The End of an Era

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 3 (00:05):
all right I think, I think we're good, hold on, let
me see mic check one, two.
Mic check one, two check check.
All right, wait, talk againreporting live oh, you're over
here, okay.
Yeah, I might have to turn youup.
All right, tanaka, saysomething.

Speaker 4 (00:28):
My check one, two, one, two Live and direct in the
mother-loving stool Cooking upbars.

Speaker 1 (00:39):
Cadillac, bar Cadillac.

Speaker 3 (00:42):
Nigga, stop reading it, wait until it gets to bars.

Speaker 4 (00:45):
A hip hop, a hippity, that's what.

Speaker 1 (00:47):
I'm saying that's probably what he gave me too.
That's probably what he gave metoo.
Some fucking slick Rick.

Speaker 3 (00:57):
Y'all gonna stop Bashing the good name of slick
Rick, slick Rick 5.

Speaker 1 (01:04):
Was he really?
Was he really 5?
Was he really?
Yeah, bro.

Speaker 3 (01:13):
He's one of them niggas.

Speaker 2 (01:13):
That's on the mic.

Speaker 3 (01:14):
You rock the mic.
You rock the mic right, alright, see but here's the thing right
.
Slick Rick was okay.
It's the, it's the folks olderthan him, that's like I don't
know, like the, the fab fivesand the, the grandmasters and
autos like those type of rappers, those type of rappers.
That be like alright, he's alllike right.

Speaker 4 (01:56):
This man's just gonna cry his head off, bro.
Cry your head off, man.

Speaker 1 (02:02):
Bro say this don't look like Karina bro.

Speaker 3 (02:06):
I don't know what you were about to show me.
I just wasn't ready for it.
I'm not.

Speaker 4 (02:15):
I'm no comment.

Speaker 3 (02:16):
Thank you.
All right, ladies and gentlemen, we are live, we're not live,

(03:08):
but this is a prerecorded tapeTNT podcast DJ Turn Up, DJ
Tanaka.
And we got Drip, because Dripwants to be irresponsible at
night, so he's tagging alongwith us.

Speaker 1 (03:19):
I'm going to nominate this.

Speaker 4 (03:22):
What the fuck is that ?
We'll figure that out.

Speaker 3 (03:24):
I'm gonna nominate this what the fuck is that?
We gonna Look, we gonna figure,we gonna figure that out.

Speaker 4 (03:28):
But, yeah, like god damn Like.

Speaker 3 (03:32):
Can we make it To guess the bar as a question of
the day first you start fuckingNominating shit.
Um, tanaka, I'm gonna, I'mgonna let you be the conductor
Of this, of this train wreck.
Go ahead, cause I, I don't, Idon't.

Speaker 4 (03:45):
I don't know what the fuck we about to do.
I mean, this was supposed to be.

Speaker 3 (03:50):
This was supposed to be our shit With no cast.

Speaker 4 (03:52):
Yeah, I know, and now we got drip Cause.

Speaker 3 (03:54):
This ass Want to be irresponsible Fuck.

Speaker 4 (03:58):
That joke was so funny, so Turned like this not
your keys.
I'm like nah, it's not.
I'm like no, it's not, you know.

Speaker 3 (04:04):
Okay, well, I guess I'm just hold on to them drip
bag.

Speaker 4 (04:09):
Yeah, nah, I'm over here waiting on breezes to get
over here because I done lost mykeys, because I mind you turn
up.
I had already left the aparking lot, like I had already
left.
And then that's when drip likedang bro, you're bro, you're not
going to say bye to nobody.
I'm like shoot, I thought shewas in the arena car.
And then he like nah, bro, I'mtrying to find my key.

(04:30):
So then I had to swing thatrhyme and I was like I had asked
him what they look like.
And then that's when he saidthe red joint, and I just
remember what you guys showed meand I'm like well, he gonna
have Breezy, he gonna haveBreezy.
In there searching all overBreezy, look over it oh, I

(04:54):
would've too.

Speaker 3 (04:55):
You better than me, bro.
You better than me, bro.

Speaker 4 (04:59):
We'll find out tomorrow but we have a lot to
catch up on right cause.

Speaker 3 (05:07):
the last episode was Bro, we have a lot.
I have a lot of shit writtendown because we never catch up
on any of the episodes that weactually talked on.
I mean that we had Z, devinShout out to Z and Devin though
they were guests in a coupleother episodes yeah, or the Nika

(05:31):
or the Shay Shout out to Shay,but yeah, we haven't.
Like I had this written down,bro, we were supposed to talk
about the YSL trial and I feellike that's been gone.
I feel like that's been donefor a while now.

Speaker 4 (05:43):
Yep and I feel like that's been gone.
I feel like that's been donefor a while now.

Speaker 3 (05:48):
Yep, that boy thug came home.
Yeah, welcome home, thugger but, um, yeah, but yeah, no, we I
mean honestly and truthfully, wereally ain't gotta talk about
it.
I just I just had it writtendown and I forgot to add it in
alabama, did we alabama?
Oh, absolutely, bro.
We haven't talked, we haven'tcaught up on anything, literally
from I don't know what, thelast episode we did that wasn't

(06:10):
a guest but before.
I don't even remember theepisode before Neshea.

Speaker 2 (06:17):
Do you remember the episode?

Speaker 3 (06:18):
before Neshea.
That's what I'm saying.
I don't remember shit beforeNeshea.
I feel like everything afterthat was a guess, because it was
Neshea.

Speaker 4 (06:26):
Should we start with Alabama, then?
I?

Speaker 3 (06:28):
mean we can.
All right, we're talking aboutthe one we just went to the
visit.

Speaker 4 (06:32):
Yeah, the visit.

Speaker 3 (06:32):
Yeah, shout out to Birmingham, right.

Speaker 4 (06:35):
Yeah, shout out to the folks at Birmingham.

Speaker 3 (06:37):
Yeah, Skate 280.

Speaker 4 (06:40):
DJ Drip would have been in attendance, but he ended
up getting the last minute gig.

Speaker 3 (06:46):
Shout out Marquise Lounge.

Speaker 4 (06:47):
Shout out to Drip getting to the bag.

Speaker 3 (06:49):
DJ Drip, dj Drip, killing it at Marquise Lounge
had to go stupid and had thatvolume turned up in the knockout
.

Speaker 4 (07:00):
You know what I'm saying.
But yeah, man, alabama's coolwas cool, though you know what
I'm saying.
Um, it's just alwaysinteresting to see different
rinks like right, you know,aside from the atlanta ones that
we so accustomed to right umand when I seen, okay.

Speaker 3 (07:18):
So when I seen what I like, what type of music they
listen to and like, my only,okay.
So that's the thing, though.
So my only issue was that wewere, um, I didn't want to get
to, I didn't want to get tothere, and they because, they
because like I said like I toldto knock off air, like I didn't

(07:38):
want to get there, and then it'dbe like oh yeah, they want trap
music, they want trap music.
And then we get there play trapmusic, and then all the jbers.
Or then we get there play trapmusic and then all the JB-ers,
or whoever is up therecomplaining because whatever the
fuck so yeah, drip, you're morethan welcome to talk.

Speaker 1 (07:53):
Fuck them, niggas man , Fuck all them JB niggas man
yeah.

Speaker 3 (07:59):
Hey cool.
But, yeah, so that's what I wassaying.

Speaker 4 (08:03):
I mean, shoot you, show them love at Cool, but yeah
, so that's what I was saying.
So Shoot you sure love CascadeSunday.

Speaker 1 (08:06):
Yeah you sure, did you love, you love, but I'll be
tired.

Speaker 3 (08:10):
Mr Cascade, sunday.

Speaker 1 (08:11):
My bad, I forgot.

Speaker 3 (08:12):
Mr.

Speaker 4 (08:12):
Cascade Sunday.
I forgot.

Speaker 3 (08:14):
Mr Cascade, sunday.

Speaker 4 (08:16):
Give him the crown.

Speaker 3 (08:18):
Oh, that's something else we didn't get to update on.
I mean this is still Fairly new, but um get to update on.
I mean this is still fairly new, but um skate djs worldwide.

Speaker 4 (08:25):
Shout out to uh dj dope boy shout out that one dope
boy man, you know what I'msaying.
Colorado, finest man, dj dopeboy appreciate him pulling up um
santa lena and lincoln with allof us.
Um, I apologize, I still havenot downloaded the drop.
Salute to Turn Up.
I heard the drop tonight.

Speaker 3 (08:48):
I need to put more of the drops on there, because I
think there's like four of them.
Yeah, have you downloaded it?

Speaker 1 (08:54):
yet Drip?
Yeah, I play it all the time.

Speaker 4 (08:56):
That shit.

Speaker 3 (09:01):
I'm the newest member of the Rockefeller team.
I don't know why that's thefirst thing I think about, but
yeah apparently in Alabama.

Speaker 4 (09:08):
Like the JB folk, they only come out with Ham DJ.

Speaker 3 (09:12):
Right, so they're going to see us and they're
going to be like oh, we're goingto stay home.

Speaker 4 (09:17):
Probably, but then that's when, like apparently the
writers and all them folk isgoing to pop out for real.

Speaker 3 (09:23):
Yeah, you did say Keezy was going to pop out.

Speaker 4 (09:28):
Yeah, keezy and Nessa , they're going to slide through
.
And then I think you said Z andyou know what's crazy.

Speaker 3 (09:35):
I forgot about that as soon as you said it.
But, bruh, shout out to DJ Z.
But I ain't going to lie, bruh,he's just a little bundle of
excuses.
I'll believe him when he'sthere.

Speaker 1 (09:49):
Lifetime shit he was gonna pop out.

Speaker 3 (09:52):
How this man can't even come to Canton, this man
coming to Alabama.

Speaker 1 (09:56):
I don't know, bro.
He said he was gonna probablyget a ride.

Speaker 3 (10:00):
so oh, okay, well, I mean, nah, it's just funny,
because we were, uh, drip, wegotta bring you to the wrestling
show too, but nah, he was um,he had dm me and was like hey,
bro, can you?
um, hey, bro, what's thatwrestling joint about?
And I was like I mean, it'sjust just a show, like yeah, you
should pull up, it's cool.
It's cool little something.
Um, and he was because that wasthis is the last one.

(10:22):
And he was like um, I was likehe's in canton.
I was like god damn canton.
So I was like, yeah, I'll letyou know about the next one so
you can prepare.

Speaker 4 (10:31):
And so lifetime he?
He was telling me like yeah,he's like yeah, nah, I'm trying
to do different, like the ringthe ring is cool but, like I'm
trying to experience different,different stuff, so that's why
he would open the poppin outsand stuff like that.

Speaker 3 (10:45):
Maybe we need to take him to metro he wasn't supposed
to.

Speaker 4 (10:48):
He said he's like dang, not when you be there.

Speaker 3 (10:50):
I like it'd be random for real so, oh well, sure,
I'll put them on my list ofpeople shout out to lifetime.
But um yeah, why don't?

Speaker 1 (11:01):
we start talking about life because you said you
was going to talk about Alabama.

Speaker 3 (11:05):
Oh, alabama okay but, oh so my bad, I'm sorry.
I didn't mean to cut you off,but I remember I do.
I had brought up the JV skatersbecause I was thinking about
our playlist of like what toplay.
I'm not going to lie, bro.
When I saw them, atl, riding toGlorilla, I was like, oh yeah,
it's over with.
Who said it's over with?

(11:26):
Like, if that, if they're, ifthat's what they're riding to?

Speaker 4 (11:30):
oh yeah, it's like like they just, they just
grabbing yeah, they're grabbingwhatever, whatever trap whatever
type of trap means they couldeven.

Speaker 3 (11:38):
You know, because I never, I didn't tell you, I
didn't tell you that.
Well, I don't know the know.
Did Tanaka, did y'all have Bro?

Speaker 2 (11:44):
they were in there.

Speaker 3 (11:45):
What song was it?

Speaker 2 (11:47):
I think it was Wannabe by her and Megan Thee
Stallion.

Speaker 4 (11:50):
And they were a real deal ATL ride and I was like oh
OK, it's almost like they'relike all right, this is our
chance.

Speaker 3 (12:01):
Like.

Speaker 4 (12:01):
This is the most track we're going to get it's
the most chat we're gonna get,so we had to make the most of it
ham had played um that, thissong, that this song he had made
, uh, chris Brown, and made forquail oh yeah and they were
riding to that I was like ohyeah, they, yeah, they, they,
they

Speaker 1 (12:16):
grass yeah so that's why ham was like oh yeah they
could, they gonna love y'alllike yeah they're going to love
y'all.

Speaker 2 (12:23):

Speaker 4 (12:24):
Because, like, that's what they F with for real.
But so, yeah, salute toeverybody that myself and Turner
met out there in Alabama.
We look forward to three of uspulling up on the 7th Skate DJ
Worldwide.
Salute to them.

(12:44):
Appreciate y'all coming through.
All three of us are members ofthe Skate Skate DJ Worldwide
community.
Right, what's up?
What's up, Drew, what's up?

Speaker 1 (12:55):
We didn't download the drops yet.

Speaker 4 (12:58):
But who was in the meeting?
Who was in the meeting?
Who was in the meeting, bro?

Speaker 3 (13:05):
lock in drip come on, bro, you gotta lock in bro
skate dj for a while.

Speaker 4 (13:09):
Man, you gotta lock in bro.

Speaker 3 (13:10):
I'm taking this shout out to uh.
I'm trying to think all the uhshout out to reese.
Shout out to craig um, like Isaid, shout out though boy.
I'm trying to think who else?
Oh, shout out.
Black Label, I think.

Speaker 2 (13:25):
Yeah.

Speaker 3 (13:25):
Black.

Speaker 4 (13:26):
Label, yeah, black Label, yeah, black Label Ham.
You said Ham.

