Wild, Red, Sticky, & Brown

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:46):
Ladies and gentlemen, we are back.
Tnt Podcast DJ Turnup, DJTanaka.
We actually got a jam-packedepisode tonight.

Speaker 2 (00:56):
We started 2025 off with a blast.

Speaker 1 (00:58):
Well, actually no, we already started.

Speaker 2 (01:00):
Oh well, well, yeah, shout out to Gray Jackson, Shout
out to Gray Jackson.
He was the first episode.

Speaker 1 (01:04):
So Tanaka knock let me.

Speaker 2 (01:05):
Actually, I look at that as like a transition, like
from 24 to 25.

Speaker 1 (01:09):
I can see that as the time recording it was 24, so I
get it um, so tonight, I mean, Iguess we probably wouldn't be
able to answer this until thenext episode, but I don't know
how does it feel that we dothese episodes now once a month
rather than, you know, first15th, first 15th.
How does it feel, honestly?

Speaker 2 (01:27):
um, I mean, I'm cool with it.
You know what I'm saying?

Speaker 3 (01:30):
I mean, yeah, does it feel a little bit?

Speaker 2 (01:32):
more spread out yeah, no, it does feel more spread
out and um, I mean I think it'scool that we're having a guest
on every episode, right, so yeahso it makes it.

Speaker 1 (01:43):
I feel that okay, well, cool, well, without
further ado let's, let's bringour guests in.
We have um dj tonic with us,fellow delinquent, and we have,
so so do we call you lavender orlike okay, okay, lavender.
So we gotta say the whole thingwell, look, okay, cool, okay.

(02:03):
So we have to say the wholething is okay.
Look, I don't know, I justgotta make sure we just want to.

Speaker 2 (02:09):
We want to make sure we address you properly yeah,
you don't know, okay.

Speaker 1 (02:14):
So I'm gonna just say lavender and hopefully we'll be
, we'll be good.
So we have lavender and we havedj tonic on the chicken, the
whole thing.
Your highness dj tonic yeah, wedon't, we don't care tony but
now?

Speaker 2 (02:25):
but we're on the rails, off the rails already um
jesus christ.

Speaker 1 (02:39):
We're off the rails already um, yeah, so tanaka, how
you been man rails already, umyeah so, tanaka, how you been,
man, frustrated, frustrated, bro.
I can't even escape man.
It's like yeah, so all rightoff of here I heard you yeah.

Speaker 2 (02:54):
So what happened?
Like november, I had injuredmyself.
I had injured my right ribplaying basketball.
Then I healed up, I playedbasketball again, I injured my
left rib.

Speaker 1 (03:05):
Wait a minute, hold on, hold on Pause.
Was it when we were doing thefellas night joint?
No, oh, I was about to say, bro, you definitely wasn't playing
like it.
You had us sitting therewaiting on you like it was after
that.

Speaker 2 (03:15):
Oh, okay, I was going to say so yeah, that's why it's
frustrating, because, like I'mlike dang what guy trying to
tell me it's first my right rib,not a left tell us how.
Tell us how the rib injuryhappened because I was I drive
into in the paint and I had pumpfake and the og had, like he

(03:36):
got faked out so bad that hedidn't have nowhere to land,
except like right into me.

Speaker 6 (03:40):
You know what I'm saying.

Speaker 2 (03:41):
So yeah, so you're that good, you're that nasty
with it it's not even about thatman, he just he's a big like he
, one of them ogs, that's likeif we compare his body to
anybody, well, who would youcompare his like, like?
Brain to.
I wouldn't say that big, butit's just like he just like
solidly built.

(04:02):
So it's like if you run intohim, like you're going to feel
that.

Speaker 1 (04:05):
Lil D.
Please tell me this.
Is you doing this, please, GoodLord?
Sorry for the people that's notlistening.
We got Lil D in the building.

Speaker 2 (04:14):
Lavender's entourage.

Speaker 1 (04:16):
And then he's like we putting him on the NFL Blitz
for the people that know.
You know, the NFL Blitz is aleague game.

Speaker 2 (04:23):
I'm hoping he's, he's 14.

Speaker 1 (04:25):
Okay yeah.

Speaker 2 (04:26):
And this is your first time playing it, right.

Speaker 6 (04:28):
You said 15.

Speaker 2 (04:29):
First time First time playing.

Speaker 1 (04:31):
First time playing, so he has no idea what he's
doing, no idea what's going on,he's just exploring right now.

Speaker 6 (04:35):
Look, as long as he's having a good time, that's all
that matters.
You know, you suppose that theobject when you're the ball
handler, you're supposed to bebreaking the defender's ankles,
not having the defender breakyour ribs.

Speaker 2 (04:48):
I'm just saying I'm saying I was in the paint, and
you know how them folks getabout being in the paint.
They're like all right, you'regoing to come down here.

Speaker 1 (04:54):
You know what I'm saying you better be ready to be
in For the people that don'twatch basketball.
Please explain.

Speaker 2 (05:07):
Basically, when you drive in close to the hoop, they
call it the paint because it'sclose to the basket.
I pumped fake so I acted like Iwas going to shoot.
I didn't actually shoot it andthen he went for the fake.
He was just up in the air stuck, but I still had the scope.
Then I went up to score andthen he landed right into me.
So both of your wrists hurtright now, nah, just my left

(05:28):
side.

Speaker 6 (05:29):
So did you get that and one though.
So that's what.

Speaker 2 (05:33):
I asked so after it happened, because really what
happens?
He collided into me and thenthe way I fell, I hit my head on
the floor.

Speaker 1 (05:41):
So you didn't even see if you made it or not,
exactly.

Speaker 2 (05:43):
Because I got the wind knocked out of me.
I couldn't breathe for a second, so I was like, that's the
worst.

Speaker 5 (05:50):
Is basketball that serious yeah?

Speaker 2 (05:52):
Like, do you like playing basketball that much?
Yeah, yeah, yeah, that's myfirst time.

Speaker 1 (05:55):
Yeah, he literally had us strangers like this is a
complete strangers he wasplaying with and we were his
homeboys.
His friends were sitting on thesideline like, yep, ready to
wrap this up?
You ready to knock out?
I guess not another game.
They're doing another gameapparently.

(06:16):
Yeah, it was, it was bad, itwas it was bad, it was, it was
bad.

Speaker 2 (06:21):
We'll sit there but hey, man, as long as you had a
good time.
I remember you said you wasjust trying to.
Nah, I felt bad, I shouldn'thave.

Speaker 1 (06:26):
Aw shut up.

Speaker 2 (06:27):
I really shouldn't have I get in that mode when
it's like you feel me.
You see, you see nothing, it'snot right.

Speaker 1 (06:33):
Feel that.
Well enough about us.
Lavender, how was your daytoday?
I don't work today so that's.
That's a normal job.

Speaker 5 (06:43):
That's a good that's good, that's good, that's so
nice.
People Turns out.

Speaker 1 (06:48):
Turns out right.

Speaker 5 (06:53):
Having a normal job Is not as fucked up as the city
girls make it.

Speaker 1 (06:56):
No, it's not.
Not at all, it's really not.

Speaker 5 (06:58):
Like it's really not.

Speaker 1 (07:00):
No.

Speaker 5 (07:00):
When you can just Go to work and, like you know what
you have to do that day.
You do what you got to do, youknow how much money you're going
to make, and then you go thefuck home.
It's a very nice feeling.

Speaker 2 (07:14):
I feel like, as long as the working condition like
cool, like the people that youwork with and stuff like that,
my job is cool as fuck.
That's all I'm saying.
You see the coat they justordered everybody.

Speaker 5 (07:21):
They just ordered everybody.
It's like warm.
The Christmas party was lit.
I won like $150 at my Christmasparty.
Must be nice.
I worked in a strip club hotel.
They never gave me $100.
They never.
Maybe I can get a free drink.

Speaker 3 (07:34):
Well, we've never had a.

Speaker 1 (07:36):
Lil D press the button.
What happened?

Speaker 7 (07:39):
I was into y'all I was into that conversation.
I forgot about the game.

Speaker 1 (07:42):
Good Lord, you at least press pause.
I'm sorry.
I'm sorry.
I forgot about the game.
I was into that conversation.
He doesn't help me out, okay,I'm sorry it doesn't help me out
.
But, yeah, so.
So what finally made you retireand retire the game?
And get a regular job.

Speaker 5 (08:01):
All right, a regular job.
Alright, we're doing the realthing, right.

Speaker 1 (08:04):
It's up to you.
How many people from Gold Rushdo you think listen to you?
Um, probably, I don't know.
I'm not gonna lie, I have noidea.
Well, why don't you put my nameon it?
They're gonna know anyway.
Yeah, um, I got.

Speaker 7 (08:25):
I got fired from Gold Rush.

Speaker 5 (08:26):
Oh good lord, oh jesus christ the laugh of the
entourage all the dumb shit Idid never got fired for.
I never, got terminated.
I got removed from the building.
I got to a point where Icouldn't go to the store right
beside gold rush, all that shit.

Speaker 2 (08:42):
This call came from corporate and that was store
right beside gold rush all thatshit.
They always I ain't laughingyou thugging like that.

Speaker 5 (08:45):
This call came from corporate, and that was you're
scamming these folks not thesefolks, not these folks.
I ain't scamming nobody.
Look, I'm saying gold rushchecks are a little bit walkie,
are they really?

Speaker 6 (09:07):
And I was accused of that's interesting.

Speaker 1 (09:11):
We had a friend that had a situation like that.
That recently got fired.
I'll tell you off, we'll talkabout it off air.
Look, I'll just say thisLavender is probably the
funniest story that I've everheard at Gold Rush and I will
never.
I will never give this up whenI heard it because I didn't see
it.
I heard it and it was thefunniest shit ever.

(09:31):
You were drunk.
You were drunk one time, right,surprise, surprise.
So here's the thing right, shewas drunk and apparently she
tried to blow out, to go andleave, and so they were like um
no, you can't leave cause you'redrunk.
And she was like okay, well, canI at least give my keys so I
can have, cause they're attachedto my car, and she was like

(09:55):
yeah.
She was like yeah, I'm finna,call the lift, she calls the,
she calls the Lyft.
Right, and she gets in the Lyftand the Lyft drives her to her
car.
She gets in the car, bro.
When I heard that, I was likethat is genius, that is fucking
genius, doesn't that whathappened?

Speaker 5 (10:15):
It drove up the street, I said, hey, you can
charge me whenever you just takeme back to my car.
But look, just drive up thestreet.
He busted you at the FamilyDollar.
Then just take me back to mycar, but look, just drive up the
street.
He busted you at the familydollar.

Speaker 1 (10:28):
Then came back and dropped me off in my car.
I left the damn premisesalready.

Speaker 5 (10:30):
That is genius by the time I got to bird king, I was
being a vegetarian this time, sobird king had the impossible
burgers uh-huh by the time I gotto that one on riverdale road,
I was suspended for two weeks.
That was my first offense.
That was like the first thing Isaid, bro, that was genius,
that was genius.
That's not genius.

Speaker 1 (10:49):
That is fucking hilarious, because it's
hilarious.

Speaker 6 (10:53):
It's the opposite of genius.

Speaker 5 (10:55):
Like how demure is the opposite of sexy, right
Turns out.

Speaker 1 (10:59):
Just because you can't see that clear doesn't
mean everybody else can't seethat clear.

Speaker 5 (11:04):
I thought all right, there's no way they don't pay
attention to shit anyway.
So why the fuck my car is onthe?
You know, it's that first rowcar.
Yeah, my car was on the secondrow car, y'all don't watch that
shit yeah.
Why are you who the fuck toldon me that is the.

Speaker 1 (11:18):
That's the question.

Speaker 5 (11:25):
I know who, so anyway , no, my favorite thing about
you.

Speaker 1 (11:26):
This is me and Tommy.

Speaker 5 (11:26):
This is me, and Tommy .
Yeah, I was going to say y'allhave, because I know that's your
favorite DJ from Gora, that'smy OG.

Speaker 1 (11:32):
Yeah, okay, uh-huh right.

Speaker 5 (11:33):
His first day.
He wasted my entire day.
Johnny wasted my entire myfirst day at Gora.
He wasted my entire day.

Speaker 1 (11:43):
I can't wait to hear this, my entire day.
I can't wait to hear this.
Oh you, you got both of theworst ones right here.
That was still more thanminimum wage.

Speaker 5 (12:01):
I did not know, this man works here.
Yeah, the finest conversation.

Speaker 1 (12:06):
Right Just cordial.

Speaker 5 (12:07):
I was like this is great.

Speaker 1 (12:08):
This is great, right?
I'm really funny.

Speaker 5 (12:10):
Everybody give me like a thousand dollars in this
conversation We've been talkingfor eight hours.
Bro, hit me with the.
I gotta go.
Where's the rest of it?

Speaker 6 (12:23):
I guess she didn't realize.

Speaker 3 (12:24):
I worked at Gold Rush too.

Speaker 6 (12:26):
And then she would find out later oh, that was half
his pay.
That was half his pay.

Speaker 1 (12:32):
For the week.
He really liked me.
He ain't eating the rest of theweek.
We ain't lying, no, we're notlying, especially at that time,
because we didn't get mid-shift,we just got it all that day and
that was it.

Speaker 5 (12:46):
So in hindsight I'm like, okay, well, you probably
should have moved around, weshould have seen somebody before
you.

Speaker 1 (12:53):
But no, the james brown split is the best, the oh
my god.

Speaker 5 (12:59):
So okay, so so okay, so she was on stage this is our
first this is one of the firstones I would say yeah this is
definitely one of the first,like the only thing I had done
was introduce myself like that,hey this is it.

Speaker 1 (13:11):
Um, pulled me to the side.
I was you should, you had to doit.
So it was yeah.
So she was like so, basically,long story short, she was doing
the james brown split on thestage.
Whatever it was the fact thatit ended in a james brown split.
I was like, no, you need to goahead, cut that out.
You know, go ahead, look,because you got to make sure,

(13:39):
because you could tell peoplestuff, but a lot of, not a lot
of people, not a lot of peopleare open to hear and they're
ready to like to retaliate.
Wait, wait.
So when did you?

Speaker 5 (13:51):
remember when the first poll still spun.

Speaker 6 (13:53):
Now it doesn't spin, so if you throw yourself
correctly, you can swirl aroundand then, but I knew you before
you knew turn up and I I neversaw a James Brown split.
You must have added that to therepertoire after.

Speaker 1 (14:07):
I left.

Speaker 6 (14:07):
You was like you know it's a new year.

Speaker 1 (14:09):
It's a new year for me.
No, it was love.

Speaker 5 (14:10):
No, this was nice, I got to break out some moves.

Speaker 6 (14:15):
No, because I was.
What I'm saying is you knew mebefore you knew Turnip, because
Turnip replaced me.

Speaker 1 (14:21):
I didn't know anything.
No, no, me, no, no, no, shewasn't here when we were doing
the trans, the transition.
You, you were there.
Yeah, you were already.
Oh, what did you start?
You weren't working there.

Speaker 5 (14:30):
That's why my first day I didn't know that you were
what you were click oh I'mtrying to think so.

Speaker 1 (14:40):
So I thought we were okay, so that's so that's the
thing, though I it wasn't likeone of those.
She worked there before I did,it was when she did work there.
It was either we were bothworking there or I was just
working there and you were justlike hanging out.

Speaker 5 (14:52):
Well, when did you start?
I mean nothing real Tonic, yeah, I started.

Speaker 1 (14:57):
October 2016.
No, it wasn't 16.
Because I didn't start 16.
I moved to Atlanta in 2015.
It wasn't 16.
I know it wasn't 16 because Ihadn't started yet and you got
in there before I did, so youthink it was 17?
.

Speaker 5 (15:10):
It was 17.

Speaker 6 (15:11):
It had to be 17.

Speaker 3 (15:12):
Well, no, I was there until 18.
Yeah, I know.

Speaker 7 (15:15):
I'm saying it had to be 17.

Speaker 1 (15:16):
I was at Rumors in 16 .
I remember when you first camein.
Did you remember when I workedat, when you first came in?
No, I wasn't.
I wasn't working at rumors, Iwasn't working on rooms when you
were working at rooms.
Yeah, yeah, no, it was very,yeah, yes, roll, yeah, oh

(15:40):
absolutely.
I'm not a no, I can't operatein cold when it's cold, I'm
sleeping.

Speaker 5 (15:47):
Showers hot.
Showers be hot.

Speaker 1 (15:52):
And that's fine.
But look bro, I cannot operate.
I cannot operate.
I feel like I'm funny, thatmeans you need deodorant.
I know, but I should have puton some deodorant.

Speaker 2 (16:10):
I can help you with that one.
I need a towel to damp Hell,right.

Speaker 6 (16:14):
What am I due whites?

Speaker 1 (16:18):
Let's talk about it.

Speaker 3 (16:24):
We're not recording.

Speaker 5 (16:25):
We're not doing tension.

Speaker 2 (16:26):
We're not recording.

Speaker 3 (16:27):
We're not videoing.
Yeah, luckily for you, there'sno video.
You're good.

Speaker 6 (16:33):
I see.

Speaker 1 (16:33):
Yeah you're good, you're all right, you're all
right.

Speaker 6 (16:36):
I didn't even notice.
That means you're a regularteenager, yeah that's all.

Speaker 1 (16:39):
I didn't even notice.

Speaker 6 (16:40):
Yeah, I didn't even notice it, yeah yeah, turn up.

Speaker 1 (16:43):
still gets pimples when he's in his third.
Oh yeah, you're right, I popthem shit Absolutely.
I do Absolutely.

Speaker 5 (16:52):
There's some noise that bothers me.
More than that it's in thedepiction.

Speaker 2 (16:55):
It be like that sometimes.
So, Lavender, what made youstart like dancing and all that?

Speaker 5 (17:05):
I never watched the Players Club, you know what I'm
saying.
You kind of always know whatyou're going to do.
I don't know.
I was always that person.
I know what.

Speaker 3 (17:14):
I'm going to do, you know what I'm saying.

Speaker 5 (17:19):
I was weird.
I was a weird little kid.
Man Playing dress-up with mewas not.
My dad used to be like bro, I'mgoing to need you to chill out.
You did not.
Just no more Lil' Kim for you.
If Lil' Kim wasn't in my life.
There was a strip club right upthe street from my house.

Speaker 1 (17:38):
Do you remember the name of it?

Speaker 5 (17:42):
They turned it into a bakery, oddly enough.

Speaker 1 (17:44):
That's very interesting.

Speaker 5 (17:45):
Yeah, it was like some, like cowgirl white girl
shit.

Speaker 2 (17:49):
I just remember like a white girl was on there.
Sounds good, you were born andraised here, Nah.

Speaker 5 (17:53):
Oh.

Speaker 2 (17:54):
DC.

Speaker 5 (17:54):
I'm from DC, but then I moved to DC.
I'm really from DC, kind of.

Speaker 6 (18:02):
But I'm from DC.

Speaker 5 (18:02):
Not for that.

Speaker 3 (18:05):
Like you, know how that Atlanta argument is same
thing.

Speaker 5 (18:06):
I'm from DC, I'm from George Washington Hospital.
I was born there then this ishow you know I'm from DC.
My daddy went to the feds, soin DC you go to the feds, no
matter what.
There's no like.
Oh, for real it's not a state,it's not what is it?

Speaker 6 (18:22):
a fucking a district?
Their, it's not.
I can tell.

Speaker 5 (18:24):
Terrible.
Yeah, it's a what is it Afucking A district.

Speaker 6 (18:26):
It's a district.
It's a district.
Oh damn, their votes kind ofdon't even matter.
They don't have votes.

Speaker 5 (18:30):
No, they don't have a senate vote or a house vote.

Speaker 2 (18:33):
Or a house vote.
That's the problem.
That's interesting.
And then I moved to.

Speaker 1 (18:36):
PG County Maryland, which you want to name the
people that are from PG.

Speaker 5 (18:40):
County Maryland, yeah sure.

Speaker 1 (18:45):

Speaker 5 (18:46):
What is it?
Ybn, Cordae?
Is he still that Cordae he is?
I don't think they do the YBNanymore.
I mean I like to say YBN, justto let them know.
Okay, I'm not going to call himCordae.
I mean I'll call him Cordae.
I'm going to say Naomi Osaka'sbaby father.

(19:08):
Okay, Wabi and Cordae.

Speaker 1 (19:08):
What's the best ball player?
Basketball player with ahairline.

Speaker 5 (19:13):
What am I thinking about?
Come on, it's my babe.

Speaker 6 (19:15):
Kevin Durant.

Speaker 5 (19:16):
Yes, dave Chappelle.
Martin Lawrence went to myrival high school, taraji P
Henson.
Yeah, okay, I'm cool with that.

Speaker 1 (19:30):
That's a good line-up .

Speaker 2 (19:32):
I didn't know I was from them.

Speaker 6 (19:33):
Oh well, shit we doing that.
I'm from South East Virginia.
I didn't know you were from DC.
I'm from like 757.
So I was going to say I shouldhave played some go-go for you
on your stage stop taking stuffSaudis?

Speaker 1 (19:52):
what is it, chuck Brown?

Speaker 5 (19:59):
and actually we are gonna have a go-go segment.
And it's not, that's old, wegot a big old butt, oh yeah.
And actually we are going tohave a go-go segment.

Speaker 1 (20:05):
And it is not that's old, old, that is yeah.

Speaker 5 (20:06):
No, it's not, you got a big old butt.
Oh yeah, you want to ask funny,Actually you have played that
you bastard.

Speaker 1 (20:12):
Yeah, no, they used to fuck with their song.
It's a good song to play in thestrip club.

Speaker 6 (20:19):
Yeah, it's, it's it's , I mean, it's a good.
What's worse?
That or the new sexy?
We're not going to get thereyet.
You know, what let's go.

Speaker 5 (20:27):
Let's go, let's go.

Speaker 1 (20:28):
I mean at this point, look.

Speaker 6 (20:29):
No, no, wait, wait, wait, because I got to shout out
, I got to represent the 75seconds.

Speaker 1 (20:33):
Okay, well, go ahead, yeah go ahead.

Speaker 6 (20:34):
So we already said that.
All the goats, Missy Timbaland,oh who, yeah, I say well.

Speaker 1 (20:42):
Clips the Clips yeah.

Speaker 5 (20:49):
Chris Brown.

Speaker 6 (20:50):
Well, he's from Tappahattie, he don't claim.

Speaker 1 (20:53):
Imagine not claiming Chris Brown.
He's not from the 757.

Speaker 6 (20:59):
I'm not talking 757.
Okay, my bad, my bad, go ahead.
He's from close to the DC.

Speaker 5 (21:03):
He's close to the DC.
Whatever Chris Brown says he is, that's what he is Nobody can
argue with him.

Speaker 6 (21:08):
So that's like saying Migos is from Atlanta, no wait.

Speaker 2 (21:11):
Where is St Peter's Migos?
Ain't Chris Brown?

Speaker 5 (21:13):
Whatever Chris Brown say, he's from, that's where
he's from.
I can imagine not claimingChris Brown.

Speaker 3 (21:19):
He claimed Virginia, but he's not from 757.

Speaker 6 (21:22):
So more 757.

Speaker 5 (21:24):
So where is he from?

Speaker 1 (21:25):
I would just take him .
What the fuck Tap a headacheLike he from where?

Speaker 5 (21:29):
So it's Chris Brown.

Speaker 2 (21:31):
And.
What about how far isPetersburg.

Speaker 6 (21:34):
Yeah, that's about two hours from God damn.

Speaker 2 (21:37):
Yeah, that's a little way, yeah yeah, I'm not
claiming trade songs either,damn.

Speaker 1 (21:41):
Yeah, trey's songs either.

Speaker 6 (21:42):
Damn yeah, nobody should play Trey's songs.
Yeah, that's a whole.
Nother, we're gonna.
That's a whole nother All right, so oh, you gonna make.

Speaker 1 (21:49):
Tanaka mad, I'm sorry I fuck with Trey.
I mean he ain't never grown upwith me.

Speaker 6 (21:56):
Couple athletes real quick.
Let's see we had the centerfrom Miami.
Heat Lonzo.

Speaker 2 (22:05):
Mourning.

Speaker 6 (22:05):
Lonzo Mourning Big Zo .
He's from Chesapeake All right,and then, of course, the two
biggest stars was Michael Vickand AI Allen Iverson.

Speaker 1 (22:15):
That's interesting.
I don't think I knew that.

Speaker 6 (22:17):
Yeah, yeah, he's from .

Speaker 1 (22:18):
Bad News.

Speaker 6 (22:19):
That's interesting and neither one of them had
championships.

Speaker 1 (22:24):
They don't, they don't, but no he's right, he's
not lying, he's not lying.
Listen, I'm going to ask you toprobably, since we're talking
about women, I'm going to askyou to probably, wait, that's
not.
Oh yeah, that's LA.
That's LA, never mind, nevermind.
I was going to say, I thinkthat's Oakland.
I'm definitely, that's nothappening.
That's not happening, that'snot happening.

Speaker 5 (22:48):
Speaking of.

Speaker 1 (22:50):
Hold on.
No, I haven't.
No, I lied.

Speaker 7 (22:54):
No I lied.
No I lied.
No so.
No no, my bad.

Speaker 3 (22:58):
Look stop talking.
I'm trying to think.

Speaker 1 (23:02):
No.
And the reason why I know I cansay no Is because so in
California and y'all, probablyyou wouldn't know about this
group unless you watched themovie, the movie about the
crumping, I definitely watchedit.
Was it called Rise?
Yeah, yeah, so Tommy the Clown,yeah, tommy the Clown they
would have.
They would throw like birthdayparties and stuff like that.
They would like, you could like, book them for birthday parties

(23:24):
.
My cousins used to always getthem and they would do the
crumping Like they would do allthat.
But I ain't gonna lie.
When I was a kid I was likedead shy, like they were, like I
would If they were to try topull me out there and
startumping.
But yeah, no, I know I wouldn'tdo it.
You've never attempted that.
You're lonely now.

(23:45):
No, Honestly, no, I didn'treally get into the dances in
Cali until maybe Hyphy, but Iprobably wouldn't even say that
Probably like you just tried todo the Hyphy, probably like I'd
probably say like the jerk, likewhen the jerk movement.

Speaker 5 (24:25):
I was to reject all that is he really different
things that that annoys youabout?
Okay, let's run them down.
Well, you don't like the lingoman?

Speaker 6 (24:30):
a ghost whip on my floor ghost ride the whip, ghost
ride the whip.

Speaker 1 (24:35):
Yeah, man oh it just be oh yeah, oh yeah.
Those were good times.
Nah, bro, I'm like Now is snacktime.

Speaker 6 (24:47):
Now is snack time.

Speaker 3 (24:50):
That sounds like.

Speaker 1 (24:51):
It's so long ago yeah .

Speaker 6 (24:52):
Remember when you Couldn't control the music Right
.

Speaker 1 (24:54):
It's probably like Five years ago, maybe Five, six,
seven, maybe you just have tobe like.
Alright, we're here Right,gonna make me a Pop-Tart Right
now, right by the time I getdownstairs.
The video will be over.

Speaker 5 (25:08):
Yes, please make it be over, and then it would keep
playing.
Then it was extended remix.

Speaker 1 (25:13):
Yeah, tonic's favorite.

Speaker 2 (25:15):
Let it be the jam of the week.

Speaker 1 (25:18):
Oh my God, the jam of the week.
Oh, if it was the jam of theweek, you was hitting it every
30 minutes period yeah I wasabout to say no, no, no, and you
know something, I was gonnastop you.
I was gonna be like no, theydidn't have commercials.

