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January 25, 2025 36 mins
Dr. King's daughter Bernice King has harsh words for Sexyy Redd. Bruno Mars checking for Sexyy Redd. Shaheed is confused and blames someone or thing he can't prove.


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Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
You're listening to the SS Experience on SMG Recording and Progress.

Speaker 2 (00:17):
What up though, You listen to the SS Experience streaming
of the SG podcast Network app. Download the SMG Podcast
Network app on all your Apple devices Android, I'm getting
to you. You listen to SS Experience wherever you get
podcasts like Samsung Podcasts, Apple Podcasts, Amazon Music, Tune In Radio,

(00:40):
and the usual suspects, Spotify and the Alheart Radio app.
Rate review, subscribe, re rate, re review, resubscribe, download unsubscribed.
Keep that process going over and over and over again.
So the algorithm and we've got a couple of good
things to just run through and talk about real quick.

(01:00):
So the title doesn't really say at all, but it
kind of gives like a little brief description of what's
going on real quick. But it gives you a little
bit of show news that you know we got going on.
So with YouTube, you know, we've been working a lot
to get YouTube, you know, on deck or whatever, as

(01:22):
far as you know, having that be a platform that
you know we can make bread off of. Obviously, you
know we all in the content creation game, and you
know CATS is trying to make a little bit of bread.
Cats trying to make like, you know, a little bit
of money or whatnot off of this content creating thing,
and YouTube makes it a little difficult to make brand.

(01:46):
I mean even you know, platforms like Twitter and other
places make it difficult for you to make money because
they want you to be at a certain threshold before
you can start participating in you know, ad revenue or
you know, any sort of money generating situation. And the

(02:07):
thing is is that with the algorithms and all of that,
it doesn't make it easy for you to be able
to get money because the algorithm doesn't put your stuff
in chronological order. And what I mean by that is,
if you post something at five o'clock, all of my

(02:27):
followers who are online at five o'clock should be able
to see my post. It's like, and I give you
an example. So obviously, you know I do radio on
one O six seven to Beat, number one rated show
in the city weekends seven to ten, well Saturday seven
and ten Sunday eight to twelve on one O six

(02:48):
seven Beat in Columbus, Ohio. You listen to the Ourheart
radio app, you just go ahead and you know, get
on that joint right there on the Ourheart radio app
and you can listen to radio show too. And I
have this show, you know, like I said, it's number one,
it's doing real good ratings and real good stuff. But

(03:09):
when I post about it, like let's say, I post
it like you know, set six fifty five whatever, you know,
seven o'clock, listen to the show. People shouldn't be liking
that post two to three hours later when the show
is damn near over. That's the crazy shit about it.
So the algorithm doesn't really help when it comes to,

(03:30):
you know, trying to get new situations going. Now, the
algorithm just wants it to be lazy, where like everybody
just gravitates it likes. But it's like, na, like you
gotta if you're Here's the thing, right, If you're gonna
use the internet social media to get the word out

(03:51):
and get buzz out, then the internet and social media
has to make all information accessible, not just you know,
content that the algorithm think it's good. Nah, Let it
be out for everyone to see and let everyone make
their opinion once they see it, because the problem that

(04:14):
is being had is is that people aren't seeing the
content in real time to make the proper you know,
adjustments and looks at it. So I'm in a situation
now with the podcast media group that we are now
in a place where the SMG podcast Network at we

(04:36):
participate in ad revenue with our Heart Radio, so we
don't have to have you know, like with YouTube, YouTube
you have to have five hundred subscribers and at least
three thousand like hours of listening to or three million
you know, you know, hours views or whatever on stories.

(04:59):
Now the average person who probably already has you know,
thousands of described like five hundred subscribers. That ain't shit.
It is when you break down and explain the algorithm
part where yeah, cats can't get their content seen for
people to like it so people can gravitate to it.
That's the huge problem with the algorithm. And that's why

(05:21):
now we'll do YouTube stuff, but it's not gonna be
a lot. I'm not gonna lie to you, it's not
gonna be a lot. Now. I do appreciate the followers
and the people that we have on YouTube, and we're
building it up. So there might be like a one
week like out of let's say, out of the the
four or five days that we do a show, because

(05:43):
the show is normally you know, Monday solo pod, Wednesday,
you know, group pod, and Friday a special guests. But
being that we're participating in ad revenue, now, I might
actually do a show, you know, four times a week,
maybe Tuesday through Friday or something along those lines or whatever.

