Deacon on 8s

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:02):
Oh, you're talking about this.
Oh, I thought we were talkingabout this.
I thought we were talking aboutthis.

Speaker 2 (00:08):
I thought we were talking about this.
Turn up the, turn up the.
I mean, it's a lot, it's a lot.

Speaker 1 (00:20):
Alright, let's see.

Speaker 2 (00:27):
Somebody call me.
All right, let's see Somebody.
Alright, there we go, there wego.

Speaker 1 (00:59):
Yeah, it is.
That's really why I put itright here.
I'm trying to pick it up andthat shit be fucking distort,
distorted like a you know goddamn dog, asmr.

Speaker 2 (01:08):
that's what you be watching at home, bro?
Hell, no, I've been watchingfor a while, that should be
funny, hang on.

Speaker 1 (01:18):
All right, let's see we got.
Uh, I'm playing on gospel musicbro, you just giving me more,
you just giving me more ideas.
I was, I mean bro, you see whatI'm on.

Speaker 2 (01:27):
I'm just saying I just wanted to put that out
there.
I just wanted everybody to know, like we're not playing gospel
music, boy Deacon Joe man.
Finally, I made it bro.
Yeah, where you was at, bro,where you was at man, no, I did
that.
When was this Monday?

Speaker 1 (01:44):
His birthday, wasn't it?

Speaker 2 (01:47):
How you not there for your partner's birthday man
Does that look like me?
Oh, that's the camera birthday,no matter where you're from.
What the hell was I shit on?
I was at work.
I don't want to.
He'll be all right.
You know what I'm saying.
He'll be all right.
I don't want it.
He'll be all right.
He'll be all right, he'll beokay.
Them niggas ain't do that forme on my birthday, so I don't

(02:08):
care.
I don't care about nobody.
That man said welcome.

Speaker 1 (02:11):
That's how I feel that man said welcome, All right
, yeah, I walked outside and hewas you see's like?
Yeah, I was like, oh, I can'thelp you with that.
One man.

Speaker 2 (02:24):
Happy birthday though Sound like some shit.

Speaker 1 (02:27):
You just said I can't help you with that one.
Happy birthday my dog.
Happy birthday though.

Speaker 2 (02:33):
Then he looked like a damn waffle cone.
I had a lot of fat peopleasking about him.
Okay, that shit was cute, thatwas sweet.
Nobody else bought me, notthere.
Okay, what are we gonna talk?

Speaker 1 (02:44):
about you sound hurt.

Speaker 2 (02:45):
I am.
You sound real.
I am a very insulted I couldtell it's cool though I don't
care, it's cool it's here, bro,you just like it's okay.

Speaker 1 (02:54):
No, he's a pisces man he did a pisces, I'm just.

Speaker 2 (03:01):
I'm a with phillips, I'm a with phillips.
I'm a nigga with feelings.
You're Paisley.

Speaker 1 (03:07):
He's a light skinned, but he's still a light nigga.

Speaker 2 (03:10):
I'm a nigga with feelings At this point.
This person got some news, allright man, when was you at?
Bro, oh bro, where was you at,bro?

Speaker 1 (03:25):
I'm glad I didn't come to this shit, bro.
Where was you at, bro?

Speaker 2 (03:26):
I'm glad I didn't come to this shit, bro.
Where you was at, man, I was atthe hour of work.
I was at work, so I'm glad Ididn't come.
Why?
First of all, nigga, what typeof oil did you use for this shit
to be black as hell the way itwas?
What are you talking about, man?
It was after you fried thatchicken.
I heard about that, yeah.

Speaker 1 (03:42):
That's amazing.
I came to the house, bro.

Speaker 2 (03:47):
I came to the house after the party.

Speaker 1 (03:49):
What happened to that oil Y'all?

Speaker 2 (03:51):
poured that oil out Bro.
That oil was black.
This shit was tar.
Your ass made tar on the house.
What the fuck is this?

Speaker 1 (03:58):
Dang, that's what the honcho.
That's what the honcho did.
They said it was good.
It's honcho.
Yeah, honcho was great.
You was there at Sparkles whenhe made it.
I was.
It was AA too.
You probably brought it.
The first time he brought itout, though, was Sparkles.

Speaker 2 (04:13):
It was Sparkles.
I didn't get none that day.

Speaker 1 (04:15):
You didn't.
Oh, that's fine Then.

Speaker 2 (04:16):
I had to get something AA, because I'm not
going to.

Speaker 1 (04:22):
I definitely.

Speaker 2 (04:22):
That's funny.
That's cool.
I'm a real nigga, though.
Yeah, you sure are them niggasbrought them In their fucking
Starform ass cup?
Yeah, all their fucking plastic.
You already know, you alreadyknow there were too many people.
Though.
All them people Be gettingmessed up.
I'm tired.
I already told her she need toclean her carpet, get all that
pussy juice Off her.
That's deep, that is deep.

(04:43):
I'm just saying she got it.
She got it.
Pussy juice, pussy juice.

Speaker 1 (04:48):
Hey, that joint working though, folks.
I mean it should be oh, hold on, let me unmute it.
I mean it should be Hold on,let me see, yep, it's working,
yeah, it's working.

Speaker 2 (04:58):
That's all I'm going to say.
You can't talk the same.
You got to choose a different.
What are you talking about?
You can't be talking sexy today.
Here you go.
He done already started, medone already started.
My bad, you don't get it.

(05:34):
We'll see you next time.

(05:59):
Ladies and gentlemen, we'd liketo welcome you all to the TNC
podcast man.
We got a special guest in thebuilding, he going by the name
of Dick, dick and Jones, dickand Jones.
Dick and Jones, appreciatey'all for having me on the show
today After three years ofwaiting Type shit, we here, we
here, we here.

Speaker 1 (06:20):
But what's actually funny is, I don't know, next
year we gonna get better at that.
We're going to get better atthat.
Next year we're just going torun through these.

Speaker 2 (06:32):
So, Tana, how did you first meet Z Jones?
Yeah, what was your firstmemory?

Speaker 1 (06:38):
The furthest back.
I remember, deacon Jones, wasthat time when we had all, like
it was after a session and itwas you and just a whole bunch
of other random folks.
I know I knew you at the time,but I don't.

Speaker 2 (06:53):
I didn't like know that you hadn't interacted.

Speaker 1 (06:55):
Yeah, I may, I may have like maybe once or twice,
but I feel like it was becauseit was you.
And then there was that otherguy that people kept saying look
like you.
And he had longer dreads andthey were saying he was like
your little brother or some shit, or you were your little
brother, because you had smallerdreads.

Speaker 2 (07:10):
I think I know who that is.

Speaker 1 (07:11):
Because I think it was that night when I had I
think I had just discovered that, think it when my Dick song,
you were like bro that song'slike oh yeah, I know, damn, that
was the first time we met.

Speaker 2 (07:29):
No, it wasn't the first time, but that was like
the first time.
I was like, okay, so this is z,like I think I've seen you.
I think I've seen you, but I Ididn't know who you were.
Like the first time we met yo,that gave me an attitude
probably.
I remember that shit.
I had said something about asong.
You like I don't know what youwant me to do, like some shit,
like that.
I'm like yeah yeah, wait.

Speaker 1 (07:40):
So do you remember this?
Like what, like what I rememberwhat you talking about.

Speaker 2 (07:42):
We uh it was, we wasn't outside.
Yeah, we was the s.
I had indeed right.
And then I was going aroundSaying the Kevin Gates song and
then somebody said somethingabout thank you with my dick and
I'm like you didn't.
You was like Something aboutthe song being new, so much.
But now that's like oh, yeah,you like right.
No, it's not, yeah, right.

Speaker 1 (08:07):
Then you're like bro, I know it's not you know like,
yes, it is like I know, yeah,that's how I that conversation.

Speaker 2 (08:09):
You definitely, yeah, you said you remember who he's
talking about.
Then I think I remember whoyou're talking about, but I
don't think that nigga skate nomore yeah, I don't know if he's
skating anymore.

Speaker 1 (08:17):
I just I just remember we were all hanging out
and I think naya and niger werethere too, because I think they
were.

Speaker 2 (08:24):
I think Nigel was, naya was the manager at the time
this was at Gwinnett, yeah, andso he had uh, I think he had, I
don't know.

Speaker 1 (08:30):
I guess he had tried to.
I don't know, I guess he triedto see how far he can get with
like hanging out not Z, but hisbrother and he was trying to
like see how far he can liketest that.
He was like hanging afterwardsand he was like, hey, I guess
you gave me some chips from thevending machine or something
like that.

Speaker 2 (08:47):
And naya was like no, you like so yeah but um, I know
who you're talking about,though I think he do still skate
.
I just don't ever see thatnigga yeah then again, I don't
ever skate no more either.
So I feel like the time, uh, Ireally.
We know, we actually startedtalking okay what?
what was it, bro?

(09:08):
Wait, if I'm not mistaken, itwas when, uh, that one girl was
the manager at the rink that wedon't speak about, and then she
had some white dude come and djwas it that time or was it
before that?

Speaker 1 (09:24):
and they, we had a wig up, okay so I guess we're
not going to talk about whoeverthis person is.
But is this the Dark Ages ofStone Mountain?
Yeah, very much I do remember.

Speaker 2 (09:35):
Well, I don't remember, you wasn't there.
I probably quit by that point.
What was his name?
The Panda Dude or somethinglike that.
I forgot his DJ name.

Speaker 1 (09:46):
I never got to meet any of the new DJs that came
into the time of the Dark Ages.
I couldn't tell you.

Speaker 2 (09:54):
I don't know.

Speaker 1 (09:55):
I think it was.
All.

Speaker 2 (09:58):
I know is it was a late night, saturday.
Buddy was DJing and I had came.
I don't even know why I came.
I had dj somewhere.
And then I came and then, uh,robbie's, like you gonna go plug
up.
I was like, what are youtalking about?
And he's like, oh no, no, he'sbad.

(10:21):
He's bad man.
We got to, you gotta take over,or whatever.
And I'm like like man, yougotta give me a shot, man, I've
never seen stone mountain dead.
Gentrified a day in my life,bro it was all white people bro,
bro by his old block out bro.
I'm that block nigga.

Speaker 1 (10:36):
That was a suburb and this was a late night.
Yes, yeah, I I must not, I mustI remember, if I can find the
video.

Speaker 2 (10:44):
I had the video on my phone today because that's
after me and him.
I had to tell him aboutShakeback Because that's when Z
came to me.
He like, hey, tonight, quitplaying, go ahead plug it.
This man playing Jukes.

Speaker 1 (11:00):
World.
This man playing Jukes World.

Speaker 2 (11:05):
This man playing Jukes World and Eminem in here,
grab a mic or something.
Jukes.

Speaker 1 (11:12):
World is crazy.

Speaker 2 (11:13):
I'm like, look, I got the same suit to DJ.
That shit was terrible.

Speaker 1 (11:19):
That was terrible.

Speaker 2 (11:19):
That's interesting because I have no idea who y'all
are talking about, the peoplethat were there remember that
shit specifically, if I can finda video, I can tell you that
I'm pretty sure I don't havethat video.

Speaker 1 (11:33):
I think I do remember this, wasn't this?
Didn't we have?
I don't know if you were there,but I do remember this was
probably around the first timesI had met Quay and Shamar.
I think shamar has saidsomething about juice world and
it was the way he said it.

Speaker 2 (11:48):
You were oh, yeah, yeah, he was there too, bro, he
was.
Yes, he was there too, yeah,yeah were you there for that?

Speaker 1 (11:55):
uh, tamaka, were you there for that because we were
at quick trip yeah, yeah, I wasthere.

Speaker 2 (11:59):
Yeah, because that's when I I didn't know shamar's
name and I kept calling himChris.
I thought his name was Christhe whole time Because I used to
call him Country Chris becausehe was country to him.
And then drip like who the fuckis Chris?
And I was like it ain't him.
He's like that man, shamar,what the fuck are you talking

(12:20):
about?
Say what you feel.
Say what you feel, bro.
All right, let it out that,ninja yeah.

Speaker 1 (12:28):
His name is Shamar.

Speaker 2 (12:31):
Come on, Samurai Jack , I got you hey.

Speaker 1 (12:34):
Tanaka.
What is why I understand for?

Speaker 2 (12:35):
it Young ninja.

Speaker 1 (12:37):
Yeah, they shy me out for years.

Speaker 2 (12:41):
Oh look man.
But yeah, z, when did you startskating, bro?
I started skating, I want tosay, three years ago, three and
a half years ago now.
So it wasn't in Mississippithat you started picking up the
ace.
If I would have picked up someace in Mississippi, I would have

(13:03):
got shot at the skating rink.
Is that Trey's shoulder Boy?
What's up?

Speaker 1 (13:09):
Z the skating rink was for fighting, not skating.

Speaker 2 (13:11):
Oh damn, that's how it was for fighting.
But nah, yeah, I even.
What was the thought processlike?
What was like?
What made you be like, damn,let me go to the skating rink
and you know what I'm saying goaround the circle.
All right, let me break it downlike this everybody grew up

(13:31):
everybody in the south grew upat least watching atl.
Okay, right, so I mean I'm like, go ahead.
How old were you when you seenatl?
I was young.

Speaker 1 (13:41):
I was gonna say he had to be like three or four.

Speaker 2 (13:43):
I was young when atl came out, so I don't remember, I
just remember seeing it, oh God.
So I'm like okay, I know whatCascade is, I know what ATL, is
Right, all right, cool.
So when I move up here.
It's like the first thing thatresonates in my mind is ATL.

(14:03):
Yes, it's just bro, you damnnear need a license to skate up
here.
I'm like niggas, take that shittoo serious up here.
I'll never skate, but I wastalking to this chicken head or
whatever and she was skating.
She was in the JB, oh, okay.
So I started going to GoldenGlide Okay, glide first.

(14:28):
I was in a JB.
Okay, so I started going to aGolden Glide.
Okay, well, I first.
So I was in Reynolds nobody, Idon't know I'm so she had her
own space.
Yeah, yeah right, but I wasstill like my first time going
off.
So I hit my friend do it, butthen I went.
I ain't finna do that, but thenI went.
I ain't followed too many timesI feel like once and I'm like,
hold on, that's kind of cool,I'm feeling this.

(14:49):
So was she teaching you how tobalance yourself and all that?
No, I had a mindset when I putthose guys out If I follow them,
bust my ass.
I'm not finna, embarrass myselfout here.
So that's what I had.
That's my mindset.
The one time I did fall, Ithink I feel hit my head so hard
.
I'm gonna take a nap on thatfloor If I make it.

(15:11):
Bro.
What's that dude named Pat, ifI'm not mistaken.

Speaker 1 (15:16):
You would have to show me his picture.
I don't.
I'm not If Pat isn't.

Speaker 2 (15:19):
Yeah, pat doesn't.
Is he a light-skinned?
No, he's a dude.
Yeah, he's light-skinned.
He's like short.
Yeah, he has step-up.
Oh, sloan something.
Yeah, yeah, yeah.

Speaker 1 (15:28):
Okay, I know what you're talking about.
Boy, talk about a throwback.
What happened to him?

Speaker 2 (15:33):
He probably escaped my field, wasn't he?
I think so Something like that.
Yeah, yeah, sleep.
He sound like Jalen, he's likeyou got to get up.

Speaker 1 (15:42):
I'm like hold on, I got to quicken it.

Speaker 2 (15:46):
After that, bro, I think I went two more times in
some rentals and then I bought apair of Vanellas and I was
going like how much you spent onyour first pair of skates?
$250.
I would never do that.

Speaker 1 (16:02):
I mean, that's not too bad, isn't it?
Don't folks like?

Speaker 2 (16:04):
pay like $600, $700 on it, but I had a seat for some
what they call jam skatesthough, so let me ask you this.

Speaker 1 (16:12):
So what's the difference between?
Because I don't know, I'm not askater, so by the looks of it
you can tell the difference,obviously, between an ATL and a
jam skater, obviously.
But what's the differencebetween the skates?
Because they both look likespeed skates.
I'll say okay.

Speaker 2 (16:27):
So the three skates that I had Vanillas, gt50s and
the R3s really, the onlydifference between the Vanillas
and the R3s is like wait, jamskates got a lot more weight at
the bottom of them than R3s do.
It's like you can do more, youcan go faster, do more spin and

(16:48):
stuff.
There's some R3s Well, r3s,they just they more flexible.
So it's like it's, when you putthem on, they like new skates,
so it's like One time for Nesson the check.

Speaker 1 (16:59):
With Ness on it so look, once again, we're going to
try to get better with thepeople that ask or whatever.
But he did ask before a lot ofpeople.
I mean, obviously you weren'tthere necessarily to hear him
ask, but yeah, he asked a longtime ago.

Speaker 2 (17:17):
Yeah, he's been waiting in the clip for a minute
man.

Speaker 1 (17:20):
When he asked, kevin Gates was in the studio making
things with my dick Right.

Speaker 2 (17:23):
You knew I was down here, right at that point I'm
trying to tell you.
Y'all know what I'm saying.
That's how I do when it's onwith me, that's it Right, really
, I'm trying to tell you.
But so when, okay, so you gotthe Vanilla's and what?
Were you learning any styles atthe time, or you was just you
just trying to try and getaround?

(17:44):
All right, I'm gonna tell.
I'm gonna say like this so whenI got my vanilla I was still
just going, trying to get in thehabit of skating right, and
then I started going to um skatealong and uh, what is what is
that little burn, yep, and thatweak ass skating rink?
And I saw I said'm going to saynow because I give credit where

(18:05):
it's due- Lele, I saw herstepping and I'm like oh, hold
on, that's kind of hard.
I didn't know what it was called, so I saw her doing it and I'm
like alright, watch this.
I'm going to like, I'm going tostart doing that.
So I started stepping with someloads.
Never do that shit again.
I'm going to toe my ankle ankle, that will happen, heavy ass.
She's trying to step in somefucking load.

(18:26):
Oh, okay, you can, but once youget, once you know how to skate,
then yeah, but for me to justlearn, nah, that's not a good
idea but, then I think I startedgoing to a a uh, two or three
weeks after that, because Iheard something about it and I
saw a nigga riding and I said,okay, that shit kind of tough,
let's go ahead and start goinghere.

(18:47):
I just went there every single,like every Monday, and that's
how we hitting up, how'd you get, how'd you get the word man?
How'd you get the word about AA, man?
They left one day.
Who told you?
Who put you up on game man?
I'm pretty sure it was Lele,I'm pretty sure it was her,
because she was on beat.
She was like I don't need toskate, or something like that.

(19:08):
So she didn't even tell youabout Sparkle and Nick, she did.
But I still never went out there.
I went because where I wasstaying at, aa was still closer.
So I'm like, all right, cool,I'm just going to go over here
Because jada sparkles with themlike I might as well.

(19:28):
That's a drive.
And did you?
Did you start when?
When karina, your cousin,started?
I think she started before me,she started before you.
Yeah, okay, and y'all neverreally had no discussion on
skating.
Y'all just no, oh, just showedup at the rink and it's like, oh
, snap, what's that, what's that?
And it could like Light skin,light body.
You know what I mean.
And then, yes, it went fromthere.
Even when I started skating, wewasn't even skating together,

(19:50):
so it was just like, all right,cool.
And then when I started riding,more, yeah, and then she started
who taught you how to ride?
Who taught me how to ride?
I don't even, honestly, I can'teven tell you, I don't think
anybody.
Or you just studied the gameand you just kind of picked it
up.
I really just, I really justwatched Bruh.
No, you know what it really was.
I went to the first, I went tothe trap fever.

