Beats, Bars, and Behind the DJ Booth

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:09):
Do you ever go to Skate Town on Thursday?

Speaker 3 (00:12):
I ain't been to Skate Town on Thursday since like
2023.

Speaker 1 (00:19):
Was that Tanaka?
Was that back when Craig wasdoing it?

Speaker 2 (00:22):
That was definitely back when Craig was doing it.
That was when Craig was doingit Because he had tagged me.
He had shouted out me yoga, Ithink, tanaka and some other DJs
yeah, that's a whole newgeneration down there.
You can go down there.
I am not going out there unlessI got security, bro, because I
heard they don't even havesecurity in the parking lot.

Speaker 3 (00:42):
They do.

Speaker 1 (00:43):
Just when, tanaka, I feel like we've been there and
there's cops in the front.
Yeah, they don't have security.

Speaker 3 (00:51):
I feel like they got cops.

Speaker 2 (00:52):
Do the cops do their job.
Oh fuck, I don't know aboutthat, if you don't know about
that, then I don't want to go.

Speaker 1 (00:58):
I go home.
I don't do the parking lotpimping.

Speaker 2 (01:01):
But my thing it ain't even the parking lot.
Pimping it's while I'm inside.

Speaker 1 (01:04):
Oh, inside, yeah, no, that's what I'm saying.

Speaker 2 (01:06):
I feel like While I'm inside, is the cars being
secured?
Oh yeah, I don't know aboutthat.

Speaker 3 (01:12):
I mean, I'm pretty sure you don't know about that.
You will not see Sean there.

Speaker 1 (01:18):
Well, tanaka would know parking lot pimp.
That's the man you need to ask.

Speaker 2 (01:22):
He go more than I do, so you drive up there just to
kick it in the parking lot yeah,bro, I mean I go skate first.
So he goes on the inside.
So while he's on the inside,who's watching outside?

Speaker 1 (01:36):
That's what you need to be asking If he's going.

Speaker 3 (01:39):
I usually just see all the people affiliated with
Skate Town, Because you know,Because you know when they check
you it's like I ain't going tocount it.
Look like buddies from down thestreet type.
You know what I'm saying.
They all a family affair, Like,for instance that's your family
affair.

Speaker 2 (01:59):
No, I'm saying.

Speaker 1 (02:00):
If it's his family affair.

Speaker 2 (02:01):
you're good, but what if I get invited on a date and
he just happens to be out oftown?

Speaker 1 (02:07):
That's why you're going with Tanaka.
We're going to check in withTanaka.
Make sure you like Tanaka first.

Speaker 2 (02:13):
I can call Noc and it's not a guarantee he'll pick
up.
And then when he calls back, Idone already left the room.
You ain't lying.
You ain't lying about that oneSafety first.

(02:33):
Yeah, I mean so like safetyfirst yeah, yeah, okay, yes you
guys.
Yeah, man, my main thing is Ijust want to be able to get
there safely and leave, sayright, well, everything with all
my windows right, all right andother unnamed yeah you, yeah,
unnamed things that are, youknow may or may not be in the
car.

Speaker 1 (02:46):
All right, type shit.

Speaker 2 (02:47):
Yeah, whatever we're talking about, yeah, whatever
we're talking about, whateverwe're discussing Type shit, type
, shit, yeah, so sir are we areyou conducting this?

Speaker 3 (02:59):
train I mean yeah, so like to welcome everybody.

(03:49):
Tnc podcast you got a specialguest in the building.
Man, you know I'm sayingcascade friday's on, man, you
already know who'll be holdingit down what, the, what the, uh,
what the tech.
You know'm saying that's why djmusician in the sky, get sean
the dj you know, what I'm sayingyou already know what's going

(04:12):
straight like that.

Speaker 2 (04:13):
Man, stone mountain is one and only only one you did
.

Speaker 3 (04:18):
Yes, indeed, man.
So um.
So, yeah, sean, go ahead, breakit, break it down.
We'll start with just the rink.
How did you get involved withthe rink, man?
How did that even come acrossyour?

Speaker 1 (04:32):
mind.

Speaker 3 (04:32):
Well, first off before we get into that, sean.
How are you doing, sir, yeah?

Speaker 1 (04:35):
how are you doing?
How are you doing, man?

Speaker 2 (04:39):
Hey man, listen man, I'm blessed, I'm happy, and you
know when you're blessed andbusy, you ain't got time to
complain, bro.
Yeah, right facts I mean.
So, as long as I stay busy andproductive.

Speaker 3 (04:54):
I ain't got shit to worry about because god got me
that cum you know what I meanthat is I ain't mad at it always
and forever.
Simple as that it is.

Speaker 1 (04:58):
I ain't mad at it, tanaka.
How are you good sir?

Speaker 3 (05:01):
I'm maintaining, man, you know what I'm saying.
Just trying to heal up.
Uh, man, you know what I'msaying.
Just trying to heal up from theskate injury.
But, trying to get back outthere.
That'd be my cardio.
You know what I'm saying Burncalories and stay in shape.
So you know I miss it.

Speaker 1 (05:15):
So how's that road been for you?

Speaker 3 (05:18):
Frustrating.
You know what I'm saying,Because that is just like.

Speaker 1 (05:21):
He says it with a straight face.
You're so cool Casually cold,cool and cold.

Speaker 3 (05:27):
I'm just saying, man, I know I got to have the
discipline to be patient BeforeI go back out there, because I
know me, I like to go all out.
I don't like the 50% and allthat, you don't have to step in.

Speaker 1 (05:44):
You're not in them.

Speaker 3 (05:46):
You're not in them 50% and all that you feel me.
You know how to step in.
You know how to step in how youdoing, how you doing, sir.

Speaker 1 (05:54):
I'm doing great.
I'm still reeling off thisKendrick concert.
Shout out to Kendrick Lamar.
You owe me nothing, absolutelynothing.
That was a great show.
Sza, playboy, cardi everybodyshout out to shout out to y'all.
Y'all, y'all did your thing inthat in the Mercedes-Benz
stadium.
Shout out to y'all.

(06:14):
Yeah, I mean so, since we're onthe topic, tonight.

Speaker 3 (06:18):
How do you?

Speaker 1 (06:18):
how do you feel?
How did you feel theperformance was?

Speaker 3 (06:21):
I thought it was great.
Man, you know, um, I understandwhat venues, like you know.
Obviously, when you're doingarenas and stadiums, it's not as
intimate.
You know, and personally youknow, I prefer more the intimate
concert experience oh, so youprefer the smaller?
Smaller yeah the smaller venuesyou know, as opposed to like
the big stadiums.
However, I will say one plus Iguess you could say about the

(06:48):
stadiums is that roar of thecrowd.
That joint was crazy.
Me and Tartel, we was driving,we came a little late, we
driving in to park and all that.
You just hear the outside.
I was like damn.

Speaker 1 (07:04):
Best believe that motherfucker was sold out like
like I'll show you some clipsbut yeah, no, that joint was
crazy and then and then the roarinside was even crazier because
we weren't even at our seatsyet.
All you hear is we startedrunning, oh man, but yeah, yeah

(07:24):
it was, yeah, it was a dopeperformance.

Speaker 3 (07:27):
And then, especially since I seen Kendrick, like the
first concert I seen, kendrickwas like 2010, I believe.
So that was like when he wasjust starting, oh yeah.

Speaker 1 (07:39):
That's section eight, section eight, section eight.

Speaker 3 (07:41):
Yeah, and that was such a weird concert lineup.

Speaker 1 (07:46):
Can I pause?
Oh yeah, Go for for it.
What was?

Speaker 2 (07:47):
the very first kendrick song y'all ever heard
so that's an interesting storyon my part.

Speaker 1 (07:53):
Shout out to my big cousin kevin.
Um he, he introduced me tokendrick as k-dot.
I didn't even know who he was,but my introduction to to
Kendrick was All my Life byJ-Rock.
I didn't know who he was, so atfirst J-Rock was the leading
act in TDE.

(08:13):
Are you familiar with that songAll my Life?
It's the song with Wayne.
In the ghetto, ghetto, ghetto.
I know, I know that song.
So for the people that don'tknow, kendrick is in that video.
He's not on the song,apparently.
I don't know, I've never heardthis version, but apparently
there's a version.
That's not William, it'sactually Kendrick, but I never
heard that version.
But on the video it's himsinging William's part, but

(08:41):
William cool I guess Didn'tthink nothing of it.
And then I think, oh and then,j-rock had came out with his
next single from that album,follow Me Home.
Who Gonna Love it?
And who Gonna Love it hadKendrick on it and I was like
whoa, who is this?
Who is this dude on this secondverse?
Like this joint, this dude wentnuts.
And then come to find outkendrick.

Speaker 3 (09:02):
He was kendrick lamar and k dot and all that good
stuff yeah, that's how Idiscovered kendrick lamar I
think a similar, a similarsituation, um, because I was
following j-rock pretty closelyand then uh, yeah, then that
album came out.
I did hear who's gonna love it.
It gets a little blurry, though, because I do remember hearing

(09:25):
High Power too.
You know what I'm saying, so Idon't know.

Speaker 1 (09:28):
You don't know if you heard it before.

Speaker 3 (09:29):
Yeah, I don't know what it was.
I just remember the buzz overthere Because I think that was
around the time of the XXLFreshman cover.
Yeah, you know.
And man, when I tell you, yeah,kendrick went crazy on that.
That's why I was like damn likehe not so like that whole, like

(09:50):
a good majority of that XXLfreshman class was already tough
.
So the fact that Kendrick likewas shining like even more, I
was like damn like he's aproblem.

Speaker 1 (10:02):
That was the year right before I started paying
attention or even knew what thedouble xl freshman list was.
I didn't know about that tillthe year after.
That's the one with future andfrench montana and ngk and all
them but um but yeah, shout outto k dot what about you sean,
the very first kendrick lamarsong that I ever heard.

Speaker 2 (10:20):
I don't remember the name of it, but he was like son,
son, fuck that like you knowwhat song I'm talking, don't
remember the name of it, but hewas like son of a son, fuck that
, Fuck that.

Speaker 3 (10:29):
You know what song I'm talking about.
What's the name of?

Speaker 2 (10:33):
that song?
Damn, I got it.
I just remember passing bySouth of Cab Mall and my
southern ass, I was like whydoes he say that that way?
You know what I mean.
He say that and I'm like, bro,why does he saying it like that?
That shit was just so weird,Fuck Docs.
And then he used to emphasizethe fuck out of that T Fuck Docs
, Fuck Docs.
Anyway, that was the very firstsong I heard by him and I never

(10:57):
knew the name of that song.
But then I remember the songthat actually made me become a
fan of Kendrick Lamar wasn'teven Kendrick's song, so it was
the Maybach music, self-made.
I think it was either two orthree, Ah two.

Speaker 1 (11:15):
I already know what song you're talking about Power
Circle.

Speaker 3 (11:19):
Power Circle, that's a real one for no one to know.

Speaker 1 (11:24):
That's a real one for no one to know.
Shout out to you.

Speaker 2 (11:28):
Everybody did their verse.
Yeah, yeah, everybody heldtheir own, I'm not going to lie.
Everybody did their verse.
That's beautiful.
Wale came in and did his thing.
No, we're going to talk aboutRick Ross.
He was like something.
What did Nick say?
He was like the square root ofa kid.
I'm a motherfucking g nigga.

(11:52):
And then, like everybody else,did they think?
yeah and then, like, while theycame and did his verse, meet
came next and then look into theeyes of my Bro, kendrick came
in on some Eminem shit, bro,literally shred everybody on

(12:13):
that.
I literally was like bro, whatam?

Speaker 3 (12:17):
I.

Speaker 1 (12:20):
They were smart for doing that.
They were very smart for doingthat, Bro.
He literally came on.

Speaker 2 (12:24):
Some Eminem were smart for doing that they were
very smart for doing that.
They made you wait.
He literally came on someEminem energy lyrically
shredding everybody.
Was this before the control?

Speaker 3 (12:35):
Yes, it was before.

Speaker 2 (12:37):
All I know is I was like bruh.

Speaker 3 (12:41):
This bruh.

Speaker 2 (12:44):
He left no crumbs on that song bruh.

Speaker 1 (12:47):
Not at all, not at all.
Damn.
I'm listening to that songagain now, damn.

Speaker 3 (12:52):
See, in a way, yeah, part of the reason too that he
stood out to me was I rememberthe double-A surgery he doing
his freestyle.
You know folks usually do theirfreestyle or whatever.
Yeah, their freestyle, whatever, yeah, he had.
You know, you know, like whenyou had the bullets like in,
like a, they like strappedtogether, yeah, he's like

(13:13):
carrying them and he's rapping.
He's going like just like goingthrough them one by one while
he's rapping, yeah, and I don'tknow.
I just thought that was thecoldest ever, like you know what
I'm saying.

Speaker 2 (13:20):
So all I know is when I heard that that self-made,
that's it.
No, no, power, circle, power,circle bro, just the beat alone
bro.

Speaker 3 (13:27):
Oh, yeah, yeah, yeah, for sure, just that beat alone.

Speaker 2 (13:31):
It's like, bro, this ain't no instrumental you can
play with Like bro you have to.
You got to come crazy.
You got to come with it.
Yeah, you got to come with itand it was like dog.

Speaker 3 (13:44):
This is unreal bro Sean, that's fine.
So how did you?
So you be listening to albumsfor real man?

Speaker 2 (13:51):
I do because not only am I a consumer, but you know,
for the people that don't know,before I was a DJ, I was a
producer, beat maker.
So you know, I love thecreativity of instrumentals and
because, like, I was a musicianfirst that's where a musician
comes from.
So it's like I appreciate theessence of music, I appreciate

(14:15):
the, the creativity of theproducer, like, like, and
especially with big artists likeRick Ross at the time, kendrick
and all those, it's like, it'slike bruh, in order to be on
their beats and be on theiralbums, you got to come with it.
That's a fact.
Like, you know, like anybodythat knows me knows, just Blaze

(14:38):
is my favorite producer.
So it's like, like, just Blazeset a standard for me and like,
when I first heard Power Circle,it sounded like something Just
would do.

Speaker 3 (14:49):
Yeah, honestly, and I commend Ross man Ross always
had a great ear for beats.

Speaker 1 (14:56):
Yes, very much so.
Yeah, for sure.
And Justice League, boy.
Anytime I hear Justice League,I'm like yep, I'm finna, stop
what I'm doing, you got to.

Speaker 2 (15:09):
It's like they've earned those stripes.
Shut up and listen.
That's where they finna go.

Speaker 1 (15:15):
Tanaka, would you like to respond to Big Meech?

Speaker 3 (15:19):
He's been going crazy in the group.

Speaker 1 (15:22):
You already know he's talking about Drake.
We've been talking aboutKendrick Lamar this whole time.
You know he a little Drake head.
So I will say this, though I'mnot going to lie, and I told
Tanaka this OK, I want to be afly on the wall for that concert
in Toronto.
I don't know, did you know he'sgoing to Toronto?
Oh yeah, that is bro.

(15:46):
I would want to be a fly onthat wall and I'm not going to
lie.
If he goes there unscathed,nothing happens to his car.
I'm not saying I want anythingto happen to him or anything
that he owns or anything likethat, because that's stupid.
However, there have been somepeople that have went to Toronto
, tried to pop that Kendricktalk to not like us in the
euphoria and got dealt with.

Speaker 2 (16:03):
Man.
I remember seeing the video ofRick Ross' security.

Speaker 1 (16:08):
Don't be fucking with me.
I was like dog.
Dog bro, bro you in enemyterritory.
Why would you do that?

Speaker 2 (16:16):
And you popping it big.

Speaker 3 (16:18):
Popping it.
Come on, I'm sorry, big Meech,I can't agree with you.
He's mad.
He said if it wasn't for Drake,kendrick wouldn't be as hot as
he is right now.

Speaker 2 (16:27):
I can disagree with you, Mr Meech.
And the reason why, I say Idisagree with you, mr Meech, is
because, at the end of the day,if you're meant to make it,
either you're going to get hereone way or another.
It just happened to be.
Drake did what he did, but youreally can't prevent what's
meant, dog, that's what I'msaying, man.
So I mean you can say thatDrake gave him a good light and

(16:51):
put a light on him.
But either way it go, bro, hestill made it that far to the
point of Drake seeing himwithout you know like.
Bro at the end of the day, youstill going to be hard,
regardless.
Destiny is destiny.

Speaker 1 (17:04):
I mean, if that's the case, why didn't push a t?
Why isn't he doing arenas right?

Speaker 2 (17:09):
so at the end of the day, so at the end of the day,
at the end of the day, at theend of the day, um, he did what
he did you.
He had grinding and other songs.
What happened to that boy?
And blah, blah, blah.
But at the end of the day, man,we're going to call a spade a

(17:31):
spade.
Niggas, don't go to the club tohear lyrics.
No, you're right, we go to theclub to have fun and be ignorant
Absolutely.
And you know he had his timeand he's still going, not saying
that he should quit anytimesoon.
As long as you can breathe anddo what you can do, keep doing

(17:51):
that shit, but you know.

Speaker 1 (17:55):
No, definitely no, you're not wrong.
It's actually interesting youbrought that up because I think
they're supposed to be droppinga new Clips album.

Speaker 3 (18:02):
Yeah.

Speaker 2 (18:03):
But I mean, look at the date, heat time and
temperature.
That's now, bro.
Can we live with or withoutthem?

Speaker 1 (18:11):
I mean, I'm not going to lie, I was never a real big
Clips fan.
When Clips was hot I wasn'tLike Grinder was cool and what
happened to that boy was cool,but it's just, oh my god.

Speaker 2 (18:26):
Y'all didn't got Demetrius started.
He said if that's the case, howmany times have y'all actually
played Kendrick?

Speaker 1 (18:30):
Lamar's music and y'all be set.
I mean, and y'all said be fine,okay, well, I would say that,
no, no, no, I would say thatbecause you said, because you
brought up the point of usplaying in the club.
The club the swimming pools inthe club Did we not play?

Speaker 2 (18:39):
I was playing humble, Playing humble.
We played Kendrick songs andKendrick features in the club.
We can be honest yeah Again.
At the end of the day, if youhot, you're going to get to that
point, regardless of who'sthere with you or not.

(19:02):
You cannot prevent destiny myname Destiny.

Speaker 1 (19:05):
Yeah, that's facts.

Speaker 3 (19:08):
I feel like it was bound to happen, though, because
I feel like that's how it iswith hip-hop.
It's usually, for eachgeneration or decade, or however
you want to chop it up, it'susually one top rapper that
really dominates that, and Ifeel like, eventually, drake and
Kendrick for this generation,they was going at some point.

Speaker 1 (19:32):
Kendrick in a sense had to slay the dragon, I mean
it happened.

Speaker 2 (19:38):
I'm just saying the same way, how and I'm trying to
be as smooth about this aspossible Drake had his chest out
waiting days.
Hey, where you at?
Why you ain't drop shit.
Talking hot shit, wasn't itLike bruh?

Speaker 1 (19:58):
He was out here looking for it, and once it
finally came to the front steps,bruh Hold it Like a cheap suit,
like bruh owed it like a cheapsuit, like bruh like and what's.
And it's funny, I was talkingto um.

Speaker 2 (20:10):
And I ain't taking nobody's side because I don't
care, neither one of themputting money in my pocket.

Speaker 1 (20:16):
And yeah, that's what I'm saying.
So I just call a spade a spade.
If, like, if you lost, you lost, like, yeah, you're still a
global artist.
You are still a global artist,so you can still go
international anywhere andperform all your hits and be
good.
Right, all I'm saying is youlet this national ass rapper
come out of his fucking NissanAltima.

Speaker 3 (20:37):
When you got out of your.

Speaker 1 (20:38):
Cybertruck and you got your ass whooped in a fist
fight.
That's what just happened.
You still go back to yourCybertruck and whatever,
whatever is in the cyber truckand let him get back in his
nissan ultima, but like youstill got your ass beat.
Like it's called a spade spade,that's, and what's interesting
about it.
He was like you said.
He was just all big bad.
Like he was just playing withit.

(20:59):
He was goofy as hell.
Make that taylor made bullshit.
Like he dropped euphoria, hestarted making the.
Isn't this around?

Speaker 2 (21:05):
the time last year when all this shit was going
down, like, yeah, euphoria, comeout around this time, around
the same.

Speaker 1 (21:11):
Yeah, yeah, I think Euphoria just came in like a
couple of days ago, bruh, bruh.

Speaker 2 (21:16):
And that's funny.

Speaker 1 (21:17):
Yeah, that was.
That was a moment.
I'm not gonna lie.

Speaker 2 (21:20):
Okay, so what was your favorite song?
Euphoria.

Speaker 1 (21:23):
Euphoria, euphoria, euphoria.
Like, yeah, euphoria just takesout all of it.

Speaker 2 (21:28):
I'm not going to lie bro.
What was that song?
Meet the Grams?

Speaker 1 (21:32):
Oh, let's not talk about Meet the Grams.

Speaker 2 (21:36):
Meet the Grams.
That shit hit me right here bro.

Speaker 3 (21:39):
That was real serious .

Speaker 1 (21:46):
The only way I can explain meet the grams.
For anybody that's never heardmeet the grams, it's like
surgery without them putting youto sleep Right, like that's
what meet the grams was, yeah,very uncomfortable, like he hit
every nerve.
It was very uncomfortablePurposely.
Your son, your mama, your daddyand whoever else and the

(22:06):
quote-unquote daughter.
I was like.
I sat in the garage and I waslike what the fuck is happening?

Speaker 2 (22:17):
When he first opened up and said dear Adonis, I was
like wait.

Speaker 1 (22:22):
I was like wait, wait , his son, what, what.

Speaker 3 (22:25):
Wait, wait, wait.
I was like wait, wait His son.
What?
What?
Wait, wait, wait, wait.
The beat, too, was just likethat's what I'm saying.
Everything is uncomfortable.

Speaker 1 (22:33):
That song is really uncomfortable.
Crazy man Like yeah, that shitwas nuts.
And then he dropped the nuke,which was not like us, and that
that took off.

Speaker 2 (22:46):
The fact that Drake said come up with a club here.
Oh yeah right, and then he gaveyou, just that.

Speaker 1 (22:56):
But what's crazier about Not Like Us is the fact
that Drake tried to claim botswere the reason why Not Like Us
and the reason why I know 100%.
Well, obviously there's alwaysgoing to be a machine behind all
these big records, of course,but there is no bots on this.
There's nobody just clickingplay and not listening to it,

(23:20):
and that's it.
That's what I think of when Ithink of bots Niggas just press
and play just so they can get alisten, that type of shit.
But, nigga, when I tell you Ido roller skating, I do karaoke,
I do strip club and I do thelittle wrestling shit and every
single different one I got askedfor not like us.

(23:41):
They asked for not like us theroller rink.
I'll never forget it Because Iwas like the first person that
asked me to.
Ironically, the first personthat asked me to was LeBron and
I was like wait, you want tohear that?
You want to hear that?
Really, okay, all right, cool.
And ever since then it's beenteens, kids, kids are the ones.

(24:06):
Hey, can you play Now?
Like Us, and I smile and laughevery time.

Speaker 3 (24:07):
Yeah, I'm not gonna lie, that's what really like
that got me shook.
Yeah, when the kids are askingfor it.

Speaker 1 (24:14):
it's over with Karaoke.
The people come not only to sitto rap it, people come to hear
it.
Hey, now I don't want to docharacter, Can you just play it?
Can you play Not Like Us, thewrestling?

Speaker 3 (24:27):
joint, one of the wrestlers came up.
I was like, hey, oh, my boy, ohyou got any requests?