(06:04):
Or maybe Monday Tuesday not Wednesday, whatever I mean, or
it might do a pod every day, because I mean,
come on, this be real. Your podcasts be you know,
forty thirty five to forty five minutes an hour, give
it take, depends on what's going on, So it's not
like it's that much time. And then obviously the editing process,
not even editing, the production process, excuse me, when it

(06:24):
comes to the audio is easy, so it's not like
it takes a lot. Video takes a lot, audio not
so much. So more than likely we'll you know, give
you guys an episode every day, you know, whether it's
you know, some of the podcast crew, you know, various
stuff like that. I'm still working all of that out,

(06:46):
but the point is we're not gonna be doing too
much YouTube self, because we have an opportunity to monetize
on the audio level, which the podcast network and everything
was based off of audio. So that's what we're gonna
be at. We're gonna be in our will house, trying
to do our thing. And obviously we can create some
sort of situation where we can you know, get you know,
YouTube videos up. We'll make that happen at that time.

(07:08):
But in the meantime, we're just gonna stick with what
we know. We're gonna go for what we know, and
that's gonna be the good old audio. You feel me.
So let's go ahead and get into a little bit
of show after we talked a little bit about the
show business. So it's funny when people, as a matter
of fact, he let me before we before we we
do that, let's sorry about that hit. The The thing

(07:33):
I like about the sure Mic. I like the sure
Mic because it's a USB mike, which a lot of
mics are USB mikes, but this USB mic is one
of the USB mics that plug up to you know,
the new type of charity, I know what I'm talking about.
It's not the same USB where it's like the Android
looking thing and it's like the regular you know, USB
plug type stuff. It's I think they call it a
USB C or whatever. It's kind of. It does like

(07:55):
a lot of cool different type of stuff. And yeah,
so basically every time I grab the mic, I have
to look at the color to make sure green is
the mic is on, red, the mic is off, and
sometimes you know, I grab the mic and you know
sometimes the mic go off. But I want to start
the pod the way that we all let to start
the pod because I am recording in the crib. So

(08:17):
when we recording the crib, you know what that means. Yeah,
that good light going, make sure that blunt light and evenly,
oh yeah, that's the stuff right there. So Martin Luther

(08:45):
King Junior Doctor Martin Luther King Junior Day was earlier
this week. It was on Monday Saved Day as the
Induguration Saved Day as the National Championship game. So go
back and listen to Monday's pop. I think it was
called MLK Inauguration National Championship Day because it was kind

(09:07):
of one of those type of days. Go back and
listen to that. That gouna be real great. Really appreciate that.
So the one thing that I've noticed, especially being here
in Atlanta but in general, is that people will put

(09:27):
Martin Luther King Jr. On a poster and be like,
we turn it up for an mlkday. I don't think
that was the reason MLK warded everybody to link up
with each other to just have a party. It turned up,
But it's twenty twenty five, guys. It is what it is.

(09:49):
I go back to the nineties, and I think, like
in the nineties, Martin Luther King Junior was killed thirty
years prior, and that was in the nineties, so now
she would go thirty. Now, Martin Luther King Junior has
been passed away for like sixty years now, so we're

(10:10):
getting more and more away from the time that you know,
he was outside fighting for our civil rights. So his daughter,
believe it was Bernice King, if I'm not mistaken, had
a huge issue with Sexy Red in a picture with

(10:31):
Martin Luther King. Now the picture ended up being an
actual video which actually was wild, but we'll just go
with the picture for now. It's all my social medias
at the SS Experience no either Beginning Experience and Hanney
Hardaway seven to five on Twitter acts how to get
down in these digital streets or like I said, on
my social media's And it's a picture of Martin Luther
King and Sexy Red and a club and it looked

(10:55):
like it's one of those you know those pictures where
you know, by the bag of bitch or I see
a nigga like, you know, that type of situation. Bernice
King was not for. I mean, she basically tore a
whole in Sexy Red's ass, you know, basically saying, you know,
it's disrespectful Martin Luther King, King speak for himself. She gotta,

(11:17):
you know, the things that would make someone upset. Sexy
Red took the picture down, apologized, said it was just
she just shared a picture that she saw that was
She thought it was innocense, she thought was cool. And
then Bernice walked it back because she APOLOGI because sexy
Red apologized, and it's like, oh, well, you know, I