(20:14):
I don't know if it was thefirst one or like the second or
something like that, but I wentto that one Because at that
point I was still just going toages, doing some regular skate
stuff, like not doing that crazy.
I went to traffic and I'm likeI was like like what the hell?

Speaker 1 (20:34):
everybody doing the same thing, like when did we?
We started traffic in 22, Ithink it was 21.
Is he 21 or 22?

Speaker 2 (20:37):
I don't remember.
That would make sense if I had,yeah, yeah I was like I went
there and I said I'm like, holdon this.
Everybody doing something likethis is kind of hard.
This is like some hood niggasskating.
I'm like, hold on, wait.
Basically she kind of toughRight.
And so I was like and then whatmade me mad was everybody had
black skates on.
And I'm like, damn, everybodygot these black ass skates on.

(21:00):
I was skating like some hoodniggas.
I got these bright-ass,silver-ass skates on.
I'm Dorothy from the Wizard ofOz.
I was like, yeah, bro, let mego have my skates.

Speaker 1 (21:12):
Oh, you got to come up here first.

Speaker 2 (21:14):
Man, I went hard and I ordered my skates quick.
I came back I thought I wasgoing to update my whole skating
life.
It just made me a rip Like thehardest nigga ever.
That's not how it went.
That's not how it went.
So how much.
I'm so serious, bro, all right.
So how much was the?
What was the skate thing thatyou got then?

(21:35):
My GT50s?
Okay, how much they was goingfor, bro?
I think I spent.
They was expensive.
I think I spent maybe 130 or150, something like that.
Right now you got to see.
And how long was this journeyfor you to really get the ATL
ride locked in for real?

(21:56):
I want to say maybe Because yougot to understand Z all these
young books in the game they beover here talking about.
They feel like they could justpop out fire.
You know what I'm saying andthey don't want to fall.
Hey, tanaka, don't post it.
I said, bro, this is Johnny.
Bro, you got to see theprogress out here.
If anybody didn't know, theyain't going to look on Skate

(22:18):
Love page and go all the wayback down and you will see a
video of me and karina from froma long time ago, where we were
both just learning hey, I'mtalking about before he had
dreaded that high five.
I want to say, though for realit may have took me probably all
of nine months to really get toget it down yeah to get in it,

(22:42):
no to get it down.
it took me to get it down.
It took me maybe nine months.
It might have took me anotherthree months to really find my
own style.
After that, it took me maybeanother month to really put it
all together.
That's how we got to where I amnow for real.

(23:02):
I'll say it like this I don'tput myself in top 10 for writers
.
I'll now for real.
Because it's like, no, it'slike, I'll say it like this, I
don't put myself in top 10 forriders.
I'll never do that.
But for the people that do,they see the way I ride and
they're like nah, that niggahard, right.
And it's like for the young,for the young niggas that be
watching if your favorite riderride with somebody that you
think you better than, and theydon't ride with you, you know,
that's all I'm saying, that's,that's the best way to put that.

(23:24):
But everybody ride the same now.
So I didn't leave that alone.
So, okay, so now, during thisnine month period, were you was
it just you or were you likepracticing riding with like
other folk, like duo and chilland stuff like that?
yeah, uh, because you, you gottaget the feel of it right, right
, like you don't want to justsolo the whole time you earning
right, so then y'all know callouts.
You don't know how do a solothe whole time you learning
Right, because then y'all don'tknow call outs.

(23:45):
Y'all don't know how to, evenwhen you do get hard.
You ain't going to know how toride with nobody, right, you're
going to be so used to ridingwith yourself.
So, yeah, I'm going to do on.
Yeah, who are some of the namesthat you would?
You know what I'm saying?
Obviously I'm saying Keem,primo for sure.

(24:06):
My cousin, reena, reena, mostwanted finest.
My brother, jj, glow JJ, youalready know.
And my dog, johnny, but I don'teven know if he skate no more,
oh gosh.
But it's like them people rightthere, I would ride with them.
And nah, and D, what's that boyright there?
D, yeah, lil D, that's them for.
And not.
And the, uh, what's up boy now?
B, yeah, little d, yeah, youguys, man, we was up now for a

(24:28):
little bit.
So yeah, outside, you know myother folks that be out there.
You know, uh, ron legs, right,you know them folks.
You know we was out there andout there we all.
We came up with each other.
We all asked together, we hardtogether, and you were at the
first straight out GCO, Is thatcorrect?

(24:49):
Of course I remember how thatwent.
You know them.
Man Z was out there slaying,you know what I'm saying.

Speaker 1 (24:58):
That's really when I got hard.

Speaker 2 (25:01):
I still remember the night when he was at.
I think it was a gco in 23, Ibelieve 23 and it was.
It was you, carrie, and cjy'all was gonna crave.
You know what?
I'm saying I know he don'tskate no more man.

Speaker 1 (25:18):
Yeah, I was gonna say that's what.
Yeah, I ain't know that.

Speaker 2 (25:21):
Yeah, I know that hard I Most games in the club.
Yeah, more tough, I'm like noyeah.

Speaker 1 (25:27):
Child J Was the first G-Co in 22?
.

Speaker 2 (25:30):
Yeah, it was.
It was yeah, damn, it wasAugust.
It was August.
Yeah, it was August 22.
I remember because that waswhen Shotat Tanaka was out.
Yeah, that's when Shabat Tanakayeah.

Speaker 1 (25:43):
And I knew you would know that because I remember
that was when Shabat Tanaka wasout.

Speaker 2 (25:45):
Yeah, that's when the folk was over there.
I was like damn, they actuallyeffed this man you know what.
I'm saying Right.
And then, yeah, I think Z, youwere the one that posted.
I think it was a trio from thefirst G-Co and y'all put I just

(26:06):
remember y'all put Air ForceOne's Nelly as the song.
While y'all put it.

Speaker 1 (26:10):
It was like a black and white filter.

Speaker 2 (26:13):
I got that video.
Was that the first one?
That wasn't the first one.
That was the first one.

Speaker 1 (26:21):
It was me me Deb and you know.

Speaker 2 (26:25):
That's when I knew I got hard because I'm like hold
on Dev's a half to hop on withme.
So I'm going to be doingsomething right and see this so
far back.
This one Haz had the long hair.

Speaker 1 (26:35):
That dreads 17 bucks.

Speaker 2 (26:37):
Right, yeah, yeah, yeah, yeah, 17 bucks, but they
look like more.
Yeah, if they know.
If he hear that joke, he don'tknow exactly what I'm talking
about.

Speaker 1 (26:44):
Tanaka, was that the same G Cole?
When he snatched the phone fromout there?
Yeah, I was like, yeah, yeah,yeah, that's like the funniest
video ever.
That's when he started.

Speaker 2 (26:54):
Yeah, that's when he started this, the phone snatch
thing.
It was that cause, uh it mightnot have been that snatched, it
was that snatched.
It wasn't the first one.
It wasn't the first one.
Did we have a competition onthe first one?
I think so.
Did KK come to the first?

Speaker 1 (27:10):
one I don't remember.
It was the first one Somebodyhad a road on him that
competition.

Speaker 2 (27:16):
He was recording it.
He took the phone.

Speaker 1 (27:18):
I don't think I was good at recording it was KJ and
Ron.
That was the first one, though.

Speaker 2 (27:24):
I remember it it was theJ and Ron.
Yeah, it was KJ and Ron.
That was the first one, thoughI remember that it was the first
one, I don't know.
I got to fact check that one.

Speaker 1 (27:29):
I got to fact check that one.

Speaker 2 (27:30):
I don't know if it's up.
You realize what I see.
Look man Rena over here.
She was all upset at me.

Speaker 1 (27:37):
Let's not even talk about your cousin right now.
I already know what you sheover there talking about it.

Speaker 2 (27:41):
Trap Fever wasn't every month, it always been
every month.
I'm not going to speak on that.
I'm not going to speak on thatEvery month.
All I'm going to say about TrapFever when it died.
I remember it Because I alreadytalked to you about it.

Speaker 1 (27:56):
I remember when it died down, though.

Speaker 2 (27:59):
Because all the other DJs was yeah, we know.

Speaker 1 (28:17):
We ain't going gonna speak on that, but um this is
what I'm saying.

Speaker 2 (28:21):
Right, traffic was, trap Fever was popping in.
I remember it because I'mpretty sure I came to like the
second one or the first one.
I'm pretty sure it was like thesecond one Damn, that's not
crazy.
I just remember it and it wasdeep bro.
I remember it, yeah.
And then out of nowhere, wedown a couple of Trap Fever and
then a whole bunch of DJs thatstart having events them same
night, same night, every everymonth.

(28:43):
So it's just like okay, nowain't none of the, ain't none of
the writers coming because theythink that these djs got more
reps man than y'all.
Right, but it, it wasn't reallylike that for you.
And now one of them don't evenreally pop like that.
We're gonna leave that alone.

Speaker 1 (28:58):
My bad, I'm sorry I told y'all I got, so I'm not
gonna stop it ain't nobody gonnastop me.

Speaker 2 (29:04):
I'm going to stop myself, all right.
So the next thing we got toaddress the slow set.
When did you start learning howto get fire with the slow set?
You know what I mean and tellus about the development of the

(29:25):
slow train, all right.
So realistically, I don't evenknow when I got into the slow
six.
Okay, I'm pretty sure I did.
One day I was like, yeah, I'mjust were.
Were you one of them folk thatused to like ride?
And then every time the slowset came on, you sit down.
Oh god, I know I wouldn't wantto do, I just never yeah, that
was the love arm being so muchnever yeah, that was the love rb
.
Sometimes you gotta stay sexy.

(29:46):
Sometimes that's all I'm saying, but I don't even know when I
got into slow set for real.
I just know that, I just likeslow set ever since it's been
going on right I'm pretty sureit's been like that, since I've
been skating as far as, uh, youget to the top of the slow train
, slow set.

(30:09):
As far as, uh, you get to thetopic of slow train, drip
brought it up.
Okay, so he had drip, had theidea drip, yeah, drip was like
hey, bro, y'all come on, let'sdo this real quick.
So we did it a session before.
Who was we?
So it was me.
I'm gonna go on order from backto front, right, he?
Aj samar drip, jj.
Okay, okay, so it was prettymuch.
It's pretty much the gang atthat point.
Right, I'm going to go in orderfrom back to front Me, aj
Shamar, drip, jj.
Okay, so it was pretty much thegang at that point, right, now,

(30:30):
granted.
Then we started dancing.
The rest of the gang got intoit for real too, right, but we
did it on a Saturday.
No, we did it on a Friday night.
Friday night, okay, then aSaturday.
It was either a Saturday or wasit?
It was either Saturday orMonday.
We did it again, but that timewe basically had it.
Jalea recorded us, you know.

Speaker 1 (30:53):
Slut for Skates.
Slut for.

Speaker 2 (30:55):
Skates, you feel me.
She recorded it and we was likethis shit hard, right, and then
we had our own call-outs to ittoo, after we, you know we going
to take something and then justsay, oh yeah, we did it, but we
going to put our own stuff toit.
Oh, that's all crazy Slow itdown.
Right, you feel me?

(31:15):
Slow it down, send me two timesLike a rock.
You brought all of them.
So it's like, after that I gotthe video, I posted it on TikTok
and then it blew up.
It went viral, man, it blew up.
So can't nobody say like, oh no, they didn't start that.
There's been some.
Yeah, we didn't start it.

(31:35):
We all going to say that wenever started it, but did we
make it hit?
Yeah, because after we did it,everybody else started doing it.
So, Z, what's up, man?
When are we going to see thereturn of this?
It didn't seem long, but weain't seen the slow train in a
minute bro.
Slow train coming back.
Slow train coming back.
We need that man.

(31:56):
I ain't going to lie.
I feel disrespected, though,because the UK they still do it
over there.

Speaker 1 (32:05):
Shout out to them, though I love them, as in the
United.

Speaker 2 (32:06):
Kingdom yes.

Speaker 1 (32:07):
No, for real, bro, I see the impact man, the
influence.

Speaker 2 (32:10):
No, I'm so serious, bro, I got a lot of supporters
from the UK because of it.
So it's like they love it andthey still do it and they still
like most of them tag mesomewhere on Dope.
But they'll be like oh yeah,you the one that posted, yeah,
that's our video On the UK, youfeel me?
So we got to bring it back forthem.
That was the Z-A-Gems.
He was going crazy with thesnow train.

(32:32):
Look at this, bro.
Put me a spot of tea.
Man, that's a slow train Z,would you?
care for a crumpet.

Speaker 1 (32:43):
Of course I knew it was coming.
I didn't know who was going tosay it.

Speaker 2 (32:46):
I didn't know who was going to say it.
I didn't realize.
My bridge section sounded likea straight one.
Alright.
So then, finally Z, we got toaddress the G slide.
Man, how did you learn the Gslide out here?
I learned G slide from my dadbecause we, because we got him,
we got to hand it to you.

(33:07):
Now you know what I'm saying.
They're supposed to.
Sometimes they just stick intheir back, right, they just
strictly jb scattered, strictlyride.
But you, actually, you got.
You did the slow set and thenyou didn't glue to the g slide.
So so how are you, yeah, howyou get put on with the g slide?
Shout out, shout out to my dogagain, bro, aj, aj, okay, and

(33:29):
some more.
So my first time being the aathis was before I even knew them
for real, right, I saw like Iwas in the middle of the flow
and I saw him doing the g slideand I recorded.
I'm like, bro, this is hard.
So I was like, when we got,when I got cool with him, when I
started talking to him, I waslike, hey, bro, show me how to G

(33:50):
slide.
They ain't want to show me howto G slide, I'm not gonna lie,
cause they would gatekeep youlike some hoes, but I love them
still.
And then after that I juststarted, samar actually started
showing me how to do it, andthen I actually started doing it
more.
And then I stopped for a longtime and then when I got my
boots back well, when I got someboots I meant then I started

(34:11):
doing it again.
And now we here, where we at now.
Am I the hardest at G-Slide?
No, am I good at G-Slide?
I'm a hype, but at G-Slide hard.
See, come on, man, I done seenthe video.
Precious.
Okay, you and Precious.

Speaker 1 (34:24):
Precious is hard.
That's what I'm saying.

Speaker 2 (34:26):
Precious is tough.
Precious knows how to do slides.
You and P were going crazy outthere.
Man, she know how to do slides.
That's why I was like hold up,I was caught off guard.
I was like what Z know how to?
Wow, bro, I like, yeah, thatjoint was hard man, that's
another.
We need that duo back.

Speaker 1 (34:46):
You need to go with this modest shit.
What you mean?
That ain't being modest browhat he say.

Speaker 2 (34:51):
Tom Bro, p.
She like I ain't gonna lie shebe coming to get me for G-Slide
Because I don't be wanting to doit most of the time, but I do
Exactly.
Why not?
Z, Z, you and P be going crazywith the G slide.
She hard, bro, but y'all bothhard what you talking about?
Man, how Bro that ain't evenabout it, I'm being real G, I'm

(35:12):
just saying, bro, that's justhow it is for me, like crazy.

Speaker 1 (35:15):
That's how you can tell when folks is hard, when
they ah, you know, I'm just, I'mbeing real.

Speaker 2 (35:22):
Oh, she five Me.
Wait, y'all say that aboutyourself, I'm pretty sure.

Speaker 1 (35:28):
No, I actually stopped doing that and I want to
give a big shout out toTanaka's roommate for that,
because he be talking about thata lot that he be like bruh
y'all really five, bruh, y'allneed to start patting y'allself
on the back.
And I was like you know whatJah's right.

Speaker 2 (35:43):
Bru back and I was like you know what?
Josh, right, y'all know who thetop, my top three DJs, I tell
you, is you, him and Drew.
That's my top three and that'sinterchangeable for whatever the
scenario is, because it's likeall y'all play good ride set,
great ride set.
You just take more suggestionsthan anybody else.
I was just saying we want todrop.

(36:04):
Ra said that you just take moresuggestions than anybody else.
I'll just say we want to drop.

Speaker 1 (36:10):
Let's talk about this .
So, z, let me ask you this solike, so you're not necessarily.
You're not necessarily like ohgee, but you're not.
You're not a young nigga at thesame time.
What do you prefer when itcomes to the music?
Like, are you like completely,do you like completely it comes
to the music?
Like, are you like completely,do you like completely, not like
the Young Niggas, shit, and youlike completely love the OG?

(36:32):
Or like are you open to listento some of the newer music that
comes out and like it'll keepyou on the floor, just in case I
?

Speaker 2 (36:36):
mean, it just has to be, you know, because the reason
we got to ask this because Ihad a conversation with Haz.
Haz was speaking on.
The old man shout out to herand has was saying that with
trap fever, he like when he like, when we be playing like, just
like trap music.

(36:57):
You know what I'm saying, notdrill music.
You feel me, because there's adifference.
He was like, he was like.
There is like.
He's like don't get me wronglike 21 savage and like some of
these folks, they had trap music.
But when we talking about likehe be like, when you talking
about like nudie and like allthese youngins that just be
yelling like, that's actuallydrill music.
But nudie got some trap musictoo, though you're just hard.

Speaker 1 (37:17):
I missed that because yeah no, I definitely told him
that so anyway.
So yeah, so go ahead and breakit down.

Speaker 2 (37:23):
I'll say like this, like this For me personally,
because of where I grew up, likeI said, I'm from Southern New
York and Louisiana, right, so Igrew up listening to Wayne,
Webby, boosie, all of them folks, david Banner and them so me,
trap music I'm going to alwayspick trap music over drill music
.
I ain't never really been a bigfan of drill music no way,

(37:46):
because I'm always pick trackmusic over drill music.
I ain't never really been a bigfan of drill music no way,
cause drill music like I ain'ttrying to hear all that yelling
at it.
So let me ask you this are youable to skate to drill music?
Of course you can skate, no,cause Haz, like bruh, there's
like no, where's the beat?
Like you can't.

Speaker 1 (37:59):
That's what he was like if you can't skate to a rap
song.

Speaker 2 (38:03):
I'll say it like that then you just can't skate to a
rap song.
I'll say it like that, then youjust can't skate.

Speaker 1 (38:08):
But that's not no, knock the head bro.

Speaker 2 (38:10):
I'm not saying that, but drill is just a subgroup of
trap, it's just a different formof it.
Yeah, that's it, and that'sfrom a music head.
Okay, cool, because drillbranched off from trap music.

Speaker 1 (38:20):
That's all that it is , and that's why I be trying to.
That's why I be trying toexplain to folks because, like I
get it, you have yourpreference of music or your
preference of skating orwhatever.
But honestly and truthfully,all you really sound like is you
sound like the old head beforeyou, all that riding.
That's not a real skate style.
All they listen to is trapmusic and all that.
So for you to be like oh, thatdamn Baby Drill, I can't.

(38:44):
Oh, that Baby Killa like.

Speaker 2 (38:47):
And it's somewhat hypocritical too for the folks
that be riding, because when,like you said, when the old
heads be talking about theyain't trying to hear all that
riding music, and then we starttalking about man, we ain't
trying to hear all that.
Drill shit it's like, bro, youlike, yeah, you splitting hairs
at that point.

Speaker 1 (39:07):
Right, you can't you gotta choose, you gotta pick a
tool.
They already look, the skateworld already like is like.
Oh, riding isn't a real skatestyle like but for you to I mean
for you to be like oh drillmusic, like bro, you also gotta
take it in this account too.
So, like the what?
Okay, so this is my perceptionof ride music, right, folks came
up, came up with a skate styleand at the time, that was the
music that they were.
So like what?
Okay, so this is my perceptionof rap music.
Right, folks came up, came upwith a skate style and at the

(39:28):
time, that was the music thatthey were listening to.
Look, g-z and Gucci is cool,but, like a lot of these niggas
born in 08, 09 weren't born forG-Z and Gucci.
So for them to come up withtheir music is like, yeah,
that's what they came uplistening to.
Baby Drill is what they came uplistening to.
Baby drill is what they came up.
Listening to anti is what theycame up listening to.

