January 29, 2025 • 46 mins
The Philadelphia Eagles are returning to the Super Bowl and Shaheed talking hella shit. This week is Grammy week. Kendrick Lamar's Not Like Us is nominated for several awards along with songs from and Beyonce's album Cowboy Carter but what will winning these awards mean? Shaheed predicts the winner from the Hip Hop and R&B catagories.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
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that be popping out here in these digital streets. We
are doing a solo pod on a Wednesday, but it's okay,
just let's chill. We got this, We got this, and
(01:06):
I want to start off with a little bit of
show business real quick. The SS Experience has a slight
rebrands called the SS Experience Real Talk, No Filter, which
is basically the same podcast as except the powers that
be that are helping us brand and monetize off the
podcast wanted to add a little bit extra to it
because the SS experience in a in a think tank
(01:31):
doesn't really tell you what the podcast is about, per se.
So we try to do some things where kind of
real talk no filter. It's like, oh, what's the real
Talk no filter? You know, something like that. So I'm
saying all of that to say, when you go on Spotify,
our heart radio app and all of the you know,
the places that you listen to the podcast, if you
(01:53):
see the SS Experience and then you see the SS
Experience Real Talk no Filter, we will love well for
you to listen to that feed. It's really the same
as that podcast. It's no difference. It's just that our
media partners are looking at that particular feed. Don't ask
me why it's two different feeds. It's not supposed to
be two different feeds, but it is for right now.
(02:15):
So listen to the one that says real Talk no filter.
We'd really appreciate it. We don't ask, you know, our
listeners for money or donations or any m actually kind
of do if you watch our videos. We do have
our cash app in it. But my point is we're
not blatantly asking you for it. It's just there because
everybody else do it. So shit you want to throw
a doll on the cash app. Cool, But for the
(02:35):
most part, we're not really asking y'all for money. All
we ask is just for your time, you know, thirty
five to forty five minutes of your audio listening. We
just asked for that, or you know, if you're watching
us on YouTube. But as far as the monitation and
the branding goes, it's all on the audio, which is
what I've always wanted it to be. I never really
wanted to be on video because when it's radio, I
(02:56):
mean sometimes we have you know, manurisms that's not meant
for the camera per se. So you know, when you
have cameras in your face, you know, and you're doing radio,
you have to be mindful of oh shit, there's cameras
right there. I might not be able to dig up
my nose. I might not be able to pick in
my teeth. I might not be able to dream. And
I'm not saying I do all of that stuff. I
might have done some of that stuff. But my point
(03:16):
is is that when you have the cameras in your
face doing audio and doing radio or podcasts, and you
have to be mindful of that. So I'm glad that
we were able to you know, brand ourselves and put
into work in the audio space. So to make a
long story short, go to the SS experience, Real Talk
No Filter wherever you get podcasts, listen to that when
we would really really appreciate that. But if you do,
(03:38):
listen to the other one just because for the fuck
of it, because you came from whatever. Hey, look, those
analytical data points count as well. But help us out,
help the pod out, Real Talk No Filter, that such
experience feed. We definitely really appreciate that. A lot of
stuff to get into today. Man, Like I said, my
Philadelphia Eagles were back in the Super Bowl again, playing
(04:01):
the Kansas City Chiefs again. We're gonna really put in
some work again. But this time when we put in
that work again is gonna be for a win, straight
up and down. The Philadelphia Eagles. We're America's team, fuck Dallas.
So I'm I'm very happy about that. You know, my
(04:21):
son is an Eagles fan as well. He hasn't had
a chance, well he did, he has won a Super Bowl.
I mean he was younger, I mean twenty you know,
seventeen twenty eighteen season, not too much younger, but he
was still young enough though he wasn't grasping the Eagles
like that.
Speaker 2 (04:35):
He's getting a little bit more into it now.
Speaker 3 (04:37):
You know, he refers to the Eagles as we have
to play instead of they or whatever. And I'm saying
he's taking more ownership of the Philadelphia Eagles, and rightfully
so he should be. That's that's his team. That's that's
real dope, and I love it. We had a very
very rocky year and my son wanted me to do
a recap video of the NFC Chainampionship game where we
(05:01):
basically dog walked the shit out of the command Well, yeah,
the Commanders. You know, I'm not even gonna di them
because the Washington Commanders they earned my respect, real rap,
because you know, when you go back to the Washington
racial slurs and then the Washington football team, it was
really no motion. I forget when Daniel Snyder bought the team,
(05:22):
but he didn't own the team when they was winning
in the nineties and the eighties, so it was a
whole different type of energy, a whole different type of vibe.
And now the Washington Commanders, I'm telling you them, dudes,
is legit. And now I will say this for the
record only team the reason that they beat us towards
the end of the season is because Jalen Hurts got hurt.
Kenny Pickett wasn't really ready yet. Despite the fact that
(05:44):
we still put up thirty plus points, got five turnovers
and lost, what I told people at the end of
that game was that's a fluke. I don't even care
about that loss. I mean, I kind of cared about
the loss because it was like, damn, the number one
seed home field advantage, no hindsight twenty twenty, we still
got the home field because of the commanders doing they things.
(06:07):
So Washington's commanders, we thank you for your service and
we appreciate you participating in the Philadelphia Eagles invitation. But
real rap, though, you know, the commanders throughout all of
that time had like no motion, and now you know,
they beat us, And it was like I told y'all then,
it was like, it's rare that we put up thirty
plus points, get five turnovers and still lose the game.
(06:32):
The reason we lost the game is because we was
getting field goals and they was getting touchdown so we were scoring,
but we were scoring field goals. We wasn't hitting them
with the touchdowns enough to you know, make it what
it was. So I knew that. So I knew, like, okay,
that's flukey whatever. You know, we go through the season,
you know, we the Lions, the Vikings like one of
your vikings.
Speaker 2 (06:52):
We really need y'all to have them.
Speaker 3 (06:53):
I'm saying the number one record in the NFC North
because we got a tiebreaker over you guys, we don't
have the tiebreaker over with the Lions.
Speaker 2 (07:01):
We still ended up being the two seed, and.
Speaker 3 (07:03):
It just worked out the way that it was supposed
to work out with the Philadelphia Eagles hosting the NFC
Championship Game and we doing what we do best when
it comes to that, and that's putting foot the ass
and heading to the super Bowl. Now, we just got
to close the deal. We're currently one and four right
now in Super Bowl, so we're trying to be two
(07:23):
and five in the Super Bowls and hopefully we can
get that thing going right there.
Speaker 2 (07:27):
But it's a beautiful thing. I love, Like I said,
I love it, and.
Speaker 3 (07:32):
You know, when we go when we go through you know,
these NFL seasons. One of the reasons why I am
a big Eagles fan is because throughout my whole you know, life,
the Eagles have always been in it in some way,
shape or form. We've always been in there. And if
you go back since I think they said since the
two thousands, the Philadelphia Eagles have played in the most
(07:54):
NFC Championship games at eight.
Speaker 2 (07:57):
So that's a lot.
Speaker 3 (07:57):
That's a lot, that's a lot of that's a lot
of smoke right now there. We're always We're always in
it now obviously, like Andy Reid's last year, Chip Kelly's
last year, Doug Peterson's last year. You know, when we
getting like four and twelve, three and thirteen, that type
of bullshit happens, you know, and it sucks, but that
type of shit happens. We're not the Cleveland Browns, you
(08:20):
know what I'm saying.
Speaker 2 (08:21):
Were not the.
Speaker 3 (08:23):
You know, think of any other like shitty team. I
know the Cleveland Browns have been good lately, but it's
like y'all, y'all are good on paper, but then it's
like when it comes down to it, y'all still four
and twelve at the end of the day, with all
that energy that y'all got, y'all still are four and twelve.
You know, We're not the Dallas Cowboys. Despite the fact
that they always want to talk about, we have five championships. Yeah,
(08:47):
that was when fucking the games was in black and
white and the celebratory championship season was on VHS. Nobody
gives a fuck. I dare someone to find a VHS
player right now, if someone finds a VHS player out
by all of the Dallas Super Bowl moments from all
of those years, if someone can find a VHS player,
(09:08):
so we can play that shit, you can't.
Speaker 2 (09:11):
So I don't give a fuck. But we're always in it.
Speaker 3 (09:15):
So even when I was younger, and you know, I'm
from Virginia, you know, we got the Cowboys fans. You know,
the Washington racial slurs at the time was the regional
team because you know, DC is up the block, and
then New York is New York. Everybody from New York
is around and I'm rapping my team and all of that,
and they always just say, well, y'all ain't got no
(09:35):
Super Bowls. I used to think, like, oh shit, how
the fuck we how the fuck we don't have no
Super Bowls? But you mother, then I had to do
my reason. I'm like, damn, we don't have Now we
had NFL championships, but you know, they don't count those,
you know, you know, beyond the Super Bowl era for
whatever reason, that's neither here nor there. So I'm like, damn,
we ain't got no super Bowls, but we always in it.
(09:56):
We're always good, like, we're always in the mix. And
you know, we won the championship in the twenty seventeen,
twenty eighteen season.
Speaker 2 (10:06):
First super Bowl. Brother happy.
Speaker 3 (10:09):
I've seen us lose some Super Bowls in four lost
to the Patriots. We got they ass back in that
seventeen eighteen season, and then obviously two years ago we
lose to the Kansas City Chiefs. We get that get
back as well. Every time, which is only twice. Well,
(10:29):
this is the second time when we play a team
a second time in a Super Bowl, we win another status.
Anytime that there's a three peak going on, the Eagles
fuck it up.
Speaker 2 (10:43):
For example of the.
Speaker 3 (10:46):
Excuse me, the New England Patriots in the twenty sixteen,
seventeen and eighteen season. At the end of those seasons,
they all went to the Super Bowl. They beat the
Rams the first trip, then we beat them in the middle,
(11:08):
and then they beat the.
Speaker 1 (11:12):
Man.
Speaker 3 (11:12):
Who the fuck did the Patriots beat that last one?
I can't even remember. It was the Rams. Oh no, no, no, no,
I'm tripping. It was the Falcons us then the Rams'
that's the order.
Speaker 2 (11:25):
Okay, I'm tripping.
Speaker 3 (11:26):
So the Patriots could have had a three peat during
that time, the Eagles fucked it up in the middle.
Speaker 2 (11:31):
We have the same opportunity now, it's like this time.