Speaker 3 (13:29):
Ham, yeah, avalanche, yeah, avalanche Just got.
Yeah, avalanche just got Putinto that.
Shout out to them.

Speaker 4 (13:36):
Yeah, atlanta, and they're heavy.
I don't even want to kill yeah.

Speaker 3 (13:39):
Yeah, atlanta, and they're heavy.

Speaker 1 (13:40):
I think I was the last one so From Atlanta.
I think so.

Speaker 3 (13:45):
Well.
I guess, it depends what youmean.
I'm not going to lie.
It's crazy that you broughtthat up.
I don't think they're askingwhere they're from because they
got Toots in there, but they gotToots there from Atlanta, toots
from Memphis.

Speaker 1 (14:03):
I mean, but that's probably, they probably asking
where they play at Like, wherethey play mostly in the region.

Speaker 3 (14:08):
They didn't ask me that.
They just said tell me whereyou're from.
Or they told me where youreside it was something like
that.
But apparently they didn't askTanaka that.

Speaker 4 (14:17):
Did they ask you that ?

Speaker 1 (14:19):
Yeah, they asked me where I reside.
They said my Instagram wherewas?

Speaker 4 (14:24):
I.

Speaker 3 (14:24):
They didn't ask me that, apparently, they just pick
and choosing.

Speaker 4 (14:27):
I guess, I don't know , they didn't ask me that it's
crazy.

Speaker 3 (14:33):
I'm going to look up him.

Speaker 1 (14:34):
Just get the chops, bro.
Yeah, why you sitting theredoing nothing?
You might as well.

Speaker 4 (14:40):
I got to access my email.

Speaker 3 (14:42):
I got a lot of people bro.
Oh yeah, See, they got him fromBaltimore.

Speaker 1 (14:48):
Oh, where was that nigga we playing at?
I don't know man, I don't know.

Speaker 3 (14:55):
I mean, yeah, I wasn't going to say LA, I mean I
wouldn't DJ in LA Stone.
Mountain I started in StoneMountain, so fuck it Stone
Mountain.
I ain't started in StoneMountain.
I started Stone Mountain, sofuck it Stone Mountain, I ain't
started Stone Mountain.
But you know Whatever, that'swhere I'll say I was from.
Um.
You know what's funny, tanaka,why are you Figuring that out?

(15:15):
Um what I?
What else I also had On the umShit we supposed to Catch up on,
and it's actually interestingthat you're here, drip, because
you weren't supposed to catch upon.
And it's actually interestingthat you're here, drip, because
you weren't supposed to be herefor this, but you know you're
here, so, drip, how'd it feelbeing a part of a movie?

Speaker 1 (15:31):
you're talking about the rendezvous spot yeah, man
that shit was lit.

Speaker 3 (15:35):
Yeah, until I fucked up my until I fucked up my ankle
.
That shit was cool till Ifucked up my ankle, but it was
funny about that is like eversince that well, not ever since
that day, like after that day Ithink I had like I think I had
like two other shoots.
I think Tanaka had one, rightTanaka wait, what did you say?

Speaker 4 (15:57):
how?

Speaker 3 (15:57):
many.
How many more shoots did wehave after the fight scene?
After that we had that clubjoint, the club joint yeah, so I
had two yeah, so, yeah, thatwas interesting I guess he
didn't want to pay me no more,so he just said no, he, I told
him that we should.

Speaker 4 (16:15):
He should do the scene.
Apparently there's a scenewhere, like all of us, this man
tanaka's making scenes?
no no, because he told me aboutit.
He, he was like oh yeah, yeah,tanaka, because I was like dang,
I was like that joint was hard.
Can you get right?
You know what I'm saying?
The whole crew, you appreciateit, or whatever he like.
Oh yeah, yeah, tanaka, I'mthinking about doing this other

(16:35):
scene I just got to see.
I got to shoot the main stufffirst.
I'm saying at the spot tryingto like open the joint.
You feel me Like in the livingroom kicking it, like trying to
open that.
So we might, I don't know, wemight have one more with the
whole crew, you know so.

Speaker 3 (16:54):
So is that when we supposed to come in with the um?
Is that when we supposed to bechilling with the uh, with the
hoes or something?
Is that what that is?

Speaker 4 (17:01):
No, no, I think it's just the crew.
Oh, it's just the crew After wetook the joint.
You know what I'm saying infront of that.
It's us coming back, see.

Speaker 3 (17:08):
I didn't know if it was one of those things where
because we were still at thespot, I didn't know if it was
one of those things where wewere supposed to be, like, your
spot is always the party spot.

Speaker 4 (17:20):
Oh, I'm not sure, I don't know.
Basically, if we used toreshoot that joint, it would be
at the same spot.

Speaker 3 (17:26):
Yeah, it would be at the same spot.
Yeah, I know.
Yeah, that's supposed to beyour spot.
Oh is it?

Speaker 4 (17:30):
Oh it is, I didn't even think about that.
My bad, I don't know, I didn'treally put some.
Yeah, I forgot about that.
Yeah, so I guess.
Yeah, basically we hit the lickand then we come back to you
know what I'm?
Saying my spot and then we alllike we might as well see what's

(17:52):
up with this motherfucker.
You know what I'm saying?

Speaker 3 (17:53):
Ty, jordan, yeah, so but yeah big shout out to Can't
Get Right for giving us thisopportunity to be a part of a
movie that one never thoughtthat I'd be a part of a movie no
.

Speaker 1 (18:06):
Did you ever think about acting Drip Nah?
But I fuck with it, though, Forreal, for real, I fuck with it.

Speaker 4 (18:12):
Yeah, they doing fun.

Speaker 1 (18:13):
I know you like it.

Speaker 3 (18:16):
Yeah, he saw them switches and he was like oh yeah
, oh yeah.

Speaker 2 (18:22):
Hold up, yeah, except the fact that this man can't
hold this man couldn't even Holdon to this shit.

Speaker 4 (18:26):
Bruh, I told you the scrap Broke off on that bit,
bruh, that's all.

Speaker 3 (18:30):
I gotta ask Can't get right about, bro.
We got to find that one, I wasgonna ask you Did you get the?

Speaker 4 (18:35):
Did you get the outtake?

Speaker 3 (18:36):
I gotta get the outtakes I gotta get that.
I gotta get that one outtake.
I ain't gonna lie bro.

Speaker 1 (18:42):
After I fucked up my ankle, bro.

Speaker 3 (18:44):
I was just trying to hurry up and get in the car, bro
.
That's why I kept Fucking up.
At the end I was like bro, Idon't even know.
I don't even know what the fuckthis nigga Want at this point.
I'm just that nigga said Turnup, you wasn't supposed To jump
in the car.
I was like Fuck y'all niggasbro.

Speaker 4 (19:00):
But um drove off, I said, bro, I didn't even get, or
we didn't even get in the car.

Speaker 3 (19:04):
He was like hey bro, fuck this, I'm taking this bro
myself I'm taking this big bromyself.

Speaker 4 (19:10):
Plot twist.

Speaker 3 (19:11):
You know what I'm saying and now you're talking
about.

Speaker 2 (19:14):
That was crazy.

Speaker 3 (19:15):
So, drip, what was your and it's funny, I wrote
this down too, but it's crazy,you wasn't even there for that.
I mean, you was there for that,we wasn't even there for that.
So, drip, what was yourexperience with voting at the
polls?

Speaker 4 (19:29):
Oh yeah.

Speaker 1 (19:32):
That's right, I ain't going to lie, bro.
It was just a whole bunch ofunorganized shit going on.
As far as the setup, okay, thesetup was cool, but they told me
I had to leave because ofsomething.
They sent a mass ticket toeverybody who was supposed to do

(19:53):
that place.
They were like, oh well, you'rescheduled to leave, don't go.
I'm like I'm already here.
So I signed back into the hubthing and they was.
They gave me another assignment, but the shit was already like
it was already.
It was like an hour before theshit ended.

(20:15):
So like the shit ended at 7o'clock.
They sent me an assignment at 6o'clock so I couldn't even do
the assignment, but they, Icouldn't even do the assignment,
but they took too long to payme.
And yeah, bro, I just wouldn'tdo it no more.
Bro, it ain't gonna go well.

Speaker 3 (20:29):
Yeah, it sounded like a lot, even from Tonic's
perspective.
Wait, did I tell you about whathappened to Tonic?
So for the people that don'tknow, shout out to Tonic.
He bro, this nigga, literallygot paid to do absolutely
nothing.
I don't know if you knew aboutthat.

Speaker 4 (20:46):
I don't know if you remember that.
Nah, I heard about that.

Speaker 3 (20:49):
Yeah.
So it was something along thelines of he was supposed to be
somewhere, but then the copspulled up on him and was like
yeah, you can't do that here.
And so he went some otherplaces, was like hey, can I do
it here?
They were like nope, and theywere like here's your money.

Speaker 4 (21:05):
Salute to Tonic man.
You know, what I'm saying.

Speaker 3 (21:07):
And that man got paid like it wasn't no gas money.
That's like that man got paidrent money.
That man got paid rent money tonot do a goddamn thing.
Shout out to Tonic.

Speaker 4 (21:22):
Nah, shout out to Tonic for real, he got, he got
that whole bag, yeah, but um,anywho Wait.

Speaker 3 (21:30):
Did Drip got paid?
He said.
He said he.
Well, he said they took toolong to pay.
So I'm assuming he got paid,you got you.
But um, well, shoot, while Igot you here, tonic, I mean
Tonic, it's always I always endup calling y'all tonic, tonic,
tanaka, tonic, tanaka, tanaka,tonic.
I feel like my grandma Cuz mygrant.

(21:52):
Look, it's like eight of us.
It's like eight of us and we'reall DS.

Speaker 4 (21:56):
And she's daring.

Speaker 3 (21:57):
Do it, dick Daryl, damn deck never.
So yeah, it's funny, but nah.
So shout out to you, tanaka,for inviting me to my first
concert in like 10 no, I won'tsay 10 years, because I had the.

(22:20):
I forgot I went to the winerywith Ashley, so that didn't
really count.
But uh, blast Joint.
That was a long time ago, but Iforgot.
I went to the winery withAshley, so that didn't really
count.

Speaker 4 (22:29):
The Blast Joint that was a long time ago.
No cap, hold up, hold up.

Speaker 3 (22:35):
Because you was DJing nigga, Just the game.

Speaker 4 (22:37):
You had to hold down Delinquent Thursday bro.

Speaker 1 (22:40):
Let's not even get into that shit.

Speaker 4 (22:43):
Alright, Pete.

Speaker 1 (22:44):
No, for real.

Speaker 4 (22:47):
But Nah, we just.
We just had to clarify you didget paid, though, for the yeah,
I did.

Speaker 1 (22:52):
Okay, okay yeah.

Speaker 3 (22:53):
I told you, he said he.

Speaker 4 (22:54):
Nah.

Speaker 3 (22:54):
I just.
He just said that he paid.
It took too long.

Speaker 1 (22:59):
It took way too long, I feel it.

Speaker 3 (23:01):
So how long Like what we talking about they?

Speaker 1 (23:03):
was saying 96 hours, but they took like damn near a
whole fucking week.
Oh yeah, in the house 96 hours.

Speaker 3 (23:09):
I've never heard that before.
How many days is that?
Is that a week?
Is that like five?
That's four days, that's fourdays.
I've never heard anybody say 96hours.

Speaker 4 (23:21):
That's a long time.

Speaker 3 (23:22):
That's a very odd number, yeah.

Speaker 4 (23:24):
But yeah, the Blast concert though that was dope man
, yeah, yeah, I just, you know,because I feel like as DJs we're
supposed to tap.
I always find it interesting,of course, we see the artists
that we F with, that we grew upon, but I always find it

(23:44):
interesting too, just to likesee, like these younger artists
that we may not be as familiarwith, but just to see like what
type of music they perform andlike what their core fans
gravitate toward.
You know so, and plus, I F withBlast though, so you know.

Speaker 1 (24:00):
Yeah, me too.

Speaker 3 (24:01):
I just wasn't invited yeah bro, you had to hold down
Dling with Thursdays bro,Exactly bro.
I know what he did.
Dling with Thursdays, bro,shout out to Cascade East.
They had their grand opening.

Speaker 1 (24:13):
He got lights now.

Speaker 3 (24:17):
He's going to pass it to Solo.
I haven't done it with theirlights yet, or did they?

Speaker 4 (24:22):
get it installed when they had the grand opening, I
don't know.
Oh yeah, so what did you see?
I mean, I see it on the live.

Speaker 1 (24:25):
Like they got the little moving heads in there and
then they got the little onesthat cascade.
They don't have it going aroundthe whole ring, but they got
the little bars.

Speaker 3 (24:33):
I don't think that would look good Because they
don't have the all-around jointcascade.

Speaker 4 (24:40):
Did they show the slow set?
Do they have colors for theslow set?

Speaker 1 (24:44):
I'm pretty sure they do if they got the moving heads
and then they got the littlebars.

Speaker 4 (24:48):
Good boy, that joint Slow set is just.

Speaker 3 (24:51):
Oh, I just cut off the light.

Speaker 4 (24:53):
It's just me, that's it, that's all you get.
That joint be looking crazy man, I'm like man.

Speaker 3 (25:00):
Hey man, I haven't even been up there.
I ain't been on the schedule togo up there.
I haven't been on the schedule.

Speaker 4 (25:09):
the first week of November.
I want to say I don't know.
I think that's recent in.

Speaker 1 (25:15):
Vail's territory over there, I guess hey man.

Speaker 3 (25:18):
Start from the bottom , man, work your way up.
That's how you say it, that'show you make something.
That's crazy that you saythat's how you make something
sorry how you make something.