Speaker 5 (25:34):
Didn't know that I was watching when they didn't
have commercials and then theyeventually turned to be t jams,
right, yeah, that's, you know,one of my favorite jams of the
week was what's up up what'shappening.

Speaker 1 (25:45):
I remember that I think by that time I wasn't
watching it no more and I'mwatching.

Speaker 5 (25:52):
Yeah, that was, I'd be like damn, I'm just living in
Atlanta.

Speaker 1 (25:56):
I'd be like all this shit I seen on TV.
Yeah, it's here.
You see it in real time.

Speaker 5 (26:00):
Unless it got gentrified.

Speaker 7 (26:02):
Yeah, one of my friends was looking for a house
in the bluff.
Why would you do that?

Speaker 5 (26:06):
No, but look, it's like the first layer of it is
like almost gentrified.

Speaker 1 (26:11):
She wasn't looking for a house in the it's too
close.

Speaker 5 (26:13):
She wasn't looking for a house in the for me.
We went to all the houses.
She was like, no, this is nice,but for a good price.
I'm like, yeah, but it's stillthe bluff.
Let's be quiet.
It's still men outside yellingand gambling.
Gun shots are not that far away.

Speaker 3 (26:34):
You know what's crazy I've been in.

Speaker 6 (26:36):
Atlanta for 20 years.
In September I moved.
The same weekend Katrina hit in05.
September 05.
I said I've been atlanta, I'vebeen in the metro area.
I've never been in atlanta likeall this stuff y'all talking
about the bluff.

Speaker 5 (26:52):
So you've never been to the hood.
Well, I've always lived.

Speaker 6 (26:56):
I've always lived otp outside the perimeter
everywhere in the decatur youknow what I'm saying?
Alpharetta, I'm in clayco now.
Uh, I've never like so, I don't, and I've never had a reason to
venture into into the hood thatI do, cater, you know what I'm
saying?
Alpharetta, I'm in Clayco now.

Speaker 3 (27:06):
I've never like so, I don't, and I've never had a
reason to venture into Atlanta,into the hood, and so I just
like, like I've never likeBankhead like I've heard about
all this stuff.

Speaker 1 (27:18):
I was like I've never seen everything you're talking.

Speaker 3 (27:21):
We were in bank head a lot, yeah, but not the hood
hood part though, yeah, it was,was it.

Speaker 6 (27:27):
Yeah, bonfire, yeah, bonfire was the hood.

Speaker 3 (27:29):
Yeah, I ain't gonna lie.

Speaker 1 (27:30):
That's why they had so much security.

Speaker 3 (27:31):
Yeah.

Speaker 1 (27:33):
And they security was crap Like.
And we ain't talking abouthandguns, neither.

Speaker 2 (27:39):
They had sticks out there.

Speaker 5 (27:40):
Yeah, they had them sticks.
Yeah, they had them sticks outthere.
But also Women get a differentTake on everything Cause like we
actually date dudes.
So at some point you're gonnadate A dude from the hood.
Like you're not gonna date,like oh, you're in Bankhead, I'm
about to pull up on you.
That's not about to happen.

Speaker 1 (27:59):
I would hope you don't Fucking up.

Speaker 5 (28:00):
I would hope you're not Fucking a hood rat.

Speaker 1 (28:02):
Fucking a hood rat in Bankhead.

Speaker 3 (28:04):
That's not what you said.

Speaker 1 (28:06):
Maybe BFP Not a bankhead, all the real.

Speaker 3 (28:16):
They can come to me.
I'm not coming in.

Speaker 2 (28:19):
So you said that One of y'all folk on like date you
know what I'm saying Somebodyfrom the hood, what?
Type of what type?
Like what type of what?
Type of yeah, what type of daysoh wait, have you experienced
it?
Or like okay, so like, whattype of?

Speaker 5 (28:33):
what's the crack on it, let's talk about it.
Let's talk about it listen, Ilove, we love stories.
Yeah, we love stories.

Speaker 6 (28:42):
Let's go for it.
I want to date with a guy.
Okay, he had a limp.

Speaker 3 (28:53):
Oh, so he's a pimp.
Yeah, I was about to say he hada limp.

Speaker 5 (28:58):
He was like a cool guy.
I've never seen crack before.
I know I've been in thepresence of it, but I've never
seen crack before.
I know I've been in thepresence of it, but I've never
seen it here.
Right.
So he was going to our date andhe was like I gotta make a stop
real quick.

Speaker 1 (29:16):
That's always a great sign.
No right on Mount Zion, righton Mount Zion.
Shout out to Mount Zion, righton Right on.

Speaker 5 (29:24):
He pulled into the.
He was paying, like he was likeyou're going to stay with me
after $300.
Okay, so we're going out to eat.
So I'm like, okay, what youcall a win Right.
So he stopped.
I didn't know he had to make$300 to give it to me.
So I didn't know he had to make$300 to give it to me.

(29:50):
So he pulls into.
What is that?
What is that?
The?

Speaker 1 (29:53):
Longhorn, almost Iron .
It's the Steak and Shake.
It's going back that way, yeah,oh.

Speaker 5 (29:59):
It's like Sunderbar, it's not.

Speaker 1 (30:01):
Escobar no oh.

Speaker 5 (30:04):
This is Okay.
Whatever he pulls into thisthing, yeah, either way.
Crack looks like glass a littlebit does it really this look
like glass, so it might havebeen crystal.
I don't fucking know, but hepulls this shit out, pulls out
the scale and like literallyserve somebody like before we go
were they white or black?
It's crack.

Speaker 1 (30:24):
Yes, cuz we don't we don't fuck with crystal man yeah
crystal man, that's, that'sthat's a connoisseur shit.

Speaker 5 (30:36):
I didn't think that black people did coke until I
moved to Atlanta yeah, but cokeand crystal meth is so
everything yes, everybody fuckswith everything in atlanta but
here's the thing.

Speaker 1 (30:49):
But they don't metropolitan, but here's the
thing about.
Here's the thing about here'sthe thing about coke right and I
like it no but you know so muchabout no but here's the thing,
because this is why this is whythis is why celebrities do it,
though they do it, so they'reable to stay up and like get
work done that's why, no, yeah,but you're not gonna be doing no
work yeah and you're gonna loseyour feet.

(31:12):
Yeah, and you're probably gonnabe in jail or dead like crystal
meth is gonna make you do somewild shit.
so you don't think.
You don't think that peoplethat I mean, if they, okay, if
this is the kind of person thatwants a bigger hit, like
something that's going to hitthem a little harder, then

(31:35):
Probably.
Probably, oh yeah, yeah,probably, kind of like Smokey.

Speaker 5 (31:42):
If you did hard drugs , you probably did some other
drugs.

Speaker 1 (31:44):
It's probably a little bit, of you know.

Speaker 5 (31:46):
Dang bro, like if you think you did Molly, you
probably did some meth.

Speaker 1 (31:50):
That's crazy, Like if you did.

Speaker 5 (31:51):
Molly back in like the Molly days, and you were
actually doing it.
At some point you probably didmeth.
That's.

Speaker 1 (32:07):
And that's that, that actually you have done, the
more you know.
Yeah, this is all bringing meback to blue house.
Oh boy, let's not talk aboutblue house.
Good boy, no, let's talk aboutblue house.
Shout out, it's on a.
Well, yeah, I think.
Is it still up?
I haven't been on edgewood tosee, so edgewood had a.
Obviously, edgewood is just along strip of whatever the fuck
to do.
Off the off the uh, off ofedgewood, there's literally like

(32:29):
a big ass blue house and theywould throw house parties.
And, um, is it on a one-waystreet, is it?
I think it is I think I wentdown that street.

Speaker 5 (32:39):
I think I went down that street in the wrong
direction.

Speaker 1 (32:42):
I think it's literally a big ass blue house
and it's like there's no otherhouse over there, except that
house.
Yeah, like he had did a.
Well, you know what.
You're here, you tell the partyGo ahead.

Speaker 2 (32:56):
Well, the reason I bring that up I mean it's trying
to cause turn ahead came withme.
So one of the I don't need I'mtrying to think of, I met.
I met the person who put me onso that I met her through one of
my old jobs, cuz she'd bebartending all over.
So I like, okay, cool, you knowsaying it was advertised like a
kickback, basically you feel melike after hours kickback.

(33:20):
But when I came to like DJ,that joint, I really find out it
was like crime party.
I'm somebody literally not likethem folk, them folk be in their
environment and then they go tothe bathroom doing lines and
then come back in.

Speaker 1 (33:34):
You know what I'm saying I didn't know, they would
just disappear like but, but,but hold on but when you put it
in context of everything that'sgoing on, you can kind of tell
they're doing coke.
Because here's the thing, right.
They wanted him to play housemusic, but here's the thing
right, what was it?
This was from midnight to sevenin the morning.

Speaker 5 (33:54):
Me and Tommy got looking at each other like
amateurs.
We fucking worked at wax.
Okay, talk about industrial.
Finish the story they wantedhouse music.

Speaker 6 (34:04):
Okay, talk about industrial.
Okay, finish the story.
Finish the story so you cantell they want a house.

Speaker 1 (34:06):
They want a house music they want a house music
from midnight to seven in themorning.

Speaker 5 (34:10):
Yeah, and like yeah, like you can tell like boom,
boom, boom.
Who can dance to that shit forhours?
But that's what I'm saying.

Speaker 1 (34:18):
I didn't look, I didn't have all that context.
Were they gay?

Speaker 6 (34:21):
I mean, that doesn't matter it's kind of then the
women probably were you knowwhat?

Speaker 1 (34:25):
no, there were a couple yeah, it was.

Speaker 2 (34:30):
It was a lot going on in that it's just crazy because
, like I think to say, I don'tthink it's trying to with me.
Uh, this time around the secondtime.

Speaker 1 (34:37):
Oh yeah, no, I was like yeah, you got it you got it
.

Speaker 2 (34:41):
It was that bad.

Speaker 1 (34:42):
Wow, nigga, 7 in the morning, 7 in the morning is
crazy.

Speaker 5 (34:47):
For a second time I'm good You're my only DJ friend
that doesn't smoke, doesn'tdrink, doesn't do drugs.
One of a kind, yeah, very oneof a kind.
That's how I convinced his momto let me go.
I'm like, he's fine.
Trust me, I'm the worst personhere.
You need to be worried abouthim.

Speaker 6 (35:05):
I mean I'm a close second for the most part.

Speaker 1 (35:08):
Close second yeah as far as DJs that don't smoke,
drink or no, Breezy is Shout outto Breezy.
He doesn't smoke or drink.
I said close.

Speaker 6 (35:19):
I smoke and drink on Thursdays, are you crazy?

Speaker 1 (35:22):
But that's what I'm saying, though on Thursdays, but
that's what I'm saying thoughBreezy doesn't at all.

Speaker 6 (35:25):
I only smoke and drink one day out of the week.

Speaker 1 (35:27):
He doesn't at all.

Speaker 2 (35:32):
He's saying you're not a close second.

Speaker 1 (35:34):
Yeah you're like third.
You're like third maybe, andhonestly it's between you and
Drip, because Drip is kind oflike in your area too, he kind
of maybe, maybe You're like areatoo, like he kind of Maybe
drink, maybe.
Yeah, so like you, like third,fourth I mean and in my defense.

Speaker 6 (35:50):
I've never been drunk ever in my life.

Speaker 1 (35:53):
Has Drip ever been drunk?
Yeah, okay, then there, I guessyou, there you go.
You got that.

Speaker 5 (35:58):
Yeah, turn up's the worst, Like I'm just trying to
buy him a drink Like how do Ipay you?

Speaker 1 (36:03):
Just give me cash.
I mean, yeah, that part.

Speaker 6 (36:08):
That part I mean hey, for anybody listening, just tip
the DJ.
Like a drink is not a tip.
Like if you offer me a drinkand I say nah, I'm good, and
then you walk off.

Speaker 5 (36:20):
I'm like yo that drink that was going to cost you
$14,.
You could have dropped $10.
No, I'm like yo.
That drink that was going tocost you $14.
You could have dropped $10 inthe strip club.
This is only for the strip club.
In the strip club sometimes wedon't always have the cash on
deck.
What I do have is an open tab.
You get what I'm saying, andthis man that I'm with is
letting me buy whatever I want.

Speaker 1 (36:40):
So therefore, well, look, and that's why I will say
okay, fuck it.
Sure, give me a Red Bull.
I'll take a Red Bull.

Speaker 5 (36:46):
Thank you, I'll take it or you can ask for some
fucking wings, like what do youwant?
Look, it can't be cash.
It just can't be cash.
What do you want?
It can't be cash.
Like no, you know what I'msaying, right?
You know what I'm saying, right, you get these wings, you can

(37:08):
sell it to somebody.
Wow, regifting, regiftingchicken wings, something off the
menu.
It's crazy.
Please, please, get your wingsfor the week.

Speaker 6 (37:13):
I don't care Right, you can have these wings and
these room temperature fries forhalf off.

Speaker 5 (37:18):
Turnip used to be the main one.
I'm like turn.
We can get whatever we want,he's like I don't want anything.

Speaker 6 (37:27):
I just want some money.
I just want the cash, I justwant the money, babe.

Speaker 7 (37:29):
I just want the money .

Speaker 1 (37:30):
I just want the money , babe.
I just want the money.
We've been talking until now.
Were you a good tipper?
Let's see In comparison to whom?
Why would I compare to anybody?

Speaker 6 (37:48):
She's asking you based on who you got your core
people.
I know who you're getting atyour core people.

Speaker 1 (37:53):
That tip you.
Where did she rank?
No no no, that's not what I'masking.

Speaker 6 (37:57):
See, that's not what I'm asking.
You kind of have to do that ifyou're saying good tipper,
that's what I'm saying?

Speaker 5 (38:03):
Because Was I good tipper in the sense like if you
see money, you get money?

Speaker 1 (38:09):
With me.
I can say that yeah.

Speaker 5 (38:11):
Like you know when I got it.

Speaker 1 (38:13):
Yeah, I can say that, I can say that.

Speaker 5 (38:16):
Yeah, but I kind of just answered the question.
I mean, I can no, not really.

Speaker 1 (38:21):
Because I could have been like uh, no, damn, that
would have been crazy.
I mean you asked the question,hey, if it is what it is, Would
you have said uh, no.
I mean, yeah, if you weren't agood tipper, yeah, I would have
been like uh no, no, but for therecord like I was.
That's what I said I said yeah.

(38:47):
You already confirmed, I'll behappy when I get some money.
I'm like stand up, guess what?
It's lit right.
So, ladies, gentlemen, um, ohso, lavender, I'm gonna, um, ask
you one more question, thenwe're gonna move on to the
question of the day.

Speaker 4 (38:52):
You guys I can't, I can't wait for this question
today.

Speaker 5 (38:55):
I'm exhausted.
I can't yeah right, we're noteven I can't hear the song in my
fucking head we're gonna get tothat, so no way, let's, let's.

Speaker 1 (39:03):
So I have a question for you, because we had um nice
and slow past, and lavender, notbeing a skater, actually came
to nice and slow did.
How did you?
Did you have fun?

Speaker 5 (39:13):
I got fucked up all day long.

Speaker 2 (39:16):
Okay, let me tell you okay so first, yeah, tell us
the most, okay so first of all,it was cool as fuck, no matter
how many times, how.

Speaker 1 (39:28):
Okay, first of all.
Okay, let's start from the top.
Let's start from the top Right.

Speaker 5 (39:33):
I wake up in the morning I tell you know our
nanny.
So I'm like yo, I got somethingto do.
I'm going roller skating.
It's a big event, my homeboys.
So my cousin was like can youskate?
I'm like, yeah, I can skate.
I was a girl scout all day.
Everybody's like are you sureyou can skate?

(39:53):
I'm like I can skate, I canknow and I can skate, right, not
that that they were like Idon't know.
I can skate.
That's the thing about it.
That's what fucking up the most.
It was just the upper echelonof skaters and how many of them

(40:17):
there were.
I never anticipated people inmatching outfits and
choreography.

Speaker 1 (40:36):
I'm like what type of jobs?
A question I have every time,every bailout Monday.
What the fuck do you do?
I see you here every Monday.
How are you here?

Speaker 5 (40:46):
I have really good friends?
I don't have one friend, but Ireally do have a solid group of
friends.
You cannot coordinate, letalone a one dance.
Let alone outfits, but then putit on wheels, that's not
happening.
It's not an adult thing.

Speaker 1 (41:05):
Y'all don't have no kids.
There's nothing to do.
Surprisingly enough, a lot ofthem do have kids.
That is crazy.
Crazy talking, that is crazy.

Speaker 5 (41:13):
So that means you have to, that means you have to
at least practice like one dayof the week, at least one like,
let's say, everybody knows howto skate very well, so we could
just one day of the week.
Then we have to be in the groupchat picking out our outfits,
that like, and then maybe whatthe fuck?

Speaker 1 (41:30):
yeah, they take that shit serious, crazy.

Speaker 5 (41:33):
And then they told me , first of all, when I was, when
I used to go to, most gamingoutside was the safe part wasn't
really the inside used to belike that's where everybody's
like Really One leg up doingeverything that's interesting,
boy.

Speaker 1 (41:47):
Yeah, it's definitely .

Speaker 5 (41:48):
And then they were like somebody tap on my shoulder
.
First of all, don't tap on myshoulder while I'm fucking
skating.
So it was like you can't skateout here.
I'm like what the fuck?
Why?
It's like you're moving tooslow.

Speaker 6 (42:02):
Long ass legs, what the fuck.
You're moving too slow.
Nice and slow yeah.

Speaker 2 (42:07):
It's crazy.

Speaker 6 (42:08):
That's crazy talk, oh God.

Speaker 3 (42:11):
Oh God.

Speaker 5 (42:12):
Me and my homegirl like and my other homegirl.
Everybody bust their ass.

Speaker 1 (42:17):
My homegirl bust her ass so she couldn't find her
phone Right.
And it's funny.
It's funny that we're talkingabout it.
Oh, let's talk about it.
Can I talk about security atthat place?
Sure, let's talk about it,security.
Let me tell you about this guy.
Oh Lord, I'm a, I'm a Chileanlady, right, right, uh-huh.

Speaker 5 (42:38):
The security guard made me cry, so, so I was so
happy to be there Then.

Speaker 7 (42:46):
Bella had lost her phone.

Speaker 5 (42:48):
An hour before that the security guard had said
Bella was vaping.

Speaker 1 (42:53):
Damn it's fine.
Shout out to Bella.
Bella was vaping.

Speaker 5 (43:02):
He's like, oh, you can't do that in here.
Didn't say shit to me, butBella had told me Like, oh, you
can't vape in here.
Totally forgot about it.
When Bella lost her phone,started going crazy, I was like
I'm about to sit back and chill,cause I already know.

Speaker 1 (43:18):
Everybody knows what the fuck is going on.
I mean Like okay.

Speaker 5 (43:22):
So we all know what the fuck is going on.
So I'm about to sit here andI'm just standing against the
wall vaping.
The security guard grabs myvape pen, like my wrist hurts
the next day, like it wasunnecessary.
Imagine you're just chillingand somebody just snatches
something from you, somebodythat you don't know.
Yes, right interesting.
And I'm just chilling like I'mwatching my friend go crazy,

(43:43):
losing her phone.

Speaker 1 (43:45):
Yeah, she's definitely, I'm just sitting
back like she's gonna find it.

Speaker 5 (43:48):
I know it's here somewhere.

Speaker 1 (43:49):
And then she's, and then she's drunk, yeah.

Speaker 5 (43:51):
so I'm chilling like nobody knows what the fuck I'm
going through, because I gottaget in the car with this bitch
at the end of the day.
So he snatches it so hard.
My wrist fucking hurts All thatfalling.
My wrist fucking hurts all thatfalling.
My wrist hurts from him.
Then when I'm leaving I knowhe's gonna get my vape pen back,
so of course I snatch it back.
I don't wait no night for thisshit, like I don't have my

(44:13):
moment.
You snatch it from me, I'mgonna snatch it from you.
So I snatch the fuck out of it.
This man did some magic whereit wasn't in my hand.
No more.
Like he snatched the fuck outof it from me again.
Like you gonna snatch.
Like you snatched it first.
Then Dark Tisha, who who?

Speaker 3 (44:33):
Who.

Speaker 1 (44:35):
A young lady security guard.
Her name was Dark Tisha, darkTisha, dark Tisha, oh, dark
Tisha, oh, holy, okay, right, Iwas trying to imagine who she
sum up man, the female securityguard, the one, the one.

Speaker 6 (44:51):
I know who she.
I'm hardly there, I know whoshe talking about that wear the
backwards cap all the time.

Speaker 1 (44:57):
Oh, checkmate, checkmate, Checkmate.
Yeah, yeah yeah, checkmate, allright, that t-shirt is wild,
that t-shirt's crazy.
Okay, so she rose up.

Speaker 3 (45:06):
She's like so you just gonna snatch because he
snatched it from you.

Speaker 5 (45:11):
I'm like ain't this basic man, isn't this?
I feel like, yes, like that isexactly why, like, if he
wouldn't snatch it from me.
I wouldn't snatch it from himso this grown ass man is going.
He's like what, I break thisshit right now and I'm just like
really like what, that's $22right there.
And then he did the 8 townstomp on my vape, like a grown

(45:34):
40 year old man did the 8 townstomp on my vape mind you my
friend is already in the car soI'm by myself.
He's like what?
I break this shit right now.
And then he did the 8 townstomp on it like he smashed the
fuck out of it and I was justlike okay so.
I walked out of there cryinglike why are?

Speaker 1 (45:55):
we, I was just like why are you so mad?

Speaker 5 (45:58):
but, then I'm like you're a security guard at a
skating rink and the vape youjust broke cost like more than
an hour worth of your timerisking your life at the skating
rink.

Speaker 6 (46:10):
But he had to do me like that.
Is that a step up or down frombeing a mall cop?

Speaker 5 (46:15):
That's the.
I feel like you get more perksas a mall cop.

Speaker 6 (46:24):
So he mad because at the bottom of the map I got you.

Speaker 1 (46:26):
But then again, at the same time with securities.
They work with a company, soit's not like necessarily you
actually work at the skate ring.

Speaker 5 (46:34):
All I know is there was no reason for this man to be
that mad.

Speaker 1 (46:38):
Look, you never know what folks are going through.
I know and I'll be praying forthem Like.
Lord, you got to.

Speaker 5 (46:47):
Your, I don't, and I'll be praying for them like
lord your life.
Please bless this man becausehe just smashed.
He did the 8th town.
Stop with my baby it washurtful.
I was talking about the nextmorning at breakfast.
I'm like no one saw what he didto me so cause.

Speaker 1 (47:02):
Tonic, you were there for the shenanigans.
Where did you end up findingher phone?

Speaker 6 (47:09):
No, somebody gave it to me it was like we found this
phone and I saw the picture andI was like, oh, I know who that
is.

Speaker 1 (47:15):
Yeah, we know who that is, but by the time y'all
were gone, I'm not going to saythe name because I don't want to
smoke.
Well, we already said the name.
No, at this point, I don't wantto smoke.
Well, we already know her.
It's her name.
No At this point.
No, no, she can be for y'allLook it's so cool.

Speaker 3 (47:27):
We still cool.

Speaker 6 (47:28):
It's still her alias, that's my homegirl.

Speaker 1 (47:32):
Now, that's somebody, I was there from her first date
.
That's what I'm saying Now.
That may have been somebody youwas there for for real, because
she was that bitch A lot ofthese hoes Been here forever.

Speaker 5 (47:44):
Well, now Now these.
First of all, we went throughthe golden era, latte.

Speaker 1 (47:50):
Latte.
Latte was bad.
I ain't gonna lie.
Shout out to Latte Boy.
I forgot about.
Shout out to Latte.
She's so way better.
And her daughter, holy Latte.

Speaker 5 (48:00):
Latte.
Latte is the shit I know.
I drink my drink.
That I drink Is because oflatte.

Speaker 1 (48:07):
Shout out to latte.
Shout out to latte.
Yeah, shout out to latte, but,um, because of latte, so we
gonna.
I know I keep saying we gonnamove on To the question of the
day, but we, I just got two morethings To talk about and then
we gonna move on.
Damn, I actually blanked out Onthe first one, so we do have
one more Tonic, the award show.

(48:30):
You weren't a part of it so Iguess you wouldn't be able to
talk about it.

Speaker 6 (48:36):
I was part of the planning, but I didn't get to do
the actual event, so it waschild tonogicism they had the
Georgia Wrestling Awards.

Speaker 1 (48:45):
It went phenomenally.
For everybody that wants toknow yeah, it was dope, yeah.
So, yeah, since you were partof some of that
behind-the-scenes stuff, youwant to let people know how some
of that went.
Like some of thebehind-the-scenes stuff, I mean
it's behind-the-scenes.

Speaker 6 (49:03):
Let's keep it behind-the-scenes.

Speaker 1 (49:04):
Damn.

Speaker 6 (49:05):
Okay, no, it was cool .
All right, let's move on.
No it was cool.
People don't ever realize howmuch planning goes into
something like that.
It was our third one that wedid.
They've been doing the awards,I think, since like 2009.
But this was like only thethird year that we've actually
done the actual gala, uh slashbanquets for the awards

(49:30):
presentation and, um, I wouldsay the first two years went off
pretty well, without a hitch.
Obviously, this year, thebiggest hitch that we had was we
had to change venues within 48hours of the actual event.
Um and, like I said, not justin the made it work Shouts out

(49:50):
to the people, to the wrestlers,who really took a part in this
and really wants this to be aspecial thing.

Speaker 3 (50:01):
Because there were some people like eh, whatever.

Speaker 6 (50:04):
A lot of the folks that are around in the scene.
They don't show up, they justthink it's whatever.
But I think, you know whatnauseousism and the rest of the
crew I'm part of that that istrying to create is this
camaraderie where, hey, come on,let's celebrate ourselves Right
.
Whether you win or not, whetheryou're nominated or not, you're

(50:26):
a part of this community andit's not a big community.
It's not like there's hundredsof independent wrestlers in the
state of Georgia.

Speaker 2 (50:33):
Right, it's a couple dozen at best.

Speaker 6 (50:36):
Let's come out and celebrate us, you know, and so
shout out to those folks, andnot just the wrestlers the
announcers, the commentators,the referees, the bookers,
promoters, yeah that want tomake this event special.

(50:57):
It keeps getting bigger andbetter every year.

Speaker 3 (51:04):
So I'm already looking forward to next year,
but yeah so shout out to like,so we had some of the bigger
names host this year.

Speaker 6 (51:08):
Shout out, carly.
Bravo, you know.
Aew star ring of honor.
I think he dies.

Speaker 3 (51:14):
Diana, diana mchafferty diana yeah I had to
make sure I played that for her.

Speaker 1 (51:20):
Uh.
Announcer of the year.
I had to put that for her Ofcourse it's funny.

Speaker 3 (51:24):
Everybody laughed.

Speaker 1 (51:25):
They were like, ah ha ha, I was like they don't know
that we do that shit all thetime.
That's her she literally, yeah,she loves that shit.
Speaking of love, we're goingto move on to the question of
the day.
You guys, okay.

(51:59):
So I know you guys have a lotto say about it, more one than
the other, but, um tanaka, I'mgonna start it with you, because
I know you don't know what thequestion of the day is, but
there was a song that came out acouple of days ago and it has a
very it has very mixed reviews.
Are we gonna play?

Speaker 5 (52:11):
it.
No, we're not gonna play, whynot?

Speaker 1 (52:13):
just because, just because we don't have we don't
have, we don't.

Speaker 3 (52:17):
We're not trying to get hit with copyright or
nothing like that 30 seconds,that's not that's not enough to
it's not enough.

