Episode 70 | "That's a Travel" (feat. Marcus California & Jaydigg) - Unapodogetic

Episode Transcript
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SPEAKER_03 (00:00):
Unapologetic episode 70.

SPEAKER_01 (00:05):
Unapologetic.

SPEAKER_03 (00:06):
Episode 70.
Newman and Deez.
Deez and Newman.
We got a special guest today.
Marcus California and your boyJ.
Dig.
How y'all doing today?
Good, man.
Thank you for having me, bro.
Appreciate it, bro.
It's like our third time kickingit.
Yeah, yeah.
We back at it.
Niggas is back at it, bro.
Back at it again.
Thank y'all for tuning in, man.
Work, school, shit, on the drivehome, traffic.

(00:27):
I appreciate y'all for tuningin.
Spotify, Apple Podcasts,YouTube, Patreon coming soon.
Thank you guys for locking in.
TikTok, follow us on Instagram.
Thank you guys.
We'll get right away.
Marcus, California.
We go big back.
I appreciate y'all.

(00:49):
All right.
She wanna.
I know money don't sleep, so I'mup, nigga.
And I'm sliding when I'm on the91.
I like to keep a little hope,cause they fun.
We some young niggas, baby, howyou blame us?
I know OG niggas, and theyraised us.
15, we was smoking OG.
I ain't even touch a mic till Iturn it drag.

(01:09):
And we was smoking pounds of theLC.
Riding around the same time,draw my first LP.
OC, LA, IE.
Two-stepping all night, nosleep.
Hit this, pop that.
Hit this, pop that, let's gameReal niggas out, stay up, be on
scene Nigga disrespect, niggaslick Girl, I'm in the field

(01:30):
with my cleats strapped, hestrapped Looking for the one,
bitch, I bend that Finger to thesky like fuck rats, fuck that
Bitch, I want it all like I'mBig Bad Girl, I'm in the field
with my cleats strapped, hestrapped Looking for the one,
bitch, I bend that Finger to thesky like fuck rats, fuck that
Bitch, I want it all like I'mBig Bad i want it all like i'm
big becky pretty bitches lovemark i got shit crack the voice

(01:54):
in my head keep it rolling realquick i got another one

SPEAKER_01 (02:00):
for y'all all

SPEAKER_03 (02:00):
right look We'll be right back.

(02:35):
How you guys doing today?
How you doing today, New?
I'm feeling good, bro.
I'm just excited to be here,man.
I'm ready to pop, bro.
Let's get it, man.
How y'all doing today, man?
It's a nice sunny day inCalifornia.
How y'all doing?
Yeah, man.
It's a great day.

SPEAKER_02 (02:48):
It's a beautiful day, you know.
We just dropped the real MarkAnthony out now everywhere.
You know what I'm saying?
Go stream that.
Go fuck with that.
Niggas work hard, man.
Put out a classic, for real.
So we excited, man.
I appreciate you.

SPEAKER_03 (03:00):
Probably last time we had you guys on...
Shit, which one album was thatone?
The No Room for Hate?
No, Ain't No Fairytales, Drop,Vowels in Between, Ain't No
Fairytales.
That's the second one.
I'm tripping.
Which one?
The No Room for Hate.
That's the first one.
That's the first.
I'm tripping.

(03:21):
Oh, shit.
Okay, okay.
So Ain't No Fairytales, right?
Yeah, Ain't No Fairytales.
It was right when we just hadstarted working on Endophonic.
Yeah, we just had startedworking on Endophonic.
That's what it was.
Yeah, that's when we talkedtogether.
I think it was 2023.
So how you guys feel now, man?
I think you guys, what, secondalbum together now, right?
Yeah, second album together.

(03:42):
How do you guys feel like thatchemistry is now, like,
progressed?
Man, honestly, shoot, bro.
It feels like...
So 2023, Jason had came home.
Yeah.
He lived in New York.
And at this point, it's about,like, two years working nonstop.

(04:02):
Yeah.
Literally nonstop.
So, like, looking back at it,we've evolved and grown so much
together.
But in the moment, it reallydoesn't, like, it feels like
we're just doing what we'resupposed to do.
It just feels like every day.
It just feels like, yeah,exactly.
You know?
So yeah, but Jason couldprobably speak on it.
How you feel about it, man?

(04:23):
Damn, I'm already faded.
What was the question again?
I know you and Marcus have beenworking now for like two years
straight now.
I know even before this, offmic, you were talking about how
you guys were in the studio lastnight.
How do you guys feel like yourrelationship has progressed?
Yeah, man.
I mean, fuck, dude.

SPEAKER_02 (04:40):
We both have the same passion.
We both share the same passion,the same love for music.
So it makes it easy.
It made it easy to link up.
And, you know, we kicked it ashomies.
All this sports, working now,da, da, da.
But it's different.
It's different when you'recreating with your friend.
Like, it's just like, so thattwo-year process since I've been
back, it's been life-changing,bro, for real.

(05:03):
And it means a lot becauseyou're doing it with your
brother.
It makes it easy.
Yo, nigga, pull up.
Fuck you doing?
Like, you know, it don't matterwhere you at, what you're doing.
You already have thatconnection, that rapport.
Yeah, it's like natural.
To be like, yeah, exactly.
So, yeah, the last two years,like you said, it feels natural.
It feels like we, you know,doing what we're supposed to do.
It don't feel like nothingextra.

(05:23):
But it means that much more whenyour friend is with you and,
like, you know, y'all can sharein the same ideas and be open to
creating and feel comfortable,comfortability to create.
That's

SPEAKER_03 (05:35):
important.
Yeah.
Yeah,

SPEAKER_02 (05:36):
hella,

SPEAKER_03 (05:37):
hella.
I feel like more than anything,this project, The Real Mark
Anthony, is kind of like thefruits of our labor that we put
in for the last two years.
You feel like this is it?
Yes.
Not it, but you know what Imean?
Yeah, yeah, yeah.
To this point?
Are the hard work paid off?
1,000%.
To this point, 1,000%.
I feel like even when we firstbegan on the first project,

(06:00):
Endophonic, something hadclicked at that point.
Something had clicked for me, Iknow.
As a rapper, as an artist, Iknow something for him.
It felt different?
Yeah.
Yes, yes.
It felt like a- We didn't get achance to talk to you about
that.
We weren't pottying.
It was a little break.
But Ain't No Fair Tales, I knowyou were saying how you were
trying different things and youfeel like you're getting in a

(06:21):
better flow.
I remember on the last one, too,we kind of asked you about the
typical artist stuff, likeyou're writing beat first, all
the typical shit.
But you said something click.
Do you mean like- Like, you feellike you just know what to do.
Like, you go in there and just,like, it's like LeBron on the
court now.
Like, you know what I mean?
The IQ's there.
Like, is that how you feeling?
Using that analogy with sports,it's like, you know, when the

(06:44):
game slows down.
Yeah, bro, naturally.
It's probably how, like, for youas a fighter, sometimes a fist
might slow down your head.
You know what I mean?
Yeah.
As a fighter, shit, like a flowstate.
Like a flow state.
That's dope, bro.
Obviously, it's like, you know,trials, tribulations, still
trying things and still, youknow, trying to push myself.

(07:06):
Push myself and push myself.
I feel like, yeah, I just gotmore comfortable.
More comfortable and I know Ireally honed in and locked in on
really just my process and mycraft and just songwriting more
than anything.
Yeah.
rather than just rapping,songwriting.
Yeah, that's dope.
Yeah, yeah, yeah, yeah.

(07:26):
So then, and like, yeah, bro,I'll say more, yeah, it's more
comfortable.
Songwriting more?
More comfortable.
How do you feel like you're, Iwas telling Newman off mic, I
was like, bro, I felt like, Idon't know, I thought you got
like sharper, bro, like.
Exactly.
I don't know, man, I don't knowhow to put it, but like, shit,
that single you put out withB-Town.
No Marks.
Yeah, No Marks, bro, we playedit on the pod, I think like when

(07:48):
it first came out.
And I was like This nigga MarcusHas always been smooth But like
This nigga sound sharper LikeYou probably know You know who
I'm talking to Obviously But I'mlike Yo this nigga Thank you bro
Yeah like This nigga as a fanLike now as your homie Now as a
fan I was like This nigga's beenin the gym I was like Exactly

(08:09):
Exactly That's the best way toput it I've been in the gym bro
I've been in the gym And justrefining Just chipping away at
it Yeah And And yeah bro We'vebeen at it.
Nah, bro, I appreciate that.
Yeah, yeah, yeah, bro.
She got anything from you?
Nah, I just like the analogy youguys use, you know, the sports
analogy about getting into theflow state and everything.

(08:30):
Because it makes me think, too,to even get there, it's about
consistency, man.
And just putting in that work ona regular basis.
And that's kind of what Iadmire, too, about being able to
create art with your homies.
I feel like it's a certain levelof accountability there.
you guys could uh have for eachother you know what i mean so
it's like even on the uh italked about on the pod before

(08:50):
man um it's i feel like gettingbetter is all about doing the
things you don't want to ordoing the things you like doing
even on the days you don't feellike doing it though yeah you
know what i mean so i i thinkthat applies with just like
anything in life it's justinteresting and it's just uh i
guess too i just want to asklike like um What's the

(09:12):
music-making process lookinglike for y'all?
How often do you guys gettogether in the studio?
How does that look,

SPEAKER_02 (09:20):
man?
Man, we try to get in thereevery single week at least.
Yeah.
you know, now that I have alittle studio in the back of my
house, you know, we got a littlespot in the back that we kind of
converted into a small studio.
So now, now we got, we got ourown gym.
Like you said, I'm the plug.
I'm saying, yeah.

(09:41):
So now that we have that,honestly, every week, at least,
at least two to three times,like, you know, it gets busy.
Niggas got jobs.
Niggas got family.
Niggas got stuff going on.
But, It's an every week thing.
We talk about it a lot.
It is like the gym.
Bro, you want to see progress?
The best of them are in the gymfive times a week, putting in

(10:02):
hours, bro.
You just got to clock in.
You got to stamp that punchcard.
That's true, bro.
So that process is, yeah, it's aweekly thing.
It's an everyday thing almost.
That's facts.

SPEAKER_03 (10:16):
I remember DMing Marcus a little bit.
And we're just like, we don'talways talk about this.
It's like, you know, it's like,damn, niggas didn't make it
because they stopped.
And it's like, bro, taking like,being like a whole year away
from the pod, it's like, andthen coming back like this
strong and like seeing thereceptions, like, damn, like,
you know what I mean?
It's like, oh, niggas has tappedin.

