Legacy of Satan (1974)

Episode Transcript
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Speaker 1 (00:02):
Prepare yourself for the terror the prison of madness. We
have few inter and nonritter.

Speaker 2 (00:16):
Welcome to Unsung Horrors with LUNs.

Speaker 3 (00:26):
And Dereka.

Speaker 2 (00:31):
Leave all your sanity behind. It can't help you now.

Speaker 4 (00:36):
Welcome to another episode of Unsung Horrors, the podcast where
we discuss underseaning horror films, specifically those which have fewer
than one thousand views on Letterboxed. I'm Erica, I'm Lance
and before we get into this week's episode, next month
is October, Yes, which means it's time for our annual
Horror Gives Back charity challenge, where we ask folks to

(01:00):
donate a dollar or more per horror movie that they
watch during the month of October to a fundraiser that
either we have set up for Best Friends Animal Society,
or you can donate to a charity of your choice.
We had plenty of people do the latter last year.
You can follow our list of prompts, you can just
watch whatever you want and keep your own tally. You

(01:21):
can use somebody else's challenge list however you want to
do it. The main point of it is the charity aspect.
Last year we raised over twenty five hundred dollars for
Best Friend's Animal Society.

Speaker 2 (01:33):
Yeah, that's amazing, it's nuts to think about.

Speaker 4 (01:35):
Yeah, we have the best listeners and I think we've
got even more people participating this year, which I'm really
excited about. So we did want to just cover the
categories for the challenges that we've set up really quickly,
just for a quick explainer for any of them. Will
also post it on our Instagram and Twitter and Facebook,

(01:55):
and our discord has already gotten a copy of it
so they know what's in it.

Speaker 2 (02:00):
Join the discord. If you haven't joined the.

Speaker 4 (02:02):
Discord, folks, you can. You can share dummy drops that
you've seen. You can tell me about dead kids that
I haven't seen yet. You know. It's good times.

Speaker 2 (02:12):
If you have suggestions for movies for us to cover
which we'll.

Speaker 4 (02:15):
Never listen to, but we know you can write them,
you can put them in there.

Speaker 2 (02:19):
I will do Adam's request, I think at some point
for Enikma Locke.

Speaker 4 (02:23):
Yeah, I figured it's too good it is. I would
be happy to do that episode. Okay, so we're just
going to go through the categories really quick and then
we will jump into the movie. If you want to
skip this, you can you should only take a minute
or so, all right. So Day one is going to
be universal Horror, obviously, you know we if you can
do like the earlier stuff, that'd be great. But if

(02:44):
you want to punish yourself and watch it was Tom
Cruise Mummy movie that came out a few years ago.
They tried to like reinvent the whole thing. Anyway, you
do you but you know, we put the you know,
Lance put the beautiful calendar together as he does every year.
And anyway, I'm talking too much. It's only first category,

(03:05):
all right. So Day one Universal Horror, Day two Sequel,
Day three, Philippines. We have a couple people excited about
this for a category already. Number four is birth year,
so a horror movie from the year that you were born.
Day five is nineties horror. Day six is Vampires, Day seven,
Fifties Horror Day eight Spain. Day nine is the unsung

(03:30):
Horrors rule, so a horror movie with fewer than one
thousand views on letterbox Day ten, Michael Ironside Day eleven,
Ghosts Day twelve, Physical media. And if you don't collect
your own, if you don't have any of your own,
borrow something library, you know, however you want to do that.

(03:51):
Day thirteen is sixties Horror Day fourteen Australia and Day
fifteen is in memoriam, So that's watch a horror movie
to honor the memory of somebody who has passed. I
would also suggest, you know, besides.

Speaker 5 (04:08):
Actors, directors, writers, composers, people who actually make films, that
there are some people that you could potentially honor who
are involved with films.

Speaker 4 (04:18):
So a few of my picks this year are centered
around Lee Gambin, who passed away and contributed a lot
of special features to a lot of physical media releases.
So Bill Ackerman actually put together a list of all
of his special features work on his letterbox profile. I'll
link that in show notes in case anybody else wants

(04:39):
to take a look at that and maybe use that
for that category.

Speaker 2 (04:42):
That's good. Yeah, second half of Horror gives back, so
series episode. This is kind of a break from full
length feature movies. You know, something from hammer House, Apport,
Twilight Zone. Usually they run you know, about an hour
or even less.

Speaker 4 (04:58):
Yeah, Tales from the Crypt and you can do with
Simpson's Treehouse of Horror if you want.

Speaker 2 (05:03):
Yeah, exactly, Okay, the seventeenth is pick A Lance. So
my favorite. October seventeenth is my birthday. That hence you
know pick A Lance. Initially it was just like any
you know, Lance filmmaker, cast member. There's Henrixon, there's guests,
there's Lance Fuller, there's you know, the obvious choices. But

(05:24):
in Discord, a lot of people are like, is this
something that like Lance would like or recommend, like on
a you know, an episode we covered, or even have
Lance in the title, like Ambulance Harry Collins. So yeah,
just however you interpret it. Then we have Bleeding Skull,
which we've done I think the last couple of years,
anything from their site, anything from their books, anything they've

(05:48):
recommended or done a write up on. They have plenty
of releases now coming out. Animal Attacks is nineteen. Then
we have nineteen eighties horror. On the twenty first, we
have Karen Black. The twenty second is Mexico, which is
always one of my favorite themes. Every October. I love
watching Mexican horror. Then of course we have Hail Satan.

(06:10):
The twenty fourth is black and white, so anything that's
shot in black and white and an older film could
be newer than we have made for TV. Movie on
the twenty six is nineteen seventies horror. The twenty seventh
was the category that I had to include the Sweetest Taboo,
anything from Erica's book, anything from her even more Child

(06:31):
Kills list on letterbox, anything that has a childkill.

Speaker 6 (06:34):
Yeah.

Speaker 4 (06:34):
What the links to those two lists on letterbox and
show notes as well for folks.

Speaker 2 (06:39):
Thousands of movies to choose from in the Laty list, Yes,
the twenty eighth Gothic Horror, the twenty ninth we have
Classic Slasher, then we have Hammer Time Hammer Horror, and
then of course on October thirty first is the Viewer's
choice selection. So very excited with these categories. A lot
of them are repeats, but we have a lot of

(06:59):
new ones that I'm excited to have on the list. Yeah,
join Discord, like we said, because everybody sharing their lists,
which you know are their alternative that will be changing.
I've already created a list, but I'm keeping it secret
because it's going to change.

Speaker 4 (07:12):
I'll share mine when this episode comes out. Well, actually
I might share once your next episode comes out, because
one of my picks is a rewatch and that's my
next episode pick.

Speaker 2 (07:29):
October pick October pick, which I have on my list
for one of these categories. Yeah.

