All Episodes

September 8, 2023 102 mins

Send us a text

Intro: Too much sodium? 0:00 
The best Predator movie ever made. 18:15 
You’re not active listening 22:48 
Eagle feathers and fake feathers. 35:43 
Not so good Ten Indigenous Movies List. 49:24 
TRS Top 5 Indigenous Movies List. 1:08:08 
Cinema should be an escape from the past. 1:36:47 

Movie Quotes
Thunderheart (1992) - Busted arm
Dances With Wolves (1990) - Why don't he write
Harry Potter and the Half Blood Prince (2009) - Arogog's funeral
The Big Lebowski (1998) - Donny's Ashes
Dances With Wolves (1990) - Don't hurt my mules
The Last Dragon (1985) - Sho'nuff
Predator (1987) Get to the Choppa! - I am here, kill me, do it - CIA got you pushing too many.
Wayne's World 2 (1993) - DJ Handsome Dan
Wayne's World (1992) - if you're gonna spew
Predator (1987) I'm gonna have me some fun - It ain't no man
Commando (1985) Army surplus store - Let off some steam
Back to the Future (1985) - Hello, McFly

Not So Good Movie List
Powwow Highway (1988)
Dances with Wolves (1990)
Last of the Mohicans (1992) Theme Song (Promentory)
Smoke Signals (1998)
Atanarjuat: The Fast Runner (2001)
Wind Talkers (2002)
The Business of Fancydancing (2002)
Bury My Heart at Wounded Knee (2007)
Songs My Brothers Taught Me (2015)
Wind River (2017)

TRS Top 5
Shandin Pete
Little Big Man - Thunderheart - Skins - Hunt for the Wilderpeople - Windwalker

Aaron Brien
Thunderheart - Dance Me Outside - Last of the Dogmen - The Education of Little Tree - The Missing - Powwow Highway

Salisha Old bull
Little Big Man - Th

.css-j9qmi7{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-flex-direction:row;-ms-flex-direction:row;flex-direction:row;font-weight:700;margin-bottom:1rem;margin-top:2.8rem;width:100%;-webkit-box-pack:start;-ms-flex-pack:start;-webkit-justify-content:start;justify-content:start;padding-left:5rem;}@media only screen and (max-width: 599px){.css-j9qmi7{padding-left:0;-webkit-box-pack:center;-ms-flex-pack:center;-webkit-justify-content:center;justify-content:center;}}.css-j9qmi7 svg{fill:#27292D;}.css-j9qmi7 .eagfbvw0{-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;color:#27292D;}

Mark as Played
Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Aaron Brien (00:00):
Coming in clear on your end.

Shandin Pete (00:02):
Yeah. It sounds really nice.

Aaron Brien (00:05):
But yeah, it's the it's the man. Oh man, I still
got it.

Shandin Pete (00:09):
Do you ever set up the arm?

Aaron Brien (00:11):
No, I've only had internet for like, four days.

Salisha Old Bull (00:15):
The arm is a broken arm.

Shandin Pete (00:18):
Oh

Aaron Brien (00:22):
arms, the broken arms. The busted arm.

Shandin Pete (00:26):
Yeah, just for just for just for technical
clarification the arm hasnothing to do with the Internet.
It's simply a device to hold themicrophone.

Aaron Brien (00:38):
Yep, I've never recorded a podcast in my
apartment.

Shandin Pete (00:44):
I stand corrected.
Okay.

Aaron Brien (01:02):
been put in hotels across this land, which I was in
last night. I just got here. Ijust got here like yes, that's
776 30

Shandin Pete (01:16):
years ago.

Aaron Brien (01:18):
Yeah, I leave in the morning. Yeah, I go to four
texts tomorrow.

Shandin Pete (01:21):
Road. Road life.
Row add. Row Add Row. You're onthe road life. I seen your one
of your recent stories. And Iwas gonna comment about it.
Because the thing that youshowed that you were eating was
pretty high in sodium.

Aaron Brien (01:46):
Oh, yeah. Big time.
That's I mean, that's a pizza

Shandin Pete (01:49):
and. And a tube of Pringles. That's sodium friend.
Now you are you have youachieved 40 You're over 40 now.
Yeah, I

Aaron Brien (02:02):
don't know where you're going with this.

Shandin Pete (02:04):
Well, I'm concerned about your health.
That's where I'm going. Well,you can

Aaron Brien (02:07):
shove your concerns in

Shandin Pete (02:11):
I can only imagine the swelling in your ankles in
all that driving along withalong with the tube of Pringles
and the pepperoni pizza

Aaron Brien (02:23):
I gotta get I gotta get the proper all right there.
And I think

Shandin Pete (02:28):
I think even had a sprite in the picture. Was that
a sprite in the picture?

Aaron Brien (02:32):
who drink Sprite?
Guys I'm not a Mormon.

Shandin Pete (02:38):
Oh my God come on.
Anyway, I was concerned I typedthe response by that now. You
don't need to hear that from methe

Aaron Brien (02:51):
fact that you said I typed up a response to it was
it was gonna be oh my god socrazy.

Shandin Pete (03:01):
It was becoming far too medical of a response I
deleted as I know it's not

Aaron Brien (03:08):
shocking that you would even think that way.

Shandin Pete (03:11):
I should have sent you a link to what is it? Med
md.com

Salisha Old Bull (03:16):
Yeah, it would be like why are my fingers
purple?

Shandin Pete (03:22):
why don't my cowboy boots fit no more?

Aaron Brien (03:27):
Why don't he That's dumb.

Shandin Pete (03:30):
I don't know that's not dumb. Well, okay.
This is we're gonna do first Iwant you to listen to the song
because this is a unique song.
Apart from the ones we've beenlistening to that I want to talk
about this thing you justmentioned. Why don't he right?
Okay that's what he's okay.

(03:51):
Let's do it.

Aaron Brien (03:52):
Yeah, yeah, I can see this is gonna be a banger of
a podcast.

Shandin Pete (03:56):
Why why why?
What's what's going on?

Aaron Brien (04:03):
Read up randomly mentioned Dances with Wolves
reference. You like I'm goingwith that? We're gonna go

Shandin Pete (04:15):
listen to this first. Have you listened to this
and then see if you can tell.
What What's the purpose of thissong? Here we go.

(05:04):
Get a good hair. And a goodlisten to hear the beat. hear
the bells in the background.
Yeah. Bells in the backgroundsomething something rattling in
the back. Okay kind of gives youthat, like a little bit of a

(05:28):
robot. Yeah. Throw some robotmoves in there. Okay. What do
you think?

Aaron Brien (05:38):
Does it have something to do with the
Warriors tradition?

Shandin Pete (05:42):
You know what? I don't know. I don't know. This
comes from the same real thatI've been pulling tracks off of
for the last, I don't know 12episodes and we've had various
interpretations. This is off thesame reel.

Aaron Brien (05:59):
It almost kind of sounds like a hand game song to

Shandin Pete (06:02):
Yeah it does. It does. It's
definitely not. It doesn't soundlike a warden song.

Aaron Brien (06:17):
No, it's not like an old dance too. It's like not
kind of has that like some ofthem like warriors homecoming
songs kind of sound Yeah, youguys are self scalped dance.
Yeah.

Shandin Pete (06:30):
Yeah. Yeah. That was a thought as well.

Aaron Brien (06:34):
Yeah. It's of the same stylization.

Shandin Pete (06:41):
stylization.

Aaron Brien (06:42):
You're welcome.
There's,

Shandin Pete (06:44):
um, I'll put a link in the show notes.
Definition to that somewhere.
stylization? I don't know. Butthere's there's a handful of the
songs on this some on thisparticular reel and I don't
know. I don't know what tothink. I wish I knew. Maybe one
day anyway. Anyway,

Aaron Brien (07:07):
what made me sad.

Shandin Pete (07:11):
Like I said, send up. We might see him one day.

Aaron Brien (07:20):
Again, again,

Shandin Pete (07:23):
oh Aragog.
Remember that when he'smemorializing the spider that
died? Like, should I saysomething? Yeah, go ahead. Oh,
era God. What

Aaron Brien (07:38):
about the Big Lebowski? Who didn't do it? The
ashes and he's like, we lostDonnie. Like we did so many fine
young men that he'll 57 257Saigon. Like, what do you do?

Shandin Pete (08:04):
I don't remember that part. Sounds funny.

Aaron Brien (08:09):
Donnie dies and they cremate him. And they go to
the beach to throw his ashes onthe beach but they're facing the
winter. Lady gives a littletalk. Talk about donde hijacks
in Vietnam. Yeah. Donny?

Shandin Pete (08:29):
Okay. I got it.
Yeah, I remember that. Now. I'veheard the the ash is blowing in
the face part. Yeah. Thatbrought brought the memory back.
Well, cool, man. That's awesome.
I love the reference. The BigLebowski I gotta watch that
again. I haven't watched it inquite some time. But um yeah, I

(08:50):
don't know man. I don't knowwhat this is. That song is

Aaron Brien (08:54):
doing what we'll do. Here today.

Shandin Pete (08:56):
This is what I this is what I'm doing here
today.

Aaron Brien (08:59):
This is what we're doing. Why don't you bring us
together?

Shandin Pete (09:01):
I brought you all together here

Aaron Brien (09:06):
Chad WHAT DO WE Oh famous Miss Mrs. Bull Pete

Shandin Pete (09:18):
Yeah, we've got Felicia This is joining us
because she wanted to chat aboutsomething important and you wish
to

Aaron Brien (09:29):
be told her to

Shandin Pete (09:34):
I suppose there's a you blasted out a movie
reference right at thebeginning. Right. Alicia did say
the show you did?

Aaron Brien (09:45):
I didn't know she said the bus dinner the broker
that stuff. Oh, yeah.

Shandin Pete (09:49):
So you did. You did the bus in arm which is from
what's the movie? Thunder heart.
Thunder hurt. When did thestronghold London strongholds
starring Val Kilmer and

Aaron Brien (10:02):
Red Deer table and y, z

Shandin Pete (10:06):
and Graham Greene and others and then eat without
knowing it. Aaron also threw inreference movie reference in the
native genre, and he said, Whydon't they right?

Salisha Old Bull (10:25):
Yeah, yeah,

Shandin Pete (10:26):
I heard when he cut himself off because he said
That's lame. Yeah, that's areference to Dances with Wolves.

Aaron Brien (10:34):
Oh, I see. I know where we're going with this.