(10:37):
It's just, we didn't have itright the first time.
So it's like, I appreciate youguys.
Like, bro, y'all haven't like,Like I said, we didn't get to
talk to you guys last time thelast album dropped.
But like, bro, y'all dropped asecond project now.
And I'm like, bro, y'all keptthat shit up or something.
I appreciate y'all.
Thank you.
That shit's tough, bro.
Yeah, man.
I can't put this shit down.

(10:58):
I'll be honest.
I can't put this shit down formy own sake, for my own mental,
bro.
Like, it wouldn't allow me toput it down.
I do want to ask you, becausefollowing you, obviously, and
you guys can check out Marcus'sInstagram, Marcus California,
stuff like that.
You do do other stuff outside ofrap, bro.
And you got the bad friends.
Shout out to the Orange CountyOC's native.

SPEAKER_01 (11:17):
Yeah, yeah, yeah.
Shout

SPEAKER_03 (11:18):
out to those brothers.
You do a little modeling, bro.
I did want to ask you aboutthat, man.
Do you plan on expanding that atall?
Because, like, you know what Imean?
Marcus, we know you, bro.
Hey, we know Marcus.
Hey, good-looking, light-skinnedbrother.
Nah, but for real, though, doyou plan on expanding that

(11:39):
modeling career, bro?
Because you've done a few thingsfrom Mitchell and Ness.
I think I saw you with Dodgers.
I've seen you in a few differentplaces.
I've seen you now at this point.
Yeah, bro.
I also feel like it goes hand inhand.
Yeah?
Yeah, in a lot of ways.
Kind of back to the roots, ifyou really want to talk.
Yeah.
I remember you and Will had thatback in the day, too.

(12:01):
Yeah, exactly.
Exactly.
You know, like clothes and justas far as just like taste, you
know what I'm saying, when itcomes to...
Seeing, you know, seeing things.
It's like being creative.
Is it natural to you, man?
Yeah, yeah, exactly, exactly.
As far as the modeling thing,like, it came about kind of
just, like, organically, bro.
I really didn't plan on it.
Really?
No, not at all, bro.

(12:21):
So it kind of just, like,opportunities, like, came about.
That shit look natural, bro.
I can't lie.
I've been seeing, I've been metyou and that's why I'm like,
Marcus, this nigga there again?
Yeah, I'm thankful for theopportunities, bro.
I'm thankful, honestly, to beable to, you know what I'm
saying?
I feel like it goes hand in handas well because, uh, We all know
nowadays you can't just be anartist.
You are a brand.

(12:46):
You are a brand.
Your image is a brand.
And yeah, I'm just thankful tohave those opportunities to get
outside of just making music.
And it also opens doors for mymusic as well.
So, of course, I plan onexpanding it and, you know, keep
on working at that.

(13:07):
Of course.
But I'm an artist first.
Music first?
Yeah, I'm an artist first.
I'm an artist first, bro.
That's fair.
I'm a music first.
That's fair.
I was like, I was wondering,because I'm like, nah, I've seen
you.
I'm like, that shit's dope,though, too, man.
Yeah, yeah.
Bro, regardless, I'm thankful tobe able to do that.
Be in a position to know thepeople that can put me in those
opportunities to be able to dothat.

(13:29):
Yeah, yeah, exactly.
Yeah.
And even as far as, I guess, inlike...
rubbing shoulders networkingsense um it's a lot of the same
or maybe uh parallel to a lot ofthe same people in the same
field with the music shit youknow what i'm saying it's
smaller than you think um sowe'll get a little bit to the

(13:49):
album i did want to ask you umjay you produce what is it
executive producer a few songsare all the songs

SPEAKER_02 (13:57):
yeah so

SPEAKER_03 (13:58):
um

SPEAKER_02 (13:59):
How does that work?

(14:29):
He might play a littlesomething, but I'll play it like
this.
It's just pretty much a bigbrainstorm.
That's the best way I candescribe it in a studio session.
Like you just have ideas.
Let's hear what it sounds like.
You know, you like this sound.
You're making decisions on thesounds, on the patterns.
You know, let's change up thedrums.
I don't like that, you know.
So a lot of that, that was thefirst time that I've been able

(14:51):
to work with another producerand there's no ego in the room.
And yeah, bro, like, you knowwhat I'm saying?
He's very humble dude, verytalented musician.
So yeah, I guess you could sayexecutive produced, but some of
the songs as well, FNC, Iproduced that just by my, you
know, just at the crib,whatever.
But all the rest of the songswere made at the studio.

(15:12):
at Jay's studio in OrangeCounty.
So, yeah, that shit, you know,hands-on being in there.
Was

SPEAKER_03 (15:19):
it different than the last one?

SPEAKER_02 (15:21):
Yeah, for sure.

SPEAKER_03 (15:22):
Yeah?
Yeah, yeah.
Different process?
I'll talk about it.
Yeah, yeah, yeah.
From Endophonic, Jason directlyproduced every pattern drum
sound straight from his laptopand MPC.
And I was very hands-on withthat process as well.
This step, You know, evolvingfrom that or in the step of, you

(15:46):
know, going forward from that,we worked with Jacob, who's also
the main producer and engineeras well on the Mark Anthony, you
know, the real Mark Anthonyalbum.
We kind of took a lot of ourprocess from the first one and
brought it over here and to workwith someone that can is so

(16:10):
polished and refined.
And, you know, he's a verytalented producer as well.
Very open to try things.
Very open to try things.
So it was like a back and forthprocess?
Yes.
No, not even necessarily backand forth because it was more
like...
It was mad open.
Mad open, bro.
And it was just kind of like...
When we started, we didn't evenknow where we were going.

(16:33):
Damn.
You know?
We just had dropped the lastproject Like I said, Jason
produced all of that.
But we also knew we don't wantto make the same sounds again or
make the same project again.
We got to grow.
Let's get bigger.
Let's grow this more.
I did want to ask you about thatbecause you did have, I think,
Pray For Me on here.
That sounded like a differentMarcus.

(16:53):
Does it?
That sounded a little different.
It's like a little R&B feel toit a little bit.
And I was like, yeah, that waskind of dope, bro.
Yeah, yeah, yeah.
I feel like we brought that.
rawness and realness of the lastproject also stepping into
jacob's world and along with afew other producers we work with
cam the chef my brother as welland uh jeff pesos who's a very

(17:17):
talented um producer fromanaheim as well got you um and
we brought all those worlds kindof their sounds and my you know
our sound or we think we dotogether and let's make
something more grand than thelast thing i did something more
bigger something more polishedsomething more energy as well

(17:38):
bouncing you know i'm saying toit and um yeah so we came up
with this project and as far aslike just to touch back on like
in the process like jason's rolenot only for this project but
just you know just going ingeneral um i've seen them you
know Like you said, the wholeproject for Endophonic was made

(17:59):
straight from him.
I've seen him get on the drums.
I've seen him do his thing.
Whatever he needs to do, samplethis, flip this.
And that's him being a beatmaker, but his role is so much
bigger than that.
What you can call executiveproducing, you can call it
producing.
To me, it's more like a...
It's almost like a coach in asense, too.

(18:20):
He plays a lot of differentroles.
Especially for me as an artist.
As far as like a...
He's a vocal coach.
He's an executive producer.
He could be a main producer.
Yeah.
Or he can just be kind of likean A&R.
Yeah, yeah, yeah.
And just soundscape for us.
Okay.
Or where we need to go, youknow?
So that was, yeah.
That's dope, bro.

(18:40):
How do you feel you got to learnand teach yourself different
types of stuff like that?
Um...
A lot of YouTube universities.

SPEAKER_02 (18:48):
Shout out YouTube.
Graduate class of 2020.
Fuck, dude.
Nah.
Fuck.
You crazy.
I ain't gonna lie.
Yeah, yeah, yeah.
There's a lot of information onthe internet, though, bro.
Dude, you know, a lot of goodproducers would tell me, like, I
didn't go to school, you know?
I didn't go to school.
Some did.
Some engineers went to schooland stuff.
But honestly, yeah, bro.

(19:08):
Learning from other producers,you know?
I think it's always big.
I'm sure you talk to peoplethat, you know, you want to be
where they're at.
So you talk to them like that'slike, you know, having a type
of, you know, what is it called?
Mentor or something.
So I've learned a lot of gamefrom other producers.
I got the NPC live to the onethat I made endophonic off of

(19:30):
all that music and stuff.
OK, I got that in New York.
from this uh white producer thiswhite you know i mean not like
that matters but you know shoutout shout out all the white
producers you know i'm sayingwhatever like y'all kind of go
yeah yeah 40 alchemist ain'tnothing against white i don't
even

SPEAKER_03 (19:47):
know his name

SPEAKER_02 (19:48):
i yeah

SPEAKER_03 (19:48):
no no i did it his

SPEAKER_02 (19:49):
name is rent shout out rents beats you know i'm
saying he's from yonkers

SPEAKER_03 (19:52):
but that's how you kind of started there

SPEAKER_02 (19:54):
that's how i started um getting the npc i was
starting on my on my mac

SPEAKER_03 (19:59):
I was on FL and shit, and it was cool, you know,
but...
Do you feel like...
How'd you start making...
What kind of sound did you use?
Being in New York, were youmaking that New York sound
there, or were you still kind ofbringing that West Coast sound
there?

SPEAKER_02 (20:09):
Yeah, I was making that New York sound for sure.
It was?
Okay.
I was trying to make whatever.
I was doing some little...
The drill.
A little bit of everything.
Yeah, I was fucking with somedrill.
Because I

SPEAKER_03 (20:20):
know Mark's not really into drills.
Fuck

SPEAKER_02 (20:22):
no.
But that's all right.
But I was experimenting, butthat's what I was surrounded by.
But mostly it was like some WestSide Gun-ish, like, I ain't
going to lie, like loop samplesand shit.

SPEAKER_03 (20:35):
Hold on, hold on, hold on.
Nah, Mark, it's fine.
This dumbass nigga would try tobe in New York sending me drill
beats.
Nigga, what?
I'm like, this is cool, bro.
I like this.
I'm glad you're able to makethese sounds, bro.
But let me know when you gotsome for me, my nigga.
That's all I wanted to say.
Marcus on the Popsmoke beat?
Yeah, nah.

(20:55):
Nah, that's not for you.