Speaker 4 (25:26):
I that's crazy.
As you said that because youknow how you was asking about
like how long, how long you werelike we should ask, uh,
avalanche, how long it took forthem to build like a night up,
right?
He was saying it took them liketwo years just for them to like
get it established like as aname, and then it still took
longer after that for people toreally start packing it out.

(25:48):
You know what I'm?

Speaker 1 (25:49):
saying Cascades might be.
It ain't looking too goodthough.

Speaker 2 (25:59):
You said it's not it looks straight Just because of
the grand opening.

Speaker 1 (26:04):
I don't think people are going to just come up there.
Folks went up there becausethat shit was free.
You get to skate free, eat free, do whatever the fuck you want
for free Of course I'm going togo up there.

Speaker 3 (26:15):
I think they're going to do better with the promotion
.
I feel like that's what I heard.
They didn't want to do real bigpromotion because they're not
all the way finished.
So I guess now they're gonna dothe right promotion that they
need to.

Speaker 4 (26:30):
Yeah so the appropriate people can come out.
They're talking about statussundays who like what.

Speaker 1 (26:44):
What is that, though?
What is that?

Speaker 3 (26:50):
I was.
I was waiting for you to tellme a dj or something like a type
of night.
This man tanaka's, tanaka'sdead y'all.
He's no longer part of theliving.

Speaker 4 (27:03):
Nah, I swear to god.
So I'm over there with amusician, I'm chilling with Sean
, and he like Do you know whatthis is?
This joint says Status Sundays.
I was like, nah, I don't knowwhat that mean.
He like, yeah, me neither.
So I guess he had hit up what'sthe name?

(27:26):
X, jamel X.
He was asking him like what isWait, what is this like?

Speaker 3 (27:34):
Like where did the name come from?

Speaker 4 (27:36):
Or just what is that even that's?
What I'm saying Like is thatsupposed to be some VIP.

Speaker 1 (27:41):
Like.

Speaker 4 (27:43):
I don't know.
So yeah, I don't know.
So yeah, I don't know, but Iguess they was trying to name
certain days and stuff like that.

Speaker 1 (27:51):
Status Sunday is for.

Speaker 3 (27:52):
like the rainbow people, I don't know, bro, I
guess it could be Status.

Speaker 1 (27:59):
Like what's your status.

Speaker 3 (28:00):
Yeah, I guess I don't know, man Status Sunday Wait,
but isn't Sunday supposed to belike they?

Speaker 4 (28:06):
like grown folks night.
That's why I'm like confused.

Speaker 3 (28:11):
Or maybe Reese came up with it.

Speaker 4 (28:13):
I don't know.
Me and Sean were confused whenwe saw it Pop up on the sideline
.
But yeah, I don't know.
I guess they trying to work onit.
As far as this promo Figuringout what each night is supposed
to be called, oh no, she justcalled it East Sunday.

Speaker 3 (28:32):
Oh, cascade, east Sunday, yeah, because I seen her
post it.

Speaker 1 (28:34):
She didn't put status on there, no, I ain't going to
lie.

Speaker 3 (28:37):
I just always see that red flyer.
I don't actually read it, Ijust always be seeing that red
flag, are all the folks smiling?
Is it?
No, it's her.

Speaker 4 (28:46):
Is that what you're talking about?

Speaker 3 (28:48):
I always see the one with her at Smyrna, oh I don't
see her yeah.

Speaker 2 (28:54):
I haven't seen her fly on my back.
Whose fly are you?

Speaker 4 (28:55):
talking about?
I thought she was talking aboutthe Cascades.

Speaker 3 (28:57):
That's what I'm saying, I've never seen the
status joint, I've always seenher joint.
But I was like, okay, maybe I'mjust not reading her shit and I
mean, that makes sense, I justbe scrolling, I just be
scrolling?

Speaker 4 (29:11):
Oh, there it is bro.

Speaker 3 (29:14):
It's a nice flyer, it's a yeah.
What does that mean?
I would definitely ask what isthe status?
Maybe it's like a relationshipthing Like you come if you like
red, you single, I don't knowblue, if you take him, I don't
know some shit, I guess.

Speaker 4 (29:29):
So man, I don't know.
Status status.

Speaker 3 (29:32):
Wait, isn't status like?
Wasn't that like a thing onlike myspace or facebook or some
shit like your status?

Speaker 4 (29:39):
you talking about.
Like the way message maybe Ithink so yeah, I don't know man.
Um, yeah, I don't.
I look man, god bless, you know, I wish they would I wish they
would I wish they would have hada like.

(29:59):
No, I'm saying I wish theywould have had a dj meeting to
discuss with us or like, atleast explain to us so that we
can understand these names.
Yeah, because it's like howleast explain to us so that we
can understand these names yeah,because it's like how you gonna
have the night and we're theone playing the mute.

Speaker 1 (30:10):
We're supposed to set the vibe for this night, you
know, like yeah because youdon't say status sunday and it's
a rainbow shit and y'all got meum playing man.
Have all them folks, all therainbow folks young man.
No, it's raining man.
Hallelujah, young man.
No.

Speaker 3 (30:26):
It's raining men, hallelujah.

Speaker 4 (30:31):
But yeah, I don't know how we got to Cascades.

Speaker 3 (30:37):
Yeah, we definitely just veered off.

Speaker 4 (30:38):
But yeah, the blast.
The blast concert Turn up.
Had you, what were yourthoughts?
Blast concert it's interestingtalking to people.
The blast concert turn up.
Had you, what were yourthoughts?
Uh, blast concert it's.

Speaker 3 (30:49):
It's interesting talking to people that's like
gone, that just goes to concerts, just not just like hey, that's
their hobby.
Yeah, like that was interesting.

Speaker 4 (30:59):
Oh, you're talking about that girl yeah, that girl,
that just yeah, right, yeah, soit was it was interesting
talking.

Speaker 3 (31:04):
It was interesting just talking.
And she's like oh yeah, sotomorrow we're going to.
Yesterday I went to.
I'm like god damn, it's likeshe turned around.
Awesome she turned around.
Oh, they got new seats.
Oh, you'd be here a lot like she, knowing details like that oh
god, I'm like, oh okay, allright, but no, it was a cool, it

(31:24):
was a cool vibe.
Okay.
So, tanaka, let me ask you this, because this was something
that I thought about, but Iguess we never confirmed, or not
confirmed, that it was either asuccess or not a success, but I
do remember I told you that insome of his older concerts that
his singing wasn't the best.
What was your thoughts on the?

Speaker 4 (31:47):
performance.
Um, yeah, it didn't like itdidn't blow me away, but, um, I
mean, you know, like it, uh, Iwould say there's, there was
mainly.
There is a few moments where itwas maybe like a little out of
you know, saying out of out ofkey or what have you, but I'd

(32:09):
say for the most part it waspassable, like it was
serviceable.
You know it got the job doneand you know, obviously the fans
were pleased oh, they werebroke.

Speaker 3 (32:21):
I never would have thought that Blast like them
folks was in there like I can'teven say vibing.
They were lit.

Speaker 4 (32:28):
Yeah, they were definitely turning.
That joint definitely kind ofopens your eyes in a sense,
because I don't know when do youcharacterize Blast as far as
amongst these artists Do youfeel like he's Kind of like what
you feel like kind?

Speaker 3 (32:45):
of like, kind of like what you said, kind of like a
nate dog but at the same timeprobably like a tie dollar sign
but somewhere between a nate dogand a tie.

Speaker 4 (32:52):
Dollar sign but do you think?
Like, as far as his notoriety,he's not clearly, obviously not
on that type of level.
You know what?
I'm saying I mean like of a ofa tie dollar.
Like as far as like a name Idon't know.

Speaker 3 (33:06):
Well, I feel like is I feel like that's more because
he just hasn't been out as longas ty dollar sign.
But I feel like I feel like ifhe put, if he were to put out
the same amount of time as tydollar sign, that he would.
I mean he would be, because Imean, yeah, I don't know, I feel
like he would so that was mything is that I just was kind of
amazed.

Speaker 4 (33:27):
I didn't know his fan base would come out that strong
for him.
I didn't really have anyexpectation.
I didn't know what to expect asfar as who was going to pop out
for real, like that, and to seehow lit they were and knew his
joint for real.
It was dope to see how lit theywere and, like, knew his joint
for real, you know it was.

Speaker 3 (33:47):
It was dope to see because, yeah, what?
What actually blew my mind wasthat the fact the fact that he
had older men in there.

Speaker 2 (33:50):
Yeah, like singing, yeah like it was like older men
like I'm talking like gray hairyeah, gray hair, gray beard.

Speaker 4 (33:57):
Like singing along like word for word, I didn't
know like yeah that and that wasinteresting, that that kind of
opened my eyes to the internet.
Obviously, we're not in Cali,which is his home joint, but
being that we had the internet,you could have fans that's
popping out for you in any city,any country, any part of the

(34:21):
world.
That was dope to see.

Speaker 3 (34:25):
Hey buddy.

Speaker 2 (34:26):
Having fun on.

Speaker 3 (34:27):
What are you doing?

Speaker 1 (34:29):
Yeah, I'm just listening.

Speaker 3 (34:31):
What are you doing?

Speaker 1 (34:32):
Are you?

Speaker 3 (34:33):
on live?
No oh.

Speaker 1 (34:39):
What's up, man?

Speaker 3 (34:43):
But yeah, what else?

Speaker 4 (34:44):
Did we cover everything?
Oh, I don't know.
Probably, Probably probably not.
I did go to Dallas to go seethe Hawks.

Speaker 3 (34:54):
Oh, yes, I forgot about that.
You're definitely going.
Don't even worry about it,tanaka yeah, let's talk about
Dallas.

Speaker 4 (35:03):
I was tired as hell.
Real, I didn't really.
That was bad planning, honestly, on my part.
I was supposed to book the tripa while back and just kept
slacking on it.
I flew over there to Dallas,met up with one of my homies
from college who stay out there.

(35:24):
We ended up hitting up.
You know this hip-hop concert,lox and um, it was dope man.
It was dope.

Speaker 3 (35:33):
Drew, what's your favorite Lox song who?

Speaker 1 (35:38):
Go ahead Tanaka.

Speaker 4 (35:41):
Turn up the slide.
That's the exact reaction Iwanted, alright, but nah, uh,
yeah, turn up slight.
That's the exact reaction Iwanted, all right, but not.
Uh, yeah, it was good to seethem folk doing their thing, you
know, and uh, I don't know,it's just, it's always good to
see see some hip-hop and, ofcourse, I got a lot of respect
for technician dj.

Speaker 3 (35:59):
He was doing his thing, so yeah, shout out to uh
what you said.
Technician that's the nametechnician, shout out technician
.
I tried one of his uh joints atuh, the party that we can't
never do, ever again that's socrazy though, bro.

Speaker 4 (36:13):
Like them, folks hurt , bro, and salute to you eternal
, because that that's your work.
You know, I'm saying like work,like a charm, bro, that was
that was going.
Yeah, I gotta show y'all thefootage.
They was.

Speaker 3 (36:26):
Definitely gotta show me the footage.

Speaker 4 (36:28):
Ridiculous and I ain't gonna, it was fun.

Speaker 3 (36:30):
That was fun, but um yeah, so we Is that it we good,
yeah, we good, we good.
Alright, so um Question of theday day.

(36:55):
I actually had two questions,but I feel like, since we're in
nice and slow season, I justthought I'd throw this question
out.

Speaker 4 (37:05):
Nice sir.

Speaker 3 (37:06):
Oh, nice hoodie, sir, but what am I?

Speaker 2 (37:12):
about to say.

Speaker 3 (37:15):
Oh, so this may or may not be brief, but so what is
everybody most looking forwardto?
Nice and slow.

Speaker 4 (37:21):
For nice and slow um my most looking forward to y'all
should see drip smirk is yeah,I know right it's priceless.

Speaker 3 (37:33):
I can't wait to hear what his response is, but go
ahead, tanaka so really justputting that shit on twin.

Speaker 4 (37:39):
You know what I'm saying, I'm just kidding.
Nah, nah, but nah, I feel likejust seeing that bro, that whole
vibe is always just really dope, like just the fact that we get

(38:01):
a chance to play all these slowjams and different oh, I didn't
say you turn up played, leavingtonight at soap sunday, yeah,
so uh, but yeah, uh, I thinkyeah, just seeing seeing folks,
you know, just seeing howexcited people be, you know, for
the slow jams I'm not gonna liebro, I just gotta cut this
short.

Speaker 3 (38:19):
Shout out to you for playing that.
What was the response?

Speaker 4 (38:22):
uh, it was.
It was a little mixed.
It was mixed.
I mean, they didn't know, but Ididn't care I don't give a fuck
tight shit.

Speaker 3 (38:28):
Okay, go ahead resume .
Yeah, but uh, but yeah uh, yeah, I think it's just it's just a
dope.

Speaker 4 (38:38):
You just feel the excitement.
Excitement.
That's why, of the people, theyobviously look forward to it.
They get all dressed up.
I'm looking forward to seeingthe skate crews that's an event
that they've kind of circled asfar as how they're going to pop
out with new members of theircrew and stuff like that.
So it's really dope to knowthat it's had that impact.

(39:01):
And then, of course, of course,everybody showing love with the
R&B.
I'm looking forward to justseeing everybody dressed up and
then enjoying themselves.

Speaker 3 (39:13):
That's probably what mine is, just to see what
everybody's outfit looks like.
Tanaka, shout out to you,wanted to challenge the youth
and you challenged them.
And there are some.
There are some people that havebeen telling me hey, like
should I get dressed up?
I got this turtleneck, I gotthis, I got this button down.
Like, how should I, how shouldI go about my?

(39:34):
Hey, man, I can't wait to seewhat you can't see.