Speaker 5 (52:24):
Why can't we block it out when we need to listen to
it all together?

Speaker 6 (52:27):
Because there's some lyrics that we all need to hear,
Maybe how about?
Can we take a pause, real quickCommercial break While we,
while we, sure.

Speaker 1 (52:35):
It's not allowed, we're not allowed anyway, yeah,
no.
So after, these messages will beright back, yeah Well, yeah,
I'll just let him know.
So the question of the daythere's a song that came out
with sexy red and Bruno Mars.
Are you familiar with the songTanaka?

(52:57):
So there's a song it came outon Friday.
It's called Fat, juicy and Wet.
So I guess you guys, you guyshold on a second, we're going to
take a brief commercial break,we're going to listen to it and
then we're going to get well,hold on, hold on, we're going to
let Tanaka get how he feelsabout it and then, after that,
obviously, obviously, lavender'sgoing to shit on it and Tonic's

(53:19):
going to love it, or whateverthe case may be, and we are back
, so tanaka, with the questionof the day your thoughts on fat,
juicy and wet, so lavender.

(53:40):
I'm gonna just let you know alittle bit about tanaka.
Right, and I don't know how hefeels about the song, but he
never wants to be the one thatbe like man, this shit, fucking
ass.
He's going to find a way around.

Speaker 2 (53:54):
No, no Okay.

Speaker 1 (53:55):
No, he, yeah, he's going to be, he's going to.
There's several differentthoughts.
Let's hear this.

Speaker 6 (54:12):
Because, first of all , I'm, I'm like damn, is this
like what pop music is?

Speaker 2 (54:14):
coming with bruno mars.
That that's definitely like apop song.
It's definitely more poppy, forsure but um night hearing it
hearing it, it reminded me ofthat little dicky song uh freaky
fr Make.
That Money.

Speaker 1 (54:25):
Oh, I've never heard that With.

Speaker 2 (54:26):
Rich Homie Quan.

Speaker 1 (54:29):
I've never heard that .
Yeah, yeah, I know he had asong with Rich Homie Quan.
That's interesting.

Speaker 2 (54:32):
Yeah.
But it was like a parody song,though you know what I'm saying.

Speaker 1 (54:37):
Oh, and this is a parody song.
Yeah, like I almost can't takeit.

Speaker 2 (54:40):
Like I don't know.

Speaker 1 (54:41):
I hear that.

Speaker 2 (54:42):
I mean, do I F with it?
I mean, it's a pop song.
I don't really F with too muchpop like that For real, for real
.

Speaker 1 (54:52):
You just love how you avoid the question.

Speaker 2 (54:56):
I'm just saying, bro, I don't F with pop music.

Speaker 1 (54:57):
I really don't.
That wasn't the question.
Do you like the song or not?
Do I like the?

Speaker 2 (55:02):
song.
I wouldn't play it in my freetime, if that's what you asked
me.

Speaker 1 (55:09):
If it was like, would you play it in the skating?

Speaker 2 (55:10):
rink, maybe for like a family session.
I could see this song, I couldsee this.
No, I'm saying though, I'msaying though I could see this
song, the radio and immersion isawful.

Speaker 5 (55:22):
I'm saying I could see you can't say fat, juicy or
wet, it's like mm-hmm mm-hmm,I'm saying, you can say fat.

Speaker 6 (55:28):
Juicy and mm-hmm you can't say juicy Let me tell you
the first family session I didat Stone Mountain.
I played Hot In here, the radioedit and Robbie came and was
like you can't play Hot In here,nelly Hot In.
Here.

Speaker 1 (55:42):
Nelly.

Speaker 6 (55:42):
Hot In here by Nelly, Because it's getting hot in
here so take off all yourclothes.
So I'm just saying, if Robbiewas down my throat for Hot In
here, how do you think he'sgoing to play Femme?

Speaker 1 (55:52):
Juicy Truth be told, robbie is an interesting one oh.
I know, I'm just saying thoughI'm not going to lie, he's an
interesting one.
I mean, I just feel like thisis gonna be one of the popular
pop songs.

Speaker 2 (56:05):
You dig and it's like so okay.

Speaker 1 (56:07):
So here's my thing, right.
So I heard about I heard aboutthis song coming out and he was
like hey, I want, I want a songthat I could put in the strip
club.
Somebody find me sexy red.
Is that what?
You know?
That's what he tweeted.
You can look it up.
He tweeted.
He was like hey, there's a songI'm trying to put in the strip.
This is up.
He tweeted.
He was like hey, there's a songI'm trying to put in the strip.
This is before I released.
He was like hey, there's a songI'm trying to.

Speaker 5 (56:28):
I'm trying to get a song for the strip club no, that
was, it was a tweet you know?

Speaker 1 (56:34):
no, I'm saying you don't think that was part of the
rollout of this song, oh soshe's saying you're saying like
part of the market, that's partof the promotion yes, because
she I mean hey bruno, yeah, heybruno and then they did it.

Speaker 5 (56:46):
There was some jewish men, oh, probably in a fucking
no, but you're missing the point.

Speaker 1 (56:51):
Hold on, you're missing the point.
What I was saying was, when Iseen that tweet, I was like,
okay, I'm trying to envision,because it's sexy red we're
talking about, we're talkingabout sexy red.
So I'm like, okay, I'm tryingto hear sexy red and bruno mars
on a trap beat and, and for somereason I could not hear it.
So I was very intrigued.

Speaker 5 (57:08):
I was very intrigued to hear what this sounded like
why, for some reason, would youthink Bruno Mars would be on a?

Speaker 6 (57:12):
trap beat yeah, why?

Speaker 1 (57:14):
That's hard Because the strip club is it Well,
because first he says strip club, then he says Sexy Red.
Hold on, you got to think.
You gotta think about Sexy Red.
What are all of her beats?
All of her beats.
Most, the fastest beat she hasIs like 91.
Now I'm gonna make me A littlestruggling.

Speaker 5 (57:28):
Um, Listen, that song was supposed To be equivalent
to what's the other?
Cardi B and Bruno.

Speaker 6 (57:35):
Mars song Please.

Speaker 1 (57:35):
Me Please, me no.

Speaker 5 (57:37):
No, the first one.

Speaker 6 (57:38):
Oh.

Speaker 7 (57:39):
Oh, finesse.

Speaker 1 (57:40):
Yeah, finesse, and I didn't like that either.

Speaker 5 (57:42):
I hated that song but those.
There's so many things wrongwith this, especially going into
black history.
Man, you got you got.

Speaker 1 (57:51):
This is what happened .
This is what happened.
What happened right now, bruno,they were in a room like this,
at a longer table than this.
I would hope so.

Speaker 5 (58:00):
Bruno came right here way longer table.

Speaker 1 (58:02):
Right.

Speaker 5 (58:02):
He came in and said Bruno, we need something from
you and Bruno said they don'treally check up on me like that
right now.
I was like, okay, this is whatwe're going to do.
We're going to get you thehottest black girl rapper.
We're going to throw y'all outthere.
This is what we're going to do.

Speaker 1 (58:21):
Behind the scenes.

Speaker 5 (58:22):
Yeah, I can see that, and then we're going to have
sexy direct dance.

Speaker 1 (58:25):
Yep.

Speaker 5 (58:26):
And so the song will be called Fat, juicy and Wet off
the record.
No lyrics, no beat, no nothing.
Then they made this song.

Speaker 3 (58:35):
Right.

Speaker 5 (58:35):
This is an abomination.
Yes, this is horrible bro.

Speaker 1 (58:47):
The worst thing about this song.
Who's the the?

Speaker 5 (58:48):
demographic, that's gonna be dancing to this so
offbeat white people, yes, whitepeople, yeah, and it's awful.

Speaker 1 (59:00):
And she's probably gonna be able to do the like
white shows.
These are gonna be there.
Why?
And she's probably going to beable- to do the white shows.

Speaker 5 (59:04):
These are going to be her white songs and your number
one song Fat Juicy and Wet, Imean you got to have something
for the white folks.
Not right now, not right now,not right now.
Listen what's her name?
Martin Luther King'sgranddaughter just cut her ass
up.

Speaker 1 (59:22):
Yeah, but here's the thing I can appreciate Sexy Red
for knowing that what she didwas wrong and, and being like I,
I apologize good job good job,right, because I'm not gonna lie
, I was almost sure sexy red wasgonna pop off on her ass and be
like how could you?
You'll be the ultimate.
These young, these young niggas, are retarded she's not a yN.
She's a YB.
That's worse, but you can't.

Speaker 5 (59:45):
She's a.
Yn yeah.

Speaker 1 (59:46):
She's a young nigga.
Yeah, I don't know, she a hoodrat.

Speaker 5 (59:51):
But like I don't know , and you haven't heard it on
the radio.
I feel like hearing it on theradio.

Speaker 7 (59:56):
I don't even listen to the radio.

Speaker 5 (59:58):
And I have to hear it on the radio and they play it
back to back to back With thissong.

Speaker 6 (01:00:02):
It's awful, yeah, fat Juicy and Wet.
Yeah, they play it.

Speaker 3 (01:00:04):
That's what I'm saying, that's what.

Speaker 6 (01:00:06):
I'm saying it's going to top the pop charts, it's
going Billboard top 100.

Speaker 5 (01:00:11):
And why is Lady Gaga in there?
She don't even know them.

Speaker 1 (01:00:17):
She do she don't know them what she literally just
did a song together.
Why am I?

Speaker 5 (01:00:23):
there?
No, why is she?

Speaker 1 (01:00:24):
there.
Can I say what I want to say.
And Rosé also.

Speaker 6 (01:00:30):
You can say exactly what you want to say they
sidebar.
Sidebar.

Speaker 2 (01:00:38):
Sidebar commentary.
That's what he did.
I mean, I get it you don't needLady Gaga, I get it.
I get it, man.

Speaker 1 (01:00:50):
I understand why they did it, but that's not.

Speaker 5 (01:00:53):
I hate everything about it.
I wish it was never made.
It pushed us back a thousandfucking years.
Who was us?
Us women really sexy womenpound town.

Speaker 6 (01:01:05):
Pound town, us, us, us, women.

Speaker 1 (01:01:05):
Like bro, really Sexy .
Red Ben the Pushy Guy, poundTown, pound Town.
Who you be?

Speaker 5 (01:01:09):
Okay, but nobody heard that, so what?

Speaker 1 (01:01:11):
Nobody heard that.
Everybody heard that.

Speaker 5 (01:01:13):
Everybody heard that but me and Bruno Mars, the beat
don't go together.
I'm not gonna lie.

Speaker 1 (01:01:18):
Nah, I'm not gonna lie when I heard when I heard,
and that's what I was trying toget to, so I thought we were
gonna get like one of thoseslower trap beats, like we're
gonna get like a boss man d-lowand that's what I was trying to.
I was like okay, so like I saidthe only thing I could think of
is when bruno did wake up inthe sky with uh gucci man and I
was like okay, so maybe,probably.

Speaker 2 (01:01:38):
And then I heard it fat juicy and wet and I was like
so so wait, hold on.
I was about to say like hefeels like this is gonna be
played at a strip club look itup.

Speaker 1 (01:01:49):
That's what he said.
Are you gonna play it at astrip club if?
You hate it if you hate astripper, play that shit first.
Honestly and truthfully.
I did it cause Tonic was there.

Speaker 5 (01:02:04):
You played it, I did it for Tonic.
Bro, I would throw something atyou your ass, that's not so.
Ooh, what song?
I told you never to play.
Flash and Light.
Oh yeah, she, yeah.

Speaker 1 (01:02:17):
This nigga played me a song.
No, no, no, no, no, no, no, no,no.
I played flashing lights in thebeginning, in the beginning.
That was not for your stage set.
No, I know better.
It wasn't for my stage set.
It wasn't for your stage set, Iwas dancing to this song and
flashing lights and you playedflashing lights.

Speaker 5 (01:02:32):
You know how long that song is well, so so give
your take.

Speaker 6 (01:02:39):
I guess it was your round table.
Give your take, and then I'llgo next so that's look.

Speaker 1 (01:02:43):
It's never look.
Give you a take and then I'llgo next.
Look, my joint never changesOnce I heard the Fat Juice team
and I'm like oh, so they'regiving us like an.
La beat.
I guess I was like eh nah, andthen I was like, okay, I get it,
bruno's kind of reaching and Ikind of get what you're saying.
They were at the table and hiscompany.
Yeah, we need you to come upwith something and you could

(01:03:06):
just, you just piggyback offSexy Red.
I get it.
Her voice is not even there.
I'll just say it with this it'smid at best, like at absolute
best, it's mid, are you myfriend?
At absolute best, at best, it'smid.

Speaker 5 (01:03:22):
It is trash at best, it is absolute garbage Okay.

Speaker 1 (01:03:27):
Well, tonic, go ahead .
It is trash at best it's trashat best, it's absolute garbage.
Okay, well, tonic go ahead.

Speaker 5 (01:03:30):
How do you feel about the song?
Are we friends, lavender?
No, wait, wait, wait.

Speaker 6 (01:03:32):
I'm not done yet.
This is garbage.
No Lavender, Look at me now.

Speaker 3 (01:03:36):
Before I give my answer, I need to know, are we?

Speaker 6 (01:03:38):
friends, no, no, no, no, no, no, no, no, just because
it's what Look me in the eyes.

Speaker 3 (01:03:44):
Right here.

Speaker 6 (01:03:44):
Right here, Before I get my answer.
Are we friends?

Speaker 1 (01:03:48):
What Tell me again?

Speaker 5 (01:03:53):
We are, we are.

Speaker 6 (01:03:54):
Very cool.

Speaker 5 (01:03:55):
So here's the thing, Okay so I'm going to give my
answer no, no, no, you can'teven make that.
It's awful.
I hate the music video, I hatethe visuals, I hate the song, I
hate the wig, I hate the bitch.
I hate everything.
I hate the bitch.
I don't even hate Sexy Red.
I hate Bruno Mars for makingthat song.
It was just a super, super.
You ever seen two magnets not?

Speaker 1 (01:04:17):
go together, that is so.
You mean like two negatives,two positives yeah, like it
doesn't okay.
Well, tonic, go ahead let's goahead and no, let's not do that.
We're done with that.
Yeah, please me was cool, I'mnot gonna lie, so maybe okay.
Well, how about this?
Because I'm not gonna lie.
I did feel the same way aboutfinesse.
I did feel the same way I feellike he should have kept finesse
for himself, because I listenedto the finesse on the 24 karat

(01:04:40):
album and I was like, oh, whyisn't this a single?
And then he dropped the singlewith cardi b.
I was like, what the is this?
so maybe this, maybe the secondone maybe the second one would
be better, but my bad go ahead,tony.

Speaker 6 (01:04:53):
Okay, I'm gonna say this this song is cor fuck, but
it's the right kind of cornythat will chart and hit and
you're going to see, I guaranteeyou, this will be number one on
the top 100.
It's not going to be hip-hop.
It's definitely not hip-hop orrap, it's definitely pop.
It's going to be in the top 100for at least two, three, four

(01:05:17):
weeks at number one.
Um, it's especially for these,these young folks, it's just
freaky enough.
Um, so it's not a great song.
It is mid at best.
It's.
It's weird.
Um, bruno mars trying to belike this, bruno mars trying to
be this, this kind of sex vibeguy thing is because he's a

(01:05:39):
corny looking.
Can we talk about that?
Yeah, can we talk about wait,wait, wait, wait, wait, wait,
wait.
Let me finish.
Everybody had that, let me.
You know, like, like everybodywant to clown Drake, but this
nigga with this, with thiscreeper mustache this little

(01:06:06):
creeper mustache and this Jufrotrying to be cool.
I'm not gonna lie.

Speaker 1 (01:06:12):
I didn't mean to cut you off, but I ain't gonna lie,
he kinda get and I know there'sprobably no way of him doing
this on this song, but I ain'tgonna lie he kinda gets points
off for, like, we don't get novocals.

Speaker 6 (01:06:21):
Like you're rapping the whole time.
I'm gonna get to that, I'mgonna get to that, and that's my
part too.
You're not even singing, right,you're trying to rap to this
pop beat.
So I think technically thismight be considered Sexy Red's
song.
No, sexy Red song featuringBruno.
Then that makes it interestingbecause it's not Bruno's record

(01:06:43):
label, it's Sexy.

Speaker 1 (01:06:44):
Red's.
No, it's definitely Bruno.
I have a show.

Speaker 5 (01:06:47):
This song is made for white girls in Tampa to pay for
it too.

Speaker 6 (01:06:53):
Wait, wait, wait See, you're so stuck in black hood
strip clubs that when you heardstrip no, because when you heard
you're so, you're so thinkingyou're so, so stuck in like
black hood strip clubs, thatwhen you heard strip no, because
when you heard strip club, youwere thinking, oh, I need
something black strip clubs.
We forgot about.
We forgot about pink pony.
This is gonna be a pink pony.
This is gonna be 10 times a dayat pink pony but we're also

(01:07:17):
talking about sexy red.

Speaker 1 (01:07:18):
This is what we're talking about.
I know that's what they want alittle bit of flavor.
No, and I get that once again.
Yes, we thought that, becausethis is she said he wants
something in the strip club.
He said sexy red.
So, yes, I thought we was gonnaget some real deal hood rat
shit it is a rat shit just overa pop beat.

Speaker 6 (01:07:35):
It's very hood right.
And first of all, shouts out toSexy Rand for being so
disgusting with the Jesus pieceon the entire time of this song.
Like she talking and where doesshe say something?
Milk mustache, but with theJesus piece, like the biggest
Jesus piece that I've ever seen.
So but it's a little bop forthe vanillas.

(01:08:01):
It really is like it's not.
I don't know that I'll play itanywhere, like I fucked around
and played it today.
Like I'm not gonna ever playthis at wax.
Probably not Listen, it's 104BPM.
It's definitely a pop.
It's definitely a pop Like this.

Speaker 1 (01:08:26):
I mix this with like work, work, work, work.

Speaker 6 (01:08:30):
Well, um, I'm mixing this.
Yeah, this is getting mixedwith, like I ain't gonna lie.

Speaker 1 (01:08:35):
Can you pull me closer and the back, ah, closer
too.

Speaker 6 (01:08:37):
That is worse, that makes it so hard, I ain't gonna
lie.
Maybe pull me closer in theback ah, closer.
That is worse.
That makes it worse.
I ain't gonna lie, I mixed itwith squabble up just because
you're an awful person.
You're an awful, you're anawful.
I'm gonna do something at you,bro.
I mean, just cause both thosesongs are garbage to me.
That's awful we're gonna talkabout this episode of Games DJ

(01:08:58):
Plays.

Speaker 5 (01:09:00):
That was fucked up.
If a DJ ever plays the Sexy Redsong mixed with what Squabble
Up.
He hates you.
Bitch.
You don't tip enough.
Exactly, We'll be right back.

Speaker 3 (01:09:41):
We're going to move on to the segment we call Guess
the Bars.

Speaker 1 (01:09:45):
We're going to get to see y'all because these are the
only two we have.
So for the people that don'tknow what Guess the Bars is, we
read some bars to y'all and werate it on the F scale, which is
from 5 to 1.
Fire for us is flat, frisbeefecal and we'll do three.
We'll do three all around, soy'all pull from here.
Tanaka already sent me mine.

Speaker 5 (01:10:04):
Am, I guessing the bars, oh yeah, and rating them,
yeah.
So if you don't have to, I meanif you don't know it, you don't
have to, it's fine, you canjust read may.
You may.

Speaker 1 (01:10:12):
Possibly, possibly not.
It's up to you.

Speaker 6 (01:10:15):
That's what makes it fun.
That's what makes it fun.
I've been on a good club.

Speaker 1 (01:10:22):
Oh, I mean it's not all the love it's like yeah,
it's any song it's hip hop.

Speaker 2 (01:10:25):
It's just, yeah, it's hip hop.

Speaker 6 (01:10:34):
Yeah, just bars.
It's no bars on flashing lights.

Speaker 3 (01:10:40):
I swear to God.

Speaker 6 (01:10:41):
there's no bars, there's bars.
She don't believe in shootingstars, but she believes in shoes
and cars.

Speaker 5 (01:10:46):
That's bars right off the rip Bars Bars, if you're
just talking slow.

Speaker 6 (01:10:50):
Yes.

Speaker 5 (01:10:51):
Then I say bars all the time, let me get gas on pump
.
Number two I don't know, shedon't believe in shoes, I think
that's.

Speaker 6 (01:11:01):
Let me get gas on pump number two I don't believe
in shoes.
I think that's weak, weak sauce.
She don't believe in shoes.

Speaker 1 (01:11:08):
Okay, I wish I would Let me pull this up.

Speaker 6 (01:11:16):
Let's see, we'll have the lady go first while you're
doing it.

Speaker 1 (01:11:20):
Well, yeah, that's what I'm saying.
I have to actually pull up thecheat sheets right here.
Okay.
So, yeah, so after you don'tfigure it out, I'll let you know
who it is.

Speaker 5 (01:11:30):
I hope I know.
Yeah, if you don't know it,we'll tell you who it is.
Wait, before we do this, do youconsider me a hip-hop
connoisseur, connoisseur?

Speaker 6 (01:11:39):
is it's?

Speaker 3 (01:11:39):
strong.

Speaker 6 (01:11:40):
That's a push, that's a stretch, that's a stretch.

Speaker 5 (01:11:43):
That's a stretch.
Do I know more about?

Speaker 3 (01:11:46):
rap music than most bitches.

Speaker 1 (01:11:47):
Than most yes, okay, that makes me a hip-hop
connoisseur If I know more aboutrap music than most bitches.

Speaker 5 (01:11:53):
No no.

Speaker 1 (01:12:00):
Turnip just said I'm so sorry.
Turnip just said Do you repeat?
Do you think that I Do?
I know more oh no, what I wassaying was About rap music Than
most women.

Speaker 6 (01:12:04):
The most women.
Yes, I can say that.

Speaker 2 (01:12:06):
Yeah, that doesn't make you demure Anyway, so yeah,
we'll start with Lavender.
We'll start with.

Speaker 1 (01:12:12):
Lavender.

Speaker 3 (01:12:14):
And then we'll go clockwise.
Yeah, so Just pick one, read itout and yeah, whoa, this sounds
like pot.

Speaker 6 (01:12:30):
Read it, can you read ?

Speaker 5 (01:12:32):
Yes, I can read.
I'm going to read it in my headfirst.

Speaker 6 (01:12:36):
I'm just Looks like he's signing out.

Speaker 1 (01:12:42):
This sounds like either pot or a park.

Speaker 5 (01:12:43):
Well, tell us, yeah, I don't want young kids, I want
the ogs.
Don't be mad at me, be mad atyour bd.
You in love, but to me he andee, give me the cash.

Speaker 6 (01:12:51):
I don't want no fucking ring.
That's coochie looking bigmoney spending five bitches
dinner her bread winner.
Why that's definitely a bitchfirst with.
Why that's definitely a bitchFirst of all.
That is definitely a bitch.
Yeah, that is not.
That is not pop or biggie Atall.
Like the fuck.

Speaker 2 (01:13:07):
Yeah, that's definitely a chick, that's
definitely a girl Rapping thatone, okay, okay, okay, I get
what you're saying.
Okay, well, she, either way,she stole one of their clothes.
Celebender, you calling Tupac abitch?
I'm just playing.

Speaker 5 (01:13:24):
I'm just playing.

Speaker 6 (01:13:27):
He ain't no pussy.

Speaker 3 (01:13:28):
He ain't no gangster but no pussy.
I could hit fucking jumptomorrow.
Who is this?

Speaker 6 (01:13:38):
I don't want the young kids.

Speaker 5 (01:13:41):
I want the OGs Don't be mad at me.
Be mad at the Gs.
You in love, but to me youcan't eat.

Speaker 3 (01:13:49):
Give me the cash, nigga.
I don't want a fucking ring.
That's too big.
If this is sexy, I'm going tokill myself.

Speaker 5 (01:13:55):
I bet you didn't hear her breadwinner.
Who the fuck is this?
Who said this shit?
Is it?
Oh wait, can I give you four,oh.

Speaker 1 (01:14:05):
You can guess.

Speaker 5 (01:14:06):
Wait, so raise it up.

Speaker 3 (01:14:08):
I don't want the young kids I want the OGs Don't
be mad at me Are we all rating.

Speaker 5 (01:14:12):
No just her, you're in love, but she just eat, eat.
Give me cash, nigga.
I don't want to fucking ringthat's Gucci Lick and Big Money
spending to buy a bitch a dinnerand her bread with it.
I think this is womp.
I think this is womp.

Speaker 1 (01:14:26):
I'm going to have to write my own rap to see it.
So what are we giving it on thescale?
We'll just give you that.

Speaker 2 (01:14:48):
I'm going to give it some fris, and is there any
lines in there that, like, stickout to you that you like, like
or feel like you know?
Tread, it's cool there isn't?
You know what I'm saying, jake,curious, um, I think it's cool
that whoever said this said someshit.

Speaker 5 (01:15:06):
I'll say to my home girl over the phone like this is
how me and my home girl wastalking in the morning after we,
you know, went out with a, butI don't think it was that poetic
, she could have been better puttogether.

(01:15:27):
So she, you know, fit it, butonly because this is something
that me and my homegirlsliterally say to each other.
Like I don't want the youngkids, I don't want the OGs.
Don't be mad at me, bitch, bemad at your BD.
He in love with me, he's just a.
He give me cash, I don't need afucking ring.

(01:15:48):
That's how our conversationwent down and you said your
guess was who?

Speaker 1 (01:15:56):
well, first of all, I was totally wrong.

Speaker 5 (01:15:58):
But I think you said your guess was who?
Well, first of all I was toldthat, but I think this is a big
Sexy Red thing.

Speaker 1 (01:16:07):
Well, I'll give you half a point.
So yes, you're right, it wasSexy Red.
It's off a song called FaceTime.
Are you familiar with the songcalled FaceTime?

Speaker 5 (01:16:12):
by Sexy Red.
Okay, For the record.
I'm a Megastallion Lotto.
Okay, I'm a.

Speaker 3 (01:16:22):
Megastallion Lotto.
I'm a Megastallion Lotto girl,oh.

Speaker 5 (01:16:23):
Glorilla Glorilla album hit harder than a
motherfucker.

Speaker 2 (01:16:27):
I ain't going to cap, that was weird.
No, that was dope.
Freaky.
He did that shit.
That was dope.
That you gave that perspective,though I don't think of all the
gifts that we've had on this.

Speaker 4 (01:16:37):
I don't think of all the gifs that we've had on this.

Speaker 2 (01:16:39):
I don't think they've ever described it like how you
used it.

Speaker 1 (01:16:43):
Am.

Speaker 5 (01:16:43):
I the first female guest.

Speaker 2 (01:16:46):
No, damn, I just broke my wrist because I'm
whipping in the kitchen, passeda brick to my mom and I told her
whip it.
Four bands in the kitchen, ninebands in the kitchen.
I just fucked your bitch.
I just broke my wrist.

Speaker 1 (01:17:06):
I'm a little baby.
Bars Tonic, that's a bar,that's a horrible one.
We got a few coming around.
Yeah, we got three.

Speaker 2 (01:17:13):
Oh, okay, yeah, we got three.
Yeah, I don't know who this is,man.

Speaker 1 (01:17:23):
You want to stand out ?

Speaker 6 (01:17:25):

Speaker 2 (01:17:33):
Yeah, this really doesn't do nothing for me.
I mean, I bet the B probablyfine, but I don't.

Speaker 1 (01:17:46):
He's a glass half-bottom.

Speaker 5 (01:17:47):
Well, it has to be a good cop-bad cop.

Speaker 6 (01:17:49):
He's the Randy Jackson of the group Lil' D you
good, shout out Lil' D.