Shandin Pete (10:36):
Do you know do you really don't
want Alright, so anyway, this isthe thing. There's, um, there's
this movie that apparently isand I'm quoting this article

(11:03):
that says this movie is indeeddifferent. And first, the end
part is not part of the quote.
That's me. First, there is nolasting in this movie, I broke
the quote. There is no lastingnot lasting means. There is no
lasting and second there's nosidekicks or appropriation you

(11:27):
know, what lasting is inreference to cinema in
particular, native cinema youknow, I've never heard it before
it is term lasting. So I had tolook it up. Okay, I had to look
it up. So looked it up inanother article references in

(11:47):
referencing what is it calledits first thing in lasting
writing. In Indians out ofexistence in New England this
was written in 2010 Apparentlythe phenomenon of a lasting is a
rhetorical strategy that assertsas a fact the claim that Indians

(12:07):
can never be modern got itlasting

Aaron Brien (12:19):
Yeah,

Shandin Pete (12:20):
how can we say that better phenomenon of
lasting is a rhetorical strategy

Aaron Brien (12:25):
we don't we don't say it we just don't I don't
know

Salisha Old Bull (12:33):
we are lasting

Shandin Pete (12:34):
we are we are lasting we've lasted

Salisha Old Bull (12:41):
well yeah, the last dragons

Aaron Brien (12:46):
Bruce Lee Roy

Shandin Pete (12:52):
Cooley's

Aaron Brien (12:54):
baddest man of the mall show no

Shandin Pete (13:01):
classic move out

Aaron Brien (13:03):
to talk a movie.
Yeah, that's a movie.

Shandin Pete (13:08):
What's the name of it?

Aaron Brien (13:10):
This is called the last dragon is the last dragon
Yeah, I

Shandin Pete (13:12):
think it's the last dragon Yeah,

Salisha Old Bull (13:14):
my gonna get you suckers

Aaron Brien (13:22):
anyway, you got the juice now shoddy

Shandin Pete (13:30):
man anyway, so last thing so apparently this
movie that I'm talking about.
doesn't employ this strategy oflasting no movie. We're talking
about his prey. Prey you knowthe movie prey? Yep. out
recently.

Aaron Brien (13:48):
And offshore like a year ago.

Shandin Pete (13:51):
Maybe a year and a half. I don't know. You're gonna
have an off shoot of the of the12 moons ago. moons ago. Yeah.

Aaron Brien (14:04):
The 13 XL. One day and

Shandin Pete (14:09):
the turtle the next hill.

Aaron Brien (14:13):
The that shit turtles back

Shandin Pete (14:23):
here that

Aaron Brien (14:24):
wolves, the wolves suckled from the conch sale of
Earth.

Salisha Old Bull (14:30):
Coyotes on the golf course.

Aaron Brien (14:37):
And brother Fox with this young

Shandin Pete (14:42):
man keep going

Aaron Brien (14:45):
nursed upon the bosom of Mother Earth. In new
moons, okay, as it is conceptionto birth.

Shandin Pete (14:57):
You're getting in there. Okay. all in there.

Aaron Brien (15:01):
Hey, why do you go medicine woman you

Shandin Pete (15:03):
remember? Oh, with the big old drum? Yeah.
Grandmother drum. Yeah.

Salisha Old Bull (15:10):
I was thinking of indigenous work right?

Shandin Pete (15:13):
digitus to work?
Oh, yeah. I don't know who thatgirl was or where she was up.

Salisha Old Bull (15:18):
Why'd you go?

Shandin Pete (15:20):
Anyway? Oh, okay, back to this. So yeah,
apparently this movie doesn'temploy the idea of lasting
meaning that can never bemodern. There's no indigenous
sidekicks, but I don't know.
You. You've all watched thisshow. Pray. You know, I got a
course. I think any nativewatching a show about Indians is

(15:45):
going to have just naturally aharsh critique, I think, maybe?
I don't know. You tell me. Whatwas your What was your sort of
initial impressions of, of this?
Show? solutia.

Salisha Old Bull (16:03):
I have to go first. Okay.

Shandin Pete (16:06):
Well, you're the guests. And you wanted to talk
about this. So we're gonna,

Salisha Old Bull (16:11):
I thought it was cool that there was a girl
that killed the predator. Andthat she was the warrior. And
that was my first generalimpression. I thought it was I

(16:36):
thought it was just cool that itwas a girl that was the main
person because I can't evenreally think of anything except
for going back to the one thatAaron mentioned was stand with a
fist. But she was she wasadopted. She was adopted, you

(16:57):
know, so

Shandin Pete (16:58):
stands with the fist. type or whatever. Yeah.
Okay. All right. All right. Allright. What's

Salisha Old Bull (17:09):
the word?
What's the word antagonists? Themain characters? Yeah. That was
cool. That was her. Okay. Yeah.
Well, it was also cool to seepeople or to recognize people. I
think that's becoming morecommon

Shandin Pete (17:28):
actors or actresses

Salisha Old Bull (17:31):
do Yeah. Just like people that you see. Like,
maybe you've seen them beforethey were in that movie, or
maybe you see them around. Andit's so funny, like, celebrities
that are, are native orindigenous or whatever. It's not
quite the same as seeingsomebody who is not. It's like,

(17:53):
still don't bother them orsomething. I don't know.

Shandin Pete (17:56):
Yeah. Yeah. The kind of change too and enough
you notice the manner of theirdress, the more popular they
become. The more sort ofeccentric their dress. The way
they dress is. I don't know ifyou noticed that. I've noticed
that.

Aaron Brien (18:15):
I can't take the hats anymore. The hats

Shandin Pete (18:21):
do you mean? What do you mean?

Aaron Brien (18:23):
You know what I mean? That you were gonna finish
that because you're saying

Salisha Old Bull (18:30):
Where's your hat? Me

Aaron Brien (18:32):
might be my beard fell

Shandin Pete (18:37):
yeah he faded out of that.

Aaron Brien (18:42):
I don't have it.
It's becoming it's it'sreplacing the ribbon skirt. And
everyone knows how I feel aboutthat.

Salisha Old Bull (18:54):
Well, you had this the last time

Shandin Pete (18:57):
we've had this conversation.

Aaron Brien (18:58):
Yeah. Anyway, we get you back on track. I'm gonna
get back to this break because

Shandin Pete (19:02):
I want to know what Aaron thinks. And I'm gonna
tell you what I think. Well, no,Aaron things so salacious. Oh,
that's cool. It's got a femaleas the antagonist main
character. Kills kills thepredator. Nobody else could do
it. She did it. Okay, go over.
Danny. Glover. No, but he's notthat he's one of the female

(19:27):
Yeah, he Yeah. I mean, ArnoldSchwarzenegger. Arnold
Schwarzenegger killed well,nobody could do it in the film
in the present film prey.

Aaron Brien (19:38):
Get the do the chopper.

Shandin Pete (19:41):
Ryan get to the

Aaron Brien (19:42):
champ hurry. Do it now who killed me I'm here

Shandin Pete (19:51):
do it now.

Aaron Brien (19:56):
What's the matter Mac? The CIA got you push it to
which pencils Yeah, man. Yeah,

Shandin Pete (20:08):
those Yeah, that's the classic quote. Okay,

Aaron Brien (20:10):
so, okay tell you something. I watched him. I
guess you better watch because Iwatched it

Shandin Pete (20:15):
from your memory.

Aaron Brien (20:16):
When I watched it.
I went in thinking the samething say leashes thinking like,
Hey, Mikey, this is pretty coolman. It's a native chicken.
She's from Montana like herbloodline. I don't think she
grew up here. I'm not sure.
Okay, it's from Fort Peck.

Shandin Pete (20:31):
None. Yeah.

Aaron Brien (20:33):
And, and I had the same thoughts. I was like, This
is awesome. Finally, it's likesomething that's not cheesy.
It's just gonna be predatorshit. Right? So this is how I
know the movie was good. Okay,it's because I forgot that she
was native while I was watchingthe movie. Huh? Like it was just

(20:53):
a good movie, you know? Yeah, Ijust, I'm a fan of the predators
since I was a little kid, man. Ilove it. You know, I liked the
references to the Danny Gloverpistols. I liked. I mean,
everything. Like I liked thepredator thing. I wasn't a big
fan of predator versus alien. Soto me, to me, when I was

(21:15):
watching it. It was it's thebest Predator movie ever made.
Wow. Okay. Yeah, that's what Ithink. And for me, it has
nothing to do with the ladybeing Native. It had to do with
the fact that the movie was doneso well. And she was represented
so well. That you didn't have tothink about her character. So

(21:41):
when you watch the nativemovies, you're right, we
critique a lot. Yeah. But it'sit's really easy to do because
they give you so much ammunitionto do it. Right. Oh, yeah. Oh,
yeah. And so watching prey, youkind of forget, you just forget
and you just enjoy it. So that'show I knew it was something a
little different. I was like,Hey, man, this is cool. Then

(22:04):
when it got done, you're like,this was just a good movie. Who
had a female native lead, and itrocked the jukebox man. It was
cool. It was cool. I liked it.
Okay, do you get what I mean,though, like I do. I do. Or the
whole time were you going? Oh mygod. She's the native woman. Oh
my god. She's so resilient. Ohmy god. What are you doing that

(22:26):
the whole time? Like I don't? Ifeel like I'm talking to I feel
like I feel like I just shit onsomeone's birthday. And I don't
like the way you guys are makingme feel right.

Shandin Pete (22:42):
Now listen, what what happened? happened? Where'd
you go? Down?

Aaron Brien (22:48):
There was no reaction to anything.

Shandin Pete (22:50):
Oh, well, no, I didn't know you're finished. You
don't give that inflection pointwhere you like, and that's all I
got to say.

Aaron Brien (22:57):
You are not doing it. You are not a hey, you were
not active listening.

Shandin Pete (23:02):
I was active listening. I know. I took some
notes.

Aaron Brien (23:06):
You know you were doing you were doing things
world.

Shandin Pete (23:11):
The DJ thing from Wayne's World? What's

Aaron Brien (23:14):
Mr. Scream? Do you know what I'm talking about? Ah
ha ha ha ha let's go into Mr.
Screen. Wayne was like Wayne islike I don't you're not
listening to a word I'm sayingwith the microphone that's what

(23:41):
you did to me. Just no, no, I

Shandin Pete (23:49):
was listening to

Aaron Brien (23:50):
your eight tracks ready and doing a show notes.

Shandin Pete (23:56):
I do. My kid my kid busted me doing that.
Because I'll do all lose trackof what's going on, you know? Uh
huh. Oh, that's cool. Oh,really? Uh huh. That's cool. You
know, you get into this kind ofthis pattern. You kind of know
what he's saying but not really.
Then he said and then he saidAre you even listening?

Aaron Brien (24:18):
He busted you look at that scarf. She sold it. Is
that a sticker or an airfreshener? Sticker? Which
American

Shandin Pete (24:26):
fridge magnet guards refrigerator magnet

Aaron Brien (24:30):
guards Algor from Aurora Garth

Salisha Old Bull (24:35):
Thank you. I was like if you're gonna spew
spew in this

Aaron Brien (24:39):
tape give you a no street guarantee. You're gonna
spew spewing this little tinycup folded up? That's a movie we
should talk about. Oh, weshould. Okay. So I want you to
think about what you're askingus to do right now. Oh,

Shandin Pete (25:00):
no, no, no. I'm thinking about it. I'm thinking
about it.