Speaker 4 (39:37):
It can't wait to see how you coming man and somebody,
folk, somebody folk beenhitting me and they're like, you
know, they were saying it'stheir first one, so they was a
little hesitant because they'relike, are we supposed to dress
up?
I'm like because they, you know, nobody want to be like the
only one dressed up, right, so Iwas like me and Turn Up for
sure going to be dressed up, youknow what I mean.

(39:58):
So you're not gonna be the onlyone.
Then I know some other skatecrews that's already planning to
be dressed up and all that.
So you, you know, we all gonnabe dressed up.
I always just, you know, liketo challenge the skaters.
So, you know, fit the theme andcome up with something like
show y'all creativity.

Speaker 3 (40:13):
You did well, I'm gonna just say this I don't
think I've ever had, I don'tthink I've gotten to give this
shout out because I feel likeafter when I started editing the
video, that's when I realizedthat's what he was wearing.
But shout out to jj bruh, Ididn't realize that that was his
.
I didn't see his outfit untiltill the fuck till I started
editing.

Speaker 1 (40:34):
Yeah, me and him had the same outfit on.
Oh yeah I, we was matching.

Speaker 3 (40:38):
Oh, didn't know that, didn't know that, yeah, but um
so, drip, what are you mostexcited for?

Speaker 1 (40:47):
You know, really putting that shit on and the
dice table, because I'm probablynot even going to be skating
for real and my birthday today,yeah, yeah.

Speaker 3 (40:55):
So, ladies and gentlemen, yeah, if you're
hearing it, yeah, If you watchHarlem Nights.

Speaker 2 (41:01):
Yeah.

Speaker 3 (41:01):
You've heard it right .
We're having, we're bringingthe crap table out, so you know
what I'm saying, so you know.

Speaker 4 (41:05):
Just if you Need a little break From the skating,
you know, want to go ahead andshoot that dice A little bit,
you dig.

Speaker 3 (41:12):
Yeah, you can go ahead and do that and Like you
said, he's bringing in hisbirthday, so that, first 30
minutes.
We're going to have thecountdown going and it's going
to be nice and slow.
Slash DJ Drip Bash.

Speaker 4 (41:25):
Exactly.

Speaker 3 (41:25):
Make sure, when you see DJ Drip, tell him happy
birthday.

Speaker 4 (41:28):
Show him some love.
Out to him, man Right.

Speaker 3 (41:32):
Well cool that bring us to Guess the Bars.
Yep, cool, guess the bars.
All right, ladies and gentlemen, for the people that don't know

(42:11):
what Guest of Ours is, we gotto see if we can figure out who
the person is, and right on theF scale, which from 5 to 1, fire
ferocious, flat frisbee fecal,and yeah, we'll go from there.

Speaker 2 (42:29):
Oh, here it goes.
So you can go first.

Speaker 3 (42:38):
You can go first and you can read mine first and then
we'll just got down All rightRight now.

Speaker 1 (42:44):
Yeah, yeah.

Speaker 3 (42:45):
All right.

Speaker 1 (42:46):
All right.
Mine say I wish I could takethe pain away.
If you can't make it throughthe night, there's a brighter
day.
Everything will be all right ifyou hold on.
It's a struggle every day, gota road going and there is no way
I can pay you back, but my planis to say that I understand you
.
I appreciate it.
It's Dear Mama.
By T-Pac.

Speaker 3 (43:08):
There you go, see, there you go, alright, cool See.
So, drip, what are you givingit?

Speaker 1 (43:19):
Ferocious.

Speaker 3 (43:20):
Ferocious Alright.
When's the first time you heardDear Mama?

Speaker 1 (43:24):
Do you remember, I don't know, it was on Mother's
Day, though for sure.

Speaker 3 (43:33):
So is that how you discovered Tupac?

Speaker 1 (43:35):
No, I discovered Tupac Back when, who was DJing
Mondays a long time ago.

Speaker 3 (43:44):
T-smooth.

Speaker 1 (43:46):
T-Smooth and Craig.
I remember I was requesting asong from you.
I was always requestingCalifornia Love.
We had a skate, a routine tothat song.
I was listening to Tupac backthen.
That was one of the songs I waslistening to.
Tupac back then.

Speaker 3 (44:01):
Well, that was one of the songs I was listening to
well, I know for me it was wellfor bailout monday it was.
It was either me, tete, me teteyoung, craig t smooth, or um,
or tete's husband.
It was like an older guy thathad dreads.
That's the only four people Icould think of.

Speaker 1 (44:23):
Yeah, it was probably you, because I used to always
ask you for that song CaliforniaLove and Cat Daddy man.
We had routines to all themsongs, but that was back then,
when we wasn't even listening toJeezy or Gucci man, we was just
listening to yeah, I know,because it's just a video of
y'all riding the hot.

Speaker 3 (44:39):
Yeah, I know, because it's just a video of y'all
riding the hot.
Sitting there riding the hot.
I think it's in the group chatI think Hot by Young Thug oh
dang.
Yeah him Kendall and somebodyelse.

Speaker 4 (44:53):
CJ.

Speaker 3 (44:53):
CJ yeah, yeah, Okay, hot is, but yeah, shout out
Tupac, but yeah, okay, so I'll.

Speaker 4 (45:00):
Well.

Speaker 3 (45:00):
Tanakaaka, you can go , we'll.
So we don't confuse.

Speaker 4 (45:03):
High is.
Uh, that's like 58.

Speaker 2 (45:07):
That's like 58 BM yeah.

Speaker 4 (45:09):
Oh damn Slow here.
Um, Most of y'all throw rocksand shout out to hide your hand.
Just say his name and I promisethat you'll see Candyman Cause
all in your eyes.
Most of y'all tell lies.
Most of y'all don't fade.

(45:30):
Most of y'all been advised.
Last LP I tried to lift a blackartist, but it's the difference
between black artists and whiteartists.
Kendrick.

Speaker 3 (45:49):
Lamar element.
Damn, I'm going to be the oneto fuck this up.

Speaker 4 (45:55):
Yeah, I give this a ferocious five.
Nah, I'm just going to give ita five.
I F with this.
That joint, yeah, that joint.
I'm gonna be the one to fuckthis up.
I hope I don't fuck this up.
Yeah, this joint was crazy youknow he definitely definitely
was snapping.

Speaker 3 (46:14):
So when was the first time you heard Element?

Speaker 4 (46:18):
I think when I heard the damn album he was just going
in.
That's why.

Speaker 3 (46:22):
So Tanaka, let me ask you this Cause I know they say
that you could do this, but Idon't know if you've done this
or not.

Speaker 4 (46:27):
Have you listened to the?
Album backwards Nah, I haven'ttried that.
I did hear about that, thattheory and all that, but I
haven't tried that.

Speaker 3 (46:35):
Okay, Alright, I guess I'll go.
Let's see.
Let's fuck this.
Let's fuck this.
Streak up.
Broke bitch business.
I could not be.
Your man never got his asswhooped until we opened up that
can damn alley-oop me bands.
I'm a slam jam freak bitch.
I like my mac touching yams.

(46:55):
Play that op shit around me.
I'ma tell you, turn it off.
Heard what's happened to yourmans?
Not for your, oh not sorry foryour loss.
Um, broke me in business.
Couldn't, could not be your man.
Never got his ass walked untilI don't know if that can.
Yeah, I don't know who this is.

Speaker 2 (47:15):
Um free visual I like .

Speaker 3 (47:16):
Mac touching yams.
Um freak bitch.
I like Mac touching yams.
I like my Mac touching yams.
Is the Mac supposed to be a gun?

Speaker 4 (47:29):
yeah, okay, you know, like the Mac 11 right, freak
bitch.

Speaker 3 (47:35):
I like my Mac touching, so his gun touched the
pussy.
Is that what that's saying?
Or drugs, yams, that's saying.

Speaker 4 (47:41):
Or drugs Yams.
That's like ass, isn't it?

Speaker 1 (47:47):

Speaker 3 (47:47):
So his gun is touching ass.

Speaker 4 (47:51):
I guess it's like a metaphor Like his dick, oh his
dick.
I like my mac touching, or Idon't know, he could be just
throw it off.

Speaker 3 (48:01):
That's what it sounds like.
That's what it sounds like um,uh, yeah, this shit is doing
nothing for me.
I'm gonna get us a flat frisbee.
This is probably yeah.
It's probably like a 2.2,probably likea, yeah this is
closer to frisbee.
I don't know it's doing nothingfor me, but since you just came

(48:24):
back from this LOX joint, I'mgoing to just say somebody from
the LOX, just because I don'tknow, throw the LOX.

Speaker 4 (48:33):
But yeah, go ahead.
Tanaka.
Who is this?
Oh, this is AZ Chike who.
Who?
Hey drip what you saying?
They saying what you saying?
Peekaboo, it's the songpeekaboo man, Kendrick Lamar and
AZ Chike man oh, oh, what theytalking about?

Speaker 3 (48:55):
they talking about that what they talking about.
I don't think.
See, tanaka, you've actuallydone the research on some ofaka.
You've actually done theresearch On some of these people
.
I've done no research.

Speaker 4 (49:05):
So he was one of those.
He was one of those newer.

Speaker 3 (49:10):
West Coast artists.

Speaker 4 (49:11):
That Was a guest.

Speaker 3 (49:14):
Well, shout out to Bruh.
I have no idea who he was.

Speaker 4 (49:16):
He's hella funny.
I ain't gonna cap.
He's entertaining definitely.

Speaker 3 (49:21):
I can see that.

Speaker 1 (49:23):
I can see that alright drip we got which one
you want me to do?
The one I mean, since you'realready on to draw on it.
I guess you can just finish upthat yeah, on the grind in GA
Like Phil Marv and ChrisFrostbite, somebody help my

(49:45):
wrist.
Pissy drunk, you can smell itthrough my pores.
Vip, get hot.
Then I started sweating Chrisslash club Get drunk when we
started playing this real streetnigga, I got half of the.
I got half of swag and O half aswag and oh to a hat.
Hell of a hell of a jack on thegrind and you I Want to say

(50:13):
angle off the first bar, reallyfucking light.
Okay, I think is.
Is it Georgia?
Is it Georgia?
Is it Georgia?
Hold on my bad.

Speaker 2 (50:26):
I gotta pull back up, god damn bitch.

Speaker 3 (50:29):
Hold on my bad Okay.
What we looking at oh, where itsays GA.

Speaker 1 (50:34):
Yeah, is it Georgia?
By Ludacris.

Speaker 3 (50:38):
Oh, is this song Georgia?

Speaker 1 (50:39):
by.

Speaker 3 (50:39):
Ludacris, oh no.

Speaker 1 (50:41):
Oh well, I don't know who it is, then I give it a
flat.

Speaker 3 (50:48):
Flat.

Speaker 1 (50:49):
Yeah.

Speaker 3 (50:51):
Yeah, so this is Jeezy this is Making.
It Look Easy.

Speaker 1 (50:56):
Oh, let's see, I don't know that song, so that's
probably why it's off of.

Speaker 3 (50:59):
Can't Ban the Snowman Off.
Can't Banit Snowman Off.
Camp Bandit Snowman AlrightTanaka.
It's on you.

Speaker 4 (51:13):
Huh, bad bitches with ass shots, use the house as a
stash spot.
Let's cool with the red top.
I'm in the loop boy.
I'm tired.
Like an ass guy.
I used to run with the headknocks.
Kick in the loop boy.
I'm tired like an ass guy.
I used to run with the headknocks.
Kick the ab hot, just so we canhead knocks.
A lot of ninjas see theirdreams in a glass pot to the
judge.
Throw you in that box and watchyour head rock um let's see, I

(52:04):
definitely know this.
Wow Saha to Princeton City.

Speaker 3 (52:19):
He ducked for that one.
Boy, he ducked for that one, Iboy, he dug for that one.

Speaker 4 (52:22):
Yeah, I couldn't remember the title of the song.
I was hearing the whole song inmy head, but I couldn't hear he
dug for that one boy.
I couldn't remember the titleWoo yeah Two for two.

Speaker 3 (52:33):
not Okay, Two for two .

Speaker 4 (52:39):
Yeah, it's another five, that's another fire.
You know, that's how it wasgoing crazy yeah, you know what
I'm saying yeah, spitting thatshit.

Speaker 3 (52:47):
All right, let me move up this shit up, all right.
Uh, let's see.
See, the plan is to stash allcash.
Y'all these weed.
Oh, my bad, the weed so strongthey got to put it in a glass
jar.
Niggasas, try to smoke me out.
Then moke me out.
Yeah, moke me out, because therims on my new joint be poking

(53:08):
out.
I'm about to have no feelings.
Shit is deep.
Do they dance with the devilwhen they sleep?
I wake up gripping the air,wishing to hear Shit that they
kick in your ear when your soulis, when your soul drips in the
air, my jip, hello, my gift ishalf rotten.
When I spit, it's a tear thatshit'll drop down my eye.

(53:32):
I'm too tired to cry and Iain't never seen a nigga that's
too lived to die.
This joint's all over the place.

Speaker 2 (53:46):
I mean it's not as bad as the first one.

Speaker 3 (53:48):
It was cool.
I give it a flat.
I give it a flat for.
I give it a flat for it's notall the way flat it was cool, it
was alright.

Speaker 1 (54:01):
I don't know.

Speaker 3 (54:02):
That Moke Me Out was kind of crazy.

Speaker 1 (54:04):
You said who Uno Mons ?

Speaker 3 (54:06):
You mean Uno Mons, I don't know.
That Moke Me Out was kind ofcrazy.
Or maybe I just don't know whatMoke Me Out means.
I'll just go with that.

Speaker 2 (54:15):
I'm going to give it a flat.