Speaker 3 (01:17:57):
Yeah, I gotta give it .

Speaker 2 (01:17:58):
Shout out Lil' D man.
It Shout out Lil Diesel.
Shout out Lil Diesel.
Yeah, this is a frisbee man.
Wow, tanaka gave me something.
A frisbee Cause man.
It really don't do nothing Forme, bro.
He repeated you feel me LikeBroke my?

(01:18:19):
He done said Broke my wristtwice.
He didn't say fuck your bitchtwice like rapping kitchen with
kitchen and kitchen.
You know what I'm saying likebecause I feel like no, no, I
feel like the flow.
I feel like the flow and thebeat.
It probably sounds straight aswell, but we ain't got that, but

(01:18:41):
I get it.

Speaker 1 (01:18:43):
Do you have a guess?

Speaker 2 (01:18:47):
It's a rap.
I feel like it's an Atlantarapper.

Speaker 1 (01:18:52):
It's not an Atlanta rapper, but I'll give you a
quarter of a point because he'sa southern rapper.
This is a little pump, it's asong called D-Rose.
I thought that.

Speaker 5 (01:19:01):
I swear to God.
I thought that Are you familiarwith D-Rose by Lil Pump.

Speaker 2 (01:19:04):
No, I'm not.
I'm not surprised that this iswho it is from.

Speaker 6 (01:19:11):
So first of all, before I read mine, I want to
ask about the scale Frisbee isinteresting being a two over
flat.
The reason about the scaleright frisbee is interesting
being a two over flat.
The reason why I say that is Iwould think frisbee would be a
three, because at least afrisbee throw with the frisbee.

Speaker 1 (01:19:24):
No, frisbee, we mean we taking it out.

Speaker 2 (01:19:26):
The yeah oh yeah, tossing that, yeah, we're seeing
how hard the street.

Speaker 6 (01:19:32):
It really is.
Oh gotcha, I gotcha.
Okay on this episode of howHard Is it in?

Speaker 5 (01:19:37):
the Street Literally On Metropolitan.

Speaker 1 (01:19:45):
After everybody's driven over it.
Y'all I'm reading in y'all head.
Can y'all read it please?

Speaker 6 (01:19:48):
All right, 32 room mansions and 10 garages.
Make a home flick hot and realmenages.
So tell your girls, it's justme and my partners.
We don't throw dollars.
We start with 20s.
And there's more where theycame from.
Come get with me.
I feel like, too, we start with20s.

(01:20:10):
I feel like I heard that barsomewhere 32 room mansions and
10 garages.
First of all, it doesn't makeany fucking sense.
What are these fucking cardsyou got?
Make a home flick having realmenages Okay, balling type shit.

(01:20:32):
But here's where you lose me.
So tell your girls, it's justme and my partners.
I guess that's supposed torhyme with menages.
Won't throw dollars, we startwith 20s.
And there's more where thatcame from.
Come get with me.
I feel like.
I feel like there's somebody.

(01:20:54):
It sounds kind of corny to me.
First of all, yeah, I'm goingto give it a flat.
It's not a frisbee, it's allright, it's a flat.
I want to say it sounds likeNick.
Cannon trying to be cool.
Oh my God, first of all, nickCannon doesn't get a flat.

(01:21:20):
Be cool, we know, we know, Dangfirst of all we know, we know
you think Nick Cannon'sarranging menages?
All them kids, he got, he rich.

Speaker 3 (01:21:33):
I know.

Speaker 2 (01:21:36):
I know he a gigolo, he a gigolo, right, true, damn I
didn't think about that he agigolo right.

Speaker 6 (01:21:42):
Yeah, I feel like it's more of an up north type of
rapper.
Am I close?
No, I feel like it's more of anup north type of rapper, am I
close what I mean no.

Speaker 2 (01:22:02):
No, okay, you got a decade, yeah.

Speaker 1 (01:22:05):
You got plenty.

Speaker 6 (01:22:06):
I think Hov is the only person I can make nods with
no, no, no, this is too bad.
What's the word no?
It's not him.
I'm saying Hov is the onlyperson that I can make N.
I'm saying hold his old friends.
When that gets mixed, nah, it'smy partners, yeah.

Speaker 3 (01:22:19):
No, Any of them can do it.
It's a few people that can.
I'm not saying baby.

Speaker 6 (01:22:22):
It's a few people that can stress right.

Speaker 2 (01:22:23):
What.

Speaker 6 (01:22:24):
I don't know, because I was going to go Prince
Montana maybe you got a time.

Speaker 1 (01:22:26):
Oh, I was about to say what time is it?
So that was Young Buck, itG-Unit, it was a feature G-Unit
Yep it was off of my Deep.

Speaker 6 (01:22:36):
Song, so I was going to say it gave me like 2000-ish,
2010-ish vibes yeah.

Speaker 2 (01:22:44):
Oh, Blood Money Maybe 2006.

Speaker 6 (01:22:49):
2006.

Speaker 3 (01:22:50):
Yeah.

Speaker 6 (01:22:50):
Okay, I mean.

Speaker 2 (01:22:51):
That's my.

Speaker 1 (01:22:51):
Deep R2.
It's off of my Deep Song.
Yeah, that's a Southern rapper.

Speaker 3 (01:23:02):
But it's off, but it's off, but it's off a
northern song, see, so I got aquarter of a point because it
was on a up north song.

Speaker 6 (01:23:06):
I felt like that was a flow.
No, because I felt like thatflow was an up north flow, which
which young buck did kind ofall right.

Speaker 1 (01:23:16):
Strictly for live.
Strictly for live men, not thefreshmen.
If you ain't got a client,biggie, sit down.

Speaker 5 (01:23:22):
Sit down with Biggie, we know this they're going to
want it.
They're going to Wait Money man.
Follow these rules.

Speaker 6 (01:23:30):
Sin's crack commandments Come on.
That's too easy man.

Speaker 1 (01:23:33):
Coincidentally Hit your temple, you don't know this
.

Speaker 5 (01:23:38):
I didn't pick this.
You don't know this.
I didn't pick this.
He picked this.
Can I finish?
Look at how you're reading it.
You should have read it like.
I'm just trying to read it.
If you ain't got that money,where ain't his?
Well, can I at least get thecadence?

Speaker 2 (01:23:50):
She over here snapping.

Speaker 5 (01:23:51):
I know, boom, boom cat, jesus, jesus.
Let me read it for the peopleat home.

Speaker 1 (01:23:58):
Jesus, we're riding in their car.
Hello you guys, I'm back, djTurner, let's start this off
Strictly for live men, not thefreshmen.
If you ain't got, the clientelesay hell no, because they going
to want their money Rain sleethell snow.
Can I?
Y'all want to read it?
Go ahead, y'all wanna read it?

(01:24:21):
Go ahead, y'all read it.
It's classic, wrap it, wrap it.
This is too easy.
Strictly for the live men, wrapit, come on.
No, not for Simon, anyway.
Strictly for the live men, notthe freshmen.
If you ain't got the clientele,say hell, no, cause they gonna
want they money.
Rain, sleet, hell, snow.
Follow these rules You'll haveto make.
Well, you'll have mad bread tobreak up, if not.
24 years on the wake up slughit your temple, watch your

(01:24:41):
frame shake up.
Caretaker, did your makeup whenyou passed.
When your girl fuck my man,jacob, oh hello.
Heard, heard in three weeks shesniffed a whole, uh half cake
up.
Heard she suck a good dick andshe could hook a sake up.
Gotta go.
Gotta go more pies to bake up.
Word up.

Speaker 3 (01:25:01):
So y'all already.

Speaker 1 (01:25:02):
I guess y'all stole the point, because y'all just
yeah well what'd you get it?

Speaker 6 (01:25:05):
what'd you know what?

Speaker 1 (01:25:06):
do you give it?
Okay, hold on, relax, relax, Iain't gonna lie the uh, you fuck
my girl, my man's jacob.
That's the only part.
Well, that's the part thatstuck out to me, my man shit I
was trying to read it, but y'allwas like ah, ah ah.

Speaker 3 (01:25:19):
This is such a fire, this is such a ah Nothing below
fire.

Speaker 1 (01:25:21):
This is such a fire.
I didn't want to let him readthis yeah, like let me read it
Shit, All right.

Speaker 6 (01:25:31):
Yeah, I'll give it a ferocious.
I'll give it a ferocious,that's fire.
That's fire, you've never heardTen Crack Commandments.

Speaker 1 (01:25:38):
Yeah, I've heard Ten Crack Commandments.
Okay, heard Ten CrackCommandments.

Speaker 5 (01:25:41):
What do real G's move in?
Wait, when was the first time Iheard Ten Crack?

Speaker 4 (01:25:43):
Commandments, what?
Do real G's move in Silence,like what Lasagna?
Okay, wait.

Speaker 1 (01:25:48):
Biggie said that.
Yeah, nah, the person I heardsay that was Lil Wayne.

Speaker 5 (01:25:55):
Cancel the fucking podcast now you said that we're
talking about Biggie right now.
No, lil Wayne said it afterBiggie.
After Biggie.
Yes, okay, I didn't know that.
Didn't know that, all right, so, so it's fire Ferocious.

Speaker 6 (01:26:12):
It's fire and that's on 10 Crackers.

Speaker 1 (01:26:14):
I'm going ferocious because y'all didn't let me read
it.
Number two never let them knowyour next move, don't you know?

Speaker 6 (01:26:20):
bad boys move with silence and violence.

Speaker 1 (01:26:23):
Great Go ahead.

Speaker 7 (01:26:26):
Hold on, Wait what you said you never heard bad
boys?

Speaker 1 (01:26:30):
No you can't open it, I do you can't open it.

Speaker 6 (01:26:35):
You chose it, it chose you, it's dry hey hey, you
chose, you chose it chose you,it chose you, I think her drink
was funny what.

Speaker 5 (01:26:46):
Lately I've Lifted all my days, my dreams.
I'm in the colors of Jet Lowthis might be a little silly,
but Jet is low, they just makeme Wait they make me Start over,
please, okay, right.
Lifted up my days, my dreams.
I'm in the colors.
The jet is low.
They make me take your trips.
We fly by.
No stresses on my brain, noworries, man, I'm chosen man

(01:27:06):
another way.
My nigga watch me go shine.
When I close my eyes, my wholelife comes to life.
This is probably this.
What'd you give it?
What kind of grade is it?
I don't know this.
What'd you give it?

Speaker 1 (01:27:15):
What kind of grade, is it?
I don't know, this is boozy.
I don't think this is boozy.
You don't like?

Speaker 5 (01:27:21):
this personal.
I'm going to read it just incase it's not boozy.
Lifted on my days my dreams arevivid colors.
The jet is low.
They make me take your newtrips you fly with.
This is either.
This is.
You want to know what's crazythis Wiz Khalifa or Diddy?
Lifted all my days?
No, because he always hetalking about taking trips.
Lifted all my days my dreams ofvivid colors.

(01:27:42):
The jet is low.
They make me take your trips.
We fly by.
No stress on my brain, noworries here, I'm chosen.
Made another way my nigga.
No, Diddy, don't say that,Watch me go shine, but watch me
go shine in jets when I close myeyes the world comes alive.

Speaker 1 (01:27:58):
This is Wiz or D.
It's definitely not D.
What are you giving?

Speaker 5 (01:28:03):
it, I'm giving it.

Speaker 1 (01:28:05):
S oh, so fecal, yeah, yeah.

Speaker 3 (01:28:09):
I was going to say fecal's kind of deep.
Nothing's good about it.
Fecal's kind of deep.
What is?

Speaker 1 (01:28:12):
good about it.

Speaker 3 (01:28:13):
He actually paints a picture.

Speaker 1 (01:28:16):
He's painting a picture.
He's painting a picture.

Speaker 6 (01:28:18):
This is why you're not a rap or hip-hop contestant.

Speaker 5 (01:28:20):
Ha ha, ha, ha, ha, ha , ha, ha, ha, ha, ha, ha, ha ha
ha Ha, ha, ha, ha, ha, ha, ha,ha, ha, ha, ha, ha, ha, ha, ha,
ha, ha, ha, ha, ha, ha Ha ha, ha, ha ha ha.

Speaker 1 (01:28:30):
Ha, ha, ha, ha ha ha.
Okay, so what if?

Speaker 2 (01:28:32):
he's a painted picture.
That means I can rap too.
I think this is trash, okay, sowhat is it?

Speaker 1 (01:28:40):
Fecal.

Speaker 3 (01:28:41):
Alright fecal.

Speaker 1 (01:28:45):
So that was Kid Cudi that was off of.

Speaker 5 (01:28:47):
I am Y2.
And that's cool.
Not from fecal.

Speaker 1 (01:28:53):
I am.
I think that's a feature, right, is that a feature?

Speaker 2 (01:28:57):
I don't know, I don't know, I am Y2, I think that's a
feature right Is that a feature?
I don't know, that's a skill,oh yeah.

Speaker 1 (01:29:01):
I-M-Y-2.
Yeah, that's off a certifiedliving boy.
Good Lord, that's a meaty oneboy.

Speaker 6 (01:29:11):
God damn.

Speaker 2 (01:29:17):
I just want to know you're tight.
I just want to make you right.
Pick you like a Georgia peachand hit that thing like every
night.
I just want to make your day.
Smear the makeup on your face,feeling different times of vibes
, smoke and let that record play.
You tell me your deepest lies.
Never fold and keep your pride.
Work the po' just like a pro.
I see the look right in youreyes.

(01:29:38):
Whatever helps you sleep atnight?
This right here's a mystery.
Don't put nothing in my drinkunless it mix with Hennessy.
Hmm.

Speaker 6 (01:29:50):
I think I know who that is.
I don't know the song, but thatflow, that cadence, hmm.
What are you thinking?
Well, this is looking good, I'mdoing things.
Hmm, what are you thinking?
Well, this is looking too funny.

Speaker 2 (01:30:03):
What's this Interesting?

Speaker 3 (01:30:07):
Um.

Speaker 2 (01:30:20):
He's dissecting it.
This uh, I'm gonna give this Aflat four options.
This is cool.
I like the flow of it.
Yeah, I don't know what this isthough.

Speaker 6 (01:30:41):
Uh, can I take a guess?
Sure, sure, no, ladies first Ithink it's 21, no that's too
deep.
21, I was gonna.

Speaker 1 (01:30:50):
I was gonna say I can see dread 21 saying that, like
a like any like dread 21 wouldsay something like that like a
lot, come on he, he, he got, he,he got kind of straight on a
lot.

Speaker 6 (01:31:01):
Okay, so that sounds like somebody from TI's camp.
I was going to say the TI, ormaybe BLB.

Speaker 1 (01:31:13):
That's an interesting choice.
No, that's actually not Tonic.
You want to know?

Speaker 2 (01:31:17):
something.
Yeah, I couldn't see BLBOBspitting that, you don't think
so.

Speaker 1 (01:31:21):
I can see BOB saying that.
I can see BOB saying that.

Speaker 2 (01:31:24):
But, no he's actually Next thing with Hennessy.
I don't see BOB talking aboutHenny like that.
Right, did you forget he?
I don't know, I don't reallyhear him reference alcohol like
that.
I mean I don't know.
He may say pour a drink up, butI ain't even talking about a

(01:31:46):
specific brand like that.
I don't know, I could be wrong.

Speaker 1 (01:31:50):
I guess, Sure, why not?
But no, what's actually funnyis Lavender you're not even
going to know who this is, butyou're going to kind of know who
this is and you're not gonnaknow who this is, but you're
gonna.
You're gonna kind of know whothis is and you're gonna know
who this is.
This is our last guest.
This is a great jackson.
This is great jackson.
This is a song he had calledgood life.
You said what is that fair?
Is it fair?

Speaker 2 (01:32:09):
yeah, yeah, great jackson yeah, it's rap music.

Speaker 1 (01:32:13):
Yeah, it is.
It was right, didn't you pickno gray jackson gray jackson
gray jackson, gray jackson, whata nice type shit wait, I
thought you already pulled one.

Speaker 6 (01:32:25):
No, okay, he's cheating that's what it's called
.

Speaker 5 (01:32:28):
I was digging around, he was cheating my bro.

Speaker 2 (01:32:33):
Well, you took, you took the other one that you're
looking at yeah, you never seeme go back.

Speaker 5 (01:32:37):
Why you hurt me?
Uh-huh, I didn't grab one yet.

Speaker 2 (01:32:41):
Allegedly Right, allegedly.

Speaker 5 (01:32:47):
Allegedly Am I not.

Speaker 1 (01:32:48):
if you got bedtime, you say he does.
I thought you said he doesn't.
I know I actually don't Lookwhy you lying to me.
I don't lie, all right, lil Dwhy?

Speaker 7 (01:32:58):
you lying to me, alright.

Speaker 6 (01:33:04):
Okay, I gotta do it for me or do it for them.
I ain't playing with this shit.
I'ma do it to win.
No, I can do it again, becauseI did it before with little to
no effort.
Y'all niggas knew the scoreFirst album dropped in May,
second in December Overplatinumone year.
Like y'all don'tas knew thescore First album dropped in May
, second in December.
I know who that is Overplatinum in one year, like y'all
don't remember.

Speaker 5 (01:33:22):
Nah you not rapping it like that?

Speaker 6 (01:33:24):
I'm the nigga whose first five albums debuted at
number one, and you wonder why Icall you son.
Come on, man who is this.

Speaker 5 (01:33:32):
I want to say it straight it's Hovi.

Speaker 2 (01:33:41):
It, it's homey, it's not, it's not.
No, I I was about to say I haddifferent gifts from that it's
not well, I'm gonna let you keep.

Speaker 1 (01:33:48):
Oh, yeah, yeah, yeah, yeah, yeah, go ahead, go ahead
right there.
Uh, read that first.
What we got, I'm gonna get thatI'm gonna get that forward.

Speaker 6 (01:33:52):
That was ferocious.
Um, he let y'all know he, hedid this.
Um, yeah, a little no effort.
Y'all know he did this shit.
Um, yeah, a little note, noeffort.
Y'all niggas know the score.
First time it was dropping inmay.
Second, in december um, overplatinum one year, like y'all
don't remember is that dmx?
Only whose first five albumsdebuted at number one.

(01:34:12):
Do you wonder why I call youson?
Yeah, I think I got.
It had to be a legend.

Speaker 3 (01:34:16):
It had to be somebody like drake dmx.

Speaker 6 (01:34:19):
Uh, okay, it's definitely not.
He said it's not whole it's notwhole, but it's not.

Speaker 1 (01:34:25):
It's not kindred um he's just like he's pissing off
tanaka.
You feel what?

Speaker 2 (01:34:33):
I'm saying these subtle shots that they're going
on all, all Alistair man, yeah.

Speaker 3 (01:34:40):
West Coast niggas.
Two West Coast niggas.

Speaker 2 (01:34:42):
Wow.
I mean look, he gonna putKendrick in when we talk about
that sexy Red Bruno Mars song.

Speaker 1 (01:34:49):
Right, he just likes pissing you off.
But um yeah, so okay, I gave itfour.

Speaker 6 (01:34:54):
I don't know who it is, though.
Who is it?

Speaker 3 (01:34:55):
Yeah, so four.
I don't know who it is.
Who is it?

Speaker 1 (01:34:56):
yeah, so dmx bro you guessed it was dmx it's dmx.

Speaker 5 (01:34:59):
The name of the song is last hope.
Yeah, last hope.
And why do we?
What were the context cluesthat led us to this conclusion?
Well, first person made firstin may, then december two albums
that went platinum in a year.

Speaker 1 (01:35:16):
Oh did he.
I didn't know that that's thedot.
What, where you know we hadthis conversation once again I
wasn't look we had thisconversation.

Speaker 3 (01:35:27):
He was an east coast dmx dmx.

Speaker 7 (01:35:30):
There's so many things we can talk about so many
things.

Speaker 5 (01:35:33):
But once he gets to the east coast, west coast, I'm
like I don't know that shit.

Speaker 7 (01:35:35):
he's like I don't know that shit he's like I don't
know that shit.

Speaker 1 (01:35:37):
Yeah, dmx is.

Speaker 3 (01:35:39):
He's cool, I know the singles.
And then I went back to listento.

Speaker 1 (01:35:43):
And then there was X and I like that song.
Here we Go Again.
That's my shit.
I fuck with that song.

Speaker 6 (01:35:48):
Yeah, I mean, but yeah, you're right, only nigga,
whose first five albums I don'tthink, and dropped two albums In
one year.

Speaker 5 (01:35:59):
That weren't fucking platinum.
I think that they went fucking,they went crazy, they went more
than platinum they did.

Speaker 6 (01:36:05):
He underestimated DMX's Bro Did you not?

Speaker 5 (01:36:09):
Did you not see the fucking crowd?
What is that?
What is that you talking?

Speaker 1 (01:36:13):
about the cello shit, the bajillion Motherfuckers.
It was a bajillion, I ain'tgonna lie.
That joint, it was like hell.
It looked like the whole worldwas it was.

Speaker 5 (01:36:28):
You've never seen that clip.

Speaker 1 (01:36:29):
It's like a clip that always like comes up every so
often, every time they talkabout dmx it was a lot of people
, it was a lot of people, it wasa lot of people.
So here's the thing.
So remember doing.

Speaker 6 (01:36:40):
Versus doing COVID.
When you did Versus and theydid DMX versus.
Snoop classic East versus WestCoast and he was like oh, snoop
will kill.
Granted, snoop has more singlesbecause of longevity.

Speaker 3 (01:36:53):
But with DMX in that little three, four year.

Speaker 6 (01:36:55):
But with DMX and that little 3-4 year period with
them 5 albums.
Dmx was that dude.
He didn't last as long as Snoop.

Speaker 2 (01:37:05):
But you're saying the impact though.

Speaker 6 (01:37:07):
Yeah, but the impact, like you said, the first.

Speaker 1 (01:37:10):
Tanaka.

Speaker 5 (01:37:12):
Oh Lil D spanking.

Speaker 1 (01:37:13):
But yeah, nah this.
Why y'all looking at that?
I'm gonna move on to the nextone.

Speaker 5 (01:37:17):
Okay, wait, wait, wait, okay, wait.
No, look at why the fuck is itthat many people?
What the fuck is?

Speaker 1 (01:37:24):
going on.
I'm gonna go on to the next one.

Speaker 2 (01:37:26):
This is a dmx concert woodstock, woodstock, I think
it's like a festival woodstock.

Speaker 5 (01:37:32):
It's in 99 the whole crop.
No, you need to play it withthe music okay, we'll play.

Speaker 1 (01:37:37):
We'll play that later .
Yeah, they mosh pit.

Speaker 5 (01:37:39):
Drop.
Shut him down, open up shopyeah.

Speaker 1 (01:37:42):
Yeah, all right, let's move on.
I'm a politician with thischicken wondering if I'm a
creeper, little hood rat bitchfrom the 25th, named Tanika,
coming through like I do youknow, getting my bark on.
Okay, this is obviously the.
Mx knew she was a thug cause.
When I met her she had a scarfon uh, was this 54, 11, size 7,

(01:38:06):
and girls baby face would looklike she was 11 with curls.
Um, alright, that's my favoritesong.

Speaker 5 (01:38:14):
All I want is you all I want is you um this is
getting um, it's flat.

Speaker 3 (01:38:22):
It's all right, it's cool it's flat.

Speaker 1 (01:38:27):
It's a flat.
For me it's like like a 3.2.
That was it because I alreadyknow those.
These are.
These are the ones that Ipulled.
He sent me.

Speaker 5 (01:38:40):
Watch my beats and pulls.

Speaker 6 (01:38:43):
What it's about to be a handicap match in here.
We about to beat the shit outof you.

Speaker 5 (01:38:48):
Look my bad Look, Okay, Look look exactly.
I was down bad.
My life switched with a crisis.
My black travail with nolicense.
I was lifeless, I was deadweight.
I was down bad.
My life switched with a crisis.
My black travail, with nolicense.
I was trifling.
Then my eyes switched.
Then my hands shook.
Then my fist fought.
Then my right wrist took a risk, for it Saw lightning and made
titans with a pitchfork.

(01:39:08):
We ate your food.
Then got bent more withexcitement.
Big wars on my neck.
Peace, bbsb fighting.
Move fast, loose, jazz, jazz.
I gotta race the world and bevibrant.
Okay, first of all, we're gonnaget this in fire.
This is torch.
I was down bad.

(01:39:30):
Then my life switched withcrisis.
My black chevelle with nolicense.
I was trifling.
Then my eye twitched.
I was trifling.
Then my eye twitched.
Then my hand shook and my fistball.
Then my right wrist took awrist force, saw lightning that
made titans.

Speaker 2 (01:39:47):
We ate your food, then we bet.

Speaker 5 (01:39:50):
Then we got bent more Big wars on my neck DBS.
Be fighting, big wars on myneck DBS, be fighting.
Move fast like loose jazz.
I got race to run and bevibrant.
I don't know who the fuck thisis.
Yeah, that's fine.
I think this might be DMX again.

Speaker 1 (01:40:08):
It's just DMX man.

Speaker 2 (01:40:11):
Nah, he wasn't talking about BBS this is
somebody that raps raps.

Speaker 6 (01:40:16):
You guys think BBS still is kind of more.

Speaker 5 (01:40:18):
That's future.
Vvs is future.
It's not future.
It's not future.

Speaker 1 (01:40:29):
Yeah, it's definitely not future, but we're saying
the term.

Speaker 6 (01:40:31):
VVS.
It really come out to what Late20s.
So that was Kendrick Lamar.

Speaker 5 (01:40:36):
Late 20s.
Late 20s, yeah.
Well, why don't you tell?

Speaker 1 (01:40:39):
us who it is.
So that was Kendrick Lamar.
Ah, that was off of a songcalled the Mantra.

Speaker 5 (01:40:47):
Beautiful.

Speaker 2 (01:40:48):
You don't like Kendrick, I hate him.

Speaker 5 (01:40:51):
I'm not going to say that, yeah hate is good Damn.
I just don't, I'm not.

Speaker 1 (01:40:56):
We'll get there, we'll talk about it.

Speaker 5 (01:40:58):
We're not gonna be up here all night.
Yeah, we are, it doesn't seemlike it.

Speaker 1 (01:41:01):
You got a lot of topics on your mind, so we're
gonna talk about it.

Speaker 2 (01:41:05):
You into battle rap?

Speaker 5 (01:41:07):
No, I'm not into battle rap, except unless it's
Remy and Ma.
Listen.
Hey See, that's not the camera.
Those are bars, those are bars.

Speaker 6 (01:41:18):
I'm trying to get his props he's above me.

Speaker 2 (01:41:25):
I knew it was going to lead to that.
You know we all hit it all myninjas quick to hit and never
call bitches.
You might see my little ninjapull up with y'all bitches, pick
the short ones up, bend it over.
Tall bitch, ay put that phonedown and mind your fucking
business.
Girl.
Ay put some money up if you so.

(01:41:47):
Independent girl.

Speaker 1 (01:41:55):
That sounds familiar yeah.

Speaker 5 (01:41:58):
They hate women Clearly.

Speaker 2 (01:42:00):
Clearly.

Speaker 5 (01:42:00):
Clearly.

Speaker 2 (01:42:08):
It's like a frisbee flat, but also Can we
acknowledge they hate women.

Speaker 5 (01:42:14):
It's probably a little boozy.

Speaker 3 (01:42:19):
Yeah, I have no idea what this is, mike.

Speaker 2 (01:42:22):
They just, uh, you know this, that hood toxicity
that the women love man, I don'tthink anybody loves that.

Speaker 1 (01:42:30):
I can rest assured, I don't think any woman cause.