Speaker 3 (11:34):
The three peaks started with the Chiefs beating us, then
they beat San Francisco last year, and now we're back
for Parde and history shows whenever there's a three peak
going on in Philadelphia's around.
Speaker 2 (11:46):
Like I said, it only happened once.
Speaker 3 (11:48):
But it's the second time we got up in there
and we got that good win. So hopefully that repeats
itself as well, so we can beat two times super
Bowl champions. I need some new super Bowl gyear. I
need to buy my son some super Bowl gyear. It'll
be real love. So I definitely cannot wait for that.
Speaker 2 (12:03):
We're gonna be in Nolan's Woady.
Speaker 3 (12:06):
Yeah, me gonna be out there, you know what I'm saying,
The Fifth War with Pete Baby and Weezy Yeah, Woady,
you know what I mean.
Speaker 2 (12:15):
So I can't wait. I love it.
Speaker 3 (12:18):
So this is the SS experience, you know, right here
on one oh six seven to beat. Let's let's get
into the Grammys because it's Grammy week, and or are
we supposed to do a commercial break because we switch topics. See,
I kind of forgot that we do gotta do that shit.
So when we get back from the break, we're gonna
(12:41):
talk the Grammys, a couple of categories that we're a
particular intered in because we are a hip hop and
R and B show as well, and we're just gonna
go through the shits and break it down.
Speaker 2 (12:54):
See who's good, see who's not.
Speaker 3 (12:56):
And more than likely we're not gonna watch the Grammys
because the Grammys is absolute trash to freaking watch. But
it's content. We gotta talk about it. We'll be back
to SS experience.
Speaker 1 (13:06):
You're listening to the SS Experience on sm G. You're
listening to the SS Experience on sm G.
Speaker 3 (13:14):
The SESS experience is back wherever you get podcasts, don't
forget the rate review, subscribed download, keep that process going
over and over and over again. So the algorithmicing thing
to be popping out here in these digital streets. I
didn't start the podcast the way that we were supposed
to start the podcast, but we are definitely going to
start the podcast the way we're going to start the podcast.
What I'm looking for right now is is I'm looking
(13:34):
for the nominees of the ones that matter to us. Again,
we're not going to go through every single category because
some of this stuff don't matter. Like I give an example,
so album of the Year at the Grammys. Now, there's
only two urban acts that are in this particular category.
(13:57):
So we're going to talk about what I talk about.
We gonna briefly mention Andre three thousand's New Blue Sun
and Beyonce's Cowboy Carter. Now, Beyonce is a very special
individual because she is always getting jerk for the Album
of the Year award, you know, just always, you know,
going to some top foury you know, pop type situation.
Speaker 2 (14:19):
And Beyonce was.
Speaker 3 (14:20):
Like, Okay, you niggas don't wanna h or not you niggas,
but you uh, non niggas don't want to give me
Album of the Year for this good r And b Okay,
I got you. I'm gonna go ahead do a country album.
We all know what the type of smoke that she
got for doing a country album so hopefully we could
see this workout. Other people in this category Sabrina Carpenter,
(14:43):
Short and Sweet, I don't know how to say this,
Charlie Xcy, I don't know that supposed to be like
romannumals for numbers, but album called Brat, Jacob Callier, Jesse
Volume three, Billie Alish, Hit Me Hard and Soft, Chapel,
Rowing chaper Rown In, The Rise and Fall of a
Midwest Princess, and Taylor Swift The Torture Poet's Department. So again,
(15:05):
we don't know all of those albums at all. Like
I said, I didn't listen to Cowboy Carter nor Andre
three thousand, but those are something that's in the mix
as well.
Speaker 2 (15:14):
Now Song of the Year.
Speaker 3 (15:16):
Again, a lot of these acts are not in our world.
So I will mention SHABOUTSI a bar song Tipsy, because
it just bit you know what's my homie name, Ja
Kwan's Tipsy. He's a black dude that did country, so
we're gonna give him his credit his respect. The next
(15:39):
album or the next song that you might have heard
of is this dude named Kendrick Lamar a song called
not Like Us. Yeah, so it's one of those type
of things. Oh and then Beyonce's Texas hold Him I
see it down there too. Okay, got you, Beyonce, I
see you. Taylor Swift and Post Malone got a joint
called fort Night Lady God got Bruno Mars. So there's
(16:03):
some people in there, but you know, we don't really
partakeing that too much, to be honest with you. And
again we're going through the Grammy stuff because it's the Grammys.
You know this, The Grammys is the super Bowl of music.
Speaker 2 (16:18):
So if I.
Speaker 3 (16:20):
Can cover the Eagles on their Super Bowl trip, you know,
even though I have a rooting interest, I can.
Speaker 2 (16:27):
Do the same thing with music as well.
Speaker 3 (16:28):
Even though most of this stuff, geez, haven't heard none
of this crap before.
Speaker 2 (16:33):
So let's just keep.
Speaker 3 (16:34):
It moving a little bit real quick to some categories
that we might be a little bit more interested in getting.
I'm trying to. Okay, here we go, Hm, you know what,
we can do this. We can do this because I've
done I spent some time in the pop world best
pop duo group performance, So you got Gracie Abrams feature
(16:55):
in Taylor Swift with us Levi's Jeans, Beyonce featuring Post
Maloney song that she performed halftime show during Christmas Charlie
and again, I don't know if that's Roman numerals for something,
but let's just call her Charlie and Billie Eilish with
guests Ariana Grande, Brandy and Monica.
Speaker 2 (17:13):
The Boy is Mine.
Speaker 3 (17:14):
I haven't heard that, but the simple fact that you
got Brandy and Monica with Ariana Grande on it, it's like, Okay,
y'all trying to recreate some stuff cool whatever dial with
the smile lady God got in Bruno Mars.
Speaker 2 (17:25):
Now I'm willing to get to.
Speaker 3 (17:26):
A category that we can really like actually pick a
winner or at least do a real breakdown. But the
Grammys is so mixed with its music because rightfully so,
it's supposed to represent everybody, even though you know, we're
not represented as far as the winnings and all of
that stuff go. But the Grammys, as I mentioned, is
(17:48):
the super Bowl for the music industry, so we have
to talk about it because it is what it is.
I'm almost to best R and B performance. Here we go.
Speaker 2 (18:04):
Now we have.
Speaker 3 (18:05):
Something that we can actually go through. Its category twenty
by the way, so we get to twenty fucking categories
before we can actually have a full hip hop and
R and B conversation Grammys. That's why y'all trash as fucked.
But anyway, let's just keep it moving. Best R and
B performance you got Jay and Aiko with Guidance, Chris
Brown with Residuals, Coco Jones, where here we go, Money
(18:28):
Long Made for Me and Scissor with Saturn.
Speaker 2 (18:31):
Goly.
Speaker 3 (18:32):
This is some heavy hitting shit right here, man. I'm
telling you now from a radio standpoint, Chris Brown, Residuals
has been running it for a long time. Coco Jones,
Money Long, and even Sissle with Saturn like those songs
had a nice long run too, but Residual's just been
(18:53):
going for a little while longer.
Speaker 2 (18:55):
Now.
Speaker 3 (18:55):
The politics of the Grammys is where we get into
the fuck shit. And if you don't my real quick,
this is where I always say that, you know, before
we start the pod, we just start to pod the
way that we always start to pod, the tradition like
none other. So we have to get to the tradition
like none other real quickly, because we about to have.
Speaker 2 (19:12):
Some some real talk real quick.
Speaker 3 (19:19):
Okay, just gotta say some okays and stuff because I
don't want to be dead air y'all be thinking you'll
feed is messed up. But the blunt is being lit
as we speak on more little flick. There we go.
That's the stuff right there. That's a good gas. Hopefully
(19:42):
marijuana is legal where you're listening. If not, who gives
a fuck. It's fucking weed comes from the ground. But
it's not that conversation. So the reason I want to
hit the blunt real quick is because I feel that
there are some people that still hole Chris Brown beating
the shit out of Rihanna over his head. I feel
(20:06):
like there's some people who may still hold his relationship
with Karucci over his head.
Speaker 2 (20:13):
I'm not nobody's perfect. That's my va, dude.
Speaker 3 (20:16):
You know what I'm saying my youngin So I'm not
gonna say nothing bad or disparaging, But what I will
say is is that you will not be I would
not be surprised if Chris Brown does not win Best
R and B Performance because of you know, like I said,
people might still hold the fact that he beat the
(20:37):
shit out of Rihanna, still might hold the fact about
his relationship or how it was with Karucci. Because now
Kruci is a lovable individual. I mean, I'm not saying
she wasn't before, but you mean, you know, you y'all
know how it is with you know, with domestic violence,
men and all of that stuff, and it's just a
wild situation. So I would say, for the sake of
(20:59):
for radio play, at the amount of spins that it got,
I would say Chris Brown's residuals would win. But that's
my caveat, that's my asterisk. I feel Scissa should finally
win a Grammy. I really do. And I've said this before.
(21:20):
Sissa hasn't won a Grammy before because her music was
side chick music. And I said this even back then
when she went to the Grammys with her grandma and
she I think she was like, nominde it seven times
and ain't come home with shit. It's mainly because if
your song or your music is about fucking other women's dudes,
the women who are in that room aren't going to
(21:43):
vote for that because they not down for that shit.
And if there's dudes in the room, they may be
they may be down for this shit. They' be like
shit man like. And I'll be saying this all the time.
Sizza is just built like your wife doesn't fuck you good,
or your girl doesn't fuck you good. Come get some
over here. That's how Siss's built like she she she
is like that. So I wouldn't be surprised if married
(22:03):
men you know who aren't happy, or you know, drunk
boyfriends you know, have a moment of weakness and their scissors.
She's an attractive woman. I'm not saying it would be
a problem. I mean, it is kind of a problem
because you can't, you know, cheat on your wife and
shit like that. But it's not like how some people
(22:24):
say Offset cheats down or jay z Becky with the
good hair he cheated down right, And again depends on
who you are, what type of chicks you bagging all
of that. So my whole point is I would say
Scissor with Saturn should win, but if she doesn't win,
(22:46):
I give the same cab. But Saturn is a more
R and B love types. So anyway, so I'll put
my energy on Scissor with Saturn to go ahead and
get that off right there. Now, there's another category called
best Tradition R and B Performances, and it's categorized as
for new vocal or instrumental traditional R and B recordings. Okay,
(23:09):
I don't know the difference between traditional or not whatever,
so let's go ahead break that down real quick. So
you got Marsha Ambrose with wet Kenny Dixon, where can
I have this groove? Leah Hathaway feature and Michael McDonald
No Lie, money Long, make Me Forget and Lucky Day.