Aaron Brien (25:05):
Or do you want to do your, your, your rent before?
I

Shandin Pete (25:09):
know I want to say about it because I'm, I want to
I want to know,

Aaron Brien (25:13):
we pride ourselves.
We pride ourselves on thispodcast and being cheese balls,
right? Yeah, we don't I wouldsay we do like, like, and I
think people who listen to ourpodcasts are like, I love the
way you guys talk to each other.
Yeah, I like that. It's just tworazors. Yeah. Acting like,

(25:34):
chaos, right? Or whatever.
Whatever it is. They say once ina while we say something
articulate. And that's cool,right? Yeah. And I just want you
to be aware that you're askingthree native people. Okay, to
talk about a movie a nativemovie. You you're straddling the
fence, buddy. You're straddlingthe fence. You're borderline

(26:00):
colonizer. You're playing withfire.

Shandin Pete (26:05):
You're borderline settler.

Aaron Brien (26:08):
Would you yourself?
Shawn Dean Pete. From agencyroad in the Jaco Valley. Would
you listen to a podcast? Wherethree natives are talking about
a movie? A native movie?

Shandin Pete (26:24):
No. I wouldn't do it. I wouldn't do

Aaron Brien (26:29):
it. But we're gonna do it today.

Shandin Pete (26:34):
Well, this is the thing, man, because

Aaron Brien (26:36):
I don't know. I'm just I just don't I gotta be
aware what my thinking is.

Shandin Pete (26:40):
I got some issues.
I got some issues with themovie. They're small. But they
seem they're small, but theyseem like they could have been
addressed with the type ofconsultation that they had on
the movie. And maybe I justdon't know, maybe maybe I'm just

(27:00):
blind or unaware of some of thethings. Here's the first one. I
won't tell you the first one.
All right. It's small andinsignificant, but anyone who's
sort of aware of I don't knowthe technology of that time.
might agree. So the weapon shehas right? It's this little

(27:25):
hatchet. Right? Yeah. Youremember that? Oh, it pans to
various scenes of her using thishatchet. She uses the hatchet to
just chopping up some roots orsomething on a on a on a on a
rock. So she's got the hatchetin her hand and she's chopping
up some roots. Yeah, on a rock.
Now, what do you think thishatchet is made of? Rock? It's

(27:48):
made of another kind of rockshirt. Obsidian. Who knows? But
it has the look of that. NextYeah. And you know, you know
obsidian. You don't shirt.

Aaron Brien (28:05):
It has a it has a signature. Yeah. Trace obsidian.

Shandin Pete (28:10):
It's sharp. But it's brittle. Sharp but brittle.
Correct. Yes. Well

Aaron Brien (28:19):
brittle. It's brittle. But it's it's not as
tough as chert

Shandin Pete (28:24):
Okay, yeah. So if it was shirt, bit brittle, but
yeah.

Aaron Brien (28:29):
Basalt is a lot stronger.

Shandin Pete (28:31):
Sure, sure. Sure.
Sure, sure. Okay, so she'scutting this route, and then
goes another scene where she'sdigging up a route with this
hatchet. So, digging the route,then it goes to this next scene
where she's going to try to hunta deer with the hatchet. Like
she's gonna wing it at a deerand kill the deer with this

(28:56):
little hatchet now tell me am Ioff Am I off base yet? Does this
sound like the grounded in theRIA in reality? I don't know.
All right.

Aaron Brien (29:15):
Stop stop.

Shandin Pete (29:17):
I'm not done. I got the punchline. Okay, good.
Okay, I'm stopping no no

Aaron Brien (29:20):
good. No you go ahead and finish this is

Shandin Pete (29:23):
the last one.
Really? Not all those I canoverlook I'm so yeah, whatever.
Yeah, just attached to thehatchet and she made me She
don't have a digging stick. Andeven in the movie, it kind of
references that because her momor her aunt or whoever sitting
there is watching her cut upthis route with the hatchet. And
she's looking at her and shehands her a knife. She's like,
come on Quick, quick cuttingthings with this little hatchet

(29:46):
use the knife is a knife. Sherefused to use a knife. So she
used the hatchet, whatever. So Iget it up to that point. Then it
goes to another scene where shesharpening the head hatchet. Now
this is the part that botheredme. Now how do you think she's
sharpening that hatchet?

Salisha Old Bull (30:06):
With Iraq?
Yeah, metal.

Shandin Pete (30:12):
No, this is a shirt and or obsidian hatchet.
And she's sharpening it as if itwas a metal hatchet, you know,
like a grinding stone is that itonly is maybe just me. Is it
just me but that seems likesomebody sitting there saying

(30:35):
that we don't sharpen obsidianlike that.

Aaron Brien (30:41):
Okay, I'll give you that. Okay, is it more? That's
crazy. I gave you that. I mean,Sean Bean. It's like, come on,
lady. Are you? What are youdoing here? Or is it more crazy?
That it's a movie about aliens?
I don't know. I mean, I don'tknow.

Shandin Pete (31:06):
Okay, all right.
That's

Aaron Brien (31:08):
the part. That's the point. You're like, you
know, I can't take this guyflying in the gods flying in
with fishnet stockings anddreads. That's fine. I'm good
with that.

Shandin Pete (31:27):
Well, there's no alien consultants to say, no,
that's not what we don't wearfishnet stockings. But there is
there is

Aaron Brien (31:34):
also no native.
There's also no nativeconsultants that have lived in a
world where they're fightingaliens flying down. I mean, they
I'm sorry. I'm sorry. She has animaginary weird rope attached to
her. Her hatchet and you'reattacking that she's sharpening
this

Shandin Pete (31:56):
that's another thing is the rope.

Aaron Brien (31:57):
Yeah, lives the dog is a whole thing. The dog lives.
Argument your argument. I justcan't she doesn't have a Rudiger
or a mortar and pestle. That isefficient ground stone.

Salisha Old Bull (32:19):
Where's her?

Shandin Pete (32:21):
Well, it bothered me. It bothered me and I
couldn't look past it. Okay, I'msorry. I mean, I get the film. I
get the theatrical content. It'sgreat. Yeah, I was a good movie.
I liked it. I enjoyed the factthat it was a non standard role.
You know, usually it's the guyyou know, the hero dude, but not

(32:44):
in this case. Those are allcool, but couldn't look past the
fact that Well, that's one thingI couldn't look past. But you
know, I could put that awayeasy. And the other thing was
she makes a rope out of likepine tree bark. Oh, I know Tim
Ryan. But I don't think I don'tthink that's the adequate

(33:10):
material. Strength wise. Forrope that's going to pull you
out of a Mudbug I just don't seethat. I just can't and it's hard
to look past those are two minorminor annoyances but here's the
biggest one and this is the wowokay, this is another one.
Here's another one. Unless youwant to say more you want about

(33:31):
aliens no good the dog anymoreabout the dog? No Alicia the dog
or the alien got anything toadd?

Salisha Old Bull (33:40):
Watching Aaron

Shandin Pete (33:45):
kind of angry

Salisha Old Bull (33:48):
and did this like diabolical lab

Shandin Pete (33:58):
that's all you're worried about
anti gravity technology thatyou're not worried about that?

Aaron Brien (34:11):
Is he's like he's like that's not an accurate form
of hatchet toolmaking in themiddle archaic times. Nor is it
accurate that this this went tothe future. Yeah, then went back
to the past. Then what somewhereand got a black powder pistol

(34:31):
and then went back to the futurepast or whatever it is. Where
this girl lives and then shegives the pistol or they she
ends up with the pistol

Salisha Old Bull (34:43):
got the pistol? Pistol from the guy.
Yeah. That was eating the orangemedicine. The orange medicine.
Yeah. And made her see through.
She gets the pistol and the partthat I don't get is The rest of
the story is played out inledger art.

Shandin Pete (35:06):
Or the MDN.

Salisha Old Bull (35:08):
Yeah, well, no, because then that pistol
appears later in the 80s withDanny Glover. Did it make you
but they give him back?

Aaron Brien (35:18):
The Oh give him back the pistol

Salisha Old Bull (35:21):
was even mean like they didn't like it
yeah, but then that whole thinglike how did they even get the
pistol? How did they get in?
That's the whole the ledger theledger art.

Aaron Brien (35:43):
Okay, I'm okay. I'm okay with the pistol. I'm okay
with invisible invisible plantmedicine. And oh, yeah, that was
you show me an inaccurateprojectile point. Oh, cancel
your

Salisha Old Bull (36:01):
Did you know Did you make it shirt arrowhead?
Parents?

Aaron Brien (36:10):
Know we refer to them as projectiles? One it's
not

Shandin Pete (36:17):
it's not necessarily to compare with the
other fantasy. facetious Okay,all right. All right.
facetiousness aside, you knowyou're right. Oh, this is 2023.
All right. Well, and where haveyou? This was 2022. And we still
have actors, indigenous actorsmind you, which is what they

(36:40):
ought to be. But they're stillwearing fake feathers.

Aaron Brien (36:45):
Well, that's because it's illegal, man. They
can't wear what can film

Shandin Pete (36:50):
it's illegal. You know?

Aaron Brien (36:54):
Where are they gonna get where they gonna get
all these movie? eagle feathers?
I don't think they're given outEagle permits to Universal
Studio. I don't I don't know.
Well, I could be wrong. I'mwaiting. area. Yes.

Shandin Pete (37:11):
That's this is another small annoyance that it
doesn't mean nothing. But yeah,you know, everyone, everyone.
When they look at a native film,and they see the feather that's
all stiff and obviously painted.
Obviously, Turkey. Yeah, we'vegotten accustomed to that. But
it just looks it just looks bad.

Aaron Brien (37:33):
Are you are you applying the Edward Curtis
phenomenon to movie and savethem to be native? They have to
look a certain way. Maybe whichtribe is she? Would if she's
Abenaki? What if she's thereagainst it? against it, or Nair

(37:57):
gets it? Would if wouldn'tchoose? Stockbridge? Munsee Max
tucket Peak Watts

Salisha Old Bull (38:11):
dinner Hi real feathers. They would be feathers
of their own and probably havetoo much feather. We're like
brothers from like, Mr. Jest orsomething?

Shandin Pete (38:20):
Yeah. Yeah.
spangled gluud right to the tip.
Maybe maybe like Hollywood.

Aaron Brien (38:31):
Maybe Hollywood has some weird like, seeing because
it's a protected bird still,that they don't want to
perpetuate something, you know?
Right? I don't know. Yeah. Butalso, if we're going back that
far, let's just let's just saythis this movies set in like the
15 1400.

Shandin Pete (38:52):
No, no, it was just not that far back because
there's French fur traders inthere. Killing buffalo. So it's
got to be at 16 It's got to be1800s. It's got to be

Aaron Brien (39:05):
I don't know that she's not making a friggin
hatchet out obsidian.

Shandin Pete (39:10):
Well, maybe it wasn't obsidian.

Aaron Brien (39:11):
We're well into the proto type with a proto proto
contact. She's got metal. Okay.