Speaker 2 (01:42:36):
That's why they be like Put that phone down, mind
your fucking business.
That's not a kiddie.

Speaker 5 (01:42:42):
Nobody talks to people like that.
For the record.

Speaker 2 (01:42:46):
I definitely know.
I know a few that speak likethat it's empty.

Speaker 6 (01:42:51):
That bottle's empty.

Speaker 2 (01:42:51):
I don't witness them folks.

Speaker 6 (01:42:53):
That bottle's fully empty.
It's not half empty, it's fully.
It was a little drop.

Speaker 5 (01:42:57):
Would you please shut the fuck up.
So that was.

Speaker 1 (01:42:59):
Who bottle's fully empty?
It's not half empty, it's fully.
Who that, who that, who that.

Speaker 6 (01:43:04):
You don't have a guess.

Speaker 1 (01:43:05):
You don't got a guess , Tanaka.
So that was TI.

Speaker 6 (01:43:10):
I was going to say that did kind of give me TI vibe
.

Speaker 2 (01:43:16):
That's off a four lit Okay.

Speaker 5 (01:43:18):
Interesting.

Speaker 1 (01:43:22):
Name me your album.
That's kind of wild Alright.

Speaker 6 (01:43:28):
Sound like some Atlanta shit.
Let's see, ain't no bricks inmy trap house.

Speaker 1 (01:43:38):
What was your first guess?
We're done.

Speaker 6 (01:43:41):
What was your first guess?
House?
I'm gonna say not, kendrick.
All right, ain't no bricks inmy trap house, no pots and no
forks.
I ain't got no love for a bitchcuz I came up bumping too short
your old lady across the streeton her porch.
She loved me but she knew I'm adope boy.

(01:44:01):
Me and my niggas keep down thenoise so we can keep down and
out the way my phone's booming,my trap rolling.
It's always open these choppersloaded, just in case an old
police ass nigga tried to send afourth up there.
We already sorted.

Speaker 5 (01:44:18):
Woo.
Who is that?
The funny part is who issitting fourth up there.

Speaker 6 (01:44:21):
We already sorted Woo .
The funny part is who is that?
That's Mars.
I mean I gotta go once again, Isee the like TI with Dro type
shit that's.
Gucci, I don't know, man,because there was too many.

Speaker 2 (01:44:33):
Well, I guess, Damn there was one line in there that
I was like oh I, you think youknow who it is.
Yeah, I don't Damn.
There was one line in therethat I was like oh, you think
you know who it is?

Speaker 6 (01:44:41):
Yeah, I don't have no bricks in my trap house, no
pots, no forks.

Speaker 1 (01:44:46):
I ain't got no love for a bitch Because I came up
bumping too short.

Speaker 2 (01:44:50):
I think, that's the line.
Came up bumping too short.

Speaker 6 (01:44:54):
Yeah, I came up bumping too short your old lady
across the street on the porch.
She love me, but she know I'm adope boy.
See, there's too many of thoseLike.
I don't think that's toocomplex for Gucci.

Speaker 5 (01:45:06):
That's not for Gucci.

Speaker 6 (01:45:07):
Yes, me and my niggas keep, because Gucci got that.
One, two, three, boom, boomboom, boom boom.
He don't have boom, boom, boom,boom.
I can see what you're saying.
Gucci wasn't saying no bricksin my trap house Boom, boom,
boom, boom.

Speaker 2 (01:45:19):
He don't have boom, boom, boom, boom.

Speaker 5 (01:45:19):
I can see what you're saying, Gucci wasn't saying no
bricks in my trap house.

Speaker 1 (01:45:22):
He definitely saying bricks in my trap house.

Speaker 5 (01:45:25):
No, ain't no bricks in my trap house.
That's what that said.
Ain't no bricks in my traphouse.

Speaker 6 (01:45:28):
I ain't got no knives or forks.
So Gucci needs that to whipcrack Me and my niggas keep down
a noise so we can keep down andout of the way.
My phone boom and my traprolling.
It's always open, thesechoppers loaded, see, that's
what I'm saying.
That's too complex of a schemefor Gucci, so you?

Speaker 7 (01:45:44):
don't want to say Jeezy.

Speaker 6 (01:45:46):
It could be Jeezy TI or Dro that was your guess, yeah
.

Speaker 2 (01:45:52):
I am interested in these.

Speaker 1 (01:45:55):
So you were wrong.
This was so you were wrong.
This is actually Young Dolph.
Or Dolph, oh my God.
Or Dolph.
This is a song called Back Dooror Dolph Rest in peace Young
Dolph.

Speaker 5 (01:46:07):
Rest in peace, dolph.

Speaker 6 (01:46:10):
Definitely not Gucci.

Speaker 5 (01:46:11):
That's my rapper.
My bad, my bad, dolph.

Speaker 6 (01:46:13):
My bad.

Speaker 5 (01:46:14):
Dolph.

Speaker 1 (01:46:14):
My bad Dolph.

Speaker 6 (01:46:15):
Yeah, All right, let's see what we got.

Speaker 1 (01:46:17):
My bad dog Alright let's see what we got.
Let's see.
For so long I've been slept on,got to make them believe me.
Just bought a Glock up out thenorth.
So that's them.
Shots off the three.
Got the law up my ass.
Demons up in dreams, andyGauldin was my uncle robbing
shit in my jeans.

Speaker 5 (01:46:36):
That's like Offset or Quavo.

Speaker 2 (01:46:42):
What.

Speaker 1 (01:46:43):
Maybe, Qu quavo, if anything for so long I've been
slept on, got to make thembelieve me.
Just bought a glock up my bad.
Just bought a glock up out thenorth.
So that's them.
Shots off the three.
Got the law of my ass.
Demons up in my dreams, andy.
Andy Galdon was my uncle.

Speaker 4 (01:47:01):
Robin shit in my jeans is that he says name
Galdon?

Speaker 1 (01:47:04):
I don't know GA you LDN, that's not me, why not?

Speaker 5 (01:47:12):
who is it and what do you write it?
I don't know, what do you?

Speaker 6 (01:47:15):
write it.
Oh wait, did I write that, thatbar was fine, mine, mine was
fine, fine, by the way.
But fire.

Speaker 1 (01:47:19):
That was fine, that shit.

Speaker 5 (01:47:21):
Um yeah, flat it's more on the frisbee side.
It was a flat frisbee.

Speaker 1 (01:47:26):
Give him that frisbee , flat frisbee.
I won gonna give it to himbecause he had one metaphor in
there but it's like.
Even that was like kind of, butI don't know, I don't know, I

(01:47:47):
don't know who this is, but yeahyou don't even know who it is.
That oh, you know what it iswow you don't know.

Speaker 5 (01:47:53):
Oh, how are you gonna do it if you don't know?
Because that's why he's readingoff the computer.

Speaker 6 (01:48:01):
He's picked the rest.

Speaker 2 (01:48:02):
Yeah, so that's 38 Baby by NBA Youngboy.

Speaker 1 (01:48:08):
Your boy.
There you go.
Little do you know my boy myboy.

Speaker 2 (01:48:16):
That is baby Boy.

Speaker 1 (01:48:17):
What All this up north shit she be talking about?
You would never thought shelove boy.
I was at BAM oh dang yeah.

Speaker 2 (01:48:25):
So why so?
You should've knew that done it, baby.

Speaker 1 (01:48:28):
Yeah, right, cause I didn't.

Speaker 5 (01:48:30):
I had an error, I had a time period where I fucked
with a BAM boy, and then onething, and Rollo, then one, oh
yeah, then one day I told him Iwas like please don't bash.

Speaker 2 (01:48:40):
Oh, it just stopped.

Speaker 5 (01:48:41):
I was like at one point it was like anything NBA
Youngboy would be good.
And then I was like, pleasedon't bash NBA Youngboy, I'm not
that young, oh dang, but youare.
I am no, but.
I'm saying it was like in theseventh month period, but it was
just like.
My brain is not where NBA.

Speaker 2 (01:48:58):
Youngboy's brain is, so in that period of time,
though, are you still able tolisten to those songs that was
released in that period?

Speaker 5 (01:49:09):
So if it was a come on, would you?

Speaker 2 (01:49:12):
be, like rapping along and then once I'm not
there anymore, just oh, okay.
So if it was a come on, wouldyou be like rapping along, or
you'd be like, nah, you don'thave to.
Uh, my, my real life, likethose songs Like, say, you just
go out to a function, theyhappen to be playing.
Like one of those songs thatyou would listen to it's still

(01:49:33):
my shit.

Speaker 5 (01:49:34):
Okay, it's still my shit, it's still my kid, but
it's just like I ain't reallyfucking with that kid.

Speaker 3 (01:49:40):
Like I still gotta love it.

Speaker 5 (01:49:42):
Like even old boozy.
I still love old boozy.
I hate boozy.

Speaker 6 (01:49:47):
You got it.
You got it.
Time Shit.
Do I get to go again?

Speaker 1 (01:49:51):
No, that was the last one.
I think, yeah, it was three.
Right, yeah, it was three, sothree, three, three.
Yeah, so that was guess thebars y'all.
So we're gonna move on to the.
We're all gonna pick somethingand it could be whatever you

(01:50:30):
want it to be.
It could be a time a thing, arapper, not rapper, it could be
whatever you want it to be.
And we put it on the Instagrampage and we have the people vote
and that would be the nextinductee in the TNT.
Podcast Hall of Fame Am.

Speaker 3 (01:50:44):
I am I shit even.

Speaker 1 (01:50:46):
Yeah, my shit's dead.
Um, so the last time shout outto Gray Jackson.
We had um.
It was um.
What was it?
It was um Aqua Teen HungerForce.
Um what was it?
It was um aquatine hunger forceversus his, his, uh, hellcat

(01:51:06):
that he won from what was hisname?
Kai kaisa, not, yeah, you don'tknow that.
No, yeah, he, he don't know howto.
I don't.
I don't watch.
I don't watch his streams.
My little brother watches hisstreams.
I don't really know him likethat and um, you had, uh,
chameleonaires Mixtapes I don'tremember the name, yeah,
mixtapes.
Mixtape Messiah.
The Mixtape Messiah series.
So the next inductee into theTNT Podcast Hall of Fame is Aqua

(01:51:27):
St Hunger Force.
Appreciate everybody for voting.
And, yeah, we're going to moveon.
So Tanaka since.

Speaker 3 (01:51:35):
I won.

Speaker 1 (01:51:36):
If y'all want to, you don't have to participate if
you don't want to.

Speaker 3 (01:51:39):
Are we talking about an era?

Speaker 1 (01:51:41):
It could be whatever you want to be, you could put
yourself in it.
If you want to, I'll go with DJDJ.

Speaker 2 (01:51:47):
Zong, I'm going to nominate DJ Unc.

Speaker 1 (01:51:53):
DJ Unc.
Oh, you're going for thelow-hanging fruit.
We know Unc's going to win.
We know Unk's going to win, butgo ahead, We'll go.
Sure.
Why are we choosing DJ UnkTanaka?

Speaker 2 (01:52:04):
Nah, you know what's crazy though.
Like, really like.
I feel like the last time wespoke about DJ Unk, though, real
talk was.

Speaker 1 (01:52:11):
The DJ shit?
Yeah, it was the DJ talk yeah.

Speaker 2 (01:52:25):
It was talk.
Yeah, it was actuallyinteresting.
I did think about that too.
Yeah, that's what I'm saying,that's why it's like interesting
thing about that.
But I also got a salute.
Um, I don't know if people know, but that that's that gloria
song, like that's.
That's really a sample of that,uncle, you know what I'm saying
.
That hold on, you know.
So, yeah, even just we all knowwhat Ung done contributed.
You know what I'm saying as faras the rat game and all that,
but yeah, man, rest in peace.
You did.

Speaker 6 (01:52:44):
I mean, that's it right.
So Tanaka just cheated.

Speaker 3 (01:52:48):
Yeah, basically right , right, definitely chose.

Speaker 4 (01:52:51):
Yeah, he definitely we're all gonna lose, so we're
just basically picking somethingthat's just gonna that we like,
that we're gonna lose.

Speaker 1 (01:52:58):
No, we just gotta pick something that's gonna lose
so tonic.
Like I said, it could bewhatever you want.
I will show you some examples,but my phone is dead that's
fucked up.

Speaker 5 (01:53:05):
As a matter of fact, your phone's still on uh, pull
up Instagram told me to go first.

Speaker 1 (01:53:14):
I had a good one too.
Oh, we still put it up.
Look, we didn't have some weirdshit one.

Speaker 2 (01:53:20):
You never know yeah go ahead.

Speaker 1 (01:53:24):
What are you nominating?
That whole Ashanti period?
Which one All of them I'm soAshanti, it's just that girl,
the Ashanti era.

Speaker 5 (01:53:37):
The whole murder ink.

Speaker 2 (01:53:38):
Wait, wait, wait girl , the Ashanti era, the whole era
, the whole murder ink butMurder ink with Ashanti but
that's what I'm saying Murderink.
Or are you talking aboutAshanti?
With Ashanti, if?
If Ashanti's been throwing upMurder ink in the music video,
it don't count, so the murderink run.
I'm so unhappy With Ashanti.

Speaker 1 (01:53:53):
Baby, that song, that song pisses me off, I'm not
gonna lie why?

Speaker 2 (01:53:56):
oh yeah, no, because we heard the backstory on that.

Speaker 1 (01:53:59):
That shit, that shit made me mad.
I ain't gonna lie.
Yeah, are you?

Speaker 5 (01:54:03):
talking about that bullshit, eric, goddy shit.
Yeah, that he said.

Speaker 1 (01:54:06):
I just got the shot yeah goddy is fucking look, I
just hope it's not true, becauseI'm not gonna lie.
That shit piss me if that shitpiss me off it's not.
And either way, the music isthe music it is, and I'm still
able to listen to it, butashanti wins because of her
clothes, right the dancing, justthe whole ashanti era is so

(01:54:27):
yeah, so those are like someexamples of some stuff that won
so yeah, you can't pick those,any of them.

Speaker 3 (01:54:34):
So so let me ask you this what's your, what's your
favorite song?

Speaker 1 (01:54:37):
from that era of Ashanti.
If you had to choose one Iwon't say this is my favorite
song, but I will say this- Ithink I'm so happy.
I'm so happy that I foundsomeone yeah happy.

Speaker 5 (01:54:51):
I'm so happy that I found someone, and then JLo was
in there too.

Speaker 3 (01:54:56):
She was in the video.

Speaker 5 (01:54:57):
No, I'm just saying what's the JLo song in there too
, she was in the video.
No, I'm just saying what's theJLo song With Ja Rule.

Speaker 1 (01:55:03):
Yes, I'm Real.
Yes, the remix.
Yeah, that's my shit have you?

Speaker 5 (01:55:07):
seen the clothes in that shit.
I mean she was fine.

Speaker 1 (01:55:10):
Yeah, they was mad at Jennifer Lopez for saying no,
mm-hmm.
Yeah, yeah, I was like bro,y'all don't sit the fuck down.
I was like y'all.
Od Alright cool, so DJ Up theAshanti.

Speaker 2 (01:55:27):
Wait, you saying the Murder Inc era with Ashanti, or
are you saying just?

Speaker 1 (01:55:31):
And J-Lo.

Speaker 5 (01:55:32):
Emphasis on the bitches.

Speaker 1 (01:55:34):
And Charlie Murphy.

Speaker 2 (01:55:36):
Charlie Murphy, she said Charlie Murphy.
Charlie Murphy, charlie Murphy,she said Charlie.

Speaker 1 (01:55:40):
Murphy, charlie Murphy, thank you.

Speaker 5 (01:55:45):
Can we just say the women of Murphy?

Speaker 1 (01:55:47):
I wanted to say their names.
Go ahead, say their names.
Yeah, we can put all theCharlie Baltimore, charlie
Baltimore.
Ashanti, was it Vito Vita?

Speaker 2 (01:55:58):
Ashanti Is Lil Mo in there.
I know it's not a more.
My shanty was it.

Speaker 1 (01:56:02):
Vito or Vita, yeah, I'm sorry, yeah.
So if that's the case, thelittle motion being there too.
Yeah, right, I mean human.
She made a couple songs with JaRule, yeah Lil.

Speaker 5 (01:56:19):
Mo Okay, so we throw that.
Okay.
All the Ladies Of Murder Inc.

Speaker 1 (01:56:22):
Ladies Of Murder Inc.
All right, we'll go with that.

Speaker 3 (01:56:25):
DJ, I'm still going to win.

Speaker 1 (01:56:27):
So I'm going to go with Fuck it.
We're going with eras.
I'm going to go with LilWayne's era From 2005 to 2006.
That's my favorite.
Do that.
Why can't I do that?
Yes, that's my.
That's my favorite era.

(01:56:49):
That's the Carter, the Carter 2.
You said name songs Stun likemy daddy, money on my mind,
fireman Go DJ Wait, no, no, no,no, no.
Carter 1 was 2004,.
Right, yeah, okay so never mindCarter 2.
Oh, not to mention Shooter.

Speaker 5 (01:57:08):
I fucking love Shooter, shooter's a very
underrated song by Robert Dick.
Yeah, my bad, go ahead.
Do you want to know what songcame on my YouTube when I know
it worked for it?
And it was I've been waitingfor you, still pretending, and I
love you, baby.

Speaker 1 (01:57:27):
I'd have to hear it.

Speaker 5 (01:57:27):
No, it's not Sorry for the trouble that I put you
and your heart through.
Lord knows I'd do anything fora part two.
You would have to, yeah, pullit up.

Speaker 1 (01:57:36):
Pull it up because that doesn't sound familiar.
What the fuck I love how?

Speaker 5 (01:57:40):
you're just only looking.

Speaker 1 (01:57:42):
I just love how you're looking at me and nobody
else.

Speaker 5 (01:57:46):
You're my friend.

Speaker 1 (01:57:48):
Tonic's, your friend, I'm not anymore Cause.

Speaker 6 (01:57:52):
I love the sexy.
We're not friends.
No more, until that song,anyway, so yeah.

Speaker 1 (01:57:59):
Lil Wayne 2005-2006.
That's my favorite era.
That was right after the Idon't know that weird era of Lil
Wayne where he was young and hewas.
I didn't really care for that.
The block is hot lights out 500degrees.
Lil Wayne, I could see thepotential, but it was like did
you like Master P?

Speaker 5 (01:58:18):
no, I didn't really care for Master P, I didn't like
the potential.
But it was like did you likemaster p?

Speaker 1 (01:58:19):
no, I didn't really care and then, um, but that was
before the, that was before theauto tune, that was before auto.
To wayne and I when he didlollipop and all that, I ain't
gonna lie, that's when he kindof lost me.

Speaker 2 (01:58:30):
I was like wait, when did you?
Uh, uh, drop out, and that'sthe Drop 3.

Speaker 1 (01:58:42):
I feel like, honestly , the only thing that touches
the Drop 3 Is no silver Out ofhis mixtures, so yeah, and, I
think, a couple of Dedicationscame out in that era as well.

Speaker 3 (01:58:53):
So yeah, lil Wayne 2005-2006 era.

Speaker 1 (01:58:57):
That's my nominee for TNT Podcast Hall of Fame.
So last but not, least DJ Tonic.
What do we got?

Speaker 6 (01:59:06):
I'm going to say the entire Drake era, from now until
, not like this, until thelawsuit era.
I don't know if he'll come backfrom from the lawsuit, so let's

(01:59:29):
just go ahead and give him hisflowers now.
So what?

Speaker 1 (01:59:32):
So that's like 2007 and like 2024?
.

Speaker 6 (01:59:35):
Yeah.

Speaker 3 (01:59:35):
Or like 2009?

Speaker 1 (01:59:37):
He gets to say his.

Speaker 3 (01:59:43):
He doesn't even know what's going on.
It's fine.
He doesn't know, it's fine.

Speaker 6 (01:59:47):
I just feel like you know the era might be over, so
let's go ahead and put him inthe Hall of Fame.
Tnt Hall of Fame Rock and RollHall of Fame.

Speaker 1 (01:59:59):
D, it's cool.

Speaker 6 (01:59:59):
We hear you bro.

Speaker 1 (02:00:00):
You can sit right there.
If you don't want to, you ain'tgot to.
Does he want to?
He doesn't know what's going on.
No, he's doing that becauseyou're making that he's.

Speaker 6 (02:00:14):
Just for the record Kendrick didn't kill his career.
Yes, he did He't kill hiscareer.
Yes, he did.
He did not.
Yes, he did, he did not, he did.
I'm still bumping Drake overKendrick.

Speaker 1 (02:00:23):
Oh, I mean absolutely .
But that's the thing.
That's the thing that Peopleneed to understand.
When we say that he got beat byKendrick, we're not saying that
Kendrick is gonna replace him.
I don't say that at all.
Drake is gonna still have songsin the club.
Drake is still going to havesongs for the white people drake
is still going to have it,doesn't?
it doesn't take away from thegreat songs he's made you know,

(02:00:46):
or this great songs he's goingto make in the future, like
we're saying that drake got hisbillion dollar cyber truck while
kendrick got out of his fucking2023 Kia Soul and he got his
ass beat.
He still got the money, yes,but he got his ass beat he did
not get his ass beat it was onesong.

Speaker 3 (02:01:08):
He got his ass beat.

Speaker 1 (02:01:10):
He did not.
It was one fucking song.

Speaker 3 (02:01:11):
You know how?
I know he got his ass beat.

Speaker 1 (02:01:13):
Folks in other countries are talking about how
Drake got his ass beat.

Speaker 7 (02:01:18):
And he never responded.
So it was one song.
It was one song.
No, it wasn't.

Speaker 6 (02:01:22):
Listen because the rest of the Kendrick diss songs
were hot garbage.
Euphoria, euphoria.
Go ahead and shit that out Inthe kitty litter, oh okay, and
then pour it down the toilet, oh, okay, oh, and drop it, oh okay
.

Speaker 1 (02:01:37):
Oh, and drop and give me 50 was bars, it was crazy.

Speaker 6 (02:01:40):
Actually Meet the Grams was fire.
Oh, I bet, yeah, Meet the Gramswas.

Speaker 4 (02:01:48):
It was a dissection with no fucking.
What's the shit they put youunder with?

Speaker 1 (02:01:50):
Anesthesia, no anesthesia.
He dissected him Honestly.
In truth, he really could haveended with Meet the Grams, and
that would have been it.
That would have been fine, buthe dropped.
Not Like.
Us.
And then actually, not only didhe shit on him, he shit on him
and made money off of it, andfolks come up to us and be like,
hey, can you play this?

Speaker 2 (02:02:08):
What'd they say?

Speaker 1 (02:02:09):
Like dancing on the casket, yeah, like they're like
A-Town stomping on the nail inthe coffin.

Speaker 6 (02:02:20):
Listen.
Family Matters was yeah, yougot to say your.
Anyway, I am a, Just like howTrump was an election denier, I
am a.
I am a Drake loss denier.
I can tell Very evident.

Speaker 3 (02:02:33):
Very evident.

Speaker 1 (02:02:34):
Shout out Lil D finally on the mic Shout out
yeah no, it doesn't Shout outLil D finally on the mic.
Shout out Lil D man.

Speaker 6 (02:02:43):
He said this is big work, don't worry, nobody can
see your pimple, it's justairing the business.
He was worried about it so Iwas letting him know.
Ain't nobody, because nobody'sseeing.
Turnip chapped ass lips.

Speaker 1 (02:02:59):
I mean, it's fine, they're all done.
After this, I'm just lettingyou know ain't nobody, ain't
nobody cause nobody's seeing.
Uh, turn up, chapped ass lips.

Speaker 7 (02:03:01):
I mean it's fine, they're all done.
After this, I'm going to bed.
That's fine.

Speaker 6 (02:03:04):
I don't want to see your crazy teeth, but it's fine
and we thank y'all for listeningto the TMT who you listening to
.

Speaker 3 (02:03:19):
What kind of?

Speaker 7 (02:03:21):
music.
Do you listen to All of yourmusic, like just a little bit
Maybe?
Oh don't, hey don't.
Don't.
Just cause you with Drake, justcause you with.

Speaker 6 (02:03:32):
Drake.

Speaker 1 (02:03:32):
You know what I'm saying Drake, drake, but yeah so
who are some of the newerartists you like to listen to I
don't know much.

Speaker 2 (02:03:44):
I don't know much.
It's all good, put us on gamemaybe there's some artists we
don't even know.
I've been hearing about babykia, do you?

Speaker 7 (02:03:49):
listen to him I used to listen to her.
I used to be a baby kia support.
I used to be like I used to bein streets on a block to my
switch I mean I used to go onthe streets and be like, yeah,
but now I'm like I was like.
Why was I listening to a song?
Because this song Was actuallybuzzed.
It was just it would feel goodat first.
Because when you listen to it,it was like, okay, yeah, you get

(02:04:12):
the energy.
Yeah, you get the energy Tocrash out.
When I got the energy, I feellike I wanted To punch somebody.
So I believe you.

Speaker 1 (02:04:19):
Yeah, that's how it be.
That's what's up, so what?

Speaker 2 (02:04:21):
about L5 and Rack Baby and all them.
What about me not knowing themusic?
Okay, look, I ain't know, Iain't know.

Speaker 1 (02:04:32):
The only one I really know about.
So wait, so you don't knowabout Baby Drill.
Do you know about him, rack?

Speaker 7 (02:04:38):
Exactly and Tie the Menace oh.

Speaker 1 (02:04:40):
There you go.
So Kendrick, and maybe Baby Kia.

Speaker 7 (02:04:44):
That's as far as we go.
I sometimes listen to KenCarson, ken Carson, ken Carson.

Speaker 1 (02:04:51):
You know what's crazy ?
Tinker likes Ken Carson.
That's interesting.
What's?
Your favorite song about KenCarson?
Because the only one I keephearing about and I heard it one
time but it was RockstarLifestyle.
I think it's time, but it wasRockstar Lifestyle, I think is
one of the songs.

Speaker 7 (02:05:05):
To be honest, my favorite rappers are probably
Elie Choppa, Ken.

Speaker 1 (02:05:10):
Carson no, ken Carson .
Oh, so you like all that popstuff that he's doing now and
Elie Choppa?
No, I mean not, no, I mean it'sall right.

Speaker 7 (02:05:21):
It's dealable, it's not a deal breaker, it's not,
it's not, it's not a good break.
Because I used to like, becauseI like both sides.
I like the old side, right andnew side okay now.
I respect that though shotshopper correct?

Speaker 1 (02:05:38):
no, I remember, when I remember whenog first came out
, I was like wow, I like thisguy.
Yeah, I like energy and allthat.
So, that's what's up.
I like Shadowfog 3.
I don't know.

Speaker 7 (02:05:50):
Was it Shadowfog 3 or 2?
I don't remember.
I don't remember, but he waslike.
I don't remember the lines, buthe was like something.
And I remember that the firstone I read too was the one where
Blueface came into there, andit's me that's Shot of Flow.

Speaker 1 (02:06:09):
The remix that's the first one.

Speaker 7 (02:06:12):
I thought the remix was the actual one at first,
because when I first heard it itwas like I think I was at a
party or something.
It was actually pretty good itwas turned up.
It was a party, yeah, man.

Speaker 5 (02:06:27):
It was like a party.
It was a party in the backyard.

Speaker 2 (02:06:32):
Man Sonic, the Fed's out here.
Backyard, backyard, partyBackyard party.

Speaker 6 (02:06:38):
What party?

Speaker 3 (02:06:39):
What party was that?
Wait a minute, young boy, weain't talking about this.
That was 2020.

Speaker 1 (02:06:46):
That was four years ago you was 11.

Speaker 6 (02:06:55):
Oh, so you were 10.
What?
Party were you going to attend.
You just hit double digits.