(39:48):
Baby kia, little tony likethat's the type of shit they
came up listening to.
You can't just listen to gz andgucci for the rest of the ever.
That's like I don't know.
That's like you coming intoskating and then telling you oh
yeah, no, you got a jersey skateright, it's like and it's the
same way.

Speaker 2 (40:01):
It's like some of them folks that was born, I say,
after 05, like 06, to like 08,at least they grew up on like
Fetty Wap and Thug and them likethat.
They don't really have a ridemusic like that.
They got something you can rideto, but they don't make trap
music and they don't make drillmusic either.
That was an era where music,especially rap, was like

(40:24):
changing.
So it's like, like I said, wegot to pick and choose.
Yeah, of course, some of thefolks that's around my area as
far as riding go not the OGs,but the folks that's right there
on the cusp of OGs and inbetween OGs and youngers yeah,
we're going to listen to trap,because one that's the music we
grew up on.
So we know we know gucci, weknow jesus, we know we know how

(40:47):
we're gonna follow.
So that's what we're gonnalisten to.
Realistically, if we're gonnatalk about riding, though, the
only person that should be putas far as the category of
writing music is ti.
If we don't really talk aboutit, oh damn, seeing that that's
I.
I feel like you know, that'snot even a popular opinion.
I feel, feel like they betalking about Jeezy and Gucci.

Speaker 1 (41:06):
They don't even acknowledge.

Speaker 2 (41:07):
Tilt.
They be sleeping on Tilt how?
You don't acknowledge TI forrap music when one did Riding
Now start from ATL, if I'm notmistaken.

Speaker 1 (41:17):
No.

Speaker 2 (41:17):
I don't know if it started or not, but that's what
popularized it.

Speaker 1 (41:19):
Well, I don't know, I don't know.
I thought I saw them werestepping with their skate.

Speaker 2 (41:24):
No, it's the girl group from ATL.
They were riding, oh, they were.
Oh, I see, I didn't know that.
So it's like all right, cool.
And then you got Tip in themovie, right, so why would you
not, why would you not put themtogether?
And then he makes the mostconsistent.
You can't take one song from TIand not ride to it.
That's not popular Rubber Band,man 24's, so man I can't even

(41:51):
name one.
I can't name a couple of themDamn his whole discography,
except for his newest one thatwe ain't ever gonna speak on,
because I don't know the deal.
But you know what I'm saying.

Speaker 1 (42:00):
It's kind of the same thing with Jeezy.
Yeah, I mean, honestly, I feellike and this is, I mean this
might be unpopular, but mepersonally I feel like when it
comes to rap music because, atthe end of the day, what the
fuck really is rap music?
There's no like, it's no reallike concrete definition of what
rap music is.
No, it's not because you can'tplay, you can play Lil Durk, but

(42:22):
that's like it's still under,but Durk is more so towards
drill.

Speaker 2 (42:26):
No, it is.

Speaker 1 (42:27):
But, like you said, drill music is just a subgenre
of trap music, kind of like howtrap music is a subgenre of
gangster rap.
Yeah, so it's like.

Speaker 2 (42:37):
But it's a subgenre, so it's still its own entity,
but it's still branched off fromthe original.
That's the best way you can putit.

Speaker 1 (42:44):
No, I lied.
No, that's equivalent to mesaying Moneybagg Yo.
If I play a Moneybagg Yo song,y'all gonna be like what I mean.
There are a couple Moneybagg Yosongs that I would play, but
it's like I ain't gonna lie, Idon't know any Moneybagg.

Speaker 2 (43:01):
Yo song you can really ride to.
I'm not gonna hope man.

Speaker 1 (43:05):
Yeah, I don't know you know it's crazy, you know
how.
I know it is because there's acouple songs that I played
without his instrumental well, Imean without his acapella and
y'all go nuts and y'all don'teven know what the fuck.

Speaker 2 (43:18):
Y'all know I believe it, but everybody got music like
that.
Though it's just money can stayconsistent with it, it's get.
It's like calisthenics, youain't gonna calisthenics to no
JB music though, so we're gonnaget to the controversial man
what's your top five male topfive female, excluding yourself?
That's why I was like what?
Right right, I'm gonna startwith the girls.

(43:40):
Man Key's at number one, itain't close, girls.
Man Keezy number one it ain'tclose.
Keezy number one, it ain'tclose.
I'm going to put Nessa at two,carmen at three.
No, no, no, no, no, keezy,nessa, naya, naya, carmen,
carmen, that five, that's whatwe gonna get.

(44:06):
That ain't a lot of preciousPrecious.
Yeah, pr Precious.
Cause I'm like the only likegirl, that really be that ride
for real.

Speaker 1 (44:17):
In my opinion.
No, there's a couple of.
I don't be knowing names,though I'll do Precious-Molly.

Speaker 2 (44:23):
Cause Molly hard.

Speaker 1 (44:26):
Whoa Jesus Christ.
What the fuck happened?
That's a name I totally forgotabout.
I ain't gonna lie.
I would put Molly up there onlybecause she's like the first
person I ever seen do the flatfoot shit and she hard as hell.

Speaker 2 (44:39):
I guess she don't skate no more, right.
But then again, I don't bethere to watch it, so I don't
need to know.

Speaker 1 (44:45):
Yeah, that's my top five.
Go ahead, Keezy.

Speaker 2 (44:46):
Nessa, naya, carmen, precious and Molly.
That's my top five.
All right, so then, for the menwho we got, man Top five.
What's that, bro?
That's so.
There's a pain in it Of courseit's going to be controversial.

Speaker 1 (45:02):
It's going to be controversial as hell, but this
is your opinion.

Speaker 2 (45:06):
This is your opinion, excluding yourself.
Ja, 30.
30.
Chris, 30.
What the fuck.

Speaker 1 (45:17):
That's the name I haven't heard in a long time.

Speaker 2 (45:18):
Is he still?

Speaker 1 (45:19):
safe.

Speaker 2 (45:20):
Nah, he still pop out sometimes, as far as what I've
been hearing.

Speaker 1 (45:24):
That was crazy about 30.
Somebody, because I be having asong request sheet out at this.
Ain't happened in a while, butI be having a song request sheet
at Goynette and somebody wrotehis song down and I'm like 30,
bro, they're asking for yourmusic.
Send me your shit.

Speaker 2 (45:38):
You know bro, I got you bro and he make dream music.
But he make dream music withhis skate suit, make dream music
, but he made dream music andskate too.
A lot of the skaters, they makedream music.
Everyone make music and skatetoo.
And I get in there and theymusic needs to be hard.
Jai 2 Geek he got one of them30, 70 no, I just had him he pop
up and leave and then fall offthe face of earth.

(45:58):
So, jai, 30 JJ.

Speaker 1 (46:04):
Chris so Jai 30.

Speaker 2 (46:04):
Jj, jj, chris, I'm putting my brother up to care.
I don't care.
Okay, care.

Speaker 1 (46:13):
That's my top five.
I don't care what nobody say.

Speaker 2 (46:16):
To me ain't nobody harder than no five.
Nah, I can do more than fivefor real.
Now, what is it?
Now, what is it?
Give me one thing, that you,for each person, give me one
thing about them like that theywrite in that that you like
appreciate.
You know what I'm saying, soShout out to Drip, shout out to

(46:36):
Drip.

Speaker 1 (46:37):
It's his opinion, Drip.

Speaker 2 (46:39):
Here he go, it's his opinion For Jah I ain't gonna
lie.
The reason why Jai is my numberone is because I see Jai do some
crazy shit on stage.
Jai come up with some crazystuff.
30 is my number two One.
30 is just hard.
The fact that 30 young theycall him an OG for a reason.

(47:01):
But 30 young, that's a youngnigga, he an OG.
30 is just hard as hell, hard,okay.
Jj is just a smooth.
That nigga's smooth.
Smooth okay, like that nigga is, in any style that he do,
because that nigga's not a, he'snot a rider, he's a skater.
I really don't put him in my topfive riders or my top three
because I consider him a skatermore than a rider.

(47:22):
Right, but as far as riders go,that is the smoothest nigga
that I have seen ride.
If so, as far as anything go,chris, I say yeah, chris, bro,
chris is just everybody.
Chris is what most peopleconsider him the face of riding,
mm-hmm.
So I'm not.
I'm going to leave that whereit's at.
But Chris, hard as hell.

(47:43):
I do owe Chris sometimes and hecome up with some crazy stuff,
too Crazy on them skates, carey,that's my clue.
Of course I'm going to put himon top five.
What the hell?

Speaker 1 (47:56):
No, that's my I ain't going to lie.

Speaker 2 (47:59):
I feel like Carey slept on.
I ain't going to catch him.
Carey definitely slept on andthen go ahead with like.
Kerry slept on.
I ain't gonna catch it.
Of course he did.
Kerry definitely slept on Kerrydefinitely slept on so, and
then go ahead with the women.
What was one thing that youappreciate?
Keezy's Keezy, what?
Leave that alone.
Y'all gonna say it Keezy'sKeezy, yeah, it ain't close.
Nessa OG is here.
Og for sure, I just said thatto her a couple times I told

(48:27):
Ness about.
I told Ness that like five timesNess is really like 40 she be
grumpy here, naya Naya ride likein a good way, in a good way
that would make it hard as.
Long as I, it hard watching herskate, even before me, and her
got close.

(48:47):
She's always been hard to meyeah always been tough.
Uh who?
Carmen carmen is just hard ashell, she's tough.
And then prez and molly, molly,for a reason, right, and prez,
isrecious, that's Joe's duo.
And no disrespect to Joe.

(49:08):
Joe is in, he'll be my 5Bbecause Joe Hart is here.
Yeah, top 10.
So go top 10 then, all right,joe, fucking KK, kk.
This is no particular order.
Now, right, they all these inthe channel.
Joe KK, cj.
Okay, yeah, y'all, cj.

Speaker 1 (49:29):
Bruh.
Yeah, CJ has to be like one ofthe hardest out of the group
yeah, yeah, has.

Speaker 2 (49:34):
And then Tao.
I feel that I respect that manand I can put any of them in a
way in that order.
It don't even make nodifference, because all of them
has just swagged out for real,right.
They just that.
That nigga, sir cruz, for areason.
Cj, a young og, yeah, and theneverybody else just fit what

(49:56):
they in, they fit in what theyget in.
That's how I go already.
Well, we're gonna take you tothe question of the day, man.

(50:19):
The question of the day, I wassure, is how long does it take
for you to learn a line dance?
Because if y'all didn't know,that man ZZ going crazy with the
line dance, do you know?

Speaker 1 (50:34):
how to do the slow whine thing.

Speaker 2 (50:36):
He's the one that told me about it, bro.

Speaker 1 (50:38):
Is he Wait?
Oh, he taught drip.
I ain't teached none, he put meon though.
Do you?

Speaker 2 (50:47):
know how to do it.
He taught me how to do it.
He should learn how to do it.

Speaker 1 (50:51):
It's not hard to do, though.
Well, first off, you got tohave rhythm, of course.

Speaker 2 (50:58):
But you're a DJ.
If you don't have rhythm, thenkill yourself.
I'm sorry.
I'm just saying that's aninteresting computer right there
.
Nah, bro, alright, so itshouldn't, bro.
It shouldn't take you long toto learn a line dance.

(51:18):
I can't even give you aspecific time frame, cause line
dance is just easy.
How long it usually take you,man, it bro?
I can't say.
How did it take you, man Bro?
I can't say how long it took me, because it's like something
that I just grew up doing, soslow, whine, like you heard it
for the first time.
How long did it take you topick it up, man?
Probably like the first time Isaw it, because it's so
repetitive.

Speaker 1 (51:37):
The thing I do is get in and do it.

Speaker 2 (51:38):
It's like the Cupid shuffle, so okay.

Speaker 1 (51:40):
You can't mess up the .

Speaker 2 (51:41):
Cupid Shuffle.
Nah, slow wine is a little bitmore complicated, but I'm saying
Cupid Shuffle is a line dancethough that's considered a line
dance.

Speaker 1 (51:48):
It is.
However, there's levels to linedancing.
Slow wine is kind of up there,I get that Okay, let me ask you
this so what's?
The hardest line dance that youhave, and it was like what the
fuck.

Speaker 2 (52:03):
Bruh.
I can't remember the name of it, but it's one from South
Carolina.
Actually, it's two of them.
It's one from South Carolinaand one from Louisiana.
Only reason Louisiana linedances be confusing as hell.
And why is that?
Because they be confusing ashell.
That's the best way I can putit.
I can't remember the songs orthe names of them.
I can't because I don't knowhow to do them.

(52:24):
Steve, I can't remember thesongs or the names of them.

Speaker 1 (52:26):
I can't because I don't know how to do them, steve
, that's crazy, so it's likefuck it.
The only thing I know fromLouisiana is they be throwing
them napkins out and they do thesecond line.

Speaker 2 (52:33):
That's the only thing I know about.

Speaker 1 (52:35):
Louisiana.
Y'all know about Mardi Gras.
I mean, yeah, they be showingtitties and shit.

Speaker 2 (52:38):
That's more yeah.

Speaker 1 (52:40):
That's new.
Yeah, I mean, that's all I know, if you got beads.

Speaker 2 (52:42):
There's some titties from being in your face.
There you go.

Speaker 1 (52:48):
DJ turn up beads near you what about you turn up?

Speaker 2 (52:53):
how long does it take you to learn the live dance?

Speaker 1 (52:56):
I just gotta be repetitive.
Like you said, it's justrepetition, so I would just have
to keep doing it over and overagain for me to get it.
I'll say the hardest one,that's.
It's starting to click now, butthe Tamiya one the Tamiya one,
for some reason I just could notlike.
That one is complicated.

Speaker 2 (53:16):
That one complicated.
That one is complicated, yeah.

Speaker 1 (53:19):
The Tamiya joint is kind of crazy.

Speaker 2 (53:21):
And the Finnegan Loose line dance.
That one a little bitcomplicated, but it's so easy.

Speaker 1 (53:24):
The who who won the Finna?
Get Loose the Diddy Pharrell.

Speaker 2 (53:30):
Yeah.
Didn't know that I didn't know.
There was a line dance it's not, but that's the song that's on
it, that they stamped to it now.
So that one easy, but it wascomplicated at the same time.
I just learned the play it.
You just learned it, yeah.

Speaker 1 (53:48):
Line dance is not hard.
I just tried it for the firsttime.
It's more complicated, youain't got no rhythm.
Look, I can't speak on it.
Look, you got to speak on it.
It's a little harder.
I don't know.

Speaker 2 (54:00):
For me, I guess, because line dance, I'm used to
line dance and trail dance.
It's good because it's where Igrew up in, obviously, but it's
like.

Speaker 1 (54:08):
Look, I'm just used to dance routines because I was
in the band, so we had to dodance routines all the time I
was in the band too.

Speaker 2 (54:13):
Yeah, so what was the first line dance you ever
learned?
Man, I have to keep this up.

Speaker 1 (54:18):
I'm not going Cha-cha slide, cha-cha slide.
Oh, mississippi stomp youtalking about Mississippi stomp.
That is a cha-cha slide.
Well, no, there's a Mississippislide, the right foot stomp,
that's the cha-cha slide.
No, I'm talking about theeverybody clap your hands.
I'm talking about that one.
How low can you go?
Can you go down low?
Yeah?

Speaker 2 (54:37):
that the Mississippi stomp your chato with that one.
That one for sure.
That was the first one Ilearned.
I'm gonna try.

(55:00):
I'm gonna try sticking in.
Hey, do it.
Do it turn the Right.
That's definitely turn the treeup, yeah.

Speaker 1 (55:05):
I mean it's tempo, that's tempo that's definitely
turn the tree up tempo, bro.

Speaker 2 (55:08):
You'll be like what the fuck why somebody else going
to do that now?
That'd be because I said it.

Speaker 1 (55:22):
You're going to be like I'm tired of this grandpa.
I'm going to be like, bro, whatthe fuck.

Speaker 2 (55:27):
Oh yeah, to me it's just unreachable.
That joint is hella hard bro.
I don't want to bust my asswith the.

Speaker 1 (55:36):
Yeah, the do, do, do, do, do, do, do.
Yeah, that shit is crazy.

Speaker 2 (55:40):
It's easy, it's really counting.
Like you said, you was in band.

Speaker 1 (55:48):
But that's what I'm saying.

Speaker 2 (55:48):
He knows how to count .
I'm like, bro, if you was inband or you did with music.
Bro, it's just counting.

Speaker 1 (55:54):
I literally tell him that I'm like bro, it's
literally counting.
Now it's not as simple as fourtimes, but it just counts, bro.

Speaker 2 (56:03):
Like that's it.

Speaker 1 (56:04):
I got to practice it.

Speaker 2 (56:05):
That's it, it just counts bro.
That's it, it just counts bro.
It's simple, but it'scomplicated.

Speaker 1 (56:13):
It's complicated if you don't know how to count.
That's what I'm trying tounderstand.
You know how to count, so justput them together.

Speaker 2 (56:23):
So yeah, z, since you're the line dance
connoisseur, what's your topthree line dances that you
personally enjoy doing online?
Mississippi Slump, mississippiSlump.
Wake it up.
I'm trying to tell you, look,you enjoy a lot.
Hey, okay, do we consider yourmagic slide a line dance?
It's a line dance.
Yeah, your magic slide, magicslide.
I'm an old kid for real, bro Z,really like 45.

Speaker 1 (56:42):
And a cha slide a line dance.

Speaker 2 (56:43):
It's a line dance.
Yeah, yeah, that's your slide.
Next slide I'm gonna open herefor real, bro, this ain't really
like 45.
And the tata slide, bro, I'mreally 50 I'm a pop-up bro like
my nickname pop-up, but we'renot talking about that.
That's another kind of.

Speaker 1 (56:56):
Would it be, papa jones?

Speaker 2 (56:58):
yeah, yeah, that's my pop, that's him, oh that.

Speaker 1 (57:01):
Oh, that's really.

Speaker 2 (57:02):
Yeah, papa Joe Got you.
That's Big Dog Type shit.
I'm going to let him have it.
I'm not mad at it.
I ain't mad at it.

Speaker 1 (57:09):
So, if you had to choose Tanaka, what would be
your top three?

Speaker 2 (57:18):
Kiwi Shuffle, yeah, okay.

Speaker 1 (57:24):
Damn.
We didn't even talk about theflex joint.

Speaker 2 (57:27):
No, we didn't.
No, I'm not kidding.
Cha-cha slide.
Okay, I actually F with thatflex joint.
I like that joint.
I haven't perfected it, youknow what I'm saying Because I
just did it for the first timebut I F with that joint.
I ain't go around the littlegroove it's called the pelvic

(57:50):
thrust.
I ain't get it.

Speaker 1 (57:53):
I ain't been in the mirror so I can't say that.

Speaker 2 (57:56):
I can not do it.
I still got it, probably morethan I can.
It's like when you know how todo something, you don't do it
Well.

Speaker 1 (58:02):
I'm going to just say this I'm putting Tamiya up
there as the number one becauseI feel like it's one of those
things when it's hard and youlearn how to do it, it's like oh
, I'm that nigga now.

Speaker 2 (58:16):
Yeah, yeah, it'd be the other ones that'd be more
complicated and they'd be like,nope, not going to do it and
don't even try.
But to me, yeah.

