🎤🔥🎇Hip-Hop FireWorks: Kendrick vs. Drake RapBEEF 2024

Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:11):
And welcome back to the conversation that never ends
.
This is timeless talk.
I am your host.
Aj, to my right, is your hostfurious.
He's discharged after he put itdown already.

(00:39):
Oh shit, man, we back.
Okay, okay, okay, we're back,we're back, we're back.
It's season 5.
Yeah and uh, we're gonna do itfor the sake, for the sake, of
the new season, we'll just putit, we'll call it that.
That shit stink huh oh yeah,smell like smell like smell

(01:06):
flammable it's definitely someflamm fun bullshit.
We're back though.
Season five timeless talk.
Thank you, guys for the handclaps.
We're back, we took a break.
We're here, though right enoughenough tooting our own horn.
Welcome back to timeless talk.
If you celebrate the fourth ofjuly, happy fourth of july to
you, man.
This shit really do stink.
Oh yeah, that's about bro shit.

Speaker 2 (01:28):
Anyway, it's kind of like a, like a cap gun.
You know got the.

Speaker 1 (01:32):
It definitely has like the flambeau cap smell to
it.
All right, guys.
So this is july 4th.
Man, we're.
We're back, you know, to hangout with y'all, and we're back
to bring season five to you guys.
We took a break, we.
We didn't give you anyoff-season episodes this time,
we just took a much, reallywell-needed rest these last two
months.
I'll just say Furious.
We're back now, though, andwe're going to discuss.
In case you've been livingunder a rock, today's topic is

(01:53):
going to be about the mostrecent hip-hop rap beef between
Kendrick Lamar and Drake.
Really, they were calling it arap civil war, but I'm sure you
agree with me, right, furious?
It wasn't no rap civil war no,it was a one-on-one one-on-one.
That was the main event, right.
But then you had people like uhfuture and metro booming, and
then rick ross kind of beefingchris brown versus uh huevo and

(02:17):
that bro, he murked him on onesong, but we'll get into that
later.
That's, that's a topic foranother.
That's a topic for another daybecause the kendrick drake one
is so loaded with differenttracks we gotta dissect.
There's too much to talk aboutalready there.
But yeah, today's topic, guys,today's focus is gonna be really
the rap beef between uh drakeand kendrick and the one track
that cole dropped and why heapologized.

(02:37):
We'll get into all that.
We'll probably start with thatfirst.
But is there anything you wantto say to them, bro, before we
drop into this?
No, not really, that's it.
Okay, cool.
Well, I got this little fancydodger speaker.
If y'all didn't notice, Iactually had this speaker in
another episode in the past.
I brought it back out for thisoccasion because you know we're
gonna, let's go, we're gonnafucking dissect this beef, y'all

(03:00):
.
I gotta put it right here fory'all to see.
And also, actually it'sprobably not it's being covered,
but you see that little dodgerspeaker right here, right, okay.
So if we're following thetimeline, guys, first person
shooter.
Yeah, right, was the first song.
I'm not gonna play it, though,because I mean they've all heard
it by now, right?
I mean you already know whatwas said in that track.
I'm not sure y'all have hip-hopheads out there that follow us
know what happened in that song.

(03:21):
What was said, cole inparticular, when he was saying
you know that we're in a leagueof our own, we're like the big
three is it, is it?
What do you say?
Is it kate aubrey or me?
But right now I'm feeling likemuhammad ali that's what got
started, I think yeah, becausereally cole was kind of like
giving every.
He wasn't really showing shadebut he was saying like, but I
feel like I'm the best one rightnow especially right now.

Speaker 2 (03:39):
he just said muhammad ali, but but Muhammad Ali was
the greatest.

Speaker 1 (03:43):
We'll quote the greatest in boxing.
He wasn't the greatest, but youknow what I mean he caught
himself the greatest.

Speaker 2 (03:49):
He wasn't undefeated, though.
No, he wasn't.
You know what I mean.

Speaker 1 (03:51):
But he caught himself the greatest.
That's probably why he usedthat you know what I'm saying
the reference.

Speaker 2 (03:55):
It could be taken out of context, though that's true
is very great at his field.
You know what I'm saying, butwe all know that Muhammad Ali,
he wasn't a perfect fighter, hewas good.

Speaker 1 (04:08):
No, he wasn't he definitely had losses.

Speaker 2 (04:09):
He was good though.

Speaker 1 (04:11):
He had losses, though You're right.

Speaker 2 (04:12):
Mayweather hasn't lost.
I don't think you know what Imean.
Of course it's different,obviously, but I'm saying Don't
hit that trombone, asshole.
He.
You know what I'm saying he haslove, so he's not.
He's not the perfect fighter.

Speaker 1 (04:23):
I respect you, I love you dog.

Speaker 2 (04:25):
But but like, yeah, I digress just to say like that
line could have been taken outof context.
You know what I'm saying,because he's saying oh, what's
it called?
We're the big three, like westarted a league, but right now
I feel like Muhammad Ali, youknow, so he, you know what I'm
saying, he's like almost still Ifeel like I'm this person, so
it could just be taken out ofcontext.
It's it's like a doubleentendre type of thing no, it

(04:47):
definitely is a triple, whateverthe fuck people want to say.
But um, you know, I think that's.
It can easily get likemisconstrued and like when
someone else hears that bro,when you're in a really easily
yeah, you're in competition tobe the best you know that's what
happened with kendrick, youknow what'm saying.
So I would say if Cole hadstayed in it, I think it would
have been more interesting, ohfor sure, if Cole had stayed in
it, like if Drake backed out andCole stayed in it it would be

(05:10):
crazy Bro.

Speaker 1 (05:11):
Because, let's be honest, man, and I want to say
this to you guys before weactually get into the tracks I
feel like that's really what theworld wanted to hear, just
because those lyrically asinclined as they are, he's the
only.
Jay cole is probably the onlyformidable you know, I'm saying
only formidable lyricist outthere.
I think I people are like no,there's no, but I'm saying like,

(05:32):
I'm saying like mainstreamthough.

Speaker 2 (05:33):
No, okay, mainstream book because yeah, mainstream,
yes, but who else is formidable?
I'll say this abso.
Oh yeah, that's right, abso,for sure you know I think um, I
think like okay, the worst, okay, this is in my opinion this
would be the craziest scenario.
It's like if TDE had like afalling out and all those four
started like started, that wouldbe ugly school boys got bars

(05:56):
too.
That would be like somehistorical shit but I don't
think.

Speaker 1 (05:59):
Yeah, I agree, but I don't think Schoolboy is a
battle rapper, though.
He has bars, but he can rapthough.
No, I know he can, he can.
No, no, no doubt, dude, they'retalented.
Absol and Schoolboy, yeah,j-rock, all of them, they're all
good bro.
All of fucking TD is a problem,I agree, but then again so is
Dreamville.

Speaker 2 (06:19):
You got fucking Come.

Speaker 1 (06:20):
He's not touching the abseil bro, what about Kaz or
Boss?

Speaker 2 (06:25):
Boss is cool too, Bro .
They're all good, they're alldope in their way, but they're
not touching TD.

Speaker 1 (06:30):
No, I agree.

Speaker 2 (06:30):
Well, I don't know about that, Cole to me is the
most formidable one out of thewhole group, of course, 100%.

Speaker 1 (06:38):
Even he's not going to match Kendrick bro, and I
want to say this too, because,no, you're right, who Cole?

Speaker 2 (06:43):
Cole's not going to evenly fucking he's not going to
evenly.

Speaker 1 (06:47):
But he's probably the best one to face him, though.
No, yeah, right now, I think so.

Speaker 2 (06:51):
He's the most formidable one in my opinion.
I agree, I could be wrong aboutthat to everyone else, but I
think Kendrick's going to.

Speaker 1 (06:58):
That's our opinion.

Speaker 2 (07:08):
That's a timeless opinion opinion, no, that's true
, I agree.
In our opinion, cole is themost formidable right now.
Right for sure, I mean thisgeneration.
I feel like there might I mean,who knows, bro, there might be
you know someone else out thereon the east coast that we don't
know about, that that couldeasily wash them.
You know what I'm saying butyeah, possibly we don't know
about them.

Speaker 1 (07:15):
No, you're exactly.
We don't know about them yet.
The world doesn't know aboutthem yet.
So but yeah, but aside fromthat, there was a um, I was
gonna say it.
I want to put this out there.
Kanye West, bro, if I gave outawards like Charlamagne, donkey
of the Day, type shit, I'm onlygoing to mention that I'm not
even going to play what he made.
That shit is a joke, bro.

(07:35):
Did you hear how he flipped thelike that?
I didn't listen to it Becausehis ass no one gives a shit
about.
Look man, I'm not going todisrespect the legend.
He's in his own right as far asa musician right, but I will
say no one gives a fuck aboutwhat Kanye West had to say in
this situation.
Let's be real, right, come on,dog.
Why are you trying to shoehornyourself into a beef you got no

(07:59):
part in?
I don't understand that.

Speaker 2 (08:01):
Because controversy.

Speaker 1 (08:03):
Look at me.

Speaker 2 (08:05):
I want attention.
No, cause, controversy bringstraction, bro, like people.
Just the fact that people arelike talking about it, yeah, it
brings attention, I just gave itattention.

Speaker 1 (08:11):
I probably shouldn't have, but it is what it is.

Speaker 2 (08:13):
Yeah so he's just, you know.
I mean, I don't know exactlywhy he's doing it.
It could be just for the art,but you know, controversy, like
when it comes to business, bro,you're going to see a lot of not
a lot of people, but like howcertain people just they'll just
, let's say, like nowadays, adiss track is a perfect like
jumpstart for a fucking album.

Speaker 1 (08:29):
No, it is for sure.

Speaker 2 (08:32):
Maybe it's always been like that.
Who knows, you know what I'msaying.
But it's like that that catchespeople's attention, especially
if it's good.
And I was like, oh shit, likeago, like coming out, so like as
far as, like, as long asthey're in, in tune with that,
you know, and you let's say, you, you do have something brewing,
you know, and you drop it andit's good, like it just helps it
you know, any publicity is goodpublicity, that's true no, I

(08:54):
agree with that and I think thatkanye is he's one of the few
people that actually.
Yeah, you know, like embodiesthat, like any person, is good,
because bro, remember, like afew years ago bro, he news bro
about him, kim, all this shitthat's going on, you know what
I'm saying, like his mentalhealth, like it was just keeping
him in the airwaves, bro.

Speaker 1 (09:19):
He became a billionaire, all kinds of shit.
No, that's fair, that's fair.

Speaker 2 (09:21):
You know that's true.
He did lose it yeah.

Speaker 1 (09:26):
That's why, look, he used to be my favorite rapper
bro, without spending too muchtime talking about Kanye.
What do you think?

Speaker 2 (09:30):
You know what I'm saying.
Attention is like the greatestcurrency.

Speaker 1 (09:33):
No, it is, and you know what I will say.
Anybody that knows me and I'vesaid I think it was elementary
school actually going intomiddle school.
I remember he was like, yeah, Iloved it, bro, college Dropout.
He was the shit His first threealbums, bro.
Fucking.

Speaker 2 (09:51):
Graduation Late.

Speaker 1 (09:52):
Registration In my opinion, late Registration is
slept on, bro, that's anunderrated album, bro.

Speaker 2 (09:57):
That's the first one.

Speaker 1 (09:58):
No, first one was College Dropout, that's right
come on bro it's the second one,and then college dropout, I
mean no college dropout firstgraduation, yeah, then like
because you know he registeredback in the school shit.

Speaker 2 (10:10):
I mixed it up, shit.
I'm just kidding, I got thetitle right, you did get the
title right.

Speaker 1 (10:15):
I'll give you that.
You get some points for that.
Good job, nah, but uh, like Isaid, though, man, yeah, so
those are the Kanye.
I like man with hearing theiralbums.
What I mean by that is, after808s and Heartbreak, the first
four were solid to me.
I would actually like the firstfour on vinyl.
I already have the first twoalbums on vinyl.
I'm trying to find graduation,but I just found out recently he

(10:36):
never released it on vinyl.
Whatever, there's fans thatmade it on vinyl, so I'll get
one of those.
Final song, get one of those.
But anyway, first four albumswere good.
Then you have uh uh, life ofpablo, which surprised me.
I liked it.
That was a really good album.
That's it, though I don'treally give a fuck about
anything else.
Donda was like whatever to me.

Speaker 2 (10:54):
I don't know who, my god you didn't like uh donda was
okay.
You didn't like uh twisted,dark, dark fantasy some of this
stuff was like it awaits I likeit awaits it was it.

Speaker 1 (11:03):
Awaits is hard, that's what I'm saying.
The first four 808s came aftergraduation like dark.

Speaker 2 (11:07):
You like dark twisted that was his fifth album.
That one was sick bro.
I should say satanic as fuckbro, production wise.
Bro.
That shit was satanic as fuck,production wise.
I'm just saying no production.

Speaker 1 (11:17):
You're right, you can't, I listen, okay, look when
I listen to it.
As an adolescent I couldn'tappreciate it right.
But as an adult, now that Isonically am a little more
inclined than I was back then, Ican appreciate it more.
So I do agree with that.
Production-wise, that shit'ssolid as fuck.
Anyway, enough about Kanye.
Moving on to the topic at hand,now we're into the beef.
We're going to go ahead andplay Like that.

(11:37):
Want to play the whole song forthem?
I don't really the whole song,to be honest with you.

Speaker 2 (11:41):
That's kind of annoying to me.

Speaker 1 (11:42):
Let's play Kendrick's part.
Thank you, yeah, let's justskip to Kendrick's part.
Sorry, no shade to Future orMetro Boomin' Metro.

Speaker 2 (11:49):
He made the beat, so I mean Sorry, future.

Speaker 1 (11:52):
Yeah, you didn't like the beat, huh.

Speaker 2 (11:54):
What.

Speaker 1 (11:55):
You didn't like the beat, huh.
I remember when I first showedit to you, the song had just
dropped me.
I got out of work that day.
I was dropping him off at hishouse we're sitting in his
little carport and he played itand you made this face.
I'll never forget it.
But you were like he waslistening to it the most

(12:15):
judgmental look on your faceever, bro, and I think it grew
on you.
After a while you're like okay,you know what, that wasn't too
bad.
Heard it again.
You're like this was prettygood.

Speaker 2 (12:23):
I mean, like, what it like progressed to is pretty
crazy.
Nah, real shit You're right,you're right.

Speaker 1 (12:28):
So it progressed pretty good First listen.

Speaker 6 (12:30):
we kind of always never really, you know accept

(12:56):
something for what it is or likeit or at least appreciate it.
Right here.
I mean, uh, I hope themsentiments symbolic.
Uh, my temperament bipolar, Ichoose violence.
Okay, let's get it up.
It's time for him to prove thathe's a problem.
Niggas clicking up, but itcannot be legit.
No, 40 water, tell him.
Uh, yeah, yeah, get up with me,fuck, sneak dishing.
First person shooter.

(13:16):
I hope they came with threeswitches.
I crash out like fuck, rap thismelly meld.
If I had to got two T's with me.
I'm snatching chains andburning tattoos.
It's up.
Lost too many soldiers, not theplayer safe.
If he walk around with thatsticker, it ain't Andre DK Think
I won't drop the location.
I still got PTSD.
Motherfuck the big three, nigga, it's just big me, nigga.
Boom, what I'm really like that.

Speaker 5 (13:49):
And your best work is a light pack.

Speaker 2 (13:52):
Nigga, I was just thinking about this man.
What's up the crazy part aboutit, bro?
And this is why I told you thaton that fucking day too, I was
like, bro, this is bait, bro,and it was.
If Drake didn't take the bait,it would have just been this
song, it would have been itwould have just been this song,
and you know what he might havemaybe another one, but it

(14:13):
wouldn't have, bro.
When you don't feedback into it, bro, there's no, there's no
reason for it to come back atyou well facts.

Speaker 1 (14:19):
You can't fight with yourself.

Speaker 2 (14:21):
You can't box yourself, bro people would have,
would have, would have, wouldhave talked shit right.
Oh, they would have you alreadyknow but hearing him, he was
afraid of that.
But hearing it back, bro,hearing how, how it's aged, and
hearing to what like it's likeprogressed to, if he would have
just held his tongue and not noteven like respond, bro, and
just let it, just let it die out, that's true, he would have
been able to just drop a singleright now just been been

(14:42):
chilling, chilling, bro.
But the fact that he wasfinally going back and back and
forth, bro, kendrick's betterbro.
He's a better artist overall.
You know what I'm saying, Likenot saying that Drake is trash.
But when it comes to this typeof element, bro, battle rapping
shit bro.
This is not your shit bro, it'snot.
I'm not saying like Kendrick,bro, he's been ready for this

(15:03):
shit.
I think you know what I mean.

Speaker 1 (15:04):
He wanted it.
This has been built up over theyears.
You know that right.
It all started in 2013 with thecontrol verse.

Speaker 2 (15:09):
But this comes from also, bro.
Like see, kendrick's a verygood strategist man.
He knows his enemy better thanthe enemy knows himself.
So he's like this, like they'regonna take the bait.

Speaker 1 (15:20):
I'm pretty sure, like broke for like for kendrick,
it's a win-win okay I throw itout, and he knew his ego wasn't
gonna let him if he don'trespond I win if he responds, I
win, because I

Speaker 3 (15:29):
know what I'm, what I'm gonna come with, but the
thing is like that's the truth.