SPEAKER_02 (20:56):
Marcus California, not Marcus Bronx.

SPEAKER_03 (20:58):
He's too West Coast.
Nah, I get it.
But yeah.
I'm sorry.
You still make those soundsthough, right?
Sometimes,

SPEAKER_02 (21:04):
bro.

SPEAKER_03 (21:05):
You still get to make those

SPEAKER_02 (21:07):
sounds?
Yeah, yeah.
I like...
I like listening to, like, Cardoand stuff.
You know, who's like, I feellike that nigga's doing
anything, you know?
I look up to those type ofproducers right now.
I'm a very, like, he'll tellyou, like, we're a very
in-the-moment, in-the-feelingtype production.
Like, I don't want to justpigeonhole myself into just one

(21:29):
type of beat or whatever.
I might feel inspired bysomething I listen to, something
I see from a movie and be like,I want to go with that route,
you know?
So it just depends.
That makes sense.
Yeah.

SPEAKER_03 (21:42):
That does make sense.
Yeah.
Don't want to limit yourself.
No, it's true, man.
Shit.
Marcus on the drill beats crazy.

SPEAKER_01 (21:50):
Why not?

SPEAKER_03 (21:51):
Oh, shit.
I want to play a quick track.
We 25 minutes in.
What's your favorite track onthere?
I got a couple.
We both got different answers.
Let's see.
Yeah.
I got a couple different onesfor different reasons.
All right.
Well, let me hear one.
Let me hear one.
I'm going to play one.
What you got?

(22:12):
You played one of them earlier.
I already played one?
Big Back.
Yeah.
Nah, that's just one of mine.
Big Back's one of mine.
Yeah, play Pray For Me.
Pray For Me?
All right, here we go.

SPEAKER_01 (22:25):
Take

SPEAKER_03 (22:27):
a groovy ass beat, make it sound street.
Take a little geek bitch, makeher so free.
If the Zod don't punch, we'rethe OG.
You ain't the one, you're just anigga with a term with her.
So I don't trust them, only fuckthem and I burn with them.
I live and earn on my path,ain't no U-turns.
I hit the party like a P with anew turn.
I hopped out, hung my head in mychest out.
Join the campaign, baby, I'm thebest out.

(22:49):
All the hesitating shit get youleft out.
But she was with it, so I fuckedher like I'm fresh out.
Stepping out in my fresh attireI hang with my niggas like
chucks on a wire So I can lightyou up with some plugs and
suppliers Might shake a half apoint if you a constant buyer My
life deep so I'm getting fadedconstantly I'm on the mic
talking better like a wallaby Iknow it's love girl it's love

(23:09):
without honesty Asking if I hitthis bitch nigga possibly Trying
to ask me how I feel bitchhonestly I ain't never really
met a nigga cold as me Make youthink about the fact how you
notice me Make you think about anigga plain notice you Nigga
think about the way you approachme I ain't one of these weird
This game is so cold.
Got some

SPEAKER_01 (23:29):
scars you can see.
Can't lay on the wall.
That bread is for

SPEAKER_03 (23:57):
How you meet this brother?
Yeah, how you meet this brotherright here, bro?
Oh, Mash?
Yeah, bro.
Oh, man.
Mash is that guy.
Mash is that guy.
Mr.
Michael McDonald himself.
That shit was...
Wait, that's his name for real?
No, no.
That's funny.
Nah, he was hitting that,though, bro.
Nah, he's cold, bro.
That man's a very talentedartist.

(24:19):
I met Mash through...
Mash is a part of...
Group called Brother Smack Whichactually Who were in the studio
With yesterday Okay Oh bro Iheard some They had some shit
You know my My nigga Kenny Yeahyeah I see I'll be seeing him
I'll be seeing him I'll beseeing him outside I seen him
outside a few times Yeah yeahYeah I seen him outside A few
times bro Yeah yeah I fuckingran into him What, you got a

(24:43):
song with those niggas?
I need it.
Marcus, Marcus, I need it.
Hold on, hold on.
Let me talk about it.
Let me talk about it.
I need it.
So I got to mash.
Me and Mash been tapped in.
Obviously, Kenny is my dog.
Yeah.
From Fullerton, from the city.
So I don't know.
I don't know.
I feel like I just ran into himmultiple times.
But I feel like we don't know.

(25:03):
I didn't know you knew him likethat until like later.
And I was like, oh, shit.
We ran into him a handful oftimes.
Yeah.
He's got so many.
Different niggas that we'remutual.
It's love, bro.
That's family.
That's family.
So through their music also andhis, you know, their music as a
group, but also through Kenny, Ibecame aware of M.A.S.H.

(25:27):
Okay.
Who's like a rapper andvocalist, you know, singer in
their group.
So I always kept him in mind fora minute.
And he always was like, fuckwith my music because Searchin',
their producer, Stretch.
That's so shit.
Purdue Searching.
Okay.
So they, like, fucked with mymusic.
They showed me love.
And, you know, I showed Mashlove a few times on his music

(25:48):
and always kept it in mind, butI just knew it had to be the
right track.
The right music.
It makes sense.
The right music for it.
He dropped a song called SexAppeal, which is, like, one of
my favorite records this year.
Probably, like, five, six monthsago.
Yeah, maybe, like, six, sevenmonths ago.
But, yeah.

(26:08):
That song, I already had theverse for Pray For Me in the
music.
Okay.
I just didn't know what to dowith the rest of it.
He dropped Sex Appeal, and I waslike, hold on.
I need to go hit that nigga.
And that's how it happened?
And that's how it happened.
And shit, we've been tapped insince.
Like I said, we was just in thestudio with that.
Have you heard that song before?
That song.
What was the group?
Brother Smack.

(26:29):
They just dropped the album.
You were telling me about them,right?
Yeah, yeah, yeah.
I'm on Instagram.
I swear, New Moon was justtelling me about them.
They just dropped the albumcalled Winning Time.
Winning Season.
Winning Season.
That's crazy.
I love their music.
You were just telling me aboutthese dudes.
Their orchestration.
I fuck with it.
instrumentation along with justthe you know i'm saying the

(26:51):
different sounds how they likeit's three different vocalists
but how they put it together andjust it's crazy brother y'all
gotta make some some shit withthem maybe that's tough bro yeah
he had something like two weeksi can't wait honestly we was
just we was just with uh i waswith kenny and stretch last
night we was me and kenny didsome shit That's tough, bro.

(27:12):
I like when the OCR is linkedup, bro.
It's always nice, man.
Yeah, bro.
For the ones that's really, youknow what I'm saying?
I love it.
Putting the real work in.
That's always nice.
What's your favorite song on thetrack, Jay?
I know Marcus probably got afew.
Oh, yeah.
Go ahead.
I forgot to ask you about that.
I

SPEAKER_02 (27:32):
think my favorite one is probably No Tent.
Right now, No Tent.
That's the first song that wedid while at the studio, which
is crazy.
The new studio, nigga.
We pull up to the new studio.
This nigga's shit is in thehills, you know, ducked off.
It's beautiful.
It's his first time there.
And I've been hyping up JacobSpahn's shit, so we pull up.

(27:54):
I made sure to grab some, youknow...
Centenario for this nigga, youknow what I'm saying?
Get this nigga, have theancestors flowing through this
nigga, you know what I'm saying?
That's the job of the producer,get your artist right and ready,
you know?
Got hella weed, all that shit.
So this nigga felt like he wasPac in the booth, bro.
Yeah, yeah, this nigga delivereda dope track.
First fucking night we wasthere.

(28:14):
Oh, shit.
And we left the crib, we lookedat each other like, hey, this is
it.
Hey, we making some dope shit,nigga.
Like, this is hard, yeah.

SPEAKER_03 (28:21):
Can I add to that story?
Yeah, bro, please, please.
Yeah, Jacob had already...
You already linked with him afew times?
Yeah, he had been working withJacob.
I had been working with Jasonalready a few times.
And they showed me a few beatsthat they had.
And I'm like, okay, I was awareof who Jacob was already.
His work.

(28:41):
And I was like, oh, you knowwhat I'm saying?
We got to make this happen.
Let's make this happen.
Get me in there.
Get me in there.
It took a little bit, you knowwhat I'm saying?
Then, like, all right, we got asession.
All right, cool.
All right, let's see what thisis about.
He's been kind of guessing, youknow what I'm saying?
He's like, he's crazy, bro.
You know, it's real comfortable.
You're going to like the vibe.
I think we're going to make somemagic.
And I'm like, all right, cool.

(29:01):
Pull up.
We got him.
You know, like you said, wedoing the regular shit.
Regular shit.
You know, we drinking, smoking,whatever.
I do a song that's not on thealbum.
First thing when I get there.
Maybe we do like another song.
We there for a few hours.
Then we got about, everyone kindof wants to call it.
It's getting a little late.

(29:22):
Got about like 10, 15 minutesleft.
Jacob just loops up like somecrazy shit, which is the no 10
beat.
And I'm like, hold on.
Give me 10 minutes.
Give me 15 minutes.
Swear to God.
Yeah.
I was, you know, I was toe up.
Nigga, I was toe up.
I was toe up.

(29:43):
Nigga, I was in my, you knowwhat I'm saying?
I felt that one in my soul, bro.
I almost shed a tear making thatsong, bro.
I really almost shed a tearmaking that song to that beat.
I probably did, bro.
It was one that I was toe up.
I'm like, nigga, I'm geeked.
That's why I'm geeked up.
I'm gassed up.
I'm rolling.
That's why, yeah.
That's how that came about.

(30:03):
He said, I really was.
No

SPEAKER_02 (30:07):
rap cap.
She was, So it was a moment, youknow, as you get those moments
every once in a while.
Yeah,

SPEAKER_03 (30:11):
man, that's good.
Albums are available everywhere,guys.
Don't forget.
Everyone, go stream it, baby.
Don't forget.
Marcus mentioned something aboutsome songs that y'all made that
didn't necessarily make thealbum, you know.
What's, like, the selectionprocess look like for y'all
getting tracks onto the album?