Speaker 3 (54:18):
But yeah, I don't know who this is Well a flat for
.
But yeah, I don't know who thisis well okay.
So I'll say this artist is fromTexas.
Just cause he says cause therims on my new joint be poking
out, I'm getting Texas vibesthis is um Bam from TV Styles P
and uh Jadakiss you know what'scrazy I be playing I be playing

(54:40):
the Lil Wayne version a lot.

Speaker 4 (54:45):
That is on crazy.

Speaker 3 (54:46):
I've actually never heard the song before.

Speaker 4 (54:49):
Yeah, it's on crazy.
I've never heard the songbefore.
I just remember it from theverses.

Speaker 3 (54:55):
Of course, of course.
Four or five years later, he'sstill on that.
Verses but yeah, go ahead.
I won't trust nobody.
Four or five years later, he'sstill on that.
He's still on that versus butum, yeah.

Speaker 1 (55:03):
Go ahead.
I Won't trust nobody With mylife.
I got my own strap.
Yeah, tell me who to call whenyour phone tap.
Yeah, the judge proved it Oncethe crackers Kicked his spots.
Yeah, you, the only you werethe one that called to get
Everybody hot.
Yeah, you, the only you, theone that called to get everybody
hot.
Yeah, you, the only you, theone that said they got the city
hot.

(55:23):
Oh, I know what this is.
Um, this is, uh, federalNightmares by LA Rock.
Yeah, fire Ferocious.
Yeah, that shit bruh.
I remember, when I first bruh,somebody requested that.

Speaker 3 (55:38):
Somebody requested that at Sparkles and I was like
bruh, please stop requesting RodWave bruh.
But I was like bro, please stoprequesting Rod Wave bro.

Speaker 2 (55:43):
But I was like you know what Something in my head
was, like all right, bro, fuckit bro.

Speaker 3 (55:46):
I'm going to just try it out Bro, I dropped that
fucking beat drop.
I was like bro, what the fuck?
This is not Rod Wave.
That motherfucker said.

Speaker 4 (56:02):
I was like, oh, we need more songs like this.
Yeah, it's crazy.
I remember I was in the carwith Drew and he played this
song and Cause I think the album, the album had Jed drop right.

Speaker 3 (56:07):
Yeah, yeah, so wait, so wait.
When's the first time you heardFederal Nightmares In the car
with no?

Speaker 1 (56:13):
no, no, it was not.
You heard a snippet of the songright I was yeah, I was At
Soccer Mom's house when I heardyou.

Speaker 3 (56:20):
Tight shit.

Speaker 4 (56:23):
Through so many racks A bitch can't even See the
floor From Atlanta to LA.
The only time I'm begging forCheap ninjas, make you pick Rich
ninjas, get you both Gay toBentley, to a valet and let that
ninja Drive the boat.
Okay, it's real flossing Tightshit going on it's tonight.

Speaker 3 (56:58):
I don't know the lyrics, bro, but he know Sin
City, so I had to print it.

Speaker 1 (57:05):
Read it again bro.

Speaker 4 (57:07):
Do so many raps A bitch can't even see the flow
Stop.
Stop ringing the bell bro Stopringing the bell, man.

Speaker 3 (57:17):
You know what I'm saying, well, okay, well, hold
on, let him rate it first, andthen you can steal the point.
Unless you're going to try it.

Speaker 4 (57:35):
No, I don't know it.
This is a flat approach.
I like the.

Speaker 3 (57:46):
Yeah, all right, so tonight was the first.
Well, have you ever heard thissong before?
Yeah, I heard the song, sowhen's the first time ever heard
this song before?

Speaker 4 (58:02):
Yeah, I've heard this song before.

Speaker 3 (58:03):
So when was the first time you heard this song?

Speaker 4 (58:07):
Um, this is the, this , the this, the rip me out of
plastic shit.

Speaker 1 (58:13):
Yeah, um.

Speaker 4 (58:18):
I feel like somebody had posted it online Like social
media, and I seen it.

Speaker 1 (58:26):
Did y'all talk about Strum?

Speaker 4 (58:29):
Yeah, I think I just kept seeing that.
Rip Me Out the Plastic.
I've been adding brand new, soI should find out what record
this is, because everybody lovesit.
I don't know what y'all beendoing.
This is because everybody youknow I think that's who the fact
that it had, like that Atlantaode to it, so like, yeah, I
really gotta figure this out,being that I'm in Atlanta right.

Speaker 3 (58:52):
Alright, let's go ahead and wrap this up.
Scary ass, nigga, wanna comefor me?
You better bring it.
I ain't mad, I forgive them,god, I know they ain't mean it.
What other says I'm sorry?
Yeah, I've seen it all before.
Hate I'm popping, they ain'track they bring.
Try to think how to stop it andthey can't.
Ain't that lame.

(59:13):
But then that hatred manifeststo purest malice.
I'm no longer being callous.
I'm gonna let you niggas have.
It Won't be satisfied untilsomebody dies and I'm patiently
waiting on Me and the Reaper onfirst name basis now.

Speaker 1 (59:36):
Scary as anyone's mouth.

Speaker 2 (59:39):
Do I know this?

Speaker 3 (59:41):
Hey man, I don't even got no idea.
Did I know this?
I feel like I know it.
This me and the Reaper is on afirst name basis.
Now it's sticking out real badMe and the Reaper on the first
name, right.
But no, but that's what's crazy, though, nothing else stands

(01:00:02):
out except that last line.
I'm no longer being count.
Okay, let me see, let me, letme, let me work backwards won't
satisfy it, I don't know.
I want to say like oh, 350 centfor some reason, I don't know.

(01:00:22):
I want to say like 0.350 centfor some reason, I don't know
why, or 0.250 cent, I don'tfucking know.
Uh, yeah, I don't know.
Oh my bad, uh, I'll give it a.
Give it a flat, it was allright, it was all right.
Well, you know what?
I gave the other one a flat for.
I gave that.
I gave this a flat for it too.
It was alright.
Who we got Tanaka.

Speaker 4 (01:00:48):
I never let you down.
I'm a shine.

Speaker 3 (01:00:52):
Yeah, I would've never got that.
That was this is supposed to beon Never Worship, right?
I don't think that was the.
This is supposed to be on noMercy right, yeah, our.

Speaker 4 (01:01:03):
I don't think that was the.
The original album was KingUncaged, which turned into no
Mercy.

Speaker 3 (01:01:11):
I don't know that was .
That was such a disappointingalbum.

Speaker 4 (01:01:15):
That one.
Yeah, that's when he had themsingles Got your Back and all
that.
Yeah, like Yo.
So basically no Mercy.
Yeah, that's when he had themsingles Got your Back and all
that.
Congratulations to the swagyeah, so basically no mercy on
me.
Well, that's what I'm saying.
I feel like he's had all themrecords ready for King on Cage,
but then he had that Cagesituation and he had to switch
the whole vibe up.
Follow your dreams, don't giveup.

(01:01:37):
Oh, here you go.
But yeah, for the people thatknow that song with TI, I'm back
.

Speaker 3 (01:01:46):
Every time I see you know what?
I should probably do that toMusician too.
I'm going to do that toMusician too, now that I know
that he's a big TI fan Followyour dreams, don't give up.
It's kind of like when I bringup.

Speaker 4 (01:01:59):
Glory.
Yeah, to lower that probation.
Follow your dreams.
Yeah, to lower that probation,follow your dreams, don't give
up.

Speaker 3 (01:02:04):
That's what Y'all, y'all think I'm playing.
That's what Young Thug's musicFinna sound like now, nah, for
real.

Speaker 4 (01:02:09):
Follow your dreams.

Speaker 3 (01:02:10):
Don't give up.
That's what it sound.
That's what it sound, but yeah,that was it.
That was.

Speaker 4 (01:02:19):
I'll guess the bars.
I'll guess the bars.
I'll guess the bars um.

Speaker 3 (01:02:46):
Up next we got the Hall of Fame and I actually you
know it's fucked up.
I remember there was somethingelse I was supposed to do.
I was supposed to get like allthe Hall of Fames and shout them
out, because this is the lastone of the year but, I,
definitely forgot to do that.

Speaker 4 (01:03:01):
It's all good.

Speaker 3 (01:03:02):
Yeah, shout out to the class of 2024 of the Hall of
.
Fame Shout out to class of 2024, man, whoever you are, we're
going to post you on theInstagram page.
I don't remember who any ofy'all are, well, except this one
that we're about to post,because it was me.
It was me, you and Devin, right, that was the last one.

(01:03:23):
Yeah, oh, I remember, that'swhat.
Yeah, okay, so Devin choseDevin.

Speaker 4 (01:03:33):
Oh yeah, that's right .

Speaker 3 (01:03:35):
Tanaka chose Dyed hair and I chose Rick Ross and
Robin Thicke's Layback.
So the last inductee Into theTNT Podcast Hall of Fame Class
of 2024 Is Drum roll, please.
Inductee into the TNT PodcastHall of Fame class of 2024 is
drumroll, please.
Rick Ross and Robert Thickewill be back.

Speaker 4 (01:04:02):
Whoever voted for that.
I gotta have a word with myself.
Folk Crazy, oh shit.

Speaker 3 (01:04:10):
So yeah so, yeah man, oh shit, so, yeah so, um, yeah
so, tanaka, how does it feelthat your favorite, rick Ross?

Speaker 4 (01:04:18):
Mother fucker Right here, boy.

Speaker 3 (01:04:20):
I tell you, man, Chill my ass, yeah, so, um, I'll
go first.
Well, no, fuck it.
Wait, did you really?
Did you really?
Did you really?
Were you really about to pickthat as your?
Okay, I'll let Drip go first,because Drip already knows what
he wants to do.
So, drip, you go ahead andstart it off.

Speaker 1 (01:04:39):
I'm going to nominate whatever this shit is.

Speaker 3 (01:04:44):
And why are we nominating that?

Speaker 1 (01:04:48):
He's trying to be messy.
Oh, I'm trying to be messy.

Speaker 3 (01:04:53):
Yeah, you got to give a reason.
Why are we?

Speaker 1 (01:04:56):
I think it looked like Karina.

Speaker 3 (01:05:00):
Fucking havoc, but, um, I guess.
So I'm going to go with.
I feel it's actuallyinteresting that this got picked
for what I was gonna do for theTNT Podcast Hall of Fame, but
fuck it, I mean, I feel likeit's only right.
It's a nice slow season, sofuck it.

(01:05:22):
With all that being said, I'mgonna nominate nice and slow
because this wasn't supposed tohappen and I'll just give a
little backstory on.
I feel like I feel like I havegiven this backstory, but fuck
it, I'm gonna say it again.
I tell I give tanaka a lot ofideas and tanaka be like oh,

(01:05:43):
yeah, but the moment I knew thatnice and slow was a good idea
was when I was driving randomlyto wherever the.
I don't even remember where thefuck I was going.
I just remember getting a callfrom tanaka's like hey, hey,
turn up.
That uh all slow said night,you, you think that you really

(01:06:05):
think they'll fuck with that?
And I was like I mean, maybe Iguess, but yeah, um, so I got I,
um, I asked this.
I asked this girl.
She said she, she, she wouldfuck with it.
And she said she asked a coupleof her friends and she said
they would fuck with it.

Speaker 4 (01:06:22):
And um, yeah, the rest is history I I'm just on
like a wildfire For real, likeit started carrying on To other
folks Like what's up with this?
What's?

Speaker 3 (01:06:34):
crazy about and I remember it was funny Leron
Fucking shout out.

Speaker 4 (01:06:38):
Shout out, leron.

Speaker 3 (01:06:39):
He was.
He didn't know about it and Ithink it was Paris.
Paris was like hey, so they'rehaving An Oslo set night.
He was Oslo set night.
I was.
I was like, yeah, so that's,that's one thing.
I'll say this one thing aboutmarketing that I've learned is
that if you can get women, ifyou can get all women to market

(01:07:02):
your shit and like that's it,like bro, like the men gonna
come regardless, if you can getall the women to just do it for
you, you're going to, nine timesout of ten, have a successful
night.
And that's really what thefirst night of the show was.
So yeah.

Speaker 4 (01:07:21):
Yeah, that's my nomination, nice and slow and,
as we always say, that word ofmouth be the best promotion.

Speaker 1 (01:07:27):
Yeah, for sure.

Speaker 3 (01:07:37):
For sure word of mouth be the best promotion.
Yeah, for sure, for sure, umdang, how should we end?

Speaker 4 (01:07:41):
2024.
Well, no, that's how should westart 2025.
Yeah, yeah, um, I'm going tonominate.

Speaker 3 (01:07:57):
I'm going to nominate doing that freestyle joint at
the party alright, tanaka, thatmeans you actually got to send
me this footage.

Speaker 4 (01:08:06):
I got you.

Speaker 3 (01:08:07):
I'm going to send it to you so okay, I'll give a
backstory on it.
So tanaka went to this um thislox concert and he showed me
clips of the dj shout out djtechnique technician, technician
yeah dj technician did a dj setand he was kind of showing me

(01:08:30):
that he was DJing, but it waskind of it was like he was more
talking and just dun dun dun anddropping the song, dun dun dun
and dropping the song.
But then he did one thing thatkind of caught my eye and I was
like you know what, I'm going totry this at Bell Out Monday for
the party shit.
So he did a thing where he waslike he was like hey, I want you
to, um, I want you to, uh, I'mgonna play this song and I want

(01:08:53):
you to act like you're in thesong, like you were in the
studio with biggie smalls or itwas some shit like that.

Speaker 4 (01:08:58):
right he's like I want y'all to wrap this bar for
bar.
Mr c used to do this.
So y'all gotta, y'all gotta,spit this, you know.
And if you don't know it,google it.
Yeah, you know.

Speaker 3 (01:09:11):
And he just played.
You know what's crazy?
That's what I meant to say too.