(11:37):
gotta protect my dad's name. And again it's all stuff
that is valid. I want to ask a deeper question.
If it was anybody other than Sexy Red that was
in a picture with Martin Luther King, doctor Martin Luther
King Jr. God gotta say the doctor, doctor Martin Luther King,

(12:01):
would Bernie King have been that upset? Like? For example,
if it was Beyonce in that picture, would she have
tripped out like that? If it was Rihanna, would she
trip out like that? If it was Michelle Obama, would

(12:22):
she trip out like that? No? I mean, now, again,
keep in mind, none of these women is going to
create an AI generated or a photoshop picture of themselves
with Martin Luther King Jr. Doctor Martin Luther King Jr.
Nobody's gonna do that, Like they don't. Nobody's gonna do that.
But if those type of pictures were circulating, would she

(12:44):
trip about that? And I would argue that I don't
think she would. I think Sexy Read's image and her
brand just was so repulsive, were just so out of bounds.
It was just so like grimy, dirty work type shit.

(13:05):
It was just more or less like nah, I can't
have this ratchet hole around my father type shit, you
know what I mean? And again, rightfully so like nah, like
we don't need to be doing I mean, in general,
we don't need to be doing that, period. But I
personally feel I believe that if it was any other

(13:28):
individual in a picture like that, I don't think Bernice
King trips out the way that she did, And I
mainly believe it was because of her lack of respect
for Sexy Red, because a lot of women of a
certain age don't like what Sexy Red represents. And we're

(13:48):
not even talking about music, which we're going to get
into music in a few We're not even talking about music.
We're just talking about Sexy Red as a brand. Like again,
not even as a person, because you don't know her
like that as a person, so you can't say what
she is as a person. You can just talk about
what she is as a brand and as what she

(14:08):
puts out in the streets, like when she has like
a a makeup line or a lipcare line or something
like that, and it's named all after STDs, like come on, Daald,
Like what the fuck? When her music and her brand
is just pretty much take two steps, twerk wrap three words, twerk,

(14:32):
take a step, twerk wrap three words, twerk, talk a
little bit more, talk some more like that's basically like
Sexy reds whole like image and scheme and just how
she gets down or whatever, you know what I mean. And
it's it's not one of those things where I feel
like old man on a porch because I get it

(14:55):
and I understand it. There's a group of individuals, you know, teenagers, kids,
young adults, whatever, that like the music, and that's cool,
like the culture and younger people. All people should have
music that you know they like. And if you like

(15:16):
Sexy Red, there's nothing wrong with liking sexy Red. If
that's your type of music, that's your type of music.
You know, some people don't listen to music for the words.
Some people listen to music just for you know, the
vibes and the energy and shit like that. And again
that's perfectly fine too. Music is for whatever you want

(15:40):
your music to be. Some people like to rap along
with the words, some people like just the hum along
to the words. Some people just like to dance to
the song. Music is subjective like that, and that's perfectly fine.
But sexy Red, and again, this isn't a Sexy Red
indictment conversation. This is just more or less like like

(16:01):
I said, Bernice King was mad that her daddy was
in a picture with Sexy Red, and the way that
she clapped just had me think that she kind of
felt a certain type of way, you know. And it's
like a disrespectful things then, because the average person isn't

(16:23):
gonna be in a picture where Martin Luther King on
some disrespectful type stuff it's like you would have to
really like the only time that I see it be
on some disrespectful type stuff is when they have like
a Martin Luther king head with like a grill, no

(16:43):
shirt on and chains. And I think I seen one
where like Rosa Parks was like in a be king.
You know what I'm saying, Like like dumb stuff like that,
like like clown and stuff like that. Yeah, that's that's
super disrespectful on both sides, on all sides. But like,
and I give you another funny story to tie into

(17:04):
all of this. So what was it? Dug? I don't
want to say this dude named wrong because he's a
comedian that everybody knows. Y'all know me. I just don't
be given to fucks. You know what I'm saying about
a lot of these You know what I'm saying. And
again it's fucked up to say, but it's just I
have to pay attention to my own shit and know
what I'm saying. But I know that I know it