Speaker 4 (07:34):
See, so we're gonna we're gonna wait till Lance's next episode.

Speaker 2 (07:38):
Okay, I'll post mine when when you post, Okash.

Speaker 4 (07:41):
All right, sounds good. I'll also put a link to
the fundraiser in show notes. It is technically live already,
but it will run through November two. I know most
people make their donations after the month is over, because
a lot of people are like, I don't know how
many movies I'm gonna watch, But if you just want
to make a flat donation, you want to throw in

(08:01):
five ten bucks, that's great too. All right, So onto
our movie. This episode, we are going to be talking
about Gerard Domiano's Legacy of Satan from nineteen seventy four.
As of this recording, it has seven hundred and sixty
nine views on letterboxed and is currently streaming on tub.
It did have a Code Red Blu ray release, which

(08:24):
is the what you'll see on tub so it's not
a it's cleaned up, but Code Red doesn't do or
didn't do, really full restorations. They were just about getting
stuff out there.

Speaker 2 (08:36):
So yeah, it looks great though, it's definitely.

Speaker 4 (08:39):
It looks fine. You can see the wallpaper, and that's
the most important thing in this film.

Speaker 2 (08:44):
Very impressive decor. Screaming seventies. I love it.

Speaker 4 (08:48):
Yes, okay. So Legacy of Satan is just really simply
it's about a Satanic cult led by a doctor, Moldavo.
They have selected a young woman named Maya to be
their next queen. Through a series of ceremonies, chance, and
a costume party, they lure her in, but first they

(09:09):
have to detach her from her husband, George.

Speaker 2 (09:12):
H good, old George.

Speaker 4 (09:13):
I like George.

Speaker 2 (09:14):
I died too.

Speaker 4 (09:16):
I like him and his sword.

Speaker 2 (09:19):
Give me more sword. What's the backstory? We'll get to that,
we will, all right.

Speaker 4 (09:26):
So Legacy of Satan was written, directed, and edited by
Gerard Domiano. I re listened to an episode of The
rialto report the podcast episode about him. It was specifically
an interview with him before he passed away in two
thousand and eight at the age of eighty. I highly
recommend it. It's under an hour. He's an interesting person.

(09:49):
You know, the majority of the films that he made
were sex films, but he did want to be a filmmaker.
He was raised Catholic, He was married with two children.
He ran beauty salon in Queens and he did that
because he so he went into the army and he
used his GI bill to become an X ray technician.

(10:09):
But then later on a friend had told him he
was going into beauty school because you know, if you
were a straight mail then it was basically like shooting
fish in a bowl to them. So he went to
beautician school and then opened his own salon. His accountant
for the salon connected him with the filmmaker, an independent filmmaker,

(10:32):
and he started volunteering on set for a few years,
which is where he learned to actually make films and
sort of got his foot in the door and started
making them himself. So I'm not going to get too
far into you know, his career as far as like
the sex films and everything like that, because there's a
lot of information on Deep Throat, especially the making of

(10:56):
the film, how much money it made, where that money
came from, that fund it and who made all the money,
the relationship between you know, it's star Linda Lovelace and
her husband, Chuck Trainer, and there's a lot there. And
for most of that, you know, there's Linda Lovelace's own book,
there's that Lovelace movie with that had Amanda Sea Freed,

(11:19):
and yes it had I can't remember the guy's name.
I think it's like Adam Brody or something like that
playing Harry Reims.

Speaker 2 (11:26):
And I was just like, this is Adam Brody from
what was that called The OC Yeah.

Speaker 4 (11:32):
He plays Harry Reams And I'm like, this is just no,
I just know.

Speaker 2 (11:37):
I mean they have the like same hair, and yeah, no.

Speaker 4 (11:40):
No, it's and then who was it? James Franco was
playing Hugh Hefner and like.

Speaker 2 (11:47):
James Franco will He's probably played everybody in every movie. Yeah, dude,
So is it a good movie? Is it okay?

Speaker 4 (11:54):
It's it's okay. My problem with it is it takes
a The way that they tell her story is weird,
Like they tell it one way from one point of
view where it seems like she's enjoying everything that she's doing,
and then it backs up and retells pretty much the
whole same thing we just watch, but from a different

(12:16):
point of view, which I don't think is really the
best way to do this. In Liz's review is actually
probably the best one. I saw with regard to this WISP. Yeah,
Liz Purtchell, I'm sorry. So she wrote about it. She
gave it a half star, so she said. Epstein and

(12:36):
Friedman's documentary backgrounds really show in their use of archival material,
not just in clips of Carson making blowjob jokes, but
the actual variety ads and box office listing used in montages,
which just makes everything else about this wildly misleading, inaccurate,
and inaccurate movie all the more shocking and disappointing. So
I think Seafreed, like, I actually like her. I think

(12:59):
she's a good actress, and I think she did a
really good job in this. And the guy I can't
remember the guy's name who played Chuck Trainer, but I
think he's obvious. He's a great dickhead in this. But
there's just too much like misinformation and how it's represented
because yes, like she wrote this book and said all
these horrible things happened to me, but then she became

(13:22):
this sort of I'm going way off tangent. We're not
even getting to the movie.

Speaker 2 (13:25):
Yeah, Peters was Peter sauersguard, That's who it is.

Speaker 4 (13:27):
Yeah, I like him too, And so there's a whole
thing about like how you know, towards the end of
her life, she was like, no, there's nothing wrong with
the pornography industry itself, like this is just my personal
experience kind of thing. So that all that information is
out there, I don't want this to be an episode
about Deep Throat in their whole relationship and all of that.
But there's a lot there and it is all very interesting.

(13:49):
Is I do want to share a couple of things though,
because I have this book and I have I feel
like I have to share a couple of things. So
I have Darwin Porter's Inside, Linda Lovelace's Deep Throat, Degradation,
Porno Chic, and the Rise of Feminism. So there's a
few quotes in here that were funny. Truman Capote to
Tennessee Williams. I went to see Deep Throat in a

(14:11):
movie theater on Duval Street in Key West. I don't
know what all the excitement is about. I can swallow
bigger cocks than that. Cheers to you, sir, respect all right,
Lucille Ball to ethel Merman. The reason I attended is
showing of Deep Throat in Los Angeles was because I
suspected that DESI has had a fling with her. Frankly,

(14:32):
I wanted to see the girl's technique. I didn't want
to lose Gary Morton the way I'd lost DESI. After
I saw the movie, I knew I could never top her.
You see, I have this gag reflex.

Speaker 2 (14:43):
Holy cow, now I'm visualizing her giving it ago.

Speaker 4 (14:47):
Yeah, that whole candy scene on the things Chevin candies
in her mouth gives you a whole other What.