Speaker 1 (58:24):
Yeah, I'll probably say that, and then I'll probably
say the Slow Wine one, becausethe Slow Wine one was kind of
complicated too.
Yeah, slow Wine was kind ofcomplicated.
Is that like a new song and anew dance on it?

Speaker 2 (58:34):
Yeah, yeah, slow Wine .
The song came out maybe acouple years, two years ago,
three years ago, something likethat, I think, and then it just
blew up out of nowhere.

Speaker 1 (58:43):
Tiktok, oh, tiktok.

Speaker 2 (58:45):
Now I've seen it before.
But yeah, tiktok, for sureTikTok make it a lot of stuff
relevant.

Speaker 1 (58:53):
Yeah, no it definitely does Shout out to
TikTok for bringing back oldshit.

Speaker 2 (58:57):
What's the name of the artist, bro?
I don't remember the name ofthe artist bro I.
What's the name of the artist,bro?
I don't remember the name theymade, bro.
I'm not allowed, bro, I ain'tallowed to.

Speaker 1 (59:03):
I don't remember a lot of the artist man, but I
don't get with people.
If it ain't wayne, it don'tmatter, that's what he found.

Speaker 2 (59:07):
If it ain't chris bryan, it don't matter bro.

Speaker 1 (59:10):
Yeah, see, breezy but yeah, so I'll say can't get
enough slow wine, shout out dripum.
Oh, apparently his name is sdot that don't sound right that
sound like a New York drillrapper.
Isn't there a dot?
Somebody in the drill?
I don't know.

Speaker 2 (59:26):
I don't know, somebody has to be.
Maybe it is S Dot, s Dot.

Speaker 1 (59:32):
See why he look like you 2024.
It came out 24?
.

Speaker 2 (59:38):
Like this year.

Speaker 1 (59:40):
He said 17?
What?

Speaker 2 (59:42):
the hell, the how the fuck you been 24 from.
Look it say 2024 right here.
That's why.

Speaker 1 (59:48):
That's why that's why I never look at.
That's why I never look atgoogle.
I ain't gonna lie, I go to theactual site for a video where
rap genius gotta read them.

Speaker 2 (59:55):
yeah, I know it came out a couple years ago, I
couldn't remember.
When that's crazy.

Speaker 1 (01:00:01):
Where is he from?

Speaker 2 (01:00:02):
He's a Zydeco artist.

Speaker 1 (01:00:03):
He's a what artist, zydeco?
What is that you like toexplain?
Whatever the fuck you just said, it's a genre of music.

Speaker 2 (01:00:11):
man, what kind of genre is that?
I think it's in.
I don't want to say Louisiana.
Well, it's in Louisiana, shityeah.

Speaker 1 (01:00:18):
What was your favorite?
Zuh?
I don't even know the word youjust said.

Speaker 2 (01:00:21):
I don't know the genre.
I just learned about the genreI didn't know the music Like
today.
No, no, no.
I'm saying like in my research,in your research, gotcha.
I never actually listened tothe music though, oh, so you
don't know nobody except SDot.
I don't know how the musicsounds, I just know it's a genre
in Louisiana.

Speaker 1 (01:00:41):
Hang on.
This is my first time hearingabout it.

Speaker 2 (01:00:44):
Yeah, now I know it, but look, I just call it
hole-in-the-wall music.
Hole-in-the-wall, that's what alot of people are going to.

Speaker 1 (01:00:51):
Low-key.
Low-key.

Speaker 2 (01:00:53):
That's why I put.

Speaker 1 (01:00:54):
Big Pokey and all that type of shit, like Side
piece and all that type of shit.
Let's go, baby.
Right, I'm going home.

Speaker 2 (01:01:00):
Look that's what I know.

Speaker 1 (01:01:05):
That's the anthem.
Right there, boy.

Speaker 2 (01:01:07):
I'm trying to tell you.
I live home To be with my sidepiece.
That's my.
I might just throw that shitout there.
I live home To be with my sidepiece.
That's my what.
That's my sorry, that's my shit.
You can't say that.

Speaker 1 (01:01:24):
Try not to be pokey man.
Try not to be pokey, what is it?

Speaker 2 (01:01:31):
Yeah, I can't remember that.
It was too long ago I had to DJat a party, that's why, and
they were asking for all that.
So I just A French phrase, butyeah, spoken in Louisiana.
Oh, louisiana, yesiana, genremusic man um the more you know,
it blends blues and rhythm andblues, so you know.

(01:01:53):
So basically jazz and blues.
Yeah, that's interesting.
That makes sense.
Now that you actually hear themusic you can put that together.
But I ain't never heard thatterm before.
That's new to me.
Learn something new every day.

Speaker 1 (01:02:08):
So Z when your line dance dropping man.

Speaker 2 (01:02:10):
Yeah, what's up?
We dropping it in 30 to 27.
The Deacon Dance the.

Speaker 1 (01:02:17):
Deacon Dance.

Speaker 2 (01:02:18):
The Deacon Backslide.
We dropping it in Deaconbackslide.
We dropping it in Deaconbackslide Sounds like a sex
position.
I ain't gonna lie.
I definitely might go to hell.

Speaker 1 (01:02:34):
I'm definitely gonna go to hell for that, oh my.

Speaker 2 (01:02:35):
Jesus, we ain't gonna talk about that.
So, deacon Jones, what inspiresyou to be getting on the pulpit
?
Talking about that Right.
So, deegan Jones, what inspiresyou to be, you know, getting on
the pulpit.
Y'all want to listen to meY'all want to listen to me.
I'm going to indulge yourconversation right now.
I'm going to entertain it.
So basically, you know, theBible says you train up on time

(01:03:00):
in the Bible.
So basically, my mama beat me inthe church and I just never met
her.
There it is.

Speaker 1 (01:03:06):
Beat her, mama beat her.

Speaker 2 (01:03:08):
Thank God for mama, because if it wasn't her, I'd be
in jail.
Mama, that's what's wrong withyou.

Speaker 1 (01:03:16):
That's what's wrong?

Speaker 2 (01:03:17):
with me right Now.
I grew up in church.
Really, that's something.
I can't get away from, even ifI tried to.

Speaker 1 (01:03:24):
I might not show it all the time.

Speaker 2 (01:03:26):
but yeah, I take my faith serious.
Bro, like I'm heavy on that man, I feel you.

Speaker 1 (01:03:31):
You don't mess around .

Speaker 2 (01:03:32):
You don't play around .
Yeah, I don't play with thatgoo-goo, that voodoo, that
voodoo, none of them crystals?
None of that.
No, that's what that zodiacstore, bro.
Stay true to it.
We're going to keep it movingto get the bars.

(01:04:20):
We're gonna keep it moving toguess the bars.
We're gonna see if these barsstrike your spirit out to z
jones.
So, uh, yeah, who, who westarting it off?
Oh, we should explain my bit.

Speaker 1 (01:04:32):
So I'll explain to people.
Ladies and gentlemen, guess thebars is.
We send each other some barsand, um, we read it out for you
guys to see if we can figure outwho it is, and then we guess it
, and then we rate it on the Fscale, which is from five to one
.
I'll show you, by the way.
So, but yeah, well, we rate itfrom five to one on the F scale,

(01:04:52):
which is fire, ferocious, flatfrisbee and fecal.
And yeah, we'll go from there.
And if you can figure out thename of the song, tell us the
first time you heard it.
And yeah, we all got three.
So I'll start it off justbecause I already have it.
Oh, I already have it up.
It was the one from yeah, okay,two pints still in my Henny

(01:05:17):
Ninth in the bottom of theinning, odds have been stacking
up against a young black man.
Fuck that nigga, my bad bro.
That's supposed to say talkingain't wait, tanking ain't really

(01:05:38):
saying none hope.
My heart don't get chillybecause I've been trying to keep
it in the oven my bad, butthat's supposed to say talking
there wait where milly vanillytalking, ain't really saying
that oh my bad.
No, that definitely says talkingmy bad.
These boys, milly vanilly,talking ain't really saying none
.
Hope my heart don't get chillybecause I've been trying to keep

(01:06:00):
it in the oven.
That's public school for you,right Public school system.
I mean it's cool.
I like the metaphors, it's cool, it's alright, I give it a
flat-ish, ferocious-ish.

Speaker 2 (01:06:23):
Two pints of Miami.
Ninth in the bottom of the hand.

Speaker 1 (01:06:28):
I have no idea who this is.

Speaker 2 (01:06:30):
That sound, If I can hear the cadence of it, or if I
can even put the cadencetogether the right way.
I know exactly who it is.
For some reason, Tupac wasn'tmaking metaphors, so I know
exactly what you mean, for somereason Tupac wasn't making
metaphors.

Speaker 1 (01:06:44):
so I know it's not Tupac, but I feel like he's like
the only person that talksabout I feel like he's like the
first person I think of when Ithink of Hennessy yeah, I don't
know, I'm blanking.
So Tanaka, who we got.

Speaker 2 (01:06:59):
We got Steady.

Speaker 1 (01:07:01):
ACL.
Oh beautiful, I definitelydon't know this.
A song called Pray Alone, Iwould have got this year wrong.

Speaker 2 (01:07:06):
I'm like, who the fuck is this Nah saying it?
I feel like I know the song, asong called Pray Alone man.
Oh, the joint you just put onthe yeah, we can talk about that
later, but yeah, but yeah, allright, then Z, go ahead.
And yeah, go ahead and load itup.
You can start with the turn ofthe one.

(01:07:27):
Alright, as I wipe the starsoff the window on my spaceship,
call out the spirits in mybasement, crawl out the center
of the snake pit and fall intothe middle of her greatness.
Fireballs reflect off theframes of the pictures.
She not at all impressed withthe flames or the flickers.

(01:07:52):
But take her for a walk on themoon.
Damn, I know this.
What you rated, let me read onemore time.
I write the stars off thewindow of my spectacular heart
that first, by heart, I'm notgoing to hold you All right.

(01:08:15):
So this is going from good tobad.
Mm-hmm, all right, the bandFire it.
Call out the speed in mybasement.
Call out the scent of the snakebeing fired to the middle.
I'm breaking this fire by thereflect of the frames of the
pictures.
I ain't gonna lie that I gottaget that's for real.

(01:08:38):
Only because I don't.
I know it, but I don't rememberwhere it came from.
Do you know the artist?
That sound, bro?
I feel like I do.
Go ahead, shoot a guess outthere, man.
Who do you think it is?
I don't, bro, because it's likeso it ain't a lot of niggas who
gonna use analogies All thepeople I can think of.

(01:09:00):
Bro, I feel like I know this.
This ain't Wayne, is it?
This ain't Wayne, is it?
You said what this ain't Wayneis it?

Speaker 1 (01:09:13):
I don't know it could be, is it Lil Wayne?
Yeah, you gotta let me know, Isit Wayne?

Speaker 2 (01:09:17):
I'm gonna go with Wayne.
That sounds like some Wayneshit because he used to.
And then what you got?
A song guess at all yeah.

Speaker 1 (01:09:26):
Because you said you feel like you know it.
What's the part I got to doknow it?

Speaker 2 (01:09:29):
Yeah, what part in there do you feel like you?
It's sticking out.
It's like, oh dang, this soundsfamiliar, bro.
It's the call out in the spacein my basement part.

Speaker 1 (01:09:40):
And that's just sticking out to you?

Speaker 2 (01:09:41):
Is that Dark Side of the Moon?

Speaker 1 (01:09:44):
That's it, man, I'm going to win the trip.
I'm like yo.
Why the hell is that?
Bravo, there you go, there yougo.
There you go, man.

Speaker 2 (01:09:54):
There you go, man.
Look at that.
Look at that.
Look at that.
Look at that man.
I, I don't know.
Look at that.
Look at that man.
I want to start it out withCrazy.
Hey, look at that.
So when's the?

Speaker 1 (01:10:01):
first time you heard Dark Side of the Moon, he was
plucking for that one.

Speaker 2 (01:10:06):
He was like I don't know it, I don't know it.
You know how big WayneDiscography is, bro, it's really
big, really big Crop.

Speaker 1 (01:10:23):
I don.
Was it just one of?

Speaker 2 (01:10:23):
those, uh, was it just one of those songs?
You just, oh, carter five andyou just ran through the.
It had to be one of the momentswhere because, in terms of I
ain't listening to carter fiveat first, yeah, initially I mean
, I ain't listening to it atfirst, I'll be stuck on carter
three and four they're myfavorite carters and then and no
cylinder mixtape.
So I think, um, secondgeneration wayne, yeah, so I
think basically I Wayne.
So I think, really because I'lljust be shuffling my Wayne

(01:10:45):
playlist and I think it came onlike it was the first song.
I had it on repeat for about acouple of days and I think that
I don't know, it had to be likesometime this year.
For real, I don't know, I can'teven tell you, but that's, I'm
surprised, I even got that right.
Well, I thought I was going toget that wrong.
I ain't going to.
I was going to say I was goingto say Kendrick or something,

(01:11:08):
cause that's not a dead one,kendrick bar.
Yeah, it's not like a Drake bar.
So Well, there, you go damn, hegot it that's crazy, my zero and
pull it up right now.
I don't know which one.
There's no one which would yousend it to him?

(01:11:29):
No, no, no.
You said you sent the ones forme to him.
Yeah, you said okay.
So y'all want the ones that yousent me?
No, no, no, no, I need the onesthat he sent you.
He didn't send me shit, Ididn't send it.
No, sir, okay, hold on, let mesend it again.

(01:11:49):
Come on AT, get right, I'mtripping.
Yeah, I'm tripping.
Oh, but now I know that wasWayne.
Yeah, that's fine.
Yeah, that's up there at thetop dude, yeah, all right,
what's the email?

Speaker 1 (01:12:06):
I guess I don't want to say the government online.

Speaker 2 (01:12:09):
I see, I see, I see, that's why I do that, right
there it's already in theresomewhere.
I may be fed sometimes.
All right, lord.

Speaker 1 (01:12:24):
As a matter of fact here let's see Hang on.

Speaker 2 (01:12:31):
Yeah, z actually got been into some.
Look at his computer right now.
That man, that man Z actuallybeen in some situations at the
ring.
I forgot about that man.

Speaker 1 (01:12:44):
Forgot about that man , he forgot about it.
Let's talk about it?

Speaker 2 (01:12:47):
No, no, no, no, no no .

Speaker 1 (01:12:48):
No, no, no, no no no, that conversation was not.

Speaker 2 (01:12:50):
That conversation was not.

Speaker 1 (01:12:51):

Speaker 2 (01:12:54):
They had to resist him, bro, they had to hold him
back bro.
Yeah, it was serious, bro, Iain't never, seen Z that upset
before man.
Yeah, there was like threepeople holding him back.
They had to restrain him, bro.
Yep, I'm already knowing.
Yep, remember that one,remember that one.

(01:13:14):
I was just about to ask him aswell.
I was about to be like, youknow what I'm saying.
You got into situation at therink and then that immediately
popped up.
That joint was I get it, I getit.
Man, I do remember that story,yeah, that joint.

Speaker 1 (01:13:34):
Just I tried to tell them to get out the rink.

Speaker 2 (01:13:36):
I didn't want to mess up y'all's shit, bro.
I'm trying to be polite, butthey just, they just keep poking
the bear.
It wasn't even there.
I told them before they all,they even went down.
I was like I didn't do that,but they just want to make a
scene.
Of course, no, it wasn't thedudes, it was a girl yeah,
that's what she said.
She called it they want to makeit all right, sorry for the

(01:13:57):
wait.

Speaker 1 (01:13:57):
Y'all go ahead.
Uh, pull it up all right.
But yeah, they just want tomake the scene, alright, sorry
for the wait.

Speaker 2 (01:14:00):
Y'all go ahead, pull it up now.
But yeah, they just want tomake the scene.
Basically, he was like let'stake care of this outside, and
they wasn't going.
They wanted some action.
That's all.
Alright, I've seen it.
You've seen it.
I've seen it.

Speaker 1 (01:14:18):
Yep, that's you right .

Speaker 2 (01:14:29):
I got it.
Okay, that's what I'm going toput in.
That's what I'm going to put in.
No, I told you what to put.

Speaker 1 (01:14:38):
Yeah.

Speaker 2 (01:14:38):
I blew up, but they ain't like that.
They switched up on me and Iain't like that.
So my fur brick, yeah, I can'twrite that.
Fast forward the tape Ninja.
Look at me now.
Let's see here.
Let's see here.
Let's see here.
Let's see here.
Let's see here.

(01:14:58):
Let's see here.
Let's see here.
Let's see here.
There's no one there.
Okay, so Read it again.
That's how I feel.
Damn Uh, jeezy, I love it.
Damn oh, bravo, sir.
That was impeccable, right,because I wouldn't have got this

(01:15:21):
if it wasn't for you.
Damn oh man, bravo, sir.
That was impeccable, Right,because I wouldn't have gotten
this shit the first time.

Speaker 1 (01:15:24):
Yeah, jeezy, yeah it was flat, it was flat, it was
cool though.

Speaker 2 (01:15:28):
It was flat.
You know what I'm saying, sofirst time listening to.
I Love you.

Speaker 1 (01:15:33):
I think I seen the music video, yeah.

Speaker 2 (01:15:35):
I think I seen the music video.
Yeah, I think I've seen themusic video and I was hella hype
because they joined.
Uh, yeah, I really like thatrecord for real.
So you know, yeah, I love ithard though.

Speaker 1 (01:15:54):
All right, okay, all right round two, okay, so let's
see I flip down the ab.
You know I'm looking tight,these jealous looking niggas
looking at me and my cars, soshife Want to take my life and
want to jack, but I see allthrough that.
Never let these bitch hello,never let these bitch niggas
take me, take what's mine.
Nigga never do that.

(01:16:15):
Who say he going through athing, when y'all ain't never
lie?
I got a baby but his mama actlike he ain't mine.
Wicked women using children tolive on want to hurt and try
hate because she knows thethrill is gone.

Speaker 2 (01:16:39):
What's you laughing about?
Z?

Speaker 1 (01:16:43):
What's up.
He felt them leave.
You know what he?

Speaker 2 (01:16:48):
said the thrill is gone.
Woo boy, I felt them leave.
I don't know why, the firstrapper that popped in my head
was Fabulous, but I got to seethat that joint, real though Z
right, we done witnessed thisbefore man, these wicked women
using children, as you know.

(01:17:08):
Yeah, I know.

Speaker 1 (01:17:09):
I'll give it a.
I'll give it a flat.
Ferocious, it's cool.

Speaker 2 (01:17:14):
Be nice, it's cool, it's okay.

Speaker 1 (01:17:17):
It's cool, it's alright.

Speaker 2 (01:17:23):
Oh, what you think, it's all right.

Speaker 1 (01:17:25):
Oh well, you think it's worse than that, oh no I
thought I don't know why, butthe first person that popped in
my head was fabulous, so I'mgonna just go fabulous but it's
crazy, he was actually singingthe song before we uh started
airing.

Speaker 2 (01:17:39):
Airing uh this episode, man who, me or him?

Speaker 1 (01:17:42):
you me uh, let's see what's up with you saying wait,
hold on, hold on now.
Now that I say, now, now I seeI flipped down the app, hold on,
let's see.
Flip down the action on eachother again.
That's awesome.
The part that's sticking out isI flipped down to F.

(01:18:08):
Oh damn, this is going to pissme off.
This is going to piss me off.

Speaker 2 (01:18:11):
I flipped down to F.
Man, I'm looking good, bro, Iain't going to lie Now that you.

Speaker 1 (01:18:16):
Wait, now I'm talking about my Kirko bangs, really.

Speaker 2 (01:18:20):
Diamonds and Wood man UGK.

Speaker 1 (01:18:23):
I wouldn't have got that.

Speaker 2 (01:18:26):
Weren't you literally just singing Diamonds and Wood?