Speaker 2 (15:32):
But if drake just didn't respond, bro, drake would
still have a lot of hiscredibility.
A lot of it because, allbecause, bro, the only bars in
that, oh, your best works, alife hack, oh, what's it called?
What do you say?
First person shooter, threeswitches, you know like yeah,
those bars, like yeah, he had,like he had some very like deep,
you know like hard bars, but,bro, this compared to not like

(15:52):
us, but in the court of publicopinion he would have lost the
war already right there.
But it wouldn't have been likedetrimental to where, like he's
canceled, true, bro, not like us.
Drop bro, bro, not like uscompared to like us.
He's getting cooked everywhere,bro.
Think about it, bro, he'sgetting cooked.

Speaker 1 (16:07):
I was at a Dodger game.
He's getting cooked at LA, Bro.
Think about it, bro.
Hey, I had that video.
I'm going to show you guys thatvideo.
We'll cut away to it in asecond.
I'm a big boy, I'm a big boy.

Speaker 3 (16:18):
I'm a big boy, I'm a big boy, I'm a big boy, I'm a
big boy.
They not like us, not like us.
They not like us, not like us,they not like us.

(16:40):
You think the way that?

Speaker 1 (16:41):
you pictures they fuck.

Speaker 3 (16:43):
I think the way that you feel when I stop, you can
come down.
I don't know what you're sayingI don't know last year was

(17:12):
called not not like us.

Speaker 2 (17:14):
I know, you know I'm saying the first one, bro,
compared to not like us, bro.
That the first one is like fivepercent of not like us not like
us every single bar.

Speaker 1 (17:20):
This shit cannot be undone now.

Speaker 2 (17:21):
So bro, it's not like us, bro.
Every single bar was like afucking guillotine bro, you know
what I mean.
Like you're just takingheadshot after headshot after
headshot, like he's justunloading on this for like
fucking, like John Wick bro.

Speaker 1 (17:33):
No, for sure.

Speaker 2 (17:34):
Just clip back.
You know what I'm saying, andthat's why, bro.
And that was he should havejust not taken the bait.

Speaker 1 (17:41):
I agree, I agree it was okay, so you're right.
So, speaking of being pressuredinto the bait, jay cole was
pressured into the bait.
I'm only going to talk aboutthis because exactly, would you
agree?
He was, and I'm only going toshow this track.
It was conflicted and you canhear the confliction in his
voice but then it's like why'dyou do it bro?
you know and I agree it kind ofdisappointed me, because anybody
that knows me knows that nowjay cole has been my favorite

(18:03):
artist since I was a senior inhigh school, 2010, when he
dropped sideline story that'she's my favorite rapper, right.
I've loved his lyrics sincethen.
So, as a cole fan, as him beingmy favorite rapper, this was
this was definitely a misstep.
In my opinion.
It was.
It was he let me down.
When he did it, I was kind oflike I wouldn't say let me down,
but he disappointed me.
He let you down, bro.

Speaker 2 (18:21):
He disappointed, he disappointed me stop being nice
about it bro you fucking.

Speaker 1 (18:28):
Let me down, motherfucker.
What the fuck is wrong with you, cole.
Nah, but, but I mean hey yousaid that bro so what I'm gonna
do is I'm gonna play for y'allthat and again, this is also
good.
I want this to appeal toeverybody that knows what's
going on, but also to those thatdon't know what's going on.
I'm gonna show you guys uh, youguys Cole's diss track, which
he was pressured into doingbecause he even said he said it,

(18:50):
though he said that he's likeoh, what you going to do, cole?

Speaker 2 (18:52):
And the whole world wanted blood.
They wanted blood.
He describes it.
Hold on Saying pressured.

Speaker 1 (19:05):
And they means that you're right.
And I mean he kind of gave itaway too, like if you listen in,
we'll get into that more indepth after we show it to the
viewers.
I haven't seen it, but when I,when I show you guys the apology
, you're going to notice that hekind of let it slip a little
bit when he was like, after Isaw the reception and how people
were talking about it, I feltbad in my soul.
Why is it?
Because no one received thedisc correct.
No one received it the way youwanted to.
I got kind of mid.
I didn't even take that shitdown.

Speaker 2 (19:25):
I should have came at him a little harder than that,
because imagine, imagine thatthere was like an overwhelming
like bro damn.

Speaker 1 (19:32):
But the thing is, bro , then he probably would have
received it differently, butthen again the story goes, but
the stuff he was saying, bro,some of the claims, some of the
parts of the dish, they justweren't factual well, let's go
ahead and begin to get into thisbeef.
We get carried on, right?
Yeah, I'm gonna stop it atcertain bars, if that's cool
with you, to kind of discuss it.
We'll do it that way.
You good with that?
Because I'm not by now.
You guys have, I'm pretty sureby now, like I said, unless you

(19:53):
were living under a rock, I'msure y'all have heard these
tracks uninterrupted plenty oftimes, right?
So I'm gonna go ahead and playthis one and stop it when I feel
like a bar sticks out to me.
All right, let's do it, yeah.

Speaker 7 (20:09):
Turn it up.
Yeah, Turn the vocal up.
Lightwork Like it's PWC.
It's a cold world.
Keep the heat under your seat.
I got a phone call.
They say that somebody dissingyou want some attention.
It come with extensions.
My dog like say the word.
He on bullshit, he itching.
I'm putting so much work inthese streets.

(20:29):
He got pension.
I told him chill out.
I look half a henchman.
If shots get to popping, I'mthe one doing the clenching.
I came up in the Ville so I'mgood when it's tension.
He still doing shows but felloff like the simpsons.
Your first shit was classic.
Your last shit was tragic.
Your second shit put niggas tosleep but they gassed it.
Your third shit was massive andthat was your prime.

(20:50):
I was trailing right behind andI just now hit mine.
Now I'm front of the line witha comfortable lead, high running
.
So I got it.
Now he want something with me.
Well, he caught me at theperfect time.

Speaker 1 (21:00):
Jump up and see, say right there.
Okay, so that was the wholereferral to the whole tracks.
Like you know, your first onewas was a classic.
You said no, no, he said yourlast.
Yeah, your first one was aclassic, your last one was
tragic.
Second, one was slept on thesecond one was was was um.

Speaker 2 (21:15):
The second one put I'm gonna say the n-bomb to
sleep, put people to sleep, but,but they gassed it.

Speaker 1 (21:21):
Your third one was massive, and that's when you
were in your prime damn he'slike.
Then I was like yeah, damn,he's talking about damn yeah,
exactly.
I mean, there's some relevancethere.
I agree, bro.
I feel like damn was his lastbest album, in my opinion, bro.
I'm not gonna lie to you, mrMorale and the Big Steppers man,
that shit was.

Speaker 2 (21:36):
I don't know, do you ever like read lyrics?

Speaker 1 (21:42):
Of course I do.

Speaker 2 (21:43):
I'm talking about, like I mean like go into the
track and read what they'resaying.

Speaker 1 (21:46):
Yeah, okay, I love lyrics.

Speaker 2 (21:48):
So, it's like I'll say, man, some albums bro, you
just gotta listen to it bro, andif it just doesn't resonate
with you, it doesn't resonate,and that's the case sometimes,
man, because I mean, if I'mgoing to be, words are being
said.

Speaker 1 (22:05):
I will say this about kendrick most of the time
rarely do I ever say, man, thatshit was weak as fuck.
Lyrically, you you're probablynever gonna hear me say that
about him, man, ever so that manis a master with the fucking
pen.
That's just the reality right,let's be honest this man does it
like it's a second nature,probably doing his damn sleep if
he wanted to.
That's how good he is, and hecontinues to back that up and
prove that shit right.
So, aside from that known factto the world, I just think that

(22:27):
sometimes the production is notalways there.
For me, man, I'm like this isnot going to captivate me enough
to even give a shit what thesong's about.
But that's why I've learnedsometimes you got to get out of
that bullshit ass mind state andreally listen.
To listen, like you said,because then you're gonna miss
some shit that's meant to bethere, and that's true.
That's like you were like oh,skip, skip, skip.
Man, that wasn't, that was anomic, I just played through
cause you didn't give it achance.
Man, it's not meant.

(22:47):
And, to be honest, that lastalbum that he made was not
intended for anybody to be likelet's bump that shit on the way
to the club.
It's not for that, I mean youmight listen to it while you're
cleaning.

Speaker 2 (23:00):
The thing is too, bro , like what I.
What I like about kendrick, bro, is he shows versatility.
Yeah, it's not because, bro youis.
It sucks being grooved intojust one box.
Oh, you're a rapper like he.
He has other talents, bro, youknow what I'm saying like.
So, when you hear all thoselike um the uh production on an
album, bro, I heard that he hada lot of input on that shit, bro

(23:21):
, like he, like he likeexecutively, like producers,
like hey no for sure, he'sdefinitely involved.
I want to hear that he wants toso you're not just hearing the
lyrics, bro, like it's like he'sactually influenced that no
doubt, to a great degree youknow what I'm saying.
So no, yeah, I agree so that,so that that's why it's like I
think people, when they, when,once they realize that is, it's
gonna hit different, becausewhen you're just looking at him

(23:41):
like, oh, like, yeah, he's arapper or whatever like that
he's made.
Now he just, he just soundsdifferent, bro, that's, that's.
He's an artist no, for surethink about it, bro.
Okay, chief keith.
Right, would you ever thinkabout chief keith?
Sorry, sorry to just to justyou know name drop um to name a
chief keith, but it's like you.
Would you ever think about himsinging?

Speaker 4 (23:58):
no, no because you put him in a box already I'm
sorry in a box, but look, thinkabout it, he's already in a box,
I know, but look, think aboutit, bro.

Speaker 2 (24:03):
He's already in a box and he continues to put stuff
out that puts him in that box.

Speaker 1 (24:08):
No, that's true.

Speaker 2 (24:08):
So if you're not stepping out of that box, bro,
you're always going to be this.
No doubt You're not going to be.

Speaker 1 (24:13):
No, I see what you're saying.

Speaker 2 (24:15):
I agree.
That's how you branch out andyou show you know what I'm
saying like you can do anything.
That's why Drake has thefucking like Caribbean voice and
shit.
You know that?
Shit, the whole dance don't getstarted on his.

Speaker 1 (24:27):
We'll get to Drake.
We'll get to Drake, but not.
I know what you mean thatwasn't a.

Speaker 2 (24:32):
That wasn't a poor example, because he does.
He is versatile too no, he ishe definitely is.
No, no, he definitely sonicallyis no, I, you're down to
something with that.
It's a fucking science, bro.
No for sure, yeah.

Speaker 1 (24:42):
Yeah, you're right, you're right.
Let's not get too sidetracked,though, man.
Back to this, though.
So what?
Cole was saying he's gotsomething like now I'm front of
the line.

Speaker 2 (24:51):
He's like I'm going for the comfortable lead.

Speaker 1 (25:00):
But now that I got it .
Now he wants, bro?
He was killing every track thathe was that Cole was on
recently.

Speaker 2 (25:05):
No, what was the lead , though?
Cause he's saying I'm front ofthe line with a comfortable lead
.
That okay.
That means lead singles, thatmeans albums, that means sales
maybe I don't think he meant itthat way was it?
Was it culturally?
No, I think he was.

Speaker 1 (25:20):
I think he was that, and I was also him barring up.
Let's be honest, man if youreally pay attention to cole.
He's been barring the fuck outof everything he's been on as of
lately.

Speaker 2 (25:28):
Okay, everything you're supposed to.

Speaker 1 (25:30):
Exactly you're supposed to but he's doing it
with like a fire intensity wherehe's killing.

Speaker 2 (25:33):
His mission is to murder whoever the fuck he's on
a beat with.
But cole is not the only doperapper out.
I'm not saying that I know, butI'm not saying that.

Speaker 1 (25:40):
I'm just saying he's talking about himself.
He's not giving a shit aboutanybody else though, and if they
pay him for a feature.
You're going to get fucked onyour own song.
I feel that that's what he'sdoing, bro.
You're going to come get bodiedon your own track.
He doesn't know that.

Speaker 2 (25:50):
Have you heard Johnny P's Caddy?

Speaker 1 (25:52):
Yeah, bro, he murked him no no, yes, no, they're
evenly matched on that shit, bro.
No, they're not.

Speaker 3 (26:07):
Yes, sir, disagree, listen well, we're gonna play
later.
We'll play later.
No, it's not about that rightnow, bro hey I'm sure ben 10
would agree with me.

Speaker 1 (26:14):
No, no, no, hold up, hold up.

Speaker 2 (26:15):
Check this bro look at me wrong.
Bro jaco has very.
Bro jaco has very.
He is a very good storyteller.
He has very good like linesthat fucking like like describes
it.
When I was born, the lightningwas flying, the sparks were
flying.
That shit was epic as fuck man,no of course it's very
descriptive, but bro Benny'sfrom this shit too, and when you
see how Benny articulates hisshit, bro, his shit hits

(26:37):
different.

Speaker 1 (26:37):
I'm not going to sell him short His shit hits Bro.

Speaker 2 (26:40):
I'm telling you, bro, his shit is fucking different
bro.

Speaker 8 (26:43):
Yeah bro, I would never say he brought the heat?

Speaker 2 (26:45):
Fuck yeah, he did.
But, he's not murking Benny onhis own shit.

Speaker 1 (26:49):
Nobody is bro.
That's debatable, but I agree.
I fuck with.

Speaker 2 (26:51):
Benny.
I fuck with fucking Griselda,bro, I do too.

Speaker 1 (26:54):
Bro, I like them too.
Hey, I like them too.
But All right, I get it Allright?

Speaker 2 (26:57):
No, don't make me have to smoke this nigga, that's
actually half right.

Speaker 1 (27:00):
You hear what he just said.
The dissing part, yeah, youonly have.

(27:29):
He's like you only have onehard, only have one hard verse
every 12 months or so.
Then he's like it is true,every 12 months.
When the fuck do you hear fromKendrick?
Bro, I've seen it coming, heaveraging one hop, it's like
every 30 months or something.
If he wasn't Bro, he's notwrong Every 30 months, no.
But he was like if he wasn'tdissing, we wouldn't be
discussing.
Hold up, that's fucking true.

Speaker 2 (27:49):
No, no, no, no, no, it's context.

Speaker 1 (27:56):
Pull up Kendrick's track list.
I know, I know, but I'm justbeing real that's his opinion.
That's not fact no, think aboutno no hold on.

Speaker 2 (28:04):
Let's make devil an advocate, bro, because look,
let's just say pull upKendrick's track, let's pull up
J Cole side by side.
Let's rank every single trackbar for bar who's in?
Our bar, who's no?

Speaker 1 (28:15):
in some songs.
I feel like it's one, then theother, it's the latter you know
what I mean?
It's both.

Speaker 2 (28:21):
That's fair, hold on.
Someone should get everyKendrick track and every J Cole
track and fucking compare thembar for bar.

Speaker 1 (28:28):
Maybe we'll do that shit one day.

Speaker 2 (28:29):
It'll be a hell of a long episode.

Speaker 8 (28:31):
Hell yeah.

Speaker 1 (28:32):
Let's get through this.
Come on, you know what I'msaying, yeah.

Speaker 7 (28:34):
Nothing, that's bars too.
That was hard.

(28:59):
Oh, who's calling me Sorry aboutthat.

(29:26):
I got mixed feelings aboutthese fucking rap niggas.
It's over for that cap, theofficial cap, pillars to six.
We don't act niggas, we get atniggas.
Shoot a nigga.
Lights out.
Yeah, my dog.
Stat filler.
Stat stuff is triple double.
Get your ass black duffel.
Body bag, body bag, body bag,cold bag, body bag, cold world.
You're instructed for Pilatesclass.

(29:48):
Get a nigga stretched.
Get my feel of disrespect.
Your arms might be too short tobox with the God who lives his
life without the passes up onthe knee.

Speaker 2 (29:55):
That was hard.
That's the shit I like thatshit.

Speaker 1 (29:59):
Get something real about it bro.

Speaker 2 (30:00):
Stop like, bro.
Just you know what I'm saying.
Tell them how you really feel,bro.
You heard that shit.

Speaker 1 (30:04):
You heard that right.

Speaker 2 (30:06):
I like this part.
I like this part, thetriple-double.
I like this part of the song.

Speaker 1 (30:09):
That was hard, he said.
He's like your arm's too shortto box with the guy.
Let's get disrespectful bro.

Speaker 7 (30:35):
He got a little right here.
This is where he gotdisrespectful.
Oh, oh.
But I'm not gonna lie.
I'm powered up for real thatshit would feel like SWAT and
I'm fly four albums in 12 years.
Nigga, I can divide shit.
If this is what you want, I'min this is a Jay-Z reference.

Speaker 1 (30:50):
Right there, bro.
He said that shit to Nas.
That was a diss.
Four years, what do you say?
Four albums in 12 years I candivide.
That was a Jay-Z line that heused against naz.
Okay, that was clever and thatwas actually a true fact.
See that, I respect that.
He's a student of hip-hop, bro.
That's cool.
That's dope as fuck.
I was smart, right.
He used that against kendrickbecause, it's true, kendrick's

(31:11):
only dropped like four albums in12 years, bro.
So the math made sense of yourlife.

Speaker 2 (31:15):
But also in the track he used jay-z's line to say
that was clever no, it wasclever, however, however,
however I can divide he's onlygot like five albums however
however, he's only got one morealbum in here, so why are you
talking shit, bitch?
How did?

