the Licks,razz Cash.
You know what I'm saying, king T, now Everybody that helped put
this show together, man you knowwhat I'm saying I think I'ma do
(34:52):
Like maybe one or two Of my newjoints Off the new album, like
nobody never heard None of thisstuff Off the new album, bro.
Okay, so and.
But I'm also a little tornBecause I know there's gonna be
a few people there to rock withme.
So I'm like I should just dosome, make sure I do the joints
that people already knowFamiliar, familiar.
But I gotta sneak in at leastone or two of these new joints,
(35:12):
bro, like not necessarily awhole song, but a verse or two.
You know, bro, because becauseI'm ready to, I'm ready to start
.
You know I'm saying lettingmogs know.
Speaker 1 (35:22):
Yeah, you know I'm saying it's nasty, you know I'm
saying and this set of um, I'mbe honest with you, man, I ain't
never really heard of this spot.
You know I'm saying it'srelatively new bro.
Speaker 2 (35:31):
Okay, maybe three to five years max.
Okay, five years I would saywould be max.
And this is me visually,because I drive that block a lot
.
Okay, you know what I'm saying.
So I'm you know what.
I'm saying, something like that.
But, um, what's that?
Speaker 1 (35:43):
privilege.
Yeah, yeah, yeah.
Speaker 2 (35:44):
6947 South Chicago Avenue man and all my east side
people know man, this man.
This my first time performingat a venue over east bro.
And me being from over east,like I'm kind of excited about
that, you know what I'm saying.
Like everyone in Chicago, we'vebeen performing, you know,
either up north or in thehundreds.
Speaker 3 (36:03):
That is true.
You know what I'm saying.
Speaker 2 (36:05):
You know, it's like you got on 47, the Coach Center,
but that ain't really over east.
You know what I'm saying?
That's still south side.
Speaker 1 (36:13):
Yeah, that's like you know, that's like Bronzeville.
Yeah, that's like, yeah,bronzeville, you know what I'm
saying Like.
Speaker 2 (36:18):
So I'm like, yeah, 69th and South Chicago, Like man
, shit, we could drive a coupleblocks, we in the land, you
right there.
Yeah, I'm back on Burley, myguys from the land up in there
with me, man.
So you know, it's just, yeah,man, it's going to be.
And, to be honest, I'm a fanman of the Licks and the
Razzcast man, so I'm just like.
(36:39):
You know, I ain't going to letme, being the MC, make me act
like I'm not a fan of thesedudes and I'm not Like.
So, yeah, you know what I'msaying.
I got joints in the chainbecause I know this is going to
be a rapping ass show.
Speaker 1 (36:56):
It is, it is bro, and you got, you got Big Spence on
there.
I'm not going.
You got Jujula, yeah.
Speaker 2 (37:03):
I.
Speaker 1 (37:03):
Am God, oh man come on man bro all three of them.
Speaker 2 (37:10):
I've been inspired watching all three of these
dudes man rufus, sims, joel q,my man, ill, gordon man, like
I've been watching mogs, uh,veal the general.
I've been watching, bro, youknow I'm saying I've been, I've
been gathering, getting my athing together, you know I'm
saying, but I've been watchingit and I've been inspired by
everything, bro, like the cribgoing crazy right now.
Really, you know I'm saying sothat's why I say, man, I'm
(37:31):
excited to be on this show with,not only with the west coast
brothers, but with the these,the legends from the crib, yeah,
you know, I'm saying theselegends, bro.
Speaker 1 (37:40):
You said it best.
You said it's gonna be arapping ass show like this.
Speaker 2 (37:43):
I'm looking at the names on that man these are all
rapping niggas, man rapping bars, rap ass mogs man.
Me too.
I've been rapping boys for along time.
I rap, I be rapping.
You know what I'm saying.
Speaker 1 (37:57):
And a plus to the whole thing is going to be beat
sets by Cool Out, chris IllBrown and the one, the only my
man, decker Durz.
Hey, and I'm going to telly'all just like this we heard
some of the beats.
Decker was playing man LikeDecker got some shit and I'm
pretty sure you know everybodybring their A-game.
Speaker 2 (38:15):
I know everybody got some shit, but listen Durs, hey,
listen man.
Speaker 1 (38:18):
This is going to be some hip-hop shit y'all.
Speaker 2 (38:19):
Yeah, man, this is going to be some hip-hop shit.
Speaker 1 (38:21):
Friday August 23rd.
Friday August 23rd.
Doors open at 8 pm.
7th South Chicago Avenue y'all.
Speaker 2 (38:31):
Yeah, man, pull up over east, man, you know what
I'm saying and y'all know, justgo on my page, man.
