Join Dr Gillyanne Kayes and Jeremy Fisher in a fascinating and deep episode on the omnivorous voice, featuring Dr. Guro von Germerten.
Guro shares the highlights from her PhD on musical tastes and vocal techniques. From her emotional childhood experience as a pianist to her groundbreaking research on the omnivorous voice, Guro discusses the complexities of taste, tradition, and cultural expectations in musical performance. From the process of PhD defence in Europe, to the concept of musical omnivorousness, and the hidden problems of musical taste, this episode is a must-listen for anyone interested in music education, vocal performance, and the evolving dynamics of taste and authenticity in the arts.
00:00 Crushing dreams with a single comment
02:17 How did Gillyanne and Guro meet?
03:10 How a PhD defence works in Europe
05:36 The omnivorous voice
08:13 Cultural and ethical implications in Musical Theatre
13:24 Shortcutting in casting musicals
16:07 Uncovering your own biases
19:18 The role of taste in music and performance
27:08 A rebel with an accordian
31:17 Does the composer actually know?
33:30 Taste and values on the Accreditation Programme
35:22 We are also music lovers
38:30 When musical tastes collide
Don’t forget to like, subscribe, and hit the bell icon for more insightful episodes. Leave a comment below on what inspired you the most from Guro's episode! 👇
Find out more about Guro
YouTube https://www.youtube.com/channel/UCzMK7LpMRkYvfWTK1DynaKw
Instagram https://www.instagram.com/gurovongermeten/
Guro's full PhD Dissertation on The Omnivorous Voice can be found here: https://nmh.no/en/research/projects/guro-von-germeten-completed-phd
You can find out about our Teacher Pathway for singing teachers, vocal coaches and choir leaders here
https://vocalprocess.co.uk/teacher-accreditation/
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