Speaker 2 (23:25):
That's you. Now, I'm thinking I'm beginning to think some
of those.
Speaker 3 (23:29):
Might be like the real R and B station type
of R and B songs, because all of the songs
that I mentioned off of the best R and B
performance can also be heard on a hip hop station
as well. So I'm thinking these songs is like strictly
like your R and B stations. And I haven't been
in the R and B station world for a while.
(23:50):
I haven't heard of any of these songs except for
the money Law joint. So just and again, I know
Marsha Ambrose is an artist. I know Leah Hathaway, Don
Hathaway's daughter, Michael McDonald school.
Speaker 2 (24:05):
Yeah, like we know who these motherfuckers is.
Speaker 3 (24:07):
You know what I'm saying, But I just haven't heard
the records, So I'll say money Long, you know what
I'm saying because I kind of wanted to get money
Long on the maid for me, you know, to live
on be Et version of the performance. But money Long
is gonna walk away with the Grammy. So I'm gonna
go ahead to hetch my bet and I'm gonna put
money Long for winning Best Traditional R and B Performance,
(24:30):
Best R and B Song. Now I like how this
is categorized a Songwriter Award. A song is eligible if
it was first released or if it first achieved prominence
during the eligible year. Artist names appear in parentheses singles
or tracks only. So you got Kalani with After Hours,
(24:51):
you got Tims with Burning, you got Coco Jones where
Here We Go, you got money Long would Ruin Me,
and you got Sizzle with Saturn. This is for Best
R and B Song. And again, this is a song
writer's award. So this has nothing to do with the sound,
the production, the vibes. It's the lyrics. I love this.
I love when we get the chance to break down
(25:13):
lyrics and words because song ain't shit without the words.
And again it's also not shit without the instrumental and
the vibes too. But at the same time, you gotta
have some words that go along with the song after Hours,
I like the and again I keep saying the bob
and again we're talking about the lyrics. I like like,
(25:35):
I like the lyrics on all of these songs. All
of these songs are songs that you know, you can
sing in the shower proudly and all of that stuff. Uh,
I want to say, I like after Hours though. After
Hours is a nice, nice, nice, you know, written track.
(25:58):
But to keep it all the way a buck though
Coco Jones Here We Go does have some lyrical smoke
in it too. All of these songs have good smoke
in it, to say the least, just like my blunt
that I'm smoking right now, or actually not smoking. I
keep lighting because every time I do these podcasts, you know,
(26:20):
gotta smoke and talk at the same time. It's not
like I got my co host with me where they
can talk a little bit and I can smoke a blunt.
Speaker 2 (26:26):
You know what I'm saying.
Speaker 3 (26:27):
Get the vibe, bro, I gotta I gotta talk to
you guys while hitting a blunt.
Speaker 2 (26:32):
So it'd be like that.
Speaker 3 (26:33):
So just for me to just keep the conversation move
with whatever or the best R and B song, Let's
go ahead, and.
Speaker 2 (26:40):
You know what I'm saying. Put the wagers or the
on that say, Coco Jones for the other category. Oh
I didn't. Let's go Coco Jones Best Written Song. Here
we go.
Speaker 3 (26:53):
We're going wrong with that best progressive R and B album.
Now again, I'm giving y'all the description of this because
it just sounds like we're talking about the same shit
for albums containing greater than seventy five percent playing time
of newly recorded progressive vocal tracks derived of.
Speaker 2 (27:10):
R and B.
Speaker 3 (27:13):
I don't know the fuck. I just said, let's just
get into the nominees. Avery Shunshine, So Glad to know you,
Duran Bernard and Root, Childish Gambino, Bando Stone and the
New World, Klanne with Crash Anderson Pocket Knowledge with Wilaud.
I haven't heard any of these albums. I know of
(27:36):
their work. I didn't even know Childish Gambado shit was considered.
But he does be harmonized this shit, and I feel
like Childish Gabido does is popular in his own right
in general.
Speaker 2 (27:55):
For some reason.
Speaker 3 (27:55):
I feel like the Avery Sunshines with the Honeston Parks
win that one.
Speaker 2 (28:00):
But I don't really have too much knowledge on it.
Speaker 3 (28:02):
Let's just go ahead throw it on Koline with Crashes,
because I know the more of the artists whatever best
R and B album and again for albums containing greater
than seventy five percent playing time of new R and
B records. So okay, So now I'm understanding that because
I've read it twice now, So basically, when all the
R and B songs come out this these albums have
(28:26):
seventy five percent more time RAND than everybody else. Chris
Brown's eleven eleven Deluxe Edition, Layla Hathaway, Vanna Black Money,
Long Revenge, Lucky Day, Algorithm, Usher Coming Home. Haven't heard
any of these again. Usher might have a nostalgia type
situation along with Layla Hathaway because of her pops Don Hathaway.
(28:51):
Chris Brown, you know, still may be held against him
for you know, beating the shit out of Rihanna and
his relationship with Carucci. I'm gonna have to probably say
I feel like Leila Hathaway is like one of those
individuals where it's like, yeah, but let's get like they
try to like modernize it a little bit, because the
(29:12):
Grammys they're not assholes like that to give somebody an
Award for nostalgia or unostalgia reasons. What's that dude name? Man,
y'all know what I'm talking about? Maclamore? Yeah, Best R
and B album again. I'm gonna say Chris Brown because
it does have a lot of action and motion in it,
(29:34):
but we're still talking about voters and human beings.
Speaker 2 (29:38):
Lucky Day.
Speaker 3 (29:39):
Let's say Lucky Day Algorithm, because you know we want
to be lucky every day and Algorithm is running the streets.
Speaker 2 (29:45):
I'm bullshit like that.
Speaker 3 (29:46):
Best Rap performance here we go. Now we can talk
some you know, hip hop shit that we be on.
Let's get into it, man, Best rap performance, Cardi B's Enough,
Miami Comment and p Rock featuring Damn. I was about
to say his name. I probably will Parsnos when the
Sun shines again, Dolce with Nissan, Ultima, Eminem with Houdini
(30:09):
Future and Kenja Lamar metro Booman like that Glerrilla Yeglo,
Kenj Lamar.
Speaker 2 (30:15):
Not like Us.
Speaker 3 (30:19):
This Grammys is going to let you know how powerful
Not like Us is. Not like Us came out towards
the back end of twenty twenty four, but it got
so much hype and so much energy that it got
he submitted it for a Grammy Cardi B's enough Miami,
(30:45):
I don't.
Speaker 2 (30:48):
The thing is is that.
Speaker 3 (30:50):
And again I'm speaking from a radio guy, because I
hear most of this stuff on radio. I'm speaking from
a radio guy. Real quick enough, Miami, Cardi Bison wasn't
played on the radio that long. It was kind I
was probably say it was like a month or a
month and a half. Common and pe Rock Joint wasn't
played on the radio at all. But that's not to
(31:12):
say that it's not fired though, because Common is a
fire artist. I'm just just again putting it out there
as a radio guy. Doce Nissan Ultimov has some run.
Eminem's Houdini had a little bit of run, but it
didn't last that long future and Kendrick Lamar metro Booman
like that got some good run. That's actually still being played.
Glorilla still being played, Kendrin Lamar and Not Like Us
(31:34):
still being played, along with Doce's Nissa Ultim is also
still being played. So as of today, Wednesday the twenty eighth,
or is it twenty ninth yep twenty ninth? Knee Glasses
or need La six like a motherfucker anybody want a sponsor,
holl at your boy, I definitely will speak you up
(31:54):
if you help my vision out. But four of the
songs are still actively being played on radio currently. So
I feel like if we do process of elimination, we're
gonna start with Doce, Future Guerrilla and Kendrick Lamar.
Speaker 2 (32:11):
That yeah, Gloto.
Speaker 3 (32:13):
Even though, like I said, I've always said that I'm
not a dude that really gravitates the female rap because
female rap talks about shit that du shitn't rap.
Speaker 2 (32:21):
But no Golilla stands on business with her shit.
Speaker 3 (32:24):
You know.
Speaker 2 (32:24):
I mean, like, for a less, somebody play with me.
I lead some jail food like shit.
Speaker 3 (32:28):
Don't get all right, we all any dude can relate
to that shit like man, before I let you all
motherfuckers play with me, I need some jail food, nigga,
you know what I mean? So I can get that.
I can get that one hundred percent. But again it
goes back into how powerful do you feel? Kendrel Lamar
is not like us was. I think it's cool. I
(32:52):
mean like it hurt. It hit a lot of feelings
when it came to Drake and all of that shit.
So I can see that so it's more or less
it's like how much do you hate Drake?
Speaker 2 (33:05):
How much?
Speaker 3 (33:05):
How powerful do you think this Kendren Lamar not like
us is because if you hate Drake a lot, you'll
vote for Kendren Lamar's not like us. Just off just
for the fuck of it. Yeah, I mean, if you
want to those type of individual where it's like, yeah,
you know what, Drake, fuck Drake, Kendl Lamar not like us.
Speaker 2 (33:22):
So I could see that happening.
Speaker 3 (33:24):
So I'm gonna say Kendren Lamar is not like us,
But I do want to do a caveat because I
want to do something that's like a little bit more
musical and say Glorilla's where Yeah Glow? So I know,
you know, we're supposed to pick one of the other,
but like I said, I'm gonna pick Kendral Lamar's not
like us because I feel like people hate Drake a
lot and people want this record to blow just because
(33:44):
you mean, but Glorilla where Yeah Glow would be like
my musical choice, you know what I'm saying that. And
y'all know I'm a big you know, I'm in the future,
I have too, But Glorial just yeah glow just has
a different, different energy to me. Best melodic rat performance
of melodic rat performance is defined as solo or collaborative
(34:07):
performance containing both elements of R and B and rat. Okay, Okay,
I don't know how to say this person's last name.