Shandin Pete (39:19):
Well, I have to watch it again. I had to watch
it again see, because it appearsto be stone.

Aaron Brien (39:24):
We should have did a watch party where we watch it
and talk like Mystery ScienceTheater five. We should have did
that. Anyway, it's too long. I'madd it wouldn't I

Shandin Pete (39:36):
know it's almost two hours long. Okay, let me get
to a big okay. Oh, good.

Aaron Brien (39:41):
Do the big reveal.

Shandin Pete (39:42):
I know it's it's another gripe of mine. Now. One
of the one of the fun one of theone of the plots of the whole
film is not not only the alien,but also that this young girl is
trying to achieve This deed istrying to achieve this deed. And

(40:03):
I can't remember what they callit in the film. But they
remember she was trying to huntsomething that hunted them. And
this is early in the film. Andthey make it out like this. This
mountain lion is like, ispreying on humans. So it's like
getting people from camp anddragging them off into the woods

(40:24):
and eating them. That that'skind of far fetched and so so
that so the response of the filmis okay, in order to become the
word chief, you go off and killa lion bearing it back, then you
become warchief. And thatbothers me. And it didn't seem

(40:47):
it didn't seem right. It didn'tseem accurate. Now, now you can
say well, you know this aboutthis, the fishnet stopping Linna
anti gravity spacecrafts, Lenovodevice. Let's

Aaron Brien (41:04):
really look. Okay.
Okay, I get what you're saying.
It seems far fetched. Okay. Sothey missed. They missed the
mark on some consultation. Yeah.
Yeah. What's the movie about?
It's about a chick, killing somepredators, man. Yeah. Yeah. It's
not Geo. There's no guy fromCopenhagen gonna narrate over

(41:31):
this.

Shandin Pete (41:37):
Okay, all right.

Aaron Brien (41:38):
I allow, I'm not, but also I'm not super
sensitive. I'm also like, I justliked the fact that it's kind of
a far fetched idea, because Ithink is delivered as a far
fetched idea. I think if themovie was presented in a way
where it was supposed to beaccurate, and I'm gonna get
flack for this on the nextepisode, okay. But that's, that,

(42:04):
to me. That's what smoke signalsis supposed to be this
theatrical comedic version ofthe reservation. And the truth
is, I don't like the movie, man.
Okay. I don't like it. I don'tlike what it does. I don't like
what it says, I, for sure. Irespect the fact that it's all
Indian cast. And, yeah, that itwas paramount. But when, but if

(42:26):
it was presented as somethingchaotic or kind of inaccurate, I
did cool with it. But it waskind of portrayed as like, it's
finally native people tellingtheir story, you know, in a
comedic way. And I was like,Yeah, I don't know, man. I had
issues with it. Okay, we look atmovie like thunder heart. Yeah.

(42:50):
Thunder heart, to me is one ofthe best native movies ever
made. Because I think it wasdesigned to almost be like this
crime Western mystery thing. Itwas presented to be that way. So
it has some cheese in it. Yeah.
Because that's how it'sdesigned. And it's presented

(43:11):
that way for you. Does that makesense? What I'm saying?

Shandin Pete (43:15):
Yeah, it does.

Aaron Brien (43:17):
So to me that prey was clearly presented to be this
sci fi drama, like thisadventure film. Yeah. So I
didn't go into it. Me personallygoing into it looking for
accuracies and what didn'tthey're looking for badass
adventure, man.

Shandin Pete (43:35):
You got it, man.
And I got it. Oh

Aaron Brien (43:38):
my god, I love I liked the movie a lot. I think
it's the best Predator movieever made. I really do. And I'm
a fan of predator. I like topredator. Well, I'll say Alicia,
we're close in age. So like thatfirst Predator movie was like
people loved it. Loved it. Itwas

Salisha Old Bull (43:59):
into it. I wasn't into it until this one
came. And then I was into it.
And then I had to go back andwatch them all each one each one
the predator got more advancedin each one. But there were like
some things that were the samelike that that the net tool how
it like he throws them that andit like slices everything. Like

(44:22):
that happened every time everytime it was like you knew and
then that came out or like oh,he's gotten that die

(44:44):
Yeah, but he had been that sincethe 1800s. So good at it.

Aaron Brien (44:52):
In advance.

Salisha Old Bull (44:54):
We saw this.
We saw the leg cut Oh tree stumpin prayer. Okay

Aaron Brien (45:02):
1800s Who knows who's ever tried to remove a
tree stump from from the yard orfield? Little did you know all
you needed was? Oh my gosh.

Shandin Pete (45:17):
Them roots run deep. They do.

Salisha Old Bull (45:20):
It was interesting how they had him
tearing out basketball ones allthe time

Shandin Pete (45:27):
during basketball.
Oh, yeah, yeah. Ripping thebackbone out. Yeah. Yeah. And
he'd stare at him all strangely.
Remember. He never seen itbefore. Yeah. Wow, look at that
one.

Salisha Old Bull (45:42):
Yeah

Shandin Pete (45:46):
try it again.
Clear, play the throat. Okay,go. Go.

Aaron Brien (45:53):
I can't do it. You

Shandin Pete (45:54):
can do it. I can do come on. One that kind of
little gargle

Aaron Brien (46:03):
gargle thing I'm trying to do.

Salisha Old Bull (46:07):
You're gonna sound like the garage

Aaron Brien (46:15):
I think this is my, because I heard a lot of
critiques about this movie. AndI'm saying it's not as good as
the original. But I think that'sbecause people aren't nostalgic.
So they're not looking at thefilm as the film. It was a cool
idea, man. It was. It was ayoung chick that was killing
predator. Yeah, that is right.
Yeah. But the first one forsure. It's the most quotable of

(46:38):
all the predators.

Shandin Pete (46:42):
Yeah. Yeah. It's gotta be

Aaron Brien (46:44):
happy so fun. I'm gonna have me some fun. I'm
gonna have me some fun overthat.

Shandin Pete (46:51):
Remember that last cut is coming up that hill. Oh,
yeah, yeah, yeah, no

Aaron Brien (46:55):
remember the

Shandin Pete (46:57):
Oh yeah. Really?
believes that his name on thereBilly.

Aaron Brien (47:00):
It didn't egos egos believe in freedom. No, man.

Shandin Pete (47:07):
That a no man

Aaron Brien (47:15):
I thought you were in a freedom. Daddy. No, man

Shandin Pete (47:25):
that was 1987 Man.

Aaron Brien (47:28):
Dang, man. That's that's that's. That's life after
Commando. So far.

Shandin Pete (47:35):
Yeah. Our man.

Aaron Brien (47:37):
Commando. Oh my god. Remember he goes into the
army surplus store and still.

Shandin Pete (47:42):
That's like a dream. Oh, I want a bazooka. I
want a

Aaron Brien (47:48):
grenade launcher was my jam. He goes in there and
paints his face. Oh, yeah. putsit on his arms and then on the
bicep.

Shandin Pete (47:57):
Yes, sweaty, sweaty bicep.

Aaron Brien (47:59):
He's popping off man.

Shandin Pete (48:03):
blow off some steam Bennett. Remember that?

Aaron Brien (48:11):
He has a cigar when he says that. Yeah, some steam
minute, man. Then he finishes itoff with Terminator. One classic
white. suit. He was unstoppable.
I can barely speak English. Theguy could barely speak English.

(48:33):
He was dude. He went from Conan.
He went for freakin Conan toTerminator. Make bro.

Shandin Pete (48:45):
Okay, all right.
Let's. Yeah, okay. This is thething. All right. This is what I
want to do next. Because yeah, Iagree. Man Schwarzenegger films
late 80s. Early 90s. That wasit. Man. You can't beat it. You
know, I showed some first yearstudents a reference to Back to
the Future and none of them knewit. Maybe one had seen the

(49:08):
movie. That's how far off thisgeneration is from these
classics. You know? Why? You'rea slacker just like your old
man.

Aaron Brien (49:21):
Hello, McFly.

Shandin Pete (49:24):
Well, here's the thing. Here's 10 I'm gonna read
you 10 indigenous films you needto watch it's a list off the
internet from an undisclosedsite. Number one, and tell me
your rating. What should we dofive stars. Four stars. Three.

Aaron Brien (49:42):
Let's do 1233 being the best.

Shandin Pete (49:47):
Well, there's 10 of them. I think

Aaron Brien (49:50):
there's still no we're just gonna do. We're not
gonna You named a movie me andsay Leisha say it's a three.
It's a two. Okay, I gotta letour listeners do their own top
10

Shandin Pete (50:00):
You're on top 10 Yeah, Texas or email us. You're
on top 10 Here we go. Numberone, Powell highway 1989. Power
highway. Three. Right. What'sthe one is the best three three

Aaron Brien (50:12):
is the best. Oh three. What? three threes than
one bro.

Shandin Pete (50:19):
This is not a podium. This is not a pulley
three

Aaron Brien (50:23):
thumbs up.

Shandin Pete (50:24):
Oh three thumbs.

Aaron Brien (50:26):
Nobody ever gets excited for one thumb up.

Salisha Old Bull (50:29):
Where do you get? Where do you get a third
thumb? Where?

Aaron Brien (50:35):
Don't ask questions. You don't want to
know the answers. It's becausefives too much. 10s Ridiculous.
Let's just do 123

Shandin Pete (50:44):
Okay. 1233 being good. It's not a podium. It's
not a podium. It's thumbs up.
Okay, Powell highway. Three,ma'am. Alicia Powell highway.

Salisha Old Bull (50:56):
I don't know.
Three. I guess.

Shandin Pete (50:59):
You guess

Aaron Brien (51:00):
them. That was?
That sounds

Shandin Pete (51:04):
like you're just selling out?

Salisha Old Bull (51:07):
Yeah, I'm like the two. You're the two. I think
it was I don't know what therest of them are.

Shandin Pete (51:14):
Oh, you can read any of them? 1123 Yeah, any?
Good. Day two. What's the what'sthe codable from power highway?

Aaron Brien (51:24):
Let's go to Billings and Jason white women

Shandin Pete (51:31):
say that though?
But I know what you're saying.
More derogatory. No, I'm justkidding. solutia What's your
quotable from?

Salisha Old Bull (51:47):
I can't remember but I just remember him
looking at this car. Like it's ahorse to be part running in the
dust. Oh, yeah. Yeah,

Aaron Brien (51:58):
to me Paulo highway has more of those kinds of
scenes than quotable things.
It's like these weird littlescenes like remember when he
signed that song in the river?