Speaker 1 (31:32):
how did kendrick's albums do?
Uh, great, they all did.
I mean, both of them did goodthough I don't think it's I
don't think it's a questionabout that, though I think more
so.
The disc wasn't really that.
It wasn't how well they didit's that you wait so
motherfucking long to get withshit the thing.

Speaker 2 (31:44):
But no, but, no, but that's that.
But think, bro kendrick's.
That's for his albums, bro.

Speaker 1 (31:48):
He's still been dropping music no, for sure, no,
no doubt yeah it's.
It's clever wordplay it is thatthis part is probably the best
part of the track, right, wouldyou agree?

Speaker 2 (31:56):
I like before, when he was getting like more
disrespectful, yeah, then hebacked off that because the
thing is he, he wasdisrespectful.

Speaker 1 (32:02):
Then he backpedaled a little bit.

Speaker 2 (32:03):
He's like calm down, like the thing is, bro, like
well, because his heart wasn'tin this shit, bro.

Speaker 1 (32:07):
Had his heart been in it, he probably would have been
disrespectful.
Why'd you do it?
I know we'll get to that a lie.

Speaker 7 (32:12):
I'm powering up for real.
That shit would feel likeswatting a fly.
Four albums in 12 years.
Nigga, I can divide shit.
If this is what you want.
I'm indulging in violence.
Put pictures in my home, aimthe chrome at your eyelids, fly
pebbles at your dome.
We, the Stone Temple Pilots,this is merely a warning.
Shot the back, niggas, downBack in the town where they
whipping, working, trafficking,pounds my jack jumping bout a

(32:33):
rapper making blasphemous sounds, switching sides like the
tassel on the cap and the gown.
I'm fully loaded, nigga.
I can drop two classics rightnow, let me can drop two
classics right now.

Speaker 2 (32:48):
Let me chill out conductor fall off on the way
nigga.
So I think, bro, just hearingit, bro, there's bro the stuff
that kendrick was gonna have,bro but then you already said
this is just a warning shot.

Speaker 1 (33:00):
He was this is not a full force.
I wasn't.
I wasn't giving you a righthook.
This is a jab.

Speaker 2 (33:04):
Hearing it now it's a jab hearing a number versus
hearing them, bro, he wouldn'thave outwrapped him, bro he
wouldn't know, but but I.

Speaker 1 (33:11):
But I promise you, this would have been a lot
closer of a fight no, then itwould.

Speaker 2 (33:14):
Then when fucking it would have been great, gave him.
But, bro, what can?
What can j cole say aboutkendrick?
Bro?
What can they really say abouthim?

Speaker 1 (33:20):
then again you can say the same thing.
So the whole thing with thissupposedly right School boy Q
reached out to him after thishappened, literally the day I
came out like stay out of it.
No, he told him that and he'slike you got to understand
something.
I was actually with K-Dot theother day.
I was talking to him.
He heard it and he's like Ireally don't want that's my boy.
I don't like the motherfuckerhe's next to, I don't fuck with

(33:43):
him.
I got love for Cole, but I mean, if he really wants it, he can
get it too.
I love him, but hey, bro, youwant to step in the ring too?
I'll fight you too.
That's kind of what school wastelling him.
And I'm paraphrasing guys, thisis what I heard.
Okay, take it with a grain of.
He doesn't want you to do thatbecause he doesn't want to do

(34:04):
that to you or you.
You know I'm saying you two togo out of damage collateral
damage, exactly because he haslove for you.
He has nothing but love for you,want to see you successful.
He has nothing.
That not saying that he'lldismantle your career, but he'll
definitely put a.
He doesn't want to hurt yourcareer at all in any way, shape
or form.
So cole took it as you knowwhat you're right fuck it, man.
It's not really worth it in theend because I didn't feel right
.
He put in and I heard itsupposed to be.

(34:24):
He told him back like that's,that's real, because I I didn't.
Honestly, I was troubled, I wasconflicted, even writing the
shit.
I did it.
Yeah, I know I put it out, Iknow I did all that, but
honestly, like the whole waythere and I should have just
listened to myself because itdidn't sit right in my soul and
that's why he went on stage totell everybody that.
Because he was like fuck man,I'm over here dissing somebody I
really fuck with.
I don't even mean half the shitI said in that song, I'm not

(34:46):
saying it justifies it.

Speaker 2 (34:47):
You can tell he held back a lot.
Oh yeah, not held back.
What the fuck could he say?

Speaker 1 (34:52):
well, it's not just that I, he didn't, he.
He kept saying, like if youcatch it, it was more so like I
don't want to do this, but if hereally, if he really wants to
smoke, I'm gonna give to givehim the smoke Bro J Cole.

Speaker 2 (35:04):
he's not washing Kendrick on any day.

Speaker 1 (35:06):
Well, I'm not saying that.
Bro, I'm not saying look manfrom a close perspective.
I'm not saying he's going tofucking wipe the floor with him.

Speaker 2 (35:13):
He's not even going to put up a fight.

Speaker 1 (35:14):
He'll give him a fight.
Hell yeah, he will.

Speaker 2 (35:16):
But I'm saying it's going to be in vain.
Bro, his heart wasn't in it,right?

Speaker 1 (35:20):
yeah, he was pressured by it, but you kind of
hear it in the song too.
But it's like his delivery gavethat away too.

Speaker 2 (35:25):
But with the stuff he was saying, bro, it's gonna
point more towards his opinionof it.
Bro, it's not cause, it's notfactual.
You know what.
I'm saying it's like, butbefore saying you know, tragic,
classic, all that stuff, bro,yeah, the first one was a
classic no yeah but like, that'swhy, when, like all that, like

(35:45):
ego gets involved, man bro, shegets fucked up, bro, because it
does you start thinking abouthow you feel and shit about shit
.
You know I'm saying and it'slike it's not the reality, man
it's not I just think that ifjayco would have just just
stayed bro, because the thing is, bro on a euphoria, this will
go back at jayco too.
Oh, he took a few jabs.
Yeah, remember, he's like no.

Speaker 1 (36:03):
But that one we're gonna tell right now we're gonna
get to the fucking manly line,bro yeah like jayco, you are not
forgotten yeah, I heard whatyou did too obviously I heard.

Speaker 2 (36:12):
I heard seven minutes real.
It's like he already did.
I heard seven minutes.

Speaker 1 (36:15):
Yeah, and and that's why he was like, but cole did
tell him that in the apology.
He was like if you got torespond, he's like.
Yeah, I hope he doesn't feel notype of way.
I'm gonna respond.
No, I know, I know, but healready said he's like look man,
he's like I hope he doesn'tfeel no type of way personally,
because you know I love you dog,but if you feel like you got to
say something, he even told himhe knew.
But when it comes to this rapshit, go ahead, give me your
best shot.
I got my chin out.
I respected that because it'slike I get it.

(36:37):
I understand the sport too.
I shouldn't have even done this, but I did it.
So what's out there is done.
If you want to take a swing atme, fine, go ahead.
Do what you got to do.
I don't give a shit anymore.
I'm I'm choosing to not give afuck, so I'm going to go about
my career.
He's like I like getting paidBasically.

(36:58):
He's like I'm just going to belike whatever you know that shit
right now.

Speaker 2 (37:01):
A hundred percent?
No way, cause he has, he hasmore like respect too, but I
don't think, I definitely don'tthink he would have won, but it
would have been a moreinteresting fight.

Speaker 1 (37:08):
No, for sure.
Way more interesting bout, waymore interesting back and forth,
for sure.

Speaker 2 (37:12):
Because, like I don't know man, I just I'm like my
thing about it.
I that you don't believe thisshit why would you even go?

Speaker 1 (37:22):
I agree, you're going to let your group pressure you.
And I only want to say a fewmore things in this because I
want to do it for time-consumingreasons.
I don't want to be too long onit, but I think that he and I
want to hear your take on it too.
I think that, again, thepressure I know what you're
saying, you're your own man, youyour own man.
You could absolutely say whatyou want to say, but I think he

(37:42):
was conflicted because he heonly what he's like.
I know it's good for hip-hop, Idon't really want to do this
shit, but I know it's good forhip-hop.
Everybody's pushing me to do it.
He says in the apologyeverybody, the world wanted
blood.
They're like what you gonna do?
Call.
Even his own fucking camp wastelling him that accountability,
man, you know you, gotta youknow you gotta respond man you
know you gotta respond what yougonna do, cole.

(38:03):
You tell him shit like that,like it's like all right, bro
well what the fuck?

Speaker 2 (38:06):
I mean, I ain't no bitch.
You're the head of dreamville,bro, not?

Speaker 1 (38:09):
yeah, that's true that's true, I mean, but then
again, bro, you got, you got toalso put yourself in his shoes,
like I mean, you're in thatunder that type of you know
scrutiny and look at that, lookat in that power who's the boss?
Bro, I get that, I understandthat and you right, that could
have been a boss move.
Like, I'm not going to do it,I'm not going to partake in this
, because I don't.
Yeah, you're right.
All he had to say was I don't,that's my boy and y'all should

(38:29):
know You're signed to me.
You should know how mean hisrelationship is.
And if you want to think that'strue, none of them gotta feel
that shit.
Yeah, that's true, none of themwere in that we're in that

(38:51):
spotlight.
They didn't drop diss tracksyeah, you're right, that's a
good point, but he should havejust made his own decision.
I agree, and I could haveavoided this altogether, because
I.

Speaker 2 (39:00):
I respect jay, I focus his music, bro, but but
when I heard his I was like, bro, this doesn't seem authentic,
bro, because you've-.
Everybody knew.
That too You've produced with.
Kendrick.
You've rapped with him already.
Y'all sound good together.
You know what I'm saying, andeverybody felt that too.

Speaker 1 (39:13):
Everybody wanted that joint album that they were
making together, bro, everybodywanted to it.
Very well, still could happentoo.
They still fuck with each other.
They talked Supposedly.
They've talked several timessince the beef and shit.
So I think they're squared away.
They're good.
I don't think they have anyissues with each other.
Maybe we'll still get that inthe future, right?

Speaker 2 (39:34):
Well, Kendrick has the leverage.
Y'all gonna have to weigh in onhim.

Speaker 1 (39:38):
Yep, moving on though , here's Drake Drake's response
to uh, like that, like that likethat like that.
Pushups is here, is here ispushups by Drake.
I like pushups.
If you want to pause it, youcan.
I'll be right here for both ofus to touch.

Speaker 5 (40:01):
I can never be nobody Number one fan.
Your first number one.
I had to put it in your hand.
You pussies can't get bookedoutside America.
For now I'm out in Tokyobecause I'm big in Japan.
I'm the hitmaker y'all dependon Backstage.
In my city it was friendzone.
You won't never take no chainoff of us.
How the fuck you big steppin'with a size 7 man zone?

(40:21):
It's the part with the bitenigga.
What's up?
I know my picture on the wallwhen y'all cook up Extortion.
Baby.
Whole career.
You been shook up this top, soyou drop it.
Give me 50 likes, I'll push up.
It's cool.
Your last one brick.
You really not on shit.
They make excuses for you causethey hate to see me lit.
Pull your contract cause wegotta see the split.

(40:42):
The way you doing splits.
Bitch your pants might rip youbetter do that motherfucking
show inside the bitty maroonfive need a verse.
You better make it witty.
Yeah, we need a verse for theswifties top say drop.

Speaker 2 (40:51):
You better drop and give them 50s, yeah maroon five
needs a verse you better make itwitty, because he, because he
works with the like taylor,swift, he does that's basically
drake shot at him, saying thatyou can't never be pop like me,
but you're trying to.

Speaker 1 (41:07):
So you're trying to by having features.
I do it by myself.
I do it myself.
You need them.

Speaker 5 (41:12):
Yeah, that's funny damn, you're gonna feel the
aftermath, bro.
Like your label, you're in thescope right now and you gonna
feel the aftermath of what Idamn, you gonna feel the
aftermath, bro.

Speaker 2 (41:25):
Like your label, you're in the scope that I like
that one.

Speaker 1 (41:28):
That was a good one that was.
I can give it to him.
When that was a barge got youwiped down.

Speaker 5 (41:31):
Travis got you wiped down.
Savage got you wiped down likeyour label.
Boy.
You in the scope right now andyou gonna feel the aftermath of
what I write down.
I'm at the top of the mountain,so you tight.
Now just add this talk.
Oh, that was dope though.

Speaker 1 (41:58):
When he was like.
He's like, what's a prince to aking?
That's a son.
Yeah, oh, because he alwayssaid Mike Jackson.
Yep, hey man, I got to give itto him.

Speaker 5 (42:05):
He did some little jabs back, bro, some good ones
too.
The other one yeah, 20 v 1.
Nigga.
What's a prince to a king?
He a son.
Nigga.
Get more love in a city thatyou find, nigga, metro.

(42:27):
Shut your whole ass up and makesome drums, nigga.
Yeah, I'm the sixth.
God, I'm the front runner,y'all.
Nigga.
Manager was charles littleblunt runner playing a six, and
you boys ain't even come from it.
And when you boys got rich youhad to run from it.
Cash flowing, able bread outhere, tricking shit we do for he
doin' for niggas.
Jet switch chains.
Wicked, wicked, wicked,spinnin' like you tryna fuck boy

(42:49):
, you trippin' boy, you trippin'.
Drizzy Chippendale probably gotyour bitch in there.
I just got him done.
Boy, don't make me at theChippin' Nail Rollin' loud stage
, y'all would turn.
That was slick as hell.
Shit'll probably to kiss andtear, hugs and kisses.
Man, don't tell me about noswitches.
I'll be rocking every fuckingchain I own next busy.
Ay, I'll be with somebodyguards like Whitney Tops.
Ay, drop your little midget ass, better fuck it Ay.

Speaker 1 (43:12):
Whitney, drop and give me 50.
Ay, he didn't have to mentionhis wife.
That's where he started gettingpersonal Whitney.
That statement 300 was probablylike okay, let's do exhibition.

Speaker 2 (43:22):
Wait, what's Harry Whitney he?

Speaker 1 (43:22):
got some good shit.
He's like wait, wait, wait,what Play that shit back, hold
on a second.
He went there.
All right, drop and give me 50.
Drop and give me 50.
Niggas really got me out heretalking like I'm 50.
Niggas really got me out here.

Speaker 2 (43:40):
Every song that made it on the track spent that
little check.
You gotta stay up out mybusiness, nigga.
Shout out to the hooper that bebusting out the gritty.
We know why.
You mad, nigga.
I ain't even tripping all thatlittle heart.

Speaker 1 (43:52):
He's talking about John Morant, yeah so it's more
than just Kendrick in this song,but he's still the main.
Main course was, and so I saidI tried to keep it PG, cause it
was like you know, yeah, hewanted to be about PG Lang and
no one else Kendrick, but thenhe still just wanted a shot, so
he took a shot at everybody elsetoo.
Champagne tripping.

Speaker 5 (44:08):
He is not fucking easin' up Nigga callin' top to
see if top wanna piece it up.
Top, wanna piece it up, topwanna piece it up.
Nah pussy, now you on your own.

(44:29):
When you speakin' up, you donerode deep to this.
You not fuckin' deep enoughBeggin' cops to knock boy.
You not fuckin' beatin' usNumbers wise, I'm outta here.
You not fuckin' creepin' upMoney wise, I'm outta here.
You not fuckin' this beat is sohard, bro.
That shit makes you want to dothat, though, bro you know this

(45:20):
is good man.

Speaker 1 (45:21):
I don't really got much to say about that.

Speaker 2 (45:22):
That was a good response push us was the fucking
best one out of all of them.

Speaker 1 (45:26):
You think so?
Yeah, I think Family Matterswas pretty good too, though.

Speaker 2 (45:37):
Oh, the one that it goes into.

Speaker 1 (45:38):
Yeah, no, I thought it was good.

Speaker 2 (45:39):
I thought they both were Push-Ups.
I like Push-, I was just likeokay.

Speaker 1 (45:43):
All right, man.
Now this next one right here.
This is TaylorMadeFreestyle,because Kendrick had not replied
yet.
Okay, so mind you, kendrickhasn't put anything else on the
board yet.
Right, it's just so far.
It's just like that verse.

Speaker 2 (45:56):
John, John, John.

Speaker 1 (45:57):
John, this one is TaylorMadeFreestyle.
He pretended to be Tupac, thenhe pretended to be Snoop Dogg
and then he came in andsolidified his verse like it was

(46:19):
him.
But we'll see, man.
This track got a lot of hateand love, but I'm not gonna lie
to you.
I like the beat to it.
It's very hit, very west coastand it's cool.
I liked it.
But I don't really it isdistasteful that he you know he
used AI and shit in that way.
I guess I like the beat, thoughI don't really it is
distasteful that he you know heused AI and shit in that way.
I guess that was trash.
I like the beat, though.
The beat was cool.
Let's play it for y'all.
Here we go.

(46:40):
That shit was ass, ass, ass ass.

Speaker 2 (46:45):
I ain't going to use the fucking AI, bro.
Ai, what the fuck was that, huhAI.
What the fuck is that?
Who are you?
What is?

Speaker 1 (46:52):
that I don't know what that was.
All right, shit.
All right, here we go, man.
He said AI Shut the fuck up.

Speaker 8 (47:03):
Illuminati Dance rise again.
You can see it in my eyes again.
You like the beat, I like thebeat.

(47:25):
I like the beat.
What?
What are your thoughts?