Speaker 7 (02:07:01):
It was somebody's birthday party, all right, it
was somebody's birthday party Onthis episode of Cap.
All right, it was somebody'sbirthday party.
I think it was my sister'sbirthday party.
They have a sister.

Speaker 3 (02:07:10):
I think, the TNT pod cap TNT pod cap oh.

Speaker 5 (02:07:22):
So are there any?

Speaker 1 (02:07:23):
older rappers that you go back and listen to.

Speaker 2 (02:07:24):
That's like okay, I think I can rock with this Ice
Cube, really, oh word, I respectthat Shout out to D.

Speaker 1 (02:07:33):
That's like one of my favorite rappers.
I can go for Ice.

Speaker 2 (02:07:35):
Cube Respect that.

Speaker 7 (02:07:37):
I could go for Usher sometimes, not all the time, but
sometimes Maybe depends on themoment, not I, maybe during them
, maybe depends on a moment forrappers or singers, I don't know
.

Speaker 1 (02:07:56):
Rappers nowadays is kind of hard but I don't know.
I would say and kind of hardbut I don't know.
I would say and it's, it'smessed up.
Because the situation was andif you look at my Instagram, I
can honestly show you that bothof them were like one of my
favorite rappers on the 2Pac,but it was Drake and Kendrick
were like my favorite rappers.

(02:08:17):
So, like the fact that all thishappened, I was just happy that
I was getting all this goodmusic.
Honestly, because, truth betold, drop it, give Me 50,
family Matters, all that wasdope, I ain't gonna lie.
Kendrick just took that jointto a whole new level.

Speaker 6 (02:08:30):
Okay, that's all I wanna hear.
Nobody.
Everybody act like.
Everybody act like.

Speaker 2 (02:08:36):
Family Matters wasn't hot.
Once again, Drake was trash.
We never said that.

Speaker 1 (02:08:40):
No, I'm talking about you two phones, If you actually
listened to the podcast youwould have heard it.

Speaker 6 (02:08:45):
Just saying I'm deaf, I can't hear what's he?

Speaker 7 (02:08:49):
saying when the kids when the kids Lamar and Drake
were having.
Who were?
Y'all hoping to win.

Speaker 1 (02:08:53):
So that's the thing, though For me, like I'm not a
thug, I'm not a thug.

Speaker 3 (02:09:06):
What you don't say, anyway so a lot of the stuff
that Kendrick talks about.

Speaker 1 (02:09:12):
I could relate to because I'm from LA and all that
stuff.
But I can't really relate togangbanging and all that stuff.

Speaker 5 (02:09:17):
So the stuff.

Speaker 3 (02:09:17):
Drake talks about.

Speaker 1 (02:09:23):
I'm like, okay, I can relate to that, that's cool.

Speaker 6 (02:09:26):
But I don't know, once Drake start tapping in some
of them uncharted waters that'swhen you know I wanted to win,
I wanted Jake Holder win, andthen he went and found Jesus.

Speaker 1 (02:09:37):
He went and found Buddha, if that's one thing,
that me and uh tanaka don'tagree with.
I'm not gonna lie, that mightdelete later song when he's
talking about seven minute drilluh, you said what was the seven
minute drill or?
Maybe what is the one where hewas like.
Your first one was okay sevenminute drill.
Seven minute drill and then thethird one was, and then the

(02:09:58):
second one.

Speaker 6 (02:09:59):
you gassed it, I was like ooh, Listen, I'm saying
this for the record.
I'm saying this for the recordIf J Cole had stayed in, that
he'd have ate Kendrick andchewed him out.
He would have ate Kendrick.

Speaker 2 (02:10:15):
I can't co-sign that.
I can't co-sign that one.

Speaker 6 (02:10:19):
I'm co-signing on that.
I'm not co-signing that.
I don't know.

Speaker 1 (02:10:22):
I feel like it would have been a good fight.
Honestly, truthfully.

Speaker 6 (02:10:25):
I feel like it would have been a better fight than
Drake.

Speaker 1 (02:10:28):
Yeah, yeah yeah, because.

Speaker 6 (02:10:30):
So not to piss off Tanaka, but Tanaka's the homie.
I fuck with Tanaka, not reallyLyrically, I do.
That's the homie that's thehomie.

Speaker 2 (02:10:43):
They're going all episodes.
Keep it going.

Speaker 6 (02:10:46):
Well, no, just because I just think lyrically,
not as an artist, but lyricallyI think kendrick is overrated,
but he's, he's what?
I'm sorry, say that again, saythat, say that again kendrick
lamar is a little more than midlyrically, y'all be acting like

(02:11:07):
he be dropping these hidden gems.

Speaker 5 (02:11:10):
So he didn't make it for Right.
It's very easy to rap slow.

Speaker 1 (02:11:18):
I'm a firm believer in just give me receipts.
I'm not going to lie.
There's a couple of things thatI kind of missed with Kendrick
and I was like all right,because I remember it was a
podcast where I was like it wasa podcast episode where I was
like all right, I'll give youone of one that I can think of
Drake's hard joints and Tanaka.
I want you to give me one too.
I don't remember, I don't evenwant to say Trey.

(02:11:41):
The way he just because it wasjust so many double entendres
and metaphors and a whole bunchof other shit that I was like
it's his guest verse onNostalgia with Pussy, have you?
Heard that song.

Speaker 6 (02:11:54):
I haven't.
I'm going to have to go listento that.
We'll listen to it when we stopLike to the point.

Speaker 1 (02:12:00):
And that's the thing, though.
And that's the thing, though.
That's another thing too.
Rap Genius does a lot of likedissecting of.
Kendrick's song.
I'm not going to lie, I don'treally know a lot of times that
they do hard dissecting onDrake's song.

Speaker 6 (02:12:12):
Well, drake is a pop star.
That I mean, he's not.
That's why.

Speaker 3 (02:12:19):
I said J Cole would have killed.

Speaker 6 (02:12:19):
Kendrick, you know, because I didn't say Drake would
have.

Speaker 5 (02:12:26):
I.
You know, I didn't say drakewould have I don't love my bed
and my mama.

Speaker 6 (02:12:28):
I'm sorry they hard, they went into that.
Listen, I only love my me.
I know, listen, I don't want to, I don't want to talk about.
I don't want to talk aboutforever I don't want to talk
about his, his, his, fire assperson forever that they forget
drake like as you know, I'msorry that took months to figure
out.

Speaker 5 (02:12:45):
That took a year to figure out.
That goes up there with Hopeit's still dissecting from Hope.

Speaker 1 (02:12:51):
I don't know about that one.
Tanaka, would you like to giveyour example of this joint that
we did?
Do you remember it?

Speaker 2 (02:12:59):
It was a while back when you gave that example, it
was just deep.
We probably just got to playthe right genius for them, folks
.
Yeah okay, yeah, we'll do that,we'll do that later, but Lil D.
I do have a question what's upRod Wave?
Do you consider him a rapper ora singer?

Speaker 7 (02:13:17):
I'm not going to lie, I'll say both, but it depends.
I think of most.
More of a singer though, butmostly, but like I consider
mostly a singer, but he does rapsometimes okay now I'm just.

Speaker 2 (02:13:30):
I just be curious because a lot of folk that I
talked to, they all consider hima rapper more so than a singer,
and myself internally confused.
Could we view him more as asinger who raps at?

Speaker 6 (02:13:42):
certain times.

Speaker 2 (02:13:44):
But I'm telling you the generation.
Most of them feel like he'smore of a rapper than a singer.

Speaker 6 (02:13:50):
So when you have these interviews next time,
there are classes that areactually inside the school
building.

Speaker 2 (02:14:04):
It sounds like you interview the students that are
in the annex buildings.
This man is trying to createthe smoke out of him.
Oh God.

Speaker 6 (02:14:19):
This is never going to be the TNTNT podcast.

Speaker 7 (02:14:22):
Trying to get the show canceled early.

Speaker 2 (02:14:25):
He ain't even had nothing drunk in his system.

Speaker 7 (02:14:32):
Speaking of the new era of music, there's this thing
called Pink.
Dress by Playboi Max and DDG,In my opinion.
I don't know if I heard of DDG,but DDG is not a rapper in my
opinion.
I think he just makes TikToksongs.
I do not like him.

Speaker 1 (02:14:48):
DDG.
Is that the guy that went viralfor his baby?

Speaker 7 (02:14:51):
Yeah, the Halo baby.

Speaker 1 (02:14:53):
I think I've heard one of his songs.

Speaker 6 (02:14:56):
I've heard him rap a couple times.
I've actually played a coupleof his.

Speaker 1 (02:14:59):
I have too, but I couldn't tell you.

Speaker 6 (02:15:01):
I've definitely seen more of a rapper than a singer,
probably.

Speaker 7 (02:15:04):
I've seen him as he's trash let me ask you about?

Speaker 1 (02:15:10):
do you know about Destroy Lonely?
You don't know Destroy Lonely,okay, is he a rapper?
He's a rapper, I think mylittle brother told me about him
.
It depends on what he lookslike.
Is he a?

Speaker 7 (02:15:24):
rapper.
He's a rapper, I think, I don'tknow.
My little brother told me abouthim.
Destroy it.
It depends on what he lookslike.

Speaker 1 (02:15:30):
I don't know what he looks like, I just know my
little brother says he listensto him DDG, are you tired?

Speaker 3 (02:15:39):
She's like I'm ready to go, I'm so tired.

Speaker 6 (02:15:41):
I didn't realize this was going to be a part-time job
.

Speaker 1 (02:15:45):
I feel you.
Well, you clocking out, allright.
Well, I'm just clocking out,I'm just clocking out, I'm
clocking out, I'm clocking out,I'm going to fuck with y'all.

Speaker 5 (02:15:58):
Say bye to the folks man.

Speaker 1 (02:16:02):
No, not the folks Tell them, where they can follow
you Instagram, social media,whatever, you know what.

Speaker 3 (02:16:08):
I'm saying I ain't got no social media but you know
what I'm saying.

Speaker 7 (02:16:11):
Follow me.

Speaker 6 (02:16:12):
I don't know how you're going to follow me, but
follow me, find him, that'sright.
Follow him to them.
Parties where he's listening to, parties when he's listening to
he chopper wait, what was?

Speaker 2 (02:16:38):
what was that?
Tyler the?

Speaker 6 (02:16:40):
oh, we're supposed to have a Tyler the creator sticky
well, she wanted to talk abouthow bad it is brother too, yeah
it was Tyler.

Speaker 7 (02:16:59):
Song is mid, but it's not bad, so I don't know.
I don't know why you hate it somuch.
It, but it's not bad, so Idon't know why you hate it so
much, it's mid.
Rapping off beat will alwaysbother me.
It's not horrible, it's justmid Weird rap songs will always
bother me Change locations.

Speaker 5 (02:17:15):
I don't like Missy Elliott either.
Whoa, now you got to go.
Bye-bye, bye-bye.

Speaker 1 (02:17:19):
Bye-bye, bye-bye.

Speaker 6 (02:17:20):
Bye-bye, bye, bye-bye , bye-bye, bye-bye, bye-bye,
bye-bye.
First female rapper in the Rockand Roll Hall of Fame, but
she's garbage.
Bye-bye.

Speaker 1 (02:17:36):
You listen to Spotify .

Speaker 7 (02:17:38):
How do you usually listen to Spotify?
I listen to Apple Music Spotify.

Speaker 1 (02:17:43):
Oh no, you can just have it like this and turn it
this way.
Listen to it on Apple MusicSpotify.
Oh no, you're good, you canjust have it like this and turn
it this way.
I want it in my mouth.
I mean, what the fuck?
What are you listening to?
My bad, what are you listeningto?

Speaker 7 (02:17:54):
What are you listening to?

Speaker 1 (02:17:55):
music.
Apple Music is fucked.
It'll be on Apple Music.

Speaker 5 (02:18:20):
It'll be on.
Apple, give me a phone milkmustache over here.

Speaker 3 (02:18:28):
Y'all supposed to be.

Speaker 2 (02:18:29):
DMV family right here , you know what I'm saying.

Speaker 6 (02:18:38):
Oh, that's my, that's my hall of fame the baby hall
Hall of Fame.
The Baby Hall Hall of Fame.

Speaker 2 (02:18:45):
Nah, you already chose Drake.
Yeah, right, he chose Drake,man.

Speaker 6 (02:18:48):
No, thank you.
It was good Good working withyou.

Speaker 7 (02:18:51):
Lavin.

Speaker 1 (02:18:59):
That's my new phone, though, so I ain't got no
records in there.

Speaker 6 (02:19:03):
Right, he's going for a hug.

Speaker 1 (02:19:04):
I couldn't find it, but I'll send it to her.

Speaker 2 (02:19:07):
You got the podcast going on.

Speaker 1 (02:19:09):
That's what I was trying to find.
I was trying to find it.
I couldn't find it.
You told me to call it theLavender Brown the Wild Nigga
episode.
That's fine.

Speaker 7 (02:19:22):
Call it the Lavender Hates Hates, sexy Red episode.
Oh, that's good, that'sactually good.

Speaker 6 (02:19:27):
It's called the Sticky episode.
It's a lot of sticky topics.
It's a lot of sticky, you wouldhave to download this.

Speaker 7 (02:19:35):
I just look I ain't know how much.

Speaker 1 (02:19:39):
Yeah, go for it.
I ain't know how much space yougot Right.

Speaker 6 (02:19:46):
I didn't know how much space, you got Right Press
it.

Speaker 4 (02:19:48):
Go for it, we got money Right, we got money to
download.

Speaker 7 (02:19:53):
Why are you looking at me Like All I got to do is
download it, type shit.

Speaker 1 (02:19:59):
You sound like one of my homies that just said that
type shit all the time.
Oh, I do that shit all the timeBoy, you done tripped over that
like six times.

Speaker 7 (02:20:08):
What are you writing?
What the podcast?
Oh, I like the podcast.
I was playing the game and Iwas so interested in the podcast
I stopped playing.

Speaker 2 (02:20:16):
Yeah, yeah.

Speaker 1 (02:20:18):
Well, there you go, bucko, Five seasons of, well,
four seasons, because we're onthe fifth one right now Go ahead
and check it out.

Speaker 6 (02:20:25):
Lavender, you made it .
You made this episode, you did.

Speaker 1 (02:20:29):
No, you gave us a lot of content.

Speaker 3 (02:20:31):
Yes.

Speaker 1 (02:20:32):
We're probably pushing three hours.

Speaker 6 (02:20:34):
We're probably pushing Well, two hours, two
hours.
We started like 1040.

Speaker 1 (02:20:39):
We're not even done.

Speaker 5 (02:20:40):
You know how hard it is to get a teenager out the
house.

Speaker 7 (02:20:43):
Is it?
Oh yeah, okay, you just have toleave the house.

Speaker 3 (02:20:46):
She had to give me, you had to give me at least an
hour of prep time to make mydecision Exactly.

Speaker 7 (02:20:51):
He was like how?

Speaker 6 (02:20:52):
do I look?
I'm going to take a trash withyou All right, get home safe.

Speaker 1 (02:20:59):
We will, I'll catch you when is our episode air.
You said who.
When is our episode air?
February 1st.
Okay, lock the door behind us,yeah, I got you, we got you, we
got you covered.
All right, all right.
What else we got?
So that was the Hall of Fame.
So we had DJ Unc versus theMurder Inc, women era versus Lil

(02:21:27):
Wayne, 2005 2006 era versusDrake's entire career 2009 to
2024 era.
We're going to put it on thepodcast.
Y'all vote and y'all be thefigure out the next episode.
No, y'all figure out the nextinductee to the TNT Podcast Hall
of Fame.
Oh, episode of the.
Uh.
No, y'all figure out the nextinductee to the tnt podcast.
All the frame.

Speaker 4 (02:21:45):
Oh, by the way song of the day is Biggie Smalls'
Niggas Believe.

Speaker 1 (02:22:22):
Are you guys familiar with Biggie Smalls Niggas
Boogie?
Are you guys familiar withBiggie Smalls Niggas Boogie?
Are you guys familiar?

Speaker 6 (02:22:25):
with that song.
Basically it's been a whilesince I played it.
That was, you know, me beingfrom Virginia.
That was hot when that came out, Like definitely in the clubs a
lot, but definitely haven'treally played it down here since
I've been down here, so it'sbeen a pleasure.

Speaker 1 (02:22:47):
Tanaka.
Are you familiar with NiggasBleed?

Speaker 2 (02:22:51):
Yeah, I think I'm more familiar with it.
I'm trying to remember becauseI think I just remember reading
in the credits that the versethat they used was from this
song and it was the Biggie theWest album.
Let's not talk about that album.
Let's not talk about that album.

Speaker 1 (02:23:11):
I ain't gonna lie, that album makes me mad.

Speaker 6 (02:23:14):
You can use no, this is my battery started phone.
Oh, I thought you were tryingto um friend in need.
Friend in need.

Speaker 1 (02:23:24):
Friend in need is a friend indeed.
So yeah, I think if I'm correctthe song came out when the
album came out, which was onLife After Death, which was his
second album, which actuallyended up being his.
What do they call it?
What's?

Speaker 3 (02:23:40):
the Post.

Speaker 1 (02:23:41):
Humus Post, humus Me and my friend shot on 104.
We always call it thepromiscuous album, knowing
that's like not the word at all,but yeah, so that the album
dropped right after, right afterhe passed away.
I think it was like a few weeksafter he passed away and um.
So he did have one video offthat album.
I think it was hypnotized andthat was it.

(02:24:01):
Anything else he had passed awaythen it came out with a video
for Sky's the Limit, but I thinkthat was them.
I think they were all kids orsomething like that yeah, yeah,
yeah, it was something like that.
But yeah, so Niggas Bleedwasn't a single, but um, it was
a very, very, very heavy.
I feel like that's one of thosethree classic um joints.

Speaker 6 (02:24:22):
It's a storytelling joint where he's talking about
basically a drug, some drug shitgoing on before we get to that,
how familiar are you withbiggie's like, especially b-side
repertoire, like not the hits,not hypnotized um not too
familiar, however, but let mefinish.

Speaker 1 (02:24:39):
I'm gonna finish the song of the day.
And then we can after we'redone okay um, so the first time
I actually the first time Iheard this song as a matter of
fact.

Speaker 3 (02:24:48):
Tony, when you heard this song, you heard when you
first heard this song.

Speaker 1 (02:24:51):
This heard it would have been the Biggie, duet the
Biggie.

Speaker 6 (02:24:54):
Duet.

Speaker 1 (02:24:54):
What song was it?
I can't remember which one itwas.

Speaker 2 (02:25:05):
But, I just know that I revisited it once Once I
heard that.
Then I went and revisited it.

Speaker 1 (02:25:10):
That's interesting.
It's interesting, because thatwas like he was telling a story.
So, how were they able tosplice that up?
Oh, you said you don't remember.

Speaker 2 (02:25:20):
I mean, I want to say I think it was a Hustler story
with Biggie and somebody else.
Oh, okay.

Speaker 1 (02:25:27):
Yeah, yeah, sounds right, but yeah.
So basically the song is abouta drug trade going wrong and
yeah, it's a good storytelling.
It's a very dark, very dark,very eerie beat and you know,
yeah, biggie's just on hisstorytelling joint man, so
really it's a really dope song.

(02:25:47):
If you want to, you know youwant to hear a song that
biggie's, you know, on hisstorytelling tip and knows a lot
of good lyrics.
Not good lyrics, but like notgood as in.
Like positive but like good asin like it's gonna keep your
attention.
I would highly recommend youlisten to niggas bleeded turn up
song of the day.
So, tonic, you were about tosay something about.

Speaker 6 (02:26:06):
No, I was just going to say this was, on par with
Biggie's, one of the beststorytellers that we have, which
is why people of my generationI'm officially unk, I guess you
could say yeah, shout out tothat meme.
We still consider Biggie thegreatest rapper of all time.

(02:26:26):
Uh, still, um, and this is thereason why his storytelling was
amazing.
Songs like um I got a story totell, ironically, was also like
a b-side hit, more so a clubbanger than uh.
It wasn't a radio hit, for sure, but but yeah, biggie was just
always great with tellingstories.
So shout out Good choice Turn.

Speaker 2 (02:26:49):
Up.
So yeah, go ahead and break itdown.
Sonic Like set the scene.
When you first heard this songwhat was going on.
Like you know what I'm saying.

Speaker 6 (02:27:00):
So I'm not going to lie, much like Turn Up up.
I really wasn't feeling thiswhen it first came out, because
I'm not a thug, a gangster,whatever right okay, I don't
when I say that I don't meanthat I I'm not gonna listen to
trap music.

Speaker 1 (02:27:13):
I love trap music and I love gangster.
I love hearing that shit.
I just can't relate to it.

Speaker 6 (02:27:17):
That's what I'm saying, so that's me too.
I can't, I can't relate.
And so when this came out, Iwas still squeaky cleanish
church boy, like it just didn'tdo anything for me like I liked.
I like the not gonna lie, likethe like the diddy biggie, like
the mo money, mo problems, yeah,flashy yeah yeah, yeah, so, um,

(02:27:40):
yeah, yeah.
So it's all this stuff.
I'm going to be honest.
Actually, I really had to goback a couple years after he
passed and re-listened to it.
I was like, oh, you know what?
This isn't my vibe per se, butthe skill set on this is
freaking phenomenal.

(02:28:00):
Once again, I can't relate, butI get an idea based on exactly
how you're telling this.
It's more for me, it's morelike watching a movie.

Speaker 1 (02:28:13):
Of course I can't relate to the Terminator, arnold
Schwarzenegger, with guns andcoming back and doing that type
of shit.
I can't relate to it, but it'svery entertaining.

Speaker 2 (02:28:23):
All that type of shit .
I was mistaken.
It wasn't the biggie duets thatI heard, it was actually um.
No, it's actually a ghostfacekiller album, fish scale, and
the last, the bonus.
I guess I think they classifiedit as a bonus track, but it was
called um, it was called threebricks and it was ghostface

(02:28:47):
killer.
Um, biggie and rayquan, uh anduh and yeah I was.
I was impressed because I waslike oh dang, like this biggie
versus cold, like just the waythat he's setting that whole
thing up.
And then the beat that they hadwith it was like dope too.
So, and you know, rayquan andghost saves they all

(02:29:07):
storytellers for real.
So, like it really fit you knowwhat I'm saying?
shout out to wu-tang, for sure,um, but yeah, man, salute to
biggie.
You know, I mean I was, I wasraised more on pop, you know I'm
saying, but when I I neverdiscredit Biggie.
I definitely acknowledge histalent and I understand, I

(02:29:30):
understand where people Arecoming from.
Because I know all the Biggiefolk Is like he had less time.
You know what I'm saying and sothey're saying With the quality
of work that he put out Duringa short period of time compared
to Pac, you know what I mean.

Speaker 6 (02:29:47):
Well, it was almost like Biggie couldn't miss.
He was that hot.
So even on his features likesometimes you just play his
verse on the feature song justto I mean, just to get to his
verse, yeah, Uh, faster, becausehe it was going to be bars,

(02:30:08):
Right.

Speaker 1 (02:30:09):
Um, I'm not going to lie.
Is it actually funny that yousay that I feel like it was kind
of a curse that, uh, Craig Mackput him in the beginning?
Oh man I mean now, granted, I'mnot gonna lie, everybody kinda
killed their part, but it's justlike, damn Like.

Speaker 5 (02:30:22):
I ain't gonna lie.

Speaker 6 (02:30:23):
Biggie's on my song.
He's gonna last.

Speaker 1 (02:30:24):
Like you, you gonna wait for this.

Speaker 6 (02:30:27):
Yeah, um, and I'm gonna be honest, I don't think
I've ever heard A throwaway barFrom Biggie.
You know, sometimes rappers Islike I gotta get to the End of
the 16th.

Speaker 2 (02:30:39):
Let me just say some shit on repeat, so you feel like
he was just locked in everyverse.

Speaker 6 (02:30:43):
Yeah, every verse, every song, every feature.
No, let me repeat this becauseI don't have another 8.
You know kind of thing, so, butnothing either that made you go
down.
Okay, I guess you was bored, Iguess you was high on a time

(02:31:05):
constraint.
There's not a bar, a biggiethat you can say that so so.

Speaker 2 (02:31:41):
So today we got album of the day and, um, my album of
the day is gonna go to gorillazo.
Welcome to the zoo.
Uh, this was his debut album, umthat had hood hoodnich on it
and, um, I don't know, I kind ofwent down the rabbit hole, you

(02:32:05):
know, with gorilla zoe, just tokind of figure out uh, you know
how he you know came to be, soto speak.
And yeah, basically, uh, zoe,he had started off as basically
a songwriter and he was justbasically songwriting for the
artists on bad boy or for, Ithink, block my bad, for block

(02:32:28):
nc, and then block was just likehe had a hood figure and you
know, block was like man, whydon't you just rap it, bro?
Like it sounds fine, you know,and he like man, nah, like you
know, he was so used to justbeing a songwriter and then he
wasn't really taking that rapseries like that.

(02:32:50):
You know, it's just to get alittle check.
You know, here and there herecorded it.
So that was the first song thathe ever recorded, was that
joint.
And then, um, you know,obviously they that that was a
smash and then one thing led toanother and all of a sudden, you
know he will boys in the hoodand all that.

(02:33:13):
Um, but it's interesting becausethis all ties back to kind of
like um, you know how Jeezy andJody were kind of beefing it
kind of ties back to thatbecause, you know, obviously
egos and stuff like that youknow were playing a role.
But I feel like once they knewthat Jeezy was going to leave

(02:33:37):
Boys in the Hood, I feel likeJody kind of thought that he was
going to be, you know, next toblow up you know what I'm saying
Next to kind of go.
But then they replaced Jeezywith Zoe and that's when Zoe
really got the spotlight asopposed to Jody, you know, and I
don't think Zoe and Jody everhad no issues or nothing, but I

(02:34:02):
do feel like, you know, jody, henever really got his, his
chance to kind of blow up off ofboys in the hood you know, but,
anyway, getting back to zoe'sdebut album, the reason I went
back to this, um, because whenit initially came out I didn't
really care for the album.

(02:34:22):
It was cool but it didn't reallystand out to me like for real.
For real, and then, being thatwe play so much trap music for
these writers, bro, I neverwould have thought that that man
Eye song would take off like itdid amongst them.
I don't know how you felt, turnUp, that was my first time ever

(02:34:45):
hearing the song and I'm notgonna lie hearing the song is
kind of it.
Yeah, like I didn't.
I, that was one song that Iwould have never expected them
to really gravitate towards likethat for real so what's?

Speaker 1 (02:34:55):
what's?
I'm sorry, I mean but, shoutout to you because that was the
first time me here, and tryingto make a joke too.
I don't know if this is on thesame album.
I apologize if it's not.
Oh, no, it is, it is yeah,Shout out to you for dropping
that, because I swear you'relike the first person I ever
heard play it and it's gone nutsever since.

Speaker 2 (02:35:13):
Yeah, no, that was like one of the few songs off of
that joint that I was reallyrocking with.
But then so, then.
So I've been trying to dig backinto, like them, old trap
albums, because you know howit's like that era, they just
like appreciate the beats likein that era for real and so I
would listen to.
I'm like, oh, I guess likethere's some of these records I

(02:35:35):
could try out, right, and I goto cascade east, I'm djing just
like a regular family session orwhatever, and this girl asked
me to play a song I literallyjust added to my library bro,
and this one album cuts off ofthe zo album, bro, and I'm like
what the?