Speaker 4 (01:09:13):
I ain't going to lie, I meant to say that shit too he
played the instrumental andthen he was just hype, manning
them up Like every time they wasrapping, and he was just like
you know, yeah'm saying so.

Speaker 3 (01:09:23):
Turner was like oh, they gave him an idea.

Speaker 4 (01:09:31):
So at the party he told them folk about the Lil
Baby.
I need to hear y'all.

Speaker 3 (01:09:36):
Yeah.

Speaker 4 (01:09:37):
And they were going crazy.

Speaker 3 (01:09:39):
I need y'all turned up out in the studio with Lil
Baby or something like that.
I think I said some shit likethat we going to rise for the
Atlanta National.
Anthem Some shit like that.
But yeah, yeah, shout out tothat.

Speaker 4 (01:09:54):
Quote, unquote, last party.

Speaker 3 (01:09:56):
Yeah, quote, unquote, last party, but yeah, so we got
the Karina lookalike Nice andslow and DJ Turnip's technician
rendition of I don't know I'mgoing to come up with a
nameition of.
I don't know I'm going to comeup with a name with it.
I don't know.
Some shit.
But yeah, we're going to putthat on Instagram.

(01:10:16):
Y'all vote and yeah, We'll gofrom there.

Speaker 1 (01:10:20):
Karuna going to be so mad when she?

Speaker 3 (01:10:22):
sees this.
Oh man, I mean, look, she wouldhave to actually listen to it
to find out.
I'm pretty sure she ain'tlistening.
All right, so let's see.
Song of the day is Tony, tony,tony's Anniversary.

(01:11:11):
This is one of the songs that Iactually used to hear my mom
play.
It would either be in the caror on the radio, or I don't know
somewhere on the phone.
I feel like she had this CD.
I feel like this is why I heardthis song a lot.
But, tanaka, let me ask youthis how did you discover Tony,

(01:11:35):
tony, tony.

Speaker 4 (01:11:35):
I feel like I got a.
I think I saw, I think I seen amusic video on BET with them
performing, but then also, Ithink I eventually somehow got
the greatest hits, like I thinkit was like 15 songs you said
you had the greatest hits yeah,I didn't.

(01:11:57):
I mean I didn't, I legallydownloaded it.
Yeah, like I didn't, because Ididn't have the physical copy,
but yeah, that was such a weird.

Speaker 3 (01:12:09):
I feel like you just gave a deposition.
I just had to be honest, youknow.
But yeah, that was such a weirdstatement, I feel like you just
gave a deposition.

Speaker 4 (01:12:13):
I just had to be honest.
You know what I'm saying,because them folk you know I'd
be having them cds.

Speaker 3 (01:12:18):
They'd be like oh you're talking about the tone,
tone, tone, like you know anyway, yeah, okay, but so I bring
that up to to ask, to follow upwith this question, right, did
you?
Did you think that RaphaelSadiq's name was Tony, tony,
tony, or did you know that itwas a girl?
Okay, my bad.

Speaker 4 (01:12:39):
Yeah, I think I found out.
I knew about Tony, Tony, Tonybefore I knew about Raphael
Sadiq.

Speaker 2 (01:12:45):
So I bring that up because like I said I used to
hear this song a lot.

Speaker 3 (01:12:51):
I used to hear Anniversary a lot, but I thought
Tony, Tony.
Tony was Raphael Sadiq.
I didn't know they were a group.
Gotcha I thought his name wasjust Tony Tony.

Speaker 4 (01:13:00):
Yeah, I think I knew about Tony Tony Tony before I
knew who Raphael Sadiq was.

Speaker 3 (01:13:04):
No, for sure, that's definitely me.
Yeah, definitely, but I thoughtit was so okay.

Speaker 4 (01:13:13):
So did you.
So did you know they were agroup?
I think so because I think thecover I seen had like all their
faces oh, yeah, true yeah it didso.

Speaker 3 (01:13:20):
Um, yeah, what I like about the song is that I just,
I just fuck with the soul feellike the acoustic.

Speaker 4 (01:13:27):
I will say, as far as the voices though, I'm not sure
, just because, like you know,bands, like some of them, like
that could have been the drummeror that could have been, like
you know what I'm saying like Idon't know if I knew for sure
that vocally, you know, there'sdifferent people that's and
that's so.

Speaker 3 (01:13:43):
I don't want to go too far left, but apparently rafael sadiq
wasn't always the lead singer.
I've never heard any other songby Tony Tony Tony that didn't
have Raphael Sadiq on it.
Yeah, so I don't know.
That's news to me.

Speaker 4 (01:13:58):
I feel like the first time I learned about Raphael
Sadiq was that just me and you?
Isn't that Tony, Tony, Tony Idon't know, it was credited, I
think, as as just him yeah.

Speaker 3 (01:14:14):
Oh, it might be.
It might be.
I'll probably say the firsttime that I Discovered his name
Was Ascody.
You got a shame.

Speaker 4 (01:14:23):
Oh, yeah, damn.

Speaker 1 (01:14:24):
My eyes were with Tony.
You said what First time Iheard it oh Detroit girl.
I it oh Detroit girl we'retalking about.

Speaker 2 (01:14:32):
Detroit girl I knew.

Speaker 3 (01:14:34):
As soon as he said 20 , I knew where he was going with
it.
But Anywho, before we go tooleft, yeah, I fucked with the, I
fucked with the acoustics and II just fucked with Rafael Sadiq
as a singer, so much.
So, like I said, I reallythought Rafael Sadiq was Tony
Tony Tony, but I mean, andgranted, I was like a child, so
I probably just thought, oh yeah, who's the singer?
Oh, it's Tony Tony Tony.

(01:14:55):
Oh, so his name is Tony TonyTony or whatever but the song
came out first.
When the album came out, whichwas June 22nd 1993, drip, where
were you June 22nd 1993?

Speaker 1 (01:15:07):
shit, not even born.
Not even born, not even thoughtof.
Yeah.

Speaker 3 (01:15:11):
I figured Because I was.
I was Four days old.

Speaker 2 (01:15:23):
Tanaka.
Where were you June?

Speaker 4 (01:15:24):
22nd 1990?
Um, I'd say like a year, a yearand a half, two A year, no, a
year and a half.

Speaker 3 (01:15:35):
No a year and a half.
So yeah, this song came out ontheir album Son of Soul, track
14.
A little back story on, well,not back story, but what the
song is about Anniversary is aromantic ballet that celebrates

(01:15:55):
the enduring power of love andcommitment and basically it's
really one of those weddingsongs for real, for real, but
yeah you know?

Speaker 2 (01:16:07):
do you know what today is?
It's our anniversary, you know?
Do you need to grow up?

Speaker 4 (01:16:14):
They had a TikTok right To this joint.
Yeah, they did yeah.

Speaker 1 (01:16:19):
There was a thing that started and one of the
drummers had started that shitand one of the drummers started
that.

Speaker 4 (01:16:25):
Yeah, because you know that little breakdown with
the instrumental.

Speaker 3 (01:16:29):
The interlude joint.
That's crazy, you know, it'scrazy.
That's like my and that'ssomething that I like.
That's like my favorite part ofthat whole song.
Yeah, like after he startssinging that's when?

Speaker 4 (01:16:40):
yeah that that.

Speaker 1 (01:16:41):
That was like a tiktok show yeah, it turned into
a jersey, a jersey club showyeah of course they did.

Speaker 4 (01:16:47):
That's what we was playing right.

Speaker 3 (01:16:53):
Oh the fucking yeah.
I forgot about that.
Damn, that was a thing, yeah,damn.

Speaker 2 (01:17:00):
Why did I?

Speaker 3 (01:17:00):
forget.
Yeah, that was a pretty bigthing.
Damn that's crazy, I forgotabout that.
No, I don't think that was theinterlude.
I think they just took the beat.

Speaker 4 (01:17:11):
No, I don't think that was the interlude.
I think they just took the beat.
No, there was something beforethat, and then they turned it
into a Jersey clothes on.

Speaker 3 (01:17:16):
Oh, so, oh.

Speaker 4 (01:17:17):
So, the tick tock joint and there was something
before that, before the Jerseyclothes on.

Speaker 3 (01:17:22):
There was something that was just the interlude.

Speaker 4 (01:17:25):
And then they turned it into aJersey clothes on when they use
the beat and then they turned itinto a jerry, the club song
when they used the beat, youknow oh okay

Speaker 2 (01:17:33):
didn't know that.

Speaker 3 (01:17:34):
So let me ask you this tonight did you know that
tony tony tony was likeeverything was like in-house
type shit, like they were likethe producer and all that shit
too um, uh, no, I don't think so.

Speaker 4 (01:17:46):
I don't think I did know that yeah.

Speaker 3 (01:17:48):
Yeah, my Tony, Tony, Tony information.
I have little to nothing aboutthem, I mean, but then again I
probably could find it if Ireally look for it.
But I really don't know a lotabout Tony Tony, Tony, Because I
was really, I'd really only belistening to them for Raphael
Sadiq.
So yeah, but yeah, it's track14 on Sons of Soul and it was
released under the Wing Recordsand Mercury Records Tanaka.

(01:18:13):
Are you familiar with eitherone of those record labels?

Speaker 4 (01:18:16):
No, I mean I think maybe Mercury Excuse me, but
yeah, the 90's had a lot oflittle Like they were.
They were major but it was alot of little ones.
Oh, a lot of little recordlabels, yeah, like just kind of
yeah.

Speaker 3 (01:18:39):
Anniversary did have a music video.
Ladies and gentlemen, it's asimple visual representation of
the song's message.
It features the groupperforming the song in a studio
setting, with a focus on theirharmonies and emotional delivery
.
The video's simplicities allowthe song's lyrics and group
performance to take center stage.
There are no elaborate props orstorylines, just the music and

(01:19:03):
the musicians.
The song, which is interesting,I don't know.
I feel like I need to get it.
I feel like there needs to belike an update on this, but
apparently anniversary's onlygone cold.
That sounds wrong.

Speaker 4 (01:19:16):
I feel like, yeah, I don't know though that, so my
bad, I was gonna double back onthat point.
Um so, like them record labels,they used to either have like a
like a mixed genre, so they'dhave like some like r&b, so
they'd have like some like R&B,but they'd maybe have some rock
acts and stuff like that ortheir joint was held with small

(01:19:38):
like, maybe like five artists.
You know how like major recordlabels now have like tons of
like 50 artists on their joint.
So I think I think, if that istrue, that that joint is gold,
like it makes sense, because Ithink they probably didn't have
the budget to like, oh, to pushyou compete with, like you know,

(01:19:59):
the other representatives,right?

Speaker 3 (01:20:00):
so I guess that makes sense.
So, um, by the critics, it wasreceived with critical acclaim
upon its release.
It was praised for its smoothvocals, heartfelt lyrics and
soulful production.
The song's success was furthersolidified by the Grammy Awards
nomination for Best R&B Artistand R&B Performance by Duo Group

(01:20:25):
Vocals in 1994.
The music critics such as nameon it?
Um, tonight you have this one,chris, uh, robert christico.
Does that sound familiar?
Apparently he's a music critic.

Speaker 4 (01:20:44):
Oh yeah, from chicago , the chicago tribune.
Yeah, robert christico, chicago.

Speaker 3 (01:20:50):
Tribune Robert Cristico Robert.

Speaker 4 (01:20:51):
Cristico, I think so apparently highly regarded.

Speaker 3 (01:20:56):
The song, even ranking it as one of the best
songs of 93 anniversary, remainsa beloved classic in the R&B
music, recognized for it'senduring appeal and it's impact
on the genre.
So, ladies and gentlemen, ifyou are interested in hearing a
classic, a real classic 90sclassic, not even a 90s classic

(01:21:16):
R&B classic, just period to getyou in that vibe of thinking of
your partner and your loved oneI mean, everybody has an
anniversary coming up when itcomes to relationships and shit
like that.
So, you know, I would highlyrecommend, if you haven't yet
and if you haven't yet, that'svery interesting that you've
never heard Tony Tony Tonyanniversary but if you haven't,

(01:21:39):
I'd highly recommend you listento Tony Tony Tony's anniversary.
Shout out to Raphael, shout outto Tony Tony Tony.

Speaker 4 (01:22:28):
And that is Turn Up's song of the skaters had R Kelly
Write.

Speaker 3 (01:22:30):
Me Back, weren't we just talking about this?

Speaker 4 (01:22:31):
Yeah, this is inspired.
Because one of the skaters hadasked about a song.

Speaker 3 (01:22:36):
Oh yeah.

Speaker 4 (01:22:36):
You know, and I was like I didn't have a song.
But then when I looked back atit I was like clearly I know the
song because I had this albumand then on top of that I had
favorited it like.
So you know, obviously, likethe record, um, this was an

(01:22:59):
interesting album.
Uh, I think it's dope, thoughthat like r kelly is, so he
literally could do any genre itseemed like, which is pretty
impressive, you know, and um,this album was kind of like an
ode to like 70s and 80s kind oflike music or whatever.

(01:23:22):
So it had like a real throwback, feel like almost like barry
white type shit you know whatI'm saying and um, but then also
like some of the stepping stuffthat he be doing, you know.
So I can, I can commend himcause, like I mean, I wouldn't
say it's no classic or nothing,but I can commend that he's just

(01:23:45):
experimenting basically withdifferent types of music and
still has records that you knowyou can still rock with.
It's interesting learning aboutskating music and just how, like
Jersey and all that, because Ireally, if I really go dig into

(01:24:09):
like the R Kelly catalog, youwill see a lot of his records
fit Definitely, because it'slike step music for real.
I don't know.
That's kind of dope to me.
I guess it's always interesting, cause you never know where

(01:24:31):
music I don't know when youlisten to a, an album, I don't.
I just kind of take the musicfor what it is.
I don't necessarily envisionlike, oh, like I could play this
in the club, or oh, I could.
I don't think it was until Ibecame like really you know,
like for real, for real DJing,like every week type joint, that

(01:24:52):
I really kind of um starteddoing that like, oh, I could
play this for this or I couldplay this for this.
I just was enjoying the musicwhen I was growing up listening
to it.
So hearing, hearing this albumwith a new set of ears, it's
like, oh, I could definitelyplay this, you know, for this
genre of skating, you know, andstuff.