Jordan A Tunchi featuring Kalani Kalani, So Kalani's featured on
the record that's named after her. Love it Beyonce featuring
Linda Martel and Shabboutzi Spaghetti. Okay, it must be one
(34:29):
of them, Country Jonks, Future and metro Booman featuring The
Weekend We Still Don't Trust You a lot of with
Big Mama, Rap Sea featuring Erica Badu with three now
Me personally Future in metro Boom. Well, you know what,
that shouldn't even have been the one that they should
(34:49):
have submitted, not that we still don't trust you. If anything,
If it's gonna be the Future in the metro Booman
in the Weekend song, it should have been. Damn the melodies.
Speaker 2 (34:59):
In my head.
Speaker 3 (35:01):
Let me pull it up real quick, because I be
I be running. I'd be running that song pretty much
all the time. Future Weekend, all to myself, yep, all
to myself, all of myself should have been the one
that was nominated. For real, for real, if you're going
to if you're gonna talk about a future Metro Bullman,
(35:23):
you know, R and B melodic rap performance, we still
don't trust you. It was cool too, but I would
have picked you know, all of myself. But that being said, hmmm,
best elements of R and B and rap. But Spaghetti
is a country song because it's in that country, you know, element,
(35:44):
it's in that country world. It's on a country album,
So R and B and rap should not even be
in that sentence for that. So I think by that definition,
Spaghetti is done for me.
Speaker 2 (35:58):
Big No Rhapsody with three. I don't know you got
eric about doing it?
Speaker 3 (36:04):
Maybe, I mean, maybe Beyonce gives it just because of
the of the of They might jerk her on an
album of the Years, so they'll give her every other category.
It's real political shit, but you can't even really pick
this shit based off music, for real, because you know
the politics is politicing. I'm gonna just say fucking and
just go with Beyonce with Spaghetti. I know I just
(36:28):
said that that's probably more than likely not gonna happen.
I just I don't know. I just don't see Loudo,
Winn and Grammy for Big Mama. I don't see that.
I mean, and it's it's it's it's the only song
in the category that doesn't have a feature, which might
give you more Brownie points. But I'll just go with
(36:50):
Beyonce and uh Linda Martell and Shabboozi with Spaghetti because
I love spaghetti and I personally think that they might
jerk Beyonce on the Album of the Year, so they
gonna let her or get everything else off. She'll still
lead the Grammys with the most you know, nominations and wins.
Speaker 2 (37:05):
But you know, it is what it is.
Speaker 3 (37:09):
Best Rap song, and again this is a song Writers Award,
so it's not about the beat, it's not about the flow,
It's about the words. So you got Asteroids a song
written by Rhapsody and hit Boy Got Carnival, which is
(37:29):
Kanye West, Ti Dollars Sound featuring Richdie Kidd and Playboy
CARDI like that Future Metro Bollman kens Lamar kenjer Lamar
is Not like Us and Glrilla with Yeah Glow. Now,
this this one's gangster right here. Throw out Asteroids keep
everything else, man, because I haven't heard it. Let's keep
(37:51):
everything else. Kanye winning a Grammy in twenty twenty five,
I mentioned on the radio that he just got his
billionaire status bad due to some un known venture company.
But I don't know anything about venture companies, so I
don't know if they're known an unknown. But some random
motherfuckers was like, Kanye's a billionaire again?
Speaker 2 (38:09):
Okay? Cool?
Speaker 3 (38:13):
Like that Future KENJ Lamar metro booming. That's good energy
right there. Like I said, we're talking about the words,
not necessarily the energy, but the words.
Speaker 2 (38:25):
You know.
Speaker 3 (38:25):
Future, I think he's in like a songwriters Hall of Fame.
So Future does have a pen. And then KENJ Lamar
is not like I said again, I say this over
and over and over again. It goes into how much
do you hate Drake and how powerful do you feel?
Not like us is because Kendrick Lamar could possibly sweep
(38:51):
any category not like us as in, I don't think
it will because you got other situations like he might
sweep them all in hip hop categories, but song of
the year overall, I'm not thinking that that's gonna be
a thing. Yeah, and again, when you see all of
(39:11):
these nominations. It's like, you know, Glorilla's gonna win a Grammy,
Kendrick's gonna win a Grammy. Future should win a Grammy.
Like they're nominated multiple times. You gotta you gotta be
in it to win it. But again, we did talk
about Scissor earlier being nominated seven times and walked away
with nothing. But I'm gonna say that the Grammys. It's
(39:34):
gonna suck Kendricks dick and give him the Grammy for
not like us.
Speaker 2 (39:39):
It is what it is. Fuck it.
Speaker 3 (39:41):
Best rap album again, a rap album that's that's been
played seventy five more times than any other new rap recording.
J Cole Might Delete Later, Common and Pete Rock The
Auditorium Volume one, Dolcea, Alligators Bite, Near Heel, I Mean Bites,
Never Heal, Eminem, The Death of Slim sh Future and
Metro Booming. We Don't Trust You, which we don't trust
(40:05):
You is the more rap version, and we still don't
trust you as more of the R and B type
one me personally, I know that I'll probably lose this one.
Speaker 2 (40:17):
Future a metric Booman. We Don't Trust You.
Speaker 3 (40:20):
That's a movement, that's an album that's That's that's some
shit right there.
Speaker 2 (40:26):
I mean Eminem.
Speaker 3 (40:29):
I listen to Eminem's album once and it's classic Eminem.
But when I say classic Eminem, that's not necessarily the
greatest compliment in the world. Because it's classic Eminem. It's
the same Eminem but fifty years old, which means the
same crazy shit about jumping off for the roof and
(40:49):
jump kick into a dump truck and all of this
other shit. I just don't get whatever type shit. The
Eminem Beyond, which we all love, is like that at fifty.
So the young, the older people like myself listened to
it for the that's typical slim Shady.
Speaker 2 (41:03):
Gotta love it, respect it.
Speaker 3 (41:05):
But did you go back and listen to it again, Like,
are you really bumping Slim Shady in your everyday life?
Probably not, Just like four four four by jay Z,
You're not bumping it every day in your regular life.
Speaker 2 (41:14):
So that's not it. That's not a thing.
Speaker 3 (41:18):
Common and Peede Rocks the Auditory in volume one. I
should have listened to that because Common and Peede rock
Will are both artists that I grew up listening to
back in the day, Like Pee Rock was Kanye West
before Kanye West, Pete Rock will make a beat and
just get on the should do a verse real quick,
like he didn't do the whole album like Kanye dig
You know, I'm a rapper and a producer. He like,
(41:39):
I'm a producer. But I'll give you a sixteen on
a ship and that was Pete Rock's lane.
Speaker 2 (41:44):
Loved it. I'm going with future in Metro Bollman, we
don't trust you. I'm sorry. It just it. It has culture, it.
Speaker 3 (41:51):
Has energy, It speaks for the streets, today's streets.
Speaker 2 (41:57):
Every other album does not. Just keeping Mo.
Speaker 3 (42:02):
Best Spoken Word Poetry Album. Now, I didn't know that
this was a thing. Fucking ghost is nominated for this shit.
Oh Mario Hardwick Concrete and Whiskey Act to Part one
a Bourbon thirty series. Didn't know he was into some
shit like that. The reason I stopped is because Mad Skills,
(42:23):
the seven number ones was, you know, is nominated. I'll
say Mad Skills just because some va shit, but it'll
go no further beyond that.
Speaker 2 (42:34):
Jazz.
Speaker 3 (42:35):
I love, my dad loves jazz, but you know, okay,
Andre three thousand is nominated for some jazz shit too.
It's just weird when hip hop artists goes into other genres,
and then, like I said, sometimes people don't give the
hip hop artists the respect because they thinking, you know,
you're in our genre and all this other stuff, and
it's like, yeah, I'm giving you equally respect in your genre.
(42:58):
So that's neither here nor there. So going into the
country real quick because this is where we're going to
get into a lot of shit. We're gonna get into
a lot of shit with with the country, and I
know we're running past forty so we may have to
make this like a two parter, so let's get into
(43:20):
it real quick. Last one we'll do real quick. Best
Country Solo Performance Beyonce with sixteen Carriages, Shabbouzzi a Bar Song,
Tipsy christ Apleton, Casey mcgraves, and Jelly Row. We don't
listen to them. We don't know we know of them,
but like I said, we don't listen to country music,
so you know, it is what it is. Beyonce is
(43:43):
also nominated for two Most Wanted featureing Miley Cyrus another
country situation that she put together Best Country Duo Group
of Performance. So we'll just end it on this real
quick because this is gonna have to be to be
continue you type situation. There's two things we're gonna take
(44:05):
from this Grammy conversation. The first thing that we're gonna
take is how much respect or how sorry? How much
do you hate Drake? And how powerful do you think
Kendrick Lamar's not like us is because that will determine
how many awards Kendrick will earn in this Grammy Awards
(44:29):
twenty twenty five. Also, Beyonce, how will her Cowboy Carter
album be perceived amongst the country constituents, Because again, Beyonce
has never won Album of the Year at the Grammy.
She's one song of the year's you know, best song,
(44:50):
R and B song, you know, all of that stuff,
but not like for the whole entire project, she has
not won a Grammy. So that's why she jumped into
the country world to see, Okay, if I do some country,
will you give me a Grammy? That this Grammys will
show if they felt Beyonce or they thought Beyonce was
(45:11):
just trying to game the system. You know, is she
gonna win Album of the Year for Cowboy Carter or
is she not gonna win Album of the Year for
Cowboy Carter? But again, she might mess around and win.
You know, the country album the or the country songs
that I mentioned, you know, like I said for sixteen
Carriages and shit like that. Well, well we'll find out
(45:31):
on Sunday, but we'll talk a little bit more. We
might talk one more. Well, actually we do, because we
do want to come through a couple more joints. Because
you got best country song Texas hold them. Like I
said this, Beyonce is nominated in a lot of stuff.
She's not in the R and B hip hop categories
that she normally is in. She's in the country situation now.
So we're gonna see how well the Grammy community respects
(45:57):
Beyonce in country, and we're gonna see how much they
disrespect Drake and hip hop. This is an SS experience,
real talk, no filter. Don't forget the rate review, subscribe,
re rate re review, resubscribe, download unsubscribed, subscribe again, like again,
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(46:19):
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You can listen to.
Speaker 3 (46:33):
The on the iHeart Radio app or if you're in Columbus, Ohio,
you know where to listen to and you know where
to find me, so I'll holler at you.