Speaker 2 (14:52):
A crazy time, though, because this was like the hugest
movie in the country. Yeah, like in nineteen seventy four two,
nineteen seventy two was Deep Throat, right.

Speaker 4 (15:01):
Which was and seventy two is Deep Throat seventy three.
Domiano directed Devil and Miss Jones. Yes, and then this
was a Legacy of Satan and his other one of
his other really great porn films, Memories Within Miss Aggie,
We're Both nineteen seventy four, and then his absolute like
best film ever, Let My Puppets Come, nineteen seventy six.

Speaker 6 (15:23):
Yeah.

Speaker 2 (15:24):
I had read too that he filmed Legacy of Satan
in nineteen seventy two and it wasn't released until seventy four,
so I guess the same time when before his movies
were so huge and he was making so much money
for him and the producers with Deep Throat and all
this stuff.

Speaker 4 (15:39):
Yeah, well Domiano himself wasn't making any money. And you
can see the budget in this film, which is fine.
You know, like we don't knock movies for not having
a budget. You know, we knock them for being boring.
If you are born, we wouldn't cover a movie if
we're born.

Speaker 2 (15:55):
Yeah, I might knock this movie a little for that.

Speaker 3 (15:57):
That's it.

Speaker 4 (15:58):
I give you that. It does have the those moments,
but there's you know, we can just talk about wallpaper.

Speaker 2 (16:03):
Right, or how unnatural these first time cast members are,
which is benefits the viewing experience.

Speaker 4 (16:10):
I think it kind of does. I think it adds
to the chrance of it.

Speaker 1 (16:13):
But so.

Speaker 4 (16:15):
His other films, you know, Deep throughat Devil, Miss Jones,
Memories Within Miss Aggie. I mean, he has plenty of
other sex films. I think those are the ones worth
talking about.

Speaker 2 (16:24):
For sure.

Speaker 4 (16:25):
You logged a couple of these recently. Now did you
explain to Sarah, like I'm doing podcast research, how did
this conversation at home?

Speaker 2 (16:32):
Now? She never saw him, watched him late at night
with my AirPods full blast, looking over my shoulder, just
in case there was a walk by. I mean, now,
I told her I was watching some pour nos, but
she doesn't. She doesn't care if I watch an adult
film here and there.

Speaker 4 (16:47):
Okay, I mean I didn't think so, but I.

Speaker 2 (16:50):
Mean she would ask questions if she's walking by, and
you know there's Lovelace, you know, showing off her technique
go close up. Yeah, but yeah, devil and Miss Jones
I had never seen. I'm already I've already gushed about
Georgina Svelvin and her performance in Chuck Vincent's Bad Blood,
which has been one of my favorite watches of the
year New discoveries for me. Yeah, I love that movie.

(17:13):
It's I could have used more of the storyline, you
know her, you know, fulfilling all her sexual fantasies, which
is a huge plot and the main focus on the movie.
But you know, the the beginning and the setup and
then the finales are just great where the director Gerard
Domiano comes out, which it's funny that you brought up.

(17:33):
I didn't know about his salon days, but he's, you know,
the man in the cell at the very end, he's
also popping up at the beginning. It looked like a
hair piece to me. I mean, it's very stylized. It
looks great. He looks like a hairstylist, like a salon,
And I was like, who is this guy that I
looked him up and I was like, oh, it's it's Damiana.
And he's kind of a compelling guy, like the way

(17:53):
he looks and stuff.

Speaker 4 (17:55):
He's he's interesting too, like the interview that Ashley West
did with him for the rialto report, or like, he's
a captivating person to listen to. But it's also, you know,
you have to balance that with the fact that you
know he he'll say things like, oh, yeah, Chuck brought
Linda in and you know, had her you know, show

(18:16):
me her technique, you know, and by that, you know,
by then I'd had thousands of blowjobs.

Speaker 2 (18:21):
So yeah, no, you have to know that there is
you know, there's a little bit of grossness involvement, of course.

Speaker 4 (18:29):
Yeah. And it's like, I'm not judging anyone for whatever
anyone's doing, but you know, there there there's a lot
going on there and I'm not We're not here to
pass judgment on what they're doing, unless like you're being
an absolute you know, Harvey Weinstein's shit bag, like that
trainer was so all right. So one thing I did
think was interesting. When you look up images of this,

(18:51):
one of the posters you're most likely to find is
this film on a double bill with Andy Milligan's Blood. Yeah,
did play play as a double feature with that film.
That's not my double feature pick.

Speaker 2 (19:05):
I've used that.

Speaker 4 (19:08):
I've used up my Millikan already.

Speaker 2 (19:12):
That's another request we've had. It's doing a Milligan. That's
too much.

Speaker 4 (19:16):
That's that's a lot. I you know, I actually I
did talk to Speaking of Liz, I did talk to
her when I was in New York. I know we've
tried to get her and just haven't been able to
sync that up yet. But she is still interested. So
maybe I'll talk her into a Milligan episode because I
know she loves Oh yeah great, So if we do,

(19:38):
like Liz, can you just come on and talk about
Andy Milligan? Please? Uh So? The original music Arlen Ober
and mel Zelnicker. On IMDb, it says creator Electronic Rhythms,
Ober composed on a bloody birthday, The Incredible Melting Man

(19:58):
X Ray and Eating.

Speaker 2 (20:00):
Eating Rowel Paul Bartel and Mary Warnof.

Speaker 4 (20:02):
Yeah, so these droning synth sounds. If nothing sticks with
you that I still hear it in my head right now,
because after like a quick rewatch last night, I'm still
liked it won't leave my head.

Speaker 2 (20:20):
Yeah, no, I was reading. I mean, obviously, I think
it's the star of the movie for me. It's like
you said, it's the most memorable part of the movie
for sure. And it's nineteen seventy two. I don't know
if the music might have been added later on closer
to the seventy four release date, but it's kind of
pioneer like, groundbreaking work nineteen seventy two. There's no I'm
sure we can find some movies, and I bet some

(20:41):
of our listeners can point them out. But going this
hard with these moogs since at this time is it's
kind of jarring, Like it's as soon as the movie starts, yea,
with those awesome credits, you're kind of settling. It's total atmosphere.
The opening. I'm kind of totally checked out because the
music and the titles are so great. Yeah, the High

(21:02):
Priestess has given us like a five minute just like backstory,
just content dump of like Rakish and every thousand years
and I'm totally checked out.

Speaker 4 (21:13):
Yeah, none of that. Every time I've watched this three times.
First time, I think the same for you and I
at Tar.

Speaker 2 (21:20):
Tuesday, Yeah, about seven years ago.

