The Truth In This Art: Stories That Matter

Henry Hyde—artisan and owner of Hyde Handmade Knives—returns to talk craft, community, and creating work that resonates. Hyde is an artisan known for his kitchen knives and meticulous approach to materials. In the episode, Hyde reflects on the evolution of his process, from isolating early days to searching for real connection at craft shows. Also, Hyde discusses the realities of working alone and why iteration beats perfe...

Artist and professor Kumasi J. Barnett returns to the podcast to talk art, protest, and making work that cuts through the noise.

Known for subverting comic books through introspective reinterpretations, Barnett reflects his work today. Barnett shares the realities of being a Black painter, creating in the shadow of systemic erasure, and why some truths hit harder in spandex.

Topic Covered:

• Why painting is the easy part—bu...

Multidisciplinary artist, researcher, and educator Joseph Cochran II returns to The Truth In This Art. A native New Yorker, Cochran practice spans photography, video, and archival work, with NYC baked in. Cochran examines the emotional cost of late capitalism in industrialized societies.

In this conversation: 

Cochran discusses living and working in China, rebuilding after loss, and how his identity shapes how he moves throu...

Artist and provocateur Brian Andrew Whiteley joins The Truth In This Art . Whiteley is known for his politically charged work including the infamous Trump Tombstone.

Whiteley reflects on his work including creepy clown performances. He shares how comics sparked his creative journey. Whiteley discusses why art that provokes discomfort can often spark the deepest conversations. Whiteley gets real about the legal and emotional...

Interdisciplinary artist and activist Sheryl Oring returns to The Truth In This Art! 

Oring shares updates on I Wish to Say. "I Wish to Say" is her long-running public art project. For decades, thousands of people have dictated postcards to the U.S. president for this project. It started with just one typewriter. Now, it's a growing collection of public records. It helps fight censorship and shares stories from people rarel...

Director of Baltimore’s new Office of Arts, Culture, and Entertainment (MOACE), Linzy Jackson III joins The Truth In This Art! Jackson started as a summer youth worker and is now a crucial link between artists and the local government in Baltimore City. Jackson talks about what it means to streamline access to public resources and his work tearing down red tape for artists . 

Jackson grew up in Baltimore. His early memories...

Visual artist and educator Christopher Batten returns to reflect on evolution, resilience, and what it means to keep pushing—on canvas and in the classroom.

Now in his 10th year living in Baltimore and his third year teaching at Morgan State, Christopher shares how his practice continues to evolve. We talk about the role of failure, what teaching over 1,000 students has taught him, and how martial arts, memory, and persever...

Baltimore-based artist and designer Elijah Trice returns to talk about growth, storytelling, and painting the everyday with dignity and joy.

Since our last conversation in 2022, Elijah has expanded his practice beyond hyperrealistic portraiture to explore themes of childhood memory and creative freedom. We recorded this just after his first solo show, Nothing Else Matters, which followed a transformative residency at Maryla...

If you’ve ever danced your heart out at a sold-out basement party or streamed a late-night DJ set on your phone, you’ve felt the pulse of Kotic Couture’s world. In this episode, Baltimore Magazine’s 2023 Best Local Artist shares how she swapped rap verses for turntables, co-founded one of the city’s most inclusive monthly events, and turned a bedroom-studio experiment into the Prototype album—all while building a fiercely ...

Ceramic-based artist and educator Ara Koh returns to The Truth In This Art for her second conversation with Rob Lee. Known for her layered clay paintings and material-intensive installations, Ara shares how her practice has deepened through repetition, research, and unexpected cracks—both literal and metaphorical.

In this episode, Ara talks about processing wild clay from her travels, the physicality of working with heavy m...

Curator, writer, and executive director of the ICA at VCU Jessica Bell Brown returns to reflect on her evolving leadership at the Institute for Contemporary Art at Virginia Commonwealth University. In this conversation, we talk about openness as a strategy, the role of listening in shaping institutions, and what it means to make space for experimentation in times of uncertainty.

Jessica shares how porosity, risk, and care s...

Guggenheim Fellow, artist, producer, and educator Kokayi returns to unpack the layers of sound, storytelling, and being a vessel for cultural memory.

Since our first conversation, Kokayi has pushed deeper into multidisciplinary work—blending sound design, improvisation, code, and community-building. This conversation tracks his reflections on legacy, experimentation, and why he’s wary of institutions that try to own culture...

Artist, educator, and Afro Charities Executive Director Savannah Wood joins to reflect on legacy, growth, and leading one of Baltimore’s most ambitious cultural preservation efforts.

Savannah has overseen major milestones—most notably, the $16M redevelopment of the historic Upton Mansion, future home of the Afro-American Newspaper (AFRO) archives. We talk about curiosity as a compass, how archives become creative tools, and...

Artist Lewinale Havette returns for a conversation on art, spirit, and shedding constraints.

Recorded at Palo Gallery during NYC Art Week, Lewinale reflects on her evolution since 2022—from early paintings shaped by language and migration to her latest abstract works rooted in instinct, spirituality, and ancestral memory. We discuss authenticity, pushing limits, and why she’s letting go of surface-level meaning in favor of ...

Director and choreographer Sam Landa joins for his first appearance on the podcast to talk about reimagining what circus can be—and how LIQUID uses punk aesthetics, narrative, and high-stakes performance to deliver something unforgettable.

As co-founder of New York Circus Project, Sam blends circus, theater, and dance to push creative boundaries. We recorded this at Union Market District in DC just after the premiere of LIQ...

Artist and educator Hae Won Sohn returns for a reflective conversation on process, adaptability, and making art that holds up—materially and conceptually.

Now based in Queens, Hae Won shares what’s evolved since her 2021 Sondheim Prize win and how her process-first approach has deepened through teaching, repurposing materials, and balancing art with life. Recorded after her Surface Tension exhibition in Baltimore, this epis...

Shaolin Jazz co-founder DJ 2-Tone Jones—one half of the duo behind the genre-bending brand—returns to reflect on growth, alignment, and his continued love for blending film and music through Can I Kick It?

• Finding purpose through Shaolin Jazz: how re-scoring films with hip-hop and jazz gave his DJ career renewed meaning
• Can I Kick It?: building a national, live-scoring experience that fuses cult classic cinema with origi...

Baltimore’s award-winning documentary filmmaker, public historian, and Baltimore City Hall curator Joe Tropea returns to share how personal connection guides his project choices, why he embraces “ums” and raw moments in the edit, and what it takes to build strong creative partnerships — from abandoned true-crime concepts to a new mayoral portrait gallery.

• Following personal connection: why priests breaking into draft bo...

Get ready for a behind-the-scenes look at The Mystery of Irma Vep – A Penny Dreadful at Everyman Theatre, where director, choreographer, and arts educator Joseph Ritsch brings gothic farce, drag, and campy spectacle together in a production bursting with sharp humor and political edge.

In this episode, Joseph joins Rob Lee to unpack why Charles Ludlam’s cult classic still hits hard today — blending outrageous comedy with qu...