Speaker 1 (46:39):
To Experience on SMNG
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Rate review, subscribe, re rate, re review, resubscribe, download, comment,
do all of that stuff keep the process going over
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that be popping out here in these digital streets. We
are doing a solo pod on a Wednesday, but it's okay,
just let's chill. We got this, We got this, and
(01:06):
I want to start off with a little bit of
show business real quick. The SS Experience has a slight
rebrands called the SS Experience Real Talk, No Filter, which
is basically the same podcast as except the powers that
be that are helping us brand and monetize off the
podcast wanted to add a little bit extra to it
because the SS experience in a in a think tank
(01:31):
doesn't really tell you what the podcast is about, per se.
So we try to do some things where kind of
real talk no filter. It's like, oh, what's the real
Talk no filter? You know, something like that. So I'm
saying all of that to say, when you go on Spotify,
our heart radio app and all of the you know,
the places that you listen to the podcast, if you
(01:53):
see the SS Experience and then you see the SS
Experience Real Talk no Filter, we will love well for
you to listen to that feed. It's really the same
as that podcast. It's no difference. It's just that our
media partners are looking at that particular feed. Don't ask
me why it's two different feeds. It's not supposed to
be two different feeds, but it is for right now.
(02:15):
So listen to the one that says real Talk no filter.
We'd really appreciate it. We don't ask, you know, our
listeners for money or donations or any m actually kind
of do if you watch our videos. We do have
our cash app in it. But my point is we're
not blatantly asking you for it. It's just there because
everybody else do it. So shit you want to throw
a doll on the cash app. Cool, But for the
(02:35):
most part, we're not really asking y'all for money. All
we ask is just for your time, you know, thirty
five to forty five minutes of your audio listening. We
just asked for that, or you know, if you're watching
us on YouTube. But as far as the monitation and
the branding goes, it's all on the audio, which is
what I've always wanted it to be. I never really
wanted to be on video because when it's radio, I
(02:56):
mean sometimes we have you know, manurisms that's not meant
for the camera per se. So you know, when you
have cameras in your face, you know, and you're doing radio,
you have to be mindful of oh shit, there's cameras
right there. I might not be able to dig up
my nose. I might not be able to pick in
my teeth. I might not be able to dream. And
I'm not saying I do all of that stuff. I
might have done some of that stuff. But my point
(03:16):
is is that when you have the cameras in your
face doing audio and doing radio or podcasts, and you
have to be mindful of that. So I'm glad that
we were able to you know, brand ourselves and put
into work in the audio space. So to make a
long story short, go to the SS experience, Real Talk
No Filter wherever you get podcasts, listen to that when
we would really really appreciate that. But if you do,
(03:38):
listen to the other one just because for the fuck
of it, because you came from whatever. Hey, look, those
analytical data points count as well. But help us out,
help the pod out, Real Talk No Filter, that such
experience feed. We definitely really appreciate that. A lot of
stuff to get into today. Man, Like I said, my
Philadelphia Eagles were back in the Super Bowl again, playing
(04:01):
the Kansas City Chiefs again. We're gonna really put in
some work again. But this time when we put in
that work again is gonna be for a win, straight
up and down. The Philadelphia Eagles. We're America's team, fuck Dallas.
So I'm I'm very happy about that. You know, my
(04:21):
son is an Eagles fan as well. He hasn't had
a chance, well he did, he has won a Super Bowl.
I mean he was younger, I mean twenty you know,
seventeen twenty eighteen season, not too much younger, but he
was still young enough though he wasn't grasping the Eagles
like that.
Speaker 2 (04:35):
He's getting a little bit more into it now.
Speaker 3 (04:37):
You know, he refers to the Eagles as we have
to play instead of they or whatever. And I'm saying
he's taking more ownership of the Philadelphia Eagles, and rightfully
so he should be. That's that's his team. That's that's
real dope, and I love it. We had a very
very rocky year and my son wanted me to do
a recap video of the NFC Chainampionship game where we
(05:01):
basically dog walked the shit out of the command Well, yeah,
the Commanders. You know, I'm not even gonna di them
because the Washington Commanders they earned my respect, real rap,
because you know, when you go back to the Washington
racial slurs and then the Washington football team, it was
really no motion. I forget when Daniel Snyder bought the team,
(05:22):
but he didn't own the team when they was winning
in the nineties and the eighties, so it was a
whole different type of energy, a whole different type of vibe.
And now the Washington Commanders, I'm telling you them, dudes,
is legit. And now I will say this for the
record only team the reason that they beat us towards
the end of the season is because Jalen Hurts got hurt.
Kenny Pickett wasn't really ready yet. Despite the fact that
(05:44):
we still put up thirty plus points, got five turnovers
and lost, what I told people at the end of
that game was that's a fluke. I don't even care
about that loss. I mean, I kind of cared about
the loss because it was like, damn, the number one
seed home field advantage, no hindsight twenty twenty, we still
got the home field because of the commanders doing they things.
(06:07):
So Washington's commanders, we thank you for your service and
we appreciate you participating in the Philadelphia Eagles invitation. But
real rap, though, you know, the commanders throughout all of
that time had like no motion, and now you know,
they beat us, And it was like I told y'all then,
it was like, it's rare that we put up thirty
plus points, get five turnovers and still lose the game.
(06:32):
The reason we lost the game is because we was
getting field goals and they was getting touchdown so we were scoring,
but we were scoring field goals. We wasn't hitting them
with the touchdowns enough to you know, make it what
it was. So I knew that. So I knew, like, okay,
that's flukey whatever. You know, we go through the season,
you know, we the Lions, the Vikings like one of
your vikings.
Speaker 2 (06:52):
We really need y'all to have them.
Speaker 3 (06:53):
I'm saying the number one record in the NFC North
because we got a tiebreaker over you guys, we don't
have the tiebreaker over with the Lions.
Speaker 2 (07:01):
We still ended up being the two seed, and.
Speaker 3 (07:03):
It just worked out the way that it was supposed
to work out with the Philadelphia Eagles hosting the NFC
Championship Game and we doing what we do best when
it comes to that, and that's putting foot the ass
and heading to the super Bowl. Now, we just got
to close the deal. We're currently one and four right
now in Super Bowl, so we're trying to be two
(07:23):
and five in the Super Bowls and hopefully we can
get that thing going right there.
Speaker 2 (07:27):
But it's a beautiful thing. I love, Like I said,
I love it, and.
Speaker 3 (07:32):
You know, when we go when we go through you know,
these NFL seasons. One of the reasons why I am
a big Eagles fan is because throughout my whole you know, life,
the Eagles have always been in it in some way,
shape or form. We've always been in there. And if
you go back since I think they said since the
two thousands, the Philadelphia Eagles have played in the most
(07:54):
NFC Championship games at eight.
Speaker 2 (07:57):
So that's a lot.
Speaker 3 (07:57):
That's a lot, that's a lot of that's a lot
of smoke right now there. We're always We're always in
it now obviously, like Andy Reid's last year, Chip Kelly's
last year, Doug Peterson's last year. You know, when we
getting like four and twelve, three and thirteen, that type
of bullshit happens, you know, and it sucks, but that
type of shit happens. We're not the Cleveland Browns, you
(08:20):
know what I'm saying.
Speaker 2 (08:21):
Were not the.
Speaker 3 (08:23):
You know, think of any other like shitty team. I
know the Cleveland Browns have been good lately, but it's
like y'all, y'all are good on paper, but then it's
like when it comes down to it, y'all still four
and twelve at the end of the day, with all
that energy that y'all got, y'all still are four and twelve.
You know, We're not the Dallas Cowboys. Despite the fact
that they always want to talk about, we have five championships. Yeah,
(08:47):
that was when fucking the games was in black and
white and the celebratory championship season was on VHS. Nobody
gives a fuck. I dare someone to find a VHS
player right now, if someone finds a VHS player out
by all of the Dallas Super Bowl moments from all
of those years, if someone can find a VHS player,
(09:08):
so we can play that shit, you can't.
Speaker 2 (09:11):
So I don't give a fuck. But we're always in it.
Speaker 3 (09:15):
So even when I was younger, and you know, I'm
from Virginia, you know, we got the Cowboys fans. You know,
the Washington racial slurs at the time was the regional
team because you know, DC is up the block, and
then New York is New York. Everybody from New York
is around and I'm rapping my team and all of that,
and they always just say, well, y'all ain't got no
(09:35):
Super Bowls. I used to think, like, oh shit, how
the fuck we how the fuck we don't have no
Super Bowls? But you mother, then I had to do
my reason. I'm like, damn, we don't have Now we
had NFL championships, but you know, they don't count those,
you know, you know, beyond the Super Bowl era for
whatever reason, that's neither here nor there. So I'm like, damn,
we ain't got no super Bowls, but we always in it.
(09:56):
We're always good, like, we're always in the mix. And
you know, we won the championship in the twenty seventeen,
twenty eighteen season.
Speaker 2 (10:06):
First super Bowl. Brother happy.
Speaker 3 (10:09):
I've seen us lose some Super Bowls in four lost
to the Patriots. We got they ass back in that
seventeen eighteen season, and then obviously two years ago we
lose to the Kansas City Chiefs. We get that get
back as well. Every time, which is only twice. Well,
(10:29):
this is the second time when we play a team
a second time in a Super Bowl, we win another status.
Anytime that there's a three peak going on, the Eagles
fuck it up.
Speaker 2 (10:43):
For example of the.
Speaker 3 (10:46):
Excuse me, the New England Patriots in the twenty sixteen,
seventeen and eighteen season. At the end of those seasons,
they all went to the Super Bowl. They beat the
Rams the first trip, then we beat them in the middle,
(11:08):
and then they beat the.
Speaker 1 (11:12):
Man.
Speaker 3 (11:12):
Who the fuck did the Patriots beat that last one?
I can't even remember. It was the Rams. Oh no, no, no, no,
I'm tripping. It was the Falcons us then the Rams'
that's the order.
Speaker 2 (11:25):
Okay, I'm tripping.
Speaker 3 (11:26):
So the Patriots could have had a three peat during
that time, the Eagles fucked it up in the middle.
Speaker 2 (11:31):
We have the same opportunity now, it's like this time.
Speaker 3 (11:34):
The three peaks started with the Chiefs beating us, then
they beat San Francisco last year, and now we're back
for Parde and history shows whenever there's a three peak
going on in Philadelphia's around.
Speaker 2 (11:46):
Like I said, it only happened once.