Speaker 1 (24:32):
Oh, hey, bro.
Yeah, bro, play that.
Not Like Us.
Bro, that joint give me hype.
Every time I was like god damnand I never would have thought I
would have got in the stripclub.
But I got in the strip clubSomebody was like yo hey, here's
a 50.

Speaker 2 (24:43):
Play, not Like Us I remember the very first time I
heard that line or that specificone A minor Like bro, when I
first listened to it and Idissected that I was like bro.

Speaker 1 (24:58):
Yeah it was bad, it was really bad.
Yeah, that was crazy.

Speaker 2 (25:01):
It was like hell crazy trying to strike a chord
and it's probably a minor.

Speaker 1 (25:06):
Yes, just that by itself.
That by itself is nuts.

Speaker 3 (25:11):
But musicians all around you don't even.

Speaker 1 (25:15):
I don't even know if you know the punch line of that
whole thing, right?
So do you know, did you?
Did you know what Drake's songis in A minor?
What song?
Teenage Fever, teenage Fever,y'all.
I don't know if y'all knew thator not, but go look it up,

(25:39):
drake.

Speaker 2 (25:39):
Teenage Fever is in A minor, sean's dead.

Speaker 1 (25:45):
Yeah, it's bad, bad.
Yeah.
It was bad, like when I when Isaw that I was like there's no
fucking way and I looked it upand I was like oh my god, yeah,
yeah it was, yeah it was bad.
Yeah, it was bad, like see thatthat's.

Speaker 3 (26:04):
But see that bird niggas and bird bitches like bro
, what the that whole song?

Speaker 1 (26:12):
yeah that whole just dissection after dissection,
after dissection that whole songwas like a kids meal.

Speaker 2 (26:20):
Like bro you just, it's always something when you
sit there and just bro dog kidsmeal.
Like bro you just, it's alwayssomething when you sit there and
just bro.

Speaker 3 (26:29):
No, yeah, that's the thing, son.
I knew it was real when I, youknow, you got the white kids
coming up right and you know,you know they usually asking for
, like taylor, swift taylorswift katie perry, lady gaga, oh
, can we hear?
Not like us by Kendrick Lamar.

Speaker 2 (26:43):
Yes, and they be looking so sincere.

Speaker 1 (26:47):
Can we play Not Like Us?
Can we play Not Like Us?

Speaker 3 (26:51):
That's when I knew it was a problem.

Speaker 1 (26:52):
Yeah, that was an issue.

Speaker 3 (26:54):
Y'all don't even be asking for no rap songs.
Y'all be on the pop joint forreal, you know what I'm saying.

Speaker 2 (27:02):
They ask for the Drake's.
Nah, they asked for Drake thistime.
They asked for the op.

Speaker 3 (27:06):
Yeah, they asked for the op, bro.
That shit's crazy, but I meanyou can be honest, though, man.

Speaker 2 (27:14):
This ain't nothing new.
This whole back and forthbetween Kendrick and Drake has
been going on for a long time.

Speaker 1 (27:23):
Yeah, about a decade plus.

Speaker 2 (27:24):
What was that XXL?
Or that Sprite freestyle?

Speaker 1 (27:29):
Hip-hop Wars.
It was the Hip-hop Wars Right.

Speaker 2 (27:31):
Mm-hmm, yep, and you know what I'm talking about.
Yeah, yeah, that's right Ha haHigh five Like right.

Speaker 1 (27:43):
Yeah, and what you call it.
I don't know if you know thesong the Language Drake where
he's fucking on platinum.
I look at my wrist and it'salready platinum.
He was talking about Kendrick.

Speaker 2 (27:52):
I didn't know that.

Speaker 1 (27:54):
Yeah, yeah, there's a couple lines in the Language
where he's talking about.

Speaker 3 (27:59):
Kendrick Wow.

Speaker 1 (28:02):
Yeah, what a mess, what a mess, what a mess.
Shout out to Jug on thecheck-in.
Shout out to Jug.
But yeah, I mean, look, we evenflew off the rails already
tonight.
Do you want to go through?

Speaker 3 (28:16):
the questions you just going to ask to Chum before
we got sidetracked.
No, it's all good man.
Look, we're going to talk aboutmusic and that's what we're
doing, oh yeah.
We'll definitely dive into it.
But yeah, sean, go ahead andbreak it down for the people,
man, let them know how you gotin the rink.
All that good stuff, all right.

Speaker 2 (28:33):
So, long story short, how I got into the rink.
I used to work at the rinkGoldenGlass, westwood Chapel,
man 2008.
I used to work at Golden GlideSkate Rink, man.
That was back when Mr Greg, theowner of Cascade, used to own.
Both Cascade and Golden Glide,used to start out working as a

(28:56):
party host.
Then they moved me over to theskate rental room.
I was cool with the DJs up thereAt the time.
I was producing making beatsand I was cool with the DJs up
there.
So you know, at the time I wasproducing making beats and I was
just telling everybody like,hey, bro, check the CD out, man,
check out my beats, man, if youlike it, put it in your mix.
And blah, blah, blah.
Shout out to, um, shout out, djAvalanche, my dog Asher man, he

(29:17):
was one of the DJs that gave mea spin.
And you know, looked out, therewas this DJ named DJ Illusion,
christopher Brown, dj Illusion.
One day I was working in theskate rental and this was around
08, 09, when Lil Wayne hadLollipop going and I just
remember he mixed in my beatwith the acapella to Lollipop

(29:40):
and I was like, bro, that is sohard, bro.
And I just remember, at the endof the session I went ran up DJ
Illusion.
I was like, bro, you got toteach me how to DJ, bro, that's
so hard bro.
And it went from him teachingme how to DJ to me actually
DJing outside of the skatingrink.
And then I'll say, like around20, 22, 23, no 22,.

(30:03):
I was djing a party.
One of my dogs, um keon, uh, hehad a birthday party and I'm
djing the party.
Asher dj avalach just happenedto come to the party and he's
known that I've been djing buthe ain't never heard me dj live.
So at this party, you know,asher dj avalanche, he called he

(30:25):
.
He came up there and peeped meout.
He was like hey, bro, I'm gonnarock with you, I'll rock with
you.
And I just happened to call himin the middle of the club and
call him up to the booth.
We had like this littleminiature.
I ain't gonna say battle, butyou know I'll play a song.
He responded like it like bro,it took the party up.
So and then at the end of thenight you know, before he walked

(30:47):
out, he came back up to the DJbooth, got me up and he just
gave me that look.
He was like I see you.
And then, like two days later,he hit me up.
He was like hey, bro, what youdoing next Friday?
I was like shoot, just tell mewhat time I need to be there,
like I don't know where he wastalking about.
I just said just tell me whattime to be there.
He was like be up at Cascade by1130.

(31:09):
I got there around like 1145because you know traffic is
crazy on 20.
But yeah, bro, just went outthere, did my thing and he was
like, yeah, man, so next FridayI want you up here, bet.
So next Friday.

Speaker 3 (31:27):
I want you up here bet.
So like 2022, that's an issue,man you know what I mean so yeah
, man, nah that's going hard mandefinitely hard.
What got you into producing?

Speaker 2 (31:41):
Just Blaze got me into music production.
For those that don't know, orfor those that are too young,
just Blaze got me into musicproduction.
Just Blaze, for those thatdon't know, or for those that
are too young, just Blaze is anup-northen producer.
He done produced a lot of songsfor you know, the Rockefellers,
jay-z's and Kanye's andDipset's and all them.
Not only is you know, not onlyis Just Blaze a producer, he's a

(32:05):
DJ as well.
He's also a reason why I gotinto DJing, but he influenced me
as a producer as well Back whenI was younger.
I was born and raised in aChristian home.
My mom used to sing in thechoir.
My dad, he plays bass guitar.
He still plays bass guitar tothis day.
That's fire.

(32:25):
Growing up, influencedmusically, I learned how to play
bass guitar.
He still plays bass guitar tothis day.
So, like you know, growing up,you know, influenced musically,
I learned how to play drums,keyboards, a little bit of bass,
just like daddy.
When learn how to playsaxophone and band like I
literally got into this music.
That's why my name is musician,right?
So it just pretty muchdescribes who I am and what I am

(32:48):
.
So it just went from playinglive instruments to making beats
, to engineering, to dj, so it'slike a full progression and
your producer man.

Speaker 3 (33:01):
It was musician it's musician.

Speaker 2 (33:03):
Once I became a DJ, I just DJ nah that's dope.

Speaker 3 (33:08):
That's dope that you had that from the jump.

Speaker 1 (33:12):
Yeah, yeah oh, you can curse shit, fuck it, but
yeah cause how many you had didyou have a lot of different DJ
names, bro?
I had one DJ name, you had one,that was it it took me a little
while to get to Tanaka.

Speaker 3 (33:29):
You know what I'm saying, because at first they
were calling me by my first name, type joint.
So they was like DJ Brent, youknow what I'm saying.
And that was just littlekickbacks and stuff.
And then I eventually got toTanaka.
Before that it was C-Town B,but that was like too
complicated, yeah.

(33:49):
And then, like that's when Iwas like you know what, let me
just use my last name.
Hey man, that's hard bro,that's history.
But then my partner was like,from the west side he was like,
and I ain't gonna lie now, youknow it's, it's a little
difficult what's black folk tosay your name, bro, like you

(34:12):
know what I'm saying.

Speaker 1 (34:13):
But then yeah, especially if they don't know
you, because, boy, there's beena couple.
I remember when he first gotinto the skate world he like bro
, you know who are bruh, that,tanika, I knew it, I was really
about to say I knew it, I knewit.

Speaker 2 (34:22):
I was really about to say I feel a tannic of coming.

Speaker 1 (34:24):
I mean tannic.
I was like no.

Speaker 3 (34:27):
Yeah, yeah.
So, but that's when and then wehad like a live.
I think it was like me turn updrip, we just on live, like just
talking, we just random orwhatever.
Yeah, and that's when I wastelling, that's when he was in
Vegas, right, yeah, I was like Ineed a job bro.
He's like, oh yeah, I'm goingto give you a job.
Hey, it's DJ Knock Knock orsomething like that.

Speaker 2 (34:49):
Yeah, I've always wondered where did I get Knocked
?

Speaker 3 (34:52):
from yeah, that was bad.

Speaker 2 (34:53):
I heard somebody say it.

Speaker 1 (34:55):
And he swore that was the dumbest shit ever he hated
it.
Yeah, I ain't going to lie Ididn first because I was like
and I and it was funny, Ithought it was more one of those
things where it's like you take, you take, you take a negative
and turn it to a positive.
That's why I thought that'sawesome, right, I was like, not
it actually.

Speaker 3 (35:11):
I feel like there's nothing wrong with it I feel
like this shit hard right, so,but yeah, the rest of history.
Jerk gave me that and then howmany knock-knock jokes?
There not even a lot I ain'tgonna care.
They just you know what I'msaying.
But, uh, it, definitely, youknow.
Definitely it's easier for thefolk to pronounce, yeah,
definitely, yeah, I heard it alltaka, tanka, tanaka you know

(35:35):
what I'm saying.

Speaker 2 (35:36):
I've heard music.
I've heard music it's literally.

Speaker 1 (35:39):
It's literally musician okay.

Speaker 2 (35:44):
So the way I feel like M-U-Z-I yeah.
So some people say musician.
I've heard music, sean.

Speaker 1 (35:53):
It's literally music.
It's literally musician.
How have you not heard musician?
Get out the house, please.
Whoever's calling him musician,like.
Come on, people don't read broI see, I see music sean.

Speaker 2 (36:08):
I've heard music sean .
Where do you see us?
C or k?
I've heard muzzy sean.
I've heard you, sean, like.
I've heard so many remixes tomy name.
That's why I just keep itsimple my name's Sean, bro.
You can say either Musician orjust say DJ Sean, right, right,

(36:30):
right.
Just as long as you say Sean,that's all that matters.
Does anybody call?

Speaker 1 (36:37):
you Music, if you say that I'm purposely ignoring you
.

Speaker 2 (36:43):
If you say that I'm purposely ignore it.
If you say that on purpose youignore it, I'll be like Nah for
real.

Speaker 1 (36:52):
Oh my God, that's crazy Like I don't know.
It's literally a musician.

Speaker 2 (36:58):
That's it, hey man, listen, my secret weapon is I
know that people are slow, sowhen you come to grasp that
people can be slow.
It doesn't bother me, I canrespect that.
Yeah, I mean, it's just likeobviously this person didn't

(37:19):
read the name long enough orthey just zoomed by, but I.

Speaker 1 (37:25):
Well, hold on.
This is going to be anoff-topic question.
It's not going to be aboutmusic or anything, but I just
had to ask, speaking of notreading, because I definitely
read this every time I go onMusician's page.
I see that one question.
Did the Lakers win.
Hey man, sean, can you pleasegive me the backstory on how

(37:46):
this has become a reoccurringthing on the DJ Musician
Instagram page?
Because that shit gets me everytime, because, I never expect it
because I don't watchbasketball, so like I'm just
scrolling and then I see it Didthe Lakers win.

Speaker 2 (38:04):
And he's asking y'all the same question the day after
they got eliminated For therecord For the record Right.
All you hear is did the Lakerswin?

Speaker 1 (38:16):
And then Money's going to be writing you a check,
boy.
God damn as many times as I'vebeen doing that I've been doing
that since 2019.

Speaker 2 (38:32):
Oh my God, Faithfully , those two combined, just like
that.
If you see the Lakers win, youshould know by now what's
following.
Oh my God, bro, I just everytime, it gets me every time Like
bro.

Speaker 3 (38:46):
That's crazy.
You said that because I justsaw it on the note, bro.

Speaker 1 (38:49):
I literally see it every time and it punches me in
the gut every time Because I'llbe at work or I'll be at home
just doing nothing that hasanything to do with the Lakers
or TV or anything, and I'm justand I just hear that and I see
it Every time.
So what is this animosity yougot towards the lady?

Speaker 3 (39:14):
Where did this start from man?
What's the origin?

Speaker 1 (39:18):
Let's do it when it was your lady.

Speaker 2 (39:20):
Nah brother, hey man, listen, I'm over the silence.
Rest in peace my dog Kobe bro.
Long live, kobe.

Speaker 1 (39:24):
Rest in peace my dog Kobe bro.
Long live Kobe man For real.

Speaker 2 (39:27):
Like the greatest since the greatest.
So that's my opinion.
Like Kobe is my goat.
Everybody got their own goat.
Kobe is my goat Right.
But, like a lot of people arequick to assume that I hate
Braun, a lot of people are quickto assume that I hate Braun.
A lot of people are quick toassume that I hate Braun.
And, at the end of the day, inorder for me to hate you, that

(39:49):
means I gotta care.
I don't care at all, but my mainthing is we know how the media
is.
Whenever LeBron and his teamwin, braun gets all the credit.
Whenever the team loses,everybody else gets the blame
but him.
But Brian, oh, okay.
So my thing is when they win,you hear about it everywhere,

(40:14):
right, but when they lose, it'squiet Quickness.
So it's like keep that sameenergy, right, like it's quiet
the next morning.
So I'm like did Lakers win?
You dig what I'm saying?
Keep that same energy.

(40:35):
If y'all going to be loud whenhe win or when they win, be loud
or the same.
Keep it balanced.
Keep it balanced, right Don't bequiet, like that game just
didn't happen.
You dig what I'm saying.
So, at one point, pretty muchwhen Kobe retired, I retired

(41:00):
with him, got you?
I'm going to be honest as hell,bro.
I was working at Ikea.
What year was this?
2017?
Either 2017 or 2018.
And when Brian came over to theLakers although I retired him,
I was mad Because I'm like bro,like he don't need to be over

(41:23):
there.

Speaker 1 (41:24):
So okay, so at the time, the time okay.
So this is hypothetical right.
So if so, at the time, iflebron didn't go, I guess who
would have been the?
Who would have been the savinggrace at that time for the
lakers?

Speaker 2 (41:36):
I mean, is he the?

Speaker 1 (41:36):
saving grace now.
Oh, I don't know.
I look, I don't like basketball, so I don't know.
Oh, apparently not, apparentlynot.
Did the Lakers win?
I?

Speaker 3 (41:44):
mean they won one, didn't they?

Speaker 1 (41:45):
Or two?
Do we care about the bubblegame?
I don't watch basketball.

Speaker 2 (41:51):
That's what I'm saying, I'm asking, I'm asking
on the outside.
They have not won a realchampionship since Kobe's last
championship.

Speaker 1 (42:00):
That was when was that?
You see how far?

Speaker 2 (42:03):
I made it.
That's my point.
So again, for clarity and forthe people that are watching, I
don't hate brown like the personI can rock with right, right,
it's a whole different storylike when you, when the lights
is on, it's like it this way forhim to be the chosen one, and

(42:27):
all these other names they givehim.
Oh, bro, and it's 6'9" and1,700 pounds and blah, blah,
blah, blah, blah, and it's like,like, why are you flopping
across the floor in this tiniesttouch?

Speaker 1 (42:41):
So, it's like Isn't that just the rules now, like,
like.
Don't they, like kind of haveto do that?
I, like I said, I don't reallywatch basketball, but I do know
that it's.
It's it's portrayed to theoutside world that it's a lot
softer than it is.

Speaker 2 (42:54):
It's definitely a lot softer.
It's a definite difference ofphysicality nowadays.
Bro, my thing is if you ifwhether it's yourself or people
build up anticipation about you,I want to see that potential
all the way through.
So when I see people like Kobe,mike and other people, magic

(43:15):
and Larry Bird and other folks,when I see other people
accomplish more with less andwhat you're doing, I'm not
impressed.
Yeah, I can understand Ifyou're the greatest greatest,
why the hell do you need so muchhelp all the time?
Every year you lose.
We don't need to get into thiswhole luca coming over.

(43:39):
And now they lost like.
And no offense to his son, bruh, I'm glad that you know.
We got a chance to see fatherand son play on the same team
same time, but low key.
That was a waste of a roster.
Somebody else could have usedhis spot.

Speaker 1 (43:56):
Yeah, I heard he's pretty.

Speaker 3 (43:59):
Yeah, I don't follow basketball.

Speaker 2 (44:00):
Somebody else earlier this week was like they losing,
but they secret weapon isBronny.
Watch Bronny come out and thiswhole series turn around Make us
win.

Speaker 1 (44:13):
Like I was about to press that I was going.
I was like that was premature,but my thing is it's just like
bro.

Speaker 2 (44:19):
I understand as a father you want to make sure
things happen, especially if youhave the pool and the plugs to
do it, but you know, at the endof the day, what it is is just
again like he's great but I'veseen greater Big Mitch is asking
so does LeBron not impress you?
Lebron has disappointed meseveral times.

(44:43):
Steph impresses me, who else?

Speaker 3 (44:49):
Kyrie impresses me.
You feel like he got thatplatform and that position.
He has to deliver on thepotential.
That's basically what you feel,and you feel like he hasn't
delivered on the potential.

Speaker 2 (45:02):
He's delivered in his own way, but you don't like
that way again, when I've seenother people accomplish more
with less, it's like thatstandard is high right yeah, but
okay, but is he with the newclimate that they're in?

Speaker 1 (45:20):
are they?
Is he able to still do that,since he's able to do whatever
he wants?

Speaker 2 (45:25):
Honestly, let me ask y'all both this question Meach,
you can hop in if you want to.
What's more important Longevityor efficiency?
Do you want somebody withlongevity or do you want

(45:46):
somebody that's efficient?
We don't care about he's 40,because that's always the thing
that they say when he wins oh mygosh, he's 40 doing this, but
then when he loses, bro come on,he's 40.
So, like we're not going to useage because he's been doing the
same thing all these, what?
22, 23, 24 years?

(46:06):
Yeah, something like that,Something like that.
So age, bro.
If y'all want to keep using age40, tell them to leave.

Speaker 3 (46:14):
Jugg said efficiency, jugg said efficiency.

Speaker 2 (46:17):
You dig what I'm saying when I see people
accomplish more with less.
Look at what Kobe did with andwithout Shaq?

Speaker 1 (46:25):
Okay, but that's what I'm asking too, because, like I
said, I don't like basketball.
But what I'm saying is so, likeyou keep comparing the Michaels
and all that type stuff, but atthe same time, is he able to
reach that potential that yousay, or whatever, if it's
different rules, like they can'tdo the same thing, type shit.

Speaker 2 (46:48):
They do it differently and they do it, they
do it.
How do I answer this?
Re-ask that question again.

Speaker 1 (46:56):
So I don't know.
It seemed like back in the daythey were a lot harder and they
were a lot softer nowadays.
So like I feel, like it's notwhich works to hit which works
to lebron james's longevity case?

Speaker 2 (47:08):
yeah, it does, because back then they were more
physical.
Yeah, and after you get yourass beat for a certain amount of
time, it's like, bro, my bodycan't yeah, my body can't do
this thing right.
So now, as soon as you touchbrun, so it's like all right.
So now, since they're notreally touching me like that, I
could be in a little bit longer,right?
Besides, if they're paying likeI don't know how much Brian

(47:30):
gets paid, but just we need tosay he's amongst one of the top
people highest paid peopleplaying basketball, plus all the
other endorsements and stuffLike again, I ain't pocket
watching, but I'm just saying.
I know the nigga getting paid alot.

Speaker 1 (47:42):
I would think so.

Speaker 2 (47:43):
If you're getting paid this much, I'm expecting
you to deliver this much or moreyou dig.
I feel that, and again I'veseen people do more with less.

Speaker 1 (47:58):
I guess that makes sense.
I guess that makes sensebecause, like you said, if they
whooping each other's ass, thenyeah you're not going to have
one Flopped in my 100th.

Speaker 2 (48:12):
What's the point of doing all this working out and
talking about I could be afootball player.
I'm a football player.

Speaker 1 (48:17):
No, I'm not going to lie.
Yeah, that makes sense.

Speaker 2 (48:23):
If you that strong, be strong.
But anyway I'll be, my dog,kobe.
That's my goat.
Whoever's your goat, that'syour business, bro.
But I'm just saying before Iwould speak negatively or speak
down on somebody, I giveeverybody a fair chance and
opportunity, but if I'm notimpressed, I'm not impressed,

(48:45):
and at that point it is what itis.

Speaker 3 (48:48):
Nah, I give it to you on the age thing though,
because it's like, bro, I lookat you on that court, bro, it's
like you got a job to do.
I'm not trying to give theseexcuses like you, this, you that
If you were on that court, youcame to play bro.
You know what I'm saying?

Speaker 2 (49:07):
That's what they always point out about Brian in
comparison to Kobe and Mike.
Kobe and Mike was out there tobite your head off.
It's a video that's goingaround from earlier this week.
The Timberwolves were leading,I think, 3-1 or 3-4.
And the Lakers are losinghorribly and LeBron and Anthony

(49:29):
Edwards they over there, LeBron,over there, just kiki-ing and
ha-ha-ing with the opposition.
I'm like bro Kobe and themwould not be over there laughing
.
Bro, they over here to beatyour ass.

Speaker 3 (49:39):
Yeah, especially not Kobe.
They would have been in thatmode.
Like load management and allthat extra, kobe, they would
have been in that mode.

Speaker 2 (49:46):
Load management and all that extra stuff.
Man, kobe and Mike wasn'ttrying to hear all that.
I understand, at the end of theday, bruin going to do what
everyone do because he knows hehas that power.
Bruin has power.
We all know that.
Look at all the people he donegot fired and kicked off his
team.
I've never seen Michael or Kobewalk off the court, even if

(50:10):
they had three seconds left inthe game.
They're going to take advantageof every second they got like.
That's a fact.
So it's just.
And then, at the end of the day, if you're the captain of your
team, how does, how would thatmake you feel the captain of
your team, walking off whileyou're still out there on the
field?

Speaker 1 (50:28):
yeah, yeah that could be discouraging very certain
yeah, captain, walking away,because like that's, that's like
low-key, demoralizing,everything like but he giving up
.