Shandin Pete (52:09):
Oh, yeah. singing the song in the river naked

Aaron Brien (52:13):
because of mine, and he tries to catch the song
so to begin with that's a goodone. But

Shandin Pete (52:26):
my buddy read well, yeah. My favorite scene is
that when he goes to visit hisaunt is that his aunt? I think
in the scene is perfect becausethat because the house rundown
it's all them. You know? It'snot it's not this. Well, it's
studio. It's dim. You know? Itsmells like cigarettes. Oh,

(52:47):
yeah. She's sitting on one ofthose chairs that kind of has
that plastic vinyl on it. Youknow it's kind of cracked. Yeah,
that's that's my best scene.
Everyone's coming here lookingfor some good old fashioned
inner wisdom. got noneit's a good okay, that's that's

(53:13):
movie one of 10 one of 10 Let'sget through this

Aaron Brien (53:18):
list. We might not make they get

Shandin Pete (53:21):
this easy. Yeah, this isn't this is fun. This is
the easy one. I think a quickrating will come out on this
one. Dances with Wolves 1990Dances with Wolves.

Aaron Brien (53:35):
Who I'll give it to who?

Shandin Pete (53:38):
Okay, yeah, I mean, but at the time put
yourself in 1990 What would youthree it's a three three. What
do you read it now though?
Honestly. Two one okay.

Salisha Old Bull (53:56):
Yeah, I still see the team

Shandin Pete (53:58):
okay 2321 Yeah, what what's your issue with it?
Aaron was the deal

Aaron Brien (54:04):
No, I just saw see let's just chat.

Shandin Pete (54:08):
What was

Aaron Brien (54:13):
that need to be Shawn Dean close your door

Shandin Pete (54:27):
your door to knowledge there's a quote from
that. There's Oh, no. Yeah,

Salisha Old Bull (54:37):
yeah. Don't hurt my new horse. Yeah, we

Shandin Pete (54:40):
already had a few of those. Come on. Don't hurt.

Aaron Brien (54:43):
Go watch. Yeah. Oh,

Shandin Pete (54:45):
oh, yeah. Yeah.

Salisha Old Bull (54:49):
Put that in your book.

Aaron Brien (54:52):
Why don't we write the most underrated comedic
scene in In, in dances, wolves,it's not it's not supposed to be
this funny, but if you watch theguy's face, man, it makes you
laugh is when he's trying toscare him with that stick. Yes,

(55:12):
it's like it's a snake. KevinCostner is like looking right at
himI laugh so hard when I see that.
I don't think it's meant to bethat funny, but she makes me
laugh is

Shandin Pete (55:34):
a good one. It is good. Yeah. Okay, any other
quotables on that one? That Imean, you have to watch it if
you haven't watched that one.
You should watch it right

Salisha Old Bull (55:47):
yeah, when you didn't want it anymore. I said,
you don't want it anymore. Youleft it out there.

Shandin Pete (55:55):
I just my pants, and there's nothing nobody can
do about it

Aaron Brien (56:15):
I just piss my pants, and there's nothing
anyone can do about it. That'sawesome.

Shandin Pete (56:27):
Okay, we're gonna go to the next one. This one's a
bit now. This is the top 10 froma website so the last of them.
The Last of the Mohicans. 1992 Idon't know. cinematically

Aaron Brien (56:42):
it's I'll give it I'll give it a two but I
honestly was never that into it.
Yes. Song drove me fuckingcrazy. What song was it? That
epic kind of balancing they playor whatever. And then the girl
jumps off the cliff and then theguys like I get or another guy
gets thrown off the clip. Thegirl can dang it

(57:17):
not a big fan, man. Okay, thebig fool.

Shandin Pete (57:20):
Well, wait, this.
Is this the sound? Wait, let meshow you real quick. Well, I
think so.

Aaron Brien (57:27):
She's on it's ringtone.

Shandin Pete (57:29):
It's on my ringtone. No. Listen, this one
you can hear it?

Aaron Brien (57:40):
Oh, damn. That's intense. Yeah, yeah. There it
is. Oh, started looking around.

Shandin Pete (57:46):
Yeah. You got your black powder. Oh.

Aaron Brien (57:51):
Oh, my God. This run, run, run run

Shandin Pete (58:06):
is that the song you're talking about? Yeah.
Okay, anyway.

Salisha Old Bull (58:14):
I'm gonna give it a one. I don't think I've
ever had the patience to watchit. Okay. I looked at the
picture. And I'm like, I can'twatch

Aaron Brien (58:22):
that. Yeah, yeah, this falls in the same category
to me as Robin Hood. And like,like those kinds of movies were
just too long, man. They're toolong. And it's like, I really
wasn't that I actually don'teven think of it as an Indian
movie. When you say that. Inever would have thought I
wouldn't have put it in there.
Go.

Shandin Pete (58:42):
Yeah, wouldn't either. Yeah, yeah. There's no
quotables from that. There's notone I can think of. I can't or
not one, not one. So the jig isnot to do the jig.

Aaron Brien (58:54):
It's a big change driven movie.

Shandin Pete (58:58):
Jake driven. Okay, here's one we already talked
about. smoke signals. 1998.
smoke signals. You mentioned it,right. Yeah, I mean,

Aaron Brien (59:09):
I should correct myself. I'm gonna give it a two
just because it is native.
Everything Corsairs the wholething, but it's not my personal
style of okay, I'm just notintuitive. But definitely
codable Yeah, Audible, but themost epic scene in the movie is
the wig dude when he cuts hishair off. Did that like?

Shandin Pete (59:36):
Yes, exactly. Come on. Let's get some who can say
some reality to consultants.
Some of these things? Yeah.
Okay, so Alicia smokes 9098

Salisha Old Bull (59:47):
I know probably two to two. I didn't
know it was the kind ofcoordinate and I just remember
when I came out. I was like, Idon't know anybody who talks
like that. Anybody I

Aaron Brien (01:00:02):
don't know anyone who drives the car backwards.

Salisha Old Bull (01:00:07):
Every time though, you have to coat the day
is only 50 pieces of fabric.

Aaron Brien (01:00:14):
And she took two

Salisha Old Bull (01:00:16):
or two. Yeah.

Aaron Brien (01:00:19):
Probably one of the most quotable quoted parts of
that movie is when he, when hewas doing like his monologue
about the Jesuits playing themin basketball.

Shandin Pete (01:00:30):
All right, yeah.

Aaron Brien (01:00:31):
I've actually heard that like, I've kind of heard
that like in like, you know,people it's like, it's like a
thing people like to do butprobably the she toward and two
thing is probably the mostquotable deal.

Shandin Pete (01:00:44):
Yeah, I think so.
Okay. All right. All right. Now,this next one, I don't know if I
know how to pronounce it. And Idon't I've never seen it before.
I'm going to put it. I'm goingto throw it in the chat. And see
if somebody can pronounce it.

Salisha Old Bull (01:01:00):
fast runner.
Oh, fast runner.

Aaron Brien (01:01:04):
Okay, yeah, these are just wicked. I love these.
It's a good film. It's it's it'sit's a serious movie though.

Shandin Pete (01:01:13):
Okay. It's not for the faint of heart.

Aaron Brien (01:01:17):
It's a serious it's drawn comedy drama. dark comedy.
There's Well, I'm really funnypart on there, though.

Shandin Pete (01:01:28):
You don't want to say it sounds. I think I've seen
this now that you're mentioningit. I think like in the Arctic.
Yeah. Oh, I know the sceneyou're talking about. You just
have to watch it. I think I'veseen we

Aaron Brien (01:01:42):
would see them

Shandin Pete (01:01:44):
sleeping. They're sleeping. Yeah. Yeah.

Aaron Brien (01:01:50):
chases? Yeah. Okay.
Go next lightweight, so I guess

Shandin Pete (01:01:54):
I'll give it a three. Okay, so I've seen it.
You give it a three. It's good.
I don't seen it. I didn't seeit. Now this one's a strange
one. I don't I don't even thisshouldn't even be on the list. I
don't think Well, I don't know.
When talkers.

Aaron Brien (01:02:12):
Oh, that's a garbage movie.

Salisha Old Bull (01:02:18):
Isn't that like a really old? Oh, no, not

Shandin Pete (01:02:20):
when walkers, not the old wind walkers. This is
wind talkers. It's Nicolas Cage,Nicolas Cage. Beach, Navajo Code
Talkers World War.

Aaron Brien (01:02:31):
It's a horrible movie. Even when they're
shooting the the battleships orshooting onto the shore? It's
like a whole different. It'slike stock footage. Yeah. It's
like not even it's I don't likethe movie. I get a one. I don't
know any quotes out of it otherthan when they're trying to come
up with the name.

Salisha Old Bull (01:02:51):
That's not the one. That's my that's not the
one with the emo it would do myflag, is it? No.

Aaron Brien (01:02:59):
No, that one's called IRA, isn't it?

Shandin Pete (01:03:01):
No, it is. One.
Yeah.

Salisha Old Bull (01:03:05):
The same guy?
Well, this is

Shandin Pete (01:03:06):
about the the code talkers based on the story of
the Navajo Code Talkers duringWorld War Two.

Salisha Old Bull (01:03:13):
Well, that's super inaccurate.

Shandin Pete (01:03:15):
Yeah. I don't know if it goes to the Iwo Jima

Salisha Old Bull (01:03:19):
thing. Is it the guy that does that he raises
the flag?

Shandin Pete (01:03:23):
I don't think this is. Yeah. No.

Salisha Old Bull (01:03:26):
Movie on the movie? No,

Aaron Brien (01:03:29):
I don't think so.
No,

Salisha Old Bull (01:03:31):
no, it's about the targets. Yeah. It

Aaron Brien (01:03:33):
was about the Navajo code talkers. South
Pacific. Yeah,

Salisha Old Bull (01:03:37):
it's like it's like a one. But it's, it's good
for the talkers, the codetalkers.

Shandin Pete (01:03:44):
Okay, they could have done a better job. I think,
like, I

Aaron Brien (01:03:49):
don't have Nicolas Cage.

Salisha Old Bull (01:03:53):
Or why did you have to have Nicolas Cage if
it's supposed to be about thecode talkers like shouldn't the
code talkers be? Yes. Only wasNicolas Cage one of the code

Shandin Pete (01:04:03):
talkers.

Aaron Brien (01:04:04):
No. Okay. Let's move on. It's a garbage.

Salisha Old Bull (01:04:13):
He talks about numbers and another movie.

Shandin Pete (01:04:15):
Yeah, you find some national treasures do okay.
Here's the next one. And then,oh, the business of fancy
dancing 2002. The business offancy dancing.

Aaron Brien (01:04:28):
It's a two. It's that same except it's a Corsairs
movie, I think. Yeah. Yeah,

Shandin Pete (01:04:36):
I think so.
Sherman Alexie? Yeah. For hisbook. I don't know this

Salisha Old Bull (01:04:41):
one. I didn't know it was a movie it

Aaron Brien (01:04:45):
didn't like, homosexual guy.

Shandin Pete (01:04:50):
Let's see interested in one let's see,
when a successful spoken Indianpoet returns to his Native
American reservation for a fee.
Enrile he grapples with hisplace in the community and
reconnects with an old friend.

Aaron Brien (01:05:07):
That's finished it.
Why didn't you finish it?

Shandin Pete (01:05:12):
I felt it was getting offensive, so I thought
I'd better stop.