Speaker 4 (21:22):
And then rewatched recently, like a few weeks ago or
a month ago, and then rewatched last night. Same thing.
Every time I watched the fucking opening, I cannot pay
attention to what she's saying because I'm just stuck on,
like I'm in, I'm here in the drone, the synth.
I just can't.

Speaker 2 (21:37):
Yeah, the rituals happening, all the beautiful women in the gowns,
That's what I'm sold on. Yeah, A big, you know,
kind of narrative, just dialogue up front never really works
for me, especially when they're talking about like, you know,
thousands of years ago. You know, it's just but the music.
The score by Ober and then Zelniker, who went on
to do sound for a bunch of bangers, Cohen Brothers,

(22:00):
Blood Simple, Raising, Arizona, Stephen King's Maximum Overdrive, Yeah and
over also did the incredible Melting Man. I don't know
if you said, yeah, I didn't, Yeah, okay, Yeah, that
one is one of my personal favorites as well. But
I read a funny review where somebody called their work
in this Legacy of Satan quote in audio nightmarish annoyance.

Speaker 4 (22:21):
How dare you, sir?

Speaker 2 (22:23):
How dare you? But I yeah, the music is the
star of the movie for me.

Speaker 4 (22:27):
I think so too. If he didn't get anything right,
at least he's brand new to making movies at this point.
You know, this is the beginning of his career, and
he at least got this aspect of it completely right.

Speaker 2 (22:41):
And this is the first work for both of them.
This is their first movie that they've worked on as
far as score, so that's really impressive.

Speaker 4 (22:47):
Yeah. And then lastin as far as the crew goes,
cinematography by Joel Fernandez Friday the thirteenth, The Final Chapter
Original Children of the Corn. Sorry you're didn't get to
do Part three nine or Part two or Part two
final Sorry, The Prowler The Prey, which was one of

(23:09):
your double feature picks.

Speaker 7 (23:10):
Oh.

Speaker 4 (23:10):
Recently he's done a bunch of Chuck Norris movies like
Invasion USA. He worked with Domiano again on Deep Throat
Devil and Miss Jones Memories Within Miss Aggie and one
of my personal favorite sex films through the looking Glass.
He also shot Doris Wishman's Let Me Die a Woman,

(23:30):
and then a couple of movies that I watched new
to me this week. The first was The Cureleon Witness
from nineteen seventy eight, which is about a plant that
is a witness to a murder.

Speaker 2 (23:43):
Oh, I saw you log that and it sounds amazing,
like I.

Speaker 4 (23:47):
Wish it was. It's what, So it's nineteen seventy eight,
and so it's the nine it's the seventies. Talk to
your plants like weird curelean photography, like you know, see
someone's aura type bullshit type thing. And so it's worth
watching because it's so it's such an odd premise where

(24:11):
a woman's sister is murdered, but this one plant is
on the rooftop when she's murdered, and so the sister
is like trying to learn how to communicate with plants.

Speaker 2 (24:23):
And it's all played straight. Oh, it's one.

Speaker 4 (24:25):
Hundred percent played straight. And that's why it's so interesting.
It's on YouTube, it's short. It's worth watching just for
the fucking weird premise that it is.

Speaker 2 (24:35):
Do you get a plant voice? Is they're talking about you?

Speaker 4 (24:38):
Don't. That's not how plants communicate.

Speaker 2 (24:40):
Lants.

Speaker 4 (24:40):
They're playing it straight. If you get a plant voice,
then you're you're not taking it seriously. It's like it
they do, like you know, how they do the lie
detector test with like the thing. And then at a
certain point she I don't know, she figures out how
to communicate and she can like communicate telepathically with it,

(25:02):
and she visually sees what happens to her, what happened
to her sister.

Speaker 2 (25:06):
I know, I was hoping for like an Audrey too, like, hey,
your sister was cue I saw who did it?

Speaker 4 (25:16):
That would have been amazing, all right. Then the other
one I watched from Fernandez was Twisted Desire from nineteen
ninety six, and I feel like I watched it and
I was like, I feel like I might have seen
this when it came out on ninety six. I would
have been in high school and I might have sort
of been the target audience for it. Melissa Joan Hart,

(25:40):
And it's based on a true story about this high
school girl who gets her boyfriend who's an ex con
but a super nice guy, to murder her parents and
then she just basically manipulates the whole situation framed him basically,
like makes him take the fall for it.

Speaker 2 (25:57):
All this stuff, I plan it all.

Speaker 4 (26:01):
Yes, that was Jesus Christ. So very lifetime movie. And
this is the kind of lifetime trash that I fucking love.
Like this is like I don't know if it's stalked
by my doctor territory, but it's it's it's up there
with that. And you know what I love the most
about it. Nineteen ninety six movie about a girl And

(26:24):
I mean it's based on a true story too, you know,
movie about a girl doing something to get her parents killed.
And I was talking to John about it later and
I was like, you know what I miss. I miss
the one thing I miss about the nineties. You know,
I don't miss the horror movies from the nineties, but
I do miss how hard teenagers used to go menendaz brothers,
like you remember like all this shit like this fuck

(26:45):
teenagers used to like fucking do some shit. You know,
I'm not talking about like some horrific stuff that's happened recently.

Speaker 2 (26:51):
Right nose. This is like a period where there's serious
planning and conniving and yeah, hiding you know evidence. It's
it's a big time.

Speaker 4 (27:00):
Yeah, and like nowadays, like if a fucking kid wanted
to kill their parents, they'd ask their parents to do
it for them.

Speaker 2 (27:07):
You know.

Speaker 4 (27:10):
Anyway, I missed when teenagers needs to go hard.

Speaker 2 (27:12):
Yeah. So Joe al Fernandez you already mentioned. He shot
a couple of Doris Wishman films, Love Toy, Let Me
Die a Woman. He also acted a bit. He starred
in Doris Wishman's The Amazing Transplant.

Speaker 4 (27:25):
Didn't even look at that drop down.

Speaker 2 (27:27):
Credited is Juan Fernandez And I watched it. I'm still
going through. I'm having such a blast going through those
eggfa something weird set stors Wishman sets. Yeah, so I
popped this one on the other night, and he looks
like Bobby uh Kenavali. Do you know he is? Yeah,
he looks.

Speaker 4 (27:41):
He's in the Lovelace movie.

Speaker 2 (27:43):
Is in Lovelace. Yeah, he plays one of the gangsters. Okay,
he's not like Joel's not it, like Fernandez is not
in it.

Speaker 4 (27:50):
Actually no, he I'm no, I think he's just one
of the gangsters.

Speaker 2 (27:54):
Okay, well he Yeah. When I saw him pop up,
I was like, oh my god, that's Bobby count But
like it it's he's the star in it. Obviously. It's
called The Amazing Transplant and it's about he goes over
to an old girlfriend's place to propose. Oh wait, maybe
I'm thinking of so many different Bobby Kennavali. He's in
Boardwalk Empire, he is in Lovelace. I saw he was
in the ant Man movie. He's married to Rose Byrne,

(28:16):
that Australian actress.