Speaker 2 (50:38):
So I mean shoot.
I might be like nah bro yeahnah, leaders league right now,
unless we're all walking off atthe same time.

Speaker 3 (50:47):
Nah, bro nah, I feel it because I was the same way.
That's why, when I playedbasketball, bro, like we playing
to that buzzer at the, it tellsall zeros on the, on the school
.
I don't care how many points wedown, bro, I'm gonna be balling
to the end.

Speaker 2 (51:04):
When I was in marching man, let my section
leader or the drum majors walkoff.
We're all walking with themLike, bro, this ain't just about
you, this is about the team,right, I don't know.
That's why I go hard for Kobethe way I go hard for him, bro,
like I seen LeBron cramp up andthat was it.

(51:27):
I seen kobe break his, breakhis fingers achilles and that
finger was crazy like like, pophis arm back in it's still out
there going bro like yo.
We're no excuse with him, you'reright, no excuse with man.
Listen, she's gone.
Bro like this gets heated forme because I really ride hard

(51:48):
for Kobe bro so again when I'veseen an example set, anything
under that example does notmatter to me.

Speaker 3 (51:55):
Right, it is a disappointment or disregard
absolutely you did, especiallywith the discussions that be
going on though you know whatI'm saying because they want to
talk about how great you knowwhat I'm saying lebron is and
hold him to that, that type ofstandard, and so you know like
I've I've seen in plenty ofbronze sexual comments keyword

(52:17):
bronze sexual.

Speaker 2 (52:19):
I've seen in those comments I've seen some people
say literally Kobe is I mean notKobe Braun is the top two Laker
of all time.

Speaker 3 (52:31):
So you're telling me that he's better than Kobe Magic
Shaq Jerry.
West, like bro Right, it's along list, it's a long list.

Speaker 2 (52:43):
I was going to say that Like bro, how is he up
there when he's never even had athree-peat?
Like bro, we don't got to.
We can change subjects.

Speaker 1 (52:58):
My name is Sean AKA.

Speaker 2 (52:59):
Musician.
I'm from Stone Mountain.

Speaker 3 (53:05):
What's happening, sean?
Sean, my next question, my nextquestion.
I got to ask you this because Iknow, sean, you be standing on
it.
Yeah, the request.
When did this start with the?

Speaker 1 (53:17):
request when did this start?

Speaker 3 (53:19):
with the request.

Speaker 1 (53:20):
I'm trying to talk about something I feel like, hey
, it's about TI.
This is how I feel like, hey,it's about TI.

Speaker 3 (53:23):
Hey man, Let me just start with a request, sean.
Like has this always been athing Like from the jump?
When you came in this DJ thing,like look how bad you want to
hear the song, and you know whatI'm saying.
No requests, otherwise TI.

Speaker 2 (53:38):
So I'm not going to share with the viewers myself,
right, right.
But you know, all of us DJs gothrough it.
Hey, dj, can you play this?
Can you play this?
Can you take requests?
I don't mind taking requests,right.
But my main thing is whatpeople don't know and I'm
sharing it from a DJ'sperspective.

(53:58):
Right, we don't mind takingrequests.
But, first off, we're DJs,we're not iPods, right, we're
not jukeboxes, so you can't justexpect us to go to the next
song.
Second, why we don't mindtaking requests most of the
songs that y'all request don'tgo with the vibe that's actually

(54:22):
going on.
So, for example, let's saywe're playing, let's say we're
playing, go out a song, go out asong, any song.
Yeah Glow, yeah Glow.
So we got yeah Glow playing anda person come out of nowhere
saying hey, dj, sean, can youdrop that?

(54:45):
Taylor Swift, we got this wholeparty going on.
Yeah Glo and the song thatyou're asking me to play yeah
Glo, you want me to kill thisentire party for your song,
right?

Speaker 3 (54:59):
That we worked hard to build to get to this point
now.
It takes time to build up tothese heights, yeah.

Speaker 2 (55:06):
So my main thing is one I don't know the song that
you're about to come ask me for,and then, second, whether it's
a good song or not, you'reexpecting me to clear out this
entire atmosphere, Right For you.
For you, my thing is one Idon't work for free, so if
you're asking me to do somethingfor you, the least you can do

(55:27):
is pay me for my work for you.
Second what up, Drip, what up?

Speaker 3 (55:32):
boy, what up Drip?

Speaker 2 (55:34):
Hey man, real talk man.
Hey, my dog, Daddy boy, no, butfor real, my main thing is I
don't work for free.
So even if you're asking me forone song, bro, you're asking me
to do some work for you.
And then, second, what peopledon't realize is, once the DJ
takes this person's request,that person is going to be like
hey, he took his request Right,Let me go up there.

Speaker 3 (55:57):
Open up the gates.

Speaker 2 (55:58):
Right, right, leave me alone, bro.
Like, at the end of the day,that I'm gonna get around to
this song.
And if you don't trust that Iget around to this song, leave
me alone, bro.
Right, but like, my main thingis again, if you want me to take
a request, this request is arisk.
Now, right, so if you want meto take a risk for you, you are

(56:22):
going to pay me for that risk,because if this song that you're
requesting does not go withthis crowd, they don't know that
you requested.
They just know DJ Sean playedthat song.
And now the song that I justplayed clears out the whole
crowd.
And now I'm on Instagram thenext day, bro, what the fuck?

Speaker 3 (56:42):
is this nigga playing ?

Speaker 2 (56:45):
So, like, pay me for my risk.
Right, Drip up there talkingabout I play Miley Cyrus, bro.
We know you play Miley Cyrus,huh, but yeah, like that's I
mean.
But again, my main thing is itain't about trying to jug you or
cap you out your money.
My main thing is how badly doyou want to hear this song?

(57:06):
And if you want to hear thatbadly, you're willing to pay for
it.
If you're not willing to payfor it, then you really don't
want to hear it.

Speaker 1 (57:14):
So Meech says so how much did you have to pay a DJ
for the DJ to stop what he'splaying and drop your request?

Speaker 2 (57:24):
I don't ask DJs.
And second, if I'm cool with aDJ shoot, if he choose to play,
he going to play.
If not, it's cool yeah.

Speaker 1 (57:32):
I don't go up to it, Me personally.
I don't go up to DJs and askfor requests.

Speaker 2 (57:36):
Right At the end of the day, again, it's trusting
the DJ to do his job.
Yeah.

Speaker 1 (57:42):
If I'm requesting a song, it's definitely coming
with some dollar bills rightbehind it.
If I'm requesting a song, Ireally want to hear that song,
obviously.

Speaker 2 (57:50):
If I really want to hear it, I don't mind.
Hey bro, here's some thank youmoney.
Drop this for me.
Nah, for sure I'm not, finna.
Come on some lowball.
And hey bro, you want a drink?
Hey bro, fold me bro, hey, fold.
And hey bro, you want a drink?
Hey bro, follow me bro.
Hey, fool me bro.
Oh, my god, that fucking shitgets me.

(58:11):
And and I'm speaking from, I'mspeaking from the skating rink
perspective.
Now, if we're talking aboutdjing in the club, oh yes, bro,
you really, finna, pay mesomething.
You really, finna, pay mesomething.
You know what I mean, becauseniggas be like hey bro, I be
rapping, oh, that's not, that'sa whole.
Not, oh, that's a whole anothermonster.

Speaker 1 (58:25):
That's a whole another monster.
That's a whole another monster.

Speaker 2 (58:30):
I just said, this is the skate rink.
Yeah, we open up this clubdiscussion.

Speaker 1 (58:38):
Nah because, I ain't going to lie, there do be people
that be.
There, do be the indie artiststhat be coming at the skate rink
, like they be like hey bro, Iplay music.
There will be the indie artiststhat will be coming at the
skating rink.
They'll be like hey bro, I playmusic, I make music, bro, like
okay cool, you still got it.

Speaker 2 (58:47):
And then the next thing.
Let me take it a step further.
Let's take it a step furtherStaying inside the skating rink,
right, right.
So, whether it's a kid or adaughter, teenager, whatever you
come I sit here and I ask youis it clean?
You know it's not clean, youknow it's not clean.

(59:08):
But then you're going to sitthere and be like, uh, I think
so.
And then I sit there and I lookat you Are you sure this is
clean?
Bro man, you only got one cussword.
I am not going to miss out onit.
I'm not going to lose my checkand my position for one customer
.
One customer, Right.

Speaker 1 (59:27):
And it be pussy nigga Right.
And it be when a beat drop too.
It's always something crazy.

Speaker 2 (59:34):
And then knowing the skating rink that we're at and
the managers and the owner.
Don't play around.
Well, if you say ffff too long,right.
Well, if you say too long Right?

Speaker 1 (59:48):
Hey, remember we played drip song scammer at the
joint.
Yeah, avalanche was like yeah,turn this off Like Brian's clean
.

Speaker 2 (59:55):
Like Brian's clean.
He was like no Avalanche shutthat shit down.

Speaker 1 (01:00:00):
I was like, okay, I was like Drip was the one that
made the clean version.
But um, I was like Drip was theone that made the clean version
.

Speaker 2 (01:00:06):
But um, Like y'all know it's dirty, bro, you ain't
got lots of it, bro.
Now, if I rock with it hardenough, if I'm able to clean it
the next week, then shoot, Comeback.

Speaker 1 (01:00:15):
My main thing is again if you want to hear that
bad, Sean, let me ask you thishas there ever been a song where
you're at a clean session thatyou wanted to play?
So bad you ain't got clean andyou were like you know what, let
me just.
I'm going to just do it live.
I am not fucking up my song.
Or no song, bro, I don't know.
That's why I asked Is there asong that you're like?

(01:00:39):
Damn, I got to play this song,so you're like doing it live.
You gotta play the song, soyou're like doing it live like.
You're like editing it, you'reediting it live.

Speaker 2 (01:00:45):
I have to know that song by heart to do it.
I can but if it's bad we know,drip, drip, we know if you're
fucking around, you should playthe song and not edit it.
But, like, if I want to hearthat song, that damn bad bro, I
would just clean it.
I can wait another week.

(01:01:06):
Yeah, like, the skating rinkgonna be here the next seven
days, bro, y'all will get thison Right, even if I'm not doing
it for y'all and I'm doing itfor me, bro, it can wait, bro,
and trust and believe, if Idon't play it tonight and I have
to clean it and play it nextweek, I'm going to drop it so
hard.

(01:01:26):
So, like, again, man, at theend of the day, you know, I just
I think before I do things,because, again, what may be a
little deal to you could be abig deal to somebody else, and
you never know who's in thecrowd listening to you.
That may go back and snitch tothe manager hey, man, I know all

(01:01:47):
the word.
I know it was just the worddamn, but they said damn nine
times in the song, and mydaughter is right here listening
to this.
So it's like you never knowwho's in the crowd.
I ain't risking nothing.

Speaker 1 (01:02:00):
You know what's crazy .
That's why I have not touchedwhat the hell he is in this game
.

Speaker 2 (01:02:04):
I would never play that song, and no disrespect to
Rob 49.
What's his name?
Rob 49.
Yeah, nah, bro.
I mean, the very first song Iheard by Rob 49 was that
E-E-E-E-E.

Speaker 3 (01:02:20):
I was like bro, that Vulture.
Island.
Yeah, bro, that.

Speaker 2 (01:02:23):
Vulture Island.

Speaker 1 (01:02:24):
Yeah, bruh that.

Speaker 2 (01:02:25):
Voltron yeah, bruh, I was like dog, like that was the
only reason why I even listenedto that song E-E, e-e, e-e.
I was like, bruh, my head hurt,right, but yeah, man, I'm good
on that song.
Yeah, like, I'll be honest withyou, the only reason why I play
Wham Whammy is because of him.

Speaker 1 (01:02:48):
Bro, I was like Sean, you better play it for it, for
it to explode, yeah.

Speaker 2 (01:02:57):
And literally the next day.
I heard it all day.

Speaker 1 (01:02:59):
Shout out to DJ Nick he's the one that put me on.
He played that shit at SkateTown.

Speaker 2 (01:03:04):
He played the last song.

Speaker 1 (01:03:06):
When I tell you them, folks went nuts, I was like I
need this.

Speaker 3 (01:03:10):
Okay, yeah, damn, I think that might be the summer
anthem.

Speaker 2 (01:03:18):
I heard they broke up already.

Speaker 1 (01:03:21):
Oh, they're not cool, damn.

Speaker 2 (01:03:24):
I'll send you the link.
That's crazy.
I'll send you the link.
Um, I saw that, uh yeah, I didwell.

Speaker 1 (01:03:30):
The new song I saw from pluto is um, what the fuck,
or something like that that'sthe one you told me about right
the belt to ass or somethinglike that.
Yeah yeah yeah, man all I knowhere, bro, that's.

Speaker 2 (01:03:42):
That's an interesting song.

Speaker 1 (01:03:44):
Very much so, very much so.
It just sounds like they justgot a random from the hood.
It just was like here go ahead,right, have fun.
It's a million, have fun.
And.

Speaker 2 (01:03:55):
Motown.
Are they back together?

Speaker 3 (01:03:58):
Yeah, they fixed it.
I feel like they was going tofix it, though they realized,
you know, realized they reallywasn't beefing about that.

Speaker 1 (01:04:09):
But yeah, anyway, Motown.

Speaker 2 (01:04:10):
Motown.

Speaker 1 (01:04:11):
Motown is the one that signed Pluto.
I'm like that's a veryinteresting.
I mean, look a check's, a check, I ain't mad at it.
Go get your check Pluto, butMotown, this is very interesting
.

Speaker 2 (01:04:23):
I don't know, man, but we all know future is Pluto
bro.

Speaker 3 (01:04:26):
So it's like that is the point.

Speaker 1 (01:04:31):
So like I don't know, man, do you think Future cares?

Speaker 3 (01:04:34):
I feel, like.

Speaker 2 (01:04:35):
Future don't give a fuck.
Future don't.

Speaker 1 (01:04:38):
He still got Future Hendrix.
You know all that other wizard.

Speaker 2 (01:04:40):
Fire Marshal, wizard, but nobody was saying Pluto
before him.
Ohhal, wizard, all that, yeah,I don't think he cares, but
nobody was saying Pluto beforehim.

Speaker 1 (01:04:45):
Oh no, you're not wrong.
No, you're definitely not wrongabout that, but I don't think.
I don't think about the future.
Future's such a troll, he don'tcare, he don't give a shit.

Speaker 2 (01:04:53):
Yeah, at all, and he's so cool about it too, like
alright, whatever.
Yeah, and pushing 50, bro.

Speaker 1 (01:05:04):
Future's been around for a very long time.

Speaker 2 (01:05:08):
And longer than we.
Way before Rax on Rax, Waybefore Rax on Rax for the people
that don't know.

Speaker 1 (01:05:14):
But yeah, Shout out to the Dungeon family, but um
Young.

Speaker 2 (01:05:17):
Meathead.

Speaker 3 (01:05:18):
Young Meathead.

Speaker 2 (01:05:19):
Meathead.

Speaker 3 (01:05:21):
Young Meathead.
But Tanaka, you got thisquestion of the day.
Well, he touched on thatbriefly.
You know how it just plays, butI guess we'll just ask you,

(01:05:45):
sean, what are?
What are some of your favoriteproducers, man, if you could
give us a top five producers.

Speaker 2 (01:05:51):
My top five.
You know what I'm saying my topfive in no particular order.
No order, yeah, no order.

Speaker 3 (01:06:00):
Top five Just Blaze.

Speaker 2 (01:06:01):
Metro Boomin'.
No Drip, I'm not DJing tonight.
Oh yeah, Top five Just Blaze,Metro Boomin.

Speaker 1 (01:06:06):
No Drip, I'm not DJing tonight.
Oh yeah, I'm DJing.
Come on, yeah, or today, yeah,I am DJing tonight.

Speaker 2 (01:06:12):
If you open it, I gotta get the first one, alright
.
So I'm gonna say Just Blaze,just Blaze, metro Boomin for the
young niggas.
When I first heard Karate Chop2012, when he dropped Karate
Chop, I was like that beat is sofucking hard.

(01:06:34):
Alright, bruh, remember.
Anyway, just Blaze, metroBoomin'.
Justice League, timberland.
And it's hard between Kanye andDr Dre.

(01:07:01):
I feel that it's real hardbetween Kanye and Dr.
Dre, because that very firsttime I heard Forgot About Dre
with Eminem and Dr.
Dre that was like one of thefirst beats.
I learned how to play onkeyboard and I was like bro,
that shit is so fucking hard.
It is.
Kanye was more impactful to me,bro.

(01:07:26):
I feel that, but I'll give itto Dr Dre.

Speaker 1 (01:07:31):
I'll give it to Dre, because he ain't the one who
left me.

Speaker 2 (01:07:34):
We're just talking about production-wise, not
personally.

Speaker 1 (01:07:38):
No, even with the production, I ain't going to lie
Brother and anybody that knows,turn Up.
I ain't going to lie.
That Yeezus shit was garbage tome.
That shit was just garbage.
I was like Kanye, what are wedoing right now?
Like what is happening rightnow?
He don't fuck it up for me evenmore.
He dropped that on my birthday,oh, and I was like, I was happy
.
I was, I was like oh, this new,new, yay, yeah, and I heard

(01:08:01):
that first track.
Do you know?
The first track is on eases.
You ever heard eases?

Speaker 2 (01:08:05):
yeah exactly you know what?
Let me, let me, let me you knowwhat I'm gonna be honest talk
about I'm gonna, I'm, I'm goingto replace, so I'm going to take
out Metro.
I'm going to give it to Zay,because if it wasn't for Zay, oh

(01:08:25):
, you said that because Drewsaid that, no, no, if it wasn't
for Zay, there wouldn't be noMetro.
If it wasn't for Zay, therewouldn't be no Metro.

Speaker 1 (01:08:32):
Okay, I mean, I can buy that, I can buy that.
No, zay's definitely up therewith me, don't mind him over
there He'll.
I'm not gonna lie For me.
It took a little minute for meto like If you wanted for Zay,
it would be no Metro.

Speaker 2 (01:08:46):
And Zay Tovin is an actual musician.
Yes, he's definitely a musician, he plays every week at his
church bro.
Yeah, no, he's definitely areal musician.
Just off the name Zaytoven, bro, Just off the name Zaytoven.
We know that's a play off ofBeethoven, just like with my
name, musician, that's a playoff of musician.

Speaker 1 (01:09:10):
Yeah.
So when I found out that hemade I think it was papers for
Usher, I was like, oh yeah, he'sgonna yeah, yeah, that's nuts
like to go from gucci to usheris like crazy to me, bro, like
you really did a whole crossoverin front of us.

Speaker 2 (01:09:28):
Yeah, so yeah, like I just remember watching zay
tovin.
Uh, what's that song?
Uh, first day out, right firstday out, I started on my day
with a blunt of purpose.
Zaytoven and Gucci had thatTiny Desk concert, tiny.

Speaker 1 (01:09:44):
Desk Tiny Desk concert.
I think I did see that yeah.

Speaker 2 (01:09:46):
And the way how Zay was playing them keys, bro,
Extremely hypnotic.
I'm like bro, this nigga istaking us to church at the Tiny
Desk concert, bro, pico, pico,that's a good one, that's a good
one.
Drip, yeah, pico, it's just hiskeymanship, bro, how he goes on

(01:10:09):
the keys bro.

Speaker 3 (01:10:10):
He does it just so Effortlessly.

Speaker 1 (01:10:12):
Effortlessly, bro.
It's like bro, he don't evenflex.
He just I effortlessly.
It's like bro, he don't evenflex.
I ain't gonna lie low-keydiscouraged.
But again he plays for hischurch so he does this every
week.
It's a reflex at this pointRight.

Speaker 2 (01:10:27):
So it's like again, all due respect to Metro, but
it's just.
I've not seen Metro play live.

Speaker 1 (01:10:35):
Yeah, no, I've never seen Metro play live and I'm not
gonna lie, not saying thatMetro isn't a good producer in
my head, but I'm not gonna lie.
I didn't see him, I didn't hearhim go hard, hard, until this
last.
This we Never Liked.
You Right, the way he put hisfoot in them beats that scene at
all, that scene at all.

(01:10:55):
You right, the way he put hisfoot in them beats that arm.
That's seen it all with.
That's seen it all day.
That quiet storm, right, oh mygod, yeah, that that shit is
nuts man.
Well, um, tanaka, who would you, who would you say it's our
five?

Speaker 3 (01:11:10):
um, I gotta put a.

Speaker 1 (01:11:13):
I got to put.

Speaker 3 (01:11:13):
Dre in there, because Dre, oh, I'm straight, dre
wouldn't unfold that, I just, Ijust his beats be hitting
differently.
I could tell that, like hereally he's very sonically.
Man, like it's just on adifferent level.
Like I don't know, it's justjust very precise.

(01:11:37):
The way that it's mastered,engineered, like all of that is
like you can tell there's a lotof attention, detail, you know,
I respect it.
Yeah, I respect it.
Um, let me see, I gotta putjust blaze, because, yeah, just
blaze was definitely like.
I mean, I love rockeeller, youknow what I'm saying.
I remember hearing his drop,you know, because he had that

(01:12:03):
high-rising synth too.
Yeah, you know.

Speaker 2 (01:12:06):
That's what everybody got that shit from bro.

Speaker 3 (01:12:11):
Let me see, that's two.

Speaker 2 (01:12:14):
Drummer Boy got that shit from Jess Blade.

Speaker 3 (01:12:17):
Yeah, boy, I swear Drum A Boy.
Look like Slim Dunn and Irespect Drum A Boy.
Rest in peace man as long asit's Dunn.
Let me see who else in there.

Speaker 2 (01:12:34):
So Dre Jess.

Speaker 3 (01:12:40):
I got to put Ye in there.
Ye, for sure, I put Drummer Boy.
I actually did Drummer Boy'sproduction.
Part of the reason why I likedit is because he also I seen
another side to him, because hehad did here I Am with Rick Ross

(01:13:04):
and Nelly.
He did that.
He did that.
That's why I'm saying that'swhy, yeah, that's why Drummer
Boy like I feel like he.
I don't think he got the fullopportunity to get in that bag
of live instrumentation and allthat, but he's capable of doing
it.

(01:13:24):
Because I remember he did arecord, I believe, with Michele,
a singer who was on GrandHustle, and that's one of my
like R&B records.
That's like a record that,unless you was like, really

(01:13:44):
focused on Grand Hustle and likearound that time period.

Speaker 2 (01:13:49):
He did that.
My Life, your Entertainment,with.

Speaker 3 (01:13:51):
Usher, yeah, so, and then he also had that ready for
whatever ready for whatever,yeah, and that I don't know that
that beat just dude, yeah, yeah, you know what I'm saying.
Um, let me see how let me seehow?

(01:14:20):
Who I got, I got.
I said you made my harder beatthan I put on.

Speaker 2 (01:14:23):
Uh that, uh, that he did.
I put on was so hard.
What's the beat by drummer boy?
That's harder than I put on I f.

Speaker 3 (01:14:34):
What would have was happening.
You know what I'm saying, soyou know that that's.
That's harder than I put on.
I have what's happening.
That's me personally.
Yeah, I don't know.
They both tough to me, though.
Did you have what's happening?
Yeah, okay, yeah.

Speaker 2 (01:14:52):
I don't know, I put on.

Speaker 3 (01:14:54):
That touched your soul, bro.
I don't know, it was just Nahthat put on a brain.

Speaker 2 (01:14:56):
That, bro, that touched your soul, bro.

Speaker 3 (01:15:01):
That's so.

Speaker 1 (01:15:03):
I feel like that's one of those situations where,
like you said, you couldn'tavoid destiny.
That beat the song, justeverything.
I gotta pull this up, bro.
It was meant to go to the top.

