The House of the Devil

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Ti West's "The House of the Devil" isn't just a horror film—it's a time machine. This meticulously crafted throwback to 1980s horror transports viewers to an era when satanic panic gripped America and VHS rentals determined weekend plans. Shot on authentic 16mm film with vintage zoom techniques rather than modern dollies, every frame radiates nostalgic dread.

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Episode Transcript

SPEAKER_02 (00:03):
Hello and welcome to the We Recommend Podcast, a
movie podcast where every weekwe recommend a movie for you to
watch, and then come back hereand listen to us discuss.
I'm Jesse.
I'm Jason.
This one night changeseverything for me.
Cause this week we recommend thehouse of the devil.

SPEAKER_03 (00:28):
Hey, hail Satan.

SPEAKER_02 (00:31):
That's the devil.
So, Jason, is this your firsttime?
Yes.
Watching this movie?
Yes.
Did you enjoy the movie?

SPEAKER_03 (00:42):
Yeah, I thought it was pretty good.
Yeah.
I thought it was kind ofcomical.
Like the family when they weredoing the rituals.
Yeah, it's great.

SPEAKER_02 (00:50):
It's just like, what are we doing?
I love it.
It's so wacky.
It's kind of a perfect, uh,perfect little like small budget
indie in like uh indie movie.
Short.
Yeah.
Like that.
Hour and thirty.
It's nice.
Why what was the budget?
Yeah, so the budget was onlylike$8,000.
Oh, wait.

(01:10):
But there's seven zeros.
Is it eight million dollars?
Eight million.
Yeah.
And it ended up grossing likeover a hundred thousand, which
is nice.
Um yeah, it's like low budgetand it's so slow through the
whole part, but it's like kindof magnificent with the camera
work and how like aged it feels.
Like if you were to start putthis on and someone didn't know,

(01:31):
they'd be like, is this moviemade in like when does this take
place?
Like, is it made in the 70s or80s?
Well, it's all about, which iskind of why I think like the
ending is so big and wacky andfun.
It's like you kind of go throughthis whole movie, it's slow,
starts getting suspenseful.
There's like in the middle ofthe slowness, there's one
gunshot that's like, whoa, okay.

(01:52):
Hell yeah, calls us with a gun.
I was like, wait, this is asplat, this is gonna be like a
slow burn splatter movie.
Cool.
Still that you know, you stilldon't really know what's gonna
happen.
You're like, well, it's justgonna be this maniac going
through and killing people, andthen you know, it slowly gets
through, and then she hearssomething behind the door and it
pans, and it's like, oh, this isabout so this is like the devil,

(02:13):
the devil.
Not like, hey, this guy's anasshole, he's a devil.
And it's fun.
So uh do you like slow burnmovies like this?

SPEAKER_03 (02:23):
Yeah, I do.
I I do like uh like suspense.
Yeah, did you think it was thinkit was like too slow?
A little.

SPEAKER_02 (02:32):
There was like a lot of um walking at the beginning.
Yeah, a little stairs.
It just reminded me of how muchI hated college.
Yeah.
Really?
Honestly, it makes me kind oflove it.
Because I loved like walkingfrom class and because all my
classes are so far away.
And then I was like, oh,headphones, music, yeah, and I

(02:52):
was like, I'm this girl.

SPEAKER_03 (02:54):
Yay! Oh, that's so sweet.
No, I lived on I was on like theseventh floor, and they had we
had elevators, but they werealways broken.
So like it's just up and down,up and down.

SPEAKER_02 (03:06):
You had a fancy fancy thing.
No, I'd lived in like a littlehouse, and I just had to walk
maybe like 30 minutes to get tomy first class.
It was great.
Our campus was small.
It was super Christian.
Did you have to uh did you livewith like a sex like a person
that just likes to have sex allthe time?
No.
And you couldn't walk into yourown.

SPEAKER_03 (03:25):
Actually, no, he I just couldn't masturbate at all.
Ever.

SPEAKER_02 (03:29):
That was the worst problem.
So do y'all lived in like whereit was this one room?
Yes.
Oh, okay.
You couldn't just like turn overand just like, I'm gonna nap.
Also, I vi I vibrate when I'msleeping.
Did you say you're gonna fat?
I'm gonna nap.
Yeah, I think this um, so thiswas probably maybe like my
fourth or fifth time watchingthe movie.

(03:51):
Because when I first saw it, Iloved it and I watched it like a
couple times in a row.
Um, because I just love thevibe, the music, especially the
song.
Like halfway through, it was agreat song.
She's dancing around.
She did her own choreography.
There's like no facts for thismovie.
It's great.
Very frustrating to do a podcastover.
Didn't realize that.
But yeah, just like the I lovelike the 70s and 80s like

(04:14):
techniques of doing it.
Instead of using a dolly, right?
Which is something now everybodyuses like in their horror
movies, instead, like they zoomin with the camera lens.
So you just like when it starts,you have that long zoom in where
it's just like, oh, we're justzooming into a kitchen, and then
it kind of spans a little, andthen you see her on the in a
different room, and it slowlyzooms in on her, and I'm like,

(04:34):
oh, this movie's cool.
Even the slow parts are gonna becool.

unknown (04:38):
Yeah.

SPEAKER_03 (04:38):
How did they do make the um make it look like it was
an older movie?

SPEAKER_02 (04:42):
How did they have an old camera?
Uh they use a 16 millimeter filmcamera, which is what was used
in a lot of like old.
It's like gives you that muchmore grainy effect, especially
in like low light.
And I'm assuming they probablyhad a filter on it, because you
know, when they're driving outof town and it's kind of got
that like the lights had thatlike blur to them a little bit.
Sure.
It's like I'm assuming theyprobably just put some filters

(05:04):
on it and made it like that.
And of course, in editing, youcan add you know, filters and
stuff like that.
Yeah, it did it definitely.
They were like, I'm gonna makean 80s like splatter demon
possession movie.
And I think they 100% did it.

SPEAKER_03 (05:19):
Hell yeah, the splatter part definitely.

SPEAKER_02 (05:21):
Sharp turn.
It's like whenever you go backand watch like the random movies
like on Shudder that are fromthe 80s, they're all kind of
like this, where it's just like,man, at some point it's gonna
become a horror movie.
And I can't wait because rightnow it's just a bunch of
teenagers or college kidshanging out for a really long
time.

SPEAKER_03 (05:41):
Who do you think had the worst roommate?
The this girl or uh thebutterfly flight?
That guy.
The butterfly, that guy.

SPEAKER_02 (05:51):
That everybody just living in that world seemed like
it was pretty terrible.
I was like, wow, dude, I don'tknow.
Like I'm supposed to patchoulian ass in here.
I knew people to hang out with.
Um I I don't think uh I don'tknow if I've ever like asked you
this question.
Like, what's your favorite typeof horror?
Like demon, ghost, zombie, likejust serial killer attacking

(06:14):
people.
I love that.
Or like creature features, yourbig zombie.

SPEAKER_03 (06:19):
I don't know.
Um I guess I've never reallythought about it.
Uh I guess it just has to begood.
I don't know.

SPEAKER_02 (06:27):
I think whenever like I it seems like to me, like
I really like cultish movies.
I do like cult stuff.
Like it doesn't always have tobe like demon cults or anything,
but like when I watched thismovie and I didn't know what it
was, it was just on lists,right?
And I was like, all right, I'lltry this one.
It's short.
It's like I got time.
It's on like I think it was onNetflix because I think I

(06:47):
watched this probably around2010, 11, 12, I don't know,
whenever.
And I saw it and I was like,cool, I don't, I don't know what
this is.
And then whenever it cut to thepeople in the pentagon, I was
like, let's go.

SPEAKER_05 (06:59):
I love this stuff.

SPEAKER_02 (07:01):
I don't know, it's just creepy, and you know, it's
also fun that it like wasplaying on the satanic panic
thing, which is where likeeverybody went insane for a
little while, just thinkingthere is demons everywhere.
And it's like, no, everybodyjust lies about stuff and
everybody believes it.
I don't know why.

SPEAKER_03 (07:19):
Um everyone's gonna get AIDS if you're sexually
active.

SPEAKER_02 (07:22):
Yeah.
And I guess there's justsomething like really creepy
about like your body being takenover.
Yeah.
And this is very like Rosemary'sbaby, where like, we're putting
a baby in you, and it's likegetting blackout drunk and
waking up pregnant.
Yeah.
Damn.
And you know, for movies wherelike the whole point of the
movie is that they're trying toput a baby in you, that's like
this like the son of the Dantichrist or is the devil, it's

(07:45):
like, you know, I mean, I atleast it was not that invasive
other than it's some blood inyour mouth.

SPEAKER_04 (07:52):
Yeah.

SPEAKER_02 (07:52):
Like if you think of Rosemary's baby, like she thinks
she's having a demon, uh, adream, and then like Satan just
is like, you know, rapes her.
And it's just like, well, youknow, at least you just had a
drink from a bloody goat.

SPEAKER_03 (08:06):
That's gotta be every college girl's worst
nightmare is waking up pregnant.

SPEAKER_02 (08:10):
Yeah, it's like, dang it, dude.
I just wanted to see theeclipse.
Now I'm pregnant.
Um, have you ever happened upona pentagram out in the real
world, not expecting to see one?

SPEAKER_03 (08:23):
Well, I mean, they're just like shitty ones
and like drawn with spray pads.

SPEAKER_02 (08:26):
Ever in like a like creepy environment where you're
just like really so we had somewoods growing up behind or
beside, like a little ways downthe road from where we always,
you know, we drive foilers andstuff through there, and there
was like this barn.
And for the most part, anytimewe went there, there was
nothing, right?
And then like one time we'relike, ah, let's just go hang out

(08:48):
in this barn.
And it seems like no one everdid anything in there.
I don't know.
Like it never had crops oranything in it.
So we go in there one time, wego to like the top, and there's
like a bed, but then like infront of the bed, there was this
giant pentagram.
And I was like, hell yeah.
What?
Oh my gosh.
Has the devil been here?

(09:09):
It's fucking goats all around.
But yeah, that was actuallypretty creepy because it's this,
you know, not very well litbarn.
And then you just kind of see apentagram and a bed up there,
and it's like, I hopeeverybody's okay.