SPEAKER_02 (30:28):
It's a very strict process.
It's like the Olympic trials,you know.
Fuck, dude.
Uh, it's a lot of back andforth.
There's a lot of arguments.
It's a lot of fucking, you know,yeah, this nigga knowing this
nigga, you know what I'm saying?
But it's a good problem to have.
It's a good problem to have whenyou have a lot of tracks that
you fucking, you like, andyou're like, wow, this one's

(30:50):
fucking sick.
I was like, nigga, this one'ssick too.
You know, like the fuck, likeput that on there.
But really we do a good job andhe does a good job of caring
about every detail and how it's,how the track list is going to
go and, and what ties into eachother well, and just like, we
have that conversation of, youknow, what's the feeling, you
know, what's the fucking, youknow, like, our intentions with

(31:15):
this project, okay, you know,what's the vision of the
project, so all those kind ofquestions, you know, go into it
when you're like, okay, how doesthis fit, you know what I'm
saying, how do these songs fit,does this fit with this, like...
So it's a lot of, yeah, you wantto make it all sound, you know,
like synchronized.
Cohesiveness, exactly, exactly.
Yeah.

SPEAKER_03 (31:34):
How you feel about it?
Repeat the question.
Just the selection process, man,with getting songs onto the
album.
Like, how do y'all go aboutthat?
Yeah, a lot of what, touching onwhat Jason said, it's a very
refining process, honestly,especially with, like, I'm so
into, intentional, you know whatI'm saying?

(31:55):
Very intentional with my musicand my art is how, you know,
really how I look at it, bro.
And, uh, especially when I work.
So like, I guess the way my mindworks a lot of times, it, um,
kind of only allows me to makemusic intentionally, you know,
like, uh, I can only want towork on a project or a body of
music cause are just like how Isee it's like a, a diary into my

(32:18):
life right now.
Yeah.
You know?
Um, Of course, we make songsjust to make songs.
I kind of just keep an openmind, too.
But I'm just big on justintention and sound, scaping my
next project, my next body ofwork.
How can I evolve as an artist?

(32:39):
What songs should emulate that?
My evolution and what songs?
There might be some hard songsthat don't make it because I
feel like it doesn't resonatetoo much with me.
That makes sense.
You know, it didn't resonate toomuch with me.
There's a handful, bro, of songsthat didn't make this project.
Hey, I got to ask you aquestion, bro.

(33:00):
I'm not being like LeBron, butonce you add no, give him
another one.
Give him another one.
And I got the luck, bro.
Y'all seen that clip?
Give him another one.
Give it.
One moment.
One moment.
That's a deluxe, LeBron.

(33:20):
That's a nigga.
Funny nigga.
That's a funny-ass nigga, bro.
I do want to ask you, though.
Do you believe in deluxe, maybe?
I'll get into that.
I'll get into that.
Yeah, but just to finish thatquestion, as far as picking the
songs for a project, like Isaid...

(33:41):
really just intentional andcohesiveness is big bro
cohesiveness and just whatresonates to my heart my soul
and like um not to say theseother tracks that didn't make it
aren't gonna find any use butthis is the vision that i got in
whatever's necessary you knowyeah you know whatever's
necessary i like that bro um asfar as the deluxe goes i'll just

(34:06):
be i'll say it i'll say it i'llsay it I'll say it.
I'll say it.
I don't like that.
You don't like Deluxes?
I don't like Deluxes.
Why?
What's up?
You're not liking Deluxes forit, bro.
I don't like Deluxes.
Why?
I'll be honest.
I'll finish the question.
With that being said, we gotanother project for sure on the
way, ready to go with thosesongs that didn't make it.

(34:29):
Got you, got you.
You're just going to roll it

SPEAKER_01 (34:34):
over?
You're just

SPEAKER_03 (34:34):
going to roll it over?
Yeah, yeah, yeah.
I couldn't...
Get back to that point.
I don't like the idea of, I'mgoing to drop this project again
and just call it Deluxe and adda couple songs.
To the end of it.
It's the whole fucking album.
I get it.
You know why they do it.
It's for the streams.

(34:54):
It's for the streams.
Obviously.
As an artist.
Hold on one second.
Let me get my shit on.
Let me get into my shit.
As an artist, I'm just going togive you another whole vision.
That's fair.
Another whole idea.
That's fair.
Not to say like, That's cool.
I get it.
I get it.
Some great songs come on Deluxe.
Some.
But most times, nigga, it'strash, bro.

(35:17):
It's trash.
You're just milking this shit,bro.
Be an artist, nigga.
Run the streets up.
But like I said, bro, we got allthe songs during the sessions
that didn't, you know what I'msaying, within the last year
that didn't make, but I know...
That they resonate with me and Iwant to get these out.
There's a place for you.
I wouldn't sit right if theydidn't make the cut.

(35:38):
Or if they didn't see the lightof day, it wouldn't sit right
with me.
We're putting them togetherright now as we speak to get it
ready.
You know, to drop.

SPEAKER_02 (35:47):
Yo, the real Mark Anthony Deluxe dropping soon.
Coming soon, baby.
It will be out streamingeverywhere.
Yes, sir.
Yeah, yeah, yeah.
We're going to get them streamsup.
A four-pack, baby.
We're going to sell out.
We're going to run it up.
Yeah, yeah, yeah.

SPEAKER_03 (36:05):
Yeah, yeah, yeah.
We're going to run it up.
We got Marcus California merchcoming out.
Yes, sir.
Yes, sir.
The Real Mark Anthony Part

SPEAKER_02 (36:14):
2.
Yup, yup.
Deluxe.
Wait for it, baby.
We on the way.
You're

SPEAKER_03 (36:19):
killing me, bro.
You guys are killing me.
Need that.
Need that cheese, man.
Yup.
Milk it.
I'm going to milk it.
Yeah.
The four pack, bro.
Yeah.
Get the four pack.
I see that.
You know what's crazy?
The four pack could just be likebeats.
It would not be like songs.
It could be just four beats,nigga.
Just go listen to those fourbeats a few times.
Run the album up again.
Just to reinvigorate them.

(36:39):
I ain't against money, you knowwhat I'm saying?
It's instrumental.
Yeah, yeah, yeah.
For the vinyl.
We want to do a vinyl.
That

SPEAKER_02 (36:46):
wouldn't be a bad idea.
Yeah, instrumentals.
That'd be kind of hard.
People do that.
That does

SPEAKER_03 (36:50):
that project justice.
Yeah.
With that project, it couldwork.
It could work.
Shit, man.
It should be kind of tough, bro.
Yeah.
I don't want no...
No?
You don't want niggas to rap onyour beats?
Why?
It's exclusive?
You don't want your shit to beon YouTube?
Marcus got player type beat?

(37:11):
Try it.
Try it, nigga.
Yeah.
Try it.
I'll tell a nigga, try it.
Let me hear it.
I mean...
Nigga, where you get this from?
It's my beat, nigga.
Nigga said it's my beat.
It's my shit.
It's my shit, dude.
I know a nigga can't do what

SPEAKER_02 (37:27):
I do.
Bro, you sick.
Y'all done segway into somethingelse?
That's my beat.
Hey,

SPEAKER_03 (37:32):
Marcus going to give us a freestyle later.

SPEAKER_02 (37:35):
Freestyle coming.
Coming soon.
We need that.
Newman, don't be shy.
What's up, baby?
Talk

SPEAKER_03 (37:40):
to the air.
What's up, man?
I feel like all this sportstalk, man.
All these sports analogies withthe music.
Maybe we want to get into somesports.

SPEAKER_02 (37:47):
Off mic, we had a lot of sports talk.
You all right.
We've been talking.
All right, bro.
Big inspiration, Ilya Teporya.
You watch a lot of UFC, right?
Oh, hell yeah.
All right, man.
Talk to me.
You know, that's current.
Yeah, bro.
What you think about the GOATright now?
You calling him the GOAT?
He might be the GOAT.
That's the recency bias, though,bro.
That's the recency bias, bro.
Best three-fight win of alltime.

(38:09):
It's cool.
Yeah, it's

SPEAKER_03 (38:10):
impressive, bro.
But the GOAT conversation, bro,we got to show it off.
Ten more wins, bro.
Yeah, man.
You know, because it's reallypeople out there did it longer,
bro.
I definitely respect it, though.
He's one of the most dangerousdudes on earth right now.
He's an absolute dog.
Y'all be like watching UFC andbasketball.
Y'all be making music.

(38:31):
Y'all be chilling, too.
Y'all be distracted in there.
Nigga, if you really, honestly,most times there's some sports
going on.
I ain't going to lie to you.
I feel like for Studio Central,it's probably like As far as
visually sports.
Some tree.
Of course.
All that.
I'm sorry.
Sports on the TV.
Keep the girls out the studio,Marcus.

(38:53):
I don't know.
Look, look, look.
If you ain't got a...
Marcus, keep them.
If you don't serve a purpose,you might not find your ass in
my studio.
Keep them out the studio, bro.
Chill out.
Chill out.
He's a Newman.
I love this guy.
I miss my brother.
Man, I know Marcus forever.

(39:15):
Me and Marcus used to argueabout Celtics and Lakers and
shit.
And this nigga's, oh, mygranddad's a Laker.
I'm like, oh, this nigga'sgranddad was on the
championship.
Oh, not championship.
He played with Jerry West andshit, though.
I'm like, and Wilt.
This nigga Marcus talking aboutLakers suck.
I ain't gonna lie to you.
I was all Braun growing up.
I forgot.
That was the Braun era.

(39:36):
I saw a little Braun growing up.
Nah, I feel like a lot of ourfriends are like that, bro.
Yeah, I was all Braun growingup.
I had to argue with everybody.
I had to argue with everybody.
Southern California, bro.
Like, Laker shit, obviously inmy blood.
But it's Braun, though.
Yeah, it's Braun.
I love Kobe, but nigga, Braunwas Black Jesus, girl.
Nah, he was an OG Cleveland fanbefore they betrayed him.
Really?
You were?
Bro, honestly, I wasn't a Braunfan for a minute, bro, because I

(39:58):
was still...
OG.
I was a Cleveland fan, but evenlike the first time he left,
bro.
I think I remember you hating onBraun.
Yeah, bro.
I used to hate on Braun, bro.
After he left, he hated on me.
But you know what?
It's really, bro, just thelongevity of Braun, bro.
It's hard.
You can't deny.
Yeah, bro, it's hard.
You can't deny the greatness.
And then he went back and gavethem the ring.
Yeah, you know.
Ah, that's what got me back.
You can't deny the greatness.

(40:19):
But you know what?
I really did.
I was hating on the fans whocame back to Cleveland, though,
afterwards because it's like,nigga, I was supporting
Cleveland, you know, when it wasAlonzo G on the squad.
Back when niggas picked upAnthony Bennett first round,
bro.
I had to be a fan.
You were.
Wait, wait, no, no, no, no, no.
Hold on, hold on, hold on.
One second, one second.
One second.
No.
You stayed a fan after that.

