Your Next Draft

“Revising is about making sure that you're saying what you want to say in the way you want to say it. . . . To me, revision is the sport. It's the impact. It's the reason we're writers.”

Have you ever read a book and thought, Holy cow, this is amazing. How did this author DO this?

Or, maybe you’ve read a book and thought, Wow, I wish I could write (or in my case, edit) a book like this, but this is incredible and ...

Ever wondered what an editor actually does all day?

What it looks like to spend all day supporting writers in their stories?

Or what your editor’s doing in all that time when they’re not sharing their feedback with you?

If those questions pique your curiosity, you’re in luck. I’m pulling back the curtain to share a week in my life as a developmental editor and book coach.

You’ll get a behind-the-scenes look at what I do with writers an...

When to use frameworks to solve your story problems—and when to trust yourself and lean on your own story authority. 

You’ve heard of Save the Cat! Story Grid. Blueprint for a Book.

These are all frameworks designed to help you edit a novel. If you don’t know these names, I bet you know others—Hero’s Journey, Freytag’s Pyramid, 7 Point Story Structure, Dan Harmon’s Story Circle, there are dozens more.

Each one promises that if you use...

Escape analysis paralysis with one powerful question. It’s deceptively simple—and yet it unlocks everything.

If you’re like most of the writers I work with, you’re pretty savvy about story structure. You know your Story Grid, your Save the Cat!, your Hero’s Journey. You’ve probably analyzed your story six ways to Sunday, and you’ve got the spreadsheets and outlines and diagrams and graphs to prove it.

And all that analysis has levele...

The best novels combine rock-solid story structure with scenes that are unputdownable on every page. Here’s how one writer and two editors polished a story at every level.

If you want to move your reader in every moment, keep them hooked on every page, you need to refine your scenes until each one is unputdownable.

And that refinement? It’s SUCH a joy. It’s my favorite thing to do and it will transform your entire story.

But in order ...

It’s the most common developmental editing service you’ll see. Know what to look for and when (or if) you need one.

If you google “developmental editor” and start looking through editors’ websites, you’ll see a common service appear again and again:

A manuscript evaluation.

(Or assessment, or diagnostic, or critique. A rose by any other name, etc.)

Typically, in a manuscript evaluation, an editor will offer to read your manuscript and ...

You get one shot to grab their attention. Don’t waste it with characters staring off into space.

You've put all this work into uncovering your character's internal arc. You know them SO WELL.

When you step into a scene, you're giving your absolute all to uncovering the deep meaning and purpose behind it, the profound arc of character transformation that's happening in even the smallest moments....

It’s unpopular, but essential if you’re aiming to craft your best work.

Picture this: one year from now, you’re holding your book in your hands. You see the gorgeous cover art, feel the slight resistance when you open the cover for the first time, run your hands over the soft, smooth paper, flip the pages and smell that delicious new book smell.

Does that sound amazing? Holding your book in your hands just one yea...

Your book is important. But sometimes, worthy interruptions will delay it for a while.

For the last few months, this podcast feed has been quiet. It went dark with no notice in mid-June.

I didn’t mean to disappear on you. In fact, I didn’t plan to pause the podcast at all.

But a family emergency struck, and all my best-laid plans for summer 2024 changed in a matter of hours.

This summer, I learne...

Your reader experiences your story one scene at a time. Make every scene un-put-down-able.

Great stories are made of great scenes.

Sure, your novel has a clever plot with twists and turns from the first page to the last. But the way your readers will experience that plot is . . .

. . . one scene at a time.

Which means if you want your readers to fall in love with your novel, you need to captivate...

Show and tell your readers why time matters to your characters.

Time matters.

When you look up and it’s dark outside, time matters to you.

When your characters look around and summer is turning into fall, time matters to them.

When your readers are reading a novel and they can’t figure out how time is passing? Well, time matters to them, too—mostly because they’re confused.

In this episo...

Don’t lose your readers. Just tell them what time it is.

The passage of time seems intuitive. It just happens, right? (Like, whether you want it to or not. Time and tide wait for no man, etc.)

Here’s the thing, though. If you don’t tell your readers that time is passing in your novel . . .

. . . they won’t know.

It seems wild, I know. It feels like time passing should be obvious. But I promise yo...

This is often overlooked, but it’s essential for great stories.

How do you make time pass?

Well, when you’re living your regular life in the real world, you don’t have to do anything.

Time is constantly passing, no matter what you do. And when a timer goes off, or you look outside and see the sun’s gone down, or you feel your stomach growl with hunger, you notice time has passed.

You hardly have ...

Write your best stories—and know when to let go and publish them.

In order to write great books, you first have to learn how to write great books.

But when it comes to writing, there’s always something more to learn.

So how do you know when to practice your writing skills—and more importantly, when to publish the stories you’re creating?

That’s what I’m talking about in this episode.

In ...

Before you can master writing great stories, you have to learn to craft great stories.

When I was fifteen, I got my learner’s permit and began learning how to drive a car.

This made me very unhappy.

See, I wanted to know how to drive a car. I didn’t want to learn to drive a car.

Knowing how to drive a car was fun, freeing, and exciting. Learning to drive a car was dangerous, tedious, dangerous, ...

Because working with an editor should be delightful, not scary.

Let's be honest. When you start working with an editor for the first time, it can feel a little scary.

You’re sharing your manuscript, the project you’ve worked so hard on, with a stranger on the internet. You’re inviting another person into a process that up until now has been entirely solo.

And you’re entering an industry of profession...

What you need to know BEFORE you start working with an editor—and how to tell if they’re the right fit for your novel.

Working with a developmental editor can be the most rewarding part of your editing process.

But if you’ve never worked with an editor before, it can also be . . . intimidating. Confusing. Scary.

After all, you’ve got to hand your manuscript that you’ve worked so hard on to a stranger on t...

What we get wrong about creativity—and the truth that will make your writing and editing so much more effective.

Do you know how great stories work?

Scratch that. Let’s start with an easier question. Do you know how your stories work?

Not all writers do. Even published authors often struggle to articulate how they created the books their readers love. They rely on intuition, following gut feelings to shap...

Why group coaching might be the perfect way to get feedback on your writing.

When I was first getting started, I pictured editing like this:

A writer writes a manuscript and sends it to their editor. The editor writes feedback and sends it back. The writer takes that feedback and uses it to edit their manuscript.

That’s the classic form of editing. But it’s far from the only form of editing.

Edit...