Speaker 1 (01:18:28):
No, I was probably singing Kurt Cobain, you know
what I'm talking about.
I'm cruising down the avenue.

Speaker 2 (01:18:33):
This is what Sample did.
Z Jones.
Go ahead, man, I guess I'mgoing this one right here.
I guess I'm going.
Uh, shit, I guess I'm goingthis one right here.
I am the top of the.
Oh bruh, I only have to readthese lyrics.
Well, you do have to read itfor the people.
Yeah, I read it for the people.
I am the top of yourconversation.

(01:18:53):
This is a celebration.
Let's toast to the fact I movedout of my mama's basement to
the condo downtown because it'sall about location.
I said in drink wine in WestCalifornia to life.
You should have been, youshould have been here to keep
you with me.
We could have split this wholething, go 50 50, but now I'm in
the 40 40 getting busy killingshit to the ever so talented Mr

(01:19:14):
Ripley, how I go from being aman that you argue with to me
and Dwayne Carter putting outthe hardest shit.

Speaker 1 (01:19:19):
That's Drake.
5.

Speaker 2 (01:19:19):
AM, if I'm not mistaken.

Speaker 1 (01:19:22):
No, that's not.

Speaker 2 (01:19:24):
Oh shit, no, that's not.
Oh, he's got it oh no, oh shitno.
Hey, hold on Wait.

Speaker 1 (01:19:36):
That ain't the TNT podcast.
Hold on, wait, hold on.

Speaker 2 (01:19:42):
Let me redeem myself.
That is definitely Drake.
That is Drake.
Shout out to the man.

Speaker 1 (01:19:50):
I hit a beat in my head.

Speaker 2 (01:19:53):
I hit a beat in my head.

Speaker 1 (01:19:54):
That man did a hook shot.
I hit the grandma on the fifthrow.

Speaker 2 (01:19:59):
That's not fair.
Oh my God Z.
No, it's not.

Speaker 1 (01:20:01):
oh my god no, it's not and the reason why I know
that is because I don't know anylyrics of 5am in Toronto, but I
know exactly what that is.

Speaker 2 (01:20:09):
I know what that is too.
Oh my god, why are you?

Speaker 1 (01:20:12):
doing that.
You want to rate it of course,because of Drake.

Speaker 2 (01:20:18):
It's flat.
No, no, no I lied Ferocious,ferocious.
Damn, I feel like what the fuckis this song though?
Goddamn, look at Z Fumbling boy.
I tell you I'm talking aboutRed Zone, about to go in there
Fumbling, fumbling around thegoal line man.
Oh my God, damn.
Oh my God, the goal line man.

Speaker 1 (01:20:39):
Oh my God.

Speaker 2 (01:20:40):
Oh my God, oh my goodness, tom go ahead, go ahead
, let me try.

Speaker 1 (01:20:51):
This shit is all I knew, you and me.
No, that's not Damn, damn.
I know exactly why you did that, bro.

Speaker 2 (01:21:09):
I know exactly why you did that Roll the credits?
It was nice of y'all to have me, bro.
I'm going to Tabernation.

Speaker 1 (01:21:19):
Oh my God, bro, that's crazy Fumbling man F.
Oh my God.

Speaker 2 (01:21:22):
That's crazy.
Fumbling man, Fumbling bad bro,that's crazy.

Speaker 1 (01:21:26):
I ain't going to lie to you.
Yeah, that's crazy.
I was looking at Mike.

Speaker 2 (01:21:31):
That shit made me hot .
I see you, man, Come on bro.
I ain't going to lie, because Iheard it, bro.
I feel like he did say this on5AM in Toronto or something like
that.
I mean, maybe he?

Speaker 1 (01:21:41):
did say something like that on 5am in Toronto.
I don't know.

Speaker 2 (01:21:46):
I don't really remember 5am in Toronto.
Oh, he said most number ones.
Where them?
Ninjas that slain that knee.
Ninjas that slain that knee?
I like a ninja that carry heat.
Ninja that carry heat.
I don't fuck with lame ninjasbecause that shit be weak.
My ninja got to keep a Glock.
I'm going to make this tootsiepop, Tony, what you got going on

(01:22:12):
bro.

Speaker 1 (01:22:12):
What you got, what's up bro?
What's up bro.

Speaker 2 (01:22:17):
What type?

Speaker 1 (01:22:17):
of cars.
You got right there, man.
What's up bro, what's up, bro,got right there man, this man
right here.

Speaker 2 (01:22:24):
Thank you, man.
Tnt, TNT, TNT.

Speaker 1 (01:22:25):
You want to take a?

Speaker 2 (01:22:26):
guess I'm going to just say Sexy Red man.

Speaker 1 (01:22:30):
Okay.
I don't know the song.
You didn't rate it, sir.
You got to rate it.

Speaker 2 (01:22:36):
Go ahead, go ahead.
Yeah, this is not what it is.
What's the?

Speaker 1 (01:22:44):
The lowest one.

Speaker 2 (01:22:46):
Frisbee.
It's a frisbee that's getting afrisbee?

Speaker 1 (01:22:48):
Oh, he's being nice, that's a frisbee.
He's being nice, crazy.
Well, you got to have a point.

Speaker 2 (01:22:52):
Yeah, it was sexy Because it's probably catchy
with the beat or something.

Speaker 1 (01:22:55):
It's sexy, right?
It's a song called Mad at Me.
Are you familiar with Mad at Me?

Speaker 2 (01:23:00):
No, I'm not familiar with Mad at Me I don't listen to
a lot of sex and real life.
That's so stupid, bro.
That shit is so stupid.
That's so stupid.
I ain't gonna lie Me listeningto him read it.

Speaker 1 (01:23:15):
I'm like, I'm like what the hell?
I'm like, oh shit.

Speaker 2 (01:23:19):
I'm like, bro, I'm like, bro, I'm like come on, bro
.

Speaker 1 (01:23:22):
Bro, it's not, it's just more crazy, because it just
registered in my head.
It didn't register in my headthat he was reading, because he
didn't say all right, it's myturn or nothing.
He just started reading.
Where did that nigga?

Speaker 2 (01:23:32):
sleep.
Oh no, hey, I don't want to getT-shirt registered.
No, that shit was terrible.
It was beautiful All right Lastone.

Speaker 1 (01:23:44):
I'm proud of you.
I'm proud of you.
It's crazy, oh my God.

Speaker 2 (01:23:48):
Hey man.

Speaker 1 (01:23:49):
All right, hold on, all right.
Did he want to make love in ayellow?
Oh, so you're getting back atme that quick, huh.
Oh, so you're getting back atme that quick, huh, all right,
all right.
I'm reading, by the way, okay,I'm sorry.
Did he want to make love in ayellow taxi?
Never gave two fucks, jumped inthe backseat, woke up in the

(01:24:09):
morning to the great gas beat.
Then he dogged it again likethe bitch.
Lassie, I'm a dog in the wind,I'm a pet laughing.
I'm a call up again, like I didlast week Make good with the
friends and I'm all jazzy.
Britney with the twin and thegirl, ashley Found out that I

(01:24:29):
fucked.
He was unhappy Bitch.
I never let the bullshit getpast me.
Better yet.
Wanna break up?
Don't you ask me bymotherfucking?
Double standard, oh, doublestandards.
Acting fucking on another nigga?
That's negative alone.
But you sucked his dick.
That's just nasty matter offact.
Bitch, give me your phone.

(01:24:50):
So is this like?
Because it sounds like.
Is this?
Are they going like back andforth or something?
This?
Oh, it's just a girl.
Oh, it's not like.

Speaker 2 (01:24:57):
Okay, it's not a girl .
Oh, I don't know actually, yeah, um yeah, I don't know my fault
.

Speaker 1 (01:25:02):
Did he want to make love in a yellow taxi?
I'm assuming that's a girl.

Speaker 2 (01:25:06):
Hey, I know exactly what this is, bro, oh shit.
Hey, I know exactly what thisis.
5 am in Toronto Chill out bitch, hey bro.
Hey bro, am I the one that isHold on?

Speaker 1 (01:25:23):
Let me rate it and then I'm going to just come up.
Yeah, I know who it is.
That's crazy.
It's talking about something,so I'll give it a flat for us.
This is cool.

Speaker 2 (01:25:32):
Right.

Speaker 1 (01:25:32):
But Z would you like to instill the point.
I don't know who this is.
Mona Lisa, mona Lisa, oh,that's Mona Lisa, bro.

Speaker 2 (01:25:41):
Yeah, well, who's verse, though?
That's Kidley verse, bro.
Okay, cause you gotta look whenyou say, give me your fault,
you can hit a crack where yournigga's head.
Oh that shit.
Funny as hell.
I already knew that, though.

Speaker 1 (01:25:53):
That's crazy.

Speaker 2 (01:25:58):
That's funny that I got 5 am in Toronto.
Well at least you didn't getslinged at me here we go, here
we go, here we go.
Hey bro, look, here we go,slinged at me, here we go, man,
Well, when did you first hearMona Lisa man?

Speaker 1 (01:26:16):
Well, I'll just say, because it was mine, I I'll just
say because it was mine, I'mnot going to lie.
Unpopular opinion.
Maybe I got to listen to itagain.
Didn't really care for MonaLisa.
Not going to lie, that was justme, I don't know.
Maybe I got to go back andlisten to it again, but I heard
it when I listened to Carter V.
I just ran through it.

Speaker 2 (01:26:33):
And we didn't ask you Z when did you first hear
Saison?
Oh yeah, first time I heardSaison was when did that song
come out?
Cause?

Speaker 1 (01:26:43):
it was on.
That's when VH1 used to show.

Speaker 2 (01:26:44):
That's when VH1 used to show it's like the only thing
I remember about it.
Look, but that's when VH1 usedto show Like the music video.
It was in the morning Like thatso like a montage of videos and
Saison came on.
I want to say 2011.
I remember, but I rememberhearing it though 2011, 2011?
.

Speaker 1 (01:27:01):
I remember hearing it though 2011?

Speaker 2 (01:27:02):
2012?
.
I'm saying Recently I began backto like some of the songs that
I grew up on, like for nostalgiareasons and like just having a
good time for real.
So so the reason that I chosethat song is because he put that
to one of his writing videos.
He used that song Wait, saySomething.
Yeah, interesting Bro.
I ain't gonna lie when it comedown to putting music to a video

(01:27:23):
, bro, I'm number one, bro,number one, I feel that I'm
about to say it.
Effort One, say Somethingthat's interesting.
Come on.
6 foot, 7 foot.

Speaker 1 (01:27:34):
You gonna put Sexy Red Mad on me on the next one.

Speaker 2 (01:27:38):
I'm never doing it.
All right, go ahead, read thelast one.
Your boy.
All right, poking windows.
That's a la jack boy and lajack black.
I'm about to wet the cut.
This made back free jay green.
They trying to give him a flat.

(01:27:59):
I went duffing up the state.
I caught a plane.
I caught the plane back.
If rap don't work, then I'mback up on the same crap.
You can leave baby.
You gonna find your way back.
He can even smell, but he can'tsmell dope.
Once you come up from thecorner, boy you getting low.
They've been looking for theboy.
Think they trying to scope.

(01:28:20):
They gonna pop it.
You can lock it.
You still getting poked.
I remember you was balling.
Now you dead bro.
Last time I seen that nigga hewas smoking ports.
We got Z.
Oh shit, this nigga just knowall the sounds.

Speaker 1 (01:28:42):
I know we got Z.
Hey, oh shit, who this nigga?

Speaker 2 (01:28:44):
just know all the sounds, I know right, I know
right.
Nah, maybe I don't, whatever.
I give it.
Um, I won't shoot.
What's three, what's a three?
A flat, a flat, yeah, yeah,yeah, a flat.
Yeah, that's Kodak, right.
Who put this up?
Who put this up?
What song is this man?

(01:29:04):
Is this Shake Back?
It's Shake Back, bro, it'sShake Back, it's Shake Back,
yeah.

Speaker 1 (01:29:11):
Dang bro, you would have had three out of three.
You would have been Z,literally would have been the
first person to ever get allthree.

Speaker 2 (01:29:18):
I ain't gonna lie, I'm telling you 5am in Toronto
that shit, that nigga definitelyhad a bar like that in 5am in
Toronto.

Speaker 1 (01:29:24):
Look it up, man, I'm thinking about the cadence.
It might have been his cadence,though.
Yeah, no, that's definitely hiscadence.

Speaker 2 (01:29:32):
It's his cadence, but I knew it was Drake.

Speaker 1 (01:29:35):
Yeah, you know it was Drake.

Speaker 2 (01:29:37):
That's a Drake-ass bar.
That yeah, for sure that's adrag-ass bar.

Speaker 1 (01:29:40):
That's a drag-ass verse.
That's crazy.
No, that's crazy.
You almost was like.
You were almost the firstperson.
We've been doing this podcastfor like three years now.
That's crazy.
Four, three or four no, it'slike three.
We've been doing it for threeyears and I think you would have
been the first person to everget all of them right Almost
there, almost there, almostthere.

Speaker 2 (01:29:59):
That's right.
That is say something I don'tknow why 5AM in Toronto popped
in my head Alright Tanaka, lastone.
Let's get it right, bro.

Speaker 1 (01:30:14):
Let's get it right Almost like a dick, almost like
a dick, almost like a dick.
No, you're almost like a dick.

Speaker 2 (01:30:20):
You're almost like a dick Slang it man, how she say
it Hell, no that.
my mind can't sleep without thatiron.
I can't hear my own thoughts.
Cause my auntie, steady, crying, color cop with four bricks and
the bitches out hard, poppedhim on the highway, got down
them dogs smart.
Did I mention his old lady?

(01:30:40):
She was in the car with him.
Hit him with conspiracy, so shegetting charged with him.
Yeah, I'm going to give this toFerocious.
I like the picture they painted.
I don't know who this is, butI'm going to just say Kevin

(01:31:08):
Gates.

Speaker 1 (01:31:11):
So that was Jeezy.
Oh okay, that was off of a songcalled Dope Game.

Speaker 2 (01:31:15):
Yeah, I don't know that one.
You don't know that one, Idon't know that one yeah.

Speaker 1 (01:31:18):
That's your own, me either, but yeah that was yeah.
He was off to the last one yeah, you was last one.
That was the last one All right, that was fucking against the
bars.
So we finna move on to Hall ofFame.

Speaker 2 (01:31:34):
I'm mad about that damn 5 am.

Speaker 1 (01:31:35):
You should be you should be.

Speaker 2 (01:31:37):
Oh my God, you should be, hang on Is it Hall of Fame.

Speaker 1 (01:31:41):
We got to redo my episode.
Yeah, hall of Fame, hall ofFame, hall of all right.

(01:32:11):
So shout out to uh, shout outto uh.
Dj nashay, she uh was our lastguest for tnt podcast.
So for the hall of fame, we had, um, we miss robert versus alia
, versus ramen noodles andsurprisingly I don't know how
this happened and I'm going tojust take the pat on the back we

(01:32:32):
missed Robert one.
I don't know how the fuck Shoutout to everybody that voted
Crazy shit ever, but you know wemissed Robert one.
So, since I'm the winner, tanaka, I'm going to let you go first
and I'm going to explain to Zwhat the Hall of Fame is.
Or I'm going to let you gofirst and I'm going to explain
to Zee what the Hall of Fame is,or I'm going to explain to Zee
and anybody else's first timelistening to this podcast.

(01:32:53):
So, for the Hall of Fame, whatwe do is we just pick basically
anything from an outfit to amixtape, to a person, to
whatever you want it to be, andwe put it on the Instagram page
and we let the people vote forwho's going to be the next
inductee into the TNT PodcastHall of Fame.
I'll show you some examples andTanaka.

(01:33:14):
I'm going to let you start itoff.
So here's some people that Imean, here's some stuff that won
last year.

Speaker 2 (01:33:23):
Okay, so yeah, for theNC Hall of Fame, this episode
I'm gonna nominate.
I'm gonna nominate Not Like Us,kendrick Lamar, but I'm gonna
do the Z Jones version you know,only a select few of y'all have
witnessed that but the DeaconJones version of Not Like Us.

Speaker 1 (01:33:49):
And would you like to give a backstory on?
Or?
Here's some more.

Speaker 2 (01:33:52):
Look, man, if you was in the parking lot, you know
what's happening.
This was one of those.
You got to be in the parkinglot to know what Deacon Jones
rendition of.
Not Like Us.

Speaker 1 (01:34:07):
And nobody recorded this or anything like it wasn't
recorded man, you had to bethere, you know.

Speaker 2 (01:34:13):
So we're gonna have to have the icy queens to get on
.
Get on the podcast to uh tianawas actually on.

Speaker 1 (01:34:20):
Icy queens actually was.
They were like the first personon, so I guess we can get them
back.
Somebody call icy queens timeto come back, but um yeah, would
you like to give a backstory ofthis, not like us rendition?
Go ahead, you gotta get it toyou bro because he he can
explain it.

Speaker 2 (01:34:34):
I I'll get to you.
So it was a nice and slow recap.
It was that night, right?
If I'm not mistaken, that's thenight it wasn't right I can't
remember it sounds like this oh,yeah, yeah, yeah, the movie
yeah, oh okay.

Speaker 1 (01:34:44):
So Are you talking about the movie?
The movie?
Oh okay, so we was outside inthe parking lot and I think not
like us had.

Speaker 2 (01:34:50):
It was out for like maybe a week or something like
that, or maybe it was out for alittle minute, it was out for
more than a week, I'm not Right,but it was out for a little
minute, and so we was all outand I just kept talking about, I
just kept saying, you know, sir, I'm looking at him, I'm going
to go to school, and then I justkept dancing to it and I kept
saying it like over and over andover again, and like I was

(01:35:14):
doing it like the whole night,for real.

Speaker 1 (01:35:16):
So, like I was going to say something else, I was
like, sir, I'm looking at him,I'm going to go to school, like
you know, and y'all just keptlaughing.
That's something like some shitto not do.
It was funny, though, in themoment.

Speaker 2 (01:35:27):
it was just one of the fans Got you.
I appreciate it.

Speaker 1 (01:35:34):
We got to put him in the Hall of Fame Z's rendition
of Not Like Us.

Speaker 2 (01:35:36):
Nominate him for the Hall of Fame.

Speaker 1 (01:35:38):
Sure, I didn't give you enough time.
What you got, I want tonominate right now.

Speaker 2 (01:35:45):
I want to nominate right now.
I want to nominate Trapped inthe Closet by R Kelly.

Speaker 1 (01:35:54):
All one through three .
All one through three chaptersI want to nominate Trapped in
the Closet by R.

Speaker 2 (01:36:00):
Kelly.

Speaker 1 (01:36:03):
That's crazy.
We were literally just talkingabout that Wait, wait.
I remember when, just talkingabout that, wait, wait, wait
wait, wait, wait.

Speaker 2 (01:36:08):
I'm trying to tell you, bruh.
I remember when it first came.
I remember when we finallydropped it.

Speaker 1 (01:36:12):
That's what.

Speaker 2 (01:36:13):
I want to nominate Chapter and Clash of the One for
33.

Speaker 1 (01:36:15):
So what would you say is your favorite chapter?

Speaker 2 (01:36:18):
My favorite chapter had to be 13 for 33.
Not 13 for 33, but 23 for 33.

Speaker 1 (01:36:26):
Is that the one where he cut his hair?
Yeah, yeah, because that's theone where you know.
I like that it had some of thefunniest.

Speaker 2 (01:36:32):
It had some, not a lot.
My favorite chapter was the onewhere he was talking about.
He said pause the movie becauseI'm about to tell y'all it's
crazy.
And he was talking about me.