I got the links and the biosand the comments, statuses and
all that shit.
Man, the links is up there, man, hit the link, you know what
I'm saying.
Grab them tickets, man.
Come out, support man we overeast you know what I'm saying
next Friday, joe.
Speaker 1 (38:48):
So, yeah, man, anybody that's anybody out there
that's a fan of bars and a fanof beats not like getting your
ass beat, because I don't thinka motherfucker like getting his
ass beat.
Nah, and you do.
That's your only thing.
But anyway, if you're a fan ofbars or you're a fan of beats,
y'all need to bring your ass outto Barmageddon.
(39:09):
Doors open 8 pm Friday, august23rd at Privilege 6947 South
Chicago Avenue.
Get y'all tickets.
Man the Licks Razzcast King T.
I Am God.
Andreas Haley, jujilla, vicSpencer, hey man, it's going to
be a crazy-ass night.
Hey y'all, I got to take a breakreal quick.
(39:30):
Shout out to all themotherfuckers out there man that
still ain't got theirmotherfucking tickets, they're
going to be outside begging fora motherfucker to get their ass
in, man.
Get your goof ass out of here,man.
It's just podcast this shit.
Speaker 3 (39:41):
Hey everybody, it's comedian Stephanie Robertson
with the shits.
Come check it out.
You can follow me on Instagramat Stephanie underscore
underscore Robertson.
I will see you there.
Make sure to follow.
Speaker 1 (39:52):
Ghost with the Rose.
We are not back at the ShizPodcast.
We're either shooting the Shiz,starring some shit or picking
up shit left off.
Speaker 2 (39:59):
Hey, man, hey man, that's some funny shit.
Speaker 1 (40:03):
Let me tell y'all man , hey, when a nigga tell y'all
that he done, god damn it, hedone Like don't say shit else
nigga straight up, go on withthe roast, unless you want the
smoke.
you know what I'm saying, sospeak.
So we about to get into thisshit right here, man, it's the
game.
This is the game portion of theshow.
I don't know where my shit at.
(40:25):
Get into my shit, all right,y'all, y'all know what it is.
It's just podcast and it's thegame portion of the show.
And today's participant is myman, andres Haley, and the game
this week is, first of all, it'seasy as fuck.
You know what I'm saying.
(40:47):
Easy as you do, and I'm goingto say it just like this man, if
y'all hear this shit on anyother podcast, stop the shit out
there and start fighting.
It's real easy to do, all right, so check it out, man.
So, basically, all we're doing,man, you got a minute right.
So really, we're just trying tosee how many you can answer,
(41:10):
and you're just answering asreal as possible, man.
First thing, come to your head,right?
So I think the highest anybodyever got was 10, and I think
that was over way from power,shit.
Oh, edward Williams, the third.
Yeah, I think he got like 10,alright, so whatever come to
mind, bro.
Whatever come to mind, alright,you ready.
(41:32):
Alright, quickest way to gethired lie on your resume
quickest way to get famous dosome bullshit on camera.
Speaker 2 (41:43):
Quickest way to get famous do some bullshit on
camera.
Quickest way to get robbed flexin the wrong place quickest way
to get blocked it don't matterthat, shit don't matter to me.
Quickest way to go viral again,like show your ass.
Or if you a guy like do somedumb shit, jump in the aisle at
(42:04):
walmart or some type of poursome milk on yourself.
Quickest way to get in shape,um, eat better and do and walk
more quickest way to get yourass?
Speaker 1 (42:16):
what?
Speaker 2 (42:19):
hey man, just being on some dumb shit, yo you know
what.
I'm saying it's the wrong place, wrong time.
Sometimes there's all kinds ofways in Chicago Quickest way to
get fired.
I thought we said that.
I don't know, man, disrespectyour boss.
Speaker 1 (42:40):
Hey man, I think you had.
What's that About eight?
That's about eight man.
Hey look, check.
What's that About eight?
That's about eight man.
Hey look, check it out.
Y'all, that was my man, andresHaley man.
The game is, first of all, likeI told y'all, man.
Speaker 3 (42:51):
Hey, if y'all hear this game, anywhere else.
Speaker 1 (42:53):
Slap the shit out, the motherfuckers, man, because
that game is only on the ShitsPodcast.
Man, when we come back, we Comeback.
We're going to have thisinterview with the one, the only
, andreas Hedman.
Y'all keep on tuning in andlook if y'all don't want to get
fired.
Man, don't disrespect the box.
I'm telling you that shit ain'tcool y'all, it's just my cat
man, man.