SPEAKER_03 (09:22):
I like a good old barn.
Yeah.
One time I I was we were in anold barn and I found like a
pristine, like old leathersaddle.
Like a kid's saddle.
And it was so well taken careof.
But this barn had obviously notbeen used and like it was
falling to pieces.
Yeah.
It was just so weird.

SPEAKER_02 (09:41):
Yeah, it's like, what are you doing with this
barn?
Who are these barns?

SPEAKER_03 (09:45):
Where's the ghost horse this belong?

SPEAKER_02 (09:48):
Um, so like I really almost have I have like maybe
two more notes.
I already told you the 16mmthing, which uh was very popular
in the 1980s, and it gave thatretro spec uh uh appearance.
Um, this was promotionallyreleased on VHS in a clamshell
box.
Funny, because T Ty West is inthe VHS series, which is the
next one we're doing.

(10:09):
He lives in a clamshell.
Yeah, he lives in a clamshell.
What does that mean?
Uh, you know, you know, likewhen you had Disney movies, like
the clamshell like VHS.

SPEAKER_03 (10:17):
It's not shaped like a clam.

SPEAKER_02 (10:18):
Yeah, but that's just what they call things at.
Okay.
I was picturing like a littlemermaid, like or like I guess
you could say flip case VHS.
Like, I don't know, like flipphone flip case.
I don't know.
Um, this was only shot in 18days.
Um the house was uh infested byladybugs.

(10:40):
And that's why you can see somein there.
Uh it's literally shot in thesame kind of style using similar
techniques as splatter films ofthe 1970s and 80s.
That's what I was talking aboutwith the camera zooming in and
out instead of like panning,which is kind of what most
people do now.
Cool.

SPEAKER_05 (10:53):
Um Yeah, man.
That's it.

SPEAKER_03 (11:00):
It's like it's like literally all the notes.
You know what's terrifying aboutladybugs?
There's a wasp that will lay itseggs under their shell.

SPEAKER_01 (11:08):
Yeah.

SPEAKER_03 (11:09):
And the bugs eat them while they're still alive.

SPEAKER_01 (11:12):
Wait, say that again?

SPEAKER_03 (11:13):
There's a wasp that lays its eggs inside of
ladybugs.
Hell yeah.

SPEAKER_02 (11:17):
Specifically ladybugs.
Dude, insects are fucking crazy.
I can watch a horror movie aboutinsects.

SPEAKER_03 (11:24):
They're terrifying.
Um I think they call ladybirdsin in Europe.

SPEAKER_02 (11:29):
Yeah.
I like that.
Yeah, it was uh the the gamegrounded.
They uh they have ladybugs, andthen the like the more powerful
ladybugs, they call themladybirds.
And the people were like, whythe hell are they calling them
ladybirds?
I was like, I don't know.

SPEAKER_03 (11:44):
The movie Ladybug Facts.

SPEAKER_02 (11:46):
Also, funny thing that we bring that up, Ladybird,
which is a movie directed byGreta Greta Gerwig, who is Megan
in this movie and got her blamesblown out, and she directed
Barbie.
Nice.
That's the girl that directedBarbie.
Yeah.
Good for her.
Bada bing, bada boom.

SPEAKER_03 (12:02):
She might be still without a face.

SPEAKER_02 (12:04):
You know, this like facial reconstruction these
days, after that monkey attackedthat woman, you know, they just
really sleeps and bounds onmedical.
They really figured it out, andshe was just right there in
time.
So I want you to put yourself,it's 1983, right?

(12:24):
You're a young college girl.
You need cash so you can getout, so you can go cocaine.
So you can, you know, get insideyour apartment in the morning
instead of like having to waitfor your friend to stop having
sex.
No, you just go in the room.
That's true.
You probably could.
It's like I'm like, Is there asock on the door?
Yeah, there was a sock on thedoor.
Oh, never mind.
Yeah.

(12:45):
It's like, never mind, we haveto obey the rules.
Um, and then you're like, allright, I'm gonna babysit because
this this will be extra hundreddollars, be quick hundred
dollars, and then I'm only gonnaneed like$117 more dollars.
So you go.
It's kind of weird.
It's like, oh, the guy sounds alittle weird on the phone, he
didn't show up, but then hecalls, and then you go there,
right?

(13:05):
And he's like, he's a little onedge.
And then you know, he's like, bythe way, it's not a baby, it's
an old lady.
You gonna do you gonna do it?

SPEAKER_03 (13:15):
No, really, because that means I'm gonna have to
change a diaper, probably.

SPEAKER_02 (13:19):
Truthfully for me, like whenever all right, hit if
he acted more normal than thisold man did, probably would have
stayed.
I'd be like, all right, it'sthis an old lady.
If anything, I'll just be like,I'm leaving, come get you old
broad.
But like if I heard it's like,oh, it's gonna be an old lady,
she's just gonna stay upstairs.
Just like if you hear a thump,make sure she didn't fall.
I'd be like, that's way betterthan babysitting a kid.

SPEAKER_03 (13:41):
Yeah, you're right.
I mean, if you just turn onprices right and you're good to
go.

SPEAKER_02 (13:44):
Yeah, it's like hey lady, have you ever seen blue
bloods?
Here you go.
Um yeah, I was just like, isthere any way like in this movie
that you'd been like, yeah, Iwould have stayed?
Like in your most desperatesituation.

SPEAKER_03 (13:58):
It sounds like easy money.
Yeah.
And then once you put on yourheadphones, you can't even hear
her fall down.

SPEAKER_02 (14:04):
Yeah.
I would have just kept the TVon.
She kept turning the TV off.
I'm like, nothing bad everhappens with a TV on.
Exactly.
Keep your TV on, lady.

SPEAKER_03 (14:12):
It would have made the wor all the work harder for
everyone else if she would havejust sat down.

SPEAKER_02 (14:16):
Yeah.
Even though, I mean, there shereally had no escape because
that guy was the the guy thatshot Megan was gonna be
following them either way to gether there.
But I don't think I would havestayed.

unknown (14:27):
I don't know.

SPEAKER_03 (14:28):
Yeah, it's super weird that he lied about it to
get you there.

SPEAKER_02 (14:31):
Yeah, but we're also dudes and yeah, that's true, and
I don't need a hundred dollars.
So I mean I would take it.
I would definitely take that forhim.
It's her grandma out thereneeding care.
All right, well, I think we'regood, like good to hop into the
plot.
This I really feel bad there.
I just I looked all over theinternet.
The internet said, sorry, Iain't got anything for you.

(14:53):
Looked on YouTube, I didn'treally see that many like
interviews or anything withthem, the director.
It's kind of bummer.

SPEAKER_03 (14:58):
All right.

SPEAKER_02 (14:59):
But before we get into the plot, I want you to
think, what is the point of thismovie?
Um, yeah.
And after the end of the plot,we will let you know what we
think the point of the movie is.
But if you want to tell us whatyou think, send us an email or a
text message at the top of thedescription.
There is a link that you canclick, and then you can just
text right from your phone whatyou think the point of the movie

(15:20):
is, or you can just send us somefan mail.
At the bottom is our email, andyou can send us an email.
We recommend mailbag atgmail.com.
What do you think the point is?
All right, Jason, let's take atrip to the house of the devil.
Is the movie metal enough?
Does it end metal enough?
I think so.
It's pretty awesome.
I think it's great, right?

(15:41):
It's a great ending.
Yeah.
Yeah, okay.
Just want to make sure.
Because when I was watching it,I was just like, all right, like
I know this whole part is slowand that's something that people
have an issue with.
I love it because I like thefilmmaking aspect of it.
But then I'm like, yeah, but theending fucking goes.
It does.
Ending rules.
It's like, you know, it's a lowbudget movie, so it's not like
technically perfect type ofending, but fun.

(16:03):
And then her whole white dressis completely red by the end,
and it's like, yeah.
Which will, I also think has alot to do with the point of the
movie.
So we'll get into it.
The plot of the House of theDevil.
I am talking too much and sayingthe same things over and over.
All right, it is 1983.
Snake's like, come on, movealong with it, guys.

(16:24):
Oh, really?

SPEAKER_03 (16:24):
New England.

SPEAKER_02 (16:27):
I like to I was thinking Connecticut.
Mainly because in the facts islike everybody's I think they
filmed in Connecticut, and mostlike the background people are
from Connecticut.
So cool.
I'm just gonna say Connecticut,you know, the most demonic place
on the planet.
Yes.
So frustrated with living in thedorms of with her oversexed and

(16:48):
messy roommate, Samantha Hughes,rents a small apartment.
Um, this is where you kind ofget that great slow zoom at the
beginning where she's standingin it.

SPEAKER_03 (16:55):
It's funny.
She's saying oversexed.
She just has sex once.
I know.

SPEAKER_02 (17:00):
But I think the thought is that she's like,
well, because you know, likelater we'll get to it.
She says, it's in the morning.
So it's like, you're stillhaving sex.
It's also in the morning.
Are you just constantly havingsex?

SPEAKER_03 (17:11):
You can you can do two things.

SPEAKER_02 (17:13):
Yeah, I know, but I think that was definitely the
point because she constantly haslike all her bra and panties on
the ground.
Like she just is constantlyhaving sex.
And plus, it's you know, a playon the 1980s and 70s films where
you know everybody has sex andthen they have to die.
Yeah, yeah.
Yeah.
Um, except for our maincharacter, it seems like maybe
she doesn't have sex, which mayend up being the point at the

(17:33):
end of the movie.
All right.
So the landlady, uh, played byD.
Wallace.
She's uh, I don't know if you'veseen her in anything, but she's
in a bunch of horror movies.

SPEAKER_03 (17:41):
The house renter?

SPEAKER_02 (17:43):
Yeah.
I know that's what we'll getthere in a second.
Um, so the landlady agrees notto charge her a deposit.
Samantha still needs to come upwith$300 for first month's rent.
I said, landlords like thisdon't exist.
Don't worry about your fees.
Look, you know, we'll get yourapplication through, and you
don't have to worry about payingme your first month rent yet.
It's like, okay, cool.