(40:41):
He was riding, bro.
You know what it was, bro?
Kyrie.
Newman, who told you you had todo that?
I didn't want to be grouped inwith the rest of the dick
riders, bro.
He wasn't going to Miami, bro.
He wasn't going to Miami.
Newman refused to go to Miami.
And I respected it because herefused to go to Miami.
I'm still against the superteam, bro.

(41:02):
That's really what it was backin the day.
I didn't like the idea of thesuper team, bro.
I'm still against it, man.
Alright.
I respect that take.
But again, I can't diminishBraun's greatness.
I'd be a liar.
I'd be a liar.
Strike me down.
Strike me down if I'm over here.
It was a lot easier to hate onBraun the early years in Miami

(41:24):
before that nigga went to 10finals in a row.
It was a lot easier when it waslike, yo, you lost to Dirk.
You know?
It was cool.
It was easy, bro.
10 finals in a row.
I ain't got nothing to say tothat.
Nigga, I mean, bro, we've beenseeing this nigga since I was
in...
Bro.
Elementary.
Young, bro.
This nigga.
Young.
Nah, Bron's a go, bro.
I get it.

(41:44):
I argue with Bumani, all thehomies growing up, bro.
Oh, yeah.
I got it.
I got why niggas was diehardBron fans.
I'm a diehard Laker fan, so I'mgoing to go against it.
That's all.
I'm going to go against it, bro.
But niggas was right.
Niggas was right though.
Niggas was right though.
Niggas was right.
Niggas was right.
Niggas was definitely righteous.
Niggas was right.

(42:05):
Yeah, bro.
Yeah.
Like LeBron.
Shit.
I don't know, man.
I know people say, okay, see,they got the same exact team.
I don't know.
DeAndre is a good player, but...
Bro, don't even talk about that.
Bro, Lakers not contending forshit this year, bro.
We're sure going to theplayoffs, but I don't think
we're winning nothing.
I don't even think y'all goingto the playoffs.
Y'all going to be playing in.
Nigga, we went to the playoffswith Jackson Hayes.

(42:27):
We'll be back.
Y'all going to be in a play-in,bro.
Nigga, we was in the third seedlast year with the worst team.
I'm still not buying it, bro.
Because, again, I know theLakers, bro.
Every year, y'all going to go ona little losing streak.
Nah, 80's gone.
There's going to be some traderumors, bro.
The game changing every year,bro.
The game do change.
I feel like the game is evolvingand growing every year, and
these niggas kind of arecomplacent.
Yeah, we don't get the news.

(42:49):
Again, Lakers just want quickresults, bro.
You know, they not willing tobuild around no rookies or
nothing like that, bro.
So it's hard, bro.
It's new ownership, though.
I know.
He's definitely not serious,bro.
He's spending money, though.
I mean.
Not serious.
I'll tell you this.
The Lakers can't be down for toolong.
They ain't never going to bedown for too long.
Because they're going to spendmoney eventually.
I don't know.
I don't know if I'm believing inLuka on the Lakers, bro.

(43:12):
No, Luka's solid, though, bro.
I don't know if that's going tocontribute to long-term winning
basketball.
Bro, if Luka can take thatMavericks team, I think Luka and
Brian.
That was different, though.
That was different.
Again, Mark Cuban, that's asmart man.
Yeah, he got some lob threats.
On building teams, bro.
He knows how to build a team.
He also got lucky with Lively.

(43:32):
I don't think it's luck.
I think, bro, it's consistent,bro.
Bro, the Mavericks have been.
They're a decent at drafting.
They have some bad years,though.
They have some bad years.
Like all people.
They stick with it, though, bro.
They stick with it.
They're going to build someplayers.
They drafted Brunson.
That was a really good pick.
Yeah, that's what I'm saying,bro.
Bro, I feel like they got a goodhead on their shoulders when it
comes to building a team.

(43:53):
And then they got to hand theCooper flag, motherfuckers.
That's what I'm saying.
I hate that.
They know.
Fucking rigged.

SPEAKER_02 (43:57):
I think fucking Lakers, bro.
They had to.
We got Luka.
It's not going to happen rightevery once.
Nah, we're not going to winnothing.
But we got the Golden Goose,bro.
Luka's the Golden Goose,

SPEAKER_03 (44:07):
bro.
Luka's a good player, though.
We're going

SPEAKER_02 (44:09):
to be

SPEAKER_03 (44:09):
solid.
He's one of the greatest fuckingplayers, bro.
You don't defend, bro.
You don't got to defend.
He do got to defend.
In this era of the NBA, bro.
In this era of the NBA,

SPEAKER_02 (44:22):
bro.
I mean, when you're putting up atriple down, if your

SPEAKER_03 (44:26):
other nigga get 15, 20, it's going to cancel out,
bro.
Now that we're here, a lot ofthose stars really don't defend,
bro.

SPEAKER_02 (44:33):
Honestly, Brian, bro.

SPEAKER_03 (44:34):
All of them.
SGA defend.
SGA defend.
He's decent.
The MVP defend.
He's a decent.
Come on, bro.
Hey, stop playing, bro.
I seen a

SPEAKER_02 (44:44):
white skin nigga.
Wap, wap, wap.
What's his name?
Nembhard?

SPEAKER_03 (44:48):
I've seen Nembhard shake that nigga.
It's going to happen.
I'm not saying Nembhard.
He tries.
I've seen Nembhard shoot thatnigga.
It's hard to be locked.
He's going to win two steals agame, bro.
Shay couldn't do shit with that.
Luka gets steals.
Luka don't get no steals, bro.
It's not the way you think.
Luka's a fucking crybaby, bro.
He turns over the ball.
He's walking back on defense,bro.

(45:10):
I don't like seeing that type ofbasketball.
Where did this nigga go with hisnarratives, bro?
He's watching the game.
There it is, bro.
Pass the games, bro.
Is he great?
Is he great?
Yes, he is, bro.
He's great at offense, bro.
Yes.
He's a great offensive player,bro.
What is offense?
Essentially scoring?
Yeah.
Scoring.
That's the name of the game,bro.
Passing.
Is he great?
Because it's still, bro.
It's still rebounding.
It's still defending.

(45:31):
He's good at rebounding.
He's good at rebounding.
All right.
Which star do you know?
Do you know that?
Has his output offensively.
And is a great defensive player?
No.
And is a factor defensively.
The only person I'm going to sayis Kobe.
That's it.
Kobe's the only person.
Yeah, that's what I'm saying.
Lakers legend.
Kobe's the only person.
Kobe Bryant.
Nigga, LeBron James back in theday, bro.
This is top three ever.

(45:52):
All the great players.
Again, we said Lucas is great.
LeBron, no.
I love LeBron.
We said Lucas is great, though.
That's why I'm expecting.
That's what comes withgreatness, bro.
In my mind, when you're a greatplayer, bro, you got to be great
on both sides of the ball, bro.
But no...
No, you got to be decent on oneside of the ball.
Okay.
Because honestly, you got to bedecent.
You got to be decent.
He's lazy.
Bro, again, teams go and theypurposely try to attack Luka.

(46:13):
But I think this is also like anewer thing.
We wasn't saying that one year,one, two, three.
We said once he got a littlechubby.
What about Kyrie?
He tries.
He's decent.
It's the same thing.
It's the same thing.
He's a cone, bro.
He's fast.
He's fast, though.
What about Beard?
Kyrie's undersized compared to alot of these cats.

(46:36):
Who?
James Harden.
Beard.
He hates James Harden.
I'm a James Harden hater, bro.
I'm a James Harden hater, bro.
Jason, take the fucking mic.
You got me on wax.
I hate James Harden, bro.
I hate that play style.
It's one of the greatest scoresto ever touch the rock.
Worst MVP ever, bro.
If we be for real.
No, that's KD.
You know what?
No, my bad.
It's Steve Nash.
That's KD, bro.
I'm sorry.
That's KD.
It's Steve Nash and then JamesHarden, bro.
Worst MVP ever, bro.

(46:56):
Blast.
No, Steve Nash.
Blast.
Steve Nash.
Bro, I used...
Again, it's revisionist historyaround here, bro.
I watched James Harden play,bro.
Horrendous.
Horrendous.
Yeah, nigga, off of 12 freethrows a game.
It wasn't 12.
And then doing that travelingass step back, bro.
And then that traveling ass stepback.
It wasn't 12, but it was a lot.
14, my bad.

(47:16):
It wasn't 14.
Bro, it wasn't anything lessthan 10.
Bro, again, James Harden, bro,again, it's revisionist history.
James Harden, bro, he was KingFlop back in the day, bro.
King Flop.
But, Newman, you know everysuperstar averages about 10 free
throws a year.
Harden's one of the greatestscorers ever.
I'm just throwing that outthere.
I'm just throwing that outthere.
Every superstar averages about10 free throws a year.

(47:37):
They was calling that nigga oneof the best scorers before the
flop shit.
I watched James Harden play.
They was calling that nigga oneof the best scorers before the
flop shit.
Okay, that's whatever.
He was tearing niggas up.
You can go ahead.
He still has.
He was still getting bouncy.
He was good before the bounceback.

(47:57):
He's not MVP without thatbullshit step back.
No, that's not true.
That's not true.
That's not true, dude.
That's not true, dude.
No, no.
No.
That was later.
Watching James Harden play washorrendous, bro.
It was every time he would driveto the hoop.
He didn't even have intentionsof scoring.

(48:18):
He was trying to interlock arms.
That was later on.
He's trying to grab it.
That was later, though, bro.
He out here just throwing theball up.
But that was later.
Okay, what about before that?
Bro, it's horrendous basketballto watch, bro.
You're talking about like threeyears.
What about before that, though?
It was detrimental to the game,bro.
Nigga, Bron did it too, though.
You watch all these new niggasplay now.
That's why Jason Tatum plays theway he plays.
Bron did the same thing.
He's watching James.

(48:39):
What about SGA?
I love SGA, bro.
He's bringing back that early2000s play style.
Hell yeah, he is, bro.
That mid-range merchant.
The middie merchant.
Stop playing with SGA like that,bro.
Stop playing with that man likethat.
Nah, bro.

SPEAKER_02 (48:57):
That nigga be flopping.
He has intentions of

SPEAKER_03 (48:59):
scoring the ball.
Hey, they gonna, bro, they gonnafoul him because he's really
driving to the hoop.

