Yes, Also
In this love letter to improv comedy, comedian Suzi Barrett deep dives with veteran improvisers about their journeys through improv, discussing the philosophies, theories, tips, lessons, and stories they’ve gathered along the way. If you’re a student of improv, you need this podcast. If you’re a superfan of improv, you’ll love this podcast. New episodes every Tuesday! For full video, bonus eps, and improv scenes with Suzi and her guests, subscribe at yesalso.supercast.com ! Email us with your ideas and questions yesalsopod@gmail.com. Instagram @yesalsopod https://linktr.ee/yesalso
Episodes
Hillary Anne Matthews (Sentimental Lady, Queen George) talks about character lenses, curing perfectionism, the Harold rollercoaster, offstage connection, Slacker, dissolving ego, a sense of drama, non-laugh reactions, texture, revealing character through object work, and more!
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Brad Morris (Bluebird Improv, The Reckoning) talks about his comedic DNA, grounded characters, how aging has changed his improv, institutional dogma, the payment tradeoff, patient play, pace and texture, getting inside of a show, The Reckoning, subverting a game, and more!
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Jazz Lewis (UCB, Crowdsourced Comedy) talks about the improv scene in Salt Lake City, reading corporate audiences, underlining games, support tactics, a great top-of-show idea, emotional mapping, playing vs. talking, set / reveal, consequential premises, an LA improv hack, and more!
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Anthony King (Beetlejuice, Jury Duty presents: Company Retreat) talks about an under-used form, Improv Everywhere, being the AD of UCB, writing Broadway musicals, early improv hurdles, cultivating opinions, how to have more fun in shows, avoiding debates, the misuse of callouts, show running Jury Duty, Tracers, and more!
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Jethro and Kristy Nolen (iO, Boom Chicago, co-founders of Arcade Comedy Theater) talk about Chicago in the 90's, bending the space, short form helping long form, making Harold your own, the unexpected yes, do's and dont's for running a theater, jobs for improvisers, dealing with friction, the reality of auditions, keeping spaces safe, and more!
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Mano Agapion (UCB, Drag Her) talks about committed acting, finding your personal voice, Bad Drag Race, using comedy to heal, world-building, tips for writers, genre play, Smartypants, improv lessons from drag shows, and more!
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Amanda Sitko (ASSSSCAT, UCB TourCo) talks about defining game, being an improv student again, personal genre, aging + improv, UCB tourco, lessons from amazing writers, Harold-style sketch shows, taking a show to Fringe, punk rock comedy, reframing failure, and more!
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Lou Wilson (Dropout, UCB) talks about Comedy Sportz, group mind, using the audience, Dimension 20, a fun original opening, the downside of playing for fans, a remedy for nerves, Game Changer: one year later, an epic live show moment, and more!
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Philip Markle (Brooklyn Comedy Collective) talks about reframing "bad" scenes, the origin and philosophy of BCC, symbiotic space rentals, playing from the inside out, sustaining long scenes, the components of all good improv, 5 ways to access a character's deal, tips for AD's, split scenes, and more!
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Jet Eveleth (Adsit & Eveleth, Clown Church) talks about the power of simplicity, life as source material, how to love despicable characters, expanding a scene's surface area, pre-show rituals, artful devices, the Venn diagram of improv and clown, collaborative dreams and more!
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Gareth Reynolds (The Dollop, We're Here to Help) talks about sustaining scenes, Comedy Sportz, his journey from Milwaukee to LA, onstage etiquette, back line support, his transition to stand-up, crowd work, control vs. chaos, how The Dollop informs his comedy, sticking to your guns, and more!
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Andrew Moskos (co-founder of Boom Chicago) talks about Chicago improv in the 80's and 90's, studying with Del, the origin of Boom Chicago, creative marketing ploys, sketch / improv hybrics, educating your audience, tactics for winning a crowd, handling hecklers, high tech short form games, how to write pitches, and more!
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Madeline Evans (founder of MadsJoy, Atlanta) talks about being a connector, performing in alternative spaces, deconstructed Harolds, narrative tips, transformation, the Atlanta improv scene, student surveys, the boast exercise, nurturing and growing a scene, aligning team expectations, and more!
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Corin Wells (Dropout, ASSSSCAT) talks about the gift of guidelines, improv skills in conversation, the Philly improv scene, reframing game, a nightmare audition scenario, permission to be weird, starting a non-profit theater, approaches to Soundtrack, indulgence vs. discipline, character writing, her favorite exercises to teach, stoking connection, and more!
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Betsy Sodaro (Ghosts, UCB) talks about putting yourself in the right environment, tools for exploring in scenes, embracing cartoonish play, loving your scene partner, if this / then what, heightening from a narrow place, blowing out the world, healing burnout, theatrical Harolds, circle-back scenes, tempering grossness, memories of bombing, and more!
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Come se...
Jim Woods (Company Retreat, WGIS, UCB) talks about playing with expectations, removing autopilot, training instinct, the illusion of momentum, helpful tools for straight / absurd dynamics, finding the playable thing, game as a parasite, how trauma and sobriety have informed his improv, Jury Duty / Company Retreat, improv jujitsu, the buffoon tactic, non-verbal callouts, and more!
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Kimia Behpoornia (Dropout, UCB) talks about being a shy kid, Comedy Sportz, The Apartment form, narrative improv, laying seeds, sewing ideas together, comparisons of 4 improv schools, Dimension 20, character filters, specific starts, how to buy time, Dropout shows and tours, physical payoffs, borrowing from others, and more!
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Weds ...
Mel Cowan (Sentimental Lady) talks about 20 years of Sentimental Lady, rehearsing again, blending analysis and play, creative beacons, his early LA days, being awful, untraining politeness, active normal choices, the evolution of beats, how to increase fun in scenes, playing with tone, educating an audience, his favorite exercise, playing animals, upending an unusual character, visual agreement, and more!
Ryan Myers and Ashley Rube (The Improv Shop St. Louis) talk about combining the silly and the serious, keeping things simple, sustaining monoscenes, making things matter, "hiding the knife", Yes And vs. Yeah Sure, navigating contentious scenes, accepting negative gifts, taking things personally, charcters who try their best, an exercise to teach simplicity, finding multiple relationship dynamics, letting games evolve, their ex...
Echo Kellum (Arrow, UCB, Groundlings) talks about early influences, boldness, broadening your education, analagous scenes, pirate/robot/ninja, the quest for consistency, humbling experiences, his approach to character, blending Groundlings with UCB, turning life into sketches, humanizing characters, Grand Crew, paying performers, trial by fire, Arrow, his most impactful notes, and more!
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