(18:05):
I'm just pets bring them up.
Yeah.
Um, she walks home, it's a greatintro.
You just got the song playing.
And as she walks and the creditscome up, it like pauses on her.
It's very fun.
Fucking love that shit, man.
It's great.

SPEAKER_00 (18:17):
I'm like, ooh, we're in a different decade.

SPEAKER_02 (18:20):
Let's go, baby.
I'm gonna wiggle into my chair.
Uh, when she gets to herapartment, her roommate is
having sex.
There's a sock on the door.
So she's like, Come on, dude,it's a morning.
Like you're always having sex, Iguess.
Um, so she leaves.
She answers an advertisement fora babysitter that she walks past
is like on a little cork boardor whatever.

(18:40):
She calls from a payphone andgets an answering machine, but
after the call, she walks awayand it starts to ring.
Bum bum bum.
Is that is that real?
Can you call a payphone?

SPEAKER_05 (18:53):
Yeah, you can call a payphone.

SPEAKER_02 (18:55):
At least in movies you can.
I don't have a call.
Um so she answers the phone.
The man over the phone soundsway too calm, and I don't know,
something sounds off about him,right?
He sounds like a weird guy overthe phone.

SPEAKER_03 (19:08):
I I don't know.
It's it sounded pretty normal tome.
It's like, dude, need ababysitter.

SPEAKER_02 (19:12):
Yeah, but there was like a weird calmness to him.
It's like an intense calmness.

SPEAKER_03 (19:17):
Yeah.
If that makes sense.
Maybe he just he seemed likemaybe a a professor at the
college.

SPEAKER_02 (19:23):
Yeah, and that's all I think we're like led to
believe a little bit at thebeginning.
Oh.
So she goes back to her roomwhere her roommate's side is
super messy and grabs her bag.
She waits for the man whodoesn't seem to be coming, so
she leaves because he's like,oh, meet me in like the student
or uh facility or whatever.
So she's like sitting out therelaying on the steps.

(19:43):
Sleeping on the steps.
Yeah.
Hell yeah.
So he doesn't show up, so shegoes to meet her friend Megan
and talk about the apartment.
Samantha is stressed about themoney.
She only has eighty four dollarsand needs 300 by Monday, and
it's Wednesday right now.
Yeah, that's real.
Megan says they should tear downall the other fly flyers, so you
know, it's like, yeah, no oneelse can answer the flyers if we
tear them all down.
I always thought about doingthat too.

(20:04):
And she was like, Megan's like,nah.
Or Samantha's like, no, let'snot do that.
That's crazy.
And I'm like, it's actuallysmart.
It's not a bad idea.
Yeah, it's a great idea.
It's also we we get a littlesection where it's like, ugh,
the pizza's bad.
Like, why is the pizza bad?
We'll find out later.
Oh.
It's Chekhov's pizza.

SPEAKER_03 (20:23):
Check off's?

SPEAKER_02 (20:24):
Yeah.
Well, it's like Chekhov's gun.
You in her in the first act, ifyou show a gun, it's gotta go
off in the third act.

SPEAKER_03 (20:30):
Oh, okay.

SPEAKER_02 (20:30):
Check off's pizza.
You have bad pizza at thebeginning, it's gonna go off in
the third act.
It's gonna give you diarrhea anhour later.
It's like it's gonna make youhave a baby in your so Samantha
goes home, where a roommate isstill sleeping and snored
loudly.
Prime it with flavor.
Yeah.
And it's like nighttime, so thislady, I guess, has spent all

(20:53):
night having sex and then sleptall day.
Sounds like a sounds like apretty good day.
That's pretty chill.
It seems like it's probablygonna be a fun night.
Um, anything worse than a shittyroommate, though?
No, it sucks a lot.
It's just like you ever want tobe there?
Yeah.
And it's the only place you gotto go when you have nowhere to
go.
And it's just like so then otherplaces become where you end up

(21:14):
going.

SPEAKER_03 (21:15):
I used to bring my room, I had a really terrible
roommate.
Uh I used to bring him pizza,like lots of pizza, all the
time, just so he'd leave mealone.
Yeah.
My roommates weren't were neverreally too bad.

SPEAKER_02 (21:28):
Oh, pretty fine.

SPEAKER_03 (21:29):
Mine was always asking me if he looked sick.
Yeah.
Or if he if Hey, do I look sick?

SPEAKER_02 (21:33):
Yeah.
Why do you keep asking me that?

SPEAKER_03 (21:35):
Yes.
I was like, I don't know, man.
See a doctor.

SPEAKER_02 (21:38):
It's like, just you actually also might need to see
a therapist.
Or I don't know, call your mom.
Take a picture, send it to her.
So uh yeah, she's like the theroommate's snoring so loud,
she's like very frustrated.
So she goes into the bathroom,turns all the faucets on, and
says, and starts crying in thebathroom.
And I'm like, ah, classic thing.

(21:59):
I do this all the time.
Yeah.
Can't do this now anywherebecause everything's automated
faucets.
So you can't go and turn onfaucets.
You just have to look atyourself in the mirror.
Uh but then she gets up and shegoes and looks into the mirror
and says, get a grip.
Like, hell yeah.
So she's back in her room.
Her roommate tells her the manuh uh the man on the phone

(22:23):
called earlier.
She calls and gets the machine,but he quickly picks up.
The man who placed the ad tellsher that he and his wife need
her that night.
Although he behaves oddly on thephone, Samantha's desperation
leads her to accept the offer.
I promise to make this aspainless for you as possible.
Oh, geez.
Nope.
That's what I should have donefor the intro.

(22:44):
Yeah.
Well, I mean, it was probablygonna hurt eventually, but I
mean, yeah, they just made herdrink blood.
It wasn't that painless.
Ew.
That's so icky, though.
Yeah.
Well, you don't drink bloodoften from like a weird-looking
old demon lady.

SPEAKER_03 (22:56):
Not even that like tomato-based beer that some
people like to mix with theirregular beer.

SPEAKER_02 (23:01):
Yeah, that sounds gross.
That sounds uh, I don't know,what's the word?
Uh bad.
Yeah.
So Samantha's best friend,Megan, drives her to the job,
which is at a secluded house inthe woods.
There we hear about a lunareclipse that night.
Megan says she could stay withher throughout the night if she
wanted.
Um, she is worried about howsecluded it is.

(23:22):
She also reveals that she toredown all the flyers.
She's like, Oh yeah, by the way,got you, girl.
Gotcha.
Uh Samantha says, if they aren'tnormal, she can stay.
Um, they're kind of this talk.
Samantha says, like, they seemnormal.
I mean, they're rich.
And then Megan, you think havinglots of money makes you normal?
Yes.
That makes you weirder, as weall should know by now in the

(23:43):
world.
Rich people are just insane.
It's the whole different life.
Like they live a different lifeand they don't know how to be
normal because they don't growgrocery shop.

SPEAKER_03 (23:53):
To be fair, yeah, they don't know.
What does that word mean?
Yeah.
Uh oh man.
I said to well, to be fair, I uhalso don't know how to talk to
people or be normal.
I've never been rich.

SPEAKER_02 (24:07):
I'm uh I feel like I'm pretty good at pretending to
be normal.
Yeah, you're pretty normal.
I'm pretty good at pretending tobe normal around people.
But inside my head, I'm like,what do I say next?
What do I say next?
Uh how do you have aconversation with someone you
don't know very well?
Don't taste my skin.

SPEAKER_03 (24:20):
Don't taste my skin.

SPEAKER_02 (24:20):
Someone bring up that they have a pet.
I can continue thatconversation.

SPEAKER_01 (24:24):
You want to talk about movies?

SPEAKER_02 (24:25):
Any other adults that play video games?
No, no?
No.
Okay.
Oops.
It's like, oh man, wish uh theaverage demographic or the
people I worked with weren't 60or 50.
So there, Mr.
Ullman, uh, who the guy is, isthe creepy old man who placed
the ad that he is there for theeclipse run.

(24:45):
If you're going to watch aneclipse at night, just run from
that person.

SPEAKER_03 (24:48):
I'm gonna go watch it get dark.

SPEAKER_02 (24:49):
Yeah.
I can't wait for the nighttimeto be even nightier.
He then reveals that Samanthawill not be babysitting, but
taking care of his elderlymother-in-law.
Samantha tries to back out, butMr.
Ullman says that people don'tlike to take care of elderly
anymore.
And he offers her 400, well,technically offer 300 total, and

(25:09):
she's like, make it 400.
And he's like, ah, damn, I'mgonna pretend to be upset about
this, even though we're gonnaput a baby in you.

SPEAKER_03 (25:18):
He's like, no.
Double it.

SPEAKER_02 (25:20):
Yeah.

SPEAKER_01 (25:21):
Lost my place.

SPEAKER_03 (25:22):
There was this, did you ever watch crank uh, I think
crank?
Crank anchors?
Crank anchors.
There's that one rich guy that'dbe like, I don't want you to
take that price and double it.
That sounded a lot like uh uhJohn Lovitz.

SPEAKER_02 (25:39):
The way you said it, I was like, wow, that sounded a
lot like him.
That's great.
Um, but yeah, so she says 400and he's like, all right, and
she agrees to stay over Megan'sobjections, who's like, hey,
like, this is a terrible idea,don't do this.
And she's starting to get kindof upset and crying a little
bit.
It's like, all right, bye, I'mleaving.
Um, listen to your friend.

(26:00):
Like, he's too tense, right?
This is where I would be like,you know what, old man?
Hold on, let me talk to Megan.
I'm gonna clear it up with her.
And I'm like, Megan, we'rerunning out of this house right
now.
This guy gets really tense, andanytime I try to I say something
that he doesn't want to hear, wehave to get out of here.

SPEAKER_03 (26:17):
What really got me was that he thought when he
thought the her friend was gonnastay, yeah.
Oh, I can only afford to pay oneperson a crazy amount of money
for their time.
Like, what does it fuckingmatter?
Yeah.
He got two.
That's better than one.