Speaker 1 (47:37):
Bro, that's so, corny bro, he's talking shit about
himself too, though Low key thething is, bro, look Using
Tupac's voice, but with Drake'sflow, bro.
I know I agree, bro.

Speaker 2 (47:47):
When I heard it, bro, hold up Bro.
When I heard it, bro, the firsttime, I could not listen to it.
No, I'm like, bro, this is notPac.

Speaker 1 (47:56):
Because Pac wouldn't rap like that.
No, I agree that was a bigmisstep on that part.
No that bro.

Speaker 2 (47:59):
Snoop doesn't rap like that either bro.

Speaker 1 (48:01):
No, they don't.

Speaker 2 (48:01):
I'm like, bro, you could have just did all that
yourself.

Speaker 1 (48:04):
Yeah.

Speaker 2 (48:05):
And it would have more impact.

Speaker 1 (48:17):
You would have man.
No, I see what you're saying.
He could have thought that, oh,let me the two west coast
legends.
I'm gonna go ahead and say thisyeah, you gotta admit it was
creative.
It was corny.
It was corny, but it wascreative.
Though, corny, as fuck bro, itwas corny, but it was creative
bro, but just hear me out,fraudulently creative bro I
agree.
But but hear me out, my wholething with it is it's creative
in a sense, where I get theintention.
It didn't land.
Right, it didn't land.
But the whole intention of itwas I'm gonna fuck with them
mentally.
Now I'm gonna go ahead and messwith them in a funny way.
It's mental, but it's also afunny jab, like I'm gonna use

(48:40):
your heroes against you.
These motherfuckers passed youthe torch, so I'm gonna use them
.
You know that was the intention, but it's like I'm gonna mock
you.
I'm gonna mock you with thepeople you call a hero because
you still haven't done shit, youstill haven't responded to me
yet, so I'm gonna clown your assa little bit using their voice.

Speaker 2 (48:55):
That was the joke he meant I could tell he meant it
to be a joke, but it was.

Speaker 1 (48:58):
You know what I'm saying but it was ill, it was
illy, it landed illy yeah it wasshit.

Speaker 2 (49:02):
It was it landed crap .
It was never gonna land.
Yeah, it was like it was a weekof 10, bro, bro like I said,
that's true good thing about it,bro.
Bro, you have to.
You have to be relying on AI,bro.
Like bro, we know your flow.

Speaker 1 (49:13):
Well, let's just blast through this one real
quick.
If we take it off, you want toplay the rest of it, or no?
Oh, like that.

Speaker 2 (49:17):
Go ahead, I'm going to play it.

Speaker 1 (49:19):
No, you got more.
Go ahead, no man, I'm playing.

Speaker 2 (49:23):
Go ahead, my thoughts complete.

Speaker 1 (49:26):
Oh, no bro.

Speaker 2 (49:26):
Take a sip.

Speaker 1 (49:32):
He's like fuck you then AJ.

Speaker 2 (49:34):
Motherfucker.

Speaker 1 (49:36):
That's your Pac.

Speaker 2 (49:37):
Drake.
This is Pac Drake.
Right here, two Drake.

Speaker 8 (50:08):
Here you go.

Speaker 1 (50:09):
I heard he likes young girls, you see, it's
almost like he was trying tobeat them to it.
You heard that shit.
He said what?

Speaker 2 (50:13):
did.
He say Call him a bitch for me,yeah.
He say Call him a bitch for me,yeah.

Speaker 1 (50:16):
He said call him a bitch for me.
Pac wouldn't even talk that way.
I don't even know.
Pac.
I didn't even get to know Pacand I know he wouldn't talk that
way.

Speaker 8 (50:35):
But it was funny though, because you're hearing
Drake, but then he Talk abouthim liking young girls.

Speaker 1 (50:39):
That's a gift from me .
You catch that shit.
He's like.
He's like call him a bitch forme.
Then he was like call, tell him, tell him, talk about how he
likes young girls.
That's a gift from me.
I heard it on the buttonpodcast, so it's gotta be real.
I was kind of like when I heardthat I was like he.
I was kind of like when I heardthat I was like he.
That's Drake trying to getahead of it.
Which button podcast?

Speaker 2 (50:56):
Joe buttons.
Kendrick wasn't on button.
No he's saying that they werediscussing.
Okay.

Speaker 1 (51:02):
Yes, bro, he was.
He was saying that Joe buttondiscussed how Drake liked young
girls or how he's into younggirls.
He's saying supposedly youheard them discuss that on the
Button podcast, so in a way he'smocking.
Joe Button too.
He's saying he's incredible,like you're not, you're not
credible.
You're over here saying shit.
Basically he's mocking him.

Speaker 8 (51:25):
I heard it on the Button podcast.
So it must be true.
That's what he's saying.
Talk about him like a younggirl.
That's a kid for me.
Heard it on the Budden podcast.
It's got to be true.
They told me the spirit ofMachiavelli is alive and the
nigga under five foot five.
So it's got to be you.
I would beat the whole fuckinggame.

Speaker 1 (51:42):
I like how I'll give Drake that.

Speaker 2 (51:44):
He'd give me the fucking little jab.

Speaker 1 (51:46):
It's funny, you got to admit.
It's almost like damn, you'regiving him underhanded jabs like
his homie would tell him thatshit, there's supposed to be a
homie talking to him.
So I like how kendrick, I meanhow drake, I'll give him that
it's funny, right, because he'slike he was giving him jazz,
almost like I'm talking shitabout this light-skinned bitch
boy, ken, from canada like yeah,but you're short, but he's like
but you're short, you're fivefoot, so you got this like.

(52:08):
He's like okay, I'm talking shitabout him, but I'm also talking
shit about you at the same time, you know right dog, have my
fucking shirt off in the houseof blues.

Speaker 8 (52:18):
Okay, you gotta fuck this nigga girl.
He gotta get abused.
All that shit about burningtattoos, he's not amused.
That's jail talk for real thugs.
You gotta be.
You gotta leave thismotherfucker broken and bruised
before we really lose.
You asked for the smoke.
Now I've seen you too busy forthe smoke.
I won't lie to people confused.
Now you about to give this shitanother week and fall back to
home.
Girl, but running up is up.

(52:39):
I would've refused For theseindustry relationships.
She not in your shoes.
You supposed to be the boogieman.
Go do what you do, unless thisis a moment that you tell us
it's not really you.
In that case, there's nothingleft to say.

Speaker 9 (52:51):
I just pants at the snow and that's you what the
fuck you really got to do.
We passed you the torch at theHouse of Blues and now you got
to do some dirty work.
You know how to move right,right, I know you've never been
to jail or was jumpsuits andshower shoes Never shot, nobody,
never stabbed, nobody, neverdid nothing violent and no one

(53:13):
is the homies that empower you.
But still you got to show thisfucking eye of who's boss on the
West.
Now's the time to really make apower move, because right now
it's looking like you're writingout the game plan on how to
lose, how to bark up the wrongtree and then get your head.

Speaker 1 (53:27):
Snoop would never talk that way either, but you
know what he's saying.
He's like now it's making itlook like you're showing
yourself how to you know how tolose.
You're barking up the wrongtree.

Speaker 2 (53:35):
He would never talk about drake like that he his
workplace, not like that, I know, but that's besides the point
though it's supposed to bedisrespectful.

Speaker 1 (53:41):
That's the point.
You know it's, it's too much hegets.

Speaker 4 (53:45):
He did too much he could yeah, I just kept to him
bro and it would have had more.
I agree, I'm sorry that shitwould be left.

Speaker 1 (54:07):
Yeah, that's the truth.
He just came out of the backLike he's like On his own track
On his own voice.

Speaker 2 (54:13):
Yeah, man Me featuring me.

Speaker 1 (54:15):
Yeah, yeah, that's true.

Speaker 9 (54:16):
Like shut the fuck up , bro.
You're cool game, but are youout of moves that you know?
The dog never fucking doubtedyou, but right now I seem like
you posted up without a cluewhat the fuck you about to do.

Speaker 5 (54:27):
Yeah, that's the truth.
I'm definitely about to comearound the land gang and let my
fucking foul move, shitting onyou niggas from a whole
different altitude, high up inthe sky, like I'm Howard Hughes.
The first one really only tookme an hour or two.
The next one is really about tobring out the coward in you.
But now we gotta wait a fuckingweek, cause Taylor Swift is
your new top and if you about todrop, she gotta approve.

(54:49):
This girl really about to makeyou act like you, not in a feud.
She tell a major schedule.
Where ain't you out of the loop?
Hate all you corporate industrypuppets.
I'm not in the mood.
I love it when you niggas talkloose like I'm not in the room,
since, like that, your tonechanged a little.
You not as enthused.
How are you not in the booth?
It feel like you kinda removed.
You tryna let this shit diedown.
Nah, nah, nah, not this time.

(55:10):
Nigga you following through.
I guess you need another weekto figure out how to improve.
What the fuck is taking so long?
We waiting on you.
The rest of y'all aredefinitely involved.
Y'all getting it too Soon.
As you get the courage to drop,I'm out on the loose On the
loose.
Yeah, shout out to Taylor Swift, biggest gangster in the music

(55:33):
game right now.
You know I move my album whenshe drop.
I said that already.
You know she bout to make mewanna do a millie rock on your
head top.
She got the whole PG Lang onmute like that Beyonce challenge
.
I was quiet for the weekend.
I know you in that NY apartmentstruggling right now.
I know it In the notepad doinglyrical gymnastics.
My boy, you better have amotherfucking quintuple entendre
on that shit, some shit, Idon't even understand Shit

(55:55):
better be crazy.

Speaker 2 (55:56):
We're waiting on you.
Seal his own fate with thatshit.
Yeah, he's Honestly bro.
He could have just yeah.
He could have Bro that beat.
No, you're right, bro, thatbeat was dope.
He could have done so much morewithI fucking Snoop bro yeah he
fucked that up, tupac and Snoopbro.
They're one of my favoriteartists too, but to waste the AI

(56:18):
with your flow.
You just took away Like youcould have made that shit so
much more hip-hop, like youcould have just done so much
more with that beat bro.

Speaker 1 (56:26):
Like, just so much more.
I agree Way more, but he didn'tdo it and I'm like oh, but see,
that's why bro.
That was a misstep right there.

Speaker 2 (56:39):
Bro, this move right here.
Like this is after push-upsright, this move right here.
Bro, this is when it just showshe was trying to do
back-to-back.
It just shows that he's.

Speaker 1 (56:47):
You were trying to back-to-back the wrong man first
of all, and now it also missedit.
It missed the impact.

Speaker 2 (56:52):
you said that he thought it was going to make,
but taking that route it justshows that you're out of ideas,
bro.
Oh, 100%, let me go AI withyour idols, like okay.

Speaker 1 (57:00):
He was trying to be clever but, like you said, it
didn't land.
It's not?

Speaker 2 (57:02):
them, they would never feature you on a track
again.
Anyways, exactly.

Speaker 1 (57:08):
But I really think that's the point of it though.

Speaker 2 (57:17):
No, no, but you see what I'm saying, bro, look okay
it's like, okay, imagine, thisis gonna be a very rudimentary
example.
Okay, it might sound retardedto some people, like, hey, man,
he don't know what he's talkingabout.
Okay, it's like.
It's like.
It's like a ball of firetalking to to a body of water
saying I'm gonna burn you, theelements don't match, it's not
gonna work it's not gonna worklike bro like tupac the
physicality you know what I'msaying?
The AI, it's just bro, thatwould never happen.
It would never happen.
So it's like, even if he'dgiven us a fantasy of it, it's

(57:38):
like, bro, even the fantasy iswhack bro.
This shit sounds like.
No, they wouldn't say that shitbro.

Speaker 1 (57:42):
That's true.

Speaker 2 (57:42):
Not only that, bro Tupac's gotway more conviction.
That fool was like man fucky'all.
You know he's like straight upbro you know what?
I'm saying even like Snoop bro,he's not like that bro, he's
not.

Speaker 1 (57:58):
Yeah, and Pac would have been more fucking bro in
your face like man, fuck that.

Speaker 2 (58:02):
Yeah, he would have went.
He put him on the line for sure, I agree, I agree so well, and
then what led up to that?

Speaker 1 (58:08):
obviously, guys, euphoria.
Oh yeah, this is Euphoria.

Speaker 2 (58:11):
This is where it really gets interesting.

Speaker 1 (58:12):
Yeah, this is where Kendrick responded here we go,
man, let's go.
This is Euphoria by KendrickLamar.
All right, woo she my best.

Speaker 7 (58:19):
If you do that Euphoria, why are you laughing?

Speaker 1 (58:23):
Woo, she my best if you do that Euphoria.

Speaker 6 (58:46):
And I go calmly.
He's like Euphoria.
Okay, kendrick, let's do this.
You don't predict your angles,Fabricating stories on the
family front, cause you hurt MrMorale, A pathetic master
manipulator.
I can smell the tails on younow.
You're not a rap artist, you'rea scam artist With the hopes of
being accepted.
Tommy Hilfiger stood out, butFubo never had been your
collection.
I make music that electrify him.

(59:08):
You make music that pacify him.
I can double down on that line,but Make music that pacifies
them.

Speaker 1 (59:23):
Switch up on the beat Shoot.
Shoot, shoot, shoot, shoot,shoot, shoo, shoo, shoo Beep.

Speaker 6 (59:37):
Beep, beep, beep, beep, beep.
Yeah, I'm out the way.
Yeah, I'm low, okay.
Yeah, the island right here'sremote.
Okay, I ain't thinking about noreaper, nigga, I'm reaping what
I sow.
Okay, got a Benjamin and aJackson all in my house like I'm

(01:00:06):
Joe, okay, hell, okay, made hishomeboys and them types Outro
Music with a poker face.
Have you ever paid $500,000like to an open case?
Well, I have, and I failed atboth.
But I came out straight.
I hate when a rapper talk aboutguns, then somebody die.
They turn into nuns.
Then hop online like pray formy city.
He faking for likes and digitalhugs Is daddy, a killer.
He wanna be junior.
They must have forgot the shitthat they done.

(01:00:48):
I park your son.
You don't work with me, no more.
Okay, it's three ghosts leftand I see two of them Kissing
and hugging on stage.
I love her to death.
And then eight bars.
I'll explain their phrase.
It's nothing.
Nobody can tell me.
I don't wanna talk on no celly.
You know, I got languagebarriers.
It's no accent.
You can sell me your colon, Ibe.

Speaker 2 (01:01:07):
So they say I was gonna say Keep it playing bro.

Speaker 1 (01:01:11):
Yeah.

Speaker 6 (01:01:34):
Oh, my bad dog.
Go go, fuck all that pushin'pee.
Let me see you push a T.
You better off spinnin' againon him.
You think about pushin' me?
He's Terrence Thornton.
I'm Terrence Crawford.
Yeah, I'm a whoopin' feet.
We ain't gotta get personal.
This a friendly fade.
You should keep it that way.

(01:02:08):
I know Outro Music.
I said we, it's not just me,I'm what the coach will feel it.
How many more fairy talestories about your life till we
had enough?
How many more black featurestill you finally feel that
you're black enough?
I like Drake with the melodies.
I don't like Drake when he acttough.
You gonna make a nigga.
Bring back puff.
Let me see if Chubbs reallycrash something.
Yeah, my first one, like mylast one.
It's a classic.
You don't have one.

(01:02:35):
Your core audience stomach thatdidn't tell them where you get
your abs from.
B12 is a fast one.
Last one headshot for the year.
You better walk around likedaft punk.
Remember a top dog?
Who the fuck they think theyplaying with?
Extortion my middle name assoon as you jump off of that
plane.
Bitch, I'm allergic to the lameshit.
Only you like being famous.
Yadi can't give you no swag.
Neither I don't give a fuckabout who you're hanging with.

Speaker 2 (01:02:56):
Surprise you, you jump off for that fuck all right
let's take that backwards whatkind of sound effect is that,
bro?
What the fuck is that?

Speaker 1 (01:03:16):
some generic shit that comes with the iphone.
I don't know a fucking trumpet.
Oh fuck man, way to crash aparty man they're like yo, what
kind of bootlegging shit wasthat just now, bro, you're doing
the party man, ruin that shit.
Okay, we're good, we're comingback.
We're coming back.

Speaker 6 (01:03:34):
Hold on, let's do this again better walk around
like dad didn't tell him whereyou get your abs from bro, that
shit was funny about the abs.

Speaker 1 (01:03:42):
That shit made me laugh.
Let's hear that.
What was it?
Called um ozempic or something.
Yeah, that shit, bro, let mesee chubs really crash something
.

Speaker 6 (01:03:50):
Yeah, my first one, like my last one.
It's a classic.
You don't have one.
Let your core audience stomachthat.
Didn't tell them where you getyour abs from.
V12, it's a fast one.

Speaker 1 (01:04:00):
Last one headshot for the year you better work out
your core for abs.
Yeah that was bro telling youthis should go over people.
If you're not a hip-hop head,this should go right over your
head.
Man, abs from v12.

Speaker 6 (01:04:13):
It's a fast one.
Last one headshot for the year.
You better walk around likedaft punk.
Remember a top dog?
Who the fuck they think theyplaying with?
Extortion my middle name assoon as you jump off for that
plane bitch.
I'm allergic to the lame shit.
Only you like being famous.
Yadi can't give you no swag.
Neither I don't give a fuckabout who you're hanging with.
I hate the way that you walk,the way that you talk.

(01:04:35):
I hate the way that you dress.
Surprise, you wanted thatfeature request.
You know that we got some shitto address.