Speaker 3 (01:15:18):
But let me see, I got who.
I said dre, just uh, yay,german boy, oh yeah the last one
.
I'm gonna go, I'm gonna say dj,dj's one of my favorites.
Some go crazy bro, that's oneof my favorites personally, you
know what I'm saying.
So yeah, man, I done heard Tuneon some hip hop.

Speaker 2 (01:15:43):
And some R&B.

Speaker 3 (01:15:45):
Bruh, you know what?

Speaker 2 (01:15:47):
I'm saying I gotta find.
I definitely have to find this,because what Drummer Boy did
like the way how he broke itdown, the way he broke down?
I put on for the city.
I'm legendary bro.

(01:16:08):
I'll find it.
But we can continue on with thepodcast bro.

Speaker 1 (01:16:12):
Turn up who you got man, dre, I'm going to go with
Dre.
I'm biased, that's fair.
Dre, quick, kanye, damn, I justhad him Zaytoven.

Speaker 3 (01:16:31):
Who gets that last spot?

Speaker 1 (01:16:36):
Oh, I did have him.

Speaker 3 (01:16:37):
Would I go?
Mike Will, that's a good one.
I forgot about Mike Will.

Speaker 1 (01:16:41):
I think I'll go, mike Will.

Speaker 3 (01:16:43):
Yeah, Mike Will definitely yeah.

Speaker 2 (01:16:45):
I found it.
We're going to run back to thedrum board right quick.
It's like scoring.
That could be in a movie orsomething.

Speaker 3 (01:16:57):
And I'm like Get it right, be in a movie or
something and I'm like thatright there.

Speaker 1 (01:17:00):
Yeah, that's, that's.

Speaker 3 (01:17:04):
Nah, that's you know what I'm saying, just to give
you the feel it's like scoring.

Speaker 1 (01:17:11):
Yeah, I'm not.
See, when you get backgroundlike that, that kind of puts it
in perspective, so I get it.
Yeah, see, when you getbackground like that, that kind
of puts it in perspective, solike I get it With those with
that, yeah, yeah.
So Jug said his would be JustBlaze.
Lex Luger, timbaland Metro andYe.

Speaker 2 (01:17:34):
Lex Luger had a run, but then when everybody started
picking up his sound kit,everything just sounded the same
.
I remember because I was stillmaking beats at that time
Everybody had that same snare.

Speaker 1 (01:17:47):
That too.

Speaker 2 (01:17:50):
And then you remember how Lex Luger used to have that
triplet.
Like everybody ran that tripletinto the ground.

Speaker 1 (01:17:57):
Into the ground.
Drip, said Mustard Zay, metroWeezy and Brian Cox, oh wow.

Speaker 3 (01:18:03):
Oh, he know about Brian Cox.
Right that, brian Cox at theend.
I respect that though.

Speaker 1 (01:18:07):
No, I know it's just Mustard Zay, metro Weezy and
Brian Cox.

Speaker 2 (01:18:13):
Brian Cox is sitting there Right.
Like he held that, he held onto that one that's dope.

Speaker 3 (01:18:21):
That's dope.

Speaker 1 (01:18:22):
But yeah, if you in the chat, drop your favorite
producers in there.

Speaker 3 (01:18:26):
Oh dang, Julius said Shawty Red.

Speaker 1 (01:18:29):
Oh Shawty.

Speaker 3 (01:18:29):
Red, yeah, shawty Red .

Speaker 2 (01:18:31):
Hey, what was Shawty Red's hardest track?

Speaker 1 (01:18:36):
Well, I probably won't.
The first one that pops in myhead is who that?
But I got it.

Speaker 3 (01:18:41):
That's my answer, bro .

Speaker 1 (01:18:42):
That's the first.
That's the first one.
Nah wait, trapper Dye.
Did he make Trapper Dye?
I ain't gonna lie, bro, thatTrapper Dye is nuts.

Speaker 3 (01:18:49):
Trapper Dye is nuts, yeah, no no, no, yeah, Okay, I'm
just going to trap or die?

Speaker 2 (01:18:57):
Who did Air Forces?

Speaker 1 (01:18:59):
Let's find out.
I'm going to trap or die.
I'm still going to trap or die.
Whoever made Air Force, but isthat trap?

Speaker 2 (01:19:05):
Is that?

Speaker 1 (01:19:08):
And the cool Air.

Speaker 3 (01:19:09):
Force Shawty Red.

Speaker 1 (01:19:10):
Shawty Red, I'm going to trap or die.
That beat rightye.
That build up is somethingstupid.

Speaker 3 (01:19:17):
That's how you feel, trapper Dye.

Speaker 1 (01:19:20):
That build up is something.

Speaker 3 (01:19:22):
Bottom of the map.

Speaker 1 (01:19:24):
Damn, he got bottom of the map too.
Yeah God, I'm still going tohave to give it to him when I
first heard it.

Speaker 2 (01:19:45):
Like, you knew something was happening, so I'm
coming, that's so.

Speaker 3 (01:19:52):
You seen that documentary where G's talking
about that song?
Look, I feel you, but, bro, Ican't even watch that music
video.
You seen that documentary?

Speaker 1 (01:19:56):
where G's talking about that song.

Speaker 3 (01:19:57):
No, I feel you, but bro, he was like I can't even
watch that music video no morebecause some of my partners in
that video done passed away withme.

Speaker 1 (01:20:04):
Oh, for real, Damn, that's crazy.
Yeah, like, just Like bro, thatbuild up and then it finally
gets to the.
It finally gets to that.
It finally gets to that.
Yeah, trap or die, I got trapor die.
Yeah, trap or die Trap or dieTrap or die.

Speaker 2 (01:20:24):
When I first heard who that I was like.
Oh my God bro.

Speaker 3 (01:20:30):
This beat is like Wait a minute.

Speaker 1 (01:20:31):
Who made All White Everything.
I'm not going to lie.
I wasn't expecting that beat tobe that hard.

Speaker 3 (01:20:44):
Shawty Red man.

Speaker 2 (01:20:47):
Goddamn Shawty Red.

Speaker 1 (01:20:52):
Okay, let's not get stuck in this Shawty Red hole.
We're going to move on to Guessthe Bars.

(01:21:31):
So for the folks, for the folksoh no, now, no, guess the bars.
We're going to wrap these,we're going to get these bars.
We're going to read them out toy'all and we're going to see if
we can guess who these peopleare, and then, once you read it
out, try to figure out who it is.
You rate it on the F scale,which is fire, ferocious, fat,

(01:21:52):
flat, easy for me to say frisbeeand fecal, and if you know who
it is, then a lot of F wordsyeah, a lot of F words.
Alright, re-explain this to meagain.
So what's?

Speaker 3 (01:22:02):
gonna happen?
Is you're gonna read the bar?

Speaker 1 (01:22:04):
you're gonna pull it out of here.
You're gonna pull, you're gonnaread it out to the lovely
people on Instagram and theartist.

Speaker 3 (01:22:16):
You're gonna try and guess it, if you don't, uh well,
either way either way.
You know, rate it.
You know what I'm saying, whatyou would give it.
You know what I'm saying yeahand um and then, yeah, then
we'll reveal to you what thesong is we're all, and it's not
just gonna be you.

Speaker 1 (01:22:30):
Yeah, yeah, all of us , it's all of us.
We, we're all going yeah.

Speaker 3 (01:22:36):
All right.
So, yeah, all right.
So the first one First one.

Speaker 2 (01:22:40):
What do we got man?
First one my dog typed all thisshit.
I rip it Hardcore like promoflick bitches.
I roll with groups of ghettobastards with biscuits Check my
method on the microphonesbanging, wu-tang, slinging,

(01:23:00):
leave your headpiece hanging,bust this.
I'm kicking like Seagull Outfor justice, the roughness, yes,
the rudeness ruckus.

Speaker 1 (01:23:12):
You want to take a guess on who that is?

Speaker 3 (01:23:14):
Any rappers coming to mind as far as who might have
spit this?
Who that is?
Any rappers coming to mind asfar as who might have?

Speaker 2 (01:23:19):
a rapper didn't even come to mind.
Dave Chappelle came to mind.
I ain't even gonna lie, daveChappelle came to mind make it
down to it that made me thinkabout that episode of when they
did their version of making theband oh my god, no.
What did he say, dylan, dylan.
Episode of when they did theirversion of Making the Band.
Oh my God, no.
What did he say, dylan?

Speaker 1 (01:23:37):
Dylan, dylan, oh Dylane.

Speaker 2 (01:23:41):
Dylane, dylane.
We had fire, but yeah, I don'tknow why.
Dave Chappelle was the firstperson that came to mind when I
was reading this.
But I don't know, bro, my mindis blank right now.

Speaker 3 (01:23:54):
Because I'm hungry.

Speaker 2 (01:23:55):
You all good, you all good, you all good but if I
rate the lines, if I rate thelines, they meant that shit too.
So I'm gonna give it a four.
Bro, ferocious okay ferocious,all right.

Speaker 3 (01:24:10):
And then, uh, is there any lines that stuck out
to you that, like youappreciated or didn't like?

Speaker 2 (01:24:17):
Like Bust this.
I'm kicking like Seagull outfor justice, the roughness, yes,
the rudeness.
Ruckus.

Speaker 3 (01:24:27):
Okay, I feel that, alright, tano who this is man.

Speaker 1 (01:24:33):
A lot of god damn shit.
Oh, here we go.
So it was Inspector Deck Bring,bring the Ruckus.
Are you familiar with a songcalled Bring?

Speaker 2 (01:24:40):
the Ruckus by Inspector Deck.
I know Inspector Deck, but no.

Speaker 3 (01:24:45):
Okay, yeah, all right .
Well, I think it's a Wu-TangClan song.

Speaker 1 (01:24:49):
Yeah, wu-tang, it is Wu-Tang, it's a.

Speaker 3 (01:24:53):
Wu-Tang.
Yeah, that's it was.

Speaker 1 (01:24:55):
Inspector Deck, that said it Specifically.
Yeah, so, tanaka, there you go.

Speaker 2 (01:25:04):
Why don't you pick some trap music Right, right?

Speaker 3 (01:25:08):
Right right, everybody listen up.
I shot one of my bitches.
A whole lot Word, like the bigscreen dog.

Speaker 1 (01:25:15):
Wait, my bad are not good.
I'm starting to laugh too hard.
We're starting to talk.

Speaker 3 (01:25:19):
Everybody listen up.
Everybody listen up.
I shot one of my bitches.
The hoe ain't tricking them.
Word life to big screen.
Don Tapping those bones outwith staritis like I.
Fuck.
Selenium Stuck everything.
That's the God honors beyond.
We airing ninjas out.
That's the type of shit that weare.
Official wu-tang headbanger.

(01:25:40):
Flood your space with big waveslike it did in sri lanka.
Um, wow, oh god.
I feel like this is like Methodman.
I want to say that it's eitherMethod man or Old Dirty Bass.

(01:26:03):
Rest in peace.
Yeah, rest in peace, man.
This is cool.
I give it like a flat ferocious.
Kind of in between.
Like they meant that shit.
Yeahcious, you know what I'msaying?
Kind of in between.
So, like they meant that shit.
Yeah, you know what I'm saying.
Yeah, that was cool.

(01:26:25):

Speaker 1 (01:26:27):
It's cool alright, so you got ghost.

Speaker 3 (01:26:30):
This is ghost face killer so from one Wu-Tang to
the next 9 milli bros oh yeah, Ihave heard that song, yeah,
yeah, so I actually bought, Iactually bought the album.
Okay, so I'm gonna go oh yeah,I sent, I sent and I already
know what this is.

Speaker 1 (01:26:48):
This is gucci man.
Swing my dough.
I'm a gold.
My dog definition of the southain't no quarter.
They don't have just some hoesin this house.
Ain't no bitch, ain't no bed,ain't no clothes in this house.
It's a drought, and make your,make my and my price will make
your eyes pop out.
I can never count my stashcause I always lose count.
I can never keep no bitch causeI put them hoes out.
That's going, that's uh.

(01:27:10):
That's uh, I'm ferocious, I'mflat ferocious.
I'd probably say flat ferociousSomewhere between three and
five.
That's cool.

Speaker 2 (01:27:19):
You said three and five.
That's cool.
You're stupid as hell.

Speaker 1 (01:27:22):
You're stupid as hell .
Yeah, it was cool.
That's just lyrics, that's justlyrics.
It was, you know it was allright, but the song I fucking
love this song.
This is probably like one of myfavorite gucci songs swing my
dough right um, first time Iheard it ironically, I think

(01:27:44):
this was around the time when Ididn't really care for gucci.
I remember at one point Ididn't, I did, I thought he was
garbage.
And then I heard it was thefirst song and I was like, okay,
it's, it's not that bad.
He had a song with Yo GottiCaught them Birds and I was like
, okay, you're not fucking withme, you're not as bad as I
thought.

Speaker 3 (01:28:04):
Alright.
What's the?

Speaker 2 (01:28:07):
Instagram page.
Oh, I got you.

Speaker 3 (01:28:10):
Hey, you got me.

Speaker 1 (01:28:14):
My bad.
Hey, you good.
Wait, you put the one youalready did over there right Up
there.
Okay, cool, All right.

Speaker 2 (01:28:27):
Okay so okay, digging breath.

(01:29:03):
All right, got it.
Oh man, that's a lot of work.
You don't see.
You don't see money till we seethe proof.
Bitch, I'm rare, I'm a millionuse for the internet.
Shit, what you really gonna do.
I've been in my bag and mycarry-on too.
My day one is barbarious too.
I walk through going like aglow, like an aquarium dude.
Marry my job, paradise, gowherever I move, feeling like
Pac.
But I'm living like Snoop.
Die in denial, then live yourtruth, giving no fucks, still

(01:29:27):
spilling like oops.
This sound like a Wayne.

Speaker 3 (01:29:30):
This gives me a Wayne , bro, that's.

Speaker 2 (01:29:41):
I would give it.
I would give it a 5 point.
I mean no, 4.5 like it ain'tlike shit, but it's like.
I see what you're saying, I seewhere you're going what year,
wayne, do you think this is?

Speaker 3 (01:29:57):
What would you say?

Speaker 2 (01:30:04):
It's got to be like 04, wayne, 04, okay For the
internet, shit, what you reallygoing to do?
Lines like that for theinternet, shit, what you really
going gonna do.
But like lines like that forthe internet, shit, which really
gonna be.
That feels later.
But I Don't know this.

(01:30:25):
Just give me Wayne with thebars and the metaphor I fit it.

Speaker 3 (01:30:32):
Who that's on it?

Speaker 1 (01:30:33):
so you are incorrect.
This is Dr Dot.
This is a song called Still Up.
He's from Earthgang.
Are you familiar with Earthgang?

Speaker 2 (01:30:43):
Yep, my dog, what's his name?
My dog DJ Brand New.
Dj, no, not Brand New.
My dog DJ Dark Knight, djs yeah.
I know him.

Speaker 3 (01:30:56):
Shout out, shout out, what's up, what's up.
Yeah, yeah, yeah, yeah, yeah.
The mother's raising the sonsto turn into gorillas and the
hallway's as pissy as hell.
All we do is get bigger.
More ignorant you send us tojail.

(01:31:16):
My ninjas shoot anythingthat'll move Sell drugs from the
rise to the sun to the fall ofthe moon.
More ignorant you send us tojail Anything that'll move Sell
drugs from the rise to the sunto the fall of the moon.

(01:31:39):
That's cool.
I say it's a flat.
I mean, it's speaking some realstuff.
I give flat folks.
They're speaking some real.
I don't know who that is, thoughyou know what I'm saying, who
we got Turner.

Speaker 1 (01:32:00):
Well, y'all picking out all the lyrics this tonight,
boy.
Nah, for real, Any other timey'all motherfuckers picking out
Sexy Red and all that other shit.
So this is Styles P.
This is off the Welcome toD-Block.

Speaker 3 (01:32:10):
Oh, beautiful Welcome to D-Block.

Speaker 1 (01:32:12):
Welcome to D-Block.
You've heard of Welcome toD-Block, though, haven't you?

Speaker 3 (01:32:15):
I think so, if I'm not mistaken.
I had to re-hear it, but Ithink I've heard it Type shit
Shout out Styles P, styles P Allright, let's see After this
transaction comes through.

Speaker 1 (01:32:27):
stars studded Hell.
No, I don't even know star, butmy chain still flooded.
I can make 20 bands off it andI don't have to touch.
I know this.
What is this?

Speaker 3 (01:32:35):
On my way to Fifth.

Speaker 1 (01:32:37):
Plaza.
Hit Gucci in a rush, justfucked them bands up.
Real nigga getting money.
Man, you gotta stand up.
You know they can't tame us.
Oh, what is this, sean?

Speaker 3 (01:32:48):
it sounds like you know it so I'm gonna let you
steal it, because I don't I knowthis song bro.

Speaker 1 (01:32:57):
It's going to piss me off.
Okay, let me read it again.
After this transaction Afterthis transaction, sean got the
headshot.

Speaker 3 (01:33:04):
Oh hell no.

Speaker 1 (01:33:05):
Sean got the headshot .
Who are you?

Speaker 2 (01:33:12):
I made two of your bands out of nine guys.
What is it?

Speaker 1 (01:33:15):
You know it bro, it's Future, future, yep, future.
I made 20 bands and I ain't gota touch.
Come on, what is it?
It's future.
Early future.
Damn nice 20 bands.

Speaker 2 (01:33:26):
I ain't got a touch.
That's all I need to hear.

Speaker 1 (01:33:29):
I ain't got a touch.
You know what, sean?
I'm going to give you a point.
It's future, though I'm goingto give it a flat.
It's future, though it's future, I'm going to give it a flat.
It was there.

Speaker 2 (01:33:39):
This is early future.
Yeah, it sounds like.

Speaker 1 (01:33:41):
Pluto this definitely sounds like Pluto future.
No, it's before then.
It's before then.
It was like Dirty Sprite.

Speaker 2 (01:33:48):
Yeah.

Speaker 1 (01:33:48):
Ooh, okay, now I know this song Ball Forever.

Speaker 2 (01:33:53):
I'm a ball forever Ice in the Mediterranean.

Speaker 1 (01:34:03):
Sea.

Speaker 2 (01:34:03):
That's all.
It's always something aboutthat I ain't got to touch it.

Speaker 1 (01:34:06):
Yeah, it's the way he said it.
It was the way he said it andI'm like that's why I'm looking.

Speaker 2 (01:34:11):
I'm like bro, I know that.
Yeah, make twin bands up, man,that's that.

Speaker 1 (01:34:16):
Yeah, make Twin Bands a man game.
Dude, ball Forever.
I heard Ball Forever.

Speaker 2 (01:34:20):
When did I hear Ball Forever?

Speaker 1 (01:34:23):
I feel like that was one of the songs we just heard
in the club.
He was popping and Ball Foreverwas just one of the ones that
was killing the club.
It was crazy, no for real, bro.

Speaker 3 (01:34:32):
What about you, Sean?
What was the first time youheard?

Speaker 2 (01:34:38):
first time I heard Bafa Elvin shout out my dog, my
OG, dj Sizzle.
He was the person thatintroduced me to DJ Cutthroat,
cutthroat, he's the guy over.
I love my club shout outCutthroat man and I heard your
story.

Speaker 1 (01:34:56):
Shout out to Cutthroat.

Speaker 2 (01:34:59):
Oh yeah, you know I heard your story, no, but so
every Tuesday over there onMemorial Drive used to be this
bar called Doogie's, and shoutout my dog, my Trans man.
Every Tuesday was $2 Tuesdayand we used to have them big
pictures of the bluemotherfuckers.

(01:35:20):
I got so many stories behindblue motherfuckers.
You remember them, bluemotherfuckers.
So, anyway, dj Sizzle helpedbring me into I Love my Plug,
but I just remember this wasaround time, future just came
out.
Him and another plug, dj.
His name is DJ sniper.

(01:35:42):
They used to play ball foreverall the time, and like it's it,
of course, from Stone Mountain,this guy named DJ, pretty boy
tank.
Like Boy Tank I rock with.
I look up to him.
I don't know personal shit, butas a DJ I look up to him.

(01:36:03):
Him and DJ Monte influenced meand so I just remember Sizzle
and Tank were the two main DJsthat I knew played that song a
lot and I followed Tank onTwitter when it was like hot

(01:36:24):
back then, for sure, and he usedto tweet that song a lot and so
, like ice in the MediterraneanSea, like it was just something
about that one line Ice in theMediterranean Sea, like bro,
when have you that one line Icein the Mediterranean Sea.
Like bro.
When have you ever heard arapper talk about the
Mediterranean Sea?
Nobody, nathaniel, nobody.
So it was like bro, this had tobe around.

Speaker 3 (01:36:47):
Like 2010, 2011.

Speaker 2 (01:36:52):
Yeah, but this was definitely after Rax on Rax, for
sure, but yeah, after Racks onRacks, for sure.
But yeah, I'm gonna just saythat that's fine.
That's fine, like Sizzle andTank was the ones that put me on
to that song.
No doubt, man, I don't knowthis.
I got my gun like I'm JohnMorant in the trap there you go,

(01:37:17):
you got some trap shit.
Talking to that dog like I'mKyla Pratt, every nigga in here
stepping on it, like this housea frat.
I don't smoke weed, but I smokeniggas Now who trying to match
I don't know.
That just made my brain hurt.
Who is it?
It?

Speaker 3 (01:37:35):
you got it what's the rate bro?

Speaker 2 (01:37:41):
I'll give that shit.
That obviously sounds like afire, that sounds like a frisbee
right on old national by thewindows Boy.

Speaker 1 (01:37:59):
that sounds like a frisbee Right on Old National by
the Wendy's Right but no guestsin.
Who that comes?

Speaker 2 (01:38:08):
from.
I don't even want to try to getin there.

Speaker 1 (01:38:11):
So this is a fairly new artist.
This is Skilla Baby.
Are you familiar with SkillaBaby?
I've heard of him.

Speaker 2 (01:38:17):
What song is he?

Speaker 1 (01:38:19):
Bae, bae, you know you fine, don't you, bae, you
know you?
Oh, he's on the Mama song RockFortnight 2.

Speaker 2 (01:38:25):
You know you look cold.
Yeah, I got both of them.

Speaker 1 (01:38:31):
He has a song called it's a song called Duet.

Speaker 2 (01:38:34):
Are you familiar with duet?
Definitely not definitely notdefinitely not your favorite
part on duet when it goes off.
Nah, bro, I, I heard, I heardyou, so I can't even say it
again bro I ain't sick ofskillet man I gotta I got to see

(01:38:56):
.
So between Skilla and NardoWick, who are you going for?

Speaker 1 (01:39:01):
Probably Skilla, because I feel like Skilla is, I
feel like his, I feel like Imean they both trap rappers, but
I feel like I feel like Skillahas successfully made women
music.
I don't know, can we, can wereally say that nardo wick has
made success?
Well, I mean, I guess you could, maybe what you're doing yeah,
I don't know.

(01:39:22):
I feel like his is more like Idon't know.

Speaker 2 (01:39:26):
I feel like I feel like nardo's is kind of like
forced, I feel like they toldhim like hey, bro, you gotta
come out with lady working broright, but like baby, you know
you fine, know you Fine.

Speaker 1 (01:39:35):
Sounds like, like, sounds like that's something
that like he wanted to do typeshit Like, and like he's hopped
on a lot of features because ofthat Bae song with like girls
and like he's been able to, youknow.

Speaker 2 (01:39:48):
Yeah.

Speaker 3 (01:39:49):
So I'll say I I haven't heard enough Skillet to
yeah to Tommy.
I mean, I've actually listenedto Nardo Wick for real, so I
won't lie, I rock with Nardoy'all fuck with Nardo.