SPEAKER_02 (26:31):
Yeah.
Well, it's just like the wholething, like if she if she ended
up saying, Oh, well, she's justgonna stay, but you don't have
to pay her, you're just payingme, or if she wants money, I'll
just split it with her.
But she never says that, so it'slike, she's like, Oh, okay.
I would have just been like,hey, Megan, when they leave,
come back.
Like, give me 30 minutes andcome back, all right.
And then you'll leave at 12before they get home and then

(26:53):
come back at 1230.
Yeah, we could have made thishappen.
Yeah.
Um, but yeah, whenever that onepoint where she kind of gets up,
like, nah, and then he guessstands up and it's a little
tense.
I'm like, I'm definitely out.
Um, so Megan leaves, and on thedrive home, she stops in a
nearby cemetery to have a smoke.
Smoke while you drive, lady.

SPEAKER_03 (27:12):
Last nail on the conference.

SPEAKER_02 (27:14):
Yeah.
Uh when her lightermalfunctions, a young man, his
name will be uh is Victor,suddenly appears in the window
and freaks her out and offersher a light.

SPEAKER_03 (27:23):
Uh she's like cemetery, man.

SPEAKER_02 (27:25):
She's like, Why are you out here?
And I'm like, if that guy poppedup, I don't need a cigarette.
I'm just gonna start driving.
I'm just gonna hit the gas.
Um he then asks her if she's thebabysitter.
When she says no, Victor pullsout a gun and shoots her
directly in the face, killingher.

SPEAKER_03 (27:41):
Yeah.

SPEAKER_02 (27:41):
That's how I was like, here we go.
Yeah, and now it's just like,all right, we have our villain.
I'm sure that this is what theissue is gonna be.
This one rogue man.
And I love that cultist has agun.

SPEAKER_03 (27:52):
They always they usually only have like curvy
knives and stuff.

SPEAKER_02 (27:55):
Yeah, like weird.
It's like, hey guys, you can useguns.
Guns are better.
It's like it's like you can justshoot these people in the legs
and then do your cult stuff.

unknown (28:03):
Yeah.

SPEAKER_02 (28:04):
I don't think the devil would be like, you use the
gun.
Really?
I'm the devil, okay?
We don't use guns.
It's fire and knives.
That's it.
Also, if you could draw a circleon the ground, I love it.
With stars.
You know what?
Yeah, because I'm a star, yeah,put a star there.

(28:24):
I love this devil.
The devil's such a valley girl.
No, yeah.
Bro, you can't even call thedevil that.
Come on, man.
No, it means like I'm gettingit.
Doesn't it mean like a See younext Tuesday?

SPEAKER_03 (28:41):
Yeah, but like, doesn't it mean like a girl
who's kind of like a valley girlwho wears like all leather and
like looks kind of mean?
Oh, is that what they mean?
It's kind of cunty.
Oh.
All right, I've never heard ofit.
I don't know.

SPEAKER_02 (28:53):
No, I was just I don't have a problem with cunt.
It's just like you can't usethat word for the devil.
It offends him.
Bits please.
Devil please.
So uh that was fun.
Um, yeah.
Great surprising uh just likeblame brain splatter, though,
you know.
Just really didn't expect thatwhen I first watched it.
I was like, oh, nice, this is agory horror movie.

(29:16):
I think I've I pumped my fist.

SPEAKER_01 (29:17):
Yeah, you're like, yeah, something happened.

SPEAKER_02 (29:21):
Yes, exactly.
Uh but it's like a great, like,bam, oh, cool.
I thought this was, you know,it's like it takes you out of
that normalcy of like, oh, theseare just some girls needing some
money.
And then it's like, ah, this isa horrific event.
Crazy how fast I can change.
So, Mr.
Ullman gives Samantha half ofthe baby sitting fee plus some
money to order a pizza.
Because, you know, college kidslove pizza.

(29:43):
Mr.
Ullman assures Samantha that themother in law will be no trouble
and will probably keep toherself in her upstairs room.
They also leave a phone numberwhere they can be reached if
anything goes wrong.
Like, my luck if I was the babyor the elderly sitter sitter,
whatever you call people that dothat.
Um, like as soon as the parentsleave, you just see you see her
come down.

SPEAKER_00 (30:03):
Hey.
By the way, I'm not stayingupstairs, and I'm gonna
constantly be wherever you are.
I can eat candy for dinner.
You want a butterscotch?
I have the best hard candies.

SPEAKER_02 (30:18):
It's just stale.
She pulls them out of her pocketand it's like, this one's been
in my pocket for 10 years.

SPEAKER_00 (30:25):
It's my favorite, and I'm giving it to you.
Can you unwrap it and stick itin my mouth?

SPEAKER_02 (30:30):
Immediately falls.
Like, ah ah ah.

SPEAKER_03 (30:36):
Old people.
Speaking of old candy, I justfound a nasty Jolly Rancher in
my pocket.
Probably been through the wash.

SPEAKER_02 (30:42):
When people give me Jolly Wrenches at work, I never
use eat them and always put themin my pocket and then always
wash them.
Blasphemy.
I just don't eat candy.
People just give me candy.
People just give me candy.
Because you might get drugged.
No, it's just like I just don'teat a lot of candy.
I like chocolate, but like, youknow, like Jolly Ranchers.

(31:02):
I mean, when I have one, I'mlike, hell yeah, this is a Jolly
Rancher rancher.
But then I'm just like, butanytime I'm like, I don't really
want it, but I'm just gonna benice and maybe one day.
And then I watch it and I cannever have it.
So but anyways, that's my kidneystory.
Um, yeah, so Samantha meets Mrs.
Oldman.
Oh, also, whenever the uhhusband guy is like talking

(31:27):
about pizza, like he keepsrepeating himself.
He's doing a great job atpretending that he's just like a
feeble old man that could neverdo anything to this girl.
I think that little really, youknow, puts down her barrier a
little bit until Mrs.
Oldman comes in and Mrs.
Oldman.
Oldman.
And then she like emerges fromthe basement and she explains
she was looking for her furs andthen makes Samantha

(31:49):
uncomfortable by commenting howdesirable she must be to young
boys in leaves.
She's like, Oh, you're so prettythat you get fucked.
I mean, it's just like, youknow, like anytime, like, you
know, especially when I wasyounger and like the older guys
is like, man, I bet you're a hitwith the ladies.
I'm like, man, you just thinkI'm just out here like boning

(32:10):
all the time.
Because that's what they'remeaning by it.
That's what they just wish theycould have though.
Like, is what they're allthey're saying.

SPEAKER_03 (32:15):
And I'm like, I want to take that time machine from
Napoleon.

SPEAKER_02 (32:17):
I wish I could go back then to like when the older
men like says that to me at workand be like, Yeah, man, I get so
much pussy.
Crushing it.
Put my hand up to high five ofthem.
And if he puts his hand up, belike, hell yeah.
And then walk away beingcompletely embarrassed.
But yeah, so Mr.
Ullmany comes downstairs andhe's like, Yeah, you see, you

(32:38):
see, old, old ball and chain.
I told you everything was gonnabe fine.
She's like, You're right, I'mwrong.
And then I'm like, Oh, what abeautiful couple.
And then they're like, pieces,and then he comes back in and
like, oh yeah, pizza, by theway.
And he's like, I know.
Remember the pizza?

SPEAKER_03 (32:51):
Remember the pizza.

SPEAKER_02 (32:52):
Are you sure you can drive and make it back home?
You can't remember what you toldme.
So they're gone.
Samantha's kind of walkingaround the house a little bit.
She calls Megan, but no answer.
And she does it twice, and it'slike, How are you not home yet?
Then she orders a pizza, andit's uh, you know, is that the
son on the phone?
Yeah, that was Victor, the guythat uh old old Barbie director.

(33:15):
Um Greta.
Greta, what a crazy name.

SPEAKER_03 (33:18):
Greta Norma Pizza Place.

SPEAKER_02 (33:20):
Yeah.
What can I get for you?
Would you like a lot ofanchovies?
Which I guess is a reference toan eight 1980s movie called
Lover Boy.
I don't know.
Oh, I think it means liketurtles because they always had
anchovies.
I think it's like a jug drugreference.
Do you want anchovies with it?
I think it's I don't know.

SPEAKER_03 (33:37):
I tried anchovies.
I tried anchovies on pizza whenI was a kid after seeing the the
turtles movie.
Yeah.
And it was horrible.

SPEAKER_02 (33:44):
Yeah, I bet.
Because whenever I see likeanchovies, I'm like, that does
not look good.
Um, so yeah, short as pizza, theguy seems a little off on the
phone, you know?
He like seems casual.
It's the thing, like these likeI don't know.
I mean, it might just be becauseI've seen the movie a few times
and I know what's coming, butI'm just like, is that how no

(34:05):
that's not how people talk to mewhen I order a pizza?
They're always like, Where areyour place?
What's your number?
What do you want?
All right, this amount ofminutes, bye.
He's like, I don't know.
It's the 80s, you know.
Yeah, and I guess he's supposedto be probably like he's
probably like her age.
I know.
It's just it's just not how anyphone call when I order had ever
gone, but different standardsback in the day, I guess.

(34:26):
So Samantha walks around thehouse looking around.
This would be the most fun ofpart about uh babysitting an
older person, is they'reupstairs.
I get to look around.

SPEAKER_03 (34:36):
This is where you have the montage of you dancing
around the house, yeah.
Sliding across the floor in yoursocks.

SPEAKER_02 (34:41):
So she looks around, she looks at Mr.
Ullman's office desk, she trieson some rad glasses.
Uh, she goes, she tries to doyour homework, but she
immediately is like, nah.
And then uh she hears a noiseoutside, so she decides to watch
TV where they are talking aboutthe eclipse that starts at
midnight.
So she turns the TV off and it'slike it's saying, like, oh, and

(35:04):
now we're gonna have a specialfeature that's like a horror
movie or whatever.
And she's like, click, and I'mlike, keep it on.

SPEAKER_03 (35:10):
That seems like scary.

SPEAKER_02 (35:12):
That's and it's not a living dead, which is perfect.
Um, and I'm like, Yeah, whydon't you keep watching it,
lady?
That's a good movie.
Um, but so she turns the TV offand listens to her walkman.
She plays uh pool, walks around,dancing around the house until
she accidentally breaks a vase.
I love the dancing scene.
It's so fun.
I'm like, oh man, I hope thisall elderly lady isn't trying to

(35:34):
sleep, lady.
That's a loud house.
But uh, yeah, and then classicbreaks a vase.