Speaker 1 (01:04:40):
I even hate when you say the word I respect the fuck
out of that bar and I'm sorryanyone who let it play, but I
really love how he said he wasshocked by that feature request.
We still got some air to clearwhat the fuck.
I don't know if y'all knew this, but you can do your research
and find out 10 years ago.
Supposedly.
Have you watched the firstperson shooter music video?

(01:05:02):
Remember that scene where theywere in Spider-Man shit pointing
at each other?
Once upon a time, kendrick wassupposed to have a verse on that
track and he was supposed to bethe third Spider-Man.
When all three of them arepointing at each other, that was
the original vision.
Once upon a time.
And drake was what.
Drake asked him when was this?
While they were still shootingdisses at each other.
Drake asked him I want you onthis track, I want to have you.

(01:05:23):
You know, man.
Hey, you reached out to him.
He come and be on first personshooter wait, wait, wait.

Speaker 2 (01:05:28):
We said while they're doing, this is.
This is before the dishes,though.
Yeah, before them, before thedisses, though.

Speaker 1 (01:05:31):
Yeah, before them Before the disses.
Okay, so you know because theyknow, and I don't know if you
knew this, but before that theywere already throwing shots at
each other subliminals, ofcourse.
So while that was happening, hewas shocked when he asked, and
I was like brother, we've beenat each other back and forth the
past few years, first like whatthe fuck?
I'm about to go over there andwe're put on a fucking

(01:05:59):
spider-man outfit with you andcole and be like this with y'all
and the world's gonna be likewhat the hell?
I respect kendrick for that,because I'm the same way.
The reason I bring that up isbecause I stopped it there.
Because I'm the same way.
If I have a problem with you,I'm not going to shake your hand
.
You walk up to me.
That's like me having me havinga crazy conversation with
somebody and then, when I seeyou in person again and we

(01:06:20):
didn't fix it, you walk to melike what's up, dog?
I'm like no, I'm not going toshake your hand, bro, because
you know what I'm about to dabyou up until we fix this shit
and make it right?

Speaker 2 (01:06:35):
no, he does, but well , he hates.

Speaker 1 (01:06:38):
I'm talking about me.
You know what I'm saying and myand that situation.
You know I'm saying if I'm, ifI'm, that's what I would do,
like we need to.
We have some shit to clear upfirst.
So I respect him for that,because I'm the same way.
I have the same mindset when itcomes to that.
You know, I'm saying what hesaid there I think everyone does
, though, too I don't know aboutthat man, not the one, not the
individual that wants to box upto you trying to dab you up like
nothing happened no, they don'tbut I'm saying like you, as the

(01:06:58):
you know as a recipient alwaysdo like I'm.

Speaker 2 (01:07:00):
The same way too, bro .
It's like I'm not gonna be, I'mnot gonna be, I'm not gonna be
the same as you, you know I'msaying like there's no way for
this to be a uh cohesive type ofthing if we don't address this
and because because the thing is, it's like there's closure.

Speaker 1 (01:07:13):
You need closure, exactly, and, like I said, I'm
all for fixing something.

Speaker 2 (01:07:18):
I'm all for it, but we need to have that
conversation first.
No open-ended shit.

Speaker 1 (01:07:21):
I'm not about to act like it didn't happen either.
We're going to shake, we'regoing to talk first.

Speaker 2 (01:07:32):
And then, sure, like you need that, you know 100 no
that's what you need.

Speaker 1 (01:07:35):
You need that shit, bro.
Only everyone understands that,you know, but it's like so when
he said that line and thenthere was something else he said
earlier.
Oh, I love that shit.
I hate the way that you sneakthis.
Best believe if I catch flightI'm gonna be direct.
That's how I roll, bro.
I'm with that, with everything.
I'm sure you're the same way.
Sorry, I'm a little passionateabout that because that's how I
mean I'm about, bro.
If you have an issue withsomebody, don't subliminally I'm

(01:07:57):
gonna say that real quickcontact that person you better
be a fucking man about it andhit that person up, like you
said.
Tell them directly, don't postnothing online.
Don't do no indirect bullshit,real issue fucking.
Yeah, bro, you got a problemdog.
Throw some fucking balls andtalk to that person.

Speaker 2 (01:08:10):
You know what I'm saying it's gonna be
uncomfortable, but you gotta doit exactly.

Speaker 1 (01:08:13):
It's gonna be uncomfortable.
I'm not look, I'm not tellingyou to be confrontational about
it, but be a man about it.
That's what I'm saying.
Yeah, you know, that's that'sfor any general audience.
You know I'm saying that thattakes us in.
Sorry, that's for any generalperson.
You know I'm saying generalsituation.
That's what.

Speaker 2 (01:08:26):
That's what I mean when I say that even a woman,
you know saying even what itgoes for everybody, both genders
, exactly.

Speaker 1 (01:08:33):
It don't matter who you are, what gender you are,
that's just the reality of it,right yeah?

Speaker 6 (01:08:37):
But that's just me.
I guess Some shit justcringeworthy.
You ain't even got to be deep.
I guess Steal love when you seesuccess.

Speaker 1 (01:08:43):
I hit the way I hit that on accident.
You're like what version ofthis are you playing my boy?
It kind of went with it,luckily it was well-placed.
It went well with it, huh.

Speaker 2 (01:08:58):
Well, I mean now it doesn't, because, you know,
because we stopped it.

Speaker 1 (01:09:05):
I guess it's just me.
I guess I'm sorry.
I got to enjoy that for what?
It was, that was funny.
It did go well, though, huh.
I went with it.

Speaker 6 (01:09:14):
I hate the way that you walk, the way that you talk.
I hate the way that you dress.
Surprise.
She wanted that feature request.
You know that we got some shitto address.
I even hate when you say theword nigga.
But that's just me.
I guess Some shit justcringe-worthy.
You ain't even got to be.
Everything with me is blessed.
Keep making me dance, waving myhand, and it won't be no threat

(01:09:34):
.
I'm knowing they call you theboy, but where's the man?
Cause I ain't seen him yet.
Matter of fact, I ain't evenbleed him yet.
Can I bleed him when I see youstand by sexy red?
I believe you see two badbitches.
I believe you don't like women.
It's real competition.
You might pop ass with them.
Let's be on percentage.
I double back with you.
You assigned to a nigga thatsigned to a nigga that said he
was signed to that nigga.
Try to cease and desist on.

(01:09:54):
I like that record.
Oh what, you ain't like thatrecord.
Back to back.
I like that record.
I'm going to get back to thatfor the record.
Why would I call around tryingto get dirt on niggas?
Y'all thinking my life is rap.
That's whole shit.
I giving them tools to walkthrough life like day by day,
know nothing about that.
Teaching them morals, integrity, discipline.

(01:10:16):
Listen, man.
They don't know nothing aboutthat.
Speaking the truth and considerwhat God's considering.
They don't know nothing aboutthat.
Ain't 20 V1, it's 1 V20.
If I got to smack niggas, that,right with you.
Yeah, bring them out too.
I'll clean them out too.
Tell Nigga, feeling like JoeHell Austin Funny, he was in a
film called AI and my six centstelling me to off him.

(01:10:36):
I'm a blick.
Niggas all in a coffin yeah,over.
Your niggas is dick riders.
Tell them run to America toimitate heritage.
They can't imitate thisviolence.
What I learned is niggas don'tlike the West Coast and I'm fine
with it.
I'll push the line with it.
Pick a nigga off, one at a time.
With it we can be on a three,all right.

Speaker 2 (01:11:03):
So do you know who a croatie is?

Speaker 1 (01:11:05):
No, but I know, isn't that a Canadian term?

Speaker 2 (01:11:08):
No, it's like what's it on Google?
It says croatie means it's theorigination from the words Crip
and Brodie.
Crip and.
Brodie Croatie.

Speaker 1 (01:11:18):
Ohdi, oh okay, it's a crip term, but kenji's
butterfly I thought so he waswearing red on on the juneteenth
on the juneteenth concert.

Speaker 2 (01:11:26):
I'm staying out of the color code shit, so yeah, my
boy was wearing never mind hemight be right, though, because
he was wearing all red.

Speaker 1 (01:11:35):
No, not all red, but he was wearing red, prominently
red, at that Juneteenth concert.
Crotty, I don't know.
Kdot enlighten us.
Maybe he'll say it here, oh no,right here.

Speaker 2 (01:11:45):
That's the best part of the song.
Right here, bro.
That's the best part.
Just that's the play that's thebest part.

Speaker 6 (01:11:53):
Hey, fuck y'all niggas.
I don't trust y'all niggas.
I wave one finger and thumpy'all niggas Like mm Phil.
Go punk y'all niggas.
They punk y'all niggas.
Nobody never took my food,whoever that's fucking with them
.
Fuck you niggas and fuck theindustry too.

Speaker 1 (01:12:15):
If you take it there, I'm taking it.

Speaker 6 (01:12:15):
We don't wanna hear you say nigga, no more.
Someone drop ice down his back.

Speaker 1 (01:12:17):
We don't wanna hear you say nigga, no more, stop
okay, so that was Euphoria manand uh, yeah, that was neat man.
I was like that's a solid disstrack, bro.
I liked it a lot.
I think that this man, itspeaks for itself.
Y'all didn't hear, you justheard it now and um, besides the
ones and notables that Ipointed out, that's all I gotta
say about that.
Even you want to add to it.
That was pretty straightforward, man.

(01:12:38):
So that was.
That was that, man.
The next thing up now is, uh,what everybody says, and I kind
of agree with it.
This is probably drake's bestshot at kendrick right here.
This next track was his bestswing at him, which was, uh,
family matters.
You know what'm saying.
And then let's hear it, man,let's get into it.
I'm going to go ahead andactually transition to the music
video, because there's a musicvideo that goes with this, you

(01:13:00):
guys.
So we're actually not going tosee our reaction, we're going to
be listening to it with y'all.
But we're going to transitionover to the music video because
obviously there's some imageryin here that we're going
Kendrick Van from Good Kid MadCity.
We'll get into it now.

Speaker 7 (01:13:13):
Maybe in this song you shouldn't start by saying
Nigga, I said it.

Speaker 5 (01:13:17):
I know that you mad.
I've emptied the clip overfriendlier jabs.
You mentioned my seed and Ideal with his dad.
I gotta go bad, I gotta go bad,mm, mm.
Yeah, drop, drop, drop, drop,drop.
A 50 bag for the mob in a spot.
Drop a 50 bag 29 for OutroMusic YG.

(01:13:55):
You know who really bangin' saidmy nigga, chuck T.
You know who even bangin' saidout there, cb, that nigga cold,
loose, asleep on this, it ain'tme.
You better have some paperworkor that shit.
Fake tea Can't be rappin' by noratting that we can't read.
I mean, it's true, a niggaslimy for my AP, just like how
Metro niggas slimy for his mainsqueeze Out here beggin' for
attention.
Niggas say please, alwaysrapping like you bout to get the

(01:14:15):
slaves free.
You just acting like anactivist.
It's make-believe.
Don't even go back to your hoodand plant no money trees Say
you hate the girls.
I fuck.
But what you really mean?
I've been with black and whiteand everything that's in between
you, the black messiah wifingup a mixed queen and hit vanilla
cream to help out with yourself-esteem.

(01:14:47):
Also, bobby, outro Music.
Mama Cash was always screamingsave me.
You did it dirty all your life.
You tryna make peace.
I heard that one of them lil'kids might be day free.
Don't make it day freeze, causeif your GM is your BM secret BD
, then this is all making plentyfuckin' sense to me.

(01:15:09):
Ayy, let that shorty breathe.
Shake that ass, bitch.
Hands on your knees, hands onyour knees, hands on your knees,
hands on your knees.
Shake that ass for Drake.
Now shake that ass for free.
Yeah, yeah, we're not thatkinda free.
I'm talkin' bout my nigga, dave,your man, a Lil' K.
We call that shit a mini Drake.
He always said I overlooked him.

(01:15:29):
I was starin' straight.
These bars go over Kenny's headno matter what I say.
I know you like to keep itshort, so let me paraphrase Knew
, it was smoke when Abel hit uswith the serenade.
Niggas say uh, uh, almoststarted reaching for my waves.
Drop, drop, drop, drop, drop.
A 50 bag for the mob in a spot.
Drop a 50 bag 29 for the thots.

(01:15:52):
Uh, I was really, really tryingto keep it.
Yo, you stop playing around andtake this shit seriously.
Niggas is a joke, I take itseriously.
Yo look if Drake Shooter'sdoing TikToks.
Nigga really shooting your game.

(01:16:12):
That's peace, brother.
Y'all ain't getting shit shot.
Nigga can't listen to the sticktalking Falsetto saving your
game.
That's peace, brother.
Y'all ain't gettin' shit shot.
Nigga can't listen to the sticktalkin' Falsetto savin' for a
hip-hop.
Nigga, y'all don't even be ahome dog.
You a souvenir out the giftshop.
Nigga still mad about that onehoe.
We ain't even fuck, I justlip-lock with her.
I get angry when it's wartime.
I ain't even really I'm by thenose.
Job nigga O's in me Got a sideeffect of jealousy and doubt.

(01:16:32):
I never told y'all niggas, puta nigga in the bars, let a nigga
rock.
Kinda like an old job niggahouse sittin' on some land.
But it's how I know and evenreally know y'all niggas Bitches
gotta drive two hours for youpay em just to give a blow job.
Nigga must've started up asnowboard Cause my last record
deal was 400 ends.
These days that's a low.
Who's next on the list?
Which one of my so-calledniggas?

(01:16:53):
Me?
The chef on the clip Alwaysknew I had to smoke.
Y'all niggas, good kid mad cityVan Will, pot of latch and make
the door slide.
Tears running down my cheekLaughing at you, pussy dying.
It's a war cry.
We can music get him played Inall the spots where boys that's
why all your friends dip intoAtlanta plan just to find a tour
guide Able run your fuckingbread.

(01:17:14):
Need to buy some more chainsfor some more guys.
Let me find another street,nigga, I can take to the game
court side.
Let me get a used Ferrari for arapper.
Take the nigga on a horse rideAnything to take a spotlight off
the fact the boss is a druggedout little punk sissy from the
north side.
Rock him talking shit again.
Gas, cause you hit my beingfirst, nigga.
Do the math who I was hittingin?
I ain't even know.
You rap still, cause they onlytalking about your fit again.

(01:17:35):
Probably gotta have a kid againbefore you think of dropping
any shit again.
Even when you do drop, theygon' say you should've modeled,
cause it's mid again Smoking 50,but they should've put you on
the first one trying to get itin.
Ask Fring if that's a good idea.
Then next time you cut her inher bed again, shit, leave until
you leave the boy alone beforeyou get your head split again.
Do those shit make me sick tomy stomach.
We ain't never really beenthrough it, leland Wayne.

(01:17:55):
He a fuckin' lame so I know hehad to be an influence.
These niggas had a plan and theyfinally found a way to rope the
end to it.
Two separate albums, this, andI just did the chem to it.
Nigga skim through it Me andSavage had the hoes dripping
where the shows almost had toswim to it.
K Put his pen to it, rosscalling me the white boy, and
the shit kinda got a ring to it,cause all these rappers waving
white flags While the wholefucking club sing to it Murder

(01:18:17):
scene on your man.
Tonight they ain't come tovisit with the candlelight Body
at the fucking body.
And you know, rick, reading myMiranda rights, I'm going on
vacation.
I hope next time y'all plan itright, cause you gotta pay for
saying my name.
Guess now niggas understand theprice We'll be.

(01:18:49):
Get his legacy out of my house.
A cease and desist is for hoesCan't listen to lies that come
out of your mouth.
You call the two.
I can stay and beg them to sueme and get that shit down.
I'm losing perspective onpeople.
Boy, when the sand beating, Ikill you for fun.
Your daddy got robbed by Top.
You stunnin' and wainin' likefather, like son and Anthony set
up the plays.
Coach, I'll Outro Music.

(01:19:29):
The shit will be cute, unlessyou don't wanna be seen With
anyone that isn't blacker thanyou.
We get it.
We got it.
The blacker the bed, thesweeter the juice.
We get that.
You like to put gin in yourjuice?
We get that.
You think that you bishop injuice.
When you put your hands on yourgirl, is it self-defense, cause
she bigger than you.
Your back is up against thecurb.
You diggin' for dirt.
She be diggin' for proof.
Why did you move to New York?

(01:19:49):
We'll be right back for anyoneout here that's calling it right
.
You're dead.
You're dead.
You're dead.
There's nowhere to hide.
There's nowhere to hide.

(01:20:39):
They hired a crisis managementteam to clean up the fact that
you beat on your queen.

Speaker 4 (01:20:44):
The picture you painted ain't what it seemed.
You're dead.
What?

Speaker 1 (01:20:50):
did you think, man, that was Family Matters?

Speaker 2 (01:20:53):
I'm mixing it.
He had some, some clever barsin there but my thing bro.
I get it, bro, this thing, likeyou know, like, like the gloves
are off, bro, but when youstart banging people's wives and
stuff like that, bro he got toopersonal with it no, it's not
too personal, you're just goingtoo far, bro.
It's like, bro, like you don'thave, bro, these people aren't
involved in this shit.
You know, I get, the song iscalled family matters, but

(01:21:14):
you're just too involved.
But like, like, of course, likeyou, he brought up his wife
first, he did, he started it,and then kendrick brings up his
son and kendrick warned him.