Speaker 1 (01:40:05):
His last album actually wasn't that bad yeah,
yeah.

Speaker 2 (01:40:13):
Nardo Wick got that song with 21 Savage Heartbreak
here.
I like that song he got.

Speaker 1 (01:40:21):
Uh, it's a song on the album I think it's called
like good, good guy, bad guy, orsome shit like that.

Speaker 2 (01:40:26):
That's all jude said honcho got the women music.
Oh no, but he got that pain.

Speaker 1 (01:40:34):
Shit too like could.

Speaker 3 (01:40:35):
Skill is doing that without like crying right, yeah
time, I'm not a fan that pageyeah, I ain't lying that that
rod, way fucking jerez, shine.

Speaker 1 (01:40:46):
That's what I was going like, bro.

Speaker 2 (01:40:47):
I can't, I'm not, I'm not that hurt, I can't relate
I'm sorry I'm not gonna be inthe middle of club singing,
sadly I'm not gonna lie, shoutout to Rod Wave, he got his new.

Speaker 1 (01:40:58):
Well, it's not new.
No more but that.
Federal nightmares, oh my God.

Speaker 3 (01:41:02):
Yeah, that's your one .
Oh, my God.

Speaker 1 (01:41:06):
When that beat come in.
Yo Yo yo, yo yo.

Speaker 2 (01:41:11):
Like God damn, I ain't.
Yeah, bro, he got a song assoon as the movie go on.

Speaker 3 (01:41:16):
Yeah, I already know what she's talking about.
He got bro.
Hey, that'd be hard.

Speaker 2 (01:41:20):
I know he got a song.

Speaker 3 (01:41:22):
I was like they got it.

Speaker 2 (01:41:24):
Hey, bro, they got him on the movie.

Speaker 3 (01:41:27):
Crazy man.

Speaker 2 (01:41:28):
Bro, and it goes so hard.

Speaker 3 (01:41:29):
Yeah, yeah.

Speaker 2 (01:41:31):
You got to check it out, Okay.
What's the next question?

Speaker 3 (01:41:35):
Salute the sinners.
If you ain't seen it Go checkit out, man.

Speaker 2 (01:41:40):
Hey, bro, you got to see that shit twice Minimum,
because what you missed thefirst time you see it, you're
going to catch it, that secondtime.
How many times you?

Speaker 1 (01:41:48):
seen it.

Speaker 2 (01:41:49):
Twice.

Speaker 1 (01:41:49):
Oh, twice Okay.

Speaker 2 (01:41:51):
I saw it last week with the Dream Team.
And I saw it last week with theDream Team and I saw it
yesterday Actually yesterdaywith my homegirl, one of my very
close homegirls man.

Speaker 3 (01:42:00):
Shout out to B-Ski what up B, what up you did.

Speaker 1 (01:42:07):
Yeah, my roommate seen it three times Three, no,
and that means a lot coming from.
Ja, yeah, he's a big critic,yeah, huge critic.
So for him to say he saw itthree times, that says a lot.

Speaker 3 (01:42:17):
Yeah, yeah, you know Now, everywhere you may see me
surrounded by bad bitches likeRiRi, Goddamn booty shots.
Look like Nicki Face and toespretty.
I'm picky.
See these trap ninjas.
They honor me and these rapninjas up under me.
Ain't nothing for me to get ahundred keys and then stimulate

(01:42:38):
the economy.
That sounds familiar.
Um, I write with this man.

Speaker 1 (01:42:44):
I don't know what it is is that got some flow is that
um real one more time tonight?

Speaker 3 (01:42:51):
now everywhere you may see me surrounded by bad
bitches like riri.
Got them booty shots.
Look like Nicki Face and toespretty.
I'm picky.
See these trap ninjas.
They honor me and these rapninjas up under me.
Ain't nothing for me to get 100keys and then stimulate the
economy.
I'm going to give it toFerocious.
I like to flow with this joint.

(01:43:12):

Speaker 2 (01:43:17):
What's bro name?
Because he in the group.
This joint, you know what I'msaying.
But um, what's bro name?
Because he in the group I meannot group chat.
He on the live Ace Move.
What's his name?
What's his name?
Wait, ace Move, adonis, aceMove.
Oh, there you go, that boyAdonis, what up Ace.
Move.

Speaker 1 (01:43:30):
What up, Ace?
Move you still ain't seen mewith Tip, bro, hey I'm not
saying that he moved on from tip, but I'm not gonna lie.
I feel like he's he more glocknow oh yeah, he had me on glock,
yeah he definitely had me onglock.
Um now, oh, this is actuallyinteresting, yeah, so this is uh
, oh wait, did you?
Did you write?

Speaker 3 (01:43:49):
it.

Speaker 1 (01:43:50):
Yeah, I gave him ferocious okay, this is ti okay,
this is off of the Poured Upapparently the Poured Up remix.
You ever heard the?

Speaker 2 (01:43:57):
Poured Up remix.
I heard it one time and don'tremember.

Speaker 3 (01:44:01):
Yeah, I don't think I've heard that.

Speaker 1 (01:44:03):
I may have heard it in passing.
I feel like I have heard it inpassing because I feel like
there's somebody else on it.
I think Jeezy's on it too.

Speaker 2 (01:44:09):
Okay, I think, because you remember, ti just
got out so he was hopping oneverybody's remix doing a
freestyle.
Yeah, yeah, yeah, I do rememberthat actually that shit Damn
was that three.

Speaker 3 (01:44:22):
Yeah, this is the last one, oh, this is the last
one For me.

Speaker 2 (01:44:25):
Okay, so this is the last one.

Speaker 1 (01:44:29):
Who you think you fucking with.
I'm serious about this pimpingshit.
All my niggas that I kick itwith.
Looking for a richer bitch.
Get this bitch to take thesetrips, pounds of weed, bricks
and shit Broke bitch.
You get your shit Before I getanother bitch.
You who could fix your shit?
My pimping too strong.

(01:44:51):
I ain't with your shit.
You gonna make me split yourshit.
Two things I ain't seen is aUFO.
You gonna make me split yourshit.
Two things I ain't seen is aUFO and a bitch that I can't get
, two things I ain't seen.
On her ride.
She'll ride for the fuck of it.
That was a lot that made mybrain hurt.

Speaker 2 (01:45:09):
I can drop that verse right now.

Speaker 1 (01:45:11):
I'm gonna give it to you.
I'm gonna just rate it.
I can drop that verse right now.

Speaker 2 (01:45:15):
You got it.
I'm going to give it to you.
I'm going to just rate it.
I can drop that.
You got it.

Speaker 1 (01:45:17):
You got it.
You got it.
I'm going to give it a flat.
I'm going to get a flat, Idon't know.

Speaker 3 (01:45:24):
That made my brain hurt.

Speaker 1 (01:45:26):
Chyna, who we got.
Who was that?

Speaker 2 (01:45:31):
All I heard was broke bitch, you can get your shit.
I'm like when they at smooth.

Speaker 3 (01:45:35):
I heard it was broke bitch, you can get your shit.
I'm like where the ass move,where the ass move.

Speaker 2 (01:45:38):
Hold up, hold up.
We finna go there right now,bro, we finna go there right now
.

Speaker 3 (01:45:45):
Hold up.

Speaker 2 (01:45:48):
Hold up.
Who do you think you fuckingwith?
I'm serious Kick it withlooking for a richer bed.
Take your triple pounds of weed, bricks and shit Bump with you.
Get your shit Bruh.
My pill too strong, I ain'twith your shit.

(01:46:09):
You don't make me split yourshit, bruh, all right.
So, then Sean.

Speaker 1 (01:46:16):
Sean, when was the first time you heard what is
this, this trap?

Speaker 2 (01:46:19):
music, off of trap music.
You know what I'm saying Grandhustle.
You know, bro, when I say thatlight just was like yeah, and it
came on quick, it was likeright, say that light.

Speaker 1 (01:46:37):
It just was like yeah , and it came on quick.
It was like ding.
I'm like.

Speaker 2 (01:46:42):
I'm over here like bro.
I know this shit like my mother.

Speaker 1 (01:46:47):
I know.
As soon as you grabbed it, Iwas like, oh yeah, he knows this
.
It's over with.

Speaker 2 (01:46:51):
We just talked about this song today, bro.

Speaker 1 (01:46:53):
He know what the fuck he be doing.
He know what the fuck he bedoing he know what he be doing.

Speaker 2 (01:46:58):
Hey look he be over there taking clips.
Yeah, he be like that wassmooth bro.

Speaker 3 (01:47:04):
That was smooth, bro.
You know he had to honor younow.

Speaker 2 (01:47:07):
Hey man nah bro.
Nah, bro, that's real dog,that's funny.

Speaker 3 (01:47:13):
My favorite.

Speaker 1 (01:47:14):
TI album.
Dog, I know that album back andforward.

Speaker 2 (01:47:19):
The next album that I know back and forward is Urban
Legend, and after that I knowKing, back and forward, and then
I'll do TI vs TIP.
So I got a question for both ofy'all.
Since I'm the special guest,let's go for it.
Well, one, could you consideryourselves a ti thing?
Yes, for sure.
What was the song that earnedyour respect to ti?

(01:47:43):
Like you know what?
Because of this song I'mofficially a fan.

Speaker 1 (01:47:47):
I fucked with him because of that so it's
interesting for me, for ti,because when I first heard ti I
was in californ and I rememberand I told this story on a Hold
on.
I told this story on an olderepisode of the TNT podcast where
the first song I heard from himwas 24.

(01:48:07):
But the very first song.
Yeah, bro, I was in California.
Bro.
They not playing TI inCalifornia.
They not playing TI inCaliforniaifornia.
This is like you gotta thinkabout.
This is like 2000, when, when'son the phone like 20, 2002,
2002 yeah, I remember I heardthat shit.

Speaker 2 (01:48:21):
I was like bro, what the fuck is this?
Because I mean he did have asong with uh, what's his name?

Speaker 1 (01:48:25):
too short he's in my hotel.
Yeah, yeah, they went by that.
I knew niggas out in cali thatplay hotel my, probably oakland,
not in la, they wouldn't Okaythat makes sense, and that's the
thing, though I never rememberhearing the song on the radio.
My only reason why I even heardthe song was because my mom had

(01:48:47):
a mix CD.
I never forget this mix CDbecause this is the mix CD that
had the PINP that I told youabout that.
I haven't heard the whole PINabout that.
I haven't heard that.
I haven't heard the whole pimpremix because of that mix cd.
Okay, have you ever heard of p?
You know someone's about the uh50 cent on a snoop dog s and I
don't know what you heard aboutme, but yeah I did a freestyle.

(01:49:10):
No, so well, I don't know, heprobably did okay.
So it's uh, so Okay, so it wasthe remix and then for some
reason, on Snoop Dogg's part, inthe beginning it would just
skip.
Okay, it's like I drive aCadillac right up here because
I'm a G and it would go untilyou stop it.
So when I would skip it itwould go to 24s and I was like

(01:49:30):
what the fuck is this Right?
And by this point I think I'm Idon't know, I'm young, anyway,
so I know that TI exists.
So I think the song after thatI heard was Rubber Band man,
okay, and I was like, okay, thisisn't, this isn't as bad as the
first one.
It took me till I maybe likehigh school to listen to 24s

(01:49:54):
again and be like, oh yeah, Iwas fucking tripping, like this
song is fucking hard yeah, butum, I probably say rubber band
man, rubber band man probably bethe song that I would say.

Speaker 2 (01:50:03):
That made me a fan rubber band man getting your
respect okay.

Speaker 3 (01:50:07):
So yeah, I have a similar, similar story because,
like I heard, I see 24s like themusic video and I wasn't like I
, I ain't tap all the way in.
Like it was cool.
Yeah, her rubber band man.
After that, more her, let's GetAway.
They solid, right, it was cool,I rocked with them.

(01:50:28):
But I think I used to always goto the basketball games growing
up, so I used to always play.
Bring them out, and that's so.
You.
Urban legend now, okay, youknow what I'm saying, that's
gonna have me locked in.
So I was late on the trackmusic, I had to.
You don't say I had to go back,but urban legend I heard that
whole project and that.
That.
Like you don't know me, youknow what I'm saying.

(01:50:49):
Bring them out.

Speaker 1 (01:50:50):
Like was actually interesting and this is where I
feel like I heard ti like out oforder, because right after I
heard rubber band man, I heardbe easy and I was like, oh, I
like this one, like this one, II could fuck with this one.
Like be easy was, was that one,but like like him.
I saw him on music videos likethese are all the music videos
on cn type shit, I'm not hearingthis on the radio, I like.

(01:51:12):
So I did hear bring him out.
That's when I started hearinghim on the radio that's when he
was commercial.
Yeah, that's when yeah, that'swhen I started hearing him on
the radio in california.

Speaker 3 (01:51:20):
Yeah, it was, bring him out but then I went back to
trap music and I realized once Iwas more familiar to you know,
I'm saying that wasn't quitedeep like I feel like this is
still around the time I wasgetting like CDs.
You remember them?
Yeah, I remember, you know whatI'm saying.
So I wasn't getting rap albumsback then.
My first album I got was, Ithink, get Rich or Die Trying.

(01:51:44):
Okay, you know what I'm saying.
So that was the first CD rapalbum I ever heard.
Yeah.
But then I went back and did myhomework.
I was like trap music, classic,I don't care what, but that
joint top to bottom, like we beon top of that, like, yeah, not
for real, bro.

Speaker 2 (01:52:03):
For me, my my TI story is kind of like y'all, but
in a way it's like specificallykind of different.
So of course I heard adult boysin the trap Now again crediting
my mom and dad.
Being raised in a Christianhome, like my dad, you know, you

(01:52:26):
know he, he's into his historyand stuff like that.
So you know the crack epidemic,epidemic and all that other
shit.
Like my dad is highly againstthat.
So my dad used to make drugdealers and crack cocaine.
He just used to make thosepeople that dealt it and took
the shit he used to make thempeople sound like they're the
scum of the earth.
So with coming up under my dad,I used to look down on drug

(01:52:48):
dealers like you're bad typesituation.
So I'm saying that and I'm goingto leave it back up to that
point.
But I heard Dope Boyz in theTrap and I just instantly, just
like just waved that shit offand dismissed it as like another
drug dealer.
So dismissed Dope Boyz in theTrap.
Um then I heard this song.

(01:53:11):
It was on the mixtape.
It's this song called when youIn the A, like early TI, it's a
tip TI.
So it was like some song called.

Speaker 3 (01:53:20):
When you In the A One of those.

Speaker 2 (01:53:24):
But it was called when you In the A and like.
All I remember is this one lineand I felt like he directed it
at Jermaine Dupri, because thiswas after Welcome to Atlanta
came out but it was this oneline where he was like what's up
with all this?
Yo yo, yo, yo, yo on an.
Atlanta song.
Oh shit, because you know,that's what Jermaine Yo, yo, yo,

(01:53:47):
yo yo and TI was like what's upwith all this?
Yo, yo, yo yo on that Atlantasong and so I was like bro is he
going at Jermaine Dupri that'sfunny and then.
So, after I heard in a you know,I heard it, I liked it, I kept
on.

Speaker 3 (01:54:03):
I gotta ask you how you even heard that song I used
to boost mix CDs, bro.
Okay, that was like you had so,like you had this yeah, you're
a real one man, you, you're dayone.
Yeah, you a day one for real,because you know what's crazy

(01:54:23):
you know what's crazy methinking I did my homework.

Speaker 1 (01:54:26):
I swear I thought I was like the smartest kid in the
world.
I thought ti's first song wastwo glock nines off of the shaft
soundtrack.
I thought that was his firstsong.
I I didn't discover.
I didn't even discover till Imet Tanaka Probably like two,
three years knowing Tanaka thathe had these in the street
mixtapes Right.

(01:54:46):
I was like whoa, this is like awhole bunch of.

Speaker 2 (01:54:49):
This is before drama came on the scene.
Yeah, yeah.
Like.
This is when they had to dotheir own shit.

Speaker 1 (01:54:55):
Yeah.

Speaker 2 (01:54:56):
So, like I said, I heard this song called when you
In the A, and it was coolbecause it was representing
Atlanta and blah, blah, blah andthen, of course, 24 came out
and it was like all right,that's cool.
I heard Rubber Band man and Iheard let's Get Away.
I'm probably in what?

(01:55:17):
10th, 11th grade by now, andthis is when Ludacris was still
my favorite rapper.
At that point, because I'll say, from 5th grade to fucking 9th
grade, you couldn't tell me shitabout Ludog you on fire.
And then all I know is 9th gradecame around going to Stone
Mountain High School.

(01:55:38):
This is back when we had the CDplayer and we would ride the
bus and anytime you hitsomething that CD would skip or
pause.
So my homeboy made me thismixed CD and he was like, listen
to the fifth song.
And I fucked around andlistened.
I fucked around and listened tothe sixth song and this was

(01:56:02):
Immature.
This was the group IMX Immature.
Yeah, and it was that song myVery First Time In the house, on
the couch in your parents'bedroom, remember, but anyway.
So I listened to the wrong songand I was like bro I know he
ain't want me to hear this shit-and then I just remember

(01:56:22):
looking at the CD and heemphasized number five.
So I went back to number fiveand this was the very first time
I ever heard Never Scared.
So of course I'm outside of theclub.
I ain't never scared, I ain'tnever scared.
And then of course you got BoneCrusher on the first verse All
right, cool.

(01:56:43):
You got Killer Mike on thesecond the hook, come back on.
And then you hear TI in thebackground.
Hey, hey, the, yeah, yeah, no,I ain't bad.
Just don't kiss no ass or takeshit, bitch, I'm a grown man
Find somebody to play with Ifyou don't like me.
when you see me, better not sayshit out.
Choke your ass out like Dre didthat bitch.

(01:57:04):
You better tell these bitches,they ain't fucking with no
rookie.

Speaker 3 (01:57:08):
I'm a bankhead nigga, I'll take your cookies.

Speaker 2 (01:57:11):
Like bro who the hell is this Like we're pulling up
to Stone Mountain High Schooland I'm just like deep into my
headphones like bro, who is thisand why is he going so fucking
hard bro?

Speaker 3 (01:57:27):
Like I'm a bankhead nigga.

Speaker 2 (01:57:28):
I'll take your cookie and don't make it a me or you
situation.
I'll have your partner down.
I'll see you in visitation,like hope for the best, but I
don't think he going to make it,not the way he was shivering
and shaking on the pavement.
You know what he say.
I tell you what if you make it,come grace, cause he amazing,
find out.
He verses when, the own thingblazing just when you thought

(01:57:51):
that I was done.
I was saving up best for lastnigga, kiss my ass why is he
going off before first periodverse?
too early to be this mad bro but.
I felt that shit bro yeah yeahso.
So this is I, I bro.
I heard the 24s like like thisI I heard never scared way after

(01:58:16):
24 came out, but Never Scaredcame out first, right, yeah,
right.
So it was like Never Scaredofficially and properly
introduced TI to me, mm-hmm.
And so, of course, like I said,I already heard 24.
I heard Rob Band man.
I heard let's Get Away yeah.
But when my homeboy gave me theTrap album Burnt CD, I sat down

(01:58:37):
and I listened to it.
And this goes back to the songI mean the reason why I asked
y'all this question the songthat made me a fan and gained my
respect to TI was.

Speaker 3 (01:58:50):
I'm Just Doing my Job .

Speaker 2 (01:58:52):
So, like even before TI started rapping, this is back
in my music production days, sothe beat alone caught me.
I didn't know Kanye producedthat shit that sample crazy.
So I was like it was like theinstrumental already is grasping
me because it's like.
And then again, like I saidearlier, this is going to bring

(01:59:14):
me back to the point my dad usedto make me look at.
Well, he influenced me to lookat drug dealers like the scum of
the earth because, you know,these drugs are killing your
brothers and sisters, it'sruining the community, blah,
blah, blah Right, and greed andmoney and shit.
But TI earned my respect by hisarticulation and, like I'm just

(01:59:35):
doing my job was his way ofsitting me down and telling me
all right, look bro, my job washis way of sitting me down and
telling me all right, look bro,we got wives, husbands, kids,
dads, moms, just like you.
But we got to do what we got todo.
Everybody doesn't have this jobopportunity that you have.
Everybody doesn't have thatopportunity that you have.
And before I just sit down anddie, I'm going to do something

(01:59:56):
to feed my family, even thoughit may not be the ideal
situation that I want to be in.
I'm using what I have until Ican get to where I want.
Like you got all the commercialhits, yeah, cool, but I'm just
doing my job, earn my respect.
I'm not going to say that Isupport or I'm against trapping,

(02:00:18):
but I get it.
Some people don't have the bestsituations, or or opportunities
or circumstances.
Yeah, see, I said to himself hewas like, he was like what he
said.
He was like, um shit, everytime you come in the hood you
know you ain't like, I ain't upto no like, it ain't like I'm up

(02:00:40):
to no good, or doing this shitbecause I want to.
Right, I'm in a situation whereI'm doing what the best I can,
right, like it was hell in highschool when you helping with the
red lights and the gas bill too.
So before you go, judging us,loving us won't hurt.
What do you say?
Also, heard what he say.
Also, keep, keep in mind,staying alive under 25 is hard

(02:01:00):
work, bro, like, like.
And I was like damn bro, I getit and like his, articulation
really gained my respect, likeyou know what bro that's real,
because he gave you thatdifferent perspective you know
what I'm saying, like that youprobably would have never came.

Speaker 3 (02:01:18):
I never would have came across again.

Speaker 2 (02:01:20):
My dad kept us away from that, so it's like I can't
just walk up to buddy over hereat modern stations trying to
sell me a three, five.
Why do you do this, right,right, because even if I did
have that opportunity to talk tosomebody, they might not have
articulated it the way that.
The way tip face.
Yeah, I mean so the way that,the way tip face, yeah, I mean.

(02:01:44):
So it was like I get it rightand this was before t I started
showing his you know crazyvernacular right?

Speaker 1 (02:01:47):
he just sat you down and like look bro, let me
explain this to you, bro.

Speaker 2 (02:01:49):
Right, if you get it, you get it.
If you don't, you don't.
But this is what, like this, isme doing my job.
I don't have no other job,while it takes these people
three and four months to hire me.
I got a phone bill and a lightbill due tomorrow, so either we
finna be sitting here in thedark or I'm finna do something,
right, right, right.

(02:02:09):
Everybody don't have thatopportunity that the next person
may have, so it's like you know, it is what it is.
This ain't something that Iwant to continue doing, but if I
can get to a point where I cansave up and get to something
else instead of this trap, shitcool.

Speaker 3 (02:02:27):
But this ain't the end goal for me and I think
that's what I appreciate, youknow, because you know they had
the classic discussion of like,you know, tip, jeezy and TI, you
know, trapping all that GZ andCI you know, and all that.
That's.
The thing I appreciate aboutTip is I feel like he gave that
perspective of like, look, I'mdoing this, but it's not to
glorify it, right.