(02:35:55):
I'm like how does she know bro,like.
And so I was talking with herafter and she's just like,
because I asked some of thecascade east like, is she a
regular skater?
And they're like, no, that wasthe first time we seen her.
And then I was like, how do youknow that song?
And she was like I'm fromAtlanta, you know what I'm
saying.
And then, like, I guess she waslike her dad probably played it

(02:36:16):
for her and stuff like that.
So I don't know that joint bemind-blowing to me, bro.
But yeah, some of the burgersthat I F with, though, is Do
Something Money man, obviouslythe hook figure trying to make a
jug.
Juice Box.
Juice Box is on there, yeah,last time I checked.

Speaker 6 (02:36:40):
I definitely thought that was a Jock's arm.

Speaker 2 (02:36:45):
Yeah, I know it's definitely a Jock's arm.
But yeah, man, I was on thesecond, the second album, um,
but yeah, there's some otherrecords on here that are cool.
I just I don't know if I reallybumped them like that for real,
but um, but yeah, salute to us.
I got to give, get my process.
The dirty glove bastard becausethey had did the interview was
oh and brother records that theypointed out to, though, are

(02:37:11):
literally the album cuz that I Fwith, and I was amazed.
I'm like damn.
So I'm not the only one thatfeel this way, cuz, like, of all
the songs on the album thatthey could have mentioned as
like a favorite album, couldthey specifically was saying the
ones that I have with.
So definitely check out theproject.
You know it's definitely one ofthe main ones.

(02:37:34):
Out that bad boy south kind ofarrow will block you and see
what boys in the hood youngYoung, jock, zo and Jeezy so
yeah, man, drama Boy, dj, dana,fat Boy, chris Flames Just some

(02:37:57):
of the names that was producing.
And yeah, that last time Ichecked that was produced by 50
Cent's producer, shy Money XL,and I think that's why I like
the record, because it's adifferent sound.
It's not just a trap recordfrom Zo, it's like you know.
But yeah, man, album of the day, welcome to the zoo, gorilla
Zoo that's actually.

Speaker 1 (02:38:17):
That's actually interesting that you put it in
that perspective all right, sowe're going to move to.
Dj Talk.
Dj Talk, alright, so it'sbeautiful that you're here,
tonic, because this DJ Talk isgoing to be all about you.
So we're going to pull up someof these old episodes Shout out

(02:38:38):
to everybody that listens to allthe older episodes and we're
going to pull up some of theseolder DJ Talk.
And we're just going up some ofthese older dj talk and we're
just gonna let we just have youanswer okay, cool, well, um,
that being said, that's gonnamove us on dj talk, all right.
So, tanaka, I got a questionfor you.
Well, yeah, young, come up toyou.

(02:38:58):
Hey, tanaka, I want to learnhow to dj.
So tonic, a youngin comes up toyou.
Hey, dj, tonic, I want to learnhow to DJ.
So Tani, a youngin' comes up toyou.
Hey, dj, tani, I want to learnhow to DJ.
What do they come?
How do they approach you aboutlearning how to DJ?

Speaker 6 (02:39:14):
It's almost like just how you said it.
Um, I don't have too manybecause of where I DJ See like
y'all are in skate rinks, wherey'all have a lot of the younger
folks.
You know me, I'm either in thestrip club during the week.

Speaker 1 (02:39:32):
Okay.
So when we say younger, youdidn't necessarily got to be a
kid, I know, I know.

Speaker 6 (02:39:37):
But what I'm trying to say is the demographics that
I work with.
I don't have a lot of peoplecoming up that's what I'm saying
so like I might have one or twodancers and be like, hey, I
think about DJ and it seems likecool.
But what I was gonna say is in,so you could do like a lot of
corporate events or a lot of alot of weddings.

Speaker 2 (02:39:56):
Nobody's coming up asking the DJ, so or so, like
they just there to attend thefunction, right?
I'm not really right.
Oh, how would I?
Yeah, I mean it's more so likethey just there to attend the
function and not really like, oh, how would I go about it?

Speaker 1 (02:40:05):
Yeah, and I mean to your point, to your point.
You don't have any regularswith that, just weddings, right?
Yeah, that's what I'm saying.
Oh, tonics DJed this wedding.
That's blue.
Yeah, right, exactly, exactly,that's not a thing.

Speaker 6 (02:40:19):
Okay, that makes sense.
I'm not even DJ Tonic atweddings, I'm DJ Kenton.
So just hypothetically.
Is it just because?
Was it Tonic?
Is it just?

Speaker 1 (02:40:25):
not an appropriate word for the white folks or
something.

Speaker 6 (02:40:30):
Yeah, I feel like, well, my clientele don't care
about DJ monikers or any of that.
They really just care aboutmusic.
As a matter of fact, some ofthem um, it's changing now in
the, in these 2020s, but, likewhen I first started and I would

(02:40:52):
say even up to the 20 teens itwas like they were almost kind
of turned off if you had a djmoniker, because they were like
oh, so you're gonna make this aclub like we want this to be a
classy affair.
We want bland dj, greg dj,bobby dj, whatever um that's an
interesting person.

Speaker 2 (02:41:12):
I never thought of it like that.
That's an interestingperspective.

Speaker 6 (02:41:14):
But understand, I do predominantly white weddings.
Now if I'm doing a blackwedding, yeah, they want a cool
DJ there.
That's the first thing they askme from that and.
I would say.
I would say about 10, 15% of mywedding clientele is black.
So that come up.
Yeah, that's the first thingthey ask me what's your DJ name?

Speaker 1 (02:41:36):
But you know All right, yeah, all right Question.
Oh, we're going to do five ofthese by the way Okay.
So yeah, so that was number one.
Number two Doing a research fora gig.
How do you go about that, doinga research for a gig?
You can give me any perspective, because I know that's pretty
loose question.

(02:41:56):
So I guess for your weddingsthat you usually do, how do you
usually do your research on whatto play?

Speaker 6 (02:42:04):
Well, so let's just say weddings, let's say any type
of private event, corporateevents, and we'll say corporate
events because most weddings arethe same.
I got a playlist that will workfor 90% of the weddings I do,
but a lot of corporate eventsthat I do might have a different
theme.
I just did a corporate event acouple months ago.
I just did a corporate event acouple months ago Might have

(02:42:30):
been December for a holidayparty where they wanted Miami
poolside kind of vibe.
And I'm like yeah, I've neverbeen to Miami.
So first and foremost there'sthat, and then what are we
playing at the pool?
So, with that case, then I knowI'll go, I'll go to, um, the
couple, uh, streaming sourcesthat I have, the spotify or
title and, uh, mostly spotify,and I'll just, you know, go and

(02:42:51):
check what kind of playlist theygot there and listen and see
what the vibe is and go, oh,okay, I feel you.
So it's more kind of loungy,chill kind of thing.
Um, I did a corporate event acouple years ago where they
wanted for their cocktail hourand dinner, they wanted what's
known as chill lounge.
I didn't know what the hellchill lounge is, had to go, you

(02:43:14):
know, find that out did theygive you any examples like
artists?

Speaker 2 (02:43:19):
oh so you just had to purely like just look that up
online.

Speaker 6 (02:43:22):
Yeah so also um, oh, I guess cheap plug it's not
really cheap, because I pay forit but.
I but I do have, uh, a site thatI use, the app, whatever.
It's called crate hackers.
Yeah, I mean, it's like 30bucks a month, you know.
If you got it, you got.
If you don't, you don't.
But same thing.
So, but same thing.
So what Crate Hackers is?
It's a collaboration of DJs,upper echelon DJs.

(02:43:46):
They put together crates.
You can almost guess anything.
You want 80s pop, you know 70sdinners music, modern music for
high school functions, whatever,and so there's sections like
Chill Lounge.
I was just about to ask youthat.
Yeah, so that's sections likechill lounge and there's like
eight.
Yeah, so there's like that andthat's where I got that from.
There's like eight, there'slike eight whole playlists and

(02:44:08):
we're talking at least 20 songseach playlist.
Chill lounge, one chill loungestudio.
I was like, oh, that's amazing,like that was a crate.
Hackers has saved me a fewtimes on a couple of events.
So I would just say, in general, you know, explore.
If you're a dj and you're tryingto find, are you trying to get
into two different uh, genres?
Um, do your research, like I'mtrying to get more into edm,

(02:44:31):
just quickly.
And but edm is broad, verybroad, right, very broad.
You got house, you got big room, you got, you know, you got all
this.
So it's like you got thisversion of trap, you know, and
it's like, okay, what, what Iwant to focus on first, what,
what do these songs fits intothat?
So you just research, research,research.

(02:44:51):
But yeah, that's what I do, I'mvery in depth.
But you know, I guess, when itcomes to dj and you can say I'm
og type thing, so that's crazyman.

Speaker 2 (02:45:00):
I found out that shack be djing oh yeah, dj
diesel, yeah just discovered it.

Speaker 1 (02:45:07):
Yeah, shack is a shack of all trades I kind of
figure what side you, what sideyou're on, but there are two
type of djs in this world, right, the djs that actually you know
, have the mixing andtransitions and all that stuff.
And then there are DJs thatkind of just kind of just play

(02:45:27):
for the crowd per se and don'treally do any mixing or
transition and just kind of likehost.
They're kind of like, they kindof just host, they kind of just
like no mixing, just droppingrecords.

Speaker 2 (02:45:40):
Yeah, like talking.

Speaker 1 (02:45:41):
Yeah, they're talking for a little bit and then
they'll like, they'll, they'llget the crowd's attention and
you know, and it's like fromBack in Blood to Before I Let Go
, mm Gotcha.
So, for example, for example,me and Breezy Shout out, breezy.

(02:46:02):
We went to Bonfire yesterdayand there was this DJ that did
the main stage.
For example, me and Breezyshout out, breezy.
We went to Bonfire yesterdayand there was this DJ that did
the main stage and he wasbouncing from back in blood to
fucking.
I don't know he was bouncingbut he was hitting all the hits.
So he was catching everybody'sattention, but it was just kind

(02:46:24):
of like all bro like, like youknow at this point, like, like
you already got a host up there,like you, really, you really
don't need to be doing a lot ofhosting the host was his person
or somebody else no, apparently,apparently, according to breezy
that that this is a personthat's been around like the club
scene for a while.
So, yeah, no, apparently he wasalready with the bonfire folks

(02:46:48):
and bro was still doing all thehosting and all that shit.
But how you, how do you feellike?
Do you think that's consideredstill djing when folks do stuff
like that long-winded question?
But yes, so, tony, how do youfeel about people that don't
necessarily do the mixing andtransitioning?
They're hosting and and?

(02:47:08):
For the most part, they'regetting people's attention, but
it's just kind of dropping fromI don't know fat, juicy and wet
to to fucking uh euphoria sosouth you know the folks from
Atlanta.

Speaker 6 (02:47:24):
They have this saying Atlanta influences everything,
which lately that's been thecase, especially hip-hop, a lot
of stuff.
What you're talking about, Ifeel like started up North.
That's a huge thing.
No, seriously.

Speaker 1 (02:47:40):
And it's funny that you say that, because Tanaka was
talking about that, but goahead, yeah so.

Speaker 6 (02:47:45):
So I'm from virginia.
We mixed in virginia.
I've been djing since the 90s.
I've been djing since djing wasdjing, so when I would go up to
new york, that's, that's reallyhuge even still.
But back then that was reallyhuge and it was annoying as fuck
to me, like I'm in the club andthe dj's playing and then he
stops, he wants to talk for 20seconds before dropping the next

(02:48:07):
song and and so they've beendoing that since like 80s and
90s up north and I guess youknow well here in atlanta it's,
it's, it's such a melting potwhen these folks brought that
down and now that's becomingmore popular here.
If it works, it works.
It's always been annoying asfuck to me, like, like just

(02:48:28):
played a song or do like we docut in and out during the song,
hype a bit, but and I feel like,yeah, I absolutely feel like I
don't even know if you can callyourself a dj, if that's all you
doing, because anybody can thencurate the top 20, 30 songs,
that's out, that's going to be ahit and just play them and talk

(02:48:51):
and just go all over the place.
Prime example shout out King ofDiamonds.
Here in Atlanta.
They got a Sunday brunch.
I don't know if I should.
Oh, fuck it.
He might hear me.
He might hear me or not.
Uh, I can, nelly, put it inyour mouth fame, he, uh, he's
the host slash dj for the brunchportion.

(02:49:14):
And then he does that shit too,like oh, I want to know if you
know this song.
And then he'll play a song for30 seconds and everybody's
singing along and he does whatmostly throwbacks I mean.
And same thing.
He will go from like like late90s, early 2000s, mariah to, and
he just stopped mid-verse,everybody's singing, the ladies

(02:49:37):
are singing along, he juststopped, cut it off.
I hear you, I hear you, but Iwant to know if you know this
song.
And then he'll drop like Lovingyou, minnie Riperton, and
what's crazy.
It fucking works, it does, itdoes.
But then, and same thing, andhe won't even do like a regular

(02:50:00):
stopping point, like into thechorus or something.
He'll just stop in themid-verse.
I hear you ladies, boom, boom,boom, boom, boom.
Do you know this song?
And then I'm going down, I'mjust saying so, it works.
So if you can make it work, youcan make it work, but to me

(02:50:22):
that's still beginner level DJs,but you still know your music,
so I'll give you kudos for that.

Speaker 1 (02:50:32):
That's a topic boy, because, in the same token, not
a lot of people take that timeto interact with the crowd.
Some DJs are dope djs in themixing transition, but they do
not like to talk at all.
So I'll just say this kudos tothe people that actually
interact and are like not evenlike like just on the mic

(02:50:55):
looking down, looking around,looking like looking dead in the
folks eyes.

Speaker 6 (02:50:58):
You, yeah, you like, like doing all that type shit
Shout out to y'all Well, realquick.
So you've really only seen meDJ like at the clubs, right.
So I am kind of interactive alittle bit because we have to be
at strip clubs.
But I'm a totally different DJat weddings and corporate events
and I'm that DJ that once it'sdance time after eating or

(02:51:19):
whatever, I just play the musicLike I don't say anything.
For that last hour, hour and ahalf I just let the music talk
and so I am that DJ.

Speaker 1 (02:51:29):
That's like ah, music working, that's good they don't
need to hear my yeah, that'sfine, right, like you said, what
works works, what works, fuckit.

Speaker 2 (02:51:36):
Go for it All right, let's see Number four.
As a DJ with private events, doyou feel like you should have
lights?

Speaker 1 (02:51:47):
Tony, as a private DJ , do you come with lights?
And if you don't I mean if youdo like, what are the, I guess,
why do you need lights?

Speaker 6 (02:51:57):
Absolutely, absolutely.
First of all, if you're dealingwith black people and the room
is dark, it's too much darkness,darkness, everybody Darkness.
All you see is eyes and teeth.
Because we want it dark.
We want it dark.
Niggas don't want to party in awell-lit room.

Speaker 1 (02:52:18):
No, they don't, they don't Right.

Speaker 6 (02:52:31):
So you need something to break that shit up.
Um, but, yeah, absolutely, um,I have, I have what's known.
I bring out what's known as thechave.
Uh, four bar flex.
This is a kind of older lightbar.
Uh, I think I had this sincelike 2016, 2017.
I like it because it's four bigwash lights side by side.
They chase, they do everything,whatever, yada, yada.

(02:52:51):
But then you can also add someother lights that do cool
effects on top of that, andthat's what I do.
I have two little chave kentasthat I put on top and they do
the the patterns and stuff aswell.
So, um, absolutely, I feel like, if you're not I mean, I'll say
this too, I guess, depending onthe pay that you're getting, if
you're only getting $200 andyou set up no speakers and

(02:53:14):
everything else, then fuck itman, y'all ain't pay from the
lights Right.
Most of the parties, I do, I, Ido.
I get 500 or more.
That's not a flex, that's justmy clientele, that's just the
expectation.

Speaker 1 (02:53:30):
Last one Remember there was a joint where the guy
was like for his song requesthe's going to start doing.
Do you remember that?

Speaker 4 (02:53:44):
uh, let, me see, the answer is no, yeah yeah, I know,
I know, I know.
I'm trying to see if I can find.
I'm trying to see if I can findit no, no, no man.

Speaker 2 (02:53:56):
Yes, I know, tanaka, you don't know.
No, no, no man, here it goes.
Say it on the mic, if you sayit on the mic and the crowd
agree, I'll say it.

Speaker 4 (02:54:24):
But if it gets a boo.
Ha ha, ha ha.
Nah, that's an iPod thing,that's gonna be an iPhone phone.
Yeah, that's the new thing.
You don't want to play thatsong.
Tell them to tell everyone.
Tell everyone the song you wantto play.
Find out how they're loving it.

Speaker 1 (02:54:48):
And I'm not trying to play.

Speaker 6 (02:54:48):
So, tanaka, your thoughts.
I saw you post this in ourdelinquents Once.
Somebody posted it in thedelinquents group chat, which
was if you think the song iswhack, it's either you call them
out and let them host it andsee, or not see how that go.
Yeah, because we had aconversation in the delinquents
group chat.
No, yeah, I don't see you doingthat to the white folks.

(02:55:16):
Well, it's not that I mean.
Actually, I'm going to behonest, I think that would work
better with the white crowd Likehey, so-and-so wants to hear
this song, yeah man.
And then what will happen isyou know, listen, cat Williams
said it best Nobody parties likeyour white friends, like they
get drunk and they're ready toparty right.

(02:55:37):
Also shout-out Tommy Davidson.
He was talking about how blackfolks always talk about white
folks can't dance.
And he was like yeah whitefolks can dance.
They just, it's just.
They body don't do what theybrain send those to do?
Yeah, but they ready to party,but yeah.

(02:55:59):
So if somebody came up and justasked for like some random ass
song that I don't think will go,here's the thing.
I might not know, I'm not theking of all things vanilla, so I
might, and most of my corporateparties to corporate parties or
weddings.
I don't know that crowd.
So it's not a club, right, or abar where we've got kind of the

(02:56:22):
same vibe, we've created a vibewhatever.
Yada, yada, yada.
Y'all know what's going tohappen.
I never know.
So there have been times whenI've been asked to play a song
and I've been like the fuck andthen I played it and the crowd
goes wild type thing.
So you never know.
Now with us, we know, we know,like it, like or yeah, I mean

(02:56:48):
now that I say it out loud, thatwould be the problem that we
would be the problem.
Well, I think with us thebiggest thing is I don't think
we ever have any bad requests.
I could be wrong.
I've never gotten a bad requestat a predominantly black event.
I've ever done clubs, barswhatever, private events

(02:57:09):
whatever, but the song might notfit what's going on at the time
and then you got to go hey,okay, that's not a bad song.
But I've never had anybody thatjust came and asked me to play
a song that I just knew wasgoing to kill the dance floor,
kill the party.
It was just like okay, I'm inNew Orleans, bounce, and you're

(02:57:34):
trying to hit Kendrick Lamar andthis is not the vibe right now.
Like I'm going to get to theWest Coast, I got you, but we in
New Orleans right now.
This is Master P, this is HotBoys.
You know, or I'm sorry, I saidNew Orleans Bounce, so this is
Bounce, you know what I'm saying?
Like we just not, we not thereyet, let me get, let me get to
to there, and then yeah, that'sthat, yeah, so, but yeah, I

(02:58:07):
wouldn give.

Speaker 2 (02:58:08):
I wouldn't give my mic either, because you never
know what motherfuckers is gonnasay like, like they might just
say some stupid stuff and thenyou gotta cut the mic or get you
gotta fight for your mic bag.
We know, we know me and drip it.
Have experienced that first.

Speaker 7 (02:58:17):
Okay, but yeah, that was the BJ talk, what?

Speaker 1 (02:58:22):
do we got left.

Speaker 7 (02:58:28):
Oh, the schedule.
Oh, I'm glad you brought thatup.

Speaker 1 (02:58:32):
Open topic.
I forgot about open topic.
Yeah.
So, tonic, since you are aguest, yeah, whatever you want
to talk about, whether it benegative, positive, we agree, we
disagree.
Cancelable, not cancelable.
Boom, you want to promotesomething.

Speaker 6 (02:58:48):
So I actually got a dj related, music related open
topic when you were talkingabout um gorilla zoe and being
uh, uh and and gz being part ofboys in the hood and and your
homie that didn't blow up.

Speaker 3 (02:59:03):
forget his name, Jody Breeze.

Speaker 6 (02:59:05):
Yeah, that got me thinking what other rappers and
duos or trios or groups do youthink were good but never got to
get their shine either becausethe main star was too bright?
I'll give you a prime example.
I'm going to go St Lunatics Now.

(02:59:29):
I feel like Nelly was actuallythe weakest MC of the group, but
I feel like he was like theQuavo.
He was the personality I reallyreally fucked with Murphy Lee,
but them folk from the Midwestand at the time I was dating

(02:59:50):
somebody from St Louis she waslike but for real, the truth in
the St Louis is Ali and he'sjust like nobody, just like
nobody was ever.
So is there anybody, any duosor groups that y'all mess with,
like you know what so-and-so?
They can't get their shine on.

Speaker 2 (03:00:06):
It's so funny because I knew that was coming.
Tonic, I need you.

Speaker 1 (03:00:10):
I don't know what episode it is.
I'm going to do my research.
I need you to go back andlisten to that episode, okay,
where Tanaka does a deep dive onthe St Lunaticston, because
there's a lot of stuff that shesaid and I laughed and it's
funny because we had thisconversation and it's like it's
interesting.
It's just interesting to hearall of that.

(03:00:30):
All of that is interesting.
But um, or not just groups orlabels, like somebody that's on
a label that you thought shouldhave blew up, but it's just
interesting that you brought upthe St Wilmington and I was like
, yeah, it's crazy, but um, it'sinteresting that you brought up
the St Louis Tickets.
I was like, yeah, it's crazy,but um.
I gotta think about that one.

Speaker 2 (03:00:57):
Yeah, I gotta think about that Okay, so not
necessarily a label, but I'm notgonna lie.

Speaker 1 (03:01:05):
Okay, so there's two people I'm thinking about one
person I can think of, becausewe initially talked about how he
should have been a biggerartist earlier.
K Camp definitely feel like heshould have been bigger because
he definitely had.
I feel like with the rightpeople behind him, he could have
been bigger and Tanaka probablydoesn't remember this, but this
was a conversation had, I don'tknow.
I feel like with the rightpeople behind him, he could have
been bigger.
And Tanaka probably doesn'tremember this, but this was a

(03:01:27):
conversation we had probablyaround the first time we started
meeting each other.
It's outside, yeah, okay, butno, this is a conversation me
and Tanaka had.
Well, it's not really aconversation, he was kind of
more telling me because I reallydidn't know the situation.
But I definitely felt like Makahad.
It wasn't really a conversation, he was more telling me.
I really didn't know thesituation.

(03:01:48):
I definitely felt like Day Dayshould have been a lot bigger.
He was in a really weird recordlabel situation.
That's kind of not the same.

Speaker 6 (03:01:58):
I really want to stick with groups.

Speaker 3 (03:01:59):
You said record labels.

Speaker 6 (03:02:01):
I mean Gucci had somebody sign and he featured
him in a couple songs.
So that's different, the factyou said record labels.

Speaker 1 (03:02:05):
But when I say record labels, I mean like Gucci had
somebody sign and he featuredhim in a couple songs and you
heard so okay, so that'sdifferent.
Yeah, that's what I mean thefact that you said Gucci.
I was just thinking of FujiAnno, but Fuji kind of fucked
himself up.

Speaker 6 (03:02:11):
Yeah, that's what I meant by record label Like.
So they've been featured.
So artists Psy High isdefinitely that's his fault.
You know, that's what me and westill waiting on the album.

Speaker 1 (03:02:29):
Psy High album number two.
It's crazy to think the Psy andI'll always bring this back up
the 2010 Good Music Psy, psyHigh had zero albums.
Big Sean had zero albums.
15 years later, psy High hadzero albums.
Big Sean had zero albums.
15 years later, psy High Onealbum Big Sean.

(03:02:50):
How many albums were we withwith Big Sean?
Was it like 6 or 7?

Speaker 2 (03:02:56):
Yeah, something like that, but how good are they?

Speaker 1 (03:03:02):
I think they're pretty solid.

Speaker 6 (03:03:03):
They're built dope on Sunday.

Speaker 2 (03:03:04):
Finally, famous Dark Sky Paradise.
Don't forget Hall of Fame.
Hall of Fame, I think it wasDark Sky.

Speaker 1 (03:03:14):
After that, yep and then Are we counting the Jalea
Eco one or no, I'm going to tellyou.

Speaker 2 (03:03:22):
Finally famous Even without that Hall of Fame, dark
Sky Paradise to tell you I meaneven without that Hall of Fame.
Dr Scott Paradise I decided?

Speaker 6 (03:03:26):
I decided Detroit 2.
Yeah, and then the latest oneBetter.
Me Than you yeah.

Speaker 1 (03:03:33):
I decided it was a pretty good body of work.
I got to listen to that again,yeah, so six I decided it side.
It was a pretty good body ofwork, so it was finally famous.
The album um, I mean thefinally famous wasn't really a
good body of work.

Speaker 2 (03:03:47):
It was good songs though I will say that yeah, um
I mean well, okay, so when youput it like that, sonic, I mean
the first name that came to mymind I don't know if I was just
this, was just my nerdiness, orwhatever.
I was anticipating Young LAdropping his album.

(03:04:08):
You know what I'm saying?
Like they had the album coverthey had the album title A&I was
going crazy he had them streetsingles that was also buzzing at
the time, and then the albumgot shelved and it never
released.

Speaker 1 (03:04:25):
So that's yeah roscoe dash yeah, another one yeah no
hands should have been hissingle yeah no hands should have
been his single bro.
I, I'm still mad at that.
Yeah, that should not have beenon flock of belly, yeah that is
such a sore thumb in thatfucking album.

Speaker 2 (03:04:44):
I'm trying to tell you it's so crazy to think about
and just look at the producerson that album and look at how no
Hands just sticks out likereally bad.
You don't even have to hear thesong, you can see all the
people who's involved in thatsong.
Compared to the album, anythingelse Literally anything else.

Speaker 1 (03:05:07):
That shit is nuts, I don't know.
It just seemed like Roscoe wasalways following in some shit
with his singles All the wayturned up.
He had to get Soulja Boy onthere.
No hands, honestly, I reallydon't know this background.
Behind no Hands yeah, yeah, IHands.
Honestly, I really don't knowthe background behind, no Hands
yeah.

Speaker 2 (03:05:25):
Yeah, I don't know.

Speaker 6 (03:05:29):
It's crazy, though.
Flacavelli had singles thatwent out for over two years
because it dropped in 2009.
But Grove Street Party releasedas a single in 2011.

Speaker 2 (03:05:46):
I think, wait, the album came out 2010, didn't it
okay?

Speaker 6 (03:05:50):
well, so the album came out 2010.
Yeah, my bad, the album cameout 2010, but what's crazy is O
let's Do?
It came out almost a yearbefore, in April of 09, and then
Hardin' to Paint came out inJune of 2010.
No Hands in August of 2010.
And then Groove Street Party,february of 2017.

Speaker 2 (03:06:13):
Yeah, Tom, you brought it up.
I gotta speak on the mind.
K-camp Day Day Michael Montana,young Jock, nitty, bro Burned
all of them With Young Jock,nitty, bruh burned all of them.
Well, young Jock, I mean theykind of you know what I'm saying
is going down.

(03:06:33):
But Jock was telling the story.
He met up with Nitty.
I guess Nitty, he was gettinginvolved because he had, he had
a group, I guess, on the eastside or whatever, and he wasn't.
I guess he was trying to notwork with them, no more, and
they was like really trying toget after him tight, joint and

(03:06:55):
um.
So he started working with jock.
You're never gonna believe this.
Jock wrote, wrote to the, tothis record, and then he like
his homegirl listening to theradio or something like that,
and they're like ain't that yoursong?
He like bro, what the they donestole the whole flow cadence

(03:07:20):
like of the hook and everything.
Gucci man, is you rolling thewhole flow cadence like of the
hook and everything?