Speaker 3 (11:48):
But it's the second time we got up in there
and we got that good win. So hopefully that repeats
itself as well, so we can beat two times super
Bowl champions. I need some new super Bowl gyear. I
need to buy my son some super Bowl gyear. It'll
be real love. So I definitely cannot wait for that.
Speaker 2 (12:03):
We're gonna be in Nolan's Woady.
Speaker 3 (12:06):
Yeah, me gonna be out there, you know what I'm saying,
The Fifth War with Pete Baby and Weezy Yeah, Woady,
you know what I mean.
Speaker 2 (12:15):
So I can't wait. I love it.
Speaker 3 (12:18):
So this is the SS experience, you know, right here
on one oh six seven to beat. Let's let's get
into the Grammys because it's Grammy week, and or are
we supposed to do a commercial break because we switch topics. See,
I kind of forgot that we do gotta do that shit.
So when we get back from the break, we're gonna
(12:41):
talk the Grammys, a couple of categories that we're a
particular intered in because we are a hip hop and
R and B show as well, and we're just gonna
go through the shits and break it down.
Speaker 2 (12:54):
See who's good, see who's not.
Speaker 3 (12:56):
And more than likely we're not gonna watch the Grammys
because the Grammys is absolute trash to freaking watch. But
it's content. We gotta talk about it. We'll be back
to SS experience.
Speaker 1 (13:06):
You're listening to the SS Experience on sm G. You're
listening to the SS Experience on sm G.
Speaker 3 (13:14):
The SESS experience is back wherever you get podcasts, don't
forget the rate review, subscribed download, keep that process going
over and over and over again. So the algorithmicing thing
to be popping out here in these digital streets. I
didn't start the podcast the way that we were supposed
to start the podcast, but we are definitely going to
start the podcast the way we're going to start the podcast.
What I'm looking for right now is is I'm looking
(13:34):
for the nominees of the ones that matter to us. Again,
we're not going to go through every single category because
some of this stuff don't matter. Like I give an example,
so album of the Year at the Grammys. Now, there's
only two urban acts that are in this particular category.
(13:57):
So we're going to talk about what I talk about.
We gonna briefly mention Andre three thousand's New Blue Sun
and Beyonce's Cowboy Carter. Now, Beyonce is a very special
individual because she is always getting jerk for the Album
of the Year award, you know, just always, you know,
going to some top foury you know, pop type situation.
Speaker 2 (14:19):
And Beyonce was.
Speaker 3 (14:20):
Like, Okay, you niggas don't wanna h or not you niggas,
but you uh, non niggas don't want to give me
Album of the Year for this good r And b Okay,
I got you. I'm gonna go ahead do a country album.
We all know what the type of smoke that she
got for doing a country album so hopefully we could
see this workout. Other people in this category Sabrina Carpenter,
(14:43):
Short and Sweet, I don't know how to say this,
Charlie Xcy, I don't know that supposed to be like
romannumals for numbers, but album called Brat, Jacob Callier, Jesse
Volume three, Billie Alish, Hit Me Hard and Soft, Chapel,
Rowing chaper Rown In, The Rise and Fall of a
Midwest Princess, and Taylor Swift The Torture Poet's Department. So again,
(15:05):
we don't know all of those albums at all. Like
I said, I didn't listen to Cowboy Carter nor Andre
three thousand, but those are something that's in the mix
as well.
Speaker 2 (15:14):
Now Song of the Year.
Speaker 3 (15:16):
Again, a lot of these acts are not in our world.
So I will mention SHABOUTSI a bar song Tipsy, because
it just bit you know what's my homie name, Ja
Kwan's Tipsy. He's a black dude that did country, so
we're gonna give him his credit his respect. The next
(15:39):
album or the next song that you might have heard
of is this dude named Kendrick Lamar a song called
not Like Us. Yeah, so it's one of those type
of things. Oh and then Beyonce's Texas hold Him I
see it down there too. Okay, got you, Beyonce, I
see you. Taylor Swift and Post Malone got a joint
called fort Night Lady God got Bruno Mars. So there's
(16:03):
some people in there, but you know, we don't really
partakeing that too much, to be honest with you. And
again we're going through the Grammy stuff because it's the Grammys.
You know this, The Grammys is the super Bowl of music.
Speaker 2 (16:18):
So if I.
Speaker 3 (16:20):
Can cover the Eagles on their Super Bowl trip, you know,
even though I have a rooting interest, I can.
Speaker 2 (16:27):
Do the same thing with music as well.
Speaker 3 (16:28):
Even though most of this stuff, geez, haven't heard none
of this crap before.
Speaker 2 (16:33):
So let's just keep.
Speaker 3 (16:34):
It moving a little bit real quick to some categories
that we might be a little bit more interested in getting.
I'm trying to. Okay, here we go, Hm, you know what,
we can do this. We can do this because I've
done I spent some time in the pop world best
pop duo group performance, So you got Gracie Abrams feature
(16:55):
in Taylor Swift with us Levi's Jeans, Beyonce featuring Post
Maloney song that she performed halftime show during Christmas Charlie
and again, I don't know if that's Roman numerals for something,
but let's just call her Charlie and Billie Eilish with
guests Ariana Grande, Brandy and Monica.
Speaker 2 (17:13):
The Boy is Mine.
Speaker 3 (17:14):
I haven't heard that, but the simple fact that you
got Brandy and Monica with Ariana Grande on it, it's like, Okay,
y'all trying to recreate some stuff cool whatever dial with
the smile lady God got in Bruno Mars.
Speaker 2 (17:25):
Now I'm willing to get to.
Speaker 3 (17:26):
A category that we can really like actually pick a
winner or at least do a real breakdown. But the
Grammys is so mixed with its music because rightfully so,
it's supposed to represent everybody, even though you know, we're
not represented as far as the winnings and all of
that stuff go. But the Grammys, as I mentioned, is
(17:48):
the super Bowl for the music industry, so we have
to talk about it because it is what it is.
I'm almost to best R and B performance. Here we go.
Speaker 2 (18:04):
Now we have.
Speaker 3 (18:05):
Something that we can actually go through. Its category twenty
by the way, so we get to twenty fucking categories
before we can actually have a full hip hop and
R and B conversation Grammys. That's why y'all trash as fucked.
But anyway, let's just keep it moving. Best R and
B performance you got Jay and Aiko with Guidance, Chris
Brown with Residuals, Coco Jones, where here we go, Money
(18:28):
Long Made for Me and Scissor with Saturn.
Speaker 2 (18:31):
Goly.
Speaker 3 (18:32):
This is some heavy hitting shit right here, man. I'm
telling you now from a radio standpoint, Chris Brown, Residuals
has been running it for a long time. Coco Jones,
Money Long, and even Sissle with Saturn like those songs
had a nice long run too, but Residual's just been
(18:53):
going for a little while longer.
Speaker 2 (18:55):
Now.
Speaker 3 (18:55):
The politics of the Grammys is where we get into
the fuck shit. And if you don't my real quick,
this is where I always say that, you know, before
we start the pod, we just start to pod the
way that we always start to pod, the tradition like
none other. So we have to get to the tradition
like none other real quickly, because we about to have.
Speaker 2 (19:12):
Some some real talk real quick.
Speaker 3 (19:19):
Okay, just gotta say some okays and stuff because I
don't want to be dead air y'all be thinking you'll
feed is messed up. But the blunt is being lit
as we speak on more little flick. There we go.
That's the stuff right there. That's a good gas. Hopefully
(19:42):
marijuana is legal where you're listening. If not, who gives
a fuck. It's fucking weed comes from the ground. But
it's not that conversation. So the reason I want to
hit the blunt real quick is because I feel that
there are some people that still hole Chris Brown beating
the shit out of Rihanna over his head. I feel
(20:06):
like there's some people who may still hold his relationship
with Karucci over his head.
Speaker 2 (20:13):
I'm not nobody's perfect. That's my va, dude.
Speaker 3 (20:16):
You know what I'm saying my youngin So I'm not
gonna say nothing bad or disparaging, But what I will
say is is that you will not be I would
not be surprised if Chris Brown does not win Best
R and B Performance because of you know, like I said,
people might still hold the fact that he beat the
(20:37):
shit out of Rihanna, still might hold the fact about
his relationship or how it was with Karucci. Because now
Kruci is a lovable individual. I mean, I'm not saying
she wasn't before, but you mean, you know, you y'all
know how it is with you know, with domestic violence,
men and all of that stuff, and it's just a
wild situation. So I would say, for the sake of
(20:59):
for radio play, at the amount of spins that it got,
I would say Chris Brown's residuals would win. But that's
my caveat, that's my asterisk. I feel Scissa should finally
win a Grammy. I really do. And I've said this before.
(21:20):
Sissa hasn't won a Grammy before because her music was
side chick music. And I said this even back then
when she went to the Grammys with her grandma and
she I think she was like, nominde it seven times
and ain't come home with shit. It's mainly because if
your song or your music is about fucking other women's dudes,
the women who are in that room aren't going to
(21:43):
vote for that because they not down for that shit.
And if there's dudes in the room, they may be
they may be down for this shit. They' be like
shit man like. And I'll be saying this all the time.
Sizza is just built like your wife doesn't fuck you good,
or your girl doesn't fuck you good. Come get some
over here. That's how Siss's built like she she she
is like that. So I wouldn't be surprised if married
(22:03):
men you know who aren't happy, or you know, drunk
boyfriends you know, have a moment of weakness and their scissors.
She's an attractive woman. I'm not saying it would be
a problem. I mean, it is kind of a problem
because you can't, you know, cheat on your wife and
shit like that. But it's not like how some people
(22:24):
say Offset cheats down or jay z Becky with the
good hair he cheated down right, And again depends on
who you are, what type of chicks you bagging all
of that. So my whole point is I would say
Scissor with Saturn should win, but if she doesn't win,
(22:46):
I give the same cab. But Saturn is a more
R and B love types. So anyway, so I'll put
my energy on Scissor with Saturn to go ahead and
get that off right there. Now, there's another category called
best Tradition R and B Performances, and it's categorized as
for new vocal or instrumental traditional R and B recordings. Okay,
(23:09):
I don't know the difference between traditional or not whatever,
so let's go ahead break that down real quick. So
you got Marsha Ambrose with wet Kenny Dixon, where can
I have this groove? Leah Hathaway feature and Michael McDonald
No Lie, money Long, make Me Forget and Lucky Day.