SPEAKER_03 (35:40):
Then you just hide it, right?
You immediately sweep it underthe rug and hide it.

SPEAKER_02 (35:44):
Yeah, like I hide it, like uh put it in the trash
bag, take the trash bag, stuffit down the toilet, just go out
back, hide it somewhere far awayso they can't see it at night.

SPEAKER_03 (35:54):
Bury that shit in the yard, never say anything
about it.

SPEAKER_02 (35:56):
Yeah, and then be like, cool, they're gonna think
I live on campus, but I'mgetting an apartment, so they
won't know.
Um, and then so oh, and thenit's great.
But here's like my favoritepart.
It's almost like my favoritepart of the whole movie.
It's wild, and it's such a sillything.
But you know, she's like lookingin the fridge and the music
playing, then she kind ofdances, and then she goes to
this one door and the music cutsout.

(36:18):
And then she opens the basementand it kind of zooms in on her
face.
And then uh like the music youcan hear the music from her uh
Walkman, but like it's not, youknow, it's you hear it not in
the sound of the movie, but likedisplaced.
Yeah, that uh non or diegeticme.
I don't know, whatever.
Fuck it.
But it's just like super quietand it's very ominous, and then

(36:40):
I'm like, oh, that's crazy.
They don't go to the basement.
No, not once in the movie.

SPEAKER_03 (36:46):
That's supposed to be the scary part.

SPEAKER_02 (36:48):
Yeah, but it's all in the attic, and I was
thinking, I was like, what thefuck's supposed to be in that
basement?
More bodies, probably piles andpiles of bodies.
Unless uh like I missedsomething and at some point they
went into the basement, but I'mpretty sure like at all the
times I never remember themgoing to the basement.
It's always an attic.
Yeah.
That's where the double lives.
Unless I'm no, wait.

(37:09):
No, I think they do theperformance at the b whatever,
whatever.
We'll get there.
We'll get there.
I'm sure I have in my notes ifit's right.
They're like, geez, did you notjust watch this movie 30 minutes
ago?
So uh while cleaning it up, shesees that the closet is full of
fur coats.
Bump bump bump.
But those were supposed to be inthe basement.
It's like they could have like,you know, more fur coats in the

(37:31):
basement.
I would totally wear them all.
I'd be like, you know what?
Broke your vase, and I'm stillin a coat.
So she also finds a box full ofphotos of a family other than
the old men's posing in front ofthe house and a car that
Samantha saw in the drivewayearlier.
We get a little cut to like thescene when she got there, and
it's like Megan's like, Volvo,nice.
And it's like, yeah, I remember.

(37:51):
This is like 20 minutes ago in amovie.
I love when movies do that.
They like, it's only been 20minutes since we saw a scene,
and they cut back like this,it's like, all right, it's not
that long ago, guys.
Um, so she walks outside to lookat the car, but she sees a van
instead.
That wasn't there earlier.
Bum, bum, bum.

(38:12):
She walks in, and we see a guy'slegs walking behind the van and
putting out a cigarette.
Oh no, it's the boy.
The longest burning cigaretteyou ever did see.

SPEAKER_03 (38:21):
Oh, that he took from the faceless girl.

SPEAKER_02 (38:23):
Yeah, Megan.
Um, so now freaked out.
She calls Megan again and stillno answer.
She grabs a knife and goes tothe bathroom.
Then she looks in the mirror.
Get a grip.
Call back.
Check off, get a grip.
Uh, then she hears a bangupstairs and some walking
around.
With a knife, she goes to checkout the noise.

(38:44):
She asks us, everything is allright.
And then we slow pan in theroom, which is actually the
attic, and see symbols and apentagram on the floor with a
bloody child in the center andparents laying bloody outside of
it.

SPEAKER_01 (38:55):
Then the doorbell.

SPEAKER_03 (38:59):
Scary doorbells.
That was cool though.
She couldn't see through thedoor, but like you can see
what's on the other side.
Oh, fantastic, right?

SPEAKER_02 (39:07):
Because then that's like, oh, this is some like this
is like not this is supernaturalnow.

SPEAKER_03 (39:13):
Scotty doesn't know.

SPEAKER_02 (39:14):
Yeah, Scotty didn't know.
But yeah, it's like a greatlittle, you know, because you
call it the house of the devil,but the devil could be anything,
right?
It could be a person, anything.
It doesn't have to be a satanicmovie.
So, you know, going into it, notknowing it, and like all this
Victor shit, like he kills agirl, and then he's like outside
of the house, and it's like,that van wasn't there, he's

(39:34):
gonna kill you.
And then like five secondslater, it's like, the devil
actually might kill you.
It's like, uh, this is more thanI thought it was gonna be, and
it's fun.
So Victor delivers the pizza toSamantha, who throws the money
and slams the door on him.
Then he's like, have a nicenight.
Then uh Victor wanders aroundthe property to keep an eye on

(39:56):
her.
Um, Samantha eats some pizza butthrows it in the trash because
she thinks there's somethingwrong with it, because she's
like, How long can I do thatbefore someone like goes insane?

SPEAKER_03 (40:08):
I've also never seen anyone cut pizza with a knife
after they get it.
I mean, I guess it probablywasn't cut all the way.

SPEAKER_02 (40:13):
Yeah.
Well, I don't know.
I don't know what 1980s pizzawas like, but maybe they didn't
pizza cut it.

SPEAKER_03 (40:18):
It'd be great if she had one of those huge long
tables and she's got like thecandelabra and all like beauty
and the beast style tablesettings.
Just be like, ooh, fancy.
As a college kid, I neverthought this would happen.
Drink Fego out of a wine glass.
Yeah, it's good.

SPEAKER_02 (40:37):
Orange crush.
Um so yeah, there's somethingwrong with the pizza.
It tastes bad like it didearlier in the movie.
So Samantha gets some water andhears strange noises coming from
the sink.
Man, that's when I'll be like, Icould probably just like I
thought she was tripping balls.
Yeah, it's uh maybe she is.
Maybe she is shrugged up pizza.
Um she goes back upstairs tolisten around and listens to the

(40:59):
sink in the bathtub bathroom.
And then when she checks thebathtub to see if it's the one
that's making noise, too.

SPEAKER_01 (41:05):
It's full of hair.

SPEAKER_02 (41:08):
It's so gross.
She then hears a noise and goesto see what the noise was in the
attic.
But before sh but before sheopens the door at midnight, all
the lights in the house blowout.
Samantha sees a hand open theattic door and she passes out
due to the drugs in the pizza.

SPEAKER_01 (41:26):
All right.

SPEAKER_02 (41:26):
And fear.
Here comes the fun.
Maybe it's just the fear.
So then all of a sudden it likecuts to black, and there's like
the screen is almost pulsinglike with uh visuals, it's like
flickering.
Uh we see like the moon is redand it's like pulsing.
We see shots of her like tiedand like something in her mouth,
and it's like dingy dark roomwith like a grayish light on

(41:49):
her, and it's just like pulsing.
And then she wakes and it's likeit's like ah, it's so fun.
Love it.
Uh, she's gagged and tied to aslab in the basement surrounded
by satanic satanic symbols.
So, like, pretty cool.
Yeah, it's fucking would you belike, Do you ever wish like,
man, why couldn't this happen tome once?
No, don't, but like it's stillpretty cool.

(42:11):
Yeah.

SPEAKER_03 (42:11):
I think it's also like super ridiculous how
everyone is like in robes.

SPEAKER_02 (42:16):
Yeah, it just like it merely comes out.

SPEAKER_03 (42:18):
And then like sloths, grandma's there.
Yeah.

SPEAKER_04 (42:23):
There you go.

SPEAKER_02 (42:26):
All right.
So I'm gonna talk about thetheir plan, right?
To do all this, like everythingthat happened to get on it.
So the old people probably whatdrove just like down the road a
little bit and like parked, andthen it's like was just waiting
for Victor to be like, allright, deliver the pizza, and
then she's gonna pass out.
Hopefully she doesn't go in theattic.

(42:47):
Oh, she's about to.
Well, let's cut the power.
And then hope she passes outthen before she sees the demonic
creature, I'm sure, that's aboutto come out of the attic.

SPEAKER_03 (42:56):
Yeah, what if you just she was down to the
basement first?

SPEAKER_02 (42:59):
Yeah.
Exactly.

SPEAKER_03 (43:00):
I guess so.
Whatever.

SPEAKER_02 (43:01):
But I guess he's technically supposed to be
watching her the whole timeoutside of the house.
Um, yeah, I'm just curious ifyou think like the whole
plotting and everything works.
Because I did look up like whatsome people say, and some people
are like, the plot makes nosense.
Like, how are these old peoplegonna do anything?
I'm like, well, they have theyoung guy, and I'm sure if she
tried to run, he was gonna knockher out or something.

SPEAKER_03 (43:21):
And I feel like they put the young guy in charge of
everything, even tying her up,and he just had that one up.
He just had like the dummy'sguide to rituals.
Yeah.

SPEAKER_02 (43:32):
It's like, I don't know, like, let's draw a circle,
put a star in it, I don't know,some fancy symbols, and then uh
what do you think?
Uh a Windsor knot?
Uh what are we thinking?

SPEAKER_03 (43:40):
Maybe like should I double knot it?

SPEAKER_02 (43:44):
Like, I don't know.

SPEAKER_03 (43:45):
Let's use some of that string we use to tie up hay
bales.

SPEAKER_02 (43:48):
Yeah.
Yeah, for real.
Like those knots, likeimpossible.
Just about so the Ullmans,including their son Victor, and
a dwarfish demon woman?
I'm assuming that's supposed tobe a demon, or it's just like a
lady.
Yeah.
Um demon draws a pentagram onSamantha's belly and then like
brings out like this like kindof deformed, like small, uh,

(44:12):
kind of look like a uh cow headalmost.
Yeah, it's like a deer skull orsomething.
Yeah, something like that.
But it's kind of like small andlike a little deformed on the
front or something.
Um and so she like cuts her own,like the demon woman or
whatever, cuts herself and likepours it into the skull and then
like tips it over and it comesout of like the mouth of the
demon to her, and she's likebleh, it comes hair.