Speaker 1 (01:21:22):
He said let's keep this, let's keep this shit an
exhibition bro, yeah, and youdecided to but drake drake's
ignoring the fact that hebrought up his wife.

Speaker 2 (01:21:28):
You know, I'm saying or he named out whitney, maybe
he didn't bring up his wife, buthe named out Whitney.
You know his wife's name isWhitney, or his girl's name is
Whitney, I don't know if they'remarried, but you bring that up,
you bring up your son.
Now you bring it up again andit's like, bro, you can't be
like, oh, you're talking familynow, bro, you started that shit.

(01:21:51):
And Kenny and all that you know.
Like years ago he didn't makeup anything about his family.

Speaker 1 (01:21:54):
No, he didn't.
He just simply said he didn'thave a family.
He said nothing was the same.
What did he say?
That was clever as fuck bars,bro he said nothing was the same
.
Yeah, he's like nothing was thesame.
So they took a sense of therapper.
Yeah, inside his pajama clothesHigh five.
I'm bulletproof Jokes on you.
I'm bulletproof, I was like ugh.

Speaker 2 (01:22:16):
But yeah, I think.

Speaker 1 (01:22:17):
High five schoolboy Q .
High five.
I rock with their camp man.

Speaker 2 (01:22:22):
They're cool what you were saying, but he just over,
bro, like don't bring people'sfamilies into it, man again.

Speaker 1 (01:22:29):
He's told him that he's like let's just keep this
shit in front of the exhibitionbecause it's not battle rap, bro
, battle rap.

Speaker 2 (01:22:34):
They fucking do that shit.
But that's a different element,bro bro.

Speaker 1 (01:22:36):
People will be and kendrick warned him because he's
from that culture, like brolet's keep this shit in
exhibition is you?
I'm really gonna fuck you up.
I don't think you understandthose personals, bro, and that's
why he said you go there, youtake those licks.
Do you think dave free reallyfucked his wife?
I don't know, it's possible, Imean, for Kendrick to keep and I
mean sorry for Drake tocontinue to double down on that

(01:22:57):
shit, triple down on that shit.
I mean shake your ass for Drake,or shake your ass for free,
having a good day.

Speaker 2 (01:23:03):
I'm like the fuck bro in this world, I think
anything's possible, especiallyin Hollywood, bro.
And then what makes?

Speaker 1 (01:23:09):
it worse, and I'm getting ahead of myself.
Hollywood is possible.
That'll be in the hard part six, bro, I'm getting ahead of
myself.
Well, I'll revisit this when weget to.
That's the last track of thebeef you want to tell me?
we have super context, bro, wegotta discuss it all.
I like the beat to that track.
I ain't gonna lie to you, Ilike.
The only thing I like aboutthat track is the beat.

(01:23:29):
The beat is hard.
That's a misstep, waste ofproduction, that's what that was
.
I like the beat.
So, yes, I'm gonna play thetrack, for not for that reason,
man, I I honestly feel like,look, it's part of the timeline,
we got to discuss it.
But also I like the beat.
The song was ass, we'll getthere.
Um, anyway, yeah, the wholething with david free man, it

(01:23:50):
was a little offensive.
That shit got dark.
But then the beef took a turnthat night because I remember he
dropped it, thinking cool, Igot, I got a nice little fucking
haymaker.
I'm probably gonna eat drakeprobably thought I'm gonna go
out have some drinks tonight.
Enjoy this shit.
There's a good little w for theevening.
Maybe for the next few dayskendrick will probably reply.
Then wrong, hell, no, 20 minuteslater, bro, 16 fucking minutes

(01:24:11):
later he dropped, master theshit oh fuck, I had it ready in
the clip, bro.
He's like alright, motherfucker, we going Mixing master, we on,
bro, alright, you want to talk?
You didn't take my advice,motherfucker, you really didn't
take my advice.
Okay, meet the grams on yourass.
Kendrick drops this and thenyou guys see the cover art above
us here and the middle here.
You guys go ahead and, as I'vebeen posting these throughout

(01:24:32):
the episode, you go ahead andyou see, you go ahead and
decipher that you can zoom inand see the Asempic bottle.
Is that a FUBU shirt that henever owned?
I don't fucking know, but it'sa few things that popping,
popping, bro, isn't it?
But anyway, yeah, no, so so wewill get to it.

(01:24:56):
Meet the grams 20 minutes afterfamily matters.
Uh, didn't really give drake'suh track time to to breathe
whatsoever, but that was good,fucking good, good ploy.
Good, good play on kendrick'shand.
You gotta hand it to him.
Smart play, good play, goodplay on.

Speaker 6 (01:25:14):
Kendrick's hand, you got to hand it to him.
Smart play, dear Adonis, I'msorry that that man is your
father.
Let me be honest it takes a manto be a man.

Speaker 1 (01:25:23):
Your dad is not Already, starts with talking to
his son.
We're going to let it play.
Yeah, all right, responsive,huh, it's too much right there.
Immediately, immediately play.
Yeah, all right, responsive,huh, it's too much right there,
though.
Immediately, immediately,didn't even hold back.
The song is called meet thegrams, so that shit already told
us right there, going into itlike it.

Speaker 2 (01:25:39):
Just the thing about it is.

Speaker 1 (01:25:40):
To me it's just like he bro, this is probably, in my
opinion, someone's son bro, likeI was about to say that this is
probably this if I was drake,this would maybe and again, I
don't, he's not built like this,right.
They say or they think, thenagain, I don't know the man, so
maybe he is.
I don't know if I would.
This is some mad.
This is probably the mostdisrespectful shit that that,
that kendrick wrote the entirething track to my son yeah, bro

(01:26:03):
forever like it's.

Speaker 2 (01:26:05):
It's just fucked up it is.

Speaker 1 (01:26:06):
So I'm gonna like kendrick took a really dark low
turn here and man, when I tellyou, bro, this yeah for sure
this song right here shows youhe genuinely hates Drake.

Speaker 2 (01:26:19):
This song right here, if Drake didn't fucking mention
his wife.

Speaker 1 (01:26:22):
It wouldn't have gone here.
I agree, no, no, I agree withyou, furious.
Honestly, you guys in theaudience watching this Timeless
Talk episode, I'm going to tellyou honestly, you guys in
audience watching this timelesstalk episode, I'm gonna tell
y'all right now man, this isthis song, I'm gonna let it play
after this, I'm gonna stop it,no more.
You all just really take thisin, and this is probably the
most dark, disrespectful song inthe entire beef.
No cap the six minutes too, bro.

(01:26:42):
He, he talks to each familymember.
I'm just let y'all listen, man.
Kendrick, yeah, yeah, meet thegrams talks to everybody, all of
them mom, dad, son I'm sorrythat that man is your father.

Speaker 6 (01:27:00):
Let me be honest it takes a man to be a man.
Your dad is not responsive.
I look at him and wish yourgrandpa would have wore a condom
.
I'm sorry that you gotta growup and then stand behind them.
Life is hard.
I know the challenges always gobeat us home.
Sometimes our parents makemistakes that affect us until we
grown.
Hey, you're a good kid thatneed good leadership.
Let me be your mentor, sinceyour daddy don't teach you shit.

(01:27:23):
Never let a man piss on your leg, son.
Either you die right there orpop that man in the head.
Son, never fall in the escortbusiness.
That's bad religion.
That's law.
Don't be ashamed about who youwith.

(01:27:53):
That's how we treat your moms.
Don't have a kid to hide.
A kid to hide again.
Be sure, 5% will comprehend, but95 is lost.
Be proud of who you are.
Your strength come from withinA lot of superstars, that's real
.
But your daddy ain't one ofthem and you nothing.
Like him, you'll carry yourselfas king.
Can't understand me right now.
Just play this when you 18.

(01:28:21):
Dear Sandra, your son got somehabits.
I hope you don't undermine them, especially with all the girls.
That's hurt inside this climate.
You're a woman, so you know howit feels to be in alignment
with emotion, hoping a man cansee you and not be blinded.
Dear Dennis, you gave birth toa master manipulator.
Even using you to prove who heis is a huge favor.
I think you should ask for morepaper and more paper and more,

(01:28:45):
more paper.
I'm blaming you for all hisgambling addictions, psychopath
intuition, the man that liked toplay victim.
You raised a horrible fuckingperson.
The nerve for you, dennis.
Sandra, sit down.
What I'm about to say is heavy.
Now listen.
Your son's a sick man with sickthoughts.
I think niggas like him shoulddie.
Hit my wine stain.
She get fucked up in a cell forthe rest of their life.

(01:29:05):
He hates black women,hypersexualize them with kinks
of a nympho fetish, grew facialhair because he understood being
a fit him better.
He got sex offenders on a wholevio that he keep on a monthly
allowance and a child shouldnever be compromised.
And he keeping his child around.
We gotta raise our daughtersknowing there's predators like
him lurking.
Fuck a rap battle.
He should die so all of thesewomen can live with a purpose.
I've been in this industry 12years.

(01:29:26):
I'm gonna tell y'all one littlesecret it's some weird shit
going on, and some of theseartists be here to police it.
They be streamlining victimsall inside of their home and
calling them Tinder, then leakvideos of themselves to further
push their agendas To any womanthat be playing this music, know
that you're playing your sisteror, better yet, selling your
niece To the weirdos, not thegood ones.
Cat Williams said give me thetruth so I'ma get mine.
The embassy about to get raidedtoo.

(01:29:47):
It's only a matter of time.
Hey, lebron, keep the familyaway.
Hey, curry, keep the familyaway To anybody that embody the
love for their kids.
Keep the family away.
They looking at you too.
If you standing by him.
Keep the family away.
I'm looking to shoot throughany pervert that lives.
Keep the family safe, dear babygirl.

(01:30:10):
I'm sorry that your father.

Speaker 1 (01:30:12):
Not active inside your world.
Whoa, okay, this was the big.
The whole song is big, but thispart right here, bro.
Accusations of a daughter.
Here we go.

Speaker 6 (01:30:23):
Dear baby girl, I'm sorry that your father Not
active inside your world.
He don't commit to much, butit's music, yeah, that's for
sure.
He, a narcissist misogynistLiving inside his songs Try to

(01:30:44):
destroy families.
Thank you, perks, examples thatyou don't deserve.
I want to tell you that you'reloved.
You're brave, you're kind.
You got a gift to change theworld and can change your
father's mind, cause ourchildren is the future, but he
lives inside confusion.
Money's always been illusion,but that's the life he's used to
.
His father probably didn'tclaim him.
Neither History do repeatsitself Sometimes it don't need a

(01:31:06):
reason.
But I would like to say it'snot your fault that he's hiding
another child.
Give him grace.
That's the reason I made mrmorale, so our babies, like you,
can cope later.
Give you some confidence to gothrough something.
It's hope later.
I never want to hear youchasing me because it's failed
behavior, sitting in the clubwith sugar daddies for
validation.
You need to know that love iseternity and trumps all pain.

(01:31:29):
I tell you you who your fatheris.
Just play this song when itrains.
Yes, he's a hit maker,songwriter, superstar, right and
a fucking deadbeat that shouldnever say more life.
Meet the Grams.
Dear Aubrey, I know you probablythinking I wanted to crash a

(01:31:50):
party, but truthfully I don'thave a hating bone in my body.
This supposed to be a goodexhibition within the game, but
you fucked up the moment youcalled out my family's name.
Why you had to stoop so low tothe scredits of decent people.
Guess integrity is lost whenthe metaphors doesn't reach you
and I like to understand cause.
Your house was never a home 37,but you showing up as a 7 year

(01:32:22):
old.
You got gambling problems,drinking problems, pill popping.
Thank you with you because Iknow that you ain't been through
nothing.
Crave entitlement but want tobe like so bad.
That is puzzling.
No dominance.
Let's recap moments when youdidn't fit in no secret
handshakes with your friend.
No culture cachet to binge,just disrespecting your mother
identities on the fence don'tsay this real quick, man.

Speaker 1 (01:32:43):
That's crazy, because he went from being super dark
and fucked up to like I didn'twant to do this to you, man.
So the last part, he's talkingdirectly to him and he's kind of
like you asked for this man andhe's kind of like I, I wanted
to cope with you, I wanted toempathize with you.

Speaker 2 (01:32:59):
I recommend some ayahuasca you know, it was a
good bar that was a good bar.

Speaker 1 (01:33:06):
It stuck out to you see, I like how you you caught
it too.
I was like hey okay, dot, Iwant to.

Speaker 6 (01:33:26):
Okay, cool.
That ain't how mama raised us.
Take that mask off.
I want to see what's under them.
Achievements why believe you?
You never gave us nothing tobelieve in Cause you lied about
religious views.
You lied about your surgery.
You lied about your accent andyour past tense All is perjury.
You lied about your ghostwriters.
You lied about your crewmembers they all pussy.
You lied on them.
I know they all got you in them.

(01:33:47):
You lied, got you in them.
You lied about your son.
You lied about your daughter.
Huh, you lied about them.
Other kids that's out therehoping that you come.
You lied about the only artistthat can offer you some help.
Fuck a rap battle.

Speaker 1 (01:33:57):
This a long life battle with yourself what'd you
think, man, that was Meet theGrams.
That was cool.
It was a dark song, man, I meandon't get me wrong.
It was hey man.
He asked for it.

Speaker 2 (01:34:14):
I just think, man, it's just one of those things,
bro.
It's like you're kicking ahorse while it's down.

Speaker 1 (01:34:18):
Yeah.

Speaker 2 (01:34:19):
It was good, but it's just like I mean damn bro.

Speaker 1 (01:34:23):
It was extra right, it was a little.

Speaker 2 (01:34:27):
I'm sorry, drake, he didn't do it to himself, bro,
because at that point, bro, I'mjust like damn like he's.
But then he is slaughtering him.
Bro, I'm just like I.
It's not even a head bopanymore.

Speaker 1 (01:34:38):
I'm just like, okay, damn and this is why this song
doesn't have much replay value,because it's kind of like damn
that's not really something youlisten to like.

Speaker 2 (01:34:45):
I mean, this is the one, this is the one song out of
all the four or five I don'twant to listen to, like this is
the one song for me.
I'm just like I don't mind, notthis, not listen to it, but
like if I wanted like, okay,like if I wanted to hate drake,
I'll listen to this song 100 ifI'm like yeah, I'm like no, this
.

Speaker 1 (01:34:59):
This is the song where he establishes how much he
hates him.
Bro, that's the track rightthere.

Speaker 2 (01:35:03):
That's like I mean I just I want to know me this,
this, the check.
This is like the gossip track Iwant to know if all this is
true like, yeah, like with thedaughter.

Speaker 1 (01:35:13):
That's what I want to know.
No big facts.

Speaker 2 (01:35:15):
Yeah, the mention of the daughter, the mention
because, yeah, like everyone'slike running with the, not like
us.

Speaker 1 (01:35:19):
I want to know if this is factual too no facts and
especially when you're makingaccusations like that being a
pedophile if it's factual youknow I'm saying him being a
shitty father, all that stufflike that stuff.
You know the gambling, thedrinking.
He posts all that in his socialmedia.
So that part we know is true.
Drake does like to gamble, hedrinks a lot, he posts the shit,
but so does a lot of people whodoesn't like exactly, who

(01:35:39):
doesn't like to have a good time.
That doesn't mean he does itevery day.
He doesn't mean that hislifestyle is really like that.

Speaker 2 (01:35:43):
No, but no one in this battle.
Shit is perfect.
No, exactly because, like I wasabout to say that, because
their angles.

Speaker 1 (01:35:51):
All right, so we'll go over their angles real quick.
Kendrick's angle is Drake'sbiggest angle is that Drake's a?
Pedophile, that he's a shittyfather.
He's hiding his daughter.
He has a daughter that no oneknows about.
The biggest one, though, isthat he's a pedophile that's the
biggest one, but then also thathe's hiding a daughter, that
he's a shitty dad, that he's nota good person.
He's a fucking impersonator tothe culture.

(01:36:12):
He's just whack.
He's just whack and he's animpersonator to the culture.
Those are his angles, Drake'sangles you're a wife beater.

Speaker 2 (01:36:18):
Fake woke.

Speaker 1 (01:36:19):
You're a fake woke.

Speaker 2 (01:36:28):
You're over here trying to act like you're
freeing the slaves.

Speaker 1 (01:36:30):
Basically, You're making yourself to be a god or a
deity that you're not and thatyou're acting like you're really
fraudulent.
You're not really like that.
You don't impress me with yourlyrics.
Okay, we get that that's hisangle, but then mostly that he's
a wife beater and that his wifeis fucking David Free Right and
the thing about it's I don'tknow anything about him.
I don't either and I researchedit only for this episode, bro

(01:36:51):
real shit.
And I looked into it and what Ifound out was drake wasn't
wrong when he said that and hesays this.
That's why I brought up thehard part six, and I'll probably
wait to say it.
Once we bring that song up,you'll see that.
So, basically, his angle isyour wife got fucked by your
manager.
You know, you haven't seen thekids.
You're not with the kids, nomore.
They don't know where their dadis.
His angle is that he's also ashitty father.
You're not one to talk, you'rea bad father too.

(01:37:12):
You're a fake woke and you beatyour wife and that's supposed
to be used to fight her.
And you get the point.
That's what he's claiming.
I feel like the biggest anglesfor both of them.
If you have to summarize it toone, drake is saying he's a wife
, he's a woman beater, a wifebeater and like a womanizer.
And Kendrick says you're afucking pedophile.