Speaker 2 (23:25):
That's you. Now, I'm thinking I'm beginning to think some
of those.
Speaker 3 (23:29):
Might be like the real R and B station type
of R and B songs, because all of the songs
that I mentioned off of the best R and B
performance can also be heard on a hip hop station
as well. So I'm thinking these songs is like strictly
like your R and B stations. And I haven't been
in the R and B station world for a while.
(23:50):
I haven't heard of any of these songs except for
the money Law joint. So just and again, I know
Marsha Ambrose is an artist. I know Leah Hathaway, Don
Hathaway's daughter, Michael McDonald school.
Speaker 2 (24:05):
Yeah, like we know who these motherfuckers is.
Speaker 3 (24:07):
You know what I'm saying, But I just haven't heard
the records, So I'll say money Long, you know what
I'm saying because I kind of wanted to get money
Long on the maid for me, you know, to live
on be Et version of the performance. But money Long
is gonna walk away with the Grammy. So I'm gonna
go ahead to hetch my bet and I'm gonna put
money Long for winning Best Traditional R and B Performance,
(24:30):
Best R and B Song. Now I like how this
is categorized a Songwriter Award. A song is eligible if
it was first released or if it first achieved prominence
during the eligible year. Artist names appear in parentheses singles
or tracks only. So you got Kalani with After Hours,
(24:51):
you got Tims with Burning, you got Coco Jones where
Here We Go, you got money Long would Ruin Me,
and you got Sizzle with Saturn. This is for Best
R and B Song. And again, this is a song
writer's award. So this has nothing to do with the sound,
the production, the vibes. It's the lyrics. I love this.
I love when we get the chance to break down
(25:13):
lyrics and words because song ain't shit without the words.
And again it's also not shit without the instrumental and
the vibes too. But at the same time, you gotta
have some words that go along with the song after Hours,
I like the and again I keep saying the bob
and again we're talking about the lyrics. I like like,
(25:35):
I like the lyrics on all of these songs. All
of these songs are songs that you know, you can
sing in the shower proudly and all of that stuff. Uh,
I want to say, I like after Hours though. After
Hours is a nice, nice, nice, you know, written track.
(25:58):
But to keep it all the way a buck though
Coco Jones Here We Go does have some lyrical smoke
in it too. All of these songs have good smoke
in it, to say the least, just like my blunt
that I'm smoking right now, or actually not smoking. I
keep lighting because every time I do these podcasts, you know,
(26:20):
gotta smoke and talk at the same time. It's not
like I got my co host with me where they
can talk a little bit and I can smoke a blunt.
Speaker 2 (26:26):
You know what I'm saying.
Speaker 3 (26:27):
Get the vibe, bro, I gotta I gotta talk to
you guys while hitting a blunt.
Speaker 2 (26:32):
So it'd be like that.
Speaker 3 (26:33):
So just for me to just keep the conversation move
with whatever or the best R and B song, Let's
go ahead, and.
Speaker 2 (26:40):
You know what I'm saying. Put the wagers or the
on that say, Coco Jones for the other category. Oh
I didn't. Let's go Coco Jones Best Written Song. Here
we go.
Speaker 3 (26:53):
We're going wrong with that best progressive R and B album.
Now again, I'm giving y'all the description of this because
it just sounds like we're talking about the same shit
for albums containing greater than seventy five percent playing time
of newly recorded progressive vocal tracks derived of.
Speaker 2 (27:10):
R and B.
Speaker 3 (27:13):
I don't know the fuck. I just said, let's just
get into the nominees. Avery Shunshine, So Glad to know you,
Duran Bernard and Root, Childish Gambino, Bando Stone and the
New World, Klanne with Crash Anderson Pocket Knowledge with Wilaud.
I haven't heard any of these albums. I know of
(27:36):
their work. I didn't even know Childish Gambado shit was considered.
But he does be harmonized this shit, and I feel
like Childish Gabido does is popular in his own right
in general.
Speaker 2 (27:55):
For some reason.
Speaker 3 (27:55):
I feel like the Avery Sunshines with the Honeston Parks
win that one.
Speaker 2 (28:00):
But I don't really have too much knowledge on it.
Speaker 3 (28:02):
Let's just go ahead throw it on Koline with Crashes,
because I know the more of the artists whatever best
R and B album and again for albums containing greater
than seventy five percent playing time of new R and
B records. So okay, So now I'm understanding that because
I've read it twice now, So basically, when all the
R and B songs come out this these albums have
(28:26):
seventy five percent more time RAND than everybody else. Chris
Brown's eleven eleven Deluxe Edition, Layla Hathaway, Vanna Black Money,
Long Revenge, Lucky Day, Algorithm, Usher Coming Home. Haven't heard
any of these again. Usher might have a nostalgia type
situation along with Layla Hathaway because of her pops Don Hathaway.
(28:51):
Chris Brown, you know, still may be held against him
for you know, beating the shit out of Rihanna and
his relationship with Carucci. I'm gonna have to probably say
I feel like Leila Hathaway is like one of those
individuals where it's like, yeah, but let's get like they
try to like modernize it a little bit, because the
(29:12):
Grammys they're not assholes like that to give somebody an
Award for nostalgia or unostalgia reasons. What's that dude name? Man,
y'all know what I'm talking about? Maclamore? Yeah, Best R
and B album again. I'm gonna say Chris Brown because
it does have a lot of action and motion in it,
(29:34):
but we're still talking about voters and human beings.
Speaker 2 (29:38):
Lucky Day.
Speaker 3 (29:39):
Let's say Lucky Day Algorithm, because you know we want
to be lucky every day and Algorithm is running the streets.
Speaker 2 (29:45):
I'm bullshit like that.
Speaker 3 (29:46):
Best Rap performance here we go. Now we can talk
some you know, hip hop shit that we be on.
Let's get into it, man, Best rap performance, Cardi B's Enough,
Miami Comment and p Rock featuring Damn. I was about
to say his name. I probably will Parsnos when the
Sun shines again, Dolce with Nissan, Ultima, Eminem with Houdini
(30:09):
Future and Kenja Lamar metro Booman like that Glerrilla Yeglo,
Kenj Lamar.
Speaker 2 (30:15):
Not like Us.
Speaker 3 (30:19):
This Grammys is going to let you know how powerful
Not like Us is. Not like Us came out towards
the back end of twenty twenty four, but it got
so much hype and so much energy that it got
he submitted it for a Grammy Cardi B's enough Miami,
(30:45):
I don't.
Speaker 2 (30:48):
The thing is is that.
Speaker 3 (30:50):
And again I'm speaking from a radio guy, because I
hear most of this stuff on radio. I'm speaking from
a radio guy. Real quick enough, Miami, Cardi Bison wasn't
played on the radio that long. It was kind I
was probably say it was like a month or a
month and a half. Common and pe Rock Joint wasn't
played on the radio at all. But that's not to
(31:12):
say that it's not fired though, because Common is a
fire artist. I'm just just again putting it out there
as a radio guy. Doce Nissan Ultimov has some run.
Eminem's Houdini had a little bit of run, but it
didn't last that long future and Kendrick Lamar metro Booman
like that got some good run. That's actually still being played.
Glorilla still being played, Kendrin Lamar and Not Like Us
(31:34):
still being played, along with Doce's Nissa Ultim is also
still being played. So as of today, Wednesday the twenty eighth,
or is it twenty ninth yep twenty ninth? Knee Glasses
or need La six like a motherfucker anybody want a sponsor,
holl at your boy, I definitely will speak you up
(31:54):
if you help my vision out. But four of the
songs are still actively being played on radio currently. So
I feel like if we do process of elimination, we're
gonna start with Doce, Future Guerrilla and Kendrick Lamar.
Speaker 2 (32:11):
That yeah, Gloto.
Speaker 3 (32:13):
Even though, like I said, I've always said that I'm
not a dude that really gravitates the female rap because
female rap talks about shit that du shitn't rap.
Speaker 2 (32:21):
But no Golilla stands on business with her shit.
Speaker 3 (32:24):
You know.
Speaker 2 (32:24):
I mean, like, for a less, somebody play with me.
I lead some jail food like shit.
Speaker 3 (32:28):
Don't get all right, we all any dude can relate
to that shit like man, before I let you all
motherfuckers play with me, I need some jail food, nigga,
you know what I mean? So I can get that.
I can get that one hundred percent. But again it
goes back into how powerful do you feel? Kendrel Lamar
is not like us was. I think it's cool. I
(32:52):
mean like it hurt. It hit a lot of feelings
when it came to Drake and all of that shit.
So I can see that so it's more or less
it's like how much do you hate Drake?
Speaker 2 (33:05):
How much?
Speaker 3 (33:05):
How powerful do you think this Kendren Lamar not like
us is because if you hate Drake a lot, you'll
vote for Kendren Lamar's not like us. Just off just
for the fuck of it. Yeah, I mean, if you
want to those type of individual where it's like, yeah,
you know what, Drake, fuck Drake, Kendl Lamar not like us.
Speaker 2 (33:22):
So I could see that happening.
Speaker 3 (33:24):
So I'm gonna say Kendren Lamar is not like us,
But I do want to do a caveat because I
want to do something that's like a little bit more
musical and say Glorilla's where Yeah Glow? So I know,
you know, we're supposed to pick one of the other,
but like I said, I'm gonna pick Kendral Lamar's not
like us because I feel like people hate Drake a
lot and people want this record to blow just because
(33:44):
you mean, but Glorilla where Yeah Glow would be like
my musical choice, you know what I'm saying that. And
y'all know I'm a big you know, I'm in the future,
I have too, But Glorial just yeah glow just has
a different, different energy to me. Best melodic rat performance
of melodic rat performance is defined as solo or collaborative
(34:07):
performance containing both elements of R and B and rat. Okay, Okay,
I don't know how to say this person's last name.
Jordan A Tunchi featuring Kalani Kalani, So Kalani's featured on
the record that's named after her. Love it Beyonce featuring
Linda Martel and Shabboutzi Spaghetti. Okay, it must be one
(34:29):
of them, Country Jonks, Future and metro Booman featuring The
Weekend We Still Don't Trust You a lot of with
Big Mama, Rap Sea featuring Erica Badu with three now
Me personally Future in metro Boom. Well, you know what,
that shouldn't even have been the one that they should
(34:49):
have submitted, not that we still don't trust you. If anything,
If it's gonna be the Future in the metro Booman
in the Weekend song, it should have been. Damn the melodies.
