Weird Movie Night
Weird Movie Night is a podcast put on by four friends brought together by their love of cult classics, trash cinema, splatter horror, and everything in between.We are not film historians, we did not go to film school, we're just here to watch and discuss hot garbage on screen. Artwork by Chris Butikofer h.chrisbutikofer@gmail.com Music by Brandi Bailey brandibaileyn@gmail.com Recorded and mixed by Brandi Bailey
Episodes
The gang watch a Troma film The Toxic Avenger from 1984 and discuss gym culture in the 80s and peeing in pools.
The gang are back for Spooktober! Sitting down with the one and only Texas Chainsaw Massacre from 1974 directed by Tobe Hooper. The dirt, the smell, the leather faces - it all adds to the uncomfortable feeling this movie leaves you with.
The gang get an unannounced visitor with a VHS of Gremlins directed by Joe Dante, and discuss miracles, crabby old ladies, and Howie Mandels voice acting.
The gang watch the 80s horror classic Hellraiser directed by Clive Barker and discuss practical effects, mullets, and puzzle boxes.
The gang watch the very hairy horror film Howling II: Your Sister Is A Werewolf directed by Philippe Mora and discuss monkey suits, soviet government assigned assistant directors, and the gravitas of Christopher Lee next to Reb Brown
What would you do for rent money? The gang watch horror/slasher The House Of The Devil directed by Ti West and discuss 80s rent, ADHD and pizza.
Zombies are ruining the desserts as the gang watch Dead Alive directed by Peter Jackson and discuss rat monkey thoughts and kung fu priests.
It's that time of year again: SPOOKTOBER has entered the chat and the gang are kicking it off with their all time favourite sci-fi horror The Thing directed by John Carpenter. Discussions of flailing limbs, gooping goops, and diabetus ensue.
The gang watch Virus from 1999 directed by John Bruno and discuss how much Jamie Lee Curtis hates it, Donald Sutherlands life choices and how just being wasted doesn't give you a good nautical accent.
The gang watch Devon's long time favourite sci-fi Starship Troopers directed by Paul Verhoeven and discuss bugs, blood, butts and fascism as well as the films long lasting visual appeal due to the quality practical and visual effects of Phil Tippett
The gang fly through the cosmos on a quest to get their fill of Sci-Fi! The first stop on the journey is Krull directed by Peter Yates, where the gang discuss their ever growing dismay due to allegedly fantastical weapons that end up being not so fantastic.
The gang watch Taiwanese horror/thriller gore fest The Sadness directed by Rob Jabbaz and are both amazed and disgusted beyond measure by the practical effects. That’s a lot of goop!
The gang watch the long awaited stop motion masterpiece Mad God by Phil Tippett. Step into the diving bell and descend into a world of terrifying wonder, with people made of poop and fungi who love each other.
The gang watch low budget b-movie Sewer Gators directed by Paul Dale, and discuss the importance of movies that are self aware
The gang complete their journey through $5 fantasy movies with Lucio Fulci's Conquest from 1983, and discuss the importance of not letting your cinematographer wipe cured meats on the camera lens.
The gang continue down the sweaty rabbit hole of $5 fantasies with Albert Pyun's The Sword and the Sorcerer from 1982, and discuss three bladed sword practicality and nonsense.
The gang begin their journey through $5 fantasy films with 1983’s Deathstalker directed by James Sbardellati, and discuss the many bountiful butts and muscles that were a chosen focus of the film over character development.
The gang wrap up their Ralph Bakshi series by watching his musical drama epic American Pop, and discuss how music changes through the ages.
The gang discuss tales of having-your-wiener-stomped-on-repeatedly-in-a-victorian-era-nightmare as Devon leads the discussion on one of his all time favourite video games - Bloodborne
The gang watch Ralph Bakshi's controversial satirical cartoon Coonskin from 1975 and discuss the different viewpoints surrounding the film.
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