(44:33):
And then Samantha breaks freepretty easily.
Maybe, maybe a couple morerestraints or something.

SPEAKER_03 (44:41):
I know, and then she gets up and and the the guy is
standing there like, Hey, whereare you going?
Hey, where does she go?
He just like steps aside whileshe runs away.
He's like, Oh man.

SPEAKER_02 (44:50):
He's like, I I can't do anything about this, I'm
older.

SPEAKER_03 (44:53):
This wasn't supposed to happen.

SPEAKER_02 (44:54):
Yeah, he like scratches the demon woman when
she gets up, stabs the older manin the stomach with a knife, and
like Victor tries to get her,and he like pokes his eye and
his.
She thumbs his eye over in it.

SPEAKER_03 (45:05):
Like, ah these are they're so shitty at this point.

SPEAKER_02 (45:10):
They really did not think that she was gonna be able
to get out of those restreats.

SPEAKER_03 (45:13):
They were not prepared for anything.
The evil grandma lady who's likereally regretted putting the
grandson in charge of the samething.

SPEAKER_02 (45:21):
Um and then, like, after pushing the eye, she
rushes upstairs and then sheimmediately slips in like a
giant puddle of blood and seesMegan's body in the kitchen.
That was fucking awesome.
And she's like, Megan, and I'mlike, how can you tell?
You can't.
The clothes, I'm assuming.
Uh Samantha grabs a knife,Victor chases her and shoots her
in the shoulder, and it's like,fuck.
But then, like, as he getscloser, she she slits his

(45:43):
throat, killing him.
Now she's like completelycovered in blood.
It's like, hell yeah, what asmart thing.
But the woman in white, cover inblood.

SPEAKER_03 (45:52):
Also, it was funny.
I thought the the sun was gonnauh slip in the blood.
Yeah.

SPEAKER_02 (46:00):
I'm so glad we did the same thing.
That was great.
Um, so Samantha is is like justkind of going crazy.
She's like hallucinatingessentially, and she's also like
got a ton of abdominal pain.
She's getting flashes of demonicfaces.
That was cool.
Um, yeah, and it's just like thelady that we see.

(46:20):
Um, Mrs.
Ullman corners her in a bedroomafter she sees Victor dead, and
he's like, You bitch, I hopethis baby just riffs out of your
stomach.

SPEAKER_03 (46:31):
So did she say that?
About the did we know that shehad a baby?

SPEAKER_02 (46:36):
No, but you know, drawing a pentagram on her or
something, and she's having anabdominal attack.

SPEAKER_03 (46:40):
I I just I thought maybe I didn't really know for
sure at that point, but like Ijust thought it was weird.

SPEAKER_02 (46:45):
Yeah, I mean, like, technically we don't know yet,
but uh, you know, by the end.

SPEAKER_03 (46:49):
And then like, what's what why are they and
then this is the part where youkind of get some insight in why
they're doing any of this.
Because the the mom is lookingout the window and she's like,
Yeah, because she he she thinkslike the devil's calling her
through the eclipse.

SPEAKER_02 (47:03):
She takes off her wig, which I'm assuming was like
the hair in the tub, I'massuming was the hair of the
people that live there, and shelike made a wig so she looked
normal.
That's yucky.
I'm like, I'm curious, like asif maybe the like they do kind
of like the ritual, the movie wedid last week.
Yeah.
Where it's like maybe like thedevil's keeping them alive

(47:24):
through their older age, andthat's like maybe that's what
like the the demon demoniclooking woman or whatever was
maybe she's like hundreds ofyears old or something.
I don't know, something fun likethat.

SPEAKER_03 (47:35):
That's pretty cool.
I thought maybe because she sayslike talk to me, boy, or
something.
Didn't she say something likethat?
Like talk to me, son, or uhyeah, yeah, to like outside,
like yeah what isn't it likeLord?

SPEAKER_02 (47:45):
She said Lord up here.

SPEAKER_03 (47:46):
Yeah, okay.

SPEAKER_02 (47:47):
Yeah.

SPEAKER_03 (47:48):
Um Jesus.

SPEAKER_02 (47:50):
But yeah, so she she corners her in the bedroom,
tells her that it's too late forSamantha to alter the plan.
Ulman, she is distracted whenshe believes that the eclipse is
sending her a message fromSatan.
Who who doesn't?
And is uh revealed to be bold.
It's eclipse without you all.
Hey, it's just the devil.
Uh just check it in, see how youdo it.
By the way, thank you for allthose sacrifices.

(48:12):
Oh gosh.
I just love gifts.
By the way, I've just it's beenso long since I've had a baby.
Could you please, baby, just letme have a girl?

SPEAKER_03 (48:24):
Let me pick up some clarity.
The devil's such an incel, dude.

SPEAKER_02 (48:29):
Like, he's such an incel.
He doesn't even want to likehave sex and have a baby.
Um, but yeah, so while she'sstaring and staying staring out
the window, Samantha comes upand stabs her right in the back
and it's like, these people.

SPEAKER_03 (48:44):
This girl rules.

SPEAKER_02 (48:45):
Yeah.
And then grabbing Victor's gun,Samantha flees from the house.
Now her white dress, nearlycompletely red from blood.
She's pursued by Ullman, who waswounded when Samantha escaped
from the basement.
Oh, yeah, it was the basement.
Yeah.
So they put her in the basement,and that's where they did the
ritual.
My bad.
So he tries to calm her down andtells her that Satan will arrive

(49:06):
as soon as the eclipse is over,believing it to be the only
solution.
Samantha turns the gun away fromhim and on herself.
Yes, that was awesome.
Oh, yeah, uh, don't blame her.
Taking me alive.
It's like, oh, so you put adevil baby in me?
Well, I'll just die.
Right?
Take my chances on the otherside.

(49:28):
But then at the same time,right?
It's like, oh, so the devil'sreal.
So I probably shouldn't shootmyself.
Because you know they say in theBible, if you kill yourself, you
go to hell.
But then at the same time, shootyourself, you're like, Well, I'm
actually kind of saving theplanet.
Yeah.
Because I kill the devil at thesame time.

SPEAKER_03 (49:45):
Like, you never think she has any of this in her
to do this.

SPEAKER_02 (49:49):
Yeah.

SPEAKER_03 (49:50):
And she's just goes balls to the wall.

SPEAKER_02 (49:52):
Yeah.
It's kind of I got a little bitof that in the point.
She kicks so much ass.
Yeah, she's just like, no, Idon't want to die today.
And then it's like, oh, well, Ihave to now, so uh otherwise I
will have a demon spawn comingout of me soon.
And I'm sure it's not gonna comeout easily.

SPEAKER_03 (50:09):
Fucking hate kids.

SPEAKER_02 (50:11):
It's like, I've always wanted to have a baby,
but not a baby with horns.
So we cut to the localnewscasters, talk about how the
astronomers are confused thatthe moon seemed to move through
the eclipse more quickly than itshould have.
Some then we see like we see thecamera going through like the
halls of a hospital.
Samantha lays comatose in ahospital bed, but the nurse says

(50:31):
that she and her baby areexpected to make a full
recovery.

SPEAKER_03 (50:35):
After a headshot.

SPEAKER_02 (50:37):
Oh, she's pregnant.

unknown (50:39):
Gosh.

SPEAKER_02 (50:39):
That's so sweet.
She's gonna be like a greatmother.
Nothing's bad's ever gonnahappen to that baby.
No.

SPEAKER_03 (50:46):
I mean, it's how you raise, it's the environment you
raise the baby in.

SPEAKER_02 (50:49):
I guess maybe like she shot and just like
completely missed.
Like maybe she shot under herbrain.

SPEAKER_03 (50:55):
You know?
Failure.
Yeah.
Maybe it was a bad bad bullet.
You always need to shootyourself in the heart if you
really want to die.
Yeah.

SPEAKER_02 (51:05):
You gotta double tap yourself, man.
And once you shoot yourself inthe head, try to wake up and do
it.
It's a little harder.
Yeah.
Um, but yeah, so you know, shit,devil be out there, man.

SPEAKER_03 (51:19):
83.
That devil's probably guys inhis early 30s now.
Yeah.

SPEAKER_02 (51:25):
So uh, what'd you think of the ending?

SPEAKER_03 (51:26):
Like, or no, he's 40s.
And yeah, I thought it was good.
I thought it was really cool.
Yeah.
It sucks for her.
Yeah, it really does suck.

SPEAKER_02 (51:33):
It's because I remember the first time I
because when I first watched it,I didn't think I didn't know
there was gonna be like a baby.
I thought it was just like, oh,she's like gonna be poss become
possessed or possessed by thedevil.
And then it's like, oh, she'shaving a baby.
And it's like, this is a Damiensituation here.
Oh no.
But yeah, like it's a great Ilove this whole this whole
ending sequence.
It's so baddie, it's great.

(51:56):
It's like, oh yeah, this waskind of like a pretty logical
and like uh straightforwardmovie, and then it says, not so
fast, y'all.
We're into it.
Hell yeah.
So, Jason, what's the point ofthe movie?

SPEAKER_05 (52:11):
Hmm.

SPEAKER_03 (52:15):
You know, I had it a second ago.

SPEAKER_02 (52:16):
Stuff being a babysitter in the 80s, you know.
You're either gonna get gonnaget killed by a serial killer or
you know, satanic satanic panic.
Periods make girls unclean, Iguess.
Brain bears, I don't know.
Um, also, it's just like it'sfun.
It's like, what if the satanicpanic was real?

SPEAKER_03 (52:33):
Yeah, that is pretty cool.