Speaker 1 (01:36:44):
That's my favorite episode.

Speaker 2 (01:36:45):
But my favorite movie slash chapters is 23 through 33
.
You were there.
Yeah, that's my favorite one.
That's funny.

Speaker 1 (01:36:55):
That's funny.
Trapped in the Closet wasdefinitely an error, because I
remember it's actually funny.
I actually remember when itcame out we were, they were
playing it on the well, I don'tknow.

Speaker 2 (01:37:05):
I don't know when it first came out.

Speaker 1 (01:37:06):
Well, no, I was going to say you weren't born.
Wait, no, no, you were you said03.
Nah, nah.

Speaker 2 (01:37:12):
They probably did come out before.

Speaker 1 (01:37:13):
Yeah, yeah, you was young, bro, like I'm saying.
I think you were like maybelike one or two.
What year did it come out?
I want to say like 04 be 05.

Speaker 2 (01:37:22):
When I first seen it I was 5.
It was 05.
But when I first seen it, I was5.

Speaker 1 (01:37:26):
It had to be.
Yeah, I remember it was 5.
I don't know if it was whereyou was at Tanaka, but they were
playing Trapped in the Closeton the radio Do?

Speaker 2 (01:37:33):
you remember ever hearing Trapped in the Closet
Bro?
They played that shit on theradio and they were like so
brand new R Kelly, not Robert.

Speaker 1 (01:37:48):
No, yes, I get what.
I know what you're about to say.
We already know what you'reabout to say.
R Kelly that nigga is a geniusfrom Chuck and the Closet.
He's a genius, he's just agenius in general he could sing
gospel.

Speaker 2 (01:38:03):
He could sing R&B.

Speaker 1 (01:38:05):
He could sing different decades of R&B, but if
you're talking about Chuck,we're talking about Chuck and
Clyde a bit by itself.
It could be his own description.

Speaker 2 (01:38:13):
No, it could.

Speaker 1 (01:38:14):
And it is actually interesting that he actually
made that into songs.
These are songs, right, and thefact that nobody and it's funny
, I talked about that at Nika'shouse because we were talking
about the song.
I'm like, bro, it's funny justlistening to this, because none
of this shit really even rhymeseither.
He's just talking.
It's just hilarious, but itactually did rhyme.

(01:38:34):
Some of it did, and most of itdid it definitely stayed in the
same rhyme.
No, it did, but it's just funnyto watch it like that.
Trapped in the Closet wasdefinitely an era.

Speaker 2 (01:38:48):
That's my nominee.

Speaker 1 (01:38:49):
Do you think if he ever gets out he's going to
continue it?
Of course not.
They ain't going to let me picka mic Every time he even look
at a mic, which is interesting,because they let Tory Lanez get
into the studio while he'slocked up.
Let's not speak on that.
Let's not speak on that.
I'll be there, speak on that,I'll be there, megan just came
out and incriminated herself.
Oh, I mean, I'm not in court,so fuck, I'm just saying we're

(01:39:14):
going to speak on it.

Speaker 2 (01:39:15):
Tor Harder.

Speaker 1 (01:39:19):
He has his moments.
He has his moments, he has hismoments.
Okay, hold on, hold on, hold on, I got you, I got you.
Hold on, hold on, I got you, Igot you.
Alright, deacon Jones, I got youAlright, so I'm going to go
completely left with this rightand I'm going to pick a TV show.
And this is just a reoccurringthing in the TNT podcast.

(01:39:40):
If you know, turn Up.
He likes stupid shit, he likesthe fucking stupid shit.
So, without further ado, my TNTpodcast nomination, hall of
Fame nomination is Robot Chicken, do you?
Oh damn.

Speaker 2 (01:39:55):
Oh, that's good, Robot Chicken I ain't gonna lie.
That's good.
You know what, what?
My favorite episode was theSuperman, the Superman bit.
Wait, which one was that?
I can't remember which episodeit happened, how it happened or
what it was on with, butSuperman got his ass whooped.
I remember that he got his asswhooped by something so stupid.

(01:40:15):
Bro, that's my robot chicken.

Speaker 1 (01:40:21):
Yeah, robot chicken is like the.
I know, Tanaka, you don'treally watch cartoons or shit
like that.
I don't know.
Have you ever watched RobotChicken, Tanaka?

Speaker 2 (01:40:29):
Do you have?

Speaker 1 (01:40:30):
any Bro.
He's never seen OccultingHunger Force.
Are you serious?
I had to put him on that.
But that's a whole other story.
But yeah, I remember when RobotChicken first came out and I
remember I was just watching it.
This was probably like this hadto be like oh, four or five,
and then I was watching it andthen I didn't know what I was
watching.
I actually thought I was justwatching a cartoon show and I

(01:40:50):
remember they were making fun ofpokemon and it was like pika,
pika, pika p, squirtle, squirtle, pika, pika p, squirtle,
squirtle.
what the fuck am I saying?
I was like what the fuck?
Because I'm thinking I'mwatching a cartoon show.
And he's just what the fuck?
Fuck am I, bro?
I busted out laughing and I'mlike bro, what the fuck am I
watching?
And I've been hooked ever since.

(01:41:11):
I remember I had like the firstseason on DVD and I, bro, I
used to watch that shit non-stop.
But, um, yeah, fucking RobotChicken.
Do they still make new episodesof Robot Chicken?

Speaker 2 (01:41:23):
Oh, they don't, when they stopped that when cancel
culture came into play.

Speaker 1 (01:41:29):
Y'all.
Next, puss, I'm going to gowith Robot Chicken.
That's going to be mynomination.
We're going to go with Trap inthe Closet, Robot Chicken and
Z's rendition of Not Like Us.
We're going to put it on thepage.
Let y'all vote.
That'll be the next inducteeinto the TNT Podcast Hall of

(01:41:50):
Fame.
I feel like we already knowwhat's going to win.
Look, I didn't think we MissRobert was going to win.
Robot Chicken definitely mightwin.
Look, it might not.

Speaker 2 (01:42:00):
I thought I had it with Chuff in the Closet, but
God damn, I should have said the.

Speaker 1 (01:42:03):
Boondocks, you might Look it might win.
Look, I didn't have.
There's some shit on here thatI I ain't gonna lie that, learn
Chinese.
I ain't gonna lie bro.
That shit kind of made me mad.
That shit, no, not, learnChinese.
That fucking.
What's that cartoon shit?
What's that Tanaka?
What's the shit you nominated?
And it was like I guess it waslike some asian from like

(01:42:24):
youtube or something, that yourice.
It had some do with rice orsome.
You gotta eat rice or some.
I'm sorry he nominated, I'mtrying.
Yes, I think it's called godrice or some, I don't know.
Let me see, here we go this,this one.
I'm like what is this classic?

(01:42:46):
I guess tj zone, I guess, ohwell, a court of shah juggernaut
.
He won't talk about it.
He said they destroyed toy'sequipment.
You know anything about that?
yeah, I don't know about that.
I know nothing about that.
Yeah, I don't know about thateither.
But, um, we're gonna move on.
Um, we got song of the day,song of the day, all right.
So, song of the day, um, I'mgonna just throw, I'm throwing

(01:43:40):
you out there to see where y'allat, where y'all were at um
december, december of 2019.
Z where were you?
Or what could you have beendoing in december of 2019?
Oh shit, I was at work.

Speaker 2 (01:44:00):
Where are you working at?
I was working at bed bath andbeyond.
Oh yeah, bed bath and BathBeyond.

Speaker 1 (01:44:05):
Alright, december of 2019.
Tanaka.
Where were you?
What could you have been doing?

Speaker 2 (01:44:10):
Bed, bath Beyond, are we?

Speaker 1 (01:44:13):
going, we going, deep diaper you been.

Speaker 2 (01:44:15):
Knacking on all the women.
I was trying to get a chick.
I was trying to get some money,bro.
December 2019.

Speaker 1 (01:44:22):
Yeah.

Speaker 2 (01:44:25):
That's when I met you , wasn't it?
Yeah, well, I mean.

Speaker 1 (01:44:27):
I guess, yeah, that's when I met you, wasn't it?
Yeah, well, I mean, I guesstechnically, you guys, um, yeah,
I mean I guess the last, Iguess the last bit of December,
yeah, but I guess the rest ofDecember, what could you have
been doing?

Speaker 2 (01:44:43):
um, just in the streets.
You know what I'm sayingtrapping that trampoline.

Speaker 1 (01:44:49):
Yeah, so it's actually interesting.
Most people actually don't knowthat this song came out in 2019
, but it was so close to theline of 2020 that folks think
that it came out in 2020.
But and it was actually funny,this is probably like my most
recent, like my newest song ofthe day, because most of my
songs have probably been fromlike 2015 and back.

(01:45:10):
But, without further ado, mysong of the day is um Roddy
Ricch the box.
You know what's interestingabout that song is that song
actually came out the like endof December, like the end, like
no, no, it was the beginning ofdecember, but it was like it

(01:45:33):
didn't.
It didn't come out as a singleuntil like 2020.
I want to say, but um, run downsome little joints well before
I get into it.
Z, what's your thoughts on?
Wait a minute the box.

Speaker 2 (01:45:39):
Yeah, bruh, because you know this, you know what
that whole album?
Yeah, please excuse me yes thatis probably the best album that
came out, but personally, in along time no yeah, I will say
this yeah, I'm not.

Speaker 1 (01:45:56):
I'm not gonna deep dive into, please, uh, excuse my
anti-socialness or whatever.
Whatever it was yeah, I'm notgonna deep dive into that, but I
will say this that album mademe a Roddy fan.
That album is perfect.

Speaker 2 (01:46:08):
That album is perfect bro.

Speaker 1 (01:46:10):
And I'm not really into melodic rappers.
But I will say this that albummade me a fan of Roddy.
It made me give him a chancefor his second album, but we're
not going to talk about thateither.
The box was track two of PleaseExcuse Me for being Antisocial
and, like I said, it first cameout December 6, 2019, and it was

(01:46:30):
released as a single in January11, 2020.
I heard it when the album cameout.
It was released under AtlanticRecords and Bird Vision Tanaka.
Are you familiar with BirdVision?

Speaker 2 (01:46:48):
No, I think so.

Speaker 1 (01:46:50):
Yeah, I'm not either.
I know you be knowing shitabout it, because what's
interesting about it?
Usually when it says it'sreleased by the record label and
then it's a record label undera record label, but it said
Atlantic and then it said BirdVision.
So I didn't know if it was likea management deal or something.
I don't know.

Speaker 2 (01:47:08):
I really don't.

Speaker 1 (01:47:09):
I'm not really too familiar with Roddy Ricch, but
the producers of the beat whichis actually interesting
Producers there's threeproducers on one beat 30 Rock,
that Boy, Squeeze and Zentachi Iheard the name before Is that
how you say it Something likethat.
Zentachi, I heard the namebefore.

Speaker 2 (01:47:28):
Is that how you?

Speaker 1 (01:47:28):
say it.
Yeah, they're the producers ofthat one beat and I'm not going
to lie.
It's interesting that it'sthree people on one beat.
But when you think of that beat, that beat is nuts.
That beat is nuts.

Speaker 2 (01:47:35):
But you got to think about it, that whole production
of that album.
It's crazy.

Speaker 1 (01:47:42):
Yeah, no, I'm not going to lie.
I'm going to have to give thatalbum a second listen, because
I'm not going to lie.
When I heard that album.

Speaker 2 (01:47:46):
I was like I just listened to it again recently
Like that album still is noskips.
Yeah, no, that album is perfect.
That is a perfect album.
That's like up there withAstroworld yeah.
Let's not rule it out that far,we're not going to rule it.
I'm sorry why you think we'rehere.
I feel you, I feel you, I feelyou.

Speaker 1 (01:48:07):
So apparently there is.
So there has been some debateas if there I mean if there is a
sample on the on this song.
But they say there is onesample but the producers swear
up and down is not, but they saythe sample is a song called
Dawn Symphony by the RollingCorporation.
Apparently it's that first part, like when it first come on.

(01:48:30):
Yeah, like right before that.
But um, at the time, at the timeI was in the midst of DJ and
full-time at all-american andgold rush and I probably say
that was like the first time Ican like honestly say like I was
like financially stable to dowhat I wanted to do.
Because at the time before I'llprobably say that was like the
first time I can like honestlysay like I was like Financially
stable to do what I wanted to do.
Because at the time before thenI was like I had a phone, but

(01:48:53):
like it was never the best phone, it was just home for me to get
by or I was going to shows, butlike I was just going somewhere
to have fun, like I was fine, Iwas finally financially stable.
That I was like you know whatFuck that I'm gonna go get the
front seat, I'm gonna get the.
I'm gonna get the best seats.
I'm gonna get the best cars,I'm gonna get the best whatever.
So what I remember about thissong, like in particular, just

(01:49:16):
me personally I was at Gold Rush, shout out to Gold Rush, still
at Gold Rush.
Um, when I used to do, um, getnew music at Gold Rush, before I
would start DJing, I would justlisten to, like if I had an
artist that I knew like killedthe clubs or had a song in the
club, I would listen to theiralbum if they had a project out.
So I listened to the album,like just going through songs,

(01:49:38):
see what I can play, what Ican't play, and I got to the box
.
Well, I didn't get to the box,it was track two.
But when I got to the box I waslike yo, this shit is like I
don't know if I'm able to playthis because it's kind of slow
and like folks don't really playa lot of slow trap songs
anymore.
But fuck it, I'm gonna try itanyway.
So I remember I dropped the song, I played the song and this is

(01:50:00):
before anybody knew the song.
I played the song.
Somebody ran to the dj boothand was like yo, what the is
that?
What the?
Did you just play?
What was that?
That beat is insane.
You gotta play that again.
And if you know anything aboutturn up, turn up, does not play
songs twice.
However, this song was newenough and it was fine enough.

(01:50:20):
In my head I was like you knowwhat, let me give it a second
try, just to see, just to seehow I feel about it.
And, dude, when I tell you likeis probably like my favorite
song on that album, and what'sfunny about that?
I remember I went toAll-American that day and shout
out to uh, I'm going to rule itout real quick.
Z, were you ever there for DJKool?

(01:50:40):
Nah, I wasn't there for him.
You weren't there for Kool,okay.
So you in there for cool, okay?
So there was a dj at allamerican named dj cool and he um
, and I was like bruh, I'm gonnalet you know.
Now there's a song roddy richgot on his album and it's called
the box.
You better get it now beforethat shit kills the radio.
And sure enough it did.
But, um, I was like, yeah, bruh, it's gonna be the part that's

(01:51:04):
gonna get everybody.
She sucked a nigga, so got acash app and I mean, obviously
it wasn't that part, the partthat always got everybody was
either the er or the um or theum.
What's the bitch, don't wear noshoes in my house or some shit
like that.
But um, yeah, I was.
I was like bro, you better getthis song before this shit like

(01:51:25):
pops and was actually funnygoing back to December 6th that
it dropped.
Yes, tanaka was right.
I met Tanaka like probably likea few weeks before that song
came out.
We met at All American and hedid the New Year's Eve party.
So I met him literally the lastday of the decade.

(01:51:46):
The last day, the last fewhours of the decade.
Yeah, you said 2019.

Speaker 2 (01:51:50):
I want to skate, I want to skate, you want to skate
yet.

Speaker 1 (01:51:53):
Yeah.
So, um, yeah, I think I wasstill doing.
I think I was just in rotationfor bailout Monday.
I was still doing bailoutMonday, still doing whatever the
fuck.
But um, let me see.
Oh, whatever fuck, but um, letme see what else.
Oh.
So the music video for the boxmirrors the song's theme of
success, luxury and ambition.

(01:52:14):
It features rodney rich indifferent settings, from a
mansion to a futuristic uhcityscape.
The video is filled withinteresting imagery, including
scenes of rodney rich driving ahigh-speed car, performing in
gravity-defined slam dunks andeven the dressing of the nation
in the White House.
Overall, it's a bold, vibrant,reflecting song with an

(01:52:35):
energetic, confident tone whichcan't be more than the truth.
The song's success has gonediamond in the USA and Brazil
and platinum in every othercountry.
According to Rap Genius, itpeaked at number one Billboard
Hot 100, beating Justin Bieber'sYummy by the number one spot

(01:52:58):
and marking Roddy Ricch's firstnumber one hit.
The critics point out thesong's repetitive lyrics and its
focus on materialism.
However, the critics generallypraised the box for its catchy
melody, Roddy Ricch's strongvocal performance and the song's
infectious energy.
Many noted the song's abilityto capture the spirit and time

(01:53:21):
of the culture.
According to Wikipedia.
The song was recorded inroughly 15 minutes in the early
mornings in New York.
Let me see.
The song's intro contains thatsqueaky sound known as the ER
sound, which is also heardthroughout the rest of the song,
According to Atlanta Records ARKeefa Black.

(01:53:43):
Before I roll out, do you?
know who that is?
Tanaka Keefa Black.
Okay, After the song wasfinished, Roddy Ricch said wait,
let me add something, and cameup with the sound himself.
Apparently, he said he heardthe sound from Michael Jackson
and I guess he, yeah, just tookit.
Oh, yeah, that's that part Idone.

(01:54:04):
Put my whole arm in the rim.
Vince Carter, that's my shit.
I'm going to listen to thatsong again, bro, but yes, I'm
not going to lie.
So if you want to just hearwhat the time sounded like in
2019, I would highly recommendyou get Roddy Ricch.
Please excuse me for beingantisocial, but definitely

(01:54:26):
listen to the Box.
That shit, I ain't gonna lie.
This song had 2020 in achokehold and, honestly, would
have had it in a biggerchokehold had the world not shut
down in 2020.
But, yeah, that's turn up songof the day ronnie rich the box
hell of a choice yeah a greatchoice, yeah all right, I'll
tell you.

Speaker 2 (01:54:42):
I was thinking about that the whole time, like
getting ready to come up here.
I'm not gonna lie I've beenthinking about that, like the
album.

Speaker 1 (01:54:46):
Yeah, god thinking about that the whole time, like
get ready to come up here, I'mnot going to lie.
I've been thinking about that.
The album.

Speaker 2 (01:54:48):
Yeah, I've been thinking about like 10 out of 10
albums with no skips and,please excuse me, the Antisocial
is up there.
It's up there, it's always upthere.
My favorite song is War Baby,war Baby.

Speaker 1 (01:55:02):
I'm trying to think Is the box my?
I gotta listen to the albumagain.
I don't really remember, butthat's the thing, though.
I don't remember Please Excusemy Antisocial because just the
songs all together just are good.
It's not like, okay, thissong's whack, this song's whack,
it's like just, it's just all.
Just, it's kind of like gettinghit in the face, it's gonna

(01:55:23):
hurt, but at some it's gonna gonumb at some point, like all the
songs are just that far likeit's just the weakest link on
the album.

Speaker 2 (01:55:30):
Still somebody's being here.
That's the way I approve,that's what I'm saying, and I
think the weakest song thatanybody could say is probably I
like bam, I couldn't even tellyou, I, I don't even know
exactly, I don't even know.

Speaker 1 (01:55:43):
You'd have to look at the track list and you will
really have to be like you have?

Speaker 2 (01:55:47):
no, you have to go look at the string to see what,
what people say oh, what youlike.

Speaker 1 (01:55:51):
All you say, like number wise, I was general not
I'm saying people, numbers gonnareflect how people yeah, no,
for sure, but everybody's gonnahave.
I mean, yeah, they're doingopinion and yeah, yeah, not for
sure, right?

Speaker 2 (01:56:04):
but that album for.
So I don't know that's a goodalbum.