Speaker 2 (02:02:46):
Everybody else is glorifying it.
I'm showing you like this is mymethod of survival and
providing, like I remember,again, my dad used to always
share his perspective.
And I finally, like, like Ifirst heard, I'm just doing my
job around like 20, I mean twooh three, oh three, oh four.
And I've been saying fordecades because, again, my dad

(02:03:09):
is a pastor and a minister andan elder, blah, blah, blah and
I've been saying to myself fordecades, like bro I know, dad
don't listen, musicussing in it,but I want to sit my dad down
and what's that website, genius,where you can read?
yeah, like I sat my dad down, Itold him ahead of time like,
daddy, he's gonna have some cusswords in it, but we're both
adults so I mean it is what itis right and I set my dad down

(02:03:33):
and I played, just doing my job,and I let him read the lyrics
and I said this is why ti is myfavorite.
Now I understand you saying whatyou saying back in your day,
but this is an actual personthat at the time when he was
doing this, he was explainingwhy he does right and he wasn't
doing it to glorify.
He was doing what most men aresupposed to do find a way to

(02:03:57):
provide right.
Again, everybody ain't gotcollege degrees.
Some people had to like when tI explained like look I'm, I'm,
I dropped out of school to helpmy mom and this or that, like I
get it right.
Like because, at the end of theday, a college degree don't
don't always necessarily lock ina great job for it and again

(02:04:20):
everybody doesn't always havethat opportunity to wait on
another man to come bring themsomething.
You got to go out and get thatshit on your own with the time
that you have.
That's a fact.
So the answer, the question Iask y'all both the song that
made me a TI fan was just doingmy job, and then after that,

(02:04:43):
bezel Bezel is like bro.
That song was like one of thehardest songs that never hit the
radio bro.

Speaker 3 (02:04:52):
I had the legends on that too, Bobby G.

Speaker 2 (02:04:54):
A Bobby MJG and.
Pimp C Truthfully and I'm not.

Speaker 1 (02:04:59):
Boy, it be my bad.
So here's the thing about thatquestion G and Pimp C Truthfully
and I'm not Boy, that'd be mybad.
Here's the thing about thatquestion.
I can't necessarily say thissong was what locked me in,
because I was already a TI fanand I already appreciated him.
But I will say in the samelight that's why I always loved
Steal Ain't.
Forgave Myself, okay, becauseit was just his perspective on

(02:05:22):
what street life was and what hehad to do, and you know he
didn't yeah how far he came andyou know he didn't like what he
had to do, but you know he hadto do and do

Speaker 2 (02:05:32):
it right so yeah, see , I was a T, I was a very great
storyteller.
You remember that song what,what Happened?
It was right after.
Still Ain't Forgave Myself,yeah, yeah, that's all that I'll
say.
Hell, yeah, like this niggadied and went to hell and did a
whole shootout against Satan,like bruh shout out to what

(02:05:54):
Happened.
And then another song abouttrap music.
What's that song?
I Still Love you.
You know that song?
Great record.

Speaker 3 (02:06:13):
I know this album by heart y'all.

Speaker 2 (02:06:18):
Don't hate me.
Don't hate me, Shota.
But even if you hate me, Shota,I still love you.
And now that I wish that Icould see that my intentions
were good, Shota, I still loveyou Classic Classic.

Speaker 1 (02:06:39):
Smooth what you know about this?

Speaker 2 (02:06:43):
Smooth ain't seeing me when it comes to it.

Speaker 1 (02:06:48):
Smooth where you, at bro, Make yourself shown.

Speaker 2 (02:06:51):
Bring him out.
Bring him out.

Speaker 3 (02:06:53):
Nah, for real, what we got that was a very intense
conversation, tanaka what we gotnext, bro, I ain't going to lie
, I'm going to track.
Oh, we got the that was a veryintense conversation.

Speaker 1 (02:07:00):
Tanaka, what we got next, bro, I ain't going to lie.

Speaker 3 (02:07:01):
I'm going to track.
Oh, we got the.

Speaker 2 (02:07:03):
Hall of Fame.
We got the Hall of Fame Parttwo coming soon.

Speaker 3 (02:07:06):
Y'all, that's right.
We got the Hall of.

Speaker 1 (02:07:08):
Fame, oh, the Hall of Fame.
All right.
So For the Hall of Fame, forthe people that don't know, we

(02:07:37):
just pick a certain thing.
This is fun.
We just pick a certain thing.
It could be a mixtape, it couldbe a song, it could be a person
, it could be your outfit, itcould be your hat, it could be
whatever you want it to be, andwe put it on the Instagram page
and we let the people vote onwhat the next inductee into the
TNT Podcast Hall of Fame isgoing to be so.
The last episode shout out toLeron, for Not that, leron, that

(02:08:03):
was a part of the last episode.
The last three nominations wasthe Lost Boys.
That was nominated by Tanaka, Inominated the Marvel Cinematic
Universe and he nominated theBronx Bread clothing brand, and
the winner is the MarvelCinematic Universe.
Appreciate everybody for voting.
That is the next inductematicUniverse.
Appreciate everybody for voting.
That is the next inductee intothe TNT Podcast Hall of Fame.

(02:08:26):
So, tanaka, I'm going to letyou start it off.

Speaker 3 (02:08:32):
What are you nominating for the TNT Podcast
Hall of Fame and why?
What am I writing down?
Shoot.
What's that right now?
Um, shoot, you know, since werocked with tip, uh, you know,
i'ma nominate his.
Uh, the way his hat be tilted.

Speaker 1 (02:08:48):
Yeah, his hat was tilted, yeah, I had to, I had to
but it's you know, bro, manthat shit is legendary, like we,
you know, like I feel like hehad like a recent niggas don't
recognize, but it's skin.
Yeah, I love pain.

Speaker 2 (02:09:03):
Man, bro, man, yeah, I mean that shit is legendary
Like we, like I feel like he hadlike a recent Niggas don't
recognize he had multiple hottits.

Speaker 1 (02:09:08):
He had the four tilt like that.

Speaker 3 (02:09:10):
And then he used to have one in the back like that,
Like I ain't going to lie.

Speaker 2 (02:09:17):
Back in high school, bro tilt represented for a
skinnyas.

Speaker 1 (02:09:19):
I used to walk around my house.

Speaker 2 (02:09:19):
Oh, you used to do that.
I used to do that shit man.

Speaker 1 (02:09:23):
I grew up man, I swear I never seen anybody wear
they hat like that, except TI,maybe it was, I don't know,
maybe it was the age thing.
I ain't never seen that shit Alot of niggas on the west side
did that.

Speaker 2 (02:09:32):
Oh, maybe I was one Niggas like TI was the first one
to go commercial with.

Speaker 1 (02:09:39):
They were doing that before him.

Speaker 3 (02:09:41):
Yeah, I mean, I figured yeah.

Speaker 2 (02:09:46):
I figured so.
Tanaka, did you ever wear?

Speaker 1 (02:09:47):
your hat like that.

Speaker 3 (02:09:53):
Did.

Speaker 1 (02:09:53):
I ever wear it, did you?

Speaker 3 (02:09:53):
ever wear your hat like that.
I feel like I probably had yesat some point.
I want to say like middleschool or something, just
because you know I think I like.
I want to say like middleschool or something just because
you know, Because just becauseof Tip.
Yeah, I was rocking with Tipman.

Speaker 2 (02:10:03):
Yeah, tip was real influential, yeah, very
influential man, veryinfluential.

Speaker 3 (02:10:09):
He was like really like motivation music.

Speaker 1 (02:10:11):
that's why oh, no, for sure.

Speaker 3 (02:10:13):
Like anytime I was, you know, finna get into some
sports.
Or even like an orchestraperformance, bro, like I used to
play that tip to get in thatmode.

Speaker 2 (02:10:24):
Look at the hat tilt, bro.
Look at the hat tilt.
I'm leaning boy.

Speaker 3 (02:10:28):
Nah bro, that's your shine bro.

Speaker 1 (02:10:31):
That's a level-grade shine bro.

Speaker 2 (02:10:33):
Y'all can't see this.
I've been doing this, bro.
Nah, for real, bro Leaning bro,Leaning bro.
Take doing this bro Nah, forreal.
Bro Lean in, emma Lean in.

Speaker 1 (02:10:44):
Bro, take my word for it.
It is lean in.
Nah, for real, bro.
Alright.
So I mean, I guess we'restaying.
It's actually fitting thatwe're staying in the Atlanta
area.
So my nomination for the TNTPodcast Hall of Fame is oh, I
remember, okay, my bad.
So my nomination for the tntpodcast hall of fame is um 21
savage.
But it's not just 21 savage,it's flat top 21 savage.

(02:11:07):
Because, boy, when I tell you21 savage, when he first came
out was a complete menace.
Like like what, what year arewe saying?
Like 20?
That's like 2015, 2016, 27,yeah, I feel like it's like 2016
, 2017.
Like red op, uh, no heart,that's savage mode.

(02:11:29):
Just that one.
Yeah, that, yeah.
Uh, what is that?
The slaughter tape?
Yeah, that's a lot of tape.
Yeah, bro, what boy talk about?
What a time to be alive like,bro, when I tell you that I'm
easy, bro yeah, shout out me.

Speaker 2 (02:11:43):
Yeah, shout out me.
Easy, I met me.
That's, that's, that's theamount right yeah, shout out me
easy.

Speaker 1 (02:11:47):
I met.
I met him um uh, one of hishomeboy, one of his homegirls
work at oh, nicole, they cool oh, for real, yeah me easy, yeah,
she came to.
He came to uh gold rush shefrom the east side I think so oh
okayside, I think so.

Speaker 3 (02:12:00):
Oh, okay, no wonder I think so.

Speaker 1 (02:12:02):
Yeah, I think they went to high school together,
okay, okay.

Speaker 3 (02:12:04):
But yeah, they be talking about Meesee, like he
really, like you know, he reallya legend, oh, he's a legend.

Speaker 2 (02:12:17):
I remember Meesee back when he used to promote
clubs and parties Like I've metMeazy a couple times.
I remember back when he waspromoting like 2 Chainz, his
first album.
Like bro, meazy is one of thegreatest marketing geniuses from
Atlanta ever.
Y'all Shout out to Meazy yeah,and that's Stone Mountain right
there.
That's my side.

Speaker 3 (02:12:37):
And then I found out he's the first verse on that
Crane at Roosevelt.

Speaker 1 (02:12:43):
That's crazy.
No, I didn't know that that'sdope.

Speaker 3 (02:12:46):
Shout out to Easy Shout out to Easy, I can take it
there bro, I can take it therebro.

Speaker 1 (02:12:54):
Yeah, I can tell.

Speaker 2 (02:13:05):
Yo, I remember Black Mob days, the fam SOB boy.

Speaker 1 (02:13:11):
And that's so the thing about I always used to
hear about all these, and I wason the east side, I was
Stevenson, so what's?

Speaker 2 (02:13:20):
actually interesting.
This is when I moved here Wasabout all this and I was on the
east side.
I went Stevenson.

Speaker 1 (02:13:21):
So what's actually interesting, this is when I
moved here was when all thisshit was popping Like Black Mob
Yeet.
I would always hear about allthis stuff and it was.

Speaker 2 (02:13:32):
I was just like but I remember, every Saturday, t-bag
Bro, we played, this Bro, weplayed.

Speaker 1 (02:13:40):
Bro, do you remember?
Wait, okay, I don't know whereyou were.
Okay, 05, 06.

Speaker 2 (02:13:48):
Where were you?
My class is 06, so that wasRedan, but Redan Stone Mountain,
that whole Eastside area, bro,I remember every Saturday we
were all mobbed up, Even if youweren't part of nobody's clique
or crew.
Everybody knew to go toStonecrest Mall.

(02:14:09):
This was when Stonecrest washot and when I say so many
fights that happened atStonecrest Mall.

Speaker 1 (02:14:18):
Sean, I'm going to just put this in perspective.
I'm 12 years old, this is allhappening and I moved here.
I moved here from a privateschool in California, that's in
the LA-ish area, and it wasn'tnothing but Mexicans.
It wasn't nothing but Mexicansand Asians.

(02:14:39):
I moved down here.
Okay, so I find out from my momoh yeah, we're moving to
Atlanta, we're going to livearound some people, our people.
I'm happy.
This is like oh yeah, littledoes he know.
Little does he know, look, it'slike I'm literally getting put
right in the middle of a fuckingwar zone.
This shit is like I'm hearingabout black mob.

(02:15:05):
I'm hearing about goddamn thefam, like, sob, like stone I'm
hearing about stone crest havinga fight every.
I just so happened.
I just so happened to go onetime and it was like all right,
yeah, I remember I, yeah, Iremember fights outside the
movie theater in broad daylight.

Speaker 2 (02:15:23):
I remember seeing fights inside the whole food
court.
Okay, stonecrest Mall, y'allknow how to level.
I've legitimately, with my owneyes, seen niggas jump from the
top level over the thing to thebottom level just to hop in

(02:15:44):
fight.

Speaker 3 (02:15:44):
Damn that's crazy.

Speaker 1 (02:15:46):
Yeah them big ass parachute clothes niggas used to
wear.

Speaker 2 (02:15:50):
You remember them jackets with the orange on the
inside, Exactly yeah.
I had one because I was workingat Burlington Coat Factory.
It was black on the outside, itwas orange on the inside and it
had this fur hat on top of itand that shit was so fire.
And then I just remember goingup to Stone Chris Mall, this
nigga walked up to me and saidyou went blankety blank.

(02:16:12):
And I was like nah.
He was like take that shit offor I'm going to beat your ass.
Damn I just remember looking atmy partner.
He was like I don't know whythe fuck you looking at him.
Either you take that shit offor we all going to beat your ass
.
And then I looked again and myhomeboy started walking off.
I was like damn, damn, damn.

(02:16:32):
So I just took that shit off,folded it up and just walked
around with it like this here Iwalked around the mall and then
literally about a good 20minutes after I issued that
warning another fight broke out.
bro Niggas fought everywhere.
I was there at Stonecrest Mall.
This had to be around 2009,when they started implementing

(02:16:54):
that curfew rule and not onlythe curfew rule.
By a certain time, you had tohave somebody that was 21.

Speaker 1 (02:17:01):
Yeah, 21 in order.
I was wondering when thathappened because, I ain't going
to lie, there was a gap when Istopped going to Stone Crest.

Speaker 2 (02:17:07):
I was there the day they implemented that shit.
I'm sitting in the food courtfucking up some shit for life
and I just remember thissecurity guard walk up to me and
she was like excuse me, sir,how old are you?
I said why?
Because I'm thinking she'strying to come flirt right and

(02:17:32):
she was like are you above theage of 21?
I said I'm well above the ageof 21, like thinking she's
trying to flirt so I'm like, I'mwell above the age of 21.
what's up, shawty?
She was like don't call meSheldon, let me see your ID.
I said why.
She was like I'm going to askyou one last time before I
escort you out.
Let me see your ID.
Pulled shit out here.

(02:17:52):
She was like okay, because ifyou weren't above the age of 21,
you were either going to haveto have somebody come up here to
be with you or you got to leave.
I said what's your number?
She was like I don't want you.
I said fine.

Speaker 3 (02:18:09):
It's a long ass.

Speaker 1 (02:18:12):
But yeah, what was I about to say?
I was going to?
Oh, so I brought that upbecause I don't know if you were
using the band right.
So were you in the jamboree for2000?
Oh, no, you wouldn't have been,because I think that was 2006,
2007, I believe.

Speaker 2 (02:18:32):
Were you in the jamboree.

Speaker 1 (02:18:34):
You said what I wasn't.

Speaker 2 (02:18:34):
I wasn't playing in 07.
Oh, you weren't playing in highschool.
No, not in 07.
Oh not in 07.

Speaker 1 (02:18:37):
Oh, you weren't playing in high school?
No, not in 07.
Oh, not in 07?
Yeah, because you said yourgraduation year was 06.
Or no, maybe it was.
You know what it was?
Because I was in seventh grade.
So were you in the jamboreewhen Stevenson played teabag and
they went against?
We went against.
Who did we go against?
Who the fuck did we go against?

(02:18:58):
It wasn't Redan.
Oh, it wasn't Redan.
Nah, because we didn't goagainst Redan until, I think,
the year after, because we hadplayed Party Like a Rockstar or
some shit.
Who did we go against?
I don't remember.
Anyway, we played T-Bag and Iremember there was a part where
we all had T-Bags and we weren'tsupposed to throw it.

Speaker 3 (02:19:18):
No, but all them niggas launched that shit at
fucking.

Speaker 1 (02:19:22):
Who was it?
I don't remember what highschool we went against, but yeah
, bro, it was, and I played thesousaphone too.
There it go right there.
Boom, boom, boom, boom, boom,boom.
Tea Don't don't don't, don't,don't, don't Cup.
Everybody just lost it.
T-bag and Hope Probably seventhgrade talking about T-Bag and

(02:19:48):
Hope.
Oh my God, here's the thing.
The thing about it is they hadthis girl singing the Neo.
So Sick, I'm so sick ofStevenvenson all you hear is
like bruh, it's loud too.
Like they hated us, like it wasbad, like that all years being

(02:20:17):
better than me.
Boo, bro, I'm probably likesomewhere in this area right
here, like that shit Anyway wedon't want to get off of tension
, we're going to watch it later,but yeah, so anyway, you can
have me all in that shit.
Yeah, I'm somewhere in thatmonstrosity.
But yes, my nomination is FlatTop 21 Savage.

(02:20:39):
He was a menace.
No heart, red out all that shit.
That was my shit back in thattime.
That was a great time to bealive, alright.
So, musician, what are younominating to get inducted into
the TNT Podcast Hall of Fame andwhy he said anything, anything
you want to be.

Speaker 3 (02:21:08):
Shit um.
He said anything anything,anything.

Speaker 1 (02:21:09):
You want to be shit um, it could be anything
anything, I mean, as long asit's not already in this room.
Yeah, oh, we are.
Yeah, this is called tanakatown, by the way, and this is
already, uh, a hall of fame.
It's already already a hall offamer.

Speaker 2 (02:21:16):
So you can't soinate me, so I can't use nothing in it
.

Speaker 1 (02:21:19):
Oh no, you can.
No, you can use something inhere, but the whole room is
called Tanaka Town and it isalready inducted.
So if you want to, I guess youwant to nominate a CD.

Speaker 2 (02:21:28):
First I was going to nominate a CD, but you said no,
so no.
Oh yeah you can Right.

Speaker 1 (02:21:38):
But no, you can.
What CD we picking?

Speaker 2 (02:21:40):
You already know you looking dead at it.
It's on that side, it's on thisside.

Speaker 1 (02:21:45):
Wait, what Trap music Is trap music on the side?

Speaker 3 (02:21:49):
There it is, man.

Speaker 2 (02:21:50):
Okay, so Just because it got sentimental and personal
value to me, bro, I ain't madat it Classic.

Speaker 1 (02:21:58):
Alright, well cool, there we go.
We.
I ain't met her, okay, classy.
All right, well cool, there wego.
We're going to do 21 Flat Top,21 Savage versus Trap Music,
versus TI's Hat Tilt.
We're going to put it on theInstagram.
Y'all vote when we get that onthe Instagram.
And, yeah, we're going to moveon.
What we got next, tanaka.

Speaker 3 (02:22:15):
Song of the Day.

Speaker 1 (02:22:53):
Song of the day.
Song of the day is actuallygoing to be interesting because,
if you know, turn up, turn up,turn up is a sucker for intros
when it comes to albums.
Okay, like an album, like anintro for me will make or break
if I actually listen to an albumfor real.
So, um, this, this song, um,when I heard it I was like it
kind of set me up for the album.
I was like you know what Ithink?
I think I'm gonna listen tothis album.
So my song of the day is a songfrom kanye west, tiana taylor

(02:23:18):
and R Kelly To the.

Speaker 3 (02:23:19):
World.

Speaker 1 (02:23:20):
Okay, are you familiar with To the World by
Kanye West, r Kelly, not at all.
So that was 2012,.
Right, tanaka.

Speaker 3 (02:23:29):
Yeah, that was off the Good Music.

Speaker 1 (02:23:30):
That was off the Good Music album.
Good Music album At the time Ifeel like what was I doing at
the time?
At the time I was probably likea year into DJing and I think I
was probably a year into DJingand I think I was a few months
into the Boys and Girls ClubJust trying to get my feet wet
in the party scene, just tryingto DJ and all that shit.

(02:23:52):
When I think about that song, Iimmediately think about me
listening to that whole album,because the first track was To
the World and then the lasttrack was Don't Like, and that
was already killing the radios.
Don't Like Kanye West remixwith Cheeky and all that.

Speaker 2 (02:24:09):
Kanye did not have to go so hard on that remix.

Speaker 1 (02:24:13):
We gonna get back to that, sean.

Speaker 2 (02:24:15):
We gonna get back to that.
I'm gonna give him a littleinformation.
The ad-lib.

Speaker 3 (02:24:20):
I was like we gonna get back to that, I'm going to
give them a little information.

Speaker 1 (02:24:25):
The ad-lib, the ad-lib, whoa, I was like we're
going to get back to that.

Speaker 3 (02:24:27):
Sean, I'm going to give them some information about
To the World and then you cantalk about.

Speaker 1 (02:24:30):
Don't Like.
I promise We'll get back tothis.
So the release date of the songwas September 14, 2012.
It was the opening track ofGood Music compilation album
Cruel Summer.
Being the very first track, itset the tone for the album's
overall vibe of defiance.
The label involved to the worldwas obviously Good Music, which
was in partnership with Def JamRecords.

(02:24:51):
The music producers that was onthe song was who was credited
was two people by the name ofPop pop, wanzo and oakland.
Are you familiar with eitherone of them?

Speaker 3 (02:25:08):
you are both of them yeah, what?

Speaker 1 (02:25:10):
what do you know?
What do you know about eitherone of them?

Speaker 3 (02:25:12):
uh, they produced refill l l varner and some other
r&b.
Uh too, that shit Okay.

Speaker 1 (02:25:20):
But according to some sources, there's actually a lot
of fucking people that producedthis track, this one track,
which is actually fitting forKanye because Kanye is a very
detailed motherfucker and itmakes sense, so apparently
including them.
Kanye West is on it, andapparently Hudson Mohawk, ken

(02:25:48):
Lewis, anthony Kilhoffer,twilight Tone and Travis Scott.
So that's just one song.
The instrumental is heavilysampled by Sterling Sims' 2011
song Walk On by, which isinfused in the track's soulful
quality.
Walk On by, which is infused inthe track's soulful quality.
This sample serves as acounterpoint to the track's
rebellious lyrics, mergingvintage R&B textures with a
modern defiance.
The theme of defiance andindividual of To the World is

(02:26:12):
unapologetically defiant, withthe repetitive chants urging the
listener to put your middlefingers up to the world.
The track chants is raw andrebellious.
R Kelly's impassionate chorusand Kanye's verse works into

(02:26:38):
tandem to create an anthem thatis much about personal autonomy
as it is about collectiveresistance.
At the time, kanye was doing alot of fashion and he was doing
promotion for Cruel Summer.
He was in a relationship withKim Kardashian.
R Kelly was still trying toshow his name to a younger
generation.
The legal stuff didn't starthappening yet.
That didn't start happeninguntil like five years, Five

(02:27:01):
years, probably like five or sixyears later, and Tiana Taylor
was still kind of new.
She was still kind of new.
She was known as a singer.
I think at that point she hadcame out.
She was on some Madea movie.
No, I lied, it was Madea'sWitness Protection.
That was the movie she was on.

Speaker 2 (02:27:19):
Yeah.

Speaker 1 (02:27:20):
Yeah, yeah.
And then is that the one whereshe's like Byron?
Is that that one?
I don't know, I don't know.
I just remember this one whereher and Bow Wow and her thing is
like, she's like Byron, Anyway,so it's charted.
It's charted in the UnitedStates, number 70, and in Canada
is peaked at 92 and in Franceis peaked at 161.

(02:27:44):
So the critics, the critics forthe song, they were pretty much
positive, which the reviewerswere focused on his bold style.
Critics appreciate the tracksreoccurring middle fingers to
the world, which became like achant type shit.
The only thing I guess thecritics really had to say

(02:28:05):
negative about it was, I guess,the there was, um, I guess the
lyric where he said somethingabout mitt romney, but at that
point, that's just a reach.
That's just.
You know, folks just reachingfor a shit to say about kanye.
But, um, yeah, if you'relooking for something that has
some real dope like real dopeproduction with all those people
, you should tell it's going tobe a heartbeat, but a little bit

(02:28:28):
of hip-hop, a little bit of R&Bwith R Kelly, teyana Taylor,
kanye West.
That's my song of the day KanyeWest to the world.
So let's get back to.
I don't like.
What are your thoughts on it?