SPEAKER_02 (52:35):
Except I didn't see anybody saying that they are
flushing people down thetoilets, which is what they
like.
I thought that that washappening.
Well, that's like that's what,like, because you know, like
during the satanic panic, youknow, they were interviewing
these kids alone.
Oh.
And like, you know, they're justcoming up with crazy shit that
these like their parents or dadswere doing.
And like, so one of the thingswas like what kid was literally

(52:56):
like, yes, they have kids andthey're flushing them down the
toilets, and they're like, Hellyeah, the cops are like, Okay,
well, we wanted you to saysomething, but we didn't want
you to say something that silly.
You're an idiot.
How about they did somethingdifferent?
You know, just leading thesekids to say whatever they want
to hear because you know, uh,people are fucking crazy.
And uh, hey, also they're stillkind of crazy.

(53:17):
Um, but also I think it's kindof like the corruption of
innocence.
I think the white dress becomingcompletely tainted with blood is
kind of a statement about like,oh, as you get older as a woman
or a man, things get harder andyou become more like I wouldn't
say corrupt, but like shit,fucking life hits you.
I think that's kind of what it'smostly about.

SPEAKER_03 (53:37):
No, that only happens to women.

SPEAKER_02 (53:39):
That is true.

SPEAKER_03 (53:40):
It just gets easier for men.

SPEAKER_02 (53:41):
For guys who are just like, oh now we got a wife,
cool, everything's gonna beeasier around the house now.
Don't have to do anything butsit around and watch football.
No, but uh, yeah, I just thinkthat's what it's uh probably the
main focus is, you know.
She was just like, la la la la.
I'm innocent.
I'm tired of living with like myfriend that is constantly having

(54:03):
sex.
I just want to be alone andhappy.
And then it's like to get thatwell, shit, yeah.
Paper, you know.
You gotta get that paper, youbecome corrupt.

SPEAKER_03 (54:12):
Hell yeah, get that paper.
Yeah.

SPEAKER_02 (54:14):
Also, I kind of think that's what like most
horror movies are about, likethe corruption of innocence.
That's why there's always like afinal girl that's a virgin, you
know.
Oh man.
Yeah, I'm gonna do it.
So this movie says nothing abouther being like a virgin or
anything, she just seems like anormal, quiet girl.
Yeah.

SPEAKER_03 (54:29):
Yeah, that's pretty cool.

SPEAKER_02 (54:30):
Yeah.
So, and I want to hear what youguys think the point of the
movie is.
Let me know.
Already told you everything atthe top.
Girls shouldn't go to college.
Yeah.
So now we're gonna hit our ournext category: good, bad, ugly,
the fine.
It's where we discussed the goodof the film.
Something we liked.
A scene aspect of filming, youknow, whatever.
The bad, something we didn'tlike, a slicine, you know,

(54:51):
everything with a good, but it'dbe a bad.
Um, the ugly, something thatdidn't age well, the fine,
something that did age well.
For the good, Jason, what didyou pick?

SPEAKER_03 (55:01):
The moment that Megan got her fucking face shot
off.
That was awesome.
That was my favorite part.
Yeah, it was just what woke meup.

SPEAKER_02 (55:08):
I was like, holy shit.
It's like, okay.
Hey guy.
Pretty dramatic.
Yeah, that is uh, I think thatwhenever most people like I say,
Hey, have you seen the House ofthe Devil?
Oh, that's the movie where thegirl gets her face blown off in
the car.
I'm like, you don't remember thedemon, the whole devil thing at
the end.

(55:29):
No, I know, but like that is thefirst like bam moment.
Yeah.
Um, I put, I had a feeling thatyou were gonna say that, so I
did leave that one out of mykids.
Um, I put uh the aesthetic ofthe film.
Oh, yeah.
Uh, it's comforting, like theslow pacing, the old movie
vibes.
Cause it's like I that's a lotof the movies I had to watch
growing up because we had oldVHS tapes.
So it was either 90s, 80s, or70s movies that were just like

(55:52):
slow and just kind of it's kindof cozy.
This movie is weirdly cozy forme.
Her walking around this oldhouse, I'm like, man, I could
just take a hell of a nap.
It's fun.
Except not on the couches thatthey the furniture they had
looked very uncomfortable.
But it's old furniture.
You're not supposed to besitting all day here.
I would have been playing pool.
Oh, yeah.
Like as soon as I found outthere's a pool room, I'd be

(56:13):
like, can I play pool?
Right.
Because that's what that's whatI'm doing for four hours while
you're gone.
Um, but yeah, also just like theslow burn uh heading towards
like a bombastic ending.
Oh, it was really great.
That's the movies I love, baby.
It's great.
And uh the lead.
Um shit, forgot her name.

(56:34):
Uh, but she does a fantastic jobin this movie.
I thought so too.
Yeah.
Everybody's pretty good in thismovie.
Um Tom Noonan, that's the Mr.
Ullman.
He's great at being creepy.
Uh it's Jocelyn Donahue.
Um, what else has she been in?
She's great.
Um, she's in Doctor's Sleep.
That's what And she's inInsidious Chapter 2.

(56:56):
Yeah, she's in a few goodmovies.
Not a lot more than that,though.
Um but yeah, she's great in thismovie.
Um Yeah, so what do you got forthe bad?

SPEAKER_03 (57:07):
Uh really just like the slow the beginning.
You know, yeah.
It's I mean, even though it wasgood, it it it was a little
slow.
And I just really you don'treally have any And I guess is
it Ty West prerogative to reallylike not give you a lot of
information?
Seems like it. 'Cause that's Iwas like, what why?
Why are we doing why are wedoing this?

SPEAKER_02 (57:31):
I guess.
Oh, like why are they doing whatthey're doing?
Yeah, yeah, yeah.
I mean, I think it's just one ofthose things where it's like,
hey, on the eclipse, I justassume, just because it happens
during the eclipse, during theeclipse, there is no moon,
there's no light, right?
So it's the time where the devilcan come out.
And it's like the damn, we gotlike a bunch of different

(57:52):
devils.
But yeah, I just assume thatit's like, oh, maybe it's like
the perfect time for like a typeof ritual.

SPEAKER_00 (58:00):
It's me, the devil.
You'll never find me, it's toodark out.

SPEAKER_02 (58:06):
And I guess the the moon's turning red, so it's a
devil moon, blood moon,whatever, you know.
Cause right, wasn't there likethat one like lunar eclipse or
like blood moon that was gonnahappen where the moon was gonna
turn red, and people thought,like, this was like a couple few
years ago or whatever, maybe itwas during COVID or something,
and like their moon was gonnaturn red, and like I always just

(58:27):
remember people like on Facebookbeing like, Oh the rapture?

SPEAKER_01 (58:31):
They say that oh, there's like a conspiracy that
this is gonna happen, and it'slike it's just like how the
fucking universe works, butokay.
I'm sure you got that naileddown pretty tight.
Because everybody after you whosaid the world's gonna end was
totally right.

SPEAKER_02 (58:47):
So annoying.
Um, but yeah, for the bad, Ialso put maybe too slow for some
people, or maybe the ending is alittle too wacky.
I those are complaints I'veseen.
Like, some people are like, tooslow, but I love the ending.
Uh, love the slow pacing endingwas too wacky.
I'm like, can't satisfyanything.
I kind of like the wackiness.
Yeah, the wackiness was great.

(59:08):
It's a demon movie.
It's always gonna be wacky.

SPEAKER_03 (59:11):
Was his name Peter?
Like, he was a little wacky.
Yeah, he's was that the brother,the but the son?
Victor.
Victor.
Victor.

SPEAKER_02 (59:18):
Yeah.

SPEAKER_03 (59:18):
He's he's in a I liked him a lot.

SPEAKER_02 (59:21):
I think he, I think he's in the uh VHS, one of the
VHSs.
Um he's also in a movie calledYour Next, which is directed by
Adam Wingard, who you did, youknow, the Godzilla movies, most
recent Godzilla movies, and he'sin he's uh also a shitty guy in
your next.
So it's fun.
Um for the ugly, I got like uh,I don't know, man, like uh just

(59:42):
like do better at restrainingher.
Make better pizza.
I don't know.
Do better restraints.
Yeah.
You know, it really is the onlypart where I'm like, she got
away that fucking easy, guys.
Come on, man.
I know you're kind of dealingwith a demon woman that looks
like she could be a hundredyears old, she just and then two
old people.
That look like they're close toa hundred years old.
And then it's like you, hey,Victor, you kind of got to jump

(01:00:04):
at the opportunity here a littlefaster.

SPEAKER_03 (01:00:05):
I wish they would have had the demon lady just
like holding her forehead going,Oh, you had one job.
I was gonna do everything elsefor you.

SPEAKER_02 (01:00:17):
And they never she didn't kill the demon lady.
She just scratched her headface, so that like lady's still
out there.
She's still out there.
Yeah.
Cool.
Um, so the fine.
Uh oh wait, what was your ugly?
That was mine.
Uh I don't know.
I didn't really have any ugly.
I mean, other than just like theone thing.
Um it's pretty pretty goodmovie.

(01:00:39):
Yeah.
I thought it was yeah.

SPEAKER_05 (01:00:42):
Um pretty good.
Um so what do you got for thefine?
What aged well?
Uh cult.
Yeah.

SPEAKER_02 (01:00:51):
Uh sacrifice.
Yeah, it seems like uh cults,cults seem pretty easy to do
these days, you know?
So like everyone's got a cultwhere we're constantly hearing
about a new cult.
They're almost like never aboutbut they're never as cool.
They're never satanic cults,which is like what we're
constantly people were worriedabout.
It's always like some personusing God for their cult.

(01:01:13):
And it's like, you know, it'skind of weird how no one's ever
like, yeah, we had a sataniccult and everybody died.
It's always like we had a cultand like God told us to kill
each other ourselves.
And it's like, good, it's kindof weird how it's always
backwards.

SPEAKER_03 (01:01:28):
Good for you guys.

SPEAKER_02 (01:01:29):
It's like every cult, like big cult that you
hear that like everybody died onthis compound.
It's like, what did they believein God?
And it's like, weird how that'salways the one that's killing
everybody in this most sataniccults are like, dude, we wear
robes half the time and we havesex.
It's like weird how it's alwayslike this one just seems to be

(01:01:51):
having fun all the time.
The other one, y'all seem waytoo stressed out all the time.
Just drinking flavor aid andshit.

SPEAKER_03 (01:01:58):
Oh no.