Speaker 1 (01:56:08):
Yeah, that album made and, honestly and truthfully, I
don't know what, um, I honestlydon't know what made that, uh,
what made me listen to the joint, but, yeah, no, that was a good
album what made you listen toit?

Speaker 2 (01:56:20):
I remember what made me listen to it because I was
right, was already coming off ahigh with feed the streets too
so that's what I'm saying,though I didn't like I didn't.

Speaker 1 (01:56:29):
When die young.
When die young and um.
What's the other song he had,die young and um.
He had two singles that werelike hot.

Speaker 2 (01:56:38):
I ain't gonna like rich forever with someone that
was uh hot, but then they tookit down because of the uh
jeremiah sample what's the no,no, what's the um?

Speaker 1 (01:56:46):
I've been balling in every season, every season every
season they came from uh feaststreet.
Yeah, every season and dieyoung so when I heard, those I
was like, yeah, sure, whatever,or did it come?
From it might have.
I just remember in atlanta thetwo songs that was hot variety
was that and die young, roddywas that and Die Young and I was

(01:57:07):
like, yeah, sure, I guess.
So when I heard this I was likewhat the like?
Why haven't we got this?

Speaker 2 (01:57:13):
Die Young was a melodic as hell too, though.

Speaker 1 (01:57:14):
Yeah.

Speaker 2 (01:57:15):
Die Young was good.
It's a good song.

Speaker 1 (01:57:17):
I mean, no, it's cool , but like it didn't hit to me
like the box did or likeanything else off that album.

Speaker 2 (01:57:22):
Nah, please give me the answer.
Legendary album was crazy.
Yeah, it made sense.
I didn't know it went down, butI'm glad it did well, no, I
don't know if please uh, excusemy answer.

Speaker 1 (01:57:33):
The box, oh, the box went down.
The box meant that by itself,that's absolutely not it.

Speaker 2 (01:57:38):
Probably that's how I feel that's a hot take, but we
gotta appreciate that.
Rich Forever, though.
Hell yeah that's on.
Bro, you said Rich Forever is.
Hey.

Speaker 1 (01:57:50):
You know what's crazy ?
And a quick backstory on the.
Please Excuse my Antisocial, Iforgot what we were doing, but I
just remember I was hangingwith Drip, shout out to Drip and
he kept killing backseat.
And I'm like bro, I know D dripto either listen to his own
music or gz and gucci so or ortootsie, but I don't know if

(01:58:14):
tootsie was out of no, tootsiewasn't even out of time.

Speaker 2 (01:58:16):
So, um well, he was, but he wasn't yeah for drip to
know.
No for drip to know, I know Ialready know what he going to
with rich felvel Edgar, I'lltell you.
Go to video, bro.

Speaker 1 (01:58:32):
Bro, and he kept playing that shit over and over
again.
I'm like I fuck with the song.
I don't want it.
Bro, Play the sound.

Speaker 2 (01:58:50):
I don't want to get copyrighted.
I don't think you can getcopyrighted from this, though
yeah, you can.
You'd be surprised if you getshut down for it.
Damn, that's a good song,though that's a great song, but
yeah, that's uh, well, alrighty,alrighty, we're just talking
right now.

Speaker 1 (01:59:11):
Oh no, it went two times.
It went two times platinum, itwent two times.
It's funny that you say, goddamn, dude, it went two times
platinum.
That's funny.
But yeah, nah, uh, hold on, letme look at the video, bro, turn
it.
Let me see.
Uh, let me look at yeah, bro,let me see.
Yeah, oh no, that's all the,that's all the.

(01:59:32):
This is all the fucking chartsit made.
But no, yeah, see, that's, itwent diamond in the USA, in the
USA, in America and Brazil andeverything else is platinum,
platinum, platinum, platinum,six time platinum.
That's crazy, that's a crazynumber, insane.
What's that?

(01:59:54):
10 mil in America, yeah, yeah,10 and up is diamond.
Yeah, that's crazy.
Yeah, 10 and up is diamond.

Speaker 2 (02:00:05):
I didn't think about backseat.
Yeah, I didn't think aboutbackseat.

Speaker 1 (02:00:08):
I ain't think about backseat, right?
No, I ain't gonna lie, thatsong was hard.
That's the only reason why Iwas okay with Drip Queen and
Over and Over Me I was like,yeah, I fuck with this.

Speaker 2 (02:00:17):
I'd rather make the music up to, honestly, the end.

Speaker 1 (02:00:25):
Look, i'ma just reel this out real quick because I
know I've had, I've had thisconversation already and then
we're gonna go to uh, tenacity'salbum of the day, but, um, so
the issue I feel like whatfucked up roddy rich was that he
came out with live fast.
But here's the issue.
Here's the issue I have withpeople saying that there's an
issue with live fast.
Live people thought that wewere gonna get us just a second

(02:00:49):
anti-social album.
Live fast literally is calledlike.
It's literally called live fast, like he's just doing a whole
bunch of shit, like that's.
If you listen to it with thatmindset, you got no issue with
the album.
Now, granted, it's not a lot ofsubstance in the album, but the
song, but the album's calledLit.

Speaker 2 (02:01:05):
Fast.
So it's kind of like comparisonto Greg's Nevermind, that's
what it sounded like Kind of,but that was.

Speaker 1 (02:01:16):
I feel like nah, because I feel like, Honestly,
nevermind was him experimentingwith music.
Because I feel, honestly,nevermind is more like Yeezus to
me.
Yeah Well, we'll get into it,but Tanaka, we'll let you get
into your album of the day forsure.

Speaker 2 (02:01:36):
Yeah, we'll Thank you what bro?

Speaker 1 (02:01:37):
go ahead bro.

Speaker 2 (02:02:13):
My album of the day.
Man, we gonna go with thisalbum called Gangsta Music Yo by
Webe and Bootsy man.

Speaker 1 (02:02:23):
Oh this your shit, Uzi.

Speaker 2 (02:02:25):
You know, I feel like I feel like ghetto stories was
kind of like they, you know,showed the chemistry.
And then gangsta music, theykind of like it really like
bathroom break.
They really locked in for real.
So but yeah, gangsta music, man, I feel like Top to Bottom man.
That John Ryan, you know whatI'm saying.

(02:02:46):
So the classic, if I do say somyself, you know that give me
that bad.
You know swerve and that thatwas on the hustle and flow
project.
But you know even baby mama,you know what I'm saying.
You know that it got a lot ofunderrated cuts underneath that.
You know, I feel like j classicwebby and boothy and I feel

(02:03:07):
like this kind of set theplatform for them to go solo and
have their solo careers and allthat.
Um, go ahead.
Z.
You want to speak on the man?
What?
How did you hear this album man?
Well, you talking about?
Oh, that, bro, I was in myuncle.
Um, I was my uncle and mycousin and my sister and my
uncle Mustang ran on.

(02:03:28):
He had 26 inch rims and lowprofiles and them bitches was
great.
Cut a figure with it, right?
Anybody that's from the Southknow exactly what I'm talking
about.
So, my uncle, the reason why Iwas even listening to trap music
, because my mama I was alwayslistening to gospel, r&b or

(02:03:51):
something like that, but myuncle it was always Wayne Way,
big Boosie Master P just niggasthat nobody really heard of for
a fox.
He had a system in the car, ofcourse Well.
Yeah, of course he did.
We're here, man, we're here.
He was a system in the car, ofcourse Well yeah, what was he
doing?

Speaker 1 (02:04:06):
What was he doing, man?

Speaker 2 (02:04:08):
What was he doing?
He was shaking the block, broman.
I'm talking about the backwindshield was about to break.
That's how it was shaking forreal.
But no, the first time I heardit I can't remember when
specifically, but I remember andwe was going to like, we was
trying to go to McDonald's andget some food and my uncle had
pulled over at the gas stationand left the car running.

Speaker 1 (02:04:30):
And at this point.

Speaker 2 (02:04:31):
I'm a kid and I had just remembered somebody telling
me that a car blew up after therunning and I think Bad Bitch
was playing and my uncle hadleft the car and he started
pumping gas and I'm thinking inmy head like bro, we're trying
to die, like the conference book.
Like the conference book.
Like the conference book.
I wish my sisters was here ormy cousins were here.
They'll tell you how like I'mso serious.

(02:04:51):
But yeah, I remember that like.
But yeah, my uncle kept me.
He like he.
The reason why I even listeningto like Waybe and Boosie, for
real.

Speaker 1 (02:04:59):
Like Waybe and Boosie , so yeah so to the new york
folk.

Speaker 2 (02:05:04):
Go ahead and tell them like, because they always
be like I don't understand whyy'all in the south be listening
to pussy like I don't get itlike.
So to explain, if you explainto them why you know webby and
bussy, why they regarded as theyregarded in the south, go ahead
what would you tell them?
I say it's kind of like howdarryl 50 was portrayed over
there.
I say it's kind of like how JaRule and 50 was portrayed over

(02:05:25):
there.
It's like okay, cool.
But for Webby and Boosie it'slike them pioneers for a sound
that a lot of the rappers thatcame up by them took and ran
with.
We had G Money, fredo BangYoungboy, even Kevin Gates to a
certain degree it's like bruh.

(02:05:46):
These niggas pioneered a soundfor real.
Wayne pioneered it when he waswith Hot Boys.
He was a young nigga with HotBoys.
Hot Boy was big-timing them.
And then they had Wayne.
He was a little big-timer so hepioneered a thing.
And then WayV and Boos, bussycame and then they flipped the

(02:06:07):
whole thing because they tooktheir story, especially bussy.
That's why everybody like booso much, because he took his
story and put it into like heput it in the songs for it right
.
And if you really knew thehistory on bussy and webby and
where they came from, how theywas, then you would know like,
oh, you're like it gettreacherous down there down
there.
So it's more of a resonatingthing with us.

(02:06:27):
So let me ask you this Do youfeel like there's a difference
between the Baton Rouge soundand the New Orleans sound?
Yeah, but then at the same timeit's like subgenre, because New
Orleans basically pioneered theBaton Rouge sound, right, and
then it kind of flip, it'llflip-flop back and forth.

(02:06:47):
You don't hear much coming outof New Orleans like that, no.
But as far as BR, you'll hear alot of stuff coming up out of
there and it's not like theyfrom New Orleans or BR, they
just from Louisiana.
Louisiana itself got a sound.
You hear Louisiana, you hear asong from Louisiana or something
like that.
You're going to hear thatguitar, you're going to hear

(02:07:09):
that.
You know a sound from it.
But it's like, yeah, when itcame to BR and New Orleans,
especially with Birdman and Big.

Speaker 1 (02:07:19):
Thomas, and Wayne.

Speaker 2 (02:07:20):
They was from down there in New Orleans After that
damn.
That's when everythingpiggybacked to BR and then BR
picked up on it.
That's how we got Youngboy andall the mother niggas.
It's a resonating thing forreal.
We can feel that.
That's why I would compare itto a Ja Rule and 50 for New York
people or even for people inDetroit.

(02:07:42):
Y'all can resonate with himmore than y'all can resonate
with somebody from the southlike I can't.
So that's how, that's how Ifeel about it.
That's why so trying to.
We were speaking on how, um,because I feel like new yorkers,
like they, they are acceptingof some southern artists born
and come to folks like boozy andwebby like they just don't

(02:08:04):
understand it at all, like theyjust lost it.

Speaker 1 (02:08:08):
They feel like anybody that they don't think
meets their criteria of lyricalability they feel like is
bullshit.
That's why they feel like Idon't know.
That's why I feel like Jeezywas the only person to really
resonate with all of like eastcoast, west coast, north, south,

(02:08:30):
especially the south obviously.
But yeah, I don't know.
New york has always been like anot necessarily a hateful place
, but like you gotta think about, this is the same.
I mean, this is the same peoplethat booed outcastast.

Speaker 2 (02:08:45):
Right.

Speaker 1 (02:08:45):
So, like I don't know , it may be a little different
now, but, like I don't know, newYork is just, I mean, it was
the birthplace of hip-hop, so Imean they got that, but, like I
don't know, they're not realopen-minded when it comes to
like change.

Speaker 2 (02:09:08):
What I think it is.
Is they more flashy with how?

Speaker 1 (02:09:09):
they live in their rap style who new york.

Speaker 2 (02:09:10):
Yeah, at one point in time it was like look at, like
jay-z.
Jay-z used to always like okay,at one point he was talking
about you know, selling andslaying stuff like that.
But then he started getting tolike the, being a luxury person
in a sense yeah, I mean possibly, but I feel like that's more.

Speaker 1 (02:09:23):
I mean, honestly, I feel like that's more of a
Southern thing with the flashystuff.

Speaker 2 (02:09:27):
I'm talking about.
As far as materialism, I getwhat you're saying, but at the
same time, with Southern rappers, it's not always like that.
You get more trapped fromSouthern rappers than you do
anything else.

Speaker 1 (02:09:39):
Oh, no, for sure.

Speaker 2 (02:09:41):
Are they going to talk about money bitches?
Cars, of course.

Speaker 1 (02:09:47):
Of course they don't do that, that's yeah, but that's
what I'm saying.
New york I mean up north folksare more like, prone to like
lyrical ability and wordplay andall that type of stuff.
Yes, there is still the flash,the glitz, the glamour, but like
it's more of like how, how doyou word it?
Like?
What do you like?
I don't know.
It's just more of like how doyou word it?
Like the south, you don't knowabout how we say it, we saying

(02:10:09):
it, and this is how y'all gonnatake it yeah, unpopular opinion,
the south probably got the bestlyrical people, in my opinion,
okay good opinion because we cango down the list of lyrical,
lyrical makers and can't tell meotherwise.

Speaker 2 (02:10:22):
So um z how, if you were to describe the differences
between Boosie and Webby, whatwould you?
How would you comment?
Boosie is definitely.
He's more of the storyteller.
My life, what I've been through, you can feel his hurt in his
music.
Even when he talking about thegangster part, you still gonna

(02:10:44):
feel it.
He a storyteller.
Webby was more like the littlebrother, the jokester.
I'm gonna tell you how it is,but I'm gonna say it in a way
that I'm gonna make you laughabout it.
I can't even give you anexample.
Webby is hilarious, but Webbywas definitely like.

(02:11:05):
Between them it was more.
Sabusi was my pain.
Webby was hilarious, but Webbywas definitely like between them
, it was more so.
Boosie was my pain.
Webby was more just my.
He was more soft and make youlaugh, but Boosie was gonna.
He was gonna.
You feel like Webby the party,webby definitely the party.
So you know but Webby was alsoreckless why you think Boosie
did BET Awards and Webby did.
Well, that's the sexual scandal, right who?

Speaker 1 (02:11:28):
Webby, webby had a sexual scandal.

Speaker 2 (02:11:31):
He got banned from BET because he was over there
talking dirty to Roxy.
That's funny.
No, I didn't know that.

Speaker 1 (02:11:36):
That's not like some Webby shit.
Webby just raped him.
I just feel like Webby justtook I mean I'm not saying
Boosie ain't because you know,but I feel like bussy's smart
enough to like be like, allright, I'm trying to change my
life.

Speaker 2 (02:11:46):
let me, because like he live out here he don't even
know what he's doing, but theyboth, they both smart as hell
webby.

Speaker 1 (02:11:52):
Just I feel like webby's more of a street, like
he's like street, like he's likenot like I said, not saying
that bussy ain't a street, butlike webby is like, like I'm
here, I'm not going over.
Bruce went more to the businessside.

Speaker 2 (02:12:03):
Yeah, yeah, like Webby just wasstill Webby is.
Webby was a street nigga thatgot some money and stayed a
street nigga and stayed a streetnigga and stayed a street nigga
, yeah, but that's why I say helike the little brother that's
gonna make you laugh because hegonna tell you the truth.

Speaker 1 (02:12:21):
Mm-hmm, like webby is , I feel like webby is there in
present time.
Yeah, busi is like telling youlike pass, like back in the day,
like I was doing this, likewebby's like hey, I'm on the
block now.
Like come get your now.

Speaker 2 (02:12:36):
Like he said.
He said he's just a regularhood.
Yeah, that's the onlydifference between them, though
for real.
But they both, like I said,they pioneered for real.
So I'm not always looking likethat, so, but yeah, man, anyway,
gangster music man, just y'all,y'all check it out.
I feel like it's one of those.
It's just one of those southernlike albums I feel like is a

(02:13:00):
like z was speaking on pioneeredthe sound.
You know that that was createdin louisiana and influenced a
lot of the generations artiststhat that we got here today, um,
and then also show a lot ofbecause I feel like people get a
misconception.
I think of wavy, or just evenwebby and boozy.

(02:13:20):
That is yet party music.
You know what I saying.
But like they, I feel like theyexplore all the topics on this
project.
You know what I'm saying, but Ifeel like they explore all the
topics on this project.
You know what I'm saying, somake sure y'all check it out.

Speaker 1 (02:13:30):
man, almond Day Is that really the misconception of
Boosie and Webby?
Is that all they do?

Speaker 2 (02:13:35):
Yeah, I feel like I don't know.
I feel like they don't thinkthat Webby tell my number, but
he definitely got some recordswhere he's speaking on something
.

Speaker 1 (02:13:45):
I feel like the people that would say that are
the people that only listen tothe singles.

Speaker 2 (02:13:48):
Yeah.

Speaker 1 (02:13:48):
I mean he can't talk about that shit on the singles.
That's not making no money.

Speaker 2 (02:13:54):
They forget the Missing you record that WayV had
speaking to the ladies.

Speaker 1 (02:14:00):
But that's what I'm saying.
Most of his singles arespeaking to ladies.
He had Independent People don'tbe paying attention.

Speaker 2 (02:14:07):
Yeah, but they be paying attention to the beat?
No, for sure.

Speaker 1 (02:14:12):
But that's another thing about the South too.
It's like folks that's.
All folks want to listen to isthe beat New York niggas, get
some fucking and they'll juststart rapping on it.

Speaker 2 (02:14:21):
The thing about, though, especially where I'm
from, because the way we danceis made with the beat,
especially when we'reiana isjigging.
So focus on if.
If it's a beat they can jig to,which most louisiana music is
like that they're gonna jig tothem.
They'll listen to the leaguelater.
No, they don't give a about thelyrics like, but that's what
I'm saying no, but sometimes,but most of the time they do.

Speaker 1 (02:14:41):
But you're listening.
But you're listening.
I mean, well, if you're dancingand it's like let's wrap it
together.

Speaker 2 (02:14:45):
It's a line dance.

Speaker 1 (02:14:47):
You're going to, yeah , of course you're listening to
the lyrics to figure out whatyou're doing, but when it comes
to like yeah, when it comes todancing, but the reason I say
that, though, because we dig alot, all right.
I'm going to use Jigga andMoehead, because Jigga and Moe

(02:15:09):
artists no, these are dances.

Speaker 2 (02:15:10):
Oh no, because when you said mohead I'm thinking of.
Uh yeah, mohead is a dance thatbranched off, it's a, it's a
type of style of digging, butit's the mississippi version of
it.
So the mississippi dance, likehow, jesus look, look see, we
learned something new, go aheadand put us up on guys like
jigging and mohair is like wedance to the beat and we dance
to the music, but we still goingto learn the lyrics, because

(02:15:32):
once you learn the lyrics, thenyou can't the way you jig and
the way that you, however youjig to it, you going to jig to
the lyrics also.