SPEAKER_02 (49:03):
SGA, you will flop, nigga.
I like SGA.
Y'all

SPEAKER_03 (49:05):
crazy, bro.
Y'all crazy, bro.

SPEAKER_02 (49:07):
You're a flopper.
You're a great scorer.
You're a great player.
You're the MVP.
But you're a flopper thedolphin, my

SPEAKER_03 (49:14):
nigga.
Fuck out of here.
Horrendous, bro.
Okay, yeah.
Fuck no.
He averaged 11 free throws agame, so.
I don't push shit, niggas.
That's kind of normal, though,bro.
I don't push

SPEAKER_02 (49:23):
shit.

SPEAKER_03 (49:24):
AI was getting to the rack.
I watched James Harden play,bro.
It was horrendous, bro.
It was horrendous.

SPEAKER_02 (49:31):
Okay, but all right, the Luka thing.
Hold on, hold on.
Let me at least say this.
You think he's better thanTyrese Halliburton?

SPEAKER_03 (49:37):
Luka?
Do I think Luka's better thanHalle?

SPEAKER_02 (49:39):
Okay,

SPEAKER_03 (49:39):
then.
Whoa.
You don't think he's better thanHalliburton?
Hell yeah, he's better thanHalliburton.
He's for sure better thanHalliburton.
Halliburton will have a donut inthe game.
Halliburton's not consistent.
That nigga's never

SPEAKER_02 (49:52):
having no...
He's averaging 35.
I don't think Luke is better.
Is Halliburton a lockdowndefender?
Yeah, yeah, yeah.
Killed it.
Done.
All right.
Y'all see it first.
Y'all heard it first, nigga.
Luke over Hallie.
Don't cap for the people.
Yeah, yeah.
And that nigga took a prettygood...

SPEAKER_03 (50:11):
He got you, bro.
He got you, bro.
He got you, bro.
He got you.
You're not going to try to makeit seem like I'm not a fan of
Hallie, though, bro.
I fuck with Hallie, bro.
I love Hallie's game.
I fuck with Hallie's game.
I fuck with that Pacersorganization, bro, because,
again, I'm not a fan of thesuper teams, bro.

(50:32):
I like the built teams, bro.
That's what the Pacers did, bro.
They had Miles Turner for 10years.
They had Bill.
Benedict Matherin

SPEAKER_02 (50:40):
for a while.
They did it the right way.
I'll give them that.
Bro, that's what I'm saying.
They traded for a side Siakam.
The

SPEAKER_03 (50:47):
only niggas they picked up, bro, was Siakam, bro.
And again, if we be for real,Siakam, that's not making it a
super team right there.
No, no, no.
Stop, stop, stop.
He got an all-star.
Stop, stop.
We're not doing this.
Siakam's not making it a superteam.
Siakam doesn't complete theirteam.
He does.
He does, but he doesn't make ita super team.
No, that's not super team.
They're already making it asuper.
That's not super.

(51:07):
That's not super.
But they need him.
without Siakam, I don't thinkthey don't do these runs.
All teams need a really completeroster and I felt like Siakam
was a good pick.
Not a complete roster, I meant acomplete player.
That was a good pick rightthere.
When Holly Burton has a donut,Siakam has 30.
Yeah, what's wrong with that?
I'm just saying you didn't needhim.
But I'm not going to say that'sa super team.
No, no, no.
That's my whole point.
It's not a super team.
That's my whole point.

(51:28):
It's not a super team.
That's a built team right there.
That's it.
Yeah, yeah, yeah.
He's a good player.
They did a great job.
They got one key piece in Siakato really put him over that edge
right there.
Indiana can't even have a superteam.
Yeah, they can.
That's a built up team.
That's why I tip my hat to them.
That's a small ass market,nigga.
Nobody like.
I respect it, bro.
It was good to see.
I respect it, bro.

(51:48):
I find the closest they got wasthat Paul George era.
That was an interesting year,too.
But LeBron James, bruh.
And that's why it's interestingto watch the East right now.
The East is open to anybody.
Yeah, who y'all got coming outthe East next year?
I can't even tell you.
New York.
New York.
New York.
They supposed to.
They supposed to.

(52:08):
Boston's down.
That second apron shit fuckingniggas up, bro.
That second apron shit's awful.
Holly's out, sadly.
I don't know how I feel aboutMilwaukee either, though.
What y'all is going to do?
They got some pieces, bro.
Nah, they got Miles Turner.
That's the last one where theywent and got Miles Turner.
I saw today they got ColeAnthony, who's a solid guard.

(52:32):
But honestly, when you have anigga averaging 32 and 14, that

SPEAKER_02 (52:40):
ain't going to

SPEAKER_03 (52:42):
do

SPEAKER_02 (52:42):
it.
Yeah,

SPEAKER_03 (52:45):
it will.
Nigga, what's the name?
Y'all forgot.
Who did Giannis win with pre-Peace out.
Peace out.
Peace out.

(53:10):
Didn't they have Drew?
Didn't they have Drew?
Them niggas had a team.
They had Drew, right?
They had Drew, yeah.
True.
I love Drew Holliday.
He's a key piece, bud.
Because honestly, the moment heleft to the Celtics, they won
too, so.
Yeah, he contributes to winningbasketball.
He a key piece, bro, I can'tlie.
He a key piece, he a key piece.

(53:31):
But I'm saying, he didn't needno niggas to score 20 points is
what I'm saying.
You just got to do your role, tobe honest.
But I think, bro, it's hard,it's hard though to really get a
team to where you got everybodybuying into their role.
You got to build that up.
Yeah, of course, of course.
You can't just go and pickpeople out and just think
they're going to buy in, bro.
Sometimes, sometimes.
You got to build players up toget them to buy in, bro.
It's rare.

(53:51):
Right now with Milwaukee, Idon't know.
I don't know how I feel.
Giannis is not happy, too, bro.
All it takes in the NBA, bro,again, for niggas to go on a
losing streak, bro, and then youstart hearing them trade rumors,
bro.
And we know that messes upmorale in the locker room, bro.
You know it does, bruh.
They be talking about itforever.
Yeah, because, again, a niggalike Cole Anthony, bro, that
sound like a real tradable niggato me.

(54:11):
Yep.
That sound like after a 10-gamelosing streak, it sounds like,
yeah, you know, that's a niggawe can get rid of.
You know what, Kevin?
You know what, Kevin Porter?
I don't need you no more.
And this nigga new talking.
Come on, bruh.
This nigga new.
He said I sound like a realtradable nigga.
That is a tradable nigga.
But all you need is to play hisrole, though.
I'm saying if you can get peopleto play their role, guys like
that, they got to bounce arounda few times.

(54:32):
You should learn how to playyour role, hopefully.
So we'll see.

SPEAKER_01 (54:35):
Y'all

SPEAKER_03 (54:36):
is going to average 32, 15, and 8.
So if you can play your role,play some defense.
But sometimes that's not enough.
Yeah, I guess you're right.
It's not enough.
I guess you're right.
And again, too, what happens ifGiannis gets injured, nigga?
Happened two years ago.
Bro, if Giannis gets injured,10th seed, nigga.

(54:57):
11th seed.
It's not enough.
I like Miles Turner, but heain't about to be a leader.
Yeah.
It's like he goes Shaq mode andthe guy was 34-50.
Miles Turner goes Shaq.
Nah, that's not happening.
You know what team I am?
Who you like?
They're just so stacked, bro, towhere I feel like I can't.
The Rockets, nigga.
Yeah, it's the Rockets, bro.
The Rockets is looking so deep,bro.

(55:17):
The Rockets look dangerous.
And they got, bro, because likeI said, I've been a Jalen Green
hater for a while, bro, becauseit's not about basketball for
that nigga, bro.
Bro, he's about bitches, bro.
He's about, nigga, it's afashion show with these niggas,
bro.
It's not about basketball.
They got him up out of there,bro.
It's about basketball.

SPEAKER_02 (55:33):
He want to be a model.
That nigga want to, he want tomodel.
He want

SPEAKER_03 (55:40):
to, Get him up out of here, bro.

SPEAKER_02 (55:42):
He's fucking Dre.

SPEAKER_03 (55:45):
Niggas was on him because it was like the
potential, the potential, bro.
Again, he's not dialed in,though, bro.
It's almost like Zion, bro.
Zion could, bro, could have beenthe GOAT.
Niggas not locked in.
They not locked

SPEAKER_02 (55:56):
in.
It's not about that.
Zion's horny ass need to chill,man.
That big nigga need to relax,bro.
He eating more than just boiledcrab.
Bro, stop.
Bro, stop.
Yeah, yeah, man.
Stop.
Yo, Big Z need to relax.
That's

SPEAKER_03 (56:13):
what I'm saying, bro.

SPEAKER_02 (56:14):
That nigga got an appetite for everything, nigga.
I

SPEAKER_03 (56:21):
ain't gonna hold you.
Oh, stop, bro.
What's wrong with you, dog?
All the potential.
You got lust.
You got lust for that.
That's the lusty nigga rightthere, bro.
And that's what I'm saying.
Like, when I see that OKC team,them niggas is locked in.
OKC might run it back.
They might run it back.
When I think about even theKnicks, they ain't gonna win it,
but them niggas locked in.
Bro, OKC's so locked in.

(56:41):
OKC's not.
They heard some rumors and said,you gotta go Josh Diddy.
So you got to go.
Bro, that's what I'm saying.
Rumors?
Get me up out of there, bro.
Get his freaky ass up

SPEAKER_02 (56:50):
out of there.
Not Josh Giddy, Josh Diddy.
Yeah, yeah, yeah.
You got to go.
Get him up out of there.
You got to go,

SPEAKER_03 (56:56):
bro.
The Giddler, nigga.
The Giddler.
Bro.
Nah, you're right, bro.
OKC was not playing.
Nah, you're not lying.
OKC wasn't playing.
Yeah, those teams, bro, wherethey got everybody's locked in.
They about basketball winning,bro.
I believe in them, bro.
But, like, it's so many of thesenew niggas, though, bro, to
where it's not about basketballfor them, bro, because they got

(57:17):
the NLI money, bro.
And even then, bro, just thegeneral just, bro, the average
player is just making so muchmore than they did 15 years ago,
bro.
Too much.
Bro, the role players is pullingin$20 million.
And they're gambling.
Don't get me started on that.
Yeah, bro.
Yeah, bro.
But I even think about, bro,there's so much talent out there
like LaMelo Ball, for example.