Speaker 1 (03:07:27):
Gucci man Is you?

Speaker 2 (03:07:27):
rolling.
It's your man, he's killed.
Yeah, you know what I'm saying.
So, jock, you know, obviouslyhe's mad.
He's like bro, what the fuck?
Like I was writing to that song, you just gave that shit away
to the home.
Like you know what I'm sayingand you know, so it's like I
don't know nitty's aninteresting one, bro, because
the fact that you just getbecause jock over there like man
f him, like he just gave away ahit bro, like that, that's

(03:07:50):
going crazy.
But yeah, luckily he made upfor it somewhat.

Speaker 3 (03:07:55):
What is going down, but yeah, nitty's a it's an
interesting one to work with.

Speaker 2 (03:08:00):
It was so mad.

Speaker 6 (03:08:01):
That's crazy, I'm trying to think and I can say
you can go back to like, ifthere's anybody on death row,
was there anybody?
You know?
No Limit.
Well, this is a little olderLox.

Speaker 1 (03:08:24):
Okay, so I'm not going to lie.
I was so.
When I was younger I used totry to.
When I finally got access todifferent, when I got access to
like all the music that I did, Ijust started listening to
different people and I'm notgoing to lie, I was kind of
upset and I, you know it's crazyin the back of my, in the front
of gonna lie.
I was kind of upset and I, youknow it's crazy in the back of

(03:08:44):
my, in the front of my head.
I kind of figured he wouldn'tbe nothing, but in the back of
my head I know, like fuckingKing Lowe's my baby.

Speaker 2 (03:08:53):
I made a mistake.
It wasn't pills, it would goahead.
Shawty got a ass on her.
I don't know if you ever heardof King Los, but King Los was he
was one of the folks on theroster on Bad Boy in the late
2000s, early 2010s he had one ofthe best responses to Kendrick

(03:09:21):
the control shit yeah, hiscontrol response was fucking
ridiculous.

Speaker 6 (03:09:24):
Kendrick the control, shit, his control, verse His
control response was fuckingridiculous.

Speaker 1 (03:09:27):
I didn't even know he had one of those.

Speaker 2 (03:09:30):
We'll have to watch it when we get done.
When did you first hear KingLil Hip hop early, I want to say
I first heard him on because Ithink he made one of those
Amelie freestyles.
You know how everybody wasmaking a face out some million.
He just was snapping crazy.
I was like oh, who's this?

Speaker 1 (03:09:53):
um, so let's is there because it's a really big camp
is.
It was a lot of people, youprobably probably say but do
y'all think that anybody inYoung Money besides Nicki Minaj,
nicki Minaj, drake and Tygathat should have been bigger?

Speaker 6 (03:10:18):
I thought it was J Mills.

Speaker 1 (03:10:20):
I was thinking that, but I was like I don't know, is
there something hope, is theresomething about him?
That's like holding him backbecause, I'm not gonna lie,
what's interesting about jaymills is he had a couple songs
that I was like he actually fuckwith this.
Yeah, he had a song, but I mean, I ain't gonna lie, granted it
like I had a whole bunch ofother people on it, but he had a

(03:10:42):
song called Green Goblin.
I will never forget that song.
That song was dope.
And then he had a freestyle.
It was actually funny.
He had a freestyle before Drakeand Kendrick came out with
Poetic Justice to Anytime,anyplace.
It was on his.
I think he had a mixtape calledhe's Still Nasty or some shit
like that, but yeah.

(03:11:03):
J Mills definitely was up theretoo.
I did give gutta gutta a try aswell, and he wasn't actually
that bad either.

Speaker 2 (03:11:07):
I feel like yeah, I think gutta, gutta would have
been my next, as far as in thatcamp at least.

Speaker 6 (03:11:13):
Yeah, all that could have been what it could have,
should have, uh, but yeah, nowwe can go to, like I said, but
yeah but who do I think shouldbe bigger?

Speaker 2 (03:11:27):
I mean, personally, the group that I'm always
standing by is the Backwoods.
I don't know if you rememberthem.
They had that song.
Oh my god, I just thought ofsomebody fucking dope bruh off
of Hustle Gang bruh.
That shit pissed me the fuck,bro.
That was like did you, did youremember dope tonic?

Speaker 6 (03:11:50):
yeah were you listening.

Speaker 1 (03:11:55):
Did you listen to their first mixtape, gd OD with
um and, ironically enough,that's when they fell out with
young la, but um, this is like20.
This is when they came out withthat song.
Sampling that, here I go.
Do you remember that?
Right, yeah, yeah, yeah thatwas around that time they had
came out with that mixtape,probably the best mixtape, but
no, I think before that dope itwas side to side, the guyobie

(03:12:21):
and who was the last person?

Speaker 2 (03:12:25):
I feel like it was like three or four of them.
Yeah, it was three of them.
I think I got to look it up nowthat's going to bother me.
Yeah dope, but the back wasthey were the one that had the
Oompa Loompa song.
I mean, that song was just Waita minute.

Speaker 1 (03:12:47):
I don't like the look of it, holy shit.
How do I remember?

Speaker 2 (03:12:52):
that?
What the fuck?
That song was cool, but theyhad also the Billie Holiday
sample.
You're going to love me.
I think I do remember that too.

Speaker 6 (03:13:08):
Yeah yeah, yeah, yeah that is definitely Stephanie
Mills oh well, I look, bro,we're not that old, we'll play
the record for you, man you knowwhat I'm saying.

Speaker 2 (03:13:26):
Let's see if you can recall.
But yeah, I really believed inthem because I felt like they
had that lyricism but then alsokind of that Atlanta swag about
them.

Speaker 1 (03:13:40):
I would say Black.
Hippie too, but I mean Kendrick.
I would say, he Hippie too, butI mean Kendrick I would say he
fucked that up.
I don't know, I'll still.
Even if Kendrick doesn'tbelieve, I'll still believe
Black Hippie.

Speaker 2 (03:13:55):
Bruh all the posse cuts that they made.

Speaker 1 (03:13:57):
Bruh, like you can literally just make a Mixtape
off of that.
Honestly.

Speaker 3 (03:14:01):
I tried to.

Speaker 1 (03:14:01):
I tried to find all their songs.
Gonna lie, I tried to.
I tried to find all their songsthat they put together and just
put it in one big ass.
You know what?
I think that might be my nextproject, because I think I still
got Spody.

Speaker 2 (03:14:12):
Shout out to God.
Spody and Young Boots.

Speaker 6 (03:14:14):
Spody yeah, yes, yes, yes, yes, yes, yes we're here
just quickly because you alreadykind of hit it.
You did name some just soloartists that we figured should
be big.
We talked about this earlier atthe Rush K-Camp.
You said Day Day, anybody else?
Hey man, why hadn't they blownup?
The K-Camp blows my mind thathe's not huge.

(03:14:38):
He just didn't have the rightpeople behind him.
I just I'm going to tell youwho For me personally and I
heard, because he likes thestreets more than music Rocco.
Yes, oh my God, rocco, you wantto talk about bars and lyricism
.

Speaker 1 (03:14:56):
We talked about that too.
Yeah, that food, that foodmixtape is stupid the fact that
he was able to come up with allthose foods and like the nachos
and the chips and dip I was likewow, that is clever yeah, I
think, um, I don't know.

Speaker 2 (03:15:11):
I think I feel like roger wanted to be more of a
businessman, like he was tryingto sign other artists, you know
I'm saying, and so because ofthat he wasn't always like fully
focused on just yeah.

Speaker 6 (03:15:22):
But when he drops up.
He dropped so much like just hedropped so many gems.

Speaker 3 (03:15:26):
Like yeah, like it should have been.

Speaker 6 (03:15:27):
Like he could have been master p, yeah, or did he?
Yeah because did it like or dreor all these guys that are
right, you know m&m shady recordlike because you heard that
future was signed down yeah, Iknow what I'm saying.
Yeah, yeah, y'all know how.
Well, if y'all don't know how,y'all should know how I feel
about Future.

Speaker 1 (03:15:45):
Yeah, but he's um.
I don't know it's more uh, shitI mean, but it's working for
him.
Quality over quantity Well, no,quantity over quality, yeah.
Quantity over quality, yeah,yeah.

Speaker 6 (03:15:57):
Yeah, it's quality over quantity.
No, no, he's quantity overquality future yeah, yeah,
that's quantity almostdefinitely, yeah, yeah, yeah,
that's what I was talking about.

Speaker 1 (03:16:07):
Yeah, yeah, future is quantity over quality.
But I mean it works for him andhis uh, his core fan base.
Fuck with it.
So, hey, if it works, it works.
Fuck it.
Um.
Okay, what about mmg?
Is there anybody off of there?
Anybody off of there?
See Anybody off?

Speaker 3 (03:16:22):
of there.

Speaker 1 (03:16:23):
See, I would say Wale , but Wale just didn't ever know
when to shut up.

Speaker 6 (03:16:27):
I was going to say I feel like he did.
I feel like he was an oddmember of MMG.
He definitely was.

Speaker 2 (03:16:33):
He was an odd member.

Speaker 1 (03:16:34):
He definitely was an odd member but he just didn't
know when to shut up, like hewas up, like at that time when
he got signed to MMG he was upthere with Kendrick and Cole.

Speaker 3 (03:16:43):
Yeah.

Speaker 1 (03:16:43):
Like Cole Wale Kendrick yeah.
Like those were the lyricistsof that time.

Speaker 2 (03:16:47):
Yeah.

Speaker 1 (03:16:48):
Only difference was J Cole and Kendrick weren't
complaining, wale was.
Wale was complaining a lot andthat's what kept putting his
foot in his mouth and it just, Idon't know.
It just got really weird.
Yeah, yeah, but, um, yeah,other than that, I don't know,
uh, I don't know I didn't reallythat second generation of mmg I

(03:17:09):
didn't really like payattention to, like fat trail and
tracy t and like it was justkind of like what was it?

Speaker 2 (03:17:15):
rocky, fresh I was just about to say that, yeah,
rocky, I didn't really I don'tknow, I didn't really pay
attention to that.
What were your thoughts on Pill?

Speaker 1 (03:17:27):
The Michelle of the group, definitely the Michelle
of the group.
That's him.
Oh, kd, that's him, right, yeah.

Speaker 6 (03:17:35):
The Michelle of the group is wild.

Speaker 2 (03:17:37):
You remember Pill.

Speaker 1 (03:17:39):
Exactly.
You don't even remember Pill,but I remember Michelle.
That's what I'm saying that'swild.

Speaker 6 (03:17:44):
Everybody's sleeping like.
Michelle didn't do some things.
She did some things outside ofdestiny yeah, exactly, but I
mean it was like because shewent the gospel route, she
started singing for jesus I mean.

Speaker 1 (03:17:56):
But even that she did um, she did more like the
broadway stuff that she's moregood at.

Speaker 6 (03:18:01):
Yeah, when we're saying she did stuff like she.
Yeah, what.

Speaker 1 (03:18:04):
I'm saying she did stuff.
I mean, yeah, I'm pretty surePeele did stuff.
No, I'm pretty sure he's not onthe streets right now.

Speaker 6 (03:18:10):
What is Peele doing right now?
I don't know.
Give me a song Post, MMG Giveme a song, michelle did I heard
a word what's your?

Speaker 2 (03:18:19):
favorite part of that song, actually song, I ain't
gonna lie.
He was on the screen for alittle bit.

Speaker 1 (03:18:23):
Damn Damn I tried, I tried so hard.

Speaker 2 (03:18:33):
I think he's good now .
I think he's good now.
He did have a little roughpatch.

Speaker 6 (03:18:39):
I heard a word.
It's kind of like that Neo Soulgospel song.
Actually it's really cool.
I know you listen to gospel.

Speaker 1 (03:18:45):
Not at all.
So let me ask you this, becausethis is more of the early 2000s
Did you feel like anybody inFlipmo's squad should have been
bigger?

Speaker 6 (03:18:53):
Nigga, let's talk about it.
The whole squad, raw Diggins,should have been one of the top
female em top female mcs to everlike.
She should be in thatconversation um so what do you
think happened?

Speaker 1 (03:19:10):
just, they're not just not the right camp behind
her yeah, oh yeah, we gotta askyou.

Speaker 2 (03:19:14):
I don't really know much about digger, besides that
verse on I know what you want,oh, oh.

Speaker 5 (03:19:20):
And then I yeah, I didn't even think about it?

Speaker 2 (03:19:23):
Did she have an album ?

Speaker 1 (03:19:24):
She did, she did, she had a single too.
Okay, oh, I got another recordlabel.

Speaker 6 (03:19:30):
I just felt like, so the thing with the thing with
what's the label.

Speaker 1 (03:19:38):
Flip Mo, squad, flip Mo.

Speaker 6 (03:19:40):
Busta is, he's his own stratosphere and that's the
problem.
Legitimately he's not likeNelly, he's a god MC and we
really just wanted Like what'shis.
I like Ramp, the Last Boy Scout.

(03:20:00):
I thought he should, he had histone.

Speaker 1 (03:20:04):
Is he the guy on Flavoring Year?

Speaker 6 (03:20:08):
I think so.
Yeah, yeah, yeah, he was 94.

Speaker 1 (03:20:11):
Mad motherfucking hardcore.
Yeah, yeah, yeah, yeah.

Speaker 6 (03:20:14):
He had kind of that more baritone voice, a little
deeper.
Yeah, spliff didn't really doanything for me so much but ramp
and raw digger for sure.
Uh, raw digger.
Uh, I think raw digger'sproblem was back then she was
very much like, um, like thebrat, very like she wasn't a

(03:20:39):
sexy, she wasn't trying to be,she wasn't so, she wasn't trying
to sell sex she was more like aRemy Ma right, right, yeah in
the era of Eve Lil' Kim FoxyBrowns so was she like a
Rhapsody, or was that?

Speaker 1 (03:20:55):
is that too lyrical?

Speaker 3 (03:20:56):
I, I mean um, I'm not going to.

Speaker 1 (03:21:01):
I didn't read the list.

Speaker 6 (03:21:01):
No raw digger yeah, um, see, this wasn't.
I just think she didn't fit thethe tone of female rappers in
that in that time and I thinkwhich but kudos?
Because flip mode, they werelike yeah, be you, but it just

(03:21:22):
didn't work.
It wasn't selling like like.
I think the only reason thebrat did as well as she did was
because jd really really pushedthe hell out of her um, but you
know, niggas wasn't reallychecking like yo, the brat.
You see that last rap videolike the rat sexy as fuck

(03:21:42):
because she's gay as fuck andshe wasn't trying to.

Speaker 1 (03:21:46):
I don't know if roddick is gay or not, but she
definitely watching some ofthose videos where she was
showing like her woman side andI don't know, please.
I mean look if the brat just sohappens to even listen to this
fucking podcast I apologize ifI'm falsely acclaiming, but I
ain't gonna lie.
Watching some of them videoswhere she got on bathing suits,

(03:22:06):
she just felt uncomfortable.
She felt uncomfortable.
I just felt like it was justlike she doesn't want to do this
.
Somebody still want to do this.
I don't know who still want todo this.
I don't know.

Speaker 2 (03:22:17):
But if I'm wrong, then cool, do your thing.

Speaker 6 (03:22:28):
Nah, I hate that, I feel like, yeah, I feel like rod
digger was like a, like a remyma dtp.
Oh shit, nigga.
Where do we start like?
So let me tell you this dtp isthe prime example of when rap
stars do not make greatexecutives.
I can go back even further.
I'll get to DTP, but we'll goback to even before.

(03:22:51):
Timbaland had a label.
I don't know if you knew thisor not.
He had a label called Beat Cluband he had Well, but he also
had Bubba Sparks.
Yeah, bubba Sparks' first album,deliverance.
Yeah, he's getting ugly.

Speaker 2 (03:23:08):
Oh, Dark Days at Night or something.

Speaker 6 (03:23:11):
Something like that yeah, yeah, yeah, yeah, yeah
yeah, I don't think I knew.
Well, I think I knew of him,but I don't think I think right.
And then he had skills uh,who's an underground legend?
But all of them were on beatclub.
It's like you got all theselyricists that could do stuff

(03:23:33):
and bubba sparks was back, thenhe could have been like the next
eminem, like like the morecountry version of eminem,
because he had bars like he had.
Huh yeah, don't let Miss NewBooty like Miss New Booty was
him trying to get?
Oh no, yeah, yeah, trying toget some for the radio, um, but

(03:23:54):
yeah, yeah, he had some bars um,oh yeah, because you've never
heard ugly, right?
yeah, yeah yeah, we keep talkingabout when you said, but now
I'm back to DTP.
Oh man, poor Shauna.
I feel like Shauna should havebeen bigger, oh bro.

Speaker 2 (03:24:12):
Shauna can rap bro, yeah, I'm like.

Speaker 6 (03:24:16):
Yeah, boy, I think she was Nicki before Nicki.

Speaker 2 (03:24:20):
Well, she didn't have the, the inflections, but just
that word play but the fact thatshe was able to switch like she
could do that rapid fire flowbut then also have like a slower
, smoother and it just sounddope is like it was crazy bro,
yeah um, my favorite.

Speaker 6 (03:24:41):
Uh, could have said it would been, but I think he's
too cerebral too for the rapgame Bars on bars on bars.
He's like the side-hider princeof DTP Four Eyes.
You already know.
He already know Four Eyes.

Speaker 1 (03:24:58):
You know what's crazy .
I think I know who you'retalking about and I forgot who I
was talking to.
This was a long time ago andthey just said he was I don't
know.
They said he was a weirdo inperson.

Speaker 6 (03:25:11):
I don't know.
Probably yeah, I don't reallyknow.
Probably.
Actually, I used to hang out atthe old MJQ Friday nights.
I got another one and he wouldcome hang out with the DJs.

Speaker 1 (03:25:22):
Okay, go ahead, All right we're going to have to
wrap this up.
We're just going to be likefive hours, okay, yeah, but.

Speaker 2 (03:25:26):
I'm going to say well , my personal DCP would have to
be Field Mom.

Speaker 1 (03:25:31):
I feel like you feel like they should have been
bigger.

Speaker 2 (03:25:34):
Bruh, they can really rap like crazy, yeah, and I
just feel that I know they wasunique with that country joint
they could rap.

Speaker 3 (03:25:44):
Yeah, for sure, they really have bars for it.

Speaker 2 (03:25:46):
And I just Luda, you know.

Speaker 1 (03:25:52):
Dropping the ball.
What about that battle of thesexes?
Anyway, this is probably.
I don't know.
You may or may not have anybodyin this camp.

Speaker 6 (03:26:02):
Oh wait, hold on One more time.
This is probably, I don't know.
You may or may not have anybodyin this camp.
Oh wait, hold on One more time.
I also think real quick.
I also think, oh, you know whohe dropped the ball on too,
though.

Speaker 3 (03:26:13):
I don't know what happened Maybe we're talking

Speaker 1 (03:26:15):
about Ludacris yeah.

Speaker 6 (03:26:15):
DTP Play it Circles.
Play it Circles was part of DTP.
Yeah, sharifa was also.

Speaker 1 (03:26:25):
Anyway, okay, I don't know who Sharifa is.

Speaker 6 (03:26:28):
Anita Bossman Sounds like her radio.

Speaker 1 (03:26:33):
I have to hear it.
You have to play it.
Alright, so last one and thenwe might have to wrap this up
Dungeon Family.

Speaker 6 (03:26:47):
The one hit wonder and I was like where the hell is
the rest of his stuff and whowas that yeah, that fire ass
song that everybody was on.
Oh god, what's his name?
Um?
Oh uh, uh god, uh, what's hisname?

Speaker 2 (03:27:07):
um cool breeze what was his one single?
Was it ace deuce that was athim, ace deuce for a tray no, uh
, watch for the hook brother manace deuce for a tray.

Speaker 6 (03:27:20):
I've heard of that.

Speaker 2 (03:27:21):
I thought that was a west coast nigga nah, who is
Watch for the?

Speaker 1 (03:27:22):
hook.
Watch for the hook Brother manLike Ace Deuce Fort Trey I've
heard of that.
I thought that was a West Coastnigga Nah Ace Deuce Fort.
Trey, I feel like I've heardthat before, I ain't gonna lie.
I feel like if Sleepy Brownwould have went like the
Caterinata vibe I mean went tothe Caterinata vibe.
I feel like out of our.

(03:27:44):
I mean, what's the kitchen outof our life like it would have?

Speaker 3 (03:27:45):
been bigger after after like after.

Speaker 1 (03:27:46):
Like you know, I might look at some stuff, might
look at some sleepy brown sea,but kitchen star yes, it is fine
allied to a friend who is partof on, you know?
Uh, oh, there we go.
Oh, my Shout out DJ Ham.

Speaker 6 (03:28:06):
I play that sometimes too at the club.
People forget Future was partof Dungeon Family too.

Speaker 1 (03:28:10):
Yeah, shout out Meat Bib.
Shout out Meat Head.
You know what's funny?
I put Dior.
She didn't know.
I put Dior onto that.
Shout out Dior.

Speaker 6 (03:28:17):
Okay, okay, yeah, he was.

Speaker 3 (03:28:26):
He's yeah he was, he's, I mean yeah, I gave the
big gift.

Speaker 2 (03:28:30):
I think big gift.
But yeah, I played that songrecently you did.

Speaker 1 (03:28:41):
That's a dope song, I'm not gonna lie.
That's a cool little, coollittle boom bap song.

Speaker 6 (03:28:49):
What did I think about Slim Calhoun?

Speaker 1 (03:28:52):
I've heard of that name before.
I don't think I've heard of hismusic.

Speaker 6 (03:28:55):
Do you know who he is ?

Speaker 2 (03:28:57):
I know of him.
He's on the Stank On Ya album,right.

Speaker 6 (03:29:01):
I think so.
Yeah, he had one or two littlesingles.
Ironically, he used to come togold rush all the time, I mean
all the time when I was djingthere like all the time.
Uh, so like, if I see him rightnow he's like yo what up tonic
type thing.

Speaker 1 (03:29:18):
Um only one that I've met in dungeon family's
backbone.
I don't even know, was he evera rapper?
Was he a rapper Ever, or was hejust?
Was he just like kind of likeASAP, where, like they just had
a whole bunch of just randommotherfuckers in ASAP?

Speaker 6 (03:29:32):
I don't know, I don't know, backbone.

Speaker 1 (03:29:34):
Oh, you don't know who Backbone is Gotcha.

Speaker 2 (03:29:36):
Dang.
Cause that even means, thatthat's like Big Boy's Big.
Boy's like big boys, big boyslabel too what dungeon family?
Yeah, because I think you, Ithink purple ribbon all-stars
was like ah, purple ribbondefinitely should have gotten
something else.

Speaker 1 (03:29:52):
I'm not gonna like purple purple ribbon should have
been something else.
I'm not gonna lie, definitelythat was such an interesting
like.
Yeah, that was so interestinglike.

Speaker 2 (03:30:00):
Yeah, yeah, that was so interesting like they had a
lot of talent, man I wonder whythey didn't.

Speaker 1 (03:30:10):
But, ladies and gentlemen, before we turn this
into a marathon episode, we'regoing to give y'all our schedule
and we're going to go ahead andwrap this up.
If you want my schedule, myschedule is on my Instagram.
You can follow me on myInstagram.
Oh, it's on my Twitter as well,so you can follow that.
At turnup with two U'sT-U-R-N-U-U-P For Instagram,

(03:30:30):
just add DJ in front of thatwith the same spelling, and
you're good.
You can see my whole schedule.
From February 1st to February20, we get 28 days.
Yes 28 days to 28.

Speaker 2 (03:30:40):
So yeah, Tanaka, you got your.
Yeah, February 1st I'm beingmetrodynar.
February second, cascade Eastafternoon session and then soul.
Sunday, February 7th, Metrodiner.
February 8th Saturday nightfever.
February 9th Saturday nightTrap fever.

(03:31:02):
February 9th, Cascade East.
February 14th Metro Diner.
February 16th, Soulful Sunday.
February 22nd Sparkle FamilySession and February 23rd
Cascade.

Speaker 1 (03:31:24):
DJ Tonic.
Where you at, man um, it's so.

Speaker 6 (03:31:28):
First of all, you can follow me on my socials, mostly
just IG.
I am Tonic T-O-N-N-E-K.
I don't really post my schedule.
I guess I should.
I need to be paka like y'all.
I'm kind of jealous of all yourMetro Diner dates I only got
two.
Jealous of all your Metro Dinerdates I only got two.
I'll be at Metro Diner on.
Wednesday.

(03:31:49):
Ah you stupid.
Yes, I'll be there Wednesday asan observer.
Oh, I can't get any Wednesdays.
What is this nigga doing?
He done married the Wednesdays.
He got that shit on lock.
I'll be there Thursday, the13th, right before Tanaka.

(03:32:14):
You got Valentine's Day homie.
Good luck with that.

Speaker 2 (03:32:17):
Yeah, I ain't even thinking about that.
That's great.

Speaker 6 (03:32:20):
And then I got the 27 , two Thursdays at Metro.

Speaker 2 (03:32:26):
Does that mean they're going to be asking for
slow songs?

Speaker 1 (03:32:29):
Probably have fun with that buddy.

Speaker 6 (03:32:31):
All them write-ups you're going to get, don't you
remember?

Speaker 1 (03:32:35):
you told me you loved me.
Hey, can we sing Fire andDesire?

Speaker 6 (03:32:40):
And then I think I got.
If you got some kids, come outto the what's the trampoline
place?
Extreme Hop, john's Creek.
I'm up there on Saturday, the15th.
Come get your jump on.
You can still make your way upto Canton, Georgia.
I'm going to be at ElevateFight Club.

(03:33:01):
Ding, ding, ding.

Speaker 1 (03:33:03):
If you like MMA, go ahead and get the seats before
they sell out.
I heard they've been sellingout, so hopefully there's still
some seats by then.

Speaker 6 (03:33:13):
Alright, so you're working Valentine's Day.
You got any plans forValentine's Day?

Speaker 2 (03:33:16):
Or you're probably working somewhere too, because
we all single, right, are we allstill single?
He's prepping, he's prepping.
Yeah, I got big plans on the14th.

Speaker 6 (03:33:28):
What's the 15th?

Speaker 1 (03:33:30):
man, what's the 15th?

Speaker 6 (03:33:31):
So yeah, oh yeah, you're moving, you're moving.
Yeah, yeah, yeah, oh yeah.
So darn, I can't help you move.
Darn, the way my work scheduleis set up, darn Niggas.

Speaker 3 (03:33:47):
Niggas.

Speaker 1 (03:33:55):
That's the perfect way to end this podcast.
Niggas.
Alright, y'all, I'm finna.
Take my ass to bed.
This is a long ass episode.

Speaker 3 (03:34:03):
Shout out to DJ.

Speaker 1 (03:34:03):
Tanaka, as always.
Shout out to DJ Tonic.
Appreciate you rocking with ustonight.
Shout out to Lavender.

Speaker 2 (03:34:10):
Shout out to Lil D and yeah, this jam packed ass
episode.

Speaker 6 (03:34:16):
It was fire.
I give it 5.
It's fire, it was very fire.

Speaker 1 (03:34:20):
I give it 6.
It broke the scale just likeKendrick Lamar.
No, Tonic, shut up, Shut up,Don't say it.
No, we're not going to startthis conversation.
We'll end this conversation offhere.
Tnt Podcast.
Turn Up Tanaka TNT and TNT Bye,Thank you.
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