Speaker 4 (28:18):
Yeah, good for him.

Speaker 2 (28:19):
Yeah, I think I like her a lot. She's great. Yeah,
I like him a lot too. I first saw him
in Boardwalk Empire and I was like, this guy's going
to be a star. Okay anyway, but yeah for not.
As in The Human Transplant, he goes over to an
old girlfriend's house to propose to her, and then he
they start having sex and he accidentally seemingly accidentally chokes

(28:40):
her to death, which is like real, like it's an
odd opening to the movie. It's you know, it's a
great mystery set up. And then his uncle, who is
a detective, takes on the case and he starts interviewing
all these women that he's known, and he finds out
that the last couple of weeks he's been coming over
to you know, visiting them and then kind of loses it,
blacks out and just rapes them. So they're like, yeah,

(29:02):
he's psycho, Like I don't know what's going on with him. Anyways,
we find out that he had a penis transplan from
an old best friend that that had passed away and
he wanted his penis and that's what's causing him to
like black out and do these horrific rapes and murders.

Speaker 4 (29:18):
So oh so it's like the Hands of Warlock.

Speaker 2 (29:22):
Yeah, but yeah, and it's fun, Like the transplant scene
is worth watching. It's a very short movie, but you know,
he's like he's just all they do is numbt and
he's just talking to the doctor the whole time, like
what is this? Are you almost done?

Speaker 3 (29:35):
Duck?

Speaker 2 (29:36):
You know, like almost the docs like twisting his arm,
like working on like, you know, cranking on banks. It's
worth watching. But yeah, having such a blast with the
doors Wishman sets, and I recommend the amazing transplant. But yeah,
he's quite the actor. He's compelling to watch.

Speaker 4 (29:52):
Okay, check it out. Anyone else on CAREW you wanted
to talk about So.

Speaker 2 (29:57):
I did notice a special special effect was by Tom Brumberger.
Who did the makeup effects for Christmas Evil, Alone in
the Dark, Don't Go in the House and Death Promise,
which has like the most amazing, hilarious fight scenes ever.
But I thought that was interesting the effects in here.
There's a good makeup job at the end, and then

(30:18):
there's a glowing sword maybe that he has a part in.

Speaker 4 (30:21):
But yeah, I would say probably just like the makeup
the Moldavo.

Speaker 2 (30:26):
Yeah, the melting face, the pussy face. But yeah, I
thought that was interesting that this guy did some. Christmas
Evil is a fun movie too, but.

Speaker 4 (30:36):
It's the greatest Christmas warr movie. No Black Christmas, No,
I always do that. Yeah, it's a toss up between
those two for me.

Speaker 2 (30:48):
Yeah, I would I would probably say Black Christmas over
Christmas Evil.

Speaker 4 (30:53):
I don't know. I just like how like scuzzy Christmas
Evil is.

Speaker 2 (30:57):
And isn't that Fiona Apple's or something that plays there's
some connections. Yeah.

Speaker 4 (31:03):
Anyway, I'm not going to spend much time on the
cast because they're all kind of one and done, and
I appreciate they're not They're not great in this, but
they they do their best. John Francis plays doctor Moldovo.
Lisa Christian plays Maya and Paul Barry plays George.

Speaker 2 (31:24):
I do want to point out what's name Aurelia, who's
my favorite actor character in this? Yeah, it's played by
Ann Paul and she was the makeup artist on Last
House on the left and Alice Sweet Alice. Oh, and
there's another connection with Last House. Sandra Peabody plays one
of the cult members in this.

Speaker 4 (31:40):
I did see her, Yeah, Like I just saw a
cult member and I was like, Okay, I don't know
which one you are.

Speaker 2 (31:45):
And then obviously you know all relative unknown actors, but
there is an actress, Krista Helm is credited as the
Blonde blood Farm in this. Yeah, and she's you know,
she was murdered in West Hollywood a couple years later.
But yeah, I mean some interesting cast members. None of
them really went on to do anything, but yeah, the

(32:06):
people that did it has kind of an interesting backstory.

Speaker 4 (32:09):
Yeah, I think you know you mentioned like the star
of this is really the score. The interesting story behind
this is who directed it, you know, the man who
made the quote unquote Citizen Kane of sex films. Like
I mean, and honestly, if I'm gonna be real like
deep throat, like I get why it was such a

(32:32):
huge phenomenon. But as far as like actual sex films go,
it's not that great. Like I actually like Devil and
Miss Jones more. I like Memories with Him Miss Aggie
a lot more. It's not even close to like my
favorite sex film.

Speaker 2 (32:48):
Right, No, yeah, I agree, I guess not if you're
gonna watch a movie for sex, this you know, like
this really isn't it. I think the huge draw was
because like it's it was like the first main stream yeah,
with the plot and reading Lovelace's you know history of
the film and her being born again and like it
it has a troubled you know, production history. But to me,

(33:10):
it's like a wholesome hardcore yeah, Like it's very kind
of stiffy.

Speaker 4 (33:14):
It's funny, like Harry Reims is hilarious in that and
like it's just I don't know, it's just silly. Like
rewatching it, I was just like, yeah, it's I mean,
it's it's cute, Like it's like a cute.

Speaker 2 (33:27):
It is. Yeah, Like that's where I'm like, yeah, I'm
watching it all happen. I'm like this is good for her,
Like this is sweet. But then you read the history,
it's like a yeah, but you do get kind of
an adult film feel and legacy of Satan. You're kind
of waiting for those moments because there are a lot
of scenes that feel like set up to, Okay, this

(33:47):
is when they're going to start fucking.

Speaker 4 (33:49):
Exactly yeah, and you don't.

Speaker 2 (33:50):
Really there's no nudity at all. There's no fucking yeah.

Speaker 4 (33:54):
There's zero nudity.

Speaker 2 (33:55):
But I agree.

Speaker 4 (33:56):
I think there's definitely certain scenes and and even shots
that it feels like this is about to be a
sex film, or maybe he shot it with the intention
of it being a sex because it is short. It's
seventy minutes, so you very well could have thrown in ten, fifteen,
even twenty minutes of you know, fuck scenes. There's a

(34:17):
there's a scene when the priestess is chanting over Maya.
She's she's having a dream, but in her dream, she's
in this white dress and the shot is like from her,
like you're looking directly at her crotch and like she's
writhing around. There's a scene with the servant at the
very end, he's got the Harry reams mustache and his

(34:37):
throat gets cut. Like there's a lot of scenes like
that that I feel like, yeah, this feels like a
Domiano sex film minus the sex. It's like smut without smut.