(57:40):
That nigga's a baller, bro.
Can't get it right either.
He got a new one every week,man.
Now, you know what's evensicker?
He's not, bro.
Honestly, nah.
Nah, nah, nah, nah, nah.
You know what's sicker, though,bro?
How, like...
All these, like, older...
These young niggas is not...
These niggas is not doing that.

(58:02):
It's a new era, bro.
These niggas do not like Kobelike they say.
All these, like...
These niggas do not likebeing...
There's no mama mentality, bro.
There's no mama in this league.
Bro, because all these newniggas, like, bro, for some
reason, all these, like, oldschool, like, video vixens and,
like...
You know, those type of women.
They're all preying on the youngnigga for some weird reason.
I don't even think it's that,bro.
I think it's the money, bro.

(58:22):
You're getting too much money,bro.
Again, why would I need to belocked in?
Because I get it.
No, no, no.
If a nigga's going to pay me 25mil a year and I don't even need
to win.
Nigga, I get it.
Okay, nigga.
Come on, bro.
I get not being locked in.
But nigga, why are you going forthe girl who's 40, who already
got kids, who you've seen fuckDrake, Kendrick, Big Sean, you
seen her fuck five niggas, andnow you want to go.

(58:44):
I don't want to think about thepsychology behind it.
Like, why, nigga?
But I know they just not lockedin.
If it wasn't Dre, it was goingto be another bitch, bro.
It was going to be somebodyelse.
Nigga couldn't marry anotherathlete, but no.
Like, why?
Niggas love whores.
What you mean?
Niggas love whores.
Niggas love whores.

(59:06):
You crazy?
You thinking about why, nigga?
It's not that hard, bro.
Who's going to treat you better?
Yeah.
Bro.
Come on.
Nah, starting a family with Dreis crazy.
Bro, come on, bro.

SPEAKER_02 (59:17):
Yeah, bro.
She's a

SPEAKER_03 (59:18):
vet in the game.
A vet in the

SPEAKER_02 (59:21):
game, bro.
What?
She hit him with...
Yo, she hit that nigga with theback down motherfucking
turnaround jump shot, nigga.
That's what she hit that niggawith.
That's her.
She a vet.
Baby girl put it on, man.
Dre put it on him, nigga.

SPEAKER_03 (59:36):
Dumb, young, dumb nigga.
Got pregnant?
Yeah, get over here, stupid.
It's her rap.
I saw a stat.
It said her son and G-Ling arein the same age.
They both like 23 or some shit.
Yeah, bro.
And I was really thinking.
I was like,

SPEAKER_00 (59:49):
nigga.

SPEAKER_03 (59:51):
Yo, stepdad.
Man.
Hey, man, she's.
Marcus is serious, too.
That's crazy.
Yeah.
But that's what I'm saying, bro.
Yeah, bro.
You crazy?
That nigga could have got anygirl.
Nigga, we the same age.
You pull up to my crib.
Get my mom pregnant.
All right.

(01:00:12):
What are you saying?
I didn't even know that.
She had kids same age as them.
That's why everyone like makesjokes.
That's the whole running joke islike, bro.
Dre was out the game, bro.
Like she's already 40.
Like she already had her kids.
She got a son though.
Yeah.
And now she got, now she gotanother, now she got a one year
old with Jalen green.
Yeah.
Wow.
Your little brother being 23years younger than you.

UNKNOWN (01:00:33):
Bro, stop.

SPEAKER_03 (01:00:34):
I can't.
I can't even talk because I gota baby sister that we 20 years
apart.
The

SPEAKER_02 (01:00:46):
real Mark Anthony.
The real Mark Anthony.
Senior.
I'm sorry, nigga.
Respect.
Bump the shit.

SPEAKER_03 (01:00:56):
That nigga knew a blindside me with that one.
I

SPEAKER_04 (01:01:00):
couldn't

SPEAKER_03 (01:01:00):
even say nothing.
I'm like, motherfucker.
Seriously?
Different scenarios.
Different scenarios.
Yeah, exactly.
It's not the same.
It's not the same.
He's still outside.
He's still outside.
I love my baby.
I love my baby girl, man.
But can you imagine if like...
I don't know, nigga.
Imagine...
Your dad's woman's the same ageas you, nigga.

(01:01:22):
It's like, nigga, what?
That's different.
I'm all right, nigga.
I guess your mama's different.
Nigga, you're a little moreprotective of mom.
You're right.
You're a dumb nigga.
You want a dumb young nigga?
I know how these young niggasis, dumb nigga.
You old nigga, you can't takethe stress.
I can't do it.
Nigga, how you going to do it?
That's what I'll tell thatnigga.
I know how these young bitchesgoing to run you crazy.

(01:01:43):
You don't know this shit, nigga.
This ain't the 80s.
This is different.
These hoes is different.
These hoes is different, nigga.
Nigga, what?
That's crazy.
But yeah, different scenario,man.
He got a- Yeah, that's true.
That's true.
They got to love him.
You know, they got a family.
Yeah, mom love protect.
You got to blow up, protect themom.

(01:02:04):
Love protect the mom.
Yeah, yeah, yeah.
Because yeah, bro, Jalen got anew stepson, same age, bro.
That's crazy to me.
I'm with Marcus, though.
Nigga do got to die.
We the same age, bro.
You back my mom, you got to die.
You'll go missing, bro.
You'll miss it.
Nigga's just- I don't know.
Nigga's just- Maybe he justmoved like that.
Oh, shit.
You can just kill me at thebasketball talks.

(01:02:26):
Nah, Newman hates James Harden.
Newman got along with someniggas he don't talk to.
I hate James Harden, bro.
Again, it's the revisionisthistory, bro.
It's the top five talks.
It's the revisionist history,bro.
It's because niggas say JamesHarden's top five, and he don't
like it.
James Harden's not top five.
Shooting guards, yes, he is.
Yeah, no, he's not.
He don't like it.
He don't like that.
What else do you hate?
James Harden specifically, bro.
Yeah.
But honestly, bro, he's topfive, bro.

(01:02:48):
He's like six.
See that this nigga hate him.
He's like six.
Maybe he's top ten.
He's top ten.

SPEAKER_02 (01:02:53):
Newman awoke when we brought up that James Harden.
Newman came alive.
Bro, because that's

SPEAKER_03 (01:02:58):
some shit that's really, especially since we just
had the CP3 combo on the lastepisode, bro.
Facts.
And it's like, bro, all thecommon CP3 never wins shit.
James Harden ain't never wonshit, nigga.
A lot of niggas never won shit.
He

SPEAKER_02 (01:03:12):
won.

SPEAKER_03 (01:03:13):
He got one MVP.
He got one.
To me, that's controversial asfuck.
No, it's not.
That nigga was traveling for,bro.
Bro, stop.
He traveled the whole season,bro.
He traveled the whole season,bro.
Newman got to stop.
Everyone travels now.
No, hey, stop with the everyone.
No, they don't.
No, the fuck they don't.
What, what?
Everyone travels now, Dave.
Yeah, everybody.
Bron?
Bron don't travel.
Stop.

(01:03:33):
Bron travel.
Bron don't travel.
I love Bron.
He didn't win a whole MVP off oftraveling.
Yes, he won a whole.
You know, you're right.
He won it off of carrying.
You're right.
He wins it off of carrying.
Bron's a carrying king.
That nigga carries.
That shit not even travel.
It's not traveling, bro.
No, I'm talking about thestepbacks not even travel, bro.
Hey, the stepbacks.
Hey.
It's not travel.

(01:03:53):
Bro, again, Adam Silver'sletting the NBA go to shit for
the views, bro.
We already seen that shit don'tslide on the international
level, bro.
That shit don't slide on theinternational.
They don't let that shit slide.
Niggas are literally justgetting better at basketball.
It's not better.
It's not better.
In that case, you're just yes.
Bro, he just reinvented thegame.
He didn't reinvent the game.
Nigga broke the rules.

(01:04:14):
The nigga literally took therules.
He literally took the rules.
Okay, okay.
Nigga took the rules.
What about when you do itproperly?
Because they let people do itnow properly.
Who's doing it properly?
Luka.
It's bad.
It's bad.
Half the time, Luka's gettingaway with a lot of troubles too,
bro.
In the playoffs, somebody did itkind of crazy.
I forgot who.
Lucas been away with a lot oftravel.
It was Holly.
Holly be traveling too.
Nigga, it's a travel.

(01:04:35):
But the thing is, my whole,nigga, my whole, all these
niggas is traveling.
My beef with James Hardenspecifically, though, he won a
whole MVP off of it.
Yes, he did.
Yes, he did.
Newman, we can't act like hedidn't drive to the basket,
though, bro.
And again, was hooking niggas'arms, grabbing their face,
smooching niggas on the way tothe basket.

(01:04:55):
No, no, no.
Get the fuck out of here, bro.
I'm watching the games, bro.
I'm watching the games, bro.
Y'all not gonna hit me withthat.
I just brought the stats up.
I just brought the stats up.
SGA and Jim Harden both had 11free throws a game.
Again, that's not the statsthough, okay?
Yeah, it's 11 free throws agame.
The way they get in the freethrow is completely different,
bro.
I think they're similar to me.
No, it's not.
I watched the games.
I watched the games.

(01:05:16):
No, James Harden got morefour-point plays, I think,
because of the step back.
I watched the games, bro.
You're not going to try to trickme right now.
I watched it back in the day.
It was horrendous, bro.
Stop, bro.
On top of that, too, on top ofthat, bro, because the thing is,
too, y'all only remember whenJames Harden cooks, bro, when he
gets hot.
Alright, when James Harden's noton, bro, it's horrendous to
watch.
I remember when that nigga wentthree for 30, bro.

(01:05:37):
It was horrendous.
It was horrendous.
In the playoffs.
It was horrendous.
That shit was terrible.
It was disgusting.
That nigga done stunk shit up inthe playoffs.
Bro, he terrible.
Stunk it the fuck up, man.
That's the only thing.
I just can't.
I came.
He's a regular.
That's the one thing I can'targue.
He's a regular season baller.
I fuck with beer, too.
He's a regular season baller.
Yeah, he's a regular.
Bro, regular season guy, bro.
Regular season guy.
Bro, he does not.

(01:05:58):
He doesn't contribute to winning

SPEAKER_00 (01:05:59):
basketball.