Speaker 2 (01:37:33):
Those are the two biggest angles.
Wife beating is still bad.
It is Thank you Exactly.
I mean it's not not bad.

Speaker 1 (01:37:39):
No, exactly, I'm trying to hammer that home.
Exactly.
His biggest angle is that, hey,you're a wife beater, you're a
woman beater, are we?

Speaker 2 (01:37:45):
going to worse than pedophilia.
No, no, pedophilia probablyit's still bad, it's still bad.

Speaker 1 (01:37:51):
Exactly, beating a woman is not okay.
We're not going to condone that, but those are their angles,
would you agree?

Speaker 2 (01:37:59):
Their biggest angles is, kendrick, you're saying that
you're a pedophile, your wifePeter, and all this and that,
and Drake, you're a fuckingpedophile.

Speaker 1 (01:38:15):
I really all you need to say about that.
I was about to say that I thinkcalling jacob pedophile is
probably the best.
Any man, any man, yeah, no manwants that.
Fuck me, or kendrick, you don'twant to end up a cell block one
.
You don't want to end up a cellblock one.
I'm getting ahead of myselfagain.
That's not like us, but it'slike you don't want to end up
there, because that's the worstshit you could be fucking
accused of, in my opinion.
Again, man, not that, it's notthat beating your wife is any
better.

Speaker 2 (01:38:27):
It's actually even worse than being like you know.

Speaker 1 (01:38:30):
I agree, it's even worse than that.
I'm on my emo's edge.

Speaker 2 (01:38:33):
You're not going to say it.
We don't want you to cancel it,but anyway.

Speaker 1 (01:38:36):
No, I agree with you.
It's worse than that, no doubt.
And again, like, beating yourwife is not any better, but it's
not worse either.
They're both terrible.
You get the point track here.
So, after that Kendrick decidedto double down because Drake
didn't respond.
I'm sure Drake was probably inshock still that this fool
dropped Meet the Gram so soon.

(01:38:58):
But then I want to say the nextday later, the biggest song,
the biggest track I want to sayin the entire year at this point
now, not Like Us by KendrickDoubling down.

Speaker 2 (01:39:11):
this is basically his version of back to back that
video is going to have a fuckingbillion views bro, right now
it's sitting on it no, theactual video, not the track,
like no from youtube.
No, that's not the video,that's a track.
They're making a video.
They did a video shoot lastweek.
Oh, they did.
Oh, that's gonna have a billionviews in compton that's gonna
have a billion views.

Speaker 1 (01:39:30):
In Compton, that's going to have a billion views.

Speaker 2 (01:39:33):
Okay, so the track on YouTube Over 100 million
already.

Speaker 1 (01:39:35):
No, no, no, not that many Almost, You're close.

Speaker 2 (01:39:37):
Like 95?

Speaker 1 (01:39:38):
99.
Oh shit, as it's sitting rightnow, at this time, right now as
we're recording this.
Not like us on YouTube, guys,this is not the streaming
numbers.
Those numbers are probably evenhigher, right, I'm sure,
spotify, apple Music, those areprobably way higher.
But on YouTube, where heoriginally dropped it with the
fucking I'll put it up here foryou guys to see it the cover art
of Drake's Estate.
You've seen it right, all thepedophile logos on the fucking

(01:40:01):
building.
99 million views on YouTube,actually, what less than two?

Speaker 2 (01:40:06):
months.

Speaker 1 (01:40:07):
One month ago, one month, one month that goes to
tell you, with 99 million views,this song is hands down, this,
this, this solidified Kendrickwinning this beef bro.

Speaker 2 (01:40:16):
The money he's made off that probably already.
Bro has already eclipsed himgoing platinum.

Speaker 1 (01:40:20):
Facts.
And then, right when you agree,this solidifies him winning the
beef Right here this song rightonce the video drops bro that's
like the nail in the coffin.

Speaker 2 (01:40:29):
The video's gonna have everybody in it, everyone
who's who, everyone who's acompton native, south central
native, la native artist who'sactually like relevant, they're
gonna, they're probably gonna,oh yeah that shit, oh, for sure
you're gonna have snoop in thatshit game.
You're gonna have fucking tooshort, probably corrupt gonna be
in that shit exactly.

Speaker 1 (01:40:47):
It's a west coast song.

Speaker 2 (01:40:48):
It it's about LA right, it's about the West Coast
, Bro.
You're probably going to havehope in there too.

Speaker 1 (01:40:53):
Yeah, not like us.
You can go anywhere with that,bro, you know, what I mean.
Oh, for sure it's everywhere.
Y'all know this song right, butwe're going to play it for the
sake of reviewing it.

Speaker 6 (01:41:22):
Here we go, not Like Us.
Kendrick Lamar Back I see deadpeople.
He can hate me.
Fuck him all in the mama.
How many ops you really got.
I mean it's too many options.
I'm finna.
Pass on this body.
I'm John Stockton Beat your assand hide the Bible.
If God watch you.
Sometimes you gotta pop out andshow niggas.
Certified buggy man.
I'm the one that up to scorewith him Walking down whole time

(01:41:47):
.
I know he got some hoe in you.
Better not have her go to cellblock one To any bitch that talk
to him.
And they in love, just makesure you hide your little sister
from him.
They tell me Chubb's the onlyone that get your hand-me-downs
and party at the party playingwith his nose now.
And Baka got a weird case.
Why is he around?
Certified lover boy, certifiedpedophile Wap, wap, wap, wap,
wap.
That'd fuck him up.

(01:42:08):
Wap, wap, wap, wap, wap.
I'ma do my stuff.
Why you trolling like a bitch?
Ain't you tired Trying tostrike a chord?
And it's probably a minor.

Speaker 1 (01:42:18):
He murked the fuck out of him bro.

Speaker 3 (01:42:21):
They not like us.
They not like us.
They not like us.
They not like us.
They not like us.
They not like us.
They not like us.

Speaker 6 (01:42:29):
You think the pay gon' let you disrespect Pac,
nigga, I think that Oakland showgon' be your last stop.
Nigga, they cold foul.
I don't know why you stillpretendin' what is the owl?
Bird niggas and bird bitches gothe hardy, ain't s'not dumb?
Shape the stories how you want,hey Drake, they're not slow.
Rabbit hole is still deep.
I can go further, I promise.
Ain't that somethin' P-, somep-rex?
That's for bitching you malibumost wanted.
Ain't no law boy?
You ball boy fetch iterate orsomething.

(01:42:51):
Since 2009 I had this bitchjumping.
You, niggas, will get a wedgie.
Be flipped over your boxes orover your phone.
The other vaginal option pussymight write this with a doctor.
Tell the pop star quit hiding.
Fuck a caption, won't action.
No accident, I'm hands-on.
He fuck around.
Get polished.
Fuck no rain girl like he injail that's conniving.
Then get his face tatted like abitch apologizing.

(01:43:12):
I'm glad D Rose came home.
Y'all didn't deserve himneither.
From Alonja down to Centralnigga.
Better not speak on Serena andyour homeboy needs subpoena.
That predator moving flocks.
That name gotta be registered,then paste on Neighborhood Watch
.
I lean on you, niggas, likeanother line to walk.
Yeah, up the park.
Put the road label on me.
I'm going to get them dropped.
Sweet chin music and I won'tpass the ox.
How many stocks do I reallyhave in stock One, two, three,

(01:43:35):
four, five plus five?
Devil is a lie.
He is 69.
God, freaky ass.
Niggas need to stay their assinside.

(01:44:02):
Roll their ass up like a freshpack of Zonk.
City is back up.
It's a must.
We outside.
He is 69 guy.
Put in railroads and trains.
Bear with me for a second.
Let me put y'all on game.
The Saddlers was using townfolk to make them richer.
Fast forward 2024, you got thesame agenda.
You run to Atlanta when youneed a check balance.
Let me break it down for you.
This, the real nigga challenge.
You call future when you didn'tsee the club.
Ay, what lil' baby, help youget your lingo up.

(01:44:23):
What?
21,?
Get your 4th street cred Thug.
Make you feel like you a slimein your head.
What Grabo said you can be fromNorthside.
What 2 Chainz say you good, buthe lied.
You run to Atlanta when youneed a few dollars.
No, you not a colleague, you afucking colonizer.
The family matter and the truthof the matter he was God's plan
to show y'all the liar.

Speaker 1 (01:44:48):
I like that part, bro , Real quick, before we get into
the last part of this track,when he was like it was in God's
plan.

Speaker 6 (01:44:53):
Listen to this God's plan.
You got that For the matter.
It was God's plan to show y'all.

Speaker 2 (01:44:58):
His biggest song was God's plan.

Speaker 1 (01:45:00):
Yeah, bro, you see how he I like how you caught
that too.

Speaker 2 (01:45:03):
Actually, it was actually how I meant it.

Speaker 1 (01:45:05):
It was, but still.
Yeah, you got it though, yeah,to me I don't care, bro.

(01:45:29):
I like that part.
That was hard.
The family matter and the truthof the matter.
It was god's plan.
Oh, let's show you who's a liar.
Oh man, you know what man propsto kendrick?

Speaker 2 (01:45:39):
I'm sorry they managed.
And the truth of the matter, itwas god's plan to show you the
lie.

Speaker 1 (01:45:42):
Oh yeah, you saw that that was dope.
We referenced both songs.
Man bro, it's hip-hop dog.
That was hard.
I like that right.
That was clean to me.
I like it to me.

Speaker 2 (01:45:50):
I like it.
He's just got a way better pengame bro period.
Jcole's not touching thateither.
Sorry.

Speaker 1 (01:45:58):
I'm not arguing with you, brother JCole's dope.
I will say this though they'reboth legends in their own right,
a little differently.
And they both got mad penskills.
Bro, it's just separate, justin different ways, in different
ways.
He's not better, he's not.
I know that's subjective.

(01:46:19):
He's great, you know he's gotgreater ways up bro.

Speaker 2 (01:46:22):
You can just see, bro , okay.

Speaker 1 (01:46:24):
I know You're right, dog.
What are you saying, though?

Speaker 6 (01:46:32):
Nah, I'm touching you , bro.
He a fan, he a fan, he a fan,he a fan, he a fan.
He a Freaky-ass nigga.
He a 69 God.
Freaky-ass nigga, he a 69 God.
Hey, hey, hey, hey, run foryour life 69 God run for your
life.
Hey, hey, hey, run for your life.
Freaky-ass, nigga, he's a 69god.

(01:46:55):
Freaky ass, nigga, he's a 69god.
Hey, hey, hey, hey, run foryour life, hey, hey, hey, hey,
run for your life.
Let me hear you say oh be ho,oh be ho.
Say oh be ho, oh be ho.
Then step this way, step thatway.
This is trolling with this boybro are you?
My friend, are we like being?
Then step this way, step thatway, this step this way, step
that way.

Speaker 2 (01:47:17):
Damn bro, this is a nail in the coffin right here.
I thought one of the parts too,that was like one of the parts
that was like that was hard too.

Speaker 1 (01:47:26):
Good job, Kendrick.
When that fool said you won thebeef.

Speaker 2 (01:47:29):
Yeah, you did bro Nah the part.
Yeah, he did bro nah the partwhere he was like when that fool
said nah, when that fool waslike oh, the devil is a lie,
he's a 69 God.
That means man, you ain't likebro, you ain't even what you,
you ain't all you are is afucking priest.

Speaker 1 (01:47:45):
Nah, real shit, you're a 69.

Speaker 5 (01:47:46):
God and you were really bro, that's, You're a 69
guy.
You were really bro.
That's what I got from it too.

Speaker 1 (01:47:50):
Yep, that was a lie and that's what he's saying.
There's no doubt.
There's no doubt about this.
What do they say?
When they say something'sdefinitive, there's a word for
it.
When someone loses in the race,the voting race, where it's a
landslide, there's another wordfor it.

Speaker 2 (01:48:05):
I mean landslide's good.

Speaker 1 (01:48:12):
That landslide's good .
That's a good one, right?
That's a good word to use.
You're right, this shit was alandslide Fucking unanimously
done, bro, like solidifiedfucking victory bro.

Speaker 2 (01:48:17):
Don't play Heartbreak 6, man.

Speaker 1 (01:48:19):
We have to, bro.
It's part of the beef we got todog Look, you're right, because
I don't want to end it on a badnote.
That's why I shot the confettiearly.
Because Kendrick won, would youagree?
The Timeless Talk crew agreesthat Kendrick Lamar won this
beef, would you agree?
I think it's unanimous.

Speaker 2 (01:48:36):
You have to agree, bro.
I mean, you don't have to agree.

Speaker 1 (01:48:40):
No, there's Drake fans out there that say
otherwise.
Obviously I mean it's If youbelieve that you're delusional.

Speaker 2 (01:48:45):
It's an opinion-based thing but You're delusional,
Bro.

Speaker 1 (01:48:48):
who based thing?

Speaker 2 (01:48:48):
but you're not looking in, bro bro, who bro the
?
Who is the?

Speaker 1 (01:48:50):
no, they're the best.
Even the establishment, bro,they're in the epitome of
delusion.
I believe that drake one that'sa delusion.
Would you agree, drake?

Speaker 2 (01:48:59):
has support he did.

Speaker 1 (01:49:01):
He does have support and he has some good.

Speaker 2 (01:49:02):
He has some good swings he has some fucking dire
fans.
But think, but think about itthey are also human, bro, they
hear both sides, they listen toplenty of artists, bro, no one's
like man drake got this handsdown, bro, this is naturally
like, bro, I'm sorry, bro, he,yeah, that's me, you know, and
that's true.
Because, bro, his fans are alsolistening to that shit.
Yeah, sorry, it's not just likehis friends are just sticking
with his, their brothers in theboth, both of them, that's true.

(01:49:24):
No, like, like, like they stillrock with them.
Like once it comes out withsomething hot again, they're
gonna going to be like oh yo,he's back, but they're still
bumming Kendrick's shit.

Speaker 1 (01:49:33):
They are and they're still going to.
This shit's going to hit 100million, if not where it's about
to.

Speaker 2 (01:49:37):
It already hit it.
It already hit it, basically 99million.
It already hit it.
You probably should give that100 millionth.

Speaker 1 (01:49:46):
Yeah, for the first time.
That's the first time.

Speaker 2 (01:49:48):
I heard it this is dope dog.
I work out to this music.

Speaker 1 (01:49:51):
You know Dan before the end of the night tonight
it's going to hit 100 millioneasily, yeah, easy, before the
end of the night.
All right, guys, but now we aregoing to show.
We are going to play the HeartPart 6.
The only thing good about thistrack other than the beat, in my
opinion, other than the beat isthe name, because he took even
though Kendrick's still gonnamake a Heart Part 6, you know
what he is he took a title outof Kendrick's you know Heart

(01:50:14):
series of songs.
You've heard him right theHeart.

Speaker 2 (01:50:17):
If he was smart with this shit, Drake would have did
a video.
Right, you know how likeKendrick did that face shit.
Yeah, Drake would have did avideo where he face or some shit
, or like people that he likerespects you know, morphing into
their faces, talking to himlike he did some, just some shit
like that.
If he was really creative but Iagree if he was still, I agree
about it, I agree.

Speaker 1 (01:50:35):
And then rap, still be, you've still been great but
rap like with that thing, likebro deuce, you're gonna or study
their cadence and rap how theyactually would have rapped.
I agree, let me get tupac, youlike that tupac and snoop on the
song Like.

Speaker 2 (01:50:47):
Come on, man Like bro know your enemy, bro.

Speaker 1 (01:50:50):
No, I agree you know what I mean Like see man.
Would you agree with that,though, that Taylor Maypie would
have done better had he atleast studied the cadence and
made it make sense?

Speaker 2 (01:50:59):
Not with the AI.

Speaker 1 (01:51:08):
No, okay, yeah that's true Because disrespectful.
I agree.
The whole fucking you soundlike you didn't even sound like
pocket.
You didn't rap like him, youjust made it look stupid I agree
well, let's just wrap this shit, bro.
We'll get to the hard part six.
You go with it, you guys wantto add to it.
Sorry, not the heart, here we go.
This was drake's response,again to end on a high note.
Guys, sorry, we're gonna takeit back down to the last track

(01:51:29):
of the beef, which was the hardpart six by Drake.
And this is it.
Yes.

Speaker 8 (01:51:38):
Prove it.
Let's prove it.

Speaker 1 (01:51:41):
Prove it.
This beats hard.

Speaker 5 (01:51:44):
I don't give a fuck.
Nobody says the Pulitzer Prizewinner is definitely spiraling.
I got your fucking lines tapped.
I swear that I'm dialed in.
First I was a rat, so where'sthe proof of the trial then?
Where's the paperwork of thecabinet?
It's filed in 1090.
Jake would've took all thewalls down the streets, would've
had me hiding out in a smalltown.
My Montreal Connects stand up,not fall down.

(01:52:06):
The ones that you getting yourstories from.
They all clowns.
I am a war general, seasoned inpreparation.
My jacket is covered in medals,honor and decoration.
You waited for this moment,overcome with the desperation,
we plotted for a weekend and wefed you the information.
A daughter that's 11 years old,I bet he takes it.
We thought about giving a fakename or a destination, but you

(01:52:26):
so thirsty, you not concernedwith investigation.
Instead you in that Venicestudio.
It's a celebration.
You gotta learn to fact checkthings and be less impatient.
Your fans are rejoicing,thinking this is my expiration,
even the picture.
You use the jokes and themedication, the Maybach glove
and the drug he uses for lessinflation.
Master manipulator, you bid onthe speculation.
You dumb and reactive nigga.