(17:26):
when I see it, So just give me a second. Yep,
it's this nigga, right, yup, That's what I thought. So
know what I'm saying. So Carlos Miller. This nigga got
a picture with Martin Luther King and basically it's Darren
someone you know, Bernice, you know what I'm saying, to
say something, Bernie is king to say something. Now it's

(17:49):
funny because it's just him with his arm around Martin
Luther King. So it's not even nothing disrespectful of crazy,
but it kind of proves the point that not everybody
is on some clown cartoon type stuff. You mean, like,

(18:10):
shoot man, how is Martin Luther King Jr? Day? No,
I mean when we outside because of you, the little
stuff like that, you know whatever. But going back to
the issue at handle, all I'm saying is is that
and how I feel we can put on a pole
at the SS experience no eth begaming experience on twitter X,
how you get down out here in these digital streets.

(18:33):
If the picture wasn't sexy red where Bernese King have
bugged out? Well, well we'll do an episode about updating
polls later. That'll be pretty that'll be pretty dope and
pretty fun. So let's make a break real quick, you

(18:55):
know what I mean, Because we do have ad placements
and stuff, you know, I mean that we try to
put together or whatever. So when we get back more
sexy read and this is a little weird, but I
get the business, but it's weird, we'll be back to
SS experience.

Speaker 1 (19:12):
You're listening to the SS experience on sm G. You're
listening to the SS experience on S and G.

Speaker 2 (19:20):
We back on the SS experience. No mean, don't forget
to rate review, subscribe, re rate, re review, resubscribe, follow
and all that good stuff that you know, back the
algorithm thing and be popping out here in these digital streets.
And most importantly, just listen to the pod. That'll be
one hundred percent great. Even if no cap for real, real,
like if you don't have the time, or if you

(19:41):
just like if you ain't if your phone's not doing anything,
like if you just got your phone just laying there,
just cut onto the pod. You know what I'm saying, IHO,
I mean, I said, ih our Heart, Spotify, Tune In Radio,
Apple Podcasts. Most people have iPhones, so that means you
have Apple podcasts on your phone already, so it's nothing

(20:03):
to download. I mean, obviously some people got Spotify, some
people got Our Heart Radio, but everyone has some sort
of streaming service just you know, search the SS Experience
Real Talk, No Filter. Now there's two. It's real weird.
How like they brung my show over, but they didn't

(20:27):
bring the original, Like are how can I say? It's
like imagine like you promised to get something, but instead
of using it, you basically clone it. But the clone
it has like everything that's there, just minus the the

(20:47):
time of service. Basically meaning like now my pod looks
like a pod that just started on Monday versus a
pod that's been out for a couple of years. You
know what I'm saying. It's a little wonky, you know,
I mean, so when you search the SS Experience, make
sure you get the one that says real talk, no Filter.

(21:11):
That's the that's supposed to be the active stream. You
know that we get busy on to say the least,
you know what I'm saying, Wink wink, be getting busy.

Speaker 1 (21:18):
On so.

Speaker 2 (21:21):
Sexy red Actually this we might have to just snitch
the story real quick, kind of like Unburied Lead. We
seen Bruno mars Or. I saw him on Twitter. But
a lot of people talk about a g but I
saw him on Twitter or acts if you get down
there any the digital streets, and he said yo who

(21:42):
has a Sexy reds number or information or whatever. If
somebody get a reach out to Sexy Red trying to
get a strip club song. And I thought about that
for a second, like wait a minute, Bruno mars strip
club song. Then I had to like think about it
real quick, like now, not a song that's played in

(22:06):
the strip club, because R and B's played in the
strip club, a little bit of rocks playing in the
strip club. We're talking about a strip like like a
band to make her dance type shit, you know what
I mean? That type of a strip club song, you know,
and again like a song for the strip club, not
like future where you can play future song in the

(22:26):
strip club and it'll go hard. Like it's not strip
club music. It's just music that can be played in
the strip club. Or you know, if you go to
the strip club on a day shift and then they
just got some R and B playing and a girl
danced to some R and B, or you know, if
you go to a situation where it's rock, they got
some rock playing girl, Like I'm not even talking about that.