Speaker 2 (34:50):
Right exactly. Yeah, that guy with the servant with the
with the mustache reminded me of that guy that gets
shot over and over again and slow motion and when
he popped up, I'm like, that can't be. That's a
Turkish movie and I'm like, there's no way this guy.

Speaker 4 (35:06):
No, Yeah, it'd be amazing though.

Speaker 2 (35:08):
But I did read Bleeding Skull on some other sites
mentioned this and they're ride up about legacy of Satan,
which is it was initially conceived and filmed as a
hardcore porn. But I don't know if it's they were
edited out and changed and the producers were like, you know,
you can make more money maybe if it's just horror specific,

(35:29):
which really wouldn't makes sense because you know, adult films
are really blowing up at that point.

Speaker 3 (35:33):
Yeah.

Speaker 2 (35:33):
Yeah, I don't see. If you look at the cast
a first time, there's no adult film stars in this.
So I don't think it is a porno. Like I
don't think it was shot as a hardcore film.

Speaker 4 (35:43):
Yeah, yeah, I read that too from Leaving Skull, and
so yeah, I don't know, I can see it going
either way. Like it makes sense that it wouldn't be
because there are no adult film stars in it. But
at the same time, it is, like you said, very
slow and boring, and you know, sex films aren't known

(36:04):
for their plot and like just sort of like talking
about like what we're going to do next kind of
thing happening, and that's very common with those, I mean,
but it could also just be like Domiano wrote and
directed this, and so that's like he's just not a
great writer.

Speaker 2 (36:22):
Really, because I mean, there is no interesting character in
this at all, No, none of the I think Arelia
is the most interesting character. She can't speak, Yeah, she
can't speak. She has like a kind of like a
Mary warn Off looking kind of persona to me that
I just kind of I was like, okay, this is

(36:44):
this is my girl. She just kind of saved the
day at the end. But yeah, I mean, George is
so kind of defeated and milk toast and he's just
getting walked over by Maya, who I can't stand. No,
I don't I hate her.

Speaker 4 (37:02):
I'm not rooting for her. I'm like, honey, I.

Speaker 2 (37:04):
Don't want to go Okay, I want to go. You know,
it's just like I love the scene where they're you know,
he saves a day and they're running with the sword
and she's like, will you put that thing down? It's
hurting my eyes. But you know that's when she's like
she's become evil at that point. But everybody in this
is just boring as fuck. There's especially the men. The
men are like so forgettable. They all kind of bleed

(37:25):
together physically, and I think that the score is the star.
But if you get lost in these other worldly performances
that are so unnatural, it feels like a bunch of
high school students, first time students, are rehearsing for a
play and they're they're and they're recording it, and then
like it's like, Okay, that's a rap, that's that's perfect,

(37:46):
that's a performance.

Speaker 4 (37:47):
I know that, like, no one gives a great performance
in this. The writing is not great. I know it's boring,
but I don't know if it's like is it just
the gore that is hypnotizing me to make As I'm
watching this, I'm thinking, I'm I'm invested, and I'm like

(38:08):
I want to keep watching and I want to know
what happens. Next, even though really nothing is happening. You know,
it's very basic. It's like we're trying to lure this
woman into be our new queen of Satan or you
know whatever.

Speaker 2 (38:22):
Right, Like, I don't know what it is.

Speaker 4 (38:26):
It's like it's got this hypnotic element to it.

Speaker 2 (38:29):
It's the atmosphere. And like the first time I saw this,
I remember stepping away thinking like, why did I like
this so much? I mean I was I was conflicted.
I was like that the act the actresses and the
actors and performances are just all wooden and terrible. But
I am completely sold, and which is a good thing
because if you stick with it, the ending is the
best part of the movie. Sure, but it's all about

(38:52):
like the atmosphere. It has like these surreal elements and
it's visually I think it's fun to watch even if
there is real really no plot.

Speaker 4 (39:01):
Yeah, I think, I don't know.

Speaker 2 (39:02):
It's hard to explain this really.

Speaker 4 (39:03):
I think it does come down to, yeah, not just
the score, but the the visual elements. So there, you know,
there's that moment towards the end, like the post wine
drinking fever dream with all the gel lighting and stuff
like that. The wallpaper. I'm sorry, I'm gonna keep I'm
gonna say wallpaper like fifty times in this episode because

(39:24):
I want to live inside of nineteen seventies wallpaper.

Speaker 2 (39:28):
Yeah, it's like mirrored reflected wallpaper. It looks it's amazing.

Speaker 4 (39:33):
I mean, even in the hallways of some random fucking
New York apartment building you walk in and you just
and there's just like fucking maroon and gold shiny fucking wallpaper.
It's beautiful and I want to live in it. And
I hate my dumb beige wall.

Speaker 2 (39:49):
Right now, I've been Tommyano's salon was gorgeous, like you
probably was, like, let's let's pull this wallpaper from Legacy
of Satan and it all over my walls.

Speaker 4 (40:01):
It's so good.

Speaker 2 (40:02):
But but yeah, that scene where they drink the drug liquid,
that's my favorite scene. Where Maya starts kind of tripping
down the hallway and those weird druid guys are kind
of standing there drooling, and it's it's very that's like
the most unsettling and subtling part of it.

Speaker 4 (40:20):
Yeah.

Speaker 2 (40:20):
Yeah, and maybe knowing that Domiano is the director, and
there are hints of like these sexual escalations, like you're
kind of waiting for it, you know, maybe me personally
like Okay, here we go and it never happens. Yeah,
I'm just I'm completely sold. I'm invested. But taking a
step back, it's like, did I just black out for
seventy minutes? Like what happened? Like I feel like it's

(40:44):
almost like a drug, Like you're kind of put just
in a weird mindset, which in this thing, which I really.

Speaker 4 (40:49):
Love, it's like you you remember certain elements of it.
But if someone is like retell the story, you'd be like, ah,
there's some writhing and then the eyes of a painting bleed,
and then a guy in a Jester costume has a gloss.

Speaker 2 (41:07):
Or there's there's I think there's some satanism or maybe
it's vamper. I don't know what's happening. Yeah, like it's
all our remember is the music kicked ash? You know?

Speaker 4 (41:16):
Yeah exactly. It's like I don't know, but I can
still hear the fucking music and it's great.

Speaker 2 (41:22):
Yeah we did? You did say that? You know? Maybe
the script and you know Doniano doesn't write very well.
There are some pretty funny memorable quotes in this thing. Yeah,
you know, as soon as you have that huge long
dialogue from the High Priestess in the beginning, the first
line is here comes the booze and Maya's coming down.

(41:44):
Also a scene I like is when Maya first starts
having like these visions when they're doing the ritual and
she's asleep and moaning for a long time in her
sleep and George is just not waking up for a
long time, like if I hear that, I'm waking up
and like what's going on?