(01:52:47):
I'm petty with dedication.
What about the bones we dug upin that excavation?
And why isn't Whitney denyingall of the allegations?
Why is she following Dave freeand not Mr Morale?
You haven't seen the kids insix months.
The distance is wild, daveleaving heart emojis underneath
pics of the child Speaking ofanything with a child.
Let's get to that now.
This Epstein angle was the shitI expected.

(01:53:08):
Tiktok videos you collected anddissected.
Instead of being on somedisdirect shit, you'd rather
fucking grab your pen andmisdirect shit.
My mom came over today and Iwas like mother, I mother, I
mother, I Wait a second.
That's that one record whereyou say you got molested.
Oh, fuck me, I just made thewhole connection.

(01:53:29):
This about to get so depressing.
This is trauma from your ownconfessions.
I just made the wholeconnection anymore.
This really got me secondguessing.
Touch my body by mariah careyplay.

(01:53:50):
You probably start reflecting.
I never been with no oneunderage.
But now I understand why that'sthe angle that you really mess
with.
Just for clarity.
I feel disgusted.
I'm too respected.
If I was fucking young girls, Ipromise I'd have been arrested.
I'm way too famous for the shityou just suggested.
But that's not the lesson.
Clearly there's a deepermessage deep cuts that never
healed and how they got infected, like if dave really fucked

(01:54:12):
your girl and got her pregnant.
Talk about freedom, resentmentnot sure how to ease the
sentiment.
This shit's too intimate.
I'm praying you recover fromboth incidents, but you a piece
of shit.
So this shit really.
No coincidence, drake is not aname that you gonna see on.
No sex offender, let's easy,does it?
You mentioned that a minor, butniggas gotta be sharp and tell
the fans who was it.
You thought you left D flat, dmajor.

(01:54:34):
I'll slit your throat with arazor and do Rick Ross hair like
that.
One flight from Malaysia.
I'm your baby mama screensaverOnly fucking with Whitney's, not
Millie Bobby Brown's.
I never looked twice at noteenager.
I'm a fucking hitmaker, dawg,not a peacemaker.
Yeah, bullets that I'm stuffingin each chamber.
Your ass in extreme danger.
Stop buying views and buycomments.

(01:54:55):
You may as well keep the paperShit you about to need for later
.
I give a fuck about yourstreaming data.
You could drop a hundred morerecords.
I'll see you later.
Yeah, maybe when you meet yourmaker.
I don't want to fight with awoman beater.
It feeds your nature.
We'll be right back, nigga, Isee you when I see you like

(01:55:34):
Fantasia Whitney, you can hit meif you need a favor.

Speaker 4 (01:55:37):
And when I say I hit your back, it's a lot safer, I
promise.
Yeah, I'm not going to lie.
This shit was some goodexercise.

Speaker 5 (01:55:44):
It's good to get out and get the pen working.
You wouldn't be a worthycompetitor if I was really a
predator and you weren't fuckinglying to every blogger and
editor.
But it is what it is.
You definitely got this shitburnt the fuck out, though.
You got ten more records todrop, the one before the last
one.
We finessed you into telling astory that doesn't even exist

(01:56:09):
and then you go and drop theWest Coast one and try and cover
that up.
I would like that one.
That would be some shit I coulddance to if he wasn't tripling
down on some whole otherbullshit.
But you know, at least yourfans are getting some raps out
of you.
I'm happy I can motivate you,bring you back to the game, you

(01:56:29):
know.
But you know, when we get intothe facts, everything in my shit
is facts.

Speaker 1 (01:56:39):
I'm waiting on you to return the favor.
What does he say?
He said if I'm a liar, whyaren't my parents Did you say
that?

Speaker 2 (01:56:56):
No, no, but that's the context.
He's like oh, that was a proof.
Yeah, you know which to me,when someone, when that's the
first thing that someone says,it's a red flag to me.
Yeah, oh, like, prove it.
It's like, okay, hold up, likewhy don't you just deny it?

Speaker 1 (01:57:07):
yeah well, because he , he, you know what, I guarantee
you, he probably has a teamthey sat down.
What could be the best responseto not like us?
That's a haymaker brother,that's done, you're done.
He knew it and I feel like, Ifeel like hold on, he knew it,
but I feel like he, he probablywas like well, I, I don't want
to straight up deny it, becausethat makes you look even more
guilty.
That's, that's how it goesusually when you're immediately

(01:57:29):
told that's not true.
What People are?
Just kind of like think aboutit.
No no.
They are bro.
They're like oh well, it isfucked, you're more guilty now.

Speaker 2 (01:57:37):
Either way You're fucked.
You've already been accused.

Speaker 1 (01:57:41):
That's what I'm saying.

Speaker 2 (01:57:41):
No, no, no, You're fucked, no, deny it.
You don't say oh wait, richard,proof, your proof means what do
you have?

Speaker 1 (01:57:53):
no, they're not.
If you're, if you haven't doneit, deny it.
Yeah, no, no, he didn't lie.
Though how do you deny?
Not in this song, but he deniedit no, he, no, he.

Speaker 2 (01:58:01):
He denied it by saying this if I was above, oh,
he did deny.
That's what he said, that'sokay yeah, but but that's a
slick way of saying oh, you gotproof because you know what
people I saw this online.

Speaker 1 (01:58:15):
People make fun of him for this.
Because it is true.
It is funny.
If I was, what did he say?
He's like if I was guilty, bestbelieve I'm too famous for this
.
No, you're not.

Speaker 2 (01:58:26):
Jeffrey Epstein was famous there's plenty of
pedophiles that are fuckingfamous, bro.
Roman Polanski, bro, the onewho made Rosemary's Baby, bro,
bro, he's still on the run.
Oldest fuck, he's still on therun, bro.

Speaker 1 (01:58:38):
This is what we're dealing with.
Drake, you lost motherfucker,you lost bro.
Take your L dog, okay, that'sit.
That's bro.
It's just man like Take your Ldog, okay, that's it.
That's why, bro, you're done,see L's dropping on him.

Speaker 2 (01:58:56):
I think part of it, bro, is like you know how Drake
was like attending those likebattle raps and shit with
fucking like Lush One and allthem.
Yeah, I think he Because, bro,those fools really know, bro,
they really do personals Maybehe those bro, those fools do-.
Bro, you think that shit waspersonal.

(01:59:16):
Bro, they bringing in your kidseverybody.

Speaker 1 (01:59:19):
They hit the heart.

Speaker 2 (01:59:20):
yeah, People that have died, like all kinds of
shit.
They really do the research oneach other, you know.
So it's like, if he's gonna,bro kendrick comes from that
same element too, bro.
So, like, okay, bro, kendrickjust had more, just had more.
Yeah, he just had more ammo,bro, and even if it was fake
ammo, bro, the the execution wasjust no, I damn near flawless.

(01:59:41):
It wasn't flawless all overallbecause he had that fucking joel
oisting line.
You know what I'm saying, but,and because I know you're right,
exactly, he didn't have that,bro.

Speaker 1 (01:59:48):
Let's be honest, the overall if he didn't?

Speaker 2 (01:59:51):
oh, that's true, though.
If he said Joel, what's hisname?
Haley Joel Osment.

Speaker 1 (01:59:54):
If he said that one bro, and that's what he meant.
We know what he meant.
It would've been nasty, hemessed it up a little bit, but
it's okay.
We all knew what he meant itwould've been nast oh I wish, I
wish someone would have caughtit so they could.
He could have re-recorded thatpart and then that way he would

(02:00:15):
have got it right, becauseeverybody's like joel's seeing
the fucking pastor, but the.

Speaker 2 (02:00:19):
Thing no, no, no, no.
But think about it, bro.
Think about it, bro.
Who in his camp really wouldwatch six cents and really be
like what's that actor's name?

Speaker 1 (02:00:27):
yeah, that's true, nobody but but exactly why we
knew it still works.
Not saying that no one'swatching the bar still no, of
course, but the bar still worksbecause everybody knows it
worked.

Speaker 2 (02:00:35):
But the thing is, bro , it's because austin's name is
joe, his first name is joelhayley, joel osment, you know
I'm saying, but like, who inthis camp is really gonna know
what his name is?

Speaker 1 (02:00:44):
he barely even know, the watch the name, bro, the
watch the movie like yeah yeahjoel austin yeah, that's it,
that's right k dot you right dogthat's the name right there.

Speaker 2 (02:00:53):
If someone just proofread that shit, bro because
he barely even knew it.

Speaker 1 (02:00:57):
Hey, bro, the pastor dog, I'm googling this shit.
I don't think you're right.
He was not in six cents.
Actually.
He's not the thing.
He actually owns a mega church.
He's not the same guy, bro.
No, no, I get it though.
Us being you know a specificand trolling aside, I think the
only the only thing that hemight have said that was
offensive, but at this point itstill didn't matter was when he

(02:01:21):
mentioned that personalattribute again he tripled down
on the whole day free thingwhere he's like why is why is
whitney following david free,but not mr morale?
You know, it's not like shedoesn'm saying Like she doesn't
follow.
It's true, she doesn't followKendrick on his social media,
but she follows his businesspartner, his fucking.

Speaker 2 (02:01:36):
Okay.
And then he's like oh, youhaven't seen the kids in six
months.

Speaker 1 (02:01:46):
The distance is wild, or what did you say?
Or the fucking that's filler.
But whoers bro?
But who gives a fuck?
That's true.

Speaker 2 (02:01:49):
Okay, he breaks up with his girl.
Whatever, who cares bro?

Speaker 1 (02:01:52):
Or he said why is she not denying the allegations?

Speaker 2 (02:01:54):
And what if she is fucking free?
Who gives a fuck?
Honestly, Kendrick owns thelabel.
Who gives a fuck, bro, Free ishis bro.
Who gives a fuck?

Speaker 1 (02:02:06):
Yeah, what would you do?
I'm saying if, if I was married, keyword being if, if I was
married and there was a specialone.

Speaker 2 (02:02:11):
Obviously I wouldn't like this shit.
I would have to.

Speaker 1 (02:02:13):
I would have to remove that person, bro manager
especially, but obviouslymanager's like sorry dog, I
slipped and fell on her pussy.
That's something that I have toaddress with her, though of
course you know what I'm sayingand that's sad dog.
How bad and tumultuous is.
Be that I'm just playingdevil's advocate here, trying to
understand his angle, if it'sbad like that bro, if she has to
go for the manager, bro, she'sstupid, exactly.

(02:02:34):
No, I agree.

Speaker 2 (02:02:37):
Why would you fuck the manager over?
The Dumb as fuck, just freaking, go out get a random that Find,
a random that isn't.
If there's truth to this.

Speaker 1 (02:02:43):
Yeah, he's retarded for even doing that.
Keep the Duckworth name out ofyour mouth, man.
Isn't that Kendrick's last name?
Yeah, right, kendrick LamarDuckworth.
Huh, yeah, is Lamar his middlename man?
Yeah, it is, huh.

Speaker 2 (02:02:54):
I believe.
So You're on your own bro, I'mpretty sure it is no.

Speaker 1 (02:02:58):
I'm pretty sure it's Kendrick Lamar Duckworth, I'm
almost.

Speaker 2 (02:03:01):
Yeah, it is.

Speaker 1 (02:03:11):
I'm listen now.
He probably smacked you in themouth a couple times.

Speaker 2 (02:03:13):
So it's kind of like I don't want no Kendrick's book.
We are just commentating onthis, we're just commentating.

Speaker 1 (02:03:16):
Kendrick, if you ever come across this shit, we love
you, bro.
You won.
That's just the honest truth.
We're not kissing no ass.
We listen to the music, right?
We're giving you guys an honestcritique, an honest, timeless
critique, right where we this isthe timeless talks crew opinion
on it and this is how we see it.
This is what it is, bro.
There's no denying it.
I mean.

Speaker 2 (02:03:35):
Oh yeah, that's one for sure, oh for sure.

Speaker 1 (02:03:36):
So Kendrick won.
That's as cool as I was saying.
We appreciate y'all fuckingwith us.
We gave you guys a breakdown.
That's the beef.
We dissected this shit.
We listened to each track withy'all.
You know I'm saying so.
Thank you for fucking with us.
We got a lot of good thingscoming for the rest of season
five.
Man, this is we're back.
We got another show coming.
I was gonna wait till the endof the episode to say but you
want to think, you want anythingyou want to add to that?
Real quick, before I get intoour street interview show, I'm

(02:03:58):
gonna get into and let them knowabout what we got coming up.
Yeah, I'll briefly let you guysknow, without going going into
too much detail.
We're gonna have another showthat's going to be on the same
channel as timeless talk.
It's going to be essentiallyanother another show that we're
going to start doing.
I won't reveal who the host isjust yet.
We're working some kinks outfor hosts and co-hosts of that
show.
I will be there, of course Iwill also be.

(02:04:19):
I will mostly be behind thecamera on this show, but we're
basically essentially going tobe on the street interviewing
people outside of clubs, outsideof like hot spots in hollywood,
maybe hot spots in the localarea here where we live, from
the town we're from and the showhas a working title right now,
street hustle.
Uh, what we're going to do,we're actually going to do a
poll on their social media, oninstagram, and get everybody's

(02:04:39):
opinion.
We're going to have two namesup there, but basically, what
we're going to do, guys, we havetwo ideas for a name for the
show.
Uh, I picked one furious pickthe other one, and then we're
going to post it up on ourInstagram.
We're going to have you guysvote and whichever, whichever
name gets the most votes isthat's going to be the name of
the show, cause we were justwe're we don't really know what
for sure works as far as a goodname for this.
You know this, this, this newshow we're going to start, but

(02:05:04):
it's going to be fun.
Got our funds together, we gotthem right.
We're gonna make it happen foryou guys at some point during
this season, for sure in thisseason anyway.
Guys, there's more coming thisyear.
Well, aside from that show,we'll get into detail about what
.
What else is coming fortimeless talk.
Uh, there's been changes aroundour show, around this show, and
then obviously changes aroundthe new show.
We'll get into that stuff later, but as far as that goes, I'm

(02:05:26):
gonna pass the mic one more timeover to furious here.
Then I'm going to say one lastfinal tidbit and then we'll see
you guys next week, what's?

Speaker 9 (02:05:32):
up alright, well, hey make your money, man, go out
there, man live life.

Speaker 2 (02:05:38):
You know what man stop playing like you don't know
, man.
Hey, communicate.
You know what I'm saying?
This is going to come offambiguously.
Communicate when you're makinga move, if you're connected,
saying this is going to come offuh, what's that word?
Uh, ambiguously.
Okay, here we go.
Communicate yes it's importantwhen you're making a move.
Okay if you, if you'reconnected, yeah, individuals
please communicate what you'redoing.

(02:05:58):
Okay, you know I'm saying it'sjust, it's just courteous.
Okay, let people know what'sgoing on, just like how he let
me know about the, about themerch, right now.
Just let us know what's goingon, so we're aware, you know
what I'm saying, so we know howto move accordingly.
Yeah exactly, Communication iskey.
It is God bless everyone intheir endeavors.
But please, like when you'redealing with people in you know,

(02:06:20):
movements, if you are involvedin any way, you know, just
communicate with your people.
That's it.

Speaker 1 (02:06:27):
I agree, it's all love.
I agree, it's all love.
You know what I mean?
No, I respect it and Ifull-heartedly back that.
100%, brother, that's true.
That's true, man.
You know, I actually want to goahead and coin in on that.
I also want to kind ofpiggyback off of what he was
saying.
Communication is key, man.
I mean whoever can relate tothe situation we're talking

(02:06:49):
about as far as communication,whoever can relate to that,
whoever can understand wherewe're coming from.
That applies to a lot of things, like you said, especially when
you're involved in anorganization with people.
Whatever the case, be incommunication with those people,
man, it's good to touch baseand be on the same page and have
closure and just have whateverit needs to transcend and

(02:07:09):
transpire into.
You need to at least do yourpart and contact those people,
because it's the right thing todo.
That goes for everybody andeverything.
So you know what I'm saying.

Speaker 2 (02:07:18):
To go off what you're saying, it applies to a lot of
things.

Speaker 1 (02:07:20):
You know what I'm saying Absolutely Not just that
particular thing, but everything.

Speaker 2 (02:07:24):
Anything with the group of people where you're
doing something together.
Things should be transparent.
Absolutely, it should be.
It's not always like that.
We work for it to be like that,but it should.
You know people, we should tryto be more like that, just
because it just leaves it justleaves it, pushes, it, leaves
less room for bullshit.
I agree, you know what I meanExactly.

(02:07:45):
I'm saying that correctly.

Speaker 1 (02:07:46):
No, you are, you're saying it perfectly correctly.
It leaves way less room forthat.
You know, communication is sokey because it leaves no room
for speculation, no furtherbullshit.
You just get your point across,you get to the point and
there's no guessing gamehappening.
You're just being direct.
I can't stand subliminals, Ican't stand silence when it
comes to things that need to endand definitive answer.

(02:08:06):
Direct is always the way, guys.
With that being said, be directin all your moves, everything
you say, all your communications.
Don't forget it.
You'll live a better life.
People will respect you more.
Trust me it's been timelesstalk.

Speaker 6 (02:08:21):
We'll see y'all next week homie still double down
calling us some slaves atlanta.
What's the mecca buildingrailroads and trains?
Bear with me for a second.
Let me put y'all on game.
The settlers was using townfolk to make Outro Music.

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