SPEAKER_02 (01:01:59):
Yeah, that was kind of Jones.
It's kind of like always like afunny thing that I think about
in cults.
It's like it's always the cultsabout God and Jesus that are
like, or you know, like, becauseusually half the time the people
that start those cults are like,I'm actually God and Jesus.
And it's just like, give me yourmoney, guys.

(01:02:19):
That's probably if Jesus evercame down, it's probably not
gonna be this person from atrailer park.
But it could.
But I just feel like probablynot, dog.

SPEAKER_03 (01:02:32):
Praise white Jesus.

SPEAKER_02 (01:02:34):
Like, I'm pretty sure in the Bible it says like
if he comes down, there'll belike horns and people will like
kneel, like everybody would justbe to their knees.
Like, did y'all not read that?
Like, that's like the main thingy'all should read is the Bible
if you believe in God.
Um, my fine, sorry.
Um, it's just like I listen toso many like cult podcasts, I'm

(01:02:54):
like, I mean, there's like awhole book that tells y'all how
a God comes back and who likethe talks to him.
Like, you guys can't you guyscan't keep falling for this
stuff.
But, anyways, so the fine TyWest is back, baby.
X, Pearl, Maxine.
Guy disappeared from a while,and he's back, he's making great

(01:03:15):
movies.
Even though I bought Maxine,I've still yet to watch it for
like a year and a half now.
Seen uh X and Pearl, they'reboth really great.
Um, but yeah, uh, it's funnybecause like he made this movie
and then he kind of likeperfected his craft and then
made X.
He did the Sacrament betweenthis and House uh X, but like he

(01:03:36):
does a lot of the same things inX that he does here, a lot of
slow pans, a lot of slow zooms,you know, it's very slow pacing
like this.
Then but instead of waiting forthe last five minutes to do the
wackiness, it starts pretty muchhalfway through X, where it's
like, oh, old.
That's kind of what I expected.
Yeah, and this one he likereally draws it out, but X is
also a little bit longer, so andthere's more bodies to be dead.

SPEAKER_04 (01:03:58):
Yeah.

SPEAKER_02 (01:03:59):
Um, also all the old techniques from the past to make
horror movies.
Um, I love when directors dothat because sometimes I just
think uh we used to make moviesbetter.
We did.
Yeah.
Movies just used to be even likethe bad ones um looked like
movies, unlike now where the badmovies look like doo-doo
poo-poo.

(01:04:21):
Doo-doo poo-poo.
Right, you can tell when you'rewatching a bad movie now, it's
like, uh, this looks like noproduction versus older movies,
it's like just the grain of thefilm and stuff.
It's like at least it feels likesomeone had to put film in a
camera, you know, instead of Iturned my phone off.

SPEAKER_03 (01:04:40):
Yeah, right.
I was gonna say they turn thefilter hit the filter button on
their phone.
Yeah, it's like held it infront.

SPEAKER_02 (01:04:46):
What if we put made everybody have cat faces on this
one?
Yeah.
All right, so that's thatcategory.
We're gonna hit up our nextcategory, uh, which is called
Double Feature.
It's where we recommend a movieto go alongside this movie.
Um, what do you got for yours?

SPEAKER_03 (01:05:04):
Uh I wasn't gonna say, but I am another wacky uh
satanic panic movie, uh TheCraft.
Yeah.
Hell yeah.
I used to love it as a kidbecause I thought goth girls are
hot.
I still think goth girls arehot.
It's great.
But uh yeah, the sharks watch itup on the beach.
Yeah.

SPEAKER_02 (01:05:21):
Witches doing witchy stuff.
Oh, and it's such a fucking 90sbanger, dude.
Oh, it's just like, you know,it's just like some fucking
40-year-old, like, edgy collegegirls.
And it's just, you know.
It's completely ridiculous.
It's just like what people whogrew up during the satanic panic
thought people that would bewitches would be like.

(01:05:43):
Uh, because it's got what's hername?
Um Freyuza Balk?
Is that wait the the Chiban?
Nancy Down.
Wait, which what's your blackhair?
Yeah, it's that's the girl withlike the big old mouth in it.
Yeah, yeah.
And the piercings.
Um, and she's like, you know,the edgiest of them all.
Yeah, and it's like, I don'tknow, it's just kind of perfect.

(01:06:03):
But really, it's got it's afucking banger of a cast.
Uh you got her, Nev Campbell,Skeet Ulrich.
I mean, it's practically thefucking screen cast here.

SPEAKER_03 (01:06:12):
All my the girlfriends in uh middle school
had the out the soundtrack.

SPEAKER_02 (01:06:18):
Really?
Yeah.
Yeah, my wife loves that movie,and it's it's like I think that
was actually the no, Idefinitely watched it as a kid,
but uh re-watched it and like Ifeel bad because it's so silly,
but I do like it that I can'tshut up about how silly it is
when I watch it.
It kind of reminds me of umcruel intentions, yeah.
Like I watched that a lot too.

(01:06:38):
Um I remember coming home onetime and like Natalie was
watching Cruel Intentions, but Iguess I was just kind of in a
talkative mood, and I just kindof kept like poking fun at the
movie, and she's like, We shutup.
And it's like I can't help.
There's just something aboutthose movies where I'm just
like, they're so good, but Ihave to talk about how
ridiculous they are.

SPEAKER_03 (01:06:56):
I used to love how she did cocaine out of a tiny
little spoon.
Yeah.

SPEAKER_02 (01:06:58):
I mean, that's don't you you have your cocaine spoon,
right?

SPEAKER_03 (01:07:02):
I have a I did have one, but it was for uh pipe
tobacco.
Yeah, smoking a pipe, not forcocaine.
Those is good.
It came on a little tool ringfrom a pipe.
Yeah.

SPEAKER_02 (01:07:15):
Um my turn.
I'm the one that now has to saya double feature.
It's funny because this doublefeature is actually gonna play
into our next movie.
So I am doing a move, I'm doinga double feature called The
Black Coat's Daughter.
Bum bum bum.
So during winter break, twostudents stay in an all-girls

(01:07:36):
boarding school in the companyof a terrifying presence.
Essentially, it's two girls anduh demonic shit might start
happening.
It's slow burn, it's such a goodslow burn movie, and it's just
kind of one of those things, butit has uh Emma Roberts in it um
and Kieran Ashka, who I think isthe one that became Sabrina, the

(01:07:57):
new Sabrina.
Wow, yeah, she's in it, I thinkis who she is.
It's got James Remar in it.
It's great.
Um, and it's just kind of thisfun slow burn movie directed by
Osgood Perkins.
Do you want to know what OsgoodPerkins did?
What?
He fucking did long legs.
Really?
Which, by the way, guys, for ournext movie, we're doing fucking
long legs, baby.

SPEAKER_00 (01:08:18):
I forgot to put my long legs on.

SPEAKER_02 (01:08:22):
I have no idea what that means, and I can't wait to
find out.
No idea what that means.
Um yeah, Osgood Perkins, he wasuh he's a direct.
Well, he's most known toactually being an actor.
He's like in Legally Blonde in abunch of like early movies, um,
2000s and 90s movies.

SPEAKER_03 (01:08:40):
Legally blonde.

SPEAKER_02 (01:08:40):
Yeah.
Um he's in a couple of episodesof like Alias and did a bunch of
like TV work, um, and thenstarted directing.
Uh, he's actually in Nope, too.
He's Finn Bachman, whoever thatis, in Nope.
But um, yeah, long legs is themovie we're doing next, because
we're still in this, we're noteven in October yet, but well,
actually, I guess when this willbe released, we're in October.

(01:09:03):
But yeah, uh, we're gonna dosome fun long legs business.

SPEAKER_03 (01:09:06):
Um it kind of sounds like you're joking.
Nope.

SPEAKER_02 (01:09:11):
And I have no idea what you're what any of this
means.
Bro, you're gonna be like, wow,he put his long legs on.
It's like, you know what?
Nick Cage's face looks crazy.
Guess what?
Long leg's face look crazier.
Yeah, it's great.
I'm so happy that you haven'tseen it so we can do this.
He also did a movie recentlycalled The Monkey.

(01:09:33):
It's kind of more of like ahorror comedy.
Uh me and Allie are eventuallygonna watch it, especially when
it turns October.
Because guys, like you're gonnabe hearing this in October, but
it's only what like September19th here, so fun.
All right, yeah, so join us nextweek for long legs.
And I hope I don't think Dakotawanted to do this movie.
I'm gonna feel really bad if hedid, but what can I say?

(01:09:59):
Only got a couple days to recordthese things, you know, man.
Um, all right, join us next weekfor long legs.
Um, hey, leave us some fan mail,dude.
I told you up top, you know,whenever it's like, hey, tell us
what the point is, you can justdo all the same things there.
And you just be like, hey, heyguys.
Also, leave us some reviews.
It seems like we also gotanother new listener.
Yay! Damn, dude, we arecrushing.

(01:10:21):
Um, we are slowly gonna get ahundred followers.
We're gonna be like, we'llfinally get a hundred followers
and be like, I'm out of movies.
Oh no, no, we've been used for10 years.
There's it's it's it's kind of adifficult thing to pick what
movie to do.
It's so weird because you know,we're just gonna keep doing it,
so we can just pick whatever youwant because you eventually can

(01:10:43):
just keep doing it.
But it's just like, is theregonna be a movie?
It's like because you also kindof gotta be like, am I gonna be
in the mood to talk about thatmovie?
Yeah, it's like some of the oneslike, especially like the ritual
in the house of the devil, I waslike, I love those movies, but
I'm like, can I do a podcastover that movie?
And then I watch it and I'mlike, hell yeah, I can do a
podcast over any movie.

(01:11:03):
What am I talking about?
So it's yeah, anyway.
But yeah, so uh leave us areview, right?
Um like, well, stop uh, youknow, just dragging on and then
uh maybe I will.
Um, I'd like to thank JoeyProsser for our intro and outro
music.
You can follow him on X at Mr.
Joey Proster, and well, this hasbeen the We Recommend Podcast.
I'm Jesse.

SPEAKER_03 (01:11:24):
I'm Jay.

SPEAKER_02 (01:11:25):
You know, just because you're rich doesn't mean
you're normal.
Bye!