Speaker 4 (41:59):
Yeah?

Speaker 2 (42:01):
But where she says feel the warmth mm hmm, it's
kind of like a taste of the rainbow, I know.
And George is like okay, like he's he's sold. At
that point, that's when I realized George might have a
pulse like okay's he might. He might be a good guy.

Speaker 4 (42:16):
He might. But it's almost like a joke on us
at the end, when you know he's put into this
Jester costume with this like goofy glowing sword that did
someone read Tolkien? Like what's happening here?

Speaker 2 (42:33):
Yeah? Yeah? Dommiano is like, how are we going to
wrap this up? We'll give him sting, Let's give him
the blade that Proto has, Like what but I want
as soon as the sword just casually, you know, you
get a hint Arelia has like it in a case.
You don't know what's in it. He just pops up
and pulls it out, and you're like, what where did

(42:54):
this fucking come from?

Speaker 4 (42:55):
Yeah?

Speaker 2 (42:55):
I want more of this. The ending is just completely unhinged,
doesn't make sense like the whole movie, but it's it's
very kind of entertaining a fast pace. And then doctor
getting back to the makeup of what was his name, Brumberger,
doctor Muldavo, what a name? His face reminds me of
dead Ricky from dream Stock does. It's like fake pussy

(43:18):
and it's just the face. It stops clean at the
neck and it's it's great makeup, really done, but fun
to look at.

Speaker 4 (43:26):
And I don't know if that was supposed to be
like burn makeup, because George took the sword and tapped,
like base kind of tapped him on the head with it,
and then he fell over the balcony and I'm like,
and then his face is burned. I'm like, is it burned?
Is it cut?

Speaker 6 (43:40):
What is?

Speaker 4 (43:40):
I don't know.

Speaker 2 (43:41):
Yeah, I'm assuming like once it's touched, the power of
the sword has the way of the power of just
eating away and it's like a disease. It defeats the
whole purpose because that's kind of what is hinted on
at the end. Yeah, that's what's maya.

Speaker 4 (43:55):
Yeah, she's got the she's got the ugly face now too,
which I love that.

Speaker 2 (43:58):
It's like an art house, you know, euro Like does
this horror artsy ending, this freeze frame of her. I
actually love the ending. Yeah, and then that great kind
of wavy animated end credits, the end pops up.

Speaker 4 (44:13):
It has those euro horror sensibilities to it for sure,
especially at the end that the fever dream sequence it has.
It has some and I think that's probably why, Like
I walk away from it and think, like I like that.
It's not I know it's not great, right, I know
it's not even very good, but I do like.

Speaker 2 (44:33):
It a lot. Yeah, that's I'm a big fan of
especially those last fifteen minutes. It's like completely pitch black
rooms and just kind of Moldavo's gross face and just yeah,
it's very artsy and just fun to watch.

Speaker 4 (44:46):
Yeah, it's it's not one. It's not for everyone for sure,
and I understand like why some people are like whose
looks or they're bored by it? Like I get it,
But to me, it's just it's hypnotic and I fell
under it trance.

Speaker 2 (45:00):
I did too, I mean I didn't enjoy it as
much the second time I watched it. I think it's made.
I mean a lot of movies are like this, but
it plays much better in a crowded theater. Sure, Like
I remember kind of being again confused why I liked it,
but loving it when we watched it in thirty five millimeter.
There are much better attempts at satanic cult and you know,

(45:21):
orgy party ideas out there. But yeah, yeah, I would.
I would recommend it. I would watch it again. And
the cast is terrible, and I think that's a big
endearing quality about it. All these first time one and
done cast members is just interesting.

Speaker 4 (45:38):
I think if I watch it again, I would hope
it would be the thirty five milimeter print right ter Tuesday.
I don't know if I want to watch this again
on two B Yeah, yeah too, but.

Speaker 2 (45:48):
Yeah, the fact that this is Domiano's only non hardcore
film too makes it very interesting. I do enjoy as
hardcore films more.

Speaker 4 (45:55):
Though, yep, same so double feature pick.

Speaker 2 (46:00):
Double feature pick. So a lot of movies kind of
popped up in my head Romero, Season of the Witch,
Hungry Wives, you know, with the Unsatisfied Wife, the Love Witch,
I kind of I got so. I enjoy that film,
but it's way too long for what it is. It overstays,
it's welcome. It should be like an hour twenty minutes
instead of the two hours. Is Ted v Michael's Blood,

(46:23):
Orgy of the She Devils. I even thought of Roberta
Finlay's Prime Evil, just because of the whole Satan could aspect.
But I landed on The Devil's Lover from nineteen seventy two, okay,
starring the perfect Rosalvaneri, directed by Paolo Lombardo. It's about
a group of friends who stay a night in an

(46:43):
old castle that's rumored to be where the devil once lived,
and one of the women, Rosalvaneri, begins having these visions
of living centuries ago, and the devil appears and starts
seeking her companionship. So like Legacy of Satan, it's very
dreamy with a fantastic score. By the way, that's kind

(47:03):
of the most memorable thing about it other than ROSSALVANII
but it's plotless. It's arguably poorly made. Day switches tonight
in some scenes and vice versa. The whole thing actually
feels like the one scene and Legacy of Satan where
Maya and doctor Muldavo are kind of talking outside and
he says, you will glory in my power. You know

(47:25):
that weird kind of outdoor scene. That's the whole movie.
That's Devil's Lover. It's also quite short, only seventy eight minutes,
so yeah, I think a senseless, dreamy visuals with great
sound effects music playing over the devil seeking a woman
has hints of Satanism and vamporism in it. Seven released

(47:45):
this in that Italian Gothlic collection, But yeah, I would
go with the Deviles Lover excellent what about You?

Speaker 4 (47:54):
Only one movie came to mind because it meant I
could finally pick a double feature movie with Goat Fucking
Black Candles nineteen eighty two, directed by jose Ramon Lauraz. Hell, yeah,
I'm waiting to pick this one for a double feature.
It's about a young woman who she goes to England
with her boyfriend or husband, I don't remember anyway. Her

(48:18):
brother died and she's staying with his wife or sister
in law, and she she finds like they all sort
of get drawn into this satanic, very very horny satanic
colt that's based in the house and very basic plot,
just like this one, satanic undertones, Eurohore sensibility. I mean

(48:40):
it is euro horror, so non sensibility is actual euro
horror and goat fucking. I'm sorry, it's just like, that's
how you make a satanic movie.

Speaker 2 (48:47):
Sold.

Speaker 4 (48:48):
Yeah, I just that's that's how That's just how you
gotta do it.

Speaker 2 (48:51):
I'm sorry.