(22:47):
I'm talking about were talking about like an actual strip
club song. And like I say, the only thing I
can think off the top of my head right now,
is just you know, bands that make her dance that
type of shit. So I'm thinking this, does Bruno Mars
have that? Like I said, he might got like some

(23:07):
songs that have been played in the strip club, but
they weren't necessarily strip club songs. So I'm like, okay,
Sexy Red, how the fuck is this shit gonna work?
Is this gonna work? Then I had to realize that

(23:29):
people in our industry are very are marketers, and I
be falling for this ship too, because a couple hours later,
some artwork came out for a song featuring Bruno Mars.
So I'm like, dang, that's kind of quick, like you
just posted that you wanted to reach out and that's

(23:50):
already okay whatever. Then the next day, you know, because
obviously I work, I worked there, I gotta show. I
gotta show here on theart radio app and you know,
on radio new song by Sexy Red and Bruno Mars.
And let's go ahead, get the name of it real quick,
because it's it's one of those those titles where the

(24:14):
radio version is different than the actual song version because
it's one of those grimy type sound and songs or whatever.
All right, So the song on the radio listing is
fat Juicy and Fat Juicy and And the thing about

(24:40):
radio is that the words that they censor out is
some of the most simplest stuff ever. So the actual
song title fat Juicy and wet. I'm looking at the hashtags.
The hashtags already have those little artworks, you know, behind

(25:02):
it that you see on Twitter. Sometimes Bruno got one,
Sexy Red got one, and Fat Juicy and ware I
had one. So there's already money behind this and everything,
because you know, Bruno is with Atlantic. I don't know
if Sexy Red is exclusively independent. She got a major
dare Like I said, I don't pay attention to her

(25:23):
shit like whatsoever. But I haven't heard the song, and
I was thinking about here. I mean, you would think that, bro,
don't shouldn't you hear the song? And you're right, I should.
But I'm putting two and two together and it's like,
this shit ain't making sense to me. Bruno Mars and

(25:47):
Sexy Red got a song, or Sexy Red and Bruno
Mars got a song. It's like two plus two, you
know what I'm saying, both equals four. It doesn't matter
which one go first. So the musically, I don't see it,
like you have to like think about it real quick.
So think about all of the songs that Bruno Mars

(26:11):
does and imagine sexy read on it. Does it vibe?
Does it mesh? Nah? Not at all, because at least
on Bruno Mars songs, you have to be able to
do more than four bars. Like from the music I

(26:32):
heard of Sexy Red, she can't rap more than four
bars without a bridge, you know what I'm saying, or
without some sort of hype, but basically a bridge. So okay,
So then imagine Sexy reds music. Can you imagine hearing
Bruno Mars on it? Now that's like a maybe because

(26:55):
she did a song with Drake and n But even
then because Drake rapped a little bit on the song too,
so that kind of made it like, okay it we'll see,
But this is two musically different individuals and like even

(27:21):
a and again this is like a maybe cause this
was his song when Cardi B hopped on a finesse
when they was like really trying to like get Cardi
B out there type shit, like people out like they
didn't know like Bruno Mars that twenty four uh Carra

(27:41):
Gold album I think was like non tracks or something
like eight tracks, like it was a very short album,
but that shit was a banger. That shit was like
already a banger. And then they just threw Cardi B
on Finesse real quick, and again it was to help
Cardi B get her shit out there, which worked. So

(28:02):
Cosexy read be on a song with Bruno Mars that's
like Finesse. That's like maybe, but still probably not because
again I still on the whole Cardi be in that
high of women lyricists or song creativity like that is

(28:26):
on that level either. So that's basically like comparing, like
how can I say this? It's basically like comparing something
that you don't like to something that you don't like
as much. It's still not great. So with this song, again,

(28:47):
I haven't heard it yet, and I was gonna hear
it when I saw so many people trash the song,
like a lot of people trash the song. And again,
music is if music. If your song or something that
you have, it's fifty to fifty fifty percent of people

(29:08):
like it, fifty percent of don't. You're good, that's one
hundred percent great. Now, obviously, if everybody likes it, you're good.
But again, we all know that everybody's not gonna like
what you do like. That's the one certainty that you
can have is that not everybody is gonna like it.
So with that being said, what's the acceptable ratio can

(29:31):
you accept? Fifty fifty is good half the people don't
have the people whatever. So now we're talking about seventy thirty, sixty,
forty fifty five, forty five. Know, I mean, what ratio
of hate to like are you willing to accept? Because

(29:53):
when you look at the comments and stuff, if you
see I hate it, I like it, I hate it,
I like it, I hate I like it, I hate it,
I like it. Okay, that's cool. There's engagement because at
least people hurt it to give an opinion. That's all
that you pretty what you want people to hear it
and give an opinion. That's why they call it impressions.

