Cinematographer Mandy Walker, ASC, ACS shares how she got the lensing right for the 50s, 60s, and 70s scenes in the motion picture, Elvis directed by Baz Luhrmann, tells us about the tricky dance she does between accurately depicting period lighting while still making it look cinematic, and she gives us insight on ways to improve the lack of diversity in the industry. Some of Mandy’s credits include Elvis, Mulan, Hidden Figures, and Australia.
Vance & Nigel discuss which of this year’s Best Picture Oscar nominees was their favorite, why they don’t love the recent trend of films getting longer and longer, and Nigel tells us who he thinks should have been nominated for Best Eyebrows in a Motion Picture. Vance shares how he helped hip hop music videos get the iconic fisheye look in the 90s with director Hype Williams.
You can find Mandy on Instagram @mandywalkerdp
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Host: Vance Burberry ACS, Nigel Dick
Producers: Vance Burberry, Nigel Dick, Lindha Narvaez
Executive Producer: Lindha Narvaez
Associate Producer: Tyler Taylor
Intern: Jorja Moes
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