Speaker 2 (02:28:39):
I'm good, it wasn't just my thought At this time we
just had a little yeah.

Speaker 1 (02:28:44):
I'm gonna let you, I'm gonna let you hear it to the
world and I'm gonna get your,I'm gonna get your thoughts on
it.
See how you feel about it.

Speaker 2 (02:28:50):
I'm gonna Send me, text me the name of that song
again, cause I wanna listen toit in the car.
I want to get the car full likeI want.
I want to really.

Speaker 1 (02:29:00):
Yeah, you hear that yeah, as a matter of fact, I
think I got my, I think I got mystudio headphone anyway, so
yeah, so that's my song of theday tanaka, what we got, uh,
album of the day, album of theday or song of the day I did
album.
I did song of the day.
He does album of the day.
I did album of the day.

(02:29:21):
I did song of the day.

Speaker 3 (02:29:50):
He does album of the day.
Yeah, I'm going to go withJamie Foxx Unpredictable.
Bruh, bruh.

Speaker 1 (02:30:01):
You might as well let me sit, Sean just sleeph, Bruh.

Speaker 3 (02:30:03):
You might as well.

Speaker 1 (02:30:04):
let Musician just sneak away, nah, I literally
just revisited this album lastweek.

Speaker 2 (02:30:11):
Let me show you something else.
I don't know if y'all gotthreads at DJ Musician on
everything, so look, so look onmy behalf it's just funny as
fuck, you just brought that upLast week.
I just said, revisiting thisalbum Crazy man these are my

(02:30:39):
brothers.

Speaker 1 (02:30:54):
These are my brothers , so I will say this this is
interesting about this album iswhat what most people not even I
won't even say the younggeneration, because I won't even
blame the young generationthere are people in our
generation that really thinksthat this is his first album.

Speaker 3 (02:31:02):
Right, right.

Speaker 1 (02:31:04):
But I mean honestly, it was, but his first album was
so far back they wouldn't thinkof it.
They wouldn't think of it, butat the same time they didn't
take him seriously either.

Speaker 2 (02:31:15):
Right, because they knew of the comedian James Fox.

Speaker 1 (02:31:19):
But I always wonder like what was it?
Did enough time have to passfor him to finally take him
serious?

Speaker 2 (02:31:27):
Because I feel like at this time he was still
Because he was focusing more onhis TV show than I believe.

Speaker 1 (02:31:33):
Oh, at the time.
That's a fair statement.
Jamie Foxx, yeah, true, thatmight make sense.

Speaker 3 (02:31:38):
Because when did they stop doing Jamie Foxx?

Speaker 1 (02:31:41):
I feel like late 90s, late 90s, very late 90s.
Yeah, I feel like late 90s.
I don't think it touched me,and this album came out in 05.

Speaker 2 (02:31:47):
Yeah, it came out in 05.
Yeah, yeah, man, I ain't goingto lie as I revisited this album
as a skate DJ.
Shout out to Kyle Park.

Speaker 1 (02:32:08):
This is going to be a good opener at the end.

Speaker 3 (02:32:13):
Never want to take this Speaking of Colin.

Speaker 2 (02:32:23):
Park.
This happened like two, threeweeks ago.
He had emailed me his remix toBoots on the Ground.
When I say I'm so fucking sickand tired of that song and no
hate, no hate to the producer?
No hate at all, it's just whenyou heard that song and no hate.

Speaker 3 (02:32:41):
No hate to uh the producer right, no, no, no hate
at all.

Speaker 2 (02:32:43):
It's just when you heard that song so goddamn much,
you know you get tired of it.
But he had sent me the remix,his remix to uh, like this on
some trains and trio reading ityou ready Some trains and trio

(02:33:40):
reading.
Y'all heard me play this before.
Whenever y'all hear this, y'allknow it's time.
Like what he did to break mysoul.
I mean, yeah, break my soul wasso hard Any of y'all that's
ever been to my rink or whenthis song come on, y'all know
it's time.
Brother, that's true, butanyway, man, I was probably

(02:34:06):
sitting here remixing to Bootson the Ground.
I was like dog Crazy, yeah.
So, like I said, like this issome walking into the rink On a
adult night, like I've revisitedthis album, and I was like bro,

(02:34:29):
I appreciate the effort.
Now that I've, now that my earhas matured and grown, I
appreciate this album.

Speaker 3 (02:34:37):
And that's.
I think that's one of the dopethings, I think, for us DJs.
We revisit old albums and we'reable to hear different, like oh
, we could play this in the rink.
Knowing different styles, it'slike we could have probably
never played this in no club orno party, but in the rink, you
know what.

Speaker 2 (02:34:56):
I'm saying that's another reason why I like DJing
in the skate rink.
Because it gives you thechallenge of not just having to
play new shit, but it gives youthe freedom and the ability to
go back and play things that youwouldn't even think to hear in
the club no facts.

Speaker 3 (02:35:15):
I think me and Turner was talking about the Jhené
Aiko living room flow.
That's not a song that's known.
Me and Turner was talking aboutthe Jhene Aiko Living Room Flow
.
Like that's not a song that'slike known, but in the skating
rink that's like a banger assoon as you play that shit.

Speaker 2 (02:35:29):
You hear something in the crowd Woo Right, like
goddamn, like they literallybeen waiting on that shit all
night.

Speaker 3 (02:35:37):
Yeah.

Speaker 2 (02:35:37):
Right, yeah, like there's never been a point or a
time that I've ever played thatsong and didn't hear a response.

Speaker 1 (02:35:43):
Yeah, as soon as you hear that.
Right, yeah, yeah, yeah.

Speaker 2 (02:35:47):
Definitely Like I never heard of Tell Me by Usher
until I started DJing in theskate rink.
Me too, yep Same, and this wasback.

Speaker 3 (02:36:02):
Have metro, metro uh, the skate ring back then, so I
just started djing up there andyou know smooches shout out
smooth smoothies.

Speaker 2 (02:36:06):
Uh, smooches, and her friend lily smooches was dating
this guy named darnell.
We're gonna take this out, butlily and darnell used to date
and they always used to lovethis song.
So Darnell came up to me.
He was like bruh.
It's this song called Tell Meby Usher.
It's a long ass song and I waslike bruh.

(02:36:32):
How long he was like bruh, justdownload the song.
I downloaded that shit.
That shit is 8 fucking minuteslong and, like anytime, like any
DJ that knows me knows as soonas I.
I downloaded that shit.
That shit is eight fuckingminutes long and, like anytime,
like any DJ that knows me, knowsas soon as I play this song,
especially if you come toCascade, anytime I play that
song.
That's my walk around, stretchmy leg, walk around the rink and
talk to people.

(02:36:53):
So that song is a long song,but anyway.
I never heard this song outsideof the rink Right, any, anyway,
I never heard this song outsidethe rink Right Any club, any bar
, any lounge.
Never heard it.
But the skating rink, bro, youcan go order a whole meal.
Yeah, get some juice or sodaand then come back and your food

(02:37:14):
is done before the song is out.
People in the skating rink lovethat song dog.
I love that songink, love thatsong dog.
Love that joint, love thatjoint.
But, yeah, man, certain songsthat you wouldn't think that you
would hear anywhere else wouldsurprise you because it can be
played here in the ring yeah youdid definitely.

Speaker 1 (02:37:34):
But yeah, that's why, right, yeah, that's why, that's
why it's dope, though you knowwhat I'm saying that's why the
challenge of being a skate djand there's actually it's-
interesting that, though youknow what I'm saying, I love the
challenge of being a skate DJand there's actually it's
interesting that you bring upthat about the Usher Tell Me
joint, because there's actuallya couple songs on here that I
did Because, honestly, I'venever heard this album all the
way through.
I've heard a couple songs hereand there, but I've never heard

(02:37:54):
this album all the way through,right, but there are songs on
here that I discovered throughthe skating rink, like uh, can I
take?
you home, like when I heard kindof take, I was like wow, why am
I just now like I'm?

Speaker 3 (02:38:08):
mad at myself like how am I?
Yeah?

Speaker 2 (02:38:09):
I didn't know about that one.
No, that, that wasn't.
That wasn't a commercial song.

Speaker 1 (02:38:12):
Yeah, the only one was unpredictable and dj play a
love song and I think that's, Ithink that's it.
I think those are only twosongs that were uh singles so,
yeah, unpredictable and do whatit do.
Do what it do is another onethat I learned in I learned.

Speaker 2 (02:38:30):
I learned that back in 05 when that album came out,
do what it do tonight, and thenthree-letter word obviously,
like this album was masterful,like so I appreciate the effort

(02:38:53):
in that album so I'm gonna askhim the question I usually ask
you have you heard all the jamiefoxx's albums?
Not all of them.

Speaker 1 (02:39:00):
Have you heard?

Speaker 2 (02:39:00):
a good majority of them.
The last Jamie Foxx album thatI listened to was Best Night of
my Life, but my favorite two isUnpredictable and Intuition.
Shout out to DJ Avalanche, mydoll Asher.

Speaker 1 (02:39:19):
So, out of those three, where does?
Where does Unpredictable sit?
Out of the three that you'veheard.

Speaker 2 (02:39:26):
Jamie, I mean Unpredictable Intuition.

Speaker 3 (02:39:30):
Best Night in my Life , so it sounds like Best.

Speaker 2 (02:39:32):
Night in my Life is at the bottom, but Best Night is
definitely at the bottom out ofthose three.
I'm gonna say I feel you.

Speaker 1 (02:39:40):
I feel you out of those three.

Speaker 2 (02:39:42):
I'm gonna say best night of my life at the bottom
intuition second.
So I'm presenting.

Speaker 1 (02:39:47):
Okay, yeah like is there a reason why you stopped
like it was this album like youwas like okay well, he started
to change up right, started tobecome a little more like
auto-tuned.

Speaker 3 (02:40:01):
Not even just the auto-tune, but just like the
content, yeah, the type of songshe was making, right, I feel
like this was the most soulful.
Bingo, you know Right.

Speaker 1 (02:40:14):
He got to have that soul.
Like he had the right writersaround him, so he was making
more club music or somethinglike that.
Or trying to make club music orsomething like that I wouldn't
even say club music.

Speaker 2 (02:40:22):
It just felt like, okay, we'll go back to
Unforgettable.
It felt organic.
It felt like if Jamie Foxxreally focused on this shit,
that's him.
This didn't feel like an albumhe was trying to sell.
This felt like this like analbum he was trying to sell.
This felt like this is a pointhe's trying to prove Either

(02:40:45):
you're going to like it oryou're not.
If you don't like it, you gotto fight to not like this shit.
You got to hate me to not likethis shit.

Speaker 1 (02:40:54):
This is me, this is me and this is unapologetically
me.

Speaker 2 (02:40:58):
This is me before I became Hollywood.

Speaker 1 (02:41:02):
Which is interesting because he was definitely
Hollywood back in 2005.
Okay, okay, put it this waythis is an odd comparison.

Speaker 2 (02:41:12):
The Rock was the Rock before Hollywood.

Speaker 1 (02:41:14):
Yeah, yeah, okay, I get that.

Speaker 2 (02:41:17):
Okay, that's a fair comparison.
Then, once he became theScorpion King, that's a fair
comparison.
That's a fair comparison, andthat was the first thing that
randomly came to mind, but likeagain he had a point to prove.

Speaker 3 (02:41:31):
That's a perfect analogy, because Turnup's well
nah, I don't know the Rock likethat, but Turnup is a, he's a
wrestling head.
He studies that joint for real.

Speaker 1 (02:41:40):
So the fact that you brought up the Rock.
That was honestly a faircomparison.

Speaker 3 (02:41:43):
You're speaking his language.

Speaker 1 (02:41:46):
You definitely did you definitely did For sure.

Speaker 2 (02:41:49):
Right, like the Rock, had millions and millions of
fans and millions and millions,way before the Scorpion King,
right Likewood came to him.
Yeah, right, he didn't have togo to them.
Right, you did so I was likehe's the most famous action.

Speaker 1 (02:42:10):
Superhero or super actor, whatever the fuck man so
so, tanaka, how do you like what?
So how do you feel about it?
Like?

Speaker 3 (02:42:20):
yeah, I mean I like it the most just because, like I
said, it's my soul kind of likehow you feel.
Yeah, no, I write withintuition.
You got some records on there.
Um, I just uh, the productionon that joint is a little more
glossier.
I would say, if I was todescribe it right, um, and then,
yeah, that's not, that's not inmy life.

(02:42:42):
This is like even more so, likefurther.
You know what?
I'm saying so yeah, because Ithink I've heard a couple tracks
off that's not in my life andthat's like because I think he
had that song living better nowand it like samples biggie,
living better now.

Speaker 2 (02:42:59):
I remember this song with TI on it, I guess I mean

(02:43:28):
yeah.

Speaker 1 (02:43:29):
That's Justin Timberlake.

Speaker 3 (02:43:30):
Yeah.

Speaker 1 (02:43:32):
I guess he has the money for it, yeah.

Speaker 2 (02:43:34):
Like at that point he definitely had the money for it
.

Speaker 1 (02:43:37):
But like no.
I feel like Justin could havefit in one of these songs in
Unpredictable.
She had the money for it too.

Speaker 2 (02:43:45):
Let me ask y'all this , let me ask y'all this we're
excluding Chris Brownautomatically.

Speaker 1 (02:43:51):
Why do we keep excluding?

Speaker 2 (02:43:52):
Chris Brown, because usually that's the easy go-to,
so we're excluding Chris Brown.
Who would you want to see Usherhave a versus against?

Speaker 1 (02:44:05):
That's not fair, because I feel like that's like
the perfect two, and I've beensaying that ever since.
The versus has been like bro,why haven't we got an Usher
versus Chris Brown?

Speaker 2 (02:44:17):
Usher and Chris is bigger than fucking versus bro.
Like versus would, Versus wouldbe benefiting off of them.
That's fine, I'm selfish.
They might as well just havetheir own content.

Speaker 1 (02:44:30):
That's fine.
I'm okay with that.
I'm selfish, I'm not going tolie.
I need that Versus, but to goagainst Usher.

Speaker 2 (02:44:40):
Yep.

Speaker 1 (02:44:40):
Truthfully honestly, I would flip that question.
I'd be like who would goagainst Chris Brown?

Speaker 2 (02:44:49):
I mean, ain't nobody going against Chris Brown?

Speaker 3 (02:44:51):
Who's seeing?

Speaker 2 (02:44:51):
him Especially for this generation, Like after
Usher is Chris.

Speaker 1 (02:44:57):
But who are you going to?
Okay, so who would you say isgoing against Usher?
Is Chris?
Who would you say is goingagainst Usher?
Honestly, if I were to putanybody against Chris Brown, it
would be unfair.
It would have to determine howtheir showmanship is.
Who wins?

Speaker 3 (02:45:15):
Him versus.

Speaker 1 (02:45:15):
Kels, it would have to be against their showmanship.
A lot of people just like howthey and I'm going to bring up
his favorite one.
A lot of people were sayingthat Dipset was going to kill
LOX because of all the hits theyhave.
But the way Jadakiss sold thatfucking who shot your freestyle
I ain't never heard of.

(02:45:35):
No fucking who shot yourfreestyle.
I ain't never heard that shitbefore.
But the way he sold it likethem folks was going crazy right
like it was like a certifiedhit I ain't never heard of it.
I don't know.
Y'all tell me different, butyeah, but um, that's the only
person I could think of is no, Ilied.
So see, I wouldn't even say him.

(02:45:59):
Yeah, it had to be Kells, ithad to be Kells, yeah, it was.

Speaker 3 (02:46:02):
Kells man, Because I don't know anybody else Going
against.

Speaker 1 (02:46:05):
Usher, no going against Chris, but Kells would
crush everybody.
But that's what I'm saying,that's the closest thing I can
see, because here's the thingabout Usher.
Like and no offense to Usher.
I always will appreciate Usherfor 8701 and Confessions.
However, usher had one, two,three at the most four strong,

(02:46:34):
really strong albums at the mostLike four.
Chris Brown got a couple ofthem like like.
He has a lot of.
He has a lot of hits like someof them.
Okay, I'll say, after raymondversus raymond, like it, it
starts to sputter a little bitright, like for chris.

(02:46:54):
The only, literally the onlysputter for chris was graffiti.

Speaker 2 (02:47:00):
That was the only sputter literally I'm trying to
find something.
So I'm definitely listening,but it's something that I say,
but okay, well, how do you feelabout?

Speaker 3 (02:47:10):
because I don't know this.
Yeah, I don't know who else,because we, we could.
I followed him, by the way.

Speaker 1 (02:47:20):
He has great music taste.
Shout out to him, I'm gonnashout him out.
Shout out to it's Just Cam.
Shout out to you, bro, you havegreat music taste.

Speaker 2 (02:47:32):
I've always said I would love to see Hold on, pause
it.
Pause it.
I mean not Jamie Farger.

Speaker 1 (02:47:37):
Justin Timberlake.
That's actually interesting,but I remember I asked this.
I remember I asked this.
I remember I asked this to you,tanaka, and I'm intrigued to
get your opinion on this.
So much questions.
What do you think is a moreinfluential debut album?
Doug Motivation 101 or Get Richor Die Trying, and why on a

(02:48:00):
grander scale.

Speaker 2 (02:48:01):
On the grandest scale , we'll say get rich Like that's
worldwide bro.
Yeah, that's worldwide bro.
Yeah it is.
No, it is Like not even justthat, but look at all the people
that's got, look at the peoplethat got their hands involved

(02:48:24):
with that, bro.
Yeah, eminem Dre, just thosetwo names alone crush Jeezy bro.

Speaker 1 (02:48:33):
And the only reason why I say that, and the only
reason why I even think that, isbecause, like it was kind of
Dre and Em lifting 50 up, jeezygot all that shit from the
bottom.
Everybody know who Shawty Redwas.
Everybody know who.
Yeah, we know who Akon is.
We listen to Soul Survivorbecause of Akon, alright, so

(02:49:00):
we're just going to move on toDJ Talk.
You said you had a question, ordid you want to?

Speaker 3 (02:49:08):
Yeah, Sean, what was the DJ Talk?

Speaker 2 (02:49:11):
question that we had.
Just that question I just askedbetween Usher and no it was a
DJ topic question.

Speaker 1 (02:49:23):
Hold on, let me go back to it.
You asked me oh, dj talk of theday, djs copying other DJ sets.
Sean, the floor is yours.

Speaker 3 (02:49:41):
The floor is yours.
Go ahead, you know.

Speaker 2 (02:49:43):
You know you're doing something right.
You know you are doingsomething right or great when
others come to your set andshazam every single time, every
single time that you change asong and he or she pulls out

(02:50:08):
their phone and shazams.

Speaker 1 (02:50:11):
Sean, what was it?
What was it?
I vaguely remember this story.
You remember these stories.
It was plural.
You were like bro, every song,you don't have any songs like,

(02:50:32):
let's talk about it.

Speaker 2 (02:50:34):
Let's talk about it, man you know what I'm saying,
like you know how they got djcoalitions out, yeah, there
should be a copy and paste DJcoalition.
And like, like, I understandthe, the, the purpose of Shazam,
but I can't stand lazy ass DJ.
Like, my thing is, if you'regoing to copy and paste me and

(02:50:59):
you're getting paid, what didthey call it back in high school
college plagiarism Plagiarism,yeah, quote your source.
Either quote your source or payyour source, or both, or at

(02:51:19):
least give credit.
Hey man, shout out to DJMusician bruh, I would have
never thought to play this songor all these songs, or all these
songs or all these songswithout you.
I never would have made it.
Oh Jesus, like, nah bro, likecome on dawg.
There's a difference betweenbeing being what's the word I'm

(02:51:42):
looking for?
Influenced.
There's a difference betweenbeing being what's the word I'm
looking for?
Influenced.
There's a difference betweenbeing influenced and and just
outright, downright copying themotherfucker but Sean, don't?

Speaker 1 (02:51:58):
they say copying is the biggest form of flattering
flatter me with youracknowledgement or your check.

Speaker 2 (02:52:08):
Flatter me with your acknowledgement and your check.
You know what I mean, becauseit's like if I'm Bro, anybody
can type in these songs and playit, type in next song and play
it.
My thing is, if you're onlycopying everything that I've
done, that's half the work.
So pay me half your time.

(02:52:29):
Even if you don't play thesongs in the same order, I would
hope not, that's a whole othermonster.

Speaker 1 (02:52:37):
Please, no, let's not get into it.
Come on Now.
That's crazy Now playing it inthe same order Tanaka we had
this discussion.

Speaker 3 (02:52:45):
It's crazy.

Speaker 2 (02:52:47):
Shout out to.

Speaker 1 (02:52:50):
Oh, we named our producer.

Speaker 2 (02:52:52):
Hello, shout out to Serato.
I'm not going to say nothingslick about Virtue DJ, because
they do it as well, but shoutout to the history in your
Serato.
So a specific DJ called mewhile he was supporting another

(02:53:14):
DJ that was at the rink onanother day.
So Cascade Fridays are myFridays, this DJ these DJs,
these is more.
Plural On different nights cameup to my set.
One DJ came up to my set andshe was I shouldn't even say

(02:53:38):
she- I mean, there's more thanone girl, dj, and nobody said
that Phil is Wait.

Speaker 1 (02:53:47):
Did you say Shut up?

Speaker 2 (02:53:53):
Just shut up.
Shut up.
She came up in my DJ booth andwhile I'm playing Like I have
great peripheral, so while I'mplaying and changing the song,
she'll either Shazam it or go toYouTube and type it in and

(02:54:14):
download it immediately.
And I said you know what?
Let me try something Play yoursong real quick, immediately.
I'm right here DJing DJ.
She's next to me typing realfast, play this song.
I look over bottom of the map,play all there, all type in type

(02:54:43):
in what's up.
Mate got cake mate oh, not yoursong.

Speaker 1 (02:54:49):
Oh, that's your joint .
Oh, I know you're disappointedat that one.

Speaker 2 (02:54:56):
At that point.

Speaker 1 (02:54:57):
I told her directly like I'm looking at you right
now.
I told her directly.

Speaker 2 (02:55:03):
I know you are not right here copying my shit.
Sorry for cussing mama.
I know you're not right hereliterally copying my shit.
No, I ain't copying it, it'sjust some of these songs I ain't
never heard before, some that'swhere you would have gotten it,
some, some so.

Speaker 1 (02:55:28):
So you have the audacity to say S-U-M Like bruh,
and then.

Speaker 2 (02:55:37):
So she caught herself being slick.
So the following week shedidn't come up to the DJ booth,
she went upstairs to MarquiseLounge and you know, marquise
Lounge plays the musicdownstairs, upstairs.
And so another one of ourmutual DJs was up there and he

(02:55:57):
sent me a video of herShazam-ing and typing in songs
and downloading them.
And I'm like bruh Shavu, youreally ain't Shazamming and
typing in songs and downloadingthem.
And I'm like, bro, you reallyain't slick.
But at the end of the day,again, you're obviously doing
something great or somethingreal good.
If you got folks copying, thenthat was her story.
Now let's talk about his story,oh, his story, history.

(02:56:21):
So this DJ or I'll just leaveit at that history.
So this DJ or I'll just leave itat that.
This song player, because Idon't even know if I want to
call him a DJ.
This song player somebodypointed this out to me.
He was like bro, why every timehe skates around the rink he

(02:56:42):
pulls out his phone and it lookslike he's shazamming.
So once that was brought to myattention, I'm like so I played
this song and I purposely didn'tplay the whole song I played a
verse and then I played a hookand then next hook, then next
song hook.
So he's trying to catch everysingle song, although I'm

(02:57:07):
skipping through like skimmingthrough and so I'm not gonna say
too much.
But we'll just say he played atanother rink and one of my one
of my real close people calledme.