(30:15):
So you got that going on. Now. Obviously, out of
all of that, if you got more, you know, I like,
I like, I don't, I like, I like, I don't,
I like, I like, I don't, I like, I like,
I don't. Even better, more likes than don't. Now when
you get into I don't like it trash, I don't

(30:36):
like it, trash, I don't like it. It's all right,
I don't like it. I don't like it. Nah, I
don't like it. It's cool, I don't like it. That's
when you get into the problem of Okay, some shit's
going on, because now a lot of people don't like
the shit, and then that's how you have to adjust.
So I'm in the comments and I just see a
lot of people that just didn't like it, and I

(30:57):
know when I go to work, you know, this weekend,
I'm gonna end up hearing the song, so that'll be
my time to hear it. That's why, like, I'm not
one of the ones who's gonna like rush to listen
to it, even though I probably shouldn't have done a
podcast episode with before listening to it. But I think
I'm a pretty good judging character of music, and I'm

(31:20):
gonna call this now without before listening to it. I
just think it's probably gonna be it's not gonna mix
well because either it's gonna be on a beat that
Bruno Mars shouldn't be on, or beat that sexy red
shouldn't be on and like I said, like the song

(31:44):
is fat, but fat, juicy and wet, that's what that's
that's what that's what that ship called let Me Go Back. Yeah,
fat juicy and wet. So that's how you know it's
a sexy red song right there. But it's weird though,

(32:04):
because it's weird because it would sounded like like I said,
the preason. I think it was the presentation of it
for me that I didn't like. You can go down
to time not to look at the time of it.

(32:25):
Bruno Mars, you know, hits up the graund hit social media,
who got who got sexy? Read? You know, trying to
do a info whatever, I'm trying to do a track
with her, trying to do a script, a strip club banger.
Then all remize that's artwork and the next day of
songs out, which again, does it take long to really

(32:46):
do a song mixed mass and put it out. Not really,
but normally in a situation like that, you want to
do a rollout, but if the radio station is already
on that cause you just can't, like if it's pro
rabbing timing and a clock for when they do especially
with our heart when they do premieres and stuff. You know,

(33:08):
it has to come you know, from you know, national
programming for the most part, and they let everybody know that,
you know, we're doing a premiere of such and such song,
and everybody's clock is gonna be at the same as
that time, at least I know East Coast wise, you know,

(33:30):
I don't know if they if it's you know, like
like let's say, if it's twelve o'clock Eastern, which that
would be nine o'clock Pacific, maybe maybe nothing. I mean,
but the whole point is that the company is gonna

(33:51):
basically let everybody know that the song is gonna be
played at this time because it's gonna be automatically put
into the system. Maybe a program director has to program
it in black. More than likely if somebody in a
higher up office is gonna and put it into the
system so the song plays. Like I said, that would

(34:13):
be like the one time an opportunity that I'll be
able to pretty much hear it. And I guess when
I do get a chance to hear it, we'll see.
But my point still stands that, yeah, I just I

(34:34):
just feel like it's just not it's just gonna it's
just gonna not match for real, for real, and we're
gonna be pretty much. I'm not gonna say forced to
listen to it as much, but again depends on how
it sounds, because Bruno Mars also goes the other way.

(34:54):
You know, as far as you know, pop music, top
forty type stuff. If Bruno Mars like, like I said,
I got, however, this song goes if this Bruno Mars
feature can do for Sexy Red like it did for

(35:15):
Cardi b By, like given that that that top forty
pop exposure, because it's not like Bruno Mars made Cardi
be popular or made Cardi be famous. It just was
like you can come into this room and you can
perform and they will love you, versus nah, y'all might

(35:39):
gotta perform over there. That's all it is. So this
is the SS experience you know on Twitter spaces. We
don't do too much. We do just enough to entertain
the few, you know, eight of you that's probably was listening,
but we didn't plan it. But it is what it is. Though,
don't forget to rate review, subscribe, rerate review, resubscribe, download,

(35:59):
keep it stuff going over and over and over again,
and you know how it is. I'll holler at you,
and i'll holler at you when you know where I'd
be easy.

Speaker 1 (36:06):
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