Aaron Brien (01:05:17):
Anyway, I don't know. I think that's it. Okay. I
give I give it a two it was it'sa decent film. I only watched it
one time.

Salisha Old Bull (01:05:27):
How have you seen

Shandin Pete (01:05:28):
every movie? Yeah, no, this is probably more
astounding. The new thing. Idon't remember it. I don't
remember it. No, quote.

Salisha Old Bull (01:05:39):
I never seen it. Yeah. Okay, here we go.

Shandin Pete (01:05:41):
Let's get this move on. Bury My Heart at
Wounded Knee. 2007. This even

Aaron Brien (01:05:53):
beach.

Shandin Pete (01:05:54):
It's like a Western. Oh, wage. Oh, yeah. And
the chief is the guy from StarTrek. No.

Aaron Brien (01:06:02):
Yeah. Yep. And they have it's really about Charles
Charles Eastman. It's aboutCharles Eastman. Dark doctor,
the doctor. It's not that it'snot great, but it's a two. I
give it a two. Okay, this is ahorrible list. I'm gonna do a

Shandin Pete (01:06:23):
really horrible list. It is all you need to do.

Aaron Brien (01:06:27):
But keep going. I wonder if

Shandin Pete (01:06:28):
we're gonna get to the end of this one. This one I
have never seen it. The song orsongs my brothers taught me.
Never heard of it. Never heardof it.

Salisha Old Bull (01:06:39):
Never. Like number one. Is this number one.
No. And

Shandin Pete (01:06:42):
this is just going through 10 that you ought to
watch. I was like it's gettingworse is let's see set on the
Pine Ridge Indian Reservation.
This coming of age film delvesinto the bond between the Lakota
Sioux brother and sister as theyface the challenges of their
surroundings.

Aaron Brien (01:07:01):
Never heard of it next heard of it next.

Shandin Pete (01:07:04):
Okay, Wind River.
2017. Wind River. All right.
Rookie FBI agent teamed up withgame tracker.

Aaron Brien (01:07:15):
I liked the part at the end or when he paints his
face in his in his backyard. Andthat guy comes up and he's like,
Why the hell are you? Why'd youpinch your face like that is? I
don't know. I thought it waslike the right thing to do or
something. He says somethingfunny. It's a tube. It's more of
a crime kind of Yeah, I'm

Shandin Pete (01:07:36):
you know, I don't remember it. I don't remember it
well enough to even.

Aaron Brien (01:07:39):
Yeah, talking to you guys. Is top fives ready,
though? Because this is garbage.

Shandin Pete (01:07:43):
Next is that's it that we went through? 10 That's

Aaron Brien (01:07:47):
horrible. shitless

Shandin Pete (01:07:53):
This is on? Should I tell you where it comes from?
Glad to know. This comes frompowerhouse.com I knew you knew.
Knew it. Yeah. There's probablybetter top 10 lists. I'm sure

Aaron Brien (01:08:08):
about this. Stop the recording. Let's do a couple
minute break and make our list.

Shandin Pete (01:08:14):
I'm gonna make them a list. Okay, I'm gonna
pause pause the recording comeback positive.

Aaron Brien (01:09:01):
I've never thought of me neither. I'm not in this
setting. You know?

Shandin Pete (01:09:09):
I'm gonna dig deep. I can only come up with
three.

Aaron Brien (01:09:13):
I'm gonna smoke your ass.

Shandin Pete (01:09:18):
Well, let me think a bit longer. But this? Well,
you will okay. No. I probablythink of something while we're
chatting. Okay, let's go throughthis. Top five. Top five. Not
not in any particular order.
Yep. And what I want you to dois tell me why. Tell me why.
Okay, top five and one. Whowants to go first?

Aaron Brien (01:09:42):
Let's just do one each right here. What do you
saw? Chandi. Yeah, Lisa. Okay.

Shandin Pete (01:09:48):
The one on my list. It I don't know. Yeah,
it's kind of a native movie.
Little Big Man.

Aaron Brien (01:09:56):
Little 50 years ago, 50 years ago this year.

Shandin Pete (01:09:59):
That's comedy.
Yeah, I said native though isn'ta native film

Salisha Old Bull (01:10:04):
been adopted native and there's lots of
those.

Shandin Pete (01:10:08):
Yeah. And you can't beat the comedy of Chief
Dan George net. I would

Aaron Brien (01:10:14):
say it's a native film. One of the most quotable
lines in all of Indian Countryis you can sleep in my Lodge.

Shandin Pete (01:10:23):
I think it captures Indian humors what I
think yeah, just kind of ourhumor. Or sort of morbid. Yeah.
Weird. Humor that people don'tquite get sent. Oh

Aaron Brien (01:10:33):
man alive can match them on a horse.

Shandin Pete (01:10:36):
It's kind of offensive and funny. Growing
gyms

Aaron Brien (01:10:39):
aren't a handsome was engines areas. No man can
match them on a horse.

Shandin Pete (01:10:48):
Am I still among the living? Yes. Okay, go ahead.
Whoever is next? I told youmine. And why go?

Salisha Old Bull (01:10:59):
That was mine.
I'll do my next one. Okay, mynext one. Next one. My next one
is tender heart.

Shandin Pete (01:11:09):
Ooh, yes. Okay.
He's in why he's in the can.
He's in the can

Salisha Old Bull (01:11:16):
thresholds country heart

Aaron Brien (01:11:21):
tender heart is on my list. And one of the best
lines is and he's, he's wearingwhat are those shoes he's
wearing? Oh, yeah, whatevershoes and they're a little bit
too snug, but he likes somecool. And he's like, he's got 15

(01:11:43):
cents or some little ones. Yeah,

Salisha Old Bull (01:11:47):
yeah. And the arms gonna be the bus that are

Shandin Pete (01:11:51):
Yeah.

Aaron Brien (01:11:55):
I liked that movie a lot, man. Yeah, I do. I think
it's I think it's because it'sit's a little dramatic and
exaggerated. But I think that'swhat it was designed for. Yeah,
I don't think it was designed tobe like a documentary. It was it
was designed to kind of be anexaggeration of the time, which
is reflecting that seventh, the1970s on the Pinery. Dresden,

(01:12:17):
like, in a weird way. It's afantasy. It's kind of this
fantasy adventure. Like, wherethey overcome the bad guy, you
know? And they convert the guywho works for the bad guy and he
becomes part of them. You knowwhat I mean? It's it's cool,
dude. It's got some it's gotsome it's got John. John should
out. What?

Shandin Pete (01:12:38):
Yeah, go? Yeah. Is Yeah, he's in the can. You had
yourself vision? A man withvision. One with the Rolex and a
brand new pair of shoes.

Aaron Brien (01:12:56):
You run with the ancestors that the need
it's good. When you know whatPaulo is like, it reminds me of
those early like the 80s. Andlike, the brush arbors. And
like, yeah, I always remember tome, I think fancy dancing is

(01:13:18):
very different now. But in thatmovie, you got those?

Shandin Pete (01:13:23):
Yeah, moves. Yeah.

Aaron Brien (01:13:25):
Yeah. No. Yeah.

Shandin Pete (01:13:28):
That was that was on my list, too. Yeah,

Aaron Brien (01:13:31):
it's on my list.
So. Yeah.

Shandin Pete (01:13:33):
So we're Yeah, we're aligning here. Okay,
Aaron, your turn. Go.

Aaron Brien (01:13:38):
Man dance me outside. Yep, dance. To dance me
outside man.

Shandin Pete (01:13:46):
Why Good shit.
Why?

Aaron Brien (01:13:48):
Well actually think about think about this. I just
thought about it. For one, itshows you for us native people.
It shows us a whole differentplace that we don't know about
which is eastern Canada. Oh,yeah. And yeah, and it still
there's things we can relate to.
And then how many Native peopledid you know growing up there
was a crew and there was alwaysone metalhead. Remember that?

(01:14:10):
Like? Yeah, there was a metalhead in there. And you're like a
native Metal Head. And I'm like,no other. No other native film
to me has a native Metal Head.
And all of us know about thedate of metal head. Yeah, this
Yeah. With his hair out and thenand then like, and then not to
follow trends, but the whole MMIW thing. It's got some of that

(01:14:32):
in there, man. Yeah, yeah. It'salso got the relative that
leaves the rest goes to the bigcity and kind of thinks she's
bougie Yeah, man. She wants tobe Reza again, right. Like, can
you do that story's been writtenman. You know? I remember the
part where the lady the old ladylists the cigarette thing. When
it comes out all them cigarettescome out.

Shandin Pete (01:14:54):
I don't remember that. Well, remember watching
her maybe once or twice do IGotta watch it again. I guess
what? Sorry. I remember thatpart. Yeah. Yeah.

Salisha Old Bull (01:15:08):
It's that movie because she goes away
because she can't have a baby.
But then she goes with her oldsnag, and then maybe by her old
snake or something like thismedicine does do this medicine
like medicine is happening. Topromote that's like every red
guy is worst nightmare, right?

(01:15:32):
woman went out to go do medicineto go get knocked up. Trapped.

Shandin Pete (01:15:41):
That never ends.
Well, by the way, when he's injail,

Aaron Brien (01:15:45):
he's in jail.
Remember, they get an arrest andyou're sitting there and so
where do you live? Like I livewhere the sun meets this the
land and where he goes off andstarts saying all this stuff.
And then the guy's like, wow,what cheating is like, his
neighbor.

Shandin Pete (01:16:04):
I know I learned and I watched it a couple of
times, and I just couldn't. Ididn't think it was great. I'm
sorry. I didn't I'm sorry. Itwasn't it wasn't bad. It just
wasn't good

Aaron Brien (01:16:23):
it was that's what we're doing.

Shandin Pete (01:16:26):
Bad All right, big man.

Aaron Brien (01:16:34):
You like Dustin Hoffman? So much go be with him.

Shandin Pete (01:16:44):
To get through this list, man. Okay. Okay.
First, okay. Okay, next, we'llstart back to top. My next one
on my list. I don't know if any,I'll remember this. And I don't
remember the whole of the wholemovie. But there's a couple
scenes that that make me say oh,yeah, this is reflecting

(01:17:05):
something that seems real.
Skins. Remember skins at

Aaron Brien (01:17:09):
skins are sleeping on skins. But Mogi yellow. Well,
that's fine. Yeah.

Salisha Old Bull (01:17:18):
Skins was oh, no, I didn't like oh, no, no,
it's still real. I like it. Iliked it. You know, there's a
part. There's a part. That's waytoo accurate. I was like, No, I
can't. I can't

Shandin Pete (01:17:33):
wait. The week i Yeah. Yeah.

Aaron Brien (01:17:37):
Alicia, that when I first watched it, I thought, Oh,
this whole let's watch ourselvesthing.

Shandin Pete (01:17:45):
Yeah.

Aaron Brien (01:17:46):
I like a little bit of fake. You know, it was just
it was a little too like, Imean, housing houses. They had
the whole nine dude like it was.
Yeah. Yeah, I agree with you. Itwas too real that the week scene
was like, I didn't even know thefictional guy. And I was like,
this is hard.

