That's A Wrap

Our last podcast in our studio

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Episode Transcript

Speaker 1 (00:03):
What would you talk about on your on your podcast
Firm Elvis Presents Show fifteen Minuty Morning Show podcast. We're
surrounded by beauty. Look, there's beauty. There's Gandhi that's beautiful.
There's Danielle looking beautiful, there's Froggy. Nothing but there went beautiful.

(00:27):
It's got to be beautiful. And then Garrett's here, but
Garrison on zoom. So I'm getting there. He's getting there.
You'll get here in a minute. I do believe Nate
is not on the podcast today. He's got work to do.
Let me in. I'm in the waiting room. Okay, letting
you in here comes scary. Scary doesn't think it's going
to be goodunless he who is who is? Zoom user me, Okay,

(00:51):
he's trying to get on. He's trying his best to
get on. Here we go, oh yeah, see. This is
what it's like in our studios as we prepare for
our move uptown. Nothing works. It takes a while to
get it to work. If it does work, it's just
all messed up. And we're okay. I'm excited about now.
I have no I like the pirate atmosphere that's starting
to take over with people just starting to pill for

(01:12):
things left and right, like, oh that TV screen going
with me, Oh that digital recording device going with me.
Tom Pulman walked into Tom Pulman, the president of My Heart,
walks in and says, Hey, how big? How big is
that TV? Back are gonna take down home? Is that
going in your rumpus room? It is a big TV?
That TV? How has anybody taken that yet or said

(01:32):
they were taken that? Yet? Is not yours? I think
that yours? Is it mine? Yet? That's yours? That one
is yours. I paid for that, I believe. So I'll
say one thing I want to think, so take it.
I want to go myself a cup of coffee this
morning with the the longy dynamica. And it seems to
have not been in the position that it was yesterday,

(01:53):
like someone's preparing to move. It's like it's the other
one is missing. It was another one there. Stuff is
just disappeared. They took the tree. I noticed that long
the longy tree is gone. Christmas has not happened yet,
but I'll never forget it. You just noticed the tree.
The tree hasn't been here since Monday. I didn't notice
that either. I thought it was here, all right. Well,

(02:13):
if we don't miss it to we don't need it,
you know, that's the way we should be looking at
this stuff. And so there's not many people left in
this building, right, okay, But there's somebody that's blowing up
the bathroom every day. So let me tell you what
happened today. First of all, we process of elimination, and
it's not Diamond. We're trying to figure out who it
is because there's not many people. So it's somebody that
we're seeing every day. I went into the bathroom before

(02:35):
you there, and it smelled like something died in there.
I can't believe someone doesn't know they smell like that. Anyway,
I did see someone walking down the other end of
the hallway, but I don't know who it was. Well,
I went I went in to go to the bathroom,
and then Garrett saw me, and I go boo, I
can't do it. But and Garret goes, what's the matter.
I go to smell and they're so horriful. I'm gonna
throw up. He goes, go to the men's room. There's

(02:56):
nobody here anymore. So I've run down to the men's room. Gosh,
I made it like normally it was funny, but I
was like, this is bad. Like he was like he
was like crawling to the bathroom like that when I
went in and smell, But it wasn't awful that I

(03:19):
didn't really go I can't explain why I know that.
So someone must have gone in after women. And then
Ione said, we have people like working in the building.
They're tearing They're tearing all the other stations apart. So
those guys in here the bathroom. It's like, oh my gosh,
I'm so sorry. Was it me like right away I
see things, but they're tearing it up. I don't know.

(03:41):
I love that we can we can devote like hours
of our time trying to be sleuthe and figure out
who it was that crept up the bathroom. Ny Camps guys,
I've been trying to push this concept for g yes,
not in the bathroom, but hold on, even if we
knew who it was, didn't what do we do with
that information? Then you just know who not to follow.
But we always knew when it was that guy walking by.

(04:02):
We always knew when he had that distinct smell. I
always knew it was him, you know, But I never
experienced that. Oh yeah, I when I would walk in
there like, oh my god, he must have just been
in here, you know. But Elvis, just like you, you
have that sense of smell, like you could smell things,
very clear, smell things. Danielle is experiencing that to Andrew
was saying because she was in the bathroom no more
than like a half of a second, Like she didn't

(04:24):
even get to close the door. She was already out
when I went in. It wasn't that bad. But I
just had I just had a little gas. It was
like it feel it didn't even seem like it was
somebody going. It smelt like somebody that they actually smell
like that. Danielle, did you drow up in the urinal
or in a toilet? Where'd you throw up? You know?
I I went in the closed door, thank but and
then of course I come in here and Scotty goes, oh,

(04:46):
did you record yourself throwing up? Like the hands of
time to the beginning of this podcast, this is the
grossest podcast, the last one we do in this bill. Yeah,
we're done, We're done. And the building podcast. This is
our last podcast in this building. And if you looked
at my studio. You wouldn't even know we were moving tomorrow.
I have a lot to do. Is everyone's sticking around

(05:08):
late tomorrow. I can't have a charity event tomorrow. Okay, guys,
that's not our it's not that's not our business. Just
leave whatever you don't want. They feel. We have a
donation box, but I don't know if anyone's gonna donate
or to throw it out. Well, Josh did a cartwheel
into the donation right there. Used to be a donation box.