(01:25:12):
So, um, so yeah, but uh, it'scrazy because I remember
distinctly this album came outwhen I was like in atlanta, like
like visiting for the firsttime, summertime 2012.

(01:25:33):
I just remember I was taking myyoungins to elementary school.
It's just kind of surreallooking back on that.
You know where, all Good at.

Speaker 3 (01:25:50):
Where.

Speaker 4 (01:25:51):
All Good.

Speaker 3 (01:25:52):
All Good.
What is that?

Speaker 4 (01:25:54):
Paul Lincoln All Good Elementary, oh no, yeah, so
that's where I used to drive myyoungest.
But but yeah, I got a, got ahandful of records.
Believe that it's so FeelingSingle Love Is.

Speaker 3 (01:26:14):
Feeling Single okay.

Speaker 4 (01:26:16):
Yeah, that was a single that was one of the
singles yeah, I remember thatShare my Love.
Can't remember all of themexactly, but they're definitely
odes to like, like I said, barrywhite.
You know you could definitely.
You know the type of beat thatwas made um, and for the most

(01:26:40):
part he produced like this wholealbum, you know.
So that's the testament to rkelly and how he just studies
music, you know, um, so yeah, Iwould say it's a solid effort.
I wouldn't say it was as strongas the album before it, um,

(01:27:01):
love letter, because I feel likethat's when it kind of started
of him, you know, going backinto the decades and trying out
different music.
Yeah, because I think the albumbefore that was Untitled.
You remember that one Turner.

Speaker 3 (01:27:21):
That's 4Play.
That was supposed to be TP4,right, because that was the one
with Hairbreaker.
Yeah.

Speaker 4 (01:27:29):
That one had that Superman high Shout out OJ,
shout out, oj, shout out OJ andJumay.
And number one with CarrieHilson oh Jesus, wiped the dust
off that one.
Did you know that recordPregnant.

Speaker 3 (01:27:48):
Yes, I did.

Speaker 4 (01:27:49):
I actually like that song no, do too, didn't, I
didn't, it was, it was a littleweird, yeah, oh for sure, I was
like I don't know if I shouldlike this song or not.
This is yeah, but it was.
It had what dream robin thick?

Speaker 3 (01:28:04):
and every fucking singer known to man on this song
.

Speaker 4 (01:28:09):
Yeah, that was that was could you maybe want to get
you pregnant, knock you up.

Speaker 2 (01:28:18):
So many different just yeah, that was a very
interesting right but yeah, um.

Speaker 4 (01:28:27):
So I don't think this one was as good as Love Letter,
but I do.
I still can appreciate thediversity of it.
So definitely check that out,man, if you got the chance so
have you heard all of all of hisalbums if I haven't, it's the
early, like the first two orthree, I would say that I

(01:28:50):
haven't heard.
So's the early, like the firsttwo or three, I would say that.

Speaker 3 (01:28:51):
I haven't heard.
So, out of the ones you haveheard, if you could just think
about it, where does Rangy Becksit?

Speaker 4 (01:29:00):
Probably on the lower half, but not saying that in a
sense that it's a bad album,more so that he just has so many
great projects?

Speaker 2 (01:29:06):
No, of course not.
Yeah, legend man.

Speaker 4 (01:29:08):
Yeah, no-transcript.
You got a hell of a shit.

Speaker 3 (01:29:11):
Um yeah, well, that was Janaka's album of the day
we're going to move to DJ Talk.
So DJ Talk is going to be alittle different.
We actually haven't done itlike this in a while.

Speaker 2 (01:29:34):
So Drip.

Speaker 3 (01:29:34):
Drop.
We're actually going to makethis DJ Talk about you.
We're going to pull up some oldDJ Talk questions and we're
going to have you answer themAll right, let's see if I can.

Speaker 1 (01:29:47):
For sure y'all.

Speaker 3 (01:29:50):
What is the right height when it comes to your DJ
board?
Let's see.
So what I meant by that is so.
Let's say you're setting up.

Speaker 2 (01:30:03):
So what's the best height?

Speaker 3 (01:30:04):
for you when it comes to your board, like for you.

Speaker 1 (01:30:09):
Well shit, the table low.
I got to put a box on itbecause I don't like.
I don't like bending over,right, that shit hurt my back.
So I either either I have myown table or I will have to like
, because even when I have myown table, I still put my case
like I still put my controlleron top of my case.

Speaker 3 (01:30:31):
Right, so like, so, like body-wise, like where
should your, where should yourboards it?

Speaker 1 (01:30:36):
should be like right, like by my belly, like probably
by my belly button, or a littlebit over my belly button.

Speaker 3 (01:30:43):
So, tanaka, I got a question for you Can DJs live
healthy lifestyles?
Drip Can DJs live healthylifestyles?

Speaker 1 (01:30:59):
Hell, no, why or?

Speaker 3 (01:30:59):
why not?

Speaker 1 (01:31:01):
Fuck, no, bro.
Why not?
Because it's like, if you get agirl, she's always going to
have that doubt in her mind thatoh he a DJ, so he can really
talk to any bitch.
He won't, though.
It's like oh so you're talkingmore mental health, mentally
healthy.

Speaker 3 (01:31:16):
You don't think, you don't think that you could be
mentally there.
Is that what you mean?

Speaker 1 (01:31:24):
what you mean well, well tanaka do you?

Speaker 3 (01:31:27):
remember that question the Can DJs live
healthy lifestyles?

Speaker 4 (01:31:31):
Do you remember that question?
Yeah, of course.

Speaker 3 (01:31:33):
So with that context he means like, can we be on,
like, can we eat diet-wise?

Speaker 4 (01:31:41):
Like, can we?
Since we be on, since we be out.
No, but it could be.
No, that's what I'm saying Ididn't think about it that way.

Speaker 3 (01:31:49):
So yeah, elaborate on where you were going with it.

Speaker 1 (01:31:53):
Like, as far as like relationships and shit like that
, a lifestyle, like a healthylifestyle, like I don't think
it's possible.
Well, it's possible, but youjust got to find the right
female who's mentally like candeal with that shit for real,
because shit as a DJ bitches,come talk to me all the time

(01:32:16):
like I'm the life of the partyregardless, so I'm really the
center of attention for real andthat's another thing but why
you?

Speaker 2 (01:32:26):
figuring that out.

Speaker 1 (01:32:26):
So yeah, so, okay, so since we're talking about that.

Speaker 3 (01:32:29):
Well since let's go to the regular.
I mean what the question was Doyou think that we can live a
healthy lifestyle, since we'realways out late?

Speaker 1 (01:32:38):
No, you know that, Because nine times out of ten,
everything when we get home,everything be closed but the gas
station, or we get home.
When we get home, shit.
We ain't got nothing to eat ornobody cook nothing, so we got
to eat noodles, Right?
So no, I don't think so.

Speaker 3 (01:32:54):
But go ahead, Tanaka.

Speaker 4 (01:32:55):
I'm sorry.
No, I was just saying that itdidn't really register.
But my partner's brother wassaying how, yeah, when you go
into the function, you guys asDJs you may not realize it, but
there's a certain glow abouty'all Because you guys are the
ones that's creating the wholevibe of the night.

(01:33:18):
Even if we're low-key and noteven on the mic like that for
real, he's like naturally, whenyou go into a function, just
from a customer standpoint, younaturally have a glow about
yourself, being that you're theone that's creating the whole
vibe.

Speaker 3 (01:33:34):
Yeah, you're the one around all this fucking
equipment.
You're the one working it.
You're definitely going tocause them attention.

Speaker 4 (01:33:41):
So he was saying how naturally women gravitate
towards that, because you know.

Speaker 3 (01:33:48):
Right, all right.
So what is this number three?
Number three yeah, you can donumber three.
So what is this number three?
Number three so dj talk, andit's actually funny because low,
low, in his past life used tobe a dj, so dj name what?
Oh, what was that one?

Speaker 2 (01:34:05):
it was quavo, remember.

Speaker 3 (01:34:06):
I don't remember overdose it was um, jose quavo,
uh, dj, uh, because that's whenwe were, that's that and it's
funny.
For some reason I can alwaysremember that one night when it
was me, you and noel shout outnoel, um, we were at waffle
house and we were just trying tofigure out what your dj name
was.
That was funny.
For some reason, that's theonly I remember that vividly.
It was the wall, it was wafflesright up the street, but, um,

(01:34:29):
yeah, we came from that what wasthat party?
that fucking whack-ass party.
We didn't get to dj or someshit.

Speaker 4 (01:34:37):
I remember that shit well yeah, I'll make you do it
bro.

Speaker 3 (01:34:42):
Yeah, but um tonight I got a question for you.
What's that in the mind?
So if somebody were to try tobook you, what information would
they need to give you for youto give them an exact price?
So drip what is so if someone'strying to book you, what's all

(01:35:04):
the information that they needto give you to get an exact
price out of you?

Speaker 1 (01:35:11):
well, they'll have to give me location.
I'm thinking about gas um time,because I charge for time and
like everything that they wantwith that service.
So that could be microphones,lights, fault machines and, um
yeah, that's pretty much it forreal Type shit.

Speaker 4 (01:35:38):
Well, cool, go on.
So I was in a situation man andthe question um, I was doing
this event and it comes timewhere you know.
There time where there'steenagers, little kids, adults
basically a wide range ofindividuals at the party.
It's time to set it off.

(01:36:00):
We've got one hour left in thejoint.
It's time to let it go.
People were doing speeches.
I had to make a decision.
Because do we set it off?
With a wobble, or do we set?

Speaker 2 (01:36:17):
it off with uh swag surf.

Speaker 4 (01:36:20):
You know, and I was, I was caught in that dilemma.
I had to make that decision,like in the moment, you know.
So, yeah, turn on.
My question would be you know,to get everybody, would you have
one with swag surf or would youhave one with so drip to set
off right after I guess somebodywas giving a speech, to get

(01:36:43):
everybody back on the floor.

Speaker 3 (01:36:45):
Are you going with swag surf?
Are you going with wobble or doyou have a third?
Do you have a third choice thatyou would, that you?

Speaker 1 (01:36:53):
um well, so I mean shit after you know.
I mean I don't want to hear youfucking talk.
So shit, I, everybody done satdown already In order to get
everybody back on the flow.
You're going to have to playwobble.
Then you're going to swagsurfing after that, because
everybody already bunched uptogether.

Speaker 3 (01:37:11):
Yep, or we play that slow one Shout out to Drip.
I definitely did not know aboutthat slow whine at all.
I was definitely oblivious tothat shit and he taught me that
shit.
Okay, tanaka, do you?
Do you remember that?

(01:37:31):
Do you remember that party thatyou did for that?

Speaker 4 (01:37:36):
yeah, that was um.
I think that was 20s peoplethat I DJed for.

Speaker 2 (01:37:44):
So who did you play?

Speaker 1 (01:37:45):
first I don't remember.

Speaker 4 (01:37:48):
I think I don't know, I can't remember, Because I
think because further on in thatdiscussion was that the lady
had said like yeah, play.
I forgot what she said.
I think she said swag serve orsomething, I don't know,
something like that.
I think I played Wubble.

Speaker 3 (01:38:08):
And, um, I have a question for you, but I mean, I
don't, I kind of don't know howto put this, but I'm just trying
.
But because how to put this?
But I'm going to just tryBecause you were in this
situation, but just out ofcuriosity if this situation were

(01:38:33):
to happen to you, and you werethe only one there, so situation
happens right.

Speaker 2 (01:38:36):
We play itty bitty piggy.

Speaker 3 (01:38:39):
And the breaker cuts off.
What's your next move?
Tanaka?
So Drip, you were actuallythere too.
So situation happens You'reDJing and the breaker cuts off.

Speaker 1 (01:38:52):
What's your next move ?
Yeah, bro, Try to get that beatback on as fast as possible.
Bro, Ain't nothing else you canreally do for real?

Speaker 3 (01:39:02):
Oh, you better than me, bro, because that's the
thing, though that's not my job.
If the breaker cuts off, that'son management, Ain't on me.
I'm still getting paid, but no,I feel you, though, look that's
just me though.

Speaker 4 (01:39:24):
Tanaka, do you remember what your?

Speaker 3 (01:39:25):
answer was for that.
What, uh, would you say breaker, cuts off.
No, I don't.
Yeah, I don't remember theanswer for that.
Okay, so do you, would you?

Speaker 4 (01:39:28):
would you like to give another answer?
If the break cut out, what am Igonna do?
Yeah, uh, yeah, I don't know.
I'm waiting on management, Idon't give a fuck yeah stress me
out y'all niggas ain't beenstressing me out.

Speaker 3 (01:39:41):
I already got to worry about what the fuck I had
to play after that Fire.

Speaker 1 (01:39:45):
The DJ Start throwing shit.

Speaker 3 (01:39:50):
The nigga was talking about Kills DJ.
After the break and the cutoff,four or five times I'm like,
all right, bro, that ain't us,we ain't got shit to do with
that.
But yeah, that was DJ talk.
Us like we ain't got shit to dowith that.
But um, yeah, well, yeah, thatwas dj talk.
Um, so drip.
We got this thing that we dowhen we have a guest and we kind
of have like well, we reallyain't got a name for it, but we

(01:40:11):
just kind of call it open topicwhere we just give the guests
the time to whatever the fuckyou want to talk about, or if
you want.
If you want to talk aboutanything, if you got anything
you want to get off your chest,you want to.
You know, I don't know,whatever.
If there's any open topic thatyou want to talk about, this is
your time to do so.
If not, then we just move on.