Speaker 4 (48:52):
You either show me naked Rosalbanieri or you have goat fucking.
That's how you make a satanic movie.

Speaker 2 (48:58):
Agreed, all right, Next movie, Lance, Next movie, Time for
an Alan Smithy movie. We've done this once before, have we? Oh,
blood sucking Pittsburgh. This Yeah, this one's same type of situation.
It's called Appointment with Fear from nineteen eighty five. It's

(49:20):
a fascinating movie with a very very troubled production history.
The plot doesn't really make any sense, Okay, so I'm
going to read it. I'm going to read a few
summaries that are out there. One off of what do
we Got IMDb which is it should pique the interest
to some of our listeners, but just take it with
a grain of salt, because none of this is really accurate.

(49:42):
A man under the influence of an ancient Egyptian curse
uses astral projection to kill those who protect his baby
son from him. A woman and a shady cop try
to stop him before he can get to the child
and transfer the curse.

Speaker 4 (49:57):
What you're picking another Egyptian horm like based horror movie.

Speaker 2 (50:03):
Possibly listen to the letterbox synopsis because it's great. This
is the tagline. Trapped in a world where death is
not the end. Ustefa acad who the man who brought
you Halloween? Okay, this is his production. He invites you
to keep an appointment with fear. According to legend, Atis,

(50:24):
king of the Woods, sacrifice his child to keep his
own spirit alive and free to wander the earth at will.
Appointment with fear cast us evil. In contemporary terms. Can
a group of free spirited teenagers and an inquisitive detective
save a dying woman's infant from being ATIS's next victim?
The suspense is unrelenting, as they and you keep an

(50:47):
appointment with fear Like that one probably sums it up
best because it's like, who the fuck wrote this and
it doesn't make sense. So I'm thoroughly confused and entertained
at this point.

Speaker 4 (51:00):
Okay, are you I wait, which one is more accurate?

Speaker 2 (51:04):
Neither either. This thing is such a mind fuck, like
we're talking about legacy of Satan having no plot. Yeah,
there is probably multiple attempts at a plot that is
just edited and cut away.

Speaker 4 (51:19):
Oh wow, okay, wait are there dead kids in this?

Speaker 2 (51:22):
There are no dead kids, I don't think.

Speaker 3 (51:24):
So.

Speaker 2 (51:25):
I watched this earlier in the year and I kind
of fell in love with how senselessly.

Speaker 4 (51:29):
Told me earlier there.

Speaker 2 (51:30):
Yeah, it was like something I saw I had on
my list as a potential pick, and I watched it
and I was like, there's no way we're going to
talk about this crappy movie. And then I was, you know,
perusing letterbox and I read a review that was just
as interesting as the movie itself, and it was written
by Sam Panico, a friend from BNS Movies about movies,

(51:52):
So he will be joining us for this episode.

Speaker 4 (51:54):
Thank god.

Speaker 2 (51:56):
Yes, get all your notes ready, Sam, because I have.
I don't know what the fuck's but yeah. Producer A
cod He was very unhappy with the original director. He
decided to reshoot extra scenes, change the whole movie, which
you will see and feel as you watch it. All right,
it has two hundred and fifty seven of v's on
letterbox and it's available on YouTube, which well, we'll share

(52:17):
the link on the show notes. Okay, but I hope
you're ready for Appointment with Fear.

Speaker 4 (52:22):
I won't cancel it. I'll keep it. I promise. I
don't want to pay the penalty if I cancel.

Speaker 2 (52:27):
Don't cancel it because if you do, you'll have to
reschedule Appointment Fear.

Speaker 4 (52:32):
Or pay one hundred dollars.

Speaker 2 (52:34):
Yeah, there will be a charge, cancelation charge.

Speaker 4 (52:37):
I'm looking forward to having Sam. We've been made to
have them on for a while, so that'll be a
lot of fun.

Speaker 2 (52:41):
I'm very excited to have him one awesome all right.

Speaker 4 (52:44):
If you're not already, you can follow this podcast on Instagram, Twitter,
and Facebook all at Unsung Horrors. I'm on Letterboxed, Instagram
and Twitter at hex Massacre.

Speaker 2 (52:56):
I'm on letterboxed and Instagram at el shaiby.

Speaker 4 (52:59):
Uh links in show notes for Horror gives Back stuff,
join our discord for that I have less than twenty
five books left. There's a link in show notes for
you to buy a copy of the book by the
time this episode comes out. I think the only ones
I'll have left are dinged copy so they got like
a little bit of spine damage.

Speaker 1 (53:18):
But not bad.

Speaker 4 (53:19):
It's inside the counts, folks. Yeah, keep that rule.

Speaker 2 (53:23):
Yeah, once you read it a couple of times, like
I have my copy, looks for.

Speaker 3 (53:27):
Some of these.

Speaker 4 (53:31):
What else I should be it?

Speaker 2 (53:33):
Yeah?

Speaker 4 (53:34):
Org is back. Please join us for that starts October first,
and we'll see you back next episode. Keep your appointment
with fear with us.

Speaker 7 (53:43):
There you go, Hi, buy your one even than done.

Speaker 3 (54:01):
I love my mom. Sais a very I'm not gonna
that that man has. I'm not the one who fell
at one mother ris.

Speaker 2 (54:13):
It's like that got out of still don't go.

Speaker 3 (54:16):
Out your eyes look a rises in any way.

Speaker 6 (54:23):
I've never oh.

Speaker 3 (54:29):
Day all other day. I'm not not nay oh ass

(54:50):
where the dog too has sixty days?

Speaker 2 (54:53):
That as I'm not my name, anyone has a.

Speaker 3 (54:57):
D ask no one bring I. I think you all
that house everywhere went about the.

Speaker 7 (55:06):
Whole time in rise yeh every way.

Speaker 6 (55:10):
Every govern all in the ub stay all says my

(55:49):
Emily was a l I like not the houses all.

Speaker 3 (55:54):
I'm like texts away where yeah, I start say oh
my momials like Wednesday you've been with a Yeah. M.

Speaker 4 (56:48):
I am Adam Lundy, co host of They Live by Film,
a podcast dedicated to bringing you film discussion and interviews
from around the world.

Speaker 2 (56:56):
Every week, my co hosts Chris Haskell, Zach Bryant, and
I discuss a wide range of films, from monumental classics
like Vertigo and the Rules of the Game to.

Speaker 4 (57:04):
The craziest schlockiest movies ever made like Deathbed and everything
in between.

Speaker 2 (57:09):
We are also lucky enough to have sat down with
some of the biggest players in the boutique blu ray
and film restoration game. If this is your thing, then
come hang out with us every Thursday at seven pm
Eastern wherever you normally stream your podcasts, and now as
part of the Someone's Favorite Productions podcast network.

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