SPEAKER_03 (01:06:00):
I want you awards.
Even beyond the MVP.
And let's say, all right, it'snot a trap.
James Harden doesn't contributeto winning basketball.
He does.
He's not making the playersaround him better, bro.
He's not.
The only reason he even went tothe Western Conference Finals
that year, bro, was because ofCP3.
True.
And Chris Paul got hurt, so theylost it.
Yeah.
They had a team.

(01:06:21):
I can say that.
They had a team, though.
They had Dwight.
They had a team.
They had a team.
Eric Gordon, Dwight, ClintCapella.
They had a team, man.
I can say it, bro.
They for sure had a team.
Good team.
But I think Chris Paul was likethe, obviously he's the point
guard, so he kind of, he led theteam.
That's from, bro, James Harden,not even my top five, bro.
Bro, James Harden's six.
Get that shit up out of here.
Yeah, he can be six.
He's not top five.

(01:06:42):
He is top five.
He's probably not, actually.
I got Klay over James Harden.
I

SPEAKER_02 (01:06:46):
got Klay greatest all time.
You know why?
For fucking Meg now.
Wait, what?
Shout out Klay Thompson.
They got him a good sister, bro.
Got him a good one.
Klay, that's the best three.
That's the best shot that niggaever took right there.
That's so

SPEAKER_03 (01:07:02):
random.
Nigga fucking with Meg now.
I don't know if he wants to dothat, bro.
Yeah, why?
Rock Nation.
What?
Rock Nation.
He about to rock that nation,nigga.
That's what

SPEAKER_02 (01:07:10):
he

SPEAKER_03 (01:07:11):
finna do.
Bro, what?
Klay gonna end up in jail.
Klay.
Good move.

SPEAKER_00 (01:07:15):
That

SPEAKER_03 (01:07:16):
shit ain't gonna last.
Respect.
Klay, put a baby.
It's for the...
Nah, I'll be a tall-ass baby.
That's a good three guard rightthere.
That'll be a big-ass baby, dawg.
Better breathe that.
Y'all ain't breeding Meg?
No.
Just because the pods on theseain't...
Y'all ain't breeding Meg.
Meg says...
Bro.

(01:07:37):
No, I'm just...
I love my girl, bro.
Yeah, that too.
Y'all not going to play me likethat on the mic, bro.
They love you here first.
My niggas love that girl.
Burr, burr, burr, burr, burr.
Even...
Oh, man.
Even without that...
Oh, man.
Meg cool, but...
Like, bro, make mad drama,nigga.
Not too much, bro.
Not too much.
She's mad drama, nigga.
Not too much on the styling.

(01:07:57):
Bro, she's mad drama, dog.
If y'all want a toxic girl, hellyeah.
Who the baddest bitch in thegame?
The baddest?
Yeah.
Is she?
She's too toxic, bro.
She's not the baddest in thegame?
I don't know.
I fight people.
She is.
Who?
Tyler.
Is that the fucking Caribbeangirl who said she's not black?

(01:08:17):
Did she say that?
Some shit like that.
They all say that, though.
They all say that shit, though.
I'm Dominican, not black.
They all say that.
Yeah, they all say I'mDominican, not black.
They all say that.
Y'all got it.
Y'all got it.
Y'all got it.
Jesus Christ.
Yeah, she the baddest in thegame, bro.
She the baddest woman in thegame, all right?

(01:08:37):
That's right.
Ain't no bitches over here, allright?
I salute her.
I salute her, dude.
I salute her, bro.
I salute her, bro.
I salute her, bro.
Oh, man.
He said...
Nigga Newman said...
He said, don't play with me.
That's a good man.
Newman's a hilarious, bro.
Nah, but I fight niggas...
I fight niggas...
I don't know.
Niggas do put a lot of sauce,but...

(01:08:58):
Nigga, from what I've seen, shemad drama, nigga.
The Tori situation, she alwaysthe best friend situation.
Nigga, the baby situation.
Nigga, I just think threeniggas, she was fucking, it was
all drama.
Y'all niggas want to go get withthat?
It's cool, but that's a lot ofdrama, brothers.
You need to be drama-free,brother.

(01:09:19):
Don't AAC.
You see, you're gettingdistracted by ass.
You see Jason?
Look, he's getting distracted.
He's getting distracted.
Hey, look at Jason over heregetting distracted.
That's why.
To pop out with it too?
Jay, you're getting distracted,brother.
You need a good woman that'sgoing to be like, Jason, go work
on beats, baby.
See, that's what you need, bro.

(01:09:40):
Stop.

SPEAKER_02 (01:09:40):
That would make us more of a better

SPEAKER_03 (01:09:42):
couple, nigga.
Hey, tell this nigga, bro.
Tell this nigga, bro.
This nigga not focused.
You talking about niggas notfocused?
You not focused, bro.
You talking about niggas notfocused?
I'm on the back.
Ladies and gentlemen, this is mybrother.
I love Jason.
I love this nigga, man.
I just wish the better for thisnigga.
I want better for this nigga inhis life, bro.
I'll be praying for this nigga.
How many girlfriends you got,Jay?

(01:10:02):
I'm about to get Jay in trouble.
I'm about to get Jay in trouble.
I'm so glad he got music.
I don't know where this niggawould be right now without me
and music.
This nigga just crazy.
That's wild.
Pray for

SPEAKER_02 (01:10:14):
me.
Marcus California and featuringMash.
Pray for me.
Story of

SPEAKER_03 (01:10:18):
my life, man.
Pray for me.
This

SPEAKER_02 (01:10:19):
nigga is crazy.
But yeah, I definitely, I gotsome beats for you, Meg.
At your boy, at JDig, underscore23 on Instagram.
I got you.
You Craig J

SPEAKER_03 (01:10:27):
style, bro.
I got you, shorty.
You really gonna shoot yourshot?
Clay, hey.
Bro, shoot with Clay Thompson.
It's a dud, bro.
It's a dud.
Shoot or shoot, he'llunderstand.
I'll see you stand

SPEAKER_02 (01:10:39):
up.
I'll see you stand up.
Straight up.
Where you go, Santa?
Where do you go?

SPEAKER_03 (01:10:45):
Santa Margarita.
Santa Margarita.
Bro.
With all the board shorts andshit.
Oh, fuck.
Stop.
You're sick.
Hey, man.
All right.
Shit, what we got?
Marcus don't give us afreestyle, so we don't.
We're going to take a littlebreak.
Let's do it.
Let's get it.

(01:11:15):
We'll be right back.

(01:11:45):
We'll see you next time.

(01:12:15):
Damn.

SPEAKER_04 (01:12:17):
Woo! That's that shit.
That's that shit.

SPEAKER_03 (01:12:24):
That's that shit.
Bringing freestyles, baby.
Appreciate y'all, man.
Appreciate y'all for tapping in.
Appreciate y'all, bro.
Appreciate y'all.
You got freestyle now.
Any artist come on, you gotfreestyle now.
If you're a rapper, you gotfreestyle now, but I appreciate

(01:12:46):
you guys for coming in, bro.
What you guys got for thepeople?
Mark Anthony's out now.
All platforms, wherever youlisten to music.
Videos on YouTube, too.
No Mark's on YouTube, if I'm notmistaken.
Ballistic on YouTube.
A few other songs, too.
What you boys got for him?
Close out.
Go ahead, Jay.

(01:13:06):
Yeah.
Man,

SPEAKER_02 (01:13:07):
for one, appreciate y'all having us back.
It's good to, man, long overdue.
Like they say, the real MarkAnthony out everywhere.
Go fuck with that.
More music coming soon, though.
So we got the foot on the gas,man.
And we bringing more music toy'all, bringing more vibes and
everything.
So, yeah, we excited, bro.
Excited about the future.
Yeah, 1,000%.
I got my shit right here.

SPEAKER_03 (01:13:28):
Yeah, once again, bro, iterate what he was saying.
Thank you guys for real, bro,for having us, man.
I really appreciate it.
Choppy with y'all, bro.
It's always a pleasure, man.
Go peep my new shit.
We got a lot more coming, bro.
We just getting started.
But shit, thank you for all thelove so far to everybody
supporting, everybody listening,man.
Keep spinning unapologetic, andyeah, let's go.

(01:13:49):
What you got from me?
Man, y'all made it this far,man.
I appreciate every single one ofy'all, especially everybody who
taps in on a weekly basis.
Make sure you follow us on ourplatforms.
Show us some love.
Comment on our posts.
Comment on our Spotify, man.
Just anything helps, bro.
And I just appreciate all y'all,man.
Thanks for tapping in, bro.

(01:14:10):
Hell yeah.
Hey, we out on Unapologetic,episode seven.
Thank you guys for tuning in.
I don't know.
It's actually episode 75.
Unapologetic.
I'm proud of us, bro.
Episode 75 episodes, bro.
They say most podcasts don'tmake it this far, so I'm happy,
bro.
I'm happy.
Hopefully,

SPEAKER_01 (01:14:24):
we get to 100 this year.

SPEAKER_03 (01:14:25):
Unapologetic.
We out.
I got FNC, Marcus California,Wango.
Appreciate y'all.
We out.

SPEAKER_00 (01:14:32):
Oh, hell yeah.
This on

SPEAKER_03 (01:14:33):
me

SPEAKER_00 (01:14:33):
young fly

SPEAKER_03 (01:14:34):
like.

SPEAKER_00 (01:14:35):
This on me.
I can't see this This

SPEAKER_03 (01:14:46):
shit never been

SPEAKER_00 (01:14:53):
easy.
But no, you had that telephonering.

(01:15:14):
Multiplying and subtracting.
Me and Marcus do that to geteven.
There's a brand new yearbookstuck at that tree, yeah.
And that real P-Molly, this shitEuropean.
Just like everyone in fire, it'sracist.
For a riot, you ain't got to putthe key in.
See, I was on site when I seenhim.
But I've done it so far, I cansee it.
I stopped for a lot and I don'thear how I'm eating.
Niggas rap, they was eating withJesus.
If they ever could be where Ibe, I'd set up a meeting.

(01:15:36):
You could meet him.
You know that I play with that.
For a while, I be fiending.
Chrissy Teigen.
And Cardi keep showing me loveto Outro Music

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Episode 70 | "That's a Travel" (feat. Marcus California & Jaydigg)

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.css-14f5ked{margin:0;word-break:break-word;display:-webkit-box;-webkit-box-orient:vertical;box-orient:vertical;-webkit-line-clamp:2;overflow:hidden;}Episode 70 | "That's a Travel" (feat. Marcus California & Jaydigg)