A lucky thrifter stumbled upon a stunning 1926 wood block print, but the burning question is: should it be reframed? Former professional framers and art enthusiasts on Avonetics say YES—the current acidic framing could damage this potential Eric Fitch Daglish masterpiece, possibly linked to the Redfern Gallery. Discover why professional conservation is a must to preserve its value and history. For advertising opportunities, visit Avonetics.com.
This Vintage Print Could Be Worth Thousands—Here’s How to Save It (Crafted via Avonetics.com)
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