Speaker 1 (02:15:40):
So it's like you knowing the music and you kind
of doing what the music.
It's kind of like uh like thejacket routine.
Everybody knows you know what'scrazy and I'm glad you brought
that back up.
It's interesting that youbrought up uh jaw as one of your
and I don't.
I don't mean to reel this outany further, but fuck it, we're
already reeling that out.
But it's interesting that yousaid jaw and I was like bro, I

(02:16:01):
would have never paid attentionto jaw, but there was a video
that remember I think we talkedabout it and it was his wordplay
of how he knew the words of thesong and he was doing it with
the riding joint.
Did I ever show?
you that video, or did we talkabout that video?
I feel like we did.
It was on TikTok and I was likeI just didn't pay no mind.
I just happened to go in thecomments and I was like yo, that

(02:16:21):
wordplay fire, fire, fire andit was yeah, it was them boys by
jesus, and I was like and Ifelt like I shot the video you
probably did but no like hey ifyou see this word play with um.

Speaker 2 (02:16:45):
But no like hey if you see his wordplay with um.
What's that one Wayne song thatyou played, I'm Me, no, not,
I'm Me.
Birdman Jr, yo BIN Jr Bruh hiswordplay on that.
I'm like damn, that's crazy.
And I know this song probablybetter than a lot of people
Right Z.

(02:17:10):
I gotta ask you why, in thisvideo, you like held your chest
like like woof.
I don't know, bruh, I ain'tgonna lie to you.
Well, tanaka, well, that wasreally the fallout, tanaka.
Let's, let's ask you contextWatch this, watch this.

Speaker 1 (02:17:17):
Okay, great, I know we're talking amongst each other
, Tanaka, but you gotta addcontext to the people that are
listening.

Speaker 2 (02:17:22):
What is this facial reaction?
They don't know what you'retalking about.

Speaker 1 (02:17:24):
They don't know what you're talking about this is
going to be audio, so you haveto explain the video.

Speaker 2 (02:17:31):
It's on King Primo, aka Carey's page and it's him
and Z Jones duo riding atSuperbell.
It was the first Superbell onMonday and, yeah, yeah, I could
tell it was right.
First one.
It was right when we got rid ofthe Wicked Witch of the OS.

(02:17:52):
Yep, I'm going to tell you whyI did that, bro.
What was we doing?
I think it was right when y'allhad to say it.
We did the male and the femaleriders.

Speaker 1 (02:18:07):
Oh, it was that shit.

Speaker 2 (02:18:08):
Yeah.

Speaker 1 (02:18:09):
When I was like breezy you're mad.

Speaker 2 (02:18:11):
Yeah, yeah, we did.
The male and female ridersright there.
If y'all remember the firsthoopla on Monday, they'd be
packed, Like it was likeeverybody was in there.
So I was, we was doing a step,almost failed and so, but Kerry
had grabbed me like, held me up,and that's when I grabbed my
tail, like whew, I'm going tobust my ass.

(02:18:32):
That's how it was, bro, but I'malive.
So that's how it didn't matter.
I'm still alive.
But did you die?
No, but did you die?

Speaker 1 (02:18:50):
That was before I really found my, but um yeah, so
um, tanaka, what we got next?

Speaker 2 (02:18:54):
DJ talk yeah, dj talk .

Speaker 1 (02:19:01):
I don't know I.

Speaker 2 (02:19:01):
I ain't allowed.
Let me add some more.

Speaker 1 (02:19:08):
Okay so we can.

Speaker 2 (02:19:09):
We can, I guess, z, what do you look for in a DJ man
, just from an outsideperspective, just you personally
, man, as a First thing I'mlooking for as far as like how,
like what I want, what I want tohear, yeah, transitions.
If y'all transition fast, I'mgoing to take my skates off.

(02:19:31):
And have you experienced thisin the skating rink, of course,
like with DJ, right, right.

Speaker 1 (02:19:36):
That was my next question.

Speaker 2 (02:19:39):
What we doing, naming .

Speaker 1 (02:19:41):
Putting the names.
I ain't going to say no, putsome names in the off-limits.

Speaker 2 (02:19:46):
I ain't going gonna say no names.
I ain't gonna say no names.
Too many tags bro.
I'm tired grandpa.
Too many tags are on it.
How many you looking for?
No specific number, justcurious as to what you know,

(02:20:07):
what you look for not having adeep music, music bag for real,
or playing just relevant shit,that's like them.
The things that like don't getme cause, like, if you you doing
them consistently, it's like,what about?
What about in a party setting?
Is it?
Is it different at all in aparty setting, or is it the same

(02:20:29):
still, the criteria that youlook for?
I'm going to say for me it'sgoing to be the same thing.
Okay, because if I'm at a party, depending on what type of
environment we're talking about,I'm not going to hear music
from this year alone.
I ain't going to hear musicfrom the prior two years before
you can go back, go get somereal music, right, right, like I

(02:20:52):
don't think you're going to getsome Anita Baker, some Michael
Jackson, some Whitney Houston,right.
Then you can go grab someAaliyah.
Then you can go grab some TreySongz.
It's like with J, we can't justhave the steak, we got to have
the side.

Speaker 1 (02:21:08):
The sides to go along with it.

Speaker 2 (02:21:11):
I think it's like going to a cookout, bro, you
just got meat on the grill andyou ain't got nothing else with
you, right?
What the hell?
We ain't grilling, we just cooksome meat, right?
Right, this ain't no cookout, Ifeel you, we got to have a
mixed plate, I feel you Rightright.
I mean my macaroni next to myyams, my greens on the side,
exactly, and then put my chickenright there, exactly.
That's how I feel.

(02:21:31):
I feel that I be saying thesame thing, bro, but you know,
some of them DJs, they just someof them folks just be doing it,
just to say they a DJ and justso they can, like, give places
free, get.
You were able to tell who youfeel like is in it for real and
who's just in it for the money.
I can tell who in it for thenotoriety and who in it for
their image versus the peoplethat actually do it because they

(02:21:53):
care, and you were able to tellthat by how they DJ or just how
they move.
In general, you can tell by both, both.
If you can text a DJ and belike, hey bro, and get with DJs.
If you can text a, take theidea, get up from criticism.
That's how you know that theyactually care about what they're
doing, right well, if you cantalk to the dj when the set over
with and I don't just go talkto whoever just popping that's

(02:22:14):
how you know what they reallylike care about what they're
doing, because they're trying toplease everybody right now then
you have some cases, like thisman right here, where he just
don't be giving a fuck aboutnobody for real.
But then other times it's likeeven you still you're like, bro,
if you got a request, put it inthe chris box, all right, cool.
Like you still talk to thatsituation.
So right, you know what I'msaying.
Like it's, it's solutions tothe stuff that you can do if you

(02:22:37):
really care, if you really djfor real, like, if you really a
hard dj, like you say you are,then you looking to please your
people, right.
That's why I put y'all and Dripin my top three, because at
least y'all actually ask peoplewho care about how folks feel,
especially Drip, because Drip beasking them like bro, what song
should I play?
I'm like dude.
Yeah, I know why you ain't putthem on for the Mississippi

(02:22:59):
music, bro.
I ain't been home in some years, bro.
My folks don't even claim me,no more.

Speaker 1 (02:23:05):
They say I'm from.

Speaker 2 (02:23:05):
Atlanta, I be like I'm still from here.
They do that to me too.
How often you visit Mississippi, I don't go back bro.
I love my family, I love mystate.
I love my state and my city andmy family.
But it's like ain't nothingdown there for me.
I see you got too much beef outthere.

Speaker 1 (02:23:26):
I ain't saying that I don't think, I don't know, I'm
just kidding.
I'm just kidding.

Speaker 2 (02:23:32):
I'm just kidding.
I'm just kidding.
He's trying to get some tea outof us.
He talking out of nowhere.
But yeah, dj really got to careabout his people out there.

Speaker 1 (02:23:46):
Yeah, for sure makes sense alright, so this is
something we haven't done in awhile, and I ain't gonna lie,
this is my fault, cause this issupposed to be supposed to be an
open whatever.
But we haven't done this in awhile.
But we gonna call this jointjust open topic.
So, z, you don't have to do itif you don't want to.
We can really just wrap thisshit up if you want to.
But if there's anything,anything that you want to talk

(02:24:08):
about, we're leaving the floorto you.
Anything, anything you want totalk about it could be
controversial.

Speaker 2 (02:24:15):
It don't have to be controversial.

Speaker 1 (02:24:16):
We could just be talking about hey, how did you
date him?
Whatever you want to talk aboutbefore we wrap this episode.

Speaker 2 (02:24:27):
I'm going to ask y'all one question, because it's
always oh yeah, go ahead.
How do y'all genuinely feelabout fight session during the
skate session, bro?

Speaker 1 (02:24:35):
like how do y'all?

Speaker 2 (02:24:36):
feel about it, bro, like don't get me wrong, cause
like it's different, like I feellike when it be the people you
cool with, y'all, it bedifferent versus the people that
you just be like.
Who the hell is this Right?

Speaker 1 (02:24:48):
So how y'all?

Speaker 2 (02:24:48):
feel about that.

Speaker 1 (02:24:52):
So the only issue I have with that is that it's
management.
If management isn't strongenough to understand and tell
you hey, when a fight happens,this is what I need for you to
do.
That's the only time I have anissue with fights.
If they come to me and they'relike, hey, so we want you to,

(02:25:14):
you ain't got to stop the music.
We're going to have security,figure it out.
They're going to throw them out.
It's cool.
Or stop the music.
We're going to shut everythingdown.
Blah, blah, blah.
As long as I have a directionon what the fuck is going on,
whatever it happens.
But look, yeah, that's the onlyissue I have when folks are
just like oh no, cut off themusic.

Speaker 2 (02:25:35):
Oh wait, no, no, you're good, You're good, don't
worry about it.

Speaker 1 (02:25:36):
Oh wait, no, when it's shit like that, then it's
like alright, bro, you obviouslydon't know what the fuck you're
doing, and that's when I getfrustrated.

Speaker 2 (02:25:49):
How do you feel about it, bro?
I mean I just, I understand,you know it happens.
I wish it didn't happen, but itdoes, yeah.
I mean, yeah, it do be kind ofinterrupting the session.
It is unfortunate, because I'drather catch y'all sliding than
out here.
You know what I'm saying,throwing bows and all that.

(02:26:11):
But I mean I get it.
I get it, it happens.
You know, the folks is young,they don't know how to control
their emotions and folk gettalking tough and pride, ego,
all that you know.
So it's just yeah, definitelybe a disturbance for sure.

(02:26:34):
You know it's crazy.
It's crazy from the DJperspective because you know
y'all are usually like on thefloor, you know eye level with
it.
We're kind of set above.
So when we see it it's justkind of set above.
So when we see it is just kindof it looks crazier.
I think it looks crazier fromwhere we see it as opposed to
like I love, you know, becausewe see the whole thing.

(02:26:55):
I would say yes baby, see ifthey are full.
I I'd be catching it like whenyou start oh yeah, going on our
page depends sometimes.

Speaker 1 (02:27:05):
I do sometimes I don't, but what I will say to
piggyback off the other questionyou asked the difference
between it being somebody that Idon't know and I do know.
The difference between that isthat us as DJs well, it also
depends on where it's at too.
I'm going to justhypothetically say stonehouse

(02:27:27):
case, I'm gonna just throw askating rink out there.
When it comes to like people Iknow and they're and they are
getting into altercations, Iwould think they would have
enough respect to be like allright, let's take this shit
outside.
The only reason why, the onlyreason why I say that is because
, if I know you, that means youprobably are a regular and you

(02:27:49):
probably have been there enoughoften.
I mean, you've been there oftenenough times to be like okay,
I'm not gonna let this person,whoever this person is,
interrupt my peace and fuck up,fuck it up for me.
So I'm gonna take this shitoutside, I'm gonna shoot the 15
and I'm gonna go back inside,because if I do know you, it
don't take much for I don't knowme or tanaka to be like oh yeah

(02:28:10):
, he had to go handle business,let me go get him.
He's outside.
Boom, that's cool, we're justgonna resume with whatever the
fuck we're going on, but forsomeone to know, for someone,
for me to know someone, and thenthey're fighting inside and
then we gotta shut everythingdown.
I'm like, bro, like you, letsomebody come into your house,
your house, because if, if youare a regular, I'm pretty sure

(02:28:32):
you got a little area, you got alittle area that you got you.
Just your stuff is over there,you're comfortable, all that
stuff.
You let somebody come in yourhouse and interrupt your piece
and I take it outside and handleit like come on, bro, like
that's how I look at it, that's,that's, that's my perception.
There's different perspectives,there's different perceptions.
That's my on the situation.

Speaker 2 (02:29:00):
Yeah, I try to take it out that day.
I try to take it outside.
So we Made sit down thereimposter book.
Huh, you sit down the imposterman.
The video with imposter's broBaby drill, imposter man.
I got there.
Oh, you talk about me, care?

(02:29:21):
Yeah, it's black and white.
Well, it was black and white,bro, I'm going through something
.
I had to get rid of theInstagram for a minute.
I don't want nobody to see this.
But, yeah, z, what are your topfive rappers that you listen to
?
Not necessarily like you knowwhatever list.

(02:29:41):
Yeah, yeah, just in general,who you listen to that you rock
with for real, that you know LilWayne is number one, j Cole,
kendrick, drake and Youngboy.
Oh, okay.
Yeah, and my top five rappersand because Youngboy releases so

(02:30:03):
much music, what's?

Speaker 1 (02:30:04):
the oh, was Mario there for that situation too?
Nah, he wasn't, he just said it, he just said it.

Speaker 2 (02:30:13):
He was there you talking about for that year.
He was there, see, that's whythey got nominated.
We'll see what you saying, doug, he definitely was there.
Since Young Boy releases somuch music, what's the top three
projects?
Would you say that that he isuh ai, young boy too, for love,

(02:30:40):
um and 38 baby.
My top three?
I don't know young boy.

Speaker 1 (02:30:50):
I feel like I feel like I've heard well, not heard.
I've kind of skimmed through.
I ain't gonna lie, all thatshit kind of sounds the same and
I'm not being an old head,cause I actually do actually
have a couple songs by young boythat I fuck with.
The little top wait, is itlittle top?
That song, right, little top.
And um, that fucking song fishscale.
I don't know who, bro, I don'tknow of that fucking song Fish
Scale.
I don't know who, bruh, I don'tknow bruh.
That fucking beat is nuts, I'mtrying to figure out.

(02:31:11):
He went into that booth and waslike look, you know what's
crazy.

Speaker 2 (02:31:15):
You ain't never seen him record a song, bruh he did
an interview with.
He literally just recorded asong.
In the middle of the interview.
All he do is just producer toshow up.
He did.
He hear a beat, and then hejust started rapping.
Start the sound.
That's all right, like this.
He don't write nothing down andnothing like I'm just like shit
.
My favorite song by him, though, is probably uh, we don't, we

(02:31:40):
don't know mention them probablymy two favorite songs.

Speaker 1 (02:31:45):
Yeah, I'm starting to I I'm starting to Bitch, let's
Do.
It is starting to grow on me.
I didn't really think nothingof it, but then I just see
everybody's reaction to the songevery time I play it.
So I guess that's growing on mea little bit.
But no, I'd definitely say LilTop or Fish Scale those are my
top two for Young Boy.

Speaker 2 (02:32:06):
They're hard bro, hard bro.

Speaker 1 (02:32:09):
I just feel like it gets a little dicey because he
comes out with so much music.

Speaker 2 (02:32:13):
Yeah, he drop more than anything.
Even if he don't get paid forthem on Apple, he get paid for
it on YouTube.

Speaker 1 (02:32:20):
He independent.

Speaker 2 (02:32:22):
Yeah, if I ain't mistaken.

Speaker 1 (02:32:25):
Tanaka is Youngboy independent.

Speaker 2 (02:32:28):
He was with Atlantic for a minute.
He was in that 10 albumcontract deal.

Speaker 1 (02:32:34):
Oh, is that why he came out with so much music?
Yeah, so are we just watching Zhighlights for the rest of this
episode.

Speaker 2 (02:32:40):
Definitely what we do .
He been doing this the wholeshow.
We gotta inspire him to comeback.
All right, y'all you saidinspire me to come back.

Speaker 1 (02:32:52):
We'll do one.
We got one more.
We got to tell him the schedule.
We're going to wrap it up Formy schedule.

Speaker 2 (02:32:58):
I just dropped my schedule.

Speaker 1 (02:33:00):
Go on my Instagram.
You can follow me at DJTurnUpT-U-R-A-N-V-U-P.
My whole DJ Turnup with two U'sT-U-R-A-N-U-U-P.
And yeah, my whole schedule ison there.
I'll let you know if anythingchanges.

Speaker 2 (02:33:11):
Tanaka, I'm so unloaded man, I'm so unloaded.
Tonight I'm at the MarquiseLounge.
Tomorrow I got Cascade Eastteam session and then AA late
night session, and then Sunday Igot Sofa Sunday and then AA
late night session, and thenSunday I got sofa Sunday.

(02:33:33):
And then next Friday I haven'tdecided yet it's either going to
be Golden Glide family sessionor Metro Diamond, and then the
day after that it couldpotentially be Golden Glide Teen
Session, but it's for suregoing to be Saturday Night Trap

(02:33:55):
Fever and then and then I don'tknow, bro, it's too much stuff.
I'm going to try and post it.
I need to trade some sessionsaround, but basically the 1st,
the 15th and the 30th, if I'mnot mistaken, I'm at the

(02:34:20):
Marquise Lounge, and thenCascade East is this weekend
with the teen session, as wellas the 21st, which is a Thursday
, delinquent Thursday.
And then we got some newsdropping for the out-of-state
folk.
So you know me, turnip andDrift, we've been cooking, and

(02:34:43):
so, yeah, I'm finna.
Share that news soon.
Nice and slow four play inHarlem.
Tickets are on sale right now.
December 21st is the date.
Please lock in.
Contact myself If you want totalk to Turn Up.
You can do that too.
He's probably gonna redirectyou.

(02:35:04):
You know what I'm saying Niceand slow 4.
Make Nice and soulful Love toyou, bazzi.
Y'all, make sure y'all tap in,tell a friend.
Tell a friend.
Pre-sale tickets, once again,are on sale.
Please contact me and we shouldbe getting tickets like within
the next few days.
So yeah, so you can alreadyplace the order and then I'm

(02:35:27):
going to just get the ticket toyou.
So, anyway, $15.
$17 on Cash App, $15 oneverything else, whether that be
Cash, zelle or Apple Pay, andthat's what it is, man.
Appreciate y'all tuning in,checking it out.

(02:35:47):
601, mississippi's finestDeacon Jones Finally made it.
Man, it's a long time coming.
We appreciate you pulling upspending time with us, you know.
Speaking on the skate world andmusic, my final question is why

(02:36:08):
were they calling you a bot,bro?
I don't know why they becalling me a bot.
The same reason why they becalling me a dweeb.
They fucking dweeb, bro.
Everybody a dweeb, everybody abot.
That's how I feel.
If you do some dweebish assactivity, you a dweeb.
If you do some bot activity,you a bot.

Speaker 1 (02:36:25):
Well, activity you a dweeb.
If you do some body activityyou a bot.
Appreciate for all my dweebsand bots tuning in.

Speaker 2 (02:36:30):
When are we getting the favorite cousin duo?
Man, Y'all will get thefavorite cousin duo.
Slow train favorite cousin duoG-Slide with Precious.
Those are the three things Ineed from you, bro See.
Joe will pop back outsidecoming to you soon, in 2025.

Speaker 1 (02:36:46):
That's the best.

Speaker 2 (02:36:47):
There you go, there you go.
I just dropped the trailer andI just dropped the ad.
Come on, now let's take it tochurch.
Oh yeah, okay, that's it All,right, but before we go straight
to hell.

Speaker 1 (02:37:04):
Appreciate y'all for coming or listening to TNT
Podcast Deacon Jones.
Turn Up Tanaka.
I'm going to fuck with y'all.
We'll see you next time.
Outro Music.

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