Speaker 2 (34:59):
In my head.
Speaker 3 (35:01):
Let me pull it up real quick, because I be
I be running. I'd be running that song pretty much
all the time. Future Weekend, all to myself, yep, all
to myself, all of myself should have been the one
that was nominated. For real, for real, if you're going
to if you're gonna talk about a future Metro Bullman,
(35:23):
you know, R and B melodic rap performance, we still
don't trust you. It was cool too, but I would
have picked you know, all of myself. But that being said, hmmm,
best elements of R and B and rap. But Spaghetti
is a country song because it's in that country, you know, element,
(35:44):
it's in that country world. It's on a country album,
So R and B and rap should not even be
in that sentence for that. So I think by that definition,
Spaghetti is done for me.
Speaker 2 (35:58):
Big No Rhapsody with three. I don't know you got
eric about doing it?
Speaker 3 (36:04):
Maybe, I mean, maybe Beyonce gives it just because of
the of the of They might jerk her on an
album of the Years, so they'll give her every other category.
It's real political shit, but you can't even really pick
this shit based off music, for real, because you know
the politics is politicing. I'm gonna just say fucking and
just go with Beyonce with Spaghetti. I know I just
(36:28):
said that that's probably more than likely not gonna happen.
I just I don't know. I just don't see Loudo,
Winn and Grammy for Big Mama. I don't see that.
I mean, and it's it's it's it's the only song
in the category that doesn't have a feature, which might
give you more Brownie points. But I'll just go with
(36:50):
Beyonce and uh Linda Martell and Shabboozi with Spaghetti because
I love spaghetti and I personally think that they might
jerk Beyonce on the Album of the Year, so they
gonna let her or get everything else off. She'll still
lead the Grammys with the most you know, nominations and wins.
Speaker 2 (37:05):
But you know, it is what it is.
Speaker 3 (37:09):
Best Rap song, and again this is a song Writers Award,
so it's not about the beat, it's not about the flow,
It's about the words. So you got Asteroids a song
written by Rhapsody and hit Boy Got Carnival, which is
(37:29):
Kanye West, Ti Dollars Sound featuring Richdie Kidd and Playboy
CARDI like that Future Metro Bollman kens Lamar kenjer Lamar
is Not like Us and Glrilla with Yeah Glow. Now,
this this one's gangster right here. Throw out Asteroids keep
everything else, man, because I haven't heard it. Let's keep
(37:51):
everything else. Kanye winning a Grammy in twenty twenty five,
I mentioned on the radio that he just got his
billionaire status bad due to some un known venture company.
But I don't know anything about venture companies, so I
don't know if they're known an unknown. But some random
motherfuckers was like, Kanye's a billionaire again?
Speaker 2 (38:09):
Okay? Cool?
Speaker 3 (38:13):
Like that Future KENJ Lamar metro booming. That's good energy
right there. Like I said, we're talking about the words,
not necessarily the energy, but the words.
Speaker 2 (38:25):
You know.
Speaker 3 (38:25):
Future, I think he's in like a songwriters Hall of Fame.
So Future does have a pen. And then KENJ Lamar
is not like I said again, I say this over
and over and over again. It goes into how much
do you hate Drake and how powerful do you feel?
Not like us is because Kendrick Lamar could possibly sweep
(38:51):
any category not like us as in, I don't think
it will because you got other situations like he might
sweep them all in hip hop categories, but song of
the year overall, I'm not thinking that that's gonna be
a thing. Yeah, and again, when you see all of
(39:11):
these nominations. It's like, you know, Glorilla's gonna win a Grammy,
Kendrick's gonna win a Grammy. Future should win a Grammy.
Like they're nominated multiple times. You gotta you gotta be
in it to win it. But again, we did talk
about Scissor earlier being nominated seven times and walked away
with nothing. But I'm gonna say that the Grammys. It's
(39:34):
gonna suck Kendricks dick and give him the Grammy for
not like us.
Speaker 2 (39:39):
It is what it is. Fuck it.
Speaker 3 (39:41):
Best rap album again, a rap album that's that's been
played seventy five more times than any other new rap recording.
J Cole Might Delete Later, Common and Pete Rock The
Auditorium Volume one, Dolcea, Alligators Bite, Near Heel, I Mean Bites,
Never Heal, Eminem, The Death of Slim sh Future and
Metro Booming. We Don't Trust You, which we don't trust
(40:05):
You is the more rap version, and we still don't
trust you as more of the R and B type
one me personally, I know that I'll probably lose this one.
Speaker 2 (40:17):
Future a metric Booman. We Don't Trust You.
Speaker 3 (40:20):
That's a movement, that's an album that's That's that's some
shit right there.
Speaker 2 (40:26):
I mean Eminem.
Speaker 3 (40:29):
I listen to Eminem's album once and it's classic Eminem.
But when I say classic Eminem, that's not necessarily the
greatest compliment in the world. Because it's classic Eminem. It's
the same Eminem but fifty years old, which means the
same crazy shit about jumping off for the roof and
(40:49):
jump kick into a dump truck and all of this
other shit. I just don't get whatever type shit. The
Eminem Beyond, which we all love, is like that at fifty.
So the young, the older people like myself listened to
it for the that's typical slim Shady.
Speaker 2 (41:03):
Gotta love it, respect it.
Speaker 3 (41:05):
But did you go back and listen to it again, Like,
are you really bumping Slim Shady in your everyday life?
Probably not, Just like four four four by jay Z,
You're not bumping it every day in your regular life.
Speaker 2 (41:14):
So that's not it. That's not a thing.
Speaker 3 (41:18):
Common and Peede Rocks the Auditory in volume one. I
should have listened to that because Common and Peede rock
Will are both artists that I grew up listening to
back in the day, Like Pee Rock was Kanye West
before Kanye West, Pete Rock will make a beat and
just get on the should do a verse real quick,
like he didn't do the whole album like Kanye dig
You know, I'm a rapper and a producer. He like,
(41:39):
I'm a producer. But I'll give you a sixteen on
a ship and that was Pete Rock's lane.
Speaker 2 (41:44):
Loved it. I'm going with future in Metro Bollman, we
don't trust you. I'm sorry. It just it. It has culture, it.
Speaker 3 (41:51):
Has energy, It speaks for the streets, today's streets.
Speaker 2 (41:57):
Every other album does not. Just keeping Mo.
Speaker 3 (42:02):
Best Spoken Word Poetry Album. Now, I didn't know that
this was a thing. Fucking ghost is nominated for this shit.
Oh Mario Hardwick Concrete and Whiskey Act to Part one
a Bourbon thirty series. Didn't know he was into some
shit like that. The reason I stopped is because Mad Skills,
(42:23):
the seven number ones was, you know, is nominated. I'll
say Mad Skills just because some va shit, but it'll
go no further beyond that.
Speaker 2 (42:34):
Jazz.
Speaker 3 (42:35):
I love, my dad loves jazz, but you know, okay,
Andre three thousand is nominated for some jazz shit too.
It's just weird when hip hop artists goes into other genres,
and then, like I said, sometimes people don't give the
hip hop artists the respect because they thinking, you know,
you're in our genre and all this other stuff, and
it's like, yeah, I'm giving you equally respect in your genre.
(42:58):
So that's neither here nor there. So going into the
country real quick because this is where we're going to
get into a lot of shit. We're gonna get into
a lot of shit with with the country, and I
know we're running past forty so we may have to
make this like a two parter, so let's get into
(43:20):
it real quick. Last one we'll do real quick. Best
Country Solo Performance Beyonce with sixteen Carriages, Shabbouzzi a Bar Song,
Tipsy christ Apleton, Casey mcgraves, and Jelly Row. We don't
listen to them. We don't know we know of them,
but like I said, we don't listen to country music,
so you know, it is what it is. Beyonce is
(43:43):
also nominated for two Most Wanted featureing Miley Cyrus another
country situation that she put together Best Country Duo Group
of Performance. So we'll just end it on this real
quick because this is gonna have to be to be
continue you type situation. There's two things we're gonna take
(44:05):
from this Grammy conversation. The first thing that we're gonna
take is how much respect or how sorry? How much
do you hate Drake? And how powerful do you think
Kendrick Lamar's not like us is because that will determine
how many awards Kendrick will earn in this Grammy Awards
(44:29):
twenty twenty five. Also, Beyonce, how will her Cowboy Carter
album be perceived amongst the country constituents, Because again, Beyonce
has never won Album of the Year at the Grammy.
She's one song of the year's you know, best song,
(44:50):
R and B song, you know, all of that stuff,
but not like for the whole entire project, she has
not won a Grammy. So that's why she jumped into
the country world to see, Okay, if I do some country,
will you give me a Grammy? That this Grammys will
show if they felt Beyonce or they thought Beyonce was
(45:11):
just trying to game the system. You know, is she
gonna win Album of the Year for Cowboy Carter or
is she not gonna win Album of the Year for
Cowboy Carter? But again, she might mess around and win.
You know, the country album the or the country songs
that I mentioned, you know, like I said for sixteen
Carriages and shit like that. Well, well we'll find out
(45:31):
on Sunday, but we'll talk a little bit more. We
might talk one more. Well, actually we do, because we
do want to come through a couple more joints. Because
you got best country song Texas hold them. Like I
said this, Beyonce is nominated in a lot of stuff.
She's not in the R and B hip hop categories
that she normally is in. She's in the country situation now.
So we're gonna see how well the Grammy community respects
(45:57):
Beyonce in country, and we're gonna see how much they
disrespect Drake and hip hop. This is an SS experience,
real talk, no filter. Don't forget the rate review, subscribe,
re rate re review, resubscribe, download unsubscribed, subscribe again, like again,
comment and do all of that stuff over and over
and over again. So the algorithmic and thing to be
(46:19):
popping out here in these digital streets. Don't forget to
listen to my radio show on one on six seven
to beat number one rated radio show on weekends in
Columbus Saturday seven to ten Sundays eight to twelve on
one O six seven to beat.
Speaker 2 (46:32):
You can listen to.
Speaker 3 (46:33):
The on the iHeart Radio app or if you're in Columbus, Ohio,
you know where to listen to and you know where
to find me, so I'll holler at you.
Speaker 1 (46:39):
To Experience on SMNG
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