Salisha Old Bull (01:18:07):
That's a traumatic scene for me. Because
every time now when I walk intothis type of situation in real
life, I think of that movie.
Like backwards. Oh, do you thinka movie every time you walk into
that situation? Like no, I don'tever point

Aaron Brien (01:18:25):
this point. Because like when you go to the movies,
or when you say hey, family'sMovie Night, or you're with your
significant other and you wantto watch a movie? How real Do
you want to

Shandin Pete (01:18:37):
escape? Escapism right.

Aaron Brien (01:18:41):
Away from what to watch, pray to watch
stepbrothers. I wanna I don'twant to watch my uncle die
ChristHoly smokes. I've read that book

(01:19:01):
before.

Salisha Old Bull (01:19:06):
But I would rather hear your story about the
Fourth of July and how the babygot and save. Yes, yeah. Or
Thomas or somebody's dad.

Aaron Brien (01:19:21):
If we could get smoke signals. Skins up here.
Right here Oh, okay. You'realmost there, buddy.

Shandin Pete (01:19:34):
Yeah, no, yeah.
Making the list. All right. Oh,yeah, solution.

Salisha Old Bull (01:19:39):
Mine is last of the dogman Oh.
You go into waterfall waterfall,and there's a tie in the
waterfall behind

Aaron Brien (01:20:05):
thinking the same because

Shandin Pete (01:20:06):
I talked about this

Aaron Brien (01:20:09):
I liked that it's fantasy. I liked that it can't
be real. I love it. I love thewaterfall like

Shandin Pete (01:20:16):
I'm gonna erase this part of the podcast

Salisha Old Bull (01:20:23):
and this lady knows the language like what the
hell?

Shandin Pete (01:20:28):
apologist right?
Horrible. I'm gonna put a linkin the show notes to all these
movies so people that arelistening can watch them. And at
least know what we're laughing.
Okay. All right.

Aaron Brien (01:20:50):
Last time. You had dance me outside on your list?
Say Alicia. Yeah. And you hadthunder hard on your list? Yeah.
And you had lost a dog on yourlist.

Shandin Pete (01:21:02):
You guys list sir.
converging. We're.

Aaron Brien (01:21:05):
We're covering.

Salisha Old Bull (01:21:07):
Let's see if we have the last one. Probably
don't though.

Shandin Pete (01:21:10):
Wait, what? Let's see. Okay, what do you

Aaron Brien (01:21:12):
think you're gonna have? I don't think you're gonna
have this one. Let's hear it.
The education of little tree.

Shandin Pete (01:21:19):
No, love that movie. No. Movie. I'm taking

Aaron Brien (01:21:26):
love that movie.

Salisha Old Bull (01:21:29):
The book is good. Had good.

Aaron Brien (01:21:31):
Love it. His grandpa loved him, man. His
grandpa loved him. Dude, he getsbitten by the snake.

Shandin Pete (01:21:43):
And

Salisha Old Bull (01:21:45):
everybody's grandpa.

Shandin Pete (01:21:47):
I was hoping movie didn't show up on our list. did.
That's all right.

Salisha Old Bull (01:21:54):
That's just as bad as Indian in the Cupboard,
right?

Aaron Brien (01:21:58):
No, no, let's.
Let's not compare.

Shandin Pete (01:22:02):
Yeah, yeah, we're jumping. We're jumping arrows
here. So there's a lot ofprogress made? Yeah. What are
you talking about? No. Okay.
Anyway.

Aaron Brien (01:22:14):
Let me let me let me I get it. I understand why
you guys said that. Let mereplace education. A little
treat. All right. All right. Letme let me replace it because I'm
a fan of the Western. Okay, loveit. Missing the missing. The
missing. What missing? I likedthat movie. I've never I do like
them. What is it?

Salisha Old Bull (01:22:34):
I never. I don't know if I seen it. I
probably didn't.

Shandin Pete (01:22:37):
Is it? Is it a series

Aaron Brien (01:22:38):
or a movie? It's a movie. It's so it's a western
movie?

Shandin Pete (01:22:42):
The mist? Good?
Because it got patches.

Aaron Brien (01:22:46):
These patches are still in women. This other guy's
trying to help them travel guy.

Shandin Pete (01:22:50):
Okay. All right.
It's who's good. Who's the star?
Oh, Tommy Lee Jones. Tommy.

Aaron Brien (01:22:59):
Tommy John.

Shandin Pete (01:23:00):
And he's an Apache. Or is he an Apache?
Scouter. What is he? I don'tknow. I've never seen it. No.
Honestly never seen the missing.
You should

Aaron Brien (01:23:09):
you should watch it.

Shandin Pete (01:23:10):
I have to watch it. Okay, all right. Cool. I
don't know

Aaron Brien (01:23:15):
my my last. My last one was just poor highway.

Shandin Pete (01:23:19):
That's good. Last one. Power. Hi.

Salisha Old Bull (01:23:22):
My name is legends.

Aaron Brien (01:23:28):
I don't I don't think that's a new movie.

Shandin Pete (01:23:30):
That's borderline borderline Indian movie. Yeah, I
don't know. He

Aaron Brien (01:23:34):
just likes Tristan.

Shandin Pete (01:23:38):
Well, who didn't like

Salisha Old Bull (01:23:41):
to tend to that's the one and that guy.

Shandin Pete (01:23:45):
Yeah, one stab one stab. That isn't it's cool.

Aaron Brien (01:23:49):
It's good. Yeah, it's good. It's it to me. It
falls under those like epics.
It's an epic, which they kind oftake on their own. Kind of their
own thing. Yeah, it's It's goodthough. I mean, it's one of the
best movies ever made. Right?

Shandin Pete (01:24:05):
It's a good one.
Oh yeah. What's the girl's name?
Who ruins who ruined everythingwho ruined the whole dude.

Aaron Brien (01:24:16):
She wrote through the whole family. Everybody
everything nobody's talkingabout this? No one is she took
them all out man. She

Shandin Pete (01:24:25):
did. That's the whole reason what's his name
died and they had to go get hisheart from Germany. I don't know
what's

Aaron Brien (01:24:33):
crazy in that Lodge. 10 He's like got that
weird cycle face. Note thatreminds me Brad Pitt's doing
this weird cycle bloody phasethree of the scene on Tropic
Thunder where Ben Stiller justgot that Panda did bad

Shandin Pete (01:25:00):
Sorry.

Aaron Brien (01:25:04):
You gotta like log off of Academic Search Complete.
You gotta get out of jail.

Shandin Pete (01:25:10):
Did I find that on Google Scholar?

Aaron Brien (01:25:14):
I don't know my Get Out of Jail. All right.

Shandin Pete (01:25:17):
Okay. Any any other ones on your list that you
didn't mention? solutia No, Ihad one other one is more
recent. It's not of thiscontinent. And I don't know if
we were supposed to do that. Oh,rabbit proof fence. No, not
rabbit proof, but that's a goodone. But yeah, hunt for the

(01:25:39):
Wilder people. Do you remember?
Did you ever see them the hunt?
Yeah, well, they're people.
That's a good one. Ricky Bobby.
From our brothers and sistersdown in. Maori brothers and
sisters that yeah, that's a goodmovie, man.

Salisha Old Bull (01:25:58):
Yeah, then you gotta go on well, writer. Yeah,
well, right is a

Aaron Brien (01:26:02):
good one. Yeah, we're in a whole different deal
though.

Shandin Pete (01:26:05):
I know. Yeah.
That's kind of region. Okay,because for one

Aaron Brien (01:26:10):
population alone allows for the Maori people to
be represented more accuratelyin cinema where they're from?
Well, they might just be the onewhat's the one one they can
disagree? They can disagreethey're gigantic group of people
on their own island like thatgives them we're not gonna say

Shandin Pete (01:26:32):
gives us an agency

Aaron Brien (01:26:36):
one remember the Marines and it's kind of a rough
movie when

Shandin Pete (01:26:40):
they were once warriors that that one there
were warriors. They were oncewarriors. Yeah, that's a good
one

Aaron Brien (01:26:45):
too. Yeah, that's a good film. And I think we're
kind of missing some here. We'rewe're missing some focus here
rounded out.

Shandin Pete (01:26:53):
What? I didn't say nothing. Or they said look at

Salisha Old Bull (01:26:58):
okay, yeah.
Oh, we're missing some.

Shandin Pete (01:27:01):
Seems like there's some good ones. I

Salisha Old Bull (01:27:03):
Yeah. What about Jeremiah Johnson?

Aaron Brien (01:27:06):
What movie?

Shandin Pete (01:27:10):
You know, the one I always liked, but I only seen
it when I was a kid. And Ithought it was real cool. Was
that wind walkers? But I think Itried to watch it as an adult
and I couldn't watch it.

Aaron Brien (01:27:21):
There's something to be said for those for those
series that coyote waits.
skinwalkers you know, like thoseAdam beat beach kind of
detective things Tony Hillermanyes, they're not bad. You know.

Salisha Old Bull (01:27:36):
Black Robe.
Black, Black

Aaron Brien (01:27:39):
Rock, man. Suck.
Movie suck, dude.

Salisha Old Bull (01:27:46):
There's one way to Graham Greene and I don't
know what it's called. But it'sabout the last of the movie
people

Aaron Brien (01:28:04):
now we're just getting desperate

Salisha Old Bull (01:28:09):
to know what was left
Oh my gosh. The rest. I don'tknow why. The rest Natalie don't
know. Oh, I know. I know arecent one that I really like.
But it's really really really,really long. Dream keepers.

Shandin Pete (01:28:32):
I didn't like that. I liked it at first, like,
Oh, this is cool. But then.
Yeah, and

Salisha Old Bull (01:28:40):
the stories in it are cool. I like the story,
isn't it?

Aaron Brien (01:28:43):
Yeah. What about what about? Um, well, I just
seen it. Where did it go? Oh,shoot. Indian horse. Movie.

Salisha Old Bull (01:28:58):
Am gonna watch no sad movies. There's like a
lot of ones I left out though.
There's a lot of sad movies likeabout boarding schools.

Aaron Brien (01:29:07):
Yeah, I'm not a big fan of that either. I kind of
liked the far out hard tobelieve are the Western I do.
I'm a fan of westerns. I reallyam. So yeah. Do you remember
into the West?

Shandin Pete (01:29:20):
That one sounds familiar, but I can't recall.
No. Into the West. No into theWest woman

Aaron Brien (01:29:26):
woman walks ahead.

Salisha Old Bull (01:29:28):
I think like I think when it comes to those
kind of movies, I think they'vegotten better at representation
in the movies. But I think likethey're too hard to watch. Some
of them are too hard to watch.
They're too real. Oh, like TheRevenant The Revenant that's, I
can't watch. I watch movies likethat. Like, I don't want to
watch real about the real stuff.

(01:29:52):
Yeah.

Aaron Brien (01:29:54):
I kind of agree with you.