(02:57:29):
He was sitting in front of himwhile he was DJing.
So DJ booth is right here andit's a seat that you can sit at,
in front of the DJ booth andthis guy called me my source
called me and he said Sean thesong player I'm not calling him

(02:57:53):
no DJ, he hasn't earned thatshit.
So I'm just gonna say this songplayer really sounds like you
right now.
He said you DJ yesterday, right?
I said yeah.
He said open up your history.
I opened up my history.
I heard a song that he wasplaying in the background.

(02:58:14):
I said this song is next.
He played this song next.

(02:58:36):
Turn up two for two not two fortwo bro, two, two.
We went like bruh.
We went for about a good tenminutes.

Speaker 1 (02:58:48):
I entertained this shit for about ten minutes, ten
minutes, not even ten minutes,ten minutes.

Speaker 2 (02:58:52):
I entertained this shit for ten minutes.
This guy played out of I'lljust say about I'm just guessing
15 songs.
He played every single song inorder but one and that one he
didn't play in order, he justdrug it down to number 14 out of
15 oh, jesus christ like so youreally come to my sessions to

(02:59:23):
copy and paste me, but don'teven pay me or credit me, bro.

Speaker 3 (02:59:31):
That's great, that's interesting.

Speaker 2 (02:59:34):
And again, instead of getting mad about it, I just
learned, bro, you're doing good.
You're doing really that.
Good Basically, yeah, because atthe end of the day, being mad
over some shit that you can'tcontrol ain't going to bother
nobody else.
But good Basically, yeah,because at the end of the day,
being mad over some shit thatyou can't control ain't going to
bother nobody else but you, you, yeah, and like, put it this
way, let's say y'all both got aradio station slot you DJ at 5

(02:59:58):
o'clock, you DJ at 6 o'clock,right, y'all obviously so fine
as somebody that they will sitdown and record your old set on
they phone.
Like you know, I'm gonna justdrive around the line and just
record they shit, like theycan't control it.
It is what it is.
Obviously you popping that goodand you killing them that good

(03:00:20):
that you got niggas really outhere stealing your shit and
going to whatever thing you orevent they're doing and really
just repeating you and at theend of the day, at the end of
the day, all I can really say iscopy and paste while you can,
because once I move forward andgo to this place and that place,
you're not going to sound likeme.

Speaker 1 (03:00:40):
No more Now.
You got to find somebody elseto copy off of DJ Chameleon.

Speaker 3 (03:00:58):
DJ.

Speaker 2 (03:01:00):
Ditto, like I told him earlier, my bad for cutting
you off.
Like I told him earlier, I waslike we can look at it from an
NBA standpoint.
Use a Steph Curry.
This nigga shoot threes everyfucking where.
Now, everybody shoot fuckingthrees everywhere.
I wish Shaq would be playing inthis day and age and try to
bust a three from the key on theother side, bro, I mean man,

(03:01:25):
you know Like.
So obviously you're doingsomething good and impressive.
Once you got other peoplecopying your shit, god thanks.
Look how many people try tocopy Bell Out Mondays on their
own days.

Speaker 1 (03:01:39):
Oh, just saying.

Speaker 2 (03:01:40):
I'm not going to lie.

Speaker 1 (03:01:40):
I don't pay attention truthfully.

Speaker 2 (03:01:43):
I just happen to pay attention yeah.

Speaker 1 (03:01:50):
I can't personally say that I watch to see who's
copying me or not.
Honestly, I mean, look, and youknow what's funny, ravi brought
that to mind.
You know it's interesting.
You brought that up becauseRavi this was.
I feel like this is there'sonly been a few times where I
was able to shut Ravi up Right,and this was one time where I
got to shut Ravi up.

(03:02:11):
Ravi was.
Ravi had came to DJ Boobla.
I was DJing in the middle ofBell Out Monday and he was like
oh my God, you're doing this andyou're doing that, don't you
feel like?
Don't you feel like, if you'redoing this, uh, you're, aren't
you nervous that people aregonna steal it?
I'm like, no, like I mean, theycan if they want to.

(03:02:37):
They're not gonna do it.
Like me right yeah, and he waslike it, just walked away,
couldn't even say nothing, right, I mean, this is what it is,
tanaka.
Have you encountered anybodycopying anything that?

Speaker 3 (03:02:47):
you've done.
I honestly don't pay attention.
Right, I don't pay attention soclosely because it's like.
It's like I just feel like theend of the day, the real going
to rise.
Right, you know what I'm saying.
No matter how many like these,im imitators, I don't care how
much cloud followers is that athird like.

(03:03:09):
At the end of the day, they mayget to a certain point, or what
have you, and that's theirjourney.

Speaker 2 (03:03:16):
God bless them, you dig but you know, I know what's
real, will forever be youeverywhere you go, yeah, and
while you're going, they havenothing else to copy off of,
because you done, exceeded andexcelled past them.

Speaker 1 (03:03:29):
Yeah, they got to leech off something else, right,
so?

Speaker 3 (03:03:32):
now again, dj Ditto, and then it's like it just even
goes back to just being a humanbeing.
It's like you'd rather beliving a lie or rather just be
living you.
I'd rather just be living me,because when you got to lie
about what you're doing, thenyou're just building up lie
after lie after lie and you haveto live up to all these lies

(03:03:53):
that you done.

Speaker 2 (03:03:53):
made that you done built up right, you know what
I'm saying.

Speaker 3 (03:03:56):
It's like I'm cool being me, I can't remember.
I can't remember I.
I'm cool being me.
You know what I'm saying, LikeI ain't got to do all that.

Speaker 2 (03:04:03):
Y'all have noticed anybody that knows me personally
and y'all both know this,especially you anything that
I've ever learned, one, I givecredit to the person that taught
me.
And second, not only do I givecredit, like I acknowledge,

(03:04:25):
anytime I ever play your Maybachmusic, for anytime I ever play
this man's record, he will knoweither I will call him, send him
a video, a picture, or evenanother DJ will be there live
while I'm playing that shit likebro I heard.

Speaker 1 (03:04:44):
I heard turn up drop like bro.

Speaker 2 (03:04:46):
Yeah, at the end of the day it's respect with me,
bro.
Right, like I'm not, like Iain't asking for you to go
through bounds and shit, butjust like respect where you got
it from guys, that's it so wordof the other day or the morning
respect, respect, respect.
They just go back, those folksdon't want to do their homework,

(03:05:08):
bro.
Yeah, they don't want to dotheir homework, right, they want
the easy way through it.
And it's like, bro, at the endof the day, you receive and get
out what you put in Exactly, youdig, exactly.
I know we live in a veryconvenient, quick, fast day and

(03:05:30):
age, but, again, if you don'tpay no dues, what's going to
like, bro, I pay my dues, so mydues can pay me in the long run.
Right, I'm looking at the longrun, I'm looking at the long,
the long picture.
Like it may take me a while toget there, but I'd rather it
take me a while to get there, soby the time I get there, I'm
there for a long time.
I'd rather build with bricksthan weak-ass sand.

(03:05:52):
That's right, though.
That's a fact, though Facts.

Speaker 3 (03:05:58):
That's it.
You done wrapped it up.
No, that's exactly it.
What I was going to say, though, is me and Turnip had this
conversation all the time yougive three DJs the same ten
songs, they all going to mixthem differently.
That's just.

(03:06:19):
Everybody has a different style, right?
The fact that folk got a copyof the folk styles, it's kind of
crazy, like like again.

Speaker 2 (03:06:32):
That's why I ask people like I don't I don't
teach a lot of people how to dj.
Like it's, it's, very it's.
I have a very selective fewthat I take up under my wing,
and even with the ones that I'vetaken up under my wing, I ask
them why do you want to DJ?
Is this the shit that you'reinterested in now?

(03:06:53):
Is this the shit that you justwant to try out?
Like could you see yourself?

Speaker 3 (03:06:59):
DJing 4-5 hours for free.

Speaker 2 (03:07:03):
Now I don't do this shit for the money, but, like I
said earlier today, I wouldstill do this shit if money
didn't exist.
Let me have an opportunity toDJ for thousands of people, and
the only downside is it's forfree Like shit.
I can still show my ass for free, because not every blessing is

(03:07:26):
is gonna have a dollar signAttached to it, and that's
something that we gotta bemature Enough to see and
understand and learn and know.
Like bro, I'd rather All 4,000of these people Meet and learn
who musician is Than me turn itdown.
Because oh, they ain't paying.
No, bro, sometimes the pay isbigger than the pay.

(03:07:51):
It's just all in how you lookat it.
Like this opportunity can bebigger than that.
I'd rather earn this dude rightnow.
I'd rather pay this dude rightnow.
I'd rather pay this dude now,so again later on that dude pays
me.

Speaker 3 (03:08:08):
Wayne is like one of the greatest examples.

Speaker 2 (03:08:10):
This nigga dropped so many fucking free mixtapes
Mm-hmm and it worked out in hisfavor.
For every free mixtape hedropped, he gained more
followers and fans.
And he didn't have to, bro.
He didn't have to.
No, he didn't have to.
This is the same young niggathat was dropping platinum and

(03:08:33):
diamond albums when he was youngas hell, so he still was gonna
be straight.

Speaker 3 (03:08:41):
The beauty of this people got to grow up with him
they got to see the journey.
You know what I'm saying himsharpening that sword and
consistently like.

Speaker 2 (03:08:53):
So like I, I missed that way.
Like I'm glad wayne is stillhungry.
He got like, although hedoesn't have a point to prove he
still works like he got a pointto prove you and Wayne can get
together on the track and he'sstill going to come at you like
bro, I'm finna, bite your headoff.

Speaker 1 (03:09:16):
He said something on the Route 49 track and I'm like,
bro, you've been gone for twodecades.
How the fuck are you stillcoming up with these punchlines?
What the fuck did this niggasay?
Fucked her for $1,000.
Called this bitch my grandbaby.
What the fuck, bro, you've beenmaking metaphors for 20 years.

(03:09:37):
Where the fuck are these shitstill coming from Rob 4ix9ine?
So this song had to have comeout like a year ago.
Yeah, what the fuck when?

Speaker 2 (03:09:51):
the fuck did that come from?

Speaker 1 (03:09:58):
This yeah, what is your favorite Wayne mix?
Take, drop three.
It's not close.
It's not close.
My favorite, my favorite era ofWayne is the Drought 3, the
Drought 4 is over and, likeFather, like Son, carter 2 is
somewhere in there.
That's my favorite era of Wayne.

Speaker 3 (03:10:14):
Yeah, right there, I was late on mixtapes for real
because I used to only listen toalbums.
And then my partner was likeyou ain't heard of that?

Speaker 1 (03:10:23):
Yeah, it's like he's like say his name, say that
Drought 3, and I was like oh, mygoodness bro, this is what I've
been missing.

Speaker 2 (03:10:32):
Drought 3 changed my life, bro, rasta them, king of
the jungle Like that upgrade,bro, that upgrade to freestyle,
that upgrade to freestyle waslike and, truthfully, the only
thing to come close is noceilings.

Speaker 1 (03:10:53):
That's like the close , I feel like that's like the
closest thing to the drop threeis no ceilings and I'm
truthfully, if I were to, if Iwere to settle down, that's also
storm our family.

Speaker 2 (03:11:04):
Yes, and I'm truthfully, if I were to settle
for a mixtape, shout out to FLYman, that's also Stone Mountain
Family.
Yes.

Speaker 1 (03:11:07):
When.

Speaker 2 (03:11:07):
Wayne hopped on that swag serving remakes.
I said, bro, stone Mountain,out of here, bro, and John.

Speaker 1 (03:11:13):
Stevenson and the Black and Blue Jaguars.

Speaker 2 (03:11:14):
That's my boy V right there, yeah there it is.

Speaker 1 (03:11:17):
Yeah, if I were to settle for a Wayne mixtape, I
would settle with no siblings,like that.
Settle for a Wayne mixtape, Iwould settle with no Ceilings, I
would settle with Drought 3.
No, if I were to settle no,drought 3 is my peak.
No Ceilings is like a closesecond for sure, but yeah no,
drought 3 is out there.

Speaker 2 (03:11:38):
I think my close second would be Dedication 3.

Speaker 1 (03:11:43):
I think that was that one too.

Speaker 3 (03:11:45):
I think that was the one.

Speaker 1 (03:11:46):
Was that the one with the Ambitions?
As a Rider freestyle?
I don't know.
Is that the one with him, withthe short dress and dramas right
behind him?
Pull it up.
No, that's not.
Dedication 3 is the one withDick Pleaser.

Speaker 2 (03:12:04):
Yeah, yeah is uh the one with dick, pleaser, yeah,
yeah, that's the one, because hedid, he did, I put on freestyle
yeah, I have to.

Speaker 1 (03:12:10):
I'd have to listen to it again.
That's when he started usingauto-tune and all that I was
like because is that the sameone with?
I think that?
I think I love her freestyletoo I was like I didn't, I
didn't really care for that,because I think it had like
tiger and some other peoplethat's what definitely I did.

Speaker 2 (03:12:26):
Please on it, yeah, ain't I.

Speaker 1 (03:12:30):
I think, I lovers on there somewhere, I think, if I'm
correct, because I think tigerson it and I was like, yeah,
this ain't it.
You know, make sure to lavendershop breezy, my boy breezy.
Hey, man, take your ass tosleep.
God damn, two o'clock in themorning, two in the morning,

(03:12:51):
take your old ass to sleep.

Speaker 2 (03:12:52):
But yeah, nah, but um but yeah, nah, uh, yeah, man,
that drought.
Three is.
Nick wayne said leave with somebullet holes the size of
craters.
What?

Speaker 1 (03:13:05):
Draw your drop three nut.
Yet another, he said.
He said he came on, he came on.
That fucking with it.
This is why I'm hot roster them.
King of the jungle, dreadlocksdream dummy back like Rapunzel.

Speaker 2 (03:13:19):
I was like we finish wena talk about Cannon, the
remix.

Speaker 1 (03:13:26):
Cannon, oh, with all them motherfuckers.

Speaker 2 (03:13:29):
We just gonna talk about Wayne, oh, and then
fucking live from the 504, thatshoulder lean.
What about the Top Back remix?
I guess I'll show y'all what todo.
Oh, it's a mini fresh beat.
I guess I'll show y'all what todo.
One, uh, I always saw manyfresh beat.

Speaker 1 (03:13:45):
I guess I'll show you what do what he beats and then
um, and then he, and then he diduh, we taking over again that
remix.
Oh my god, he did it again likehe, like he didn't even have to
do it, like that yeah, what'dhe say?

Speaker 2 (03:14:03):
what he said he was like one time for me, one time
for me, one time for DJ.
He be Khaled, I be Louisa Baby.
If you ask me, if you're nasty,creative, gifted bastard, speak
sporadic.
I'm so diplomatic, don't try totouch it, Bruh, damn right, I
kissed my daddy.
I think they pissed at how richmy daddy is.

(03:14:25):
I'm this kid.
I start with my daddy, CallMiss Lee, she with my daddy.
So this me ain't gonna diss mydaddy, cause who was there when
the one wasn't just my daddy.
Who was there when I neededmoney?
Just my daddy.
So who be there when I see themoney?
Just my daddy.
What else you say, Blah, blah,blah, it's your daddy.

(03:14:47):
Hello, hip hop, I'm home.
It's your daddy.
When I say these, I don't meanthe Cali, I mean these Nuts,
Acorn and Cali, Stunna, Tilt,Rick Ross, Fat Joy, and I can't
forget Briscoe.
Like bruh, this bruh, he justkept going.

Speaker 3 (03:14:59):
He wouldn't stop, he just kept getting on that beat,
not mention he already snappedon the original song.

Speaker 1 (03:15:06):
Yeah, that's what I'm saying.

Speaker 2 (03:15:07):
He didn't even need to my flow, just grew legs and
walked out.
It's fine.
Wayne said so much shit bro.
He said Damn bro.
You said Damn bro, you justgotta hear it?

Speaker 1 (03:15:27):
I ain't gonna lie.
I challenge all, I challengeall my folks that are 25 and
younger Go check out Lil Wayne'sDrought 3.
Just check it out, with no Withno, you don't gotta know the
beats, just listen to, justlisten to the metaphors those

(03:15:48):
shits are like this nigga waynesaid I'll circle you.

Speaker 2 (03:15:52):
I'll circle your house like bbs, colder than the
he bgbs I never, give freebies75 000 for these feet, I mean 75
000 for these fees.
Shit, I can get a hundredthousand of the DG's Big.
Stacks my pockets on creatine,young money dip set.
Nigga, we a team.

(03:16:12):
If you don't like it, niggaFuck.
You know, vaseline, I peel offin the Lamborghini like a
tambourine.
I got the engine straight,shaking like a tambourine, like
with the bitch, like With somelips like Angelina Jolie, holy
god flow.

(03:16:33):
I go where no other guy goes,fuck you.
I'm so 504 I hope every stitchdie slow hip hop.
That's my hoe.
I know.
She know I like it wet, don'twant no dry hoe.
All right, bitch, I am d-boy,no decoy, and I was straight up
destroyed in a man or man, anyboy or man like bro.
That line right there made JayZ and Jay Z said it himself.

(03:16:55):
He said when he heard that linehe walked out.
He went outside and took a walkbecause that's what upgrades
you would.

Speaker 1 (03:17:03):
You gotta say yeah, and that was, that was jay-z.
That's on his part.

Speaker 2 (03:17:06):
He was like I'm the d-boy that infiltrated all the
other dudes they call shots, Icall audibles.
Bro wayne was so fucking hungrythough he was like.
He was like young carterdarling, understand, I am
michael jordan baller.
Yes, I'm a hog, I'm a dog.
I'm a hog, your homie, I'm aboss.

(03:17:26):
Your man's just an employer,mom bro.
No, fuck that, fuck that.
On the canon remix this niggaWayne, bro, like bro I remember
this was.
This was back in 09, when meand my skate crew used to go to

(03:17:48):
all american on every saturdayfor teen night and after the
teen night was over with, afterthe teen night was over with.
Y'all know, walmart is acrossthe street it was back on the 24
hours.

Speaker 1 (03:18:02):
Yes, yeah.

Speaker 2 (03:18:03):
So, I just remember when Gangsta Grills Radio used
to come on at 7 o'clock on 107.9.
This was the very first time Iheard the Cannon remix with Lil
Wayne's freestyle on it.
I was like dog, this shit isfucking unreal.

(03:18:26):
Listen my nigga, drop it.
Man.
This is what I need you to do.
I need you to give me something.
What is that this?

Speaker 1 (03:18:30):
is what I need you to do.
What is that?
What is that?

Speaker 2 (03:18:39):
I need I got duct tape and ropeFucking old Bannons.
One hand on my buddy, that'sthe.
Ak-47, make his neighborhoodlove him Booze.

Speaker 1 (03:18:50):
like birds you can hit his niggas hungry.
Don't let that bird shit.

Speaker 2 (03:18:53):
He got a weak stomach .
Niggas know I'm sick.
I don't spit, I vomit One eggshort of the omelet.
Simon says shoot a nigga in hisdying leg and tell him ketchup
like mayonnaise?
What the fuck Bruh Simon saysshoot a nigger in his thai leg

(03:19:13):
and tell him ketchup likemayonnaise.
What Bruh?
I stopped for like sevenminutes.
Like bruh, he did not justfreestyle that she.
Yeah, no, he yeah yeah, when Imiss a shooter nigga in his
dying leg and tell him catch up.

Speaker 1 (03:19:35):
Hey man, like man Wayne and this is why Wayne is
is a very one-of-a-kind artist.
He's the only person that cansay that he influenced a lyrical
, conscious rapper and a mumblerapper at the same time what a
quote-unquote at the same timeand they're both elite at both

(03:19:58):
of them and you know those whoare right yeah, you know who
those two are right.
Yeah, crazy, that's crazy.
He said there would be no Waynewithout.
He said there would be noKendrick without Wayne Bro.

Speaker 3 (03:20:13):
He actually has.

Speaker 1 (03:20:15):
I don't know if you know this, but he has Carter
mixtapes, yeah, where he doesthe same thing, like that's just
.

Speaker 2 (03:20:23):
Bro, that Cannon remix, remix I will say this he
has one.

Speaker 1 (03:20:28):
He has one last glimpse of old wayne on um.
What's the fucking?
He did a freestyle to hiphopper called big bad wolf.
That motherfucker right there Iwas like we're gonna, we're
gonna listen to it afterward,when we're when we're done with
this, we're going to listen toit afterward, when we're done
with this, we're going to wrapthis up.
What do we have left?

(03:20:49):
The schedule Schedule.
Is that what we have left?
Is that it?
Yeah, I think so.
Yeah so if you want to find myschedule.

Speaker 3 (03:20:55):
It's on my Instagram page.

Speaker 1 (03:20:57):
You can just go check that out.
That's where I'm at all of MayMusician, where can they find
you?
Where can they find you in themonth?

Speaker 2 (03:21:06):
of May.
Hey man, listen, cascade.
Every single Friday, 7 to 11.
You can catch me DJing in thegym it's called the Loft
Athletic Club downtown, nearGeorgia State University, every
Thursday, 7.30 to 8.30.
Shout out my dog, ej.
Get down, stay down the loft.

(03:21:28):
Every Saturday morning, 10am to11am.
Shout out to Mecca with all myglutes everywhere else.
You just have to follow me onInstagram and I'll tell y'all
where I'm at in my stories.
Tell them when they can followyou back at DJ Musician M-U-Z-I,
sean S-E-A-N.

(03:21:49):
Dj M-U-Z-I no C or K MusicianM-U-Z-I, s-e-a-n.
On all social media.
If it ain't me, then it ain'tme.
So everything else is mefacebook, instagram, twitter
threads, uh, tick, tock all thatbruh.

(03:22:11):
At dj musician m-u-z-i, s-e-a-n.
Or you can just type hashtagget, get Sean to DJ.
And now.
Now I'll show you everythingyou dig.

Speaker 3 (03:22:27):
Next month.
I got Mitchell Donner today.
Boy, this is a job.
It's a job.
Now, yeah.
Next thing, this is a hard jobGolden Glide on Saturday,
cascade Late Night.
Saturday, cascade East.
Afternoon Session on Sunday,cascade late night.
Saturday, cascade East.
Afternoon session on Sunday andSoulful Sunday.

(03:22:47):
After that, soulful Sunday thefollowing week Nice and Slow on
the 17th.

Speaker 1 (03:22:56):
Nice and Slow.
Pre-sale tickets.
Pre-sale tickets On sale Niceand Slow we're here.
We're here, the month is here.
Sell tickets on sale nice andslow.
We're here.
We're here, the month is here.

Speaker 3 (03:23:07):
I got about 15 days to get y'all fit right yeah, I
got like I'm gonna show a shirtand make sure I don't anyway
just pay attention to my notes.
I post any something on DJ.
It's on my notes, so go oncheck that out alright.

Speaker 1 (03:23:25):
Well, ladies and gentlemen, this has been.
It's something I'm DJing, it'ssomething I'm not, so go on and
check that out, all right.
Well, ladies and gentlemen,this has been a very eventful
TNT podcast.
Dj Turtle, dj Tanaka, part one.
That's so good.
All right, guys, part one, manMusician.
Hey, appreciate you rockingwith us, man.

Speaker 2 (03:23:38):
Thank you, gentlemen, love and respect Absolutely.
My dog Absolutely.
Thank y'all for tuning in, man.
We appreciate love and respect,man.
Yeah, go to bed Eastside.
Shout out to Stone MountainEastside.
You did, it's Hannah.
Hit them up, thank you.

(03:23:59):
Outro Music.

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