(05:29):
Now it's just stuff on the floor, Crystal we were
giving away anyway. Yeah, this is our last day doing
our podcast in this building, you know, and I know
a few of you are getting a little sentimental and
melancholy about it. I know that the producer Sam was
to me, this is just another studio because we've we've
been in so many I've been in me and my
career dozens. I said, at least two dozen studios I

(05:51):
worked in. You become attached to it, you know, not attached.
I'm just pist off that we have to move uptown
because it's not away from where I lived for We
were we in this studio, of the room, this studio,
we were in this one longer than the other one.
That's just you know, kind of just out the door
and on the left. I don't know. I think we're
in this studio longer. I think. Yeah, I can't believe
we've been here as long as we have. I didn't

(06:12):
it was fourteen years. I didn't think it was that long. Really,
we had here eight years in this studio and then
down the hall, I mean this building. We were there
for five years this building total. Yeah. So did I
go into labor with my second kid in this building then?
I don't think so, No, your your second kid, Yeah,
because I know I got engaged in one building, yes, maybe, yeah,

(06:35):
so each each building a one building. I got engaged
one building. I went into labor the first time. Town
shut the hell out. Smell you smell um. So yeah,
I think you might just cold hearted for not having
an emotional attachment to the studio. I just don't know.

(06:55):
My emotional attachment is to you, yeah, like I do
when I don't have one here because this is the
first studio I was ever in with you guys, But
you're all coming with me to the new one. You
get to be a part of us pioneering a Brandon Studio. Yeah,
and I'm excited. What was that, Garrett, Well, like you said,
you've been through it, so there's it's not like the
first time. Like for Sam it's her first time leaving
the studio. For me, this is gonna be my third studio.

(07:17):
You know that we're going to So just like you,
I don't have that like sentimental attachment to I understand Danielle.
You know she has a lot of memories on nostalgic too,
Like I don't want to get I want to bring
this piano with me. We are bringing that, I think.
I think it goes. You can take where he had
his first slice of pizza. But I want to bring
my wall of cereal with me. No, you know, I

(07:37):
just need to make a facade, like cut off the sides,
make it a poster or something. To be honest, most
of the cereals are probably rant it, I know, but
it's just for show. It's great for pictures. Yeah, but
you can still have the pictures. It will still look
like it if you just do like a digital. When
the celebrities coming, they look at all that cereal and
then they go in there and then he tells them
all they can't eat it because it's a hundred years old.
That's right, you know, the way we're positioned in the

(07:58):
new place, no one's coming to see me. So it's fine.
There's that. Aren't you the lucky one? So Scotty, you
seem to be the type of person who becomes sentimental
over things like studios. How are you? How are you feeling?
How are you dealing with this? I think? I mean,
you could just see I haven't really cleaned anything out
yet because I'm waiting for the last minute. I just
I like everything to be the way. It's sad for me.
It is sad. I don't like moving, I don't like change.
I don't like any of that stuff. So you know,

(08:20):
I like my spot, my space. And it's harder. It's
going to be harder to hang out with Scotty in
the news because in here we just walk into a studio.
In the news studio, we have to walk out of
the studio, walk around the block, and then go into
a this by design, of course, What am I gonna do?
What am I gonna do with my chips wallet? I
don't want to bring it home, but I can't bring

(08:41):
it to the new place because there's no junkle out there.
I like. I like to keep things around me that
makes me happy. I'm sure in time the junk will accruie.
I look on the bright side, Scotty, you're gonna have
equipment that actually works. So far it's not working. I'm
looking forward to light. Yeah, Garrett Studios, as it had
light and how long I'm there's some lights here? He goes,

(09:02):
what was on that roof? I go, those are lights
that fell? Like the lights up there, like literally fell, yeah, dangling.
But I am looking forward to Like, there's cool stuff there.
There's like a cold drink machine where you put these
little pods in and it makes drinks. And the coffee
thing there is really cool. And and plus the refrigerators
always stocked. You open it and the fridge is full
of stuff that you're allowed to take. Because we don't

(09:24):
have nice things that won't last forever, we have we
have to scope out the new restaurants and stuff. We
can't go to that one downstairs. This is too expensive
one of my favorite restaurants in town anyway. So yeah,
we're moving. And so it's it's being sentible sentimental versus
not being sentimental. And uh, yeah, to be sentimental real quick.
We all have one memory of the studio leaving it

(09:46):
crap on the floor, but this going like, oh that's
wrong on the floor at that moment to find this studio,
No it dies. That is the defining moment of Scary.

(10:07):
No moment did not not defined anything that wasn't a
grown man crapping on the floor. I mean Elvis wasn't here,
but Daniel, I didn't realize how close you were to that.
I was close. Nobody was closer than Scary. Scary almost
Scary almost got blowback poop on Scary. That was when
he realized. Here you go full circle back to the

(10:28):
beginning of the podcast talking about poop again. What about
the wacky waving inflatable arm and all the blow ups
that we did. Those are some of my fun moment
the best moments where when we inflated things in the
studio and we couldn't move and the tiles, the seating
tiles would fall. We were in handing his Prestie place.
It will find ways to have funt. What are you

(10:51):
doing Scott on you turn it on? Yes, we gotta
make sure you get it on camera. The Scott, oh
what you gonna get out of here by the fifteen

(11:36):
minute Morning show