Speaker 2 (43:12):
What up, ladies and?
Speaker 5 (43:12):
gentlemen, it's the American Dream, the American
Nightmare, the Heartbreaker,young Baka.
And when I come I get on theradio with the shits podcast.
One more time.
Man Give a big shout out to hisshits podcast.
Young Bach productions.
Man Hollis we out here.
Speaker 1 (43:27):
Yeah, we are now back at the shits podcast, man, and
look y'all, I'll tell y'all,just like this, it's been a cool
last night Cause, like I said,man, I'm not motherfucker to say
man, I'm a fan, you know.
So I'm a fan of my man music,you know.
I'm saying where he came fromwith his music and how he
putting it, how he putting themessage out there, the content,
(43:48):
the delivery man.
So, uh, man, on that note, man,let the people know what you
got going on, where they canfind you at.
You know, I'm saying what youlike, like what you're gonna be
up to um all social media.
Speaker 2 (43:59):
Like I said, andreas haley, a-n-d-r-e-a-u-s-h-a-l-e-y
.
You know I'm saying and, um, asfar as, uh, you know, august
23rd, like I say, we'll be atprivilege 69, 47, south south
chicago.
You know I'm saying shout outto the licks razzcast everybody
involved with that.
Um, besides that, you know I'msaying, uh, y'all check out for
my new album coming soon it'snasty outside fully produced by
(44:21):
Custom Made.
You know what I'm saying.
I'm going to be dropping somevideos for that soon.
I just got a couple morefinishing touches we're putting
on the album.
Then we're going to start thiswhole promo run.
So, just really, that's what Iwant to tell people to be on the
lookout for when you startseeing that it's Nasty Outside
hashtag float around.
You know what I'm saying shareit, because it's coming it
(44:44):
because it's coming.
Speaker 1 (44:44):
You know what I'm saying yeah, yeah.
Speaker 2 (44:45):
And then you got the barmageddon thing coming up.
Yeah, that's the 23rd.
You know I'm saying like I saywe'll be at privilege 69, 47,
south south chicago, so youcatch me there.
You know I'm saying you hit meon social media and just stay in
tune to the new music man likeum and I appreciate everybody
for rocking with me.
You know I'm saying, throughall the ups and downs I know
I've been a pretty transparentartist.
You know what I'm saying.
So Mog's done, seen when I wason bullshit or whatever.
(45:05):
Mog's just know like, yeah, dreass be.
You know he be on some Dre shit,you know what I'm saying
Straight up, you know, but Ilike that because that's me,
this is where I am of a person.
You know what I'm saying, soyeah, meet me on the socials and
I'll see y'all next Friday.
Speaker 1 (45:24):
Man at the Bar, mcgann, joe For sure I'm going
to leave y'all with this man.
I don't know who need to hearthis, but the most important
person that should make youhappy is you.
You know what I'm saying.
So, like a lot of people A lotof people, not a lot, but some
people they like to say thatperson makes me happy, this
person makes me happy.
I'm looking for somebody thatmakes me happy.
(45:45):
The person that should bemaking your ass happy is you.
So if you focus on that,anybody else that comes along is
just to add on.
Remember that shit I'm gonna layyou out with this.
Make fans, not followers.
Followers will get you clout,fans will get you work.
Though, trust the process,understand that nothing happens
(46:06):
nothing great, in my opinion,nothing great happens overnight,
and also realize the wholeconcept of change, which is
conflict, helps and nurturesgrowth.
Eventually.
You know what I'm saying.
Remember that Change ain't abad thing.
And y'all make sure y'all checkout my man, Andres Haley, at
Barmageddon next Friday.
(46:27):
Also, y'all make sure y'allcheck out my man, decker Durs,
with the beat set.
Hey, listen, we heard the beatsalready.
We heard the beats, so we knowthem.
Motherfuckers is bananas, realshit, and I'd like to definitely
express my appreciation toanybody that's been rocking with
the shits podcast.
(46:47):
Um, tuning in telling a friend,telling a friend to tell a
friend.
I definitely appreciate it.
Check us out on spotify applepodcast.
Anywhere you get your podcastat man, you can check out.
Check out the shits podcast andyou can find me on instagram at
monsoon staraw that'ss-t-a-r-a-w.
Also at the shits podcast.
You can follow me on Instagramat monsoons the raw S S T A R A
W, also at the shits podcast.
You can follow me on Facebookmy son's the raw the shits
(47:08):
podcast.
Tick tock, um, and that'spretty much it.
You know other than that I'mout.
Holler y'all later.
Thanks for y'all support.
Oh, once again, shout out to myman.
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