Salisha Old Bull (01:29:57):
I want to say something that's gonna at least
make me laugh. Yeah,

Aaron Brien (01:30:01):
what do you think about the Johnny Depp thing when
he pretended to be an Indian?

Salisha Old Bull (01:30:05):
Was that the one that's like black and white
and he's like floating in a boatsomewhere?

Shandin Pete (01:30:09):
Tonto, tonto.

Salisha Old Bull (01:30:12):
Oh, that one.
I don't really remember thatone.

Shandin Pete (01:30:16):
You had a bird on his head. Oh, what about

Aaron Brien (01:30:19):
black clothed?

Salisha Old Bull (01:30:29):
Pirates of the Caribbean, but but with a bird
on his head, right?

Shandin Pete (01:30:33):
Yeah, that's Tonto was same

Aaron Brien (01:30:36):
character almost.
Yeah, the same manner. Yeah.

Salisha Old Bull (01:30:39):
Yeah. Boring.
Gray. You say black cloud? Oh,that's not boxing movie. Huh?

Shandin Pete (01:30:49):
Great. I will.

Salisha Old Bull (01:30:51):
Black Cloud.
Oh, black cloud

Aaron Brien (01:30:59):
seem like you haven't time keeping up here.

Shandin Pete (01:31:05):
You know, anyway, yeah. Okay. Well, what's I don't
know. This is interesting, but Ithink maybe the listeners are
gonna have a struggle. Becausethere's a lot of like, what do
they call them? Loose referencesor references that they don't

(01:31:26):
know what the heck we're talkingabout.

Aaron Brien (01:31:28):
Since when have we cared about that? I mean,
seriously, when?

Shandin Pete (01:31:37):
I don't know. I'm just curious. I don't know how
to I don't know how to remedyit. And maybe you don't have to
don't don't know. But this thingwe got here

Aaron Brien (01:31:46):
so listeners listeners if you if you're not,
don't get references, just waitfor the next one. What I believe
I don't know.

Shandin Pete (01:31:57):
I'm gonna put a link to each of these shows if I
can in the show notes. Because Ithink people should watch some
of these. I think they should.

Aaron Brien (01:32:05):
I think you need to revisit dance me outside. I was
pretty disappointed.

Shandin Pete (01:32:08):
All right. Well, I'll watch it. I'll give you a
report.

Aaron Brien (01:32:11):
This guy wants to watch friggin Pocahontas.

Shandin Pete (01:32:17):
Squanto remember that one? That Disney classic.

Aaron Brien (01:32:20):
We bought neither Wolf Nor Dog. That was good.

Shandin Pete (01:32:24):
Neither Wolf Nor Dog. Hey, remember that one
movie? The guy goes to theArctic. In

Aaron Brien (01:32:34):
winter in the blood, man.

Shandin Pete (01:32:37):
Is that the movie?
I'm thinking of what happens inwinter in the blood? They don't
remember.

Salisha Old Bull (01:32:46):
Didn't get to watch James Welch

Aaron Brien (01:32:48):
remember war cry?

Shandin Pete (01:32:51):
I don't Oh, do what? Uh oh.

Aaron Brien (01:32:53):
What about war party?

Shandin Pete (01:32:55):
A war party that's thinking of Yeah. Yeah, yeah,
that's a good one.

Salisha Old Bull (01:33:03):
All I remember is there was a poster that hung
up my Auntie's bedroom. Oh.
That's all

Shandin Pete (01:33:13):
particular guy was on that poster. And so I was
hanging in the bedroom. I can'tremember this movie. The guy's
in the Arctic, or the tundra.
And he's studying wolves. Andthen there's a there's some
hunter that keeps visiting andhelping him but he's kind of a

(01:33:34):
funny character. I don'tremember that show. No, no, I
can't remember what it's called.
Anyway, anyway, this is dying.
We're dying out. Yeah, we'vedone it done. I think we've done
our job. We did our list. Weshould encourage people to watch
some of these movies justbecause it represents some

(01:33:55):
things that we think are eitherauthentic in a manner outside of
reality that sort of reflect ourhumor and vision outside of you
know, the history that's notalways accurately portrayed in a
certain way but yeah, I thinkit's important in any closing
words solution.

Salisha Old Bull (01:34:19):
And no, I just think that movies I think
they're just like getting betterand I think that's just like I
just said before, like, there isa movie coming out I can't
remember the name of it. Andlike kind of looking forward to
seeing it. And I think I don'tknow I think it goes along with

(01:34:43):
more like a mainstream Hill. Andthen it reflects history
reflects our history and that'slike a pretty important pretty
important having to do with likeoil and stuff like that, but
like if it's not, I felt like ifit's not Oh well done, it's
really hard to, it's really hardto want to watch it. Something

(01:35:06):
that reflects the historybecause I feel like we just
spend a lot of time explainingourselves all the time. Yeah.
And welike those are just like an
extension of that. It's likesomebody's trying to steal,
explain ourselves all the time.
And, and most of the time when Imake those, it's always only

(01:35:28):
reflecting like one tribe. Andthere's so many different
tribes. And, yeah, a lot oftimes, it's like a sad story. So
I think my takeaway is like, Itend to lean toward the unreal
plots, the unreal plot,something that's gonna make me
laugh and something I'm going toprobably watch repeatedly and

(01:35:52):
make references to repeatedlyand, and just something that's
going to be bring joy, you know,I don't know, I think those are,
the more memorable. I thinkthat's why the list that we made
was more memorable. Even if itis corny or inaccurate, it just
seems to be go along with makingmy day. Like, I don't have to

(01:36:16):
stop and cry in the middle ofthe day. Because I have watched
this movie. Like, I just, I havesomething to reflect on to make
me happy. So even if it's notreal, like that's, yeah, that's
what it is. I like it. And

Shandin Pete (01:36:36):
you can overlook sharpening an obsidian axe for
the escapism of defeating apredator. Aaron, what you got,
man?

Aaron Brien (01:36:47):
I agree a lot with St. Lucia. same sentiments where
if I'm gonna watch Nativepeople, I don't need to be
reminded of where I live. Right?
You know what I mean? Or like myupbringing, or I think there's
probably a way to make a nativefilm that reflects, at least our
read, it'd be cool to like,watch a native film about just a

(01:37:11):
group of kids and bikes in theiradventures in a little town, you
know? Right? Like, like,gathering money for an ice pop
swimming in the ditch or right?
You know what I mean? Likesomething real, like, but I
don't need to see. I don't needto see movies, where they're

(01:37:34):
putting cigarettes out onpeople's kids and shit. Like, I
don't I don't need to beaccurate, like, in that sense,
or this functionalism? Or, Yeah,I kind of like the idea of a
little bit of fantasy. A littlebit of that. Almost just

(01:37:54):
slightly off. You know, to me,like dances, that's me outside.
It's not super accurate. It'saccurate enough. It's still got
its level of cheese. It's stillgot its exaggerated forms, but
the way they filmed it, I likeit a lot. And but it's it's
distant to me, because that'sover in Nova Scotia. Are Quebec

(01:38:15):
and Nova Scotia. I think. Soit's like, to me, it's like,
okay, that's there. It's like,every time it's got to be just a
little bit something off, youknow? Yeah. Yeah. I like that
song.

Shandin Pete (01:38:28):
Yeah, that's important. And I think that
reflects the voice of, like, theindigenous viewer or the native
viewer of film. But, you know, Ithink there's maybe a over over
emphasis or attempt to make filmfor the non Indigenous viewer,

(01:38:50):
when in fact, if you make it forthe indigenous viewer, you're
really making it for everybody,because I think we're all very
similar in that way that weenjoy. laughter We enjoy
escapism. I think we get intosome trouble when we try to
represent something in aninauthentic way. But you know,
there's there's other purpose ofserving too. Illustrate past

(01:39:16):
that maybe people don'tunderstand. But yeah, I don't
know if that's I don't knowmovie is for that. I don't know
if the cinema has always that'sbeen always the purpose of
cinema is to, in your face, makeyou cry make you feel bad about
what you did or what you'regoing to do or what happened in
the past. Because more about us?
Yeah,

Aaron Brien (01:39:38):
I think that might be there might be cinema for the
for the privilege. You know, Ithink growing up like, like
reservation. Anyone who grew uplike res cinema is an escape.
Yeah, it's a step away fromsomething that you're not
living, you know?

Shandin Pete (01:39:54):
Yeah, yeah. So

Aaron Brien (01:39:57):
I think peace People who who come from
privilege they like those kindsof movies. I'm not saying it's
you can't like those movies.
When you're a kid. I'm thinkingof like when you're young and
when you want to watch a movie,like, you're gonna watch
something that's not real andnot accurate. And it's kind of
crazy. And it's kind of like,it's fun. Yeah. But what I'm
waiting for in Indian countrygets The Sandlot version of the

(01:40:21):
native version of like sandlotwhat they captured in that film
was like these kids playingbaseball in the summer, just
doing basic shit.

Shandin Pete (01:40:34):
Yeah. And I just stand by me.

Aaron Brien (01:40:37):
It's like, yeah, it's like, it's like, from the
kids perspective. So one daythough, there's going to be a
native film that's like that.
It's a group of kids.
Reservation dogs. I think it'sas close as we've gotten so far.
But even that's a little bitlike outlandish. It starts out
with them still in a chip truck,which is like, okay, all right.

(01:41:01):
Much, you know, but it's good.
Reservation dogs is cool, man.

Shandin Pete (01:41:04):
Yeah. Yeah. Well, cool, man. Let's, let's wrap it
up there. I think we wentthrough a lot of things a lot of
film that we enjoy. What Yeah,and I think you're right about
that. We live a life that oftenpeople try to to capture and

(01:41:25):
film but man, we don't want towatch that could just look out
our window or reflect back onthe past you know?

Salisha Old Bull (01:41:34):
Yeah. Or do some literally do some homework
and after read a book, read itin the book

Shandin Pete (01:41:45):
read it. Yeah.
Awesome, man. Well, this is agood one. This is good one that
movie I was trying to think of.
never cry wolf. Do you rememberthat? Never seen it. Oh, do

Aaron Brien (01:42:01):
different channels.

Shandin Pete (01:42:02):
never cry wolf.
Anyway. 1983 it's way back. Allright,

Aaron Brien (01:42:06):
the WG that was on WGN.

Unknown (01:42:16):
All right. Okay. All right.
Advertise With Us

Popular Podcasts

Stuff You Should Know
Dateline NBC

Dateline NBC

Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. Follow now to get the latest episodes of Dateline NBC completely free, or subscribe to Dateline Premium for ad-free listening and exclusive bonus content: DatelinePremium.com

The Breakfast Club

The Breakfast Club

The World's Most Dangerous Morning Show, The Breakfast Club, With DJ Envy, Jess Hilarious, And Charlamagne Tha God!

Music, radio and podcasts, all free. Listen online or download the iHeart App.

Connect

© 2025 iHeartMedia, Inc.