Speaker 1 (01:40:31):
I mean, I already got no topics for real.

Speaker 3 (01:40:35):
I mean it ain't got to be a topic, but whatever.

Speaker 1 (01:40:37):
Whatever you want to talk about no, how you feel
about being a godfather let'stalk about it.

Speaker 3 (01:40:43):
Nah, how's, how does it feel?
Oh well, you did learn how tochange a diaper too.
What was all that like?

Speaker 4 (01:40:51):
yeah, that was an experience, man.
Homes over there turned up thatman can't die.
Man, king Zod, man you knowhe's pumped up to get that dope
chain.

Speaker 3 (01:41:02):
Yeah, man, you can sit there with feces.

Speaker 4 (01:41:04):
I would be too, but how's it been as a Godfather?
It's been a little stressful.
He ain't even here yet.
He ain't even here.
yet he's not even here yet,ain't even here yet, he's not
even here yet.
But it's been a lot, of, a lotof drama and stress, but Nah, I

(01:41:25):
mean, I'm looking forward to itthough you know I think it'll be
.
Yeah, I think it'll be good,though you know Just hanging.
You know Learning how to dealwith babies and all that Cause
as people be talking about.
You know unk status and allthat.
So you know, um, naturally, anatural, just a regular

(01:41:49):
responsibility you know of theuncle is.
You know you watch the children, the baby and all that.

Speaker 3 (01:41:56):
So I didn't know that , so Right, oh cool, that's
what's up.

Speaker 4 (01:42:03):
Have you ever gotten that?

Speaker 3 (01:42:04):
God.

Speaker 4 (01:42:05):
No, oh God, absolutely not Jake here, no.

Speaker 1 (01:42:08):
Not me.
Would you take an offer Ifsomebody asked you?

Speaker 3 (01:42:12):
to be.
If somebody's got that, yeah,it depends.
I mean, yeah, I think I would.
It would just have to be.
It'd have to be the rightRelationship.

Speaker 4 (01:42:24):
I said what's a?
What's a?
You remember what you said.

Speaker 3 (01:42:35):
I feel like I did say something Um.

Speaker 4 (01:42:39):
Don't worry about it.
It's just some term that blackfolk came up so an excuse so
they can go to the club.
Yeah, I do remember some shitlike that.

Speaker 3 (01:42:47):
Yeah, I was like what literally?
That's that's what it is.

Speaker 2 (01:42:52):
Yeah, and he started busting out laughing, just like,
just like now.

Speaker 3 (01:42:56):
Yeah I do remember that, but it was just so
specific I didn't remember if Itold you that or not.
But yeah, it's literally blackpeople made that up so they
could leave him with a friend togo do some old shit, like
that's literally what godparentsare.
But yeah, I guess the gist ofthe answer was just don't worry
about it, it's fine You're goingto be.

(01:43:18):
The answer was just don't worryabout it, it's fine, you're
going to be good.

Speaker 2 (01:43:23):
Don't think too hard about it.

Speaker 3 (01:43:26):
That shit don't mean nothing.

Speaker 4 (01:43:30):
Them folks said boy, whoever told you that was wrong,
I'm going to say it.

Speaker 3 (01:43:37):
What information did you get about God Dad?

Speaker 4 (01:43:40):
They just saying that , like if anything would happen
to um the parents that you would, you would have to basically be
the, the guardian, I guess, ofthe child really so that's what
that is, yeah oh so it's notgonna go to your mom.

Speaker 3 (01:43:59):
I would think I'm not gonna lie if something, oh so
it's not going to go to your mom.
I would think I'm not going tolie.
If something were to happen, Iwould think it would go to your
mom, because your mom's sohanded on.

Speaker 1 (01:44:04):
Nah, as far as like godparents go, that's it.
Like if the parents die, likeif the mom died, then she got a
godmom, so there's likepaperwork involved.
No there's not no paperwork,but that's just what it is.

Speaker 3 (01:44:16):
But that sounds like that's some paperwork that needs
to be involved.
So the fact that it goes to him, I feel like, is.

Speaker 1 (01:44:25):
I don't know that's, but that's the thing, though it
only goes to him when, like,there's no other option.

Speaker 3 (01:44:33):
Okay, so that's what I'm saying.
So let's hypothetically usethis does Some shit, does happen
, like so, and I just thoughtabout that too.
So with the god dad, god mom,like so, who would go to it
first?
Who would he go to first?

Speaker 1 (01:44:46):
I mean that's if the family Doesn't want to take,
take the, take the child, that'swhat I'm saying.

Speaker 3 (01:44:51):
I feel like.

Speaker 1 (01:44:51):
Your mom, Is yeah, yeah, but shit, I mean.

Speaker 3 (01:44:56):
Yeah, that's what I'm saying.
I don't.
I don't that sound like there'ssome paperwork, that sound like
there needs to be somepaperwork.

Speaker 1 (01:45:01):
Nah, like If it goes to Tanaka, yeah, I don't know,
yeah, that that kid gonna befucked up.
Right Listening to TI and shitJeezy.

Speaker 3 (01:45:12):
Watching Mess Sitting there grinning.

Speaker 1 (01:45:14):
Download uh Illegal albums and shit.

Speaker 4 (01:45:20):
What's up?
We gonna put him Onto thatpower.

Speaker 1 (01:45:23):
Yeah, there's no need to come back on.

Speaker 2 (01:45:27):
Watch that BMF.

Speaker 1 (01:45:31):
I'm ready for that shit To come back on too.
Supposed to be coming on what?
Next year?
The beginning of next year?
Bmf, yeah, it is.
Oh, I didn't know.
I'm not gonna lie.

Speaker 3 (01:45:39):
I didn't know.
I'm not going to lie.
I didn't know that I did wantto watch Power, though Power's
done ain't it?

Speaker 1 (01:45:46):
No, I don't think it is.
I think they're having anotherseason.

Speaker 3 (01:45:49):
I just Because they said that was the last season,
but the way I mean, it'sprobably one of those things
where it isn't like they're notmaking enough money for some
shit.

Speaker 1 (01:46:01):
Shit.
They're making enough money onpower.
I know they is they gotta be.
Well, I mean if they just cause?

Speaker 3 (01:46:10):
I would think I would think people.

Speaker 1 (01:46:11):
I would think more people fuck with power than BMF,
Cause they got more.
They got more.
It's like it's like a powerthen it's a ghost book.

Speaker 3 (01:46:21):
Well, raising cane in our power is power is fictional
, bmf isn't.
But shit, I mean they kind ofhave to go home with the time to
know how is?
You.
I didn't make up shit.
Niggas can come out, havesuperpowers, like you know
what's crazy.

(01:46:41):
I remember back in the day whenthey were comparing power to
empire, I was like I rememberthem songs I was like how One
they got the handcuffs put onthem because they're on TV.

Speaker 2 (01:46:54):
They're on real TV.

Speaker 3 (01:46:55):
They can't do the shit that power does.
I don't know, boy, that empireis something else else, man,
it's high feels when a man lovesa man.

Speaker 2 (01:47:06):
That's that.

Speaker 3 (01:47:07):
That was that was a joint, wasn't it?

Speaker 4 (01:47:08):
I ain't never watched empire I didn't, I I didn't
watch that joint.

Speaker 1 (01:47:12):
Yeah, I fuck with empire.

Speaker 3 (01:47:13):
It just got ass after like a certain point, though,
like the first episode, yeah, no, after, after a certain season,
I forgot what season it?

Speaker 1 (01:47:19):
no, after a certain season.
I forgot what season it was,but after that certain season I
just lost interest in it forreal man what feels when a man
loves a man.

Speaker 3 (01:47:27):
I ain't gonna lie, it was actually funny.
I used to play what's that?
I think it was Empire.
I remember I used to play itback when I first was in the
skate world.

Speaker 2 (01:47:41):
What's the?

Speaker 3 (01:47:41):
You're so beautiful, oh shit, you should play that
shit, yeah, cause, bro, I usedto do, bro, I used to do
daycares Bro.
Yeah that Bro, they used to gocrazy For that song.
Go up, down, up, down, up down.
I was like, but I ain't neverheard the song.
I was just like, oh okay, theyfuck with this.

Speaker 4 (01:47:55):
Okay, cool, I guess you know about this P-Valley bro
.

Speaker 1 (01:47:59):
What I think that's some gay shit.

Speaker 4 (01:48:01):
I don't know.
I just heard about it.

Speaker 1 (01:48:03):
What you talking about, the series.

Speaker 4 (01:48:06):
Yeah, I just heard about it.

Speaker 1 (01:48:08):
I ain't never really watched it though.
Yeah, nice, I've heard of it,though, boy I, it's some gay
shit.

Speaker 3 (01:48:13):
Yeah, I think Ain't it, I don't.

Speaker 2 (01:48:15):
I thought it was about strip clubs and shit.
Yeah, I thought it was aboutstrip clubs.

Speaker 3 (01:48:18):
I thought it was about a gay dude Like well, like
he's like any, like gay dude,he's like owner of some shit and
he's like turning some rapperout, like I gotta ask Rina.

Speaker 4 (01:48:27):
I think Rina had watched it too.

Speaker 3 (01:48:29):
Oh yeah, I don't know about that, I don't know.
I just know gay dude, that'slike one of the main characters
and I feel like he's like aowner or something, as far as I
know about that.
But um, yeah, so anywho, we'regonna move on to the scheduling.
If you want to, I just postedmy uh schedule on my uh

(01:48:54):
instagram so you can follow meon instagram.
Dj, turn up to use on on whereyou put U's.
Just put two of them and uh.
Yeah, you see my schedule onthere.
Drip what you got going on, man.

Speaker 1 (01:49:07):
Got uh Cascade 8 to 12,.
The 20th, Um, I got a.
I got a new gig called theExclusive Bar.
So I'm gonna be there from umShout out to the Exclusive Bar.
Uh, from 7 year from um shotexclusive bar.
Uh, from seven to to one.
Uh, that's saturday the 21st.
I gotta do seven to eleven.
Stone mine um.

(01:49:27):
The 27th I got cascade from 10to 2 and the 28th is the
exclusive bar from 7 to 1.
And then the 31st, we got the.
Is that your sister's jointMm-mm?
Oh, and then the 31st we gotthe Stone Mountain Skates silent

(01:49:47):
party, or quiet party, orwhatever you want to call it.

Speaker 3 (01:49:51):
Drake going to be playing that sheet.
Yeah, man.

Speaker 4 (01:49:53):
Drake going to be playing that sheet.
The writers.

Speaker 3 (01:49:56):
Shout out to my writers checking in.

Speaker 4 (01:50:00):
Now what we got 20, I got Mitch O'Donnell.
21st, Nice and Slow.
22nd, Soulful Sunday.
24th is Golden Glide.
27th is A Battle of Sparklesthat's going to be shot by

(01:50:23):
Tanaka.
28th is Spargos Gwinnett.
29th is the Glide again.

Speaker 3 (01:50:33):
And then the 31st is Super Quiet Headphone Party,
cool.
Well, ladies and gentlemen, oh,one major announcement that we
got to make.
So, ladies and gentlemen, oh,one major announcement that we
got to make.
So, ladies and gentlemen, thisis kind of a Kind of a low key
end of an era For the TNTpodcast.

(01:50:54):
So, for the people that havebeen listening, you probably are
used to us Dropping episodes Onthe 1st and the 15th.
So, due to our very, very, verybusy schedule, that will no
longer be the case.
We will be dropping episodesevery 1st of the month.

(01:51:18):
Yeah, we'll be droppingepisodes every 1st of the month.
I mean until we get to thealbum reviews.
When we do the album reviews,we'll be doing it on the 15th.
That'll be the only time we'llbe dropping not 12 episodes, but

(01:51:43):
however many episodes it takesfrom every 5 episodes.
So I think it was like 14,maybe yeah probably 14.

Speaker 4 (01:51:50):
Yeah, something like that, something along those
lines.

Speaker 3 (01:51:52):
So yeah, man, appreciate y'all for rocking
with us, for has it been 5 years, 4 years, 4 or 5 years?

Speaker 4 (01:51:59):
now yeah, I think for sure, wait this season 4 right
rocking with us, for has it beenfive years, four years, four or
five years?

Speaker 3 (01:52:04):
No, yeah, I think.
Wait, this is season four right?

Speaker 4 (01:52:06):
Well, this is season four.
Next year will be season five.
Yeah, so yeah, would it be fouryears, because?

Speaker 3 (01:52:12):
you don't count the first year, right?
I don't know, man, you've beenrocking with us.

Speaker 4 (01:52:18):
Salute to y'all folk that's been rocking with us for
four seasons of the TNC podcast.

Speaker 1 (01:52:23):
Right, did you ever get DeJill on here he?

Speaker 3 (01:52:27):
ain't never come.
He ain't never come.
Oh, he was one of the ones thatdidn't come, you know I
challenge y'all to get Mr Grigg.
Or Avalanche Yep, we're addingthat one out.
Ladies and gentlemen, that wasthe TNT podcast.
Dj Turn Up.

Speaker 4 (01:52:42):
DJ Tanaka, we probably get Avalanche.

Speaker 3 (01:52:44):
Oh no, we probably get Avalanche Avalanche.
You know what's actuallyinteresting about Avalanche
Avalanche.
When he auditioned, he was likeoh yeah, they have a podcast
together.

Speaker 1 (01:52:51):
I was like how do you know that?
And Avalanche, I got two.
I got two suggestionssuggestion Avalanche and Robbie.

Speaker 3 (01:52:59):
You're going to be the guest host for that one TNT
Podcast we're going to get outof here.
We're going to fuck with y'all.
Thank you.

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