Episode Transcript
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Speaker 1 (00:03):
What would you talk about on your on your podcast
firm Elvis Presents fifteen minute Morning Show. We got a
full house here today. That's a fifteen minute morning show podcast.
Let's go around this table. Elvis is clearly not here.
(00:25):
I'm Scary on the Elvis's mike, and uh Gandhi's there
and David Brode. Hey, god, Danielle's talking dirty to me.
By the way, before the thing started, put your glasses on,
I said, can I have a pink one? And then
the starburst? Grant yep, Garrett produced, Sam, Danielle and Nate,
everyone eating. Everyone has something in the starburst well like
(00:47):
a surprised me. Yellow yellow, because Llo sucks. Enjoy it.
First of all, yellow does not suck. I picked the
red out and leave them behind. Yellow so wrong. You
know they have just the reds. They don't have just
the yellows. That's how they have just the yellows. After
everyone takes out all the good ones. I love yellow.
(01:09):
Can we talk about what we were planning on talking about? Yeah,
some controversy behind the scenes here. When did we ever
get to what we're really talking All right, let me
just start right now. So so Scary asked me, a
couple of weeks ago, Hey, man, you want to host
this club slash bar gig with me on Friday night?
And I was kind of iffy on it. I'm kind
(01:29):
of like, and then Scary says, oh, dude, come on,
it's right in Woodbridge. We've been there before, this place
called big Shots. Let's go over. And I'm like, alright, fine,
I'll do it. I have nothing else to do on
Friday night. Fine, So Scary says, Okay, we gotta be
there like around eleven thirty. We're gonna stay all about
one one thirty and we're done. Okay, wonderful. What's the matter.
Got a look on? I just feel get to the
part where he's on stage. We're getting you're about to
(01:49):
tell us what you wore. We're getting there. The scary
scary walks. I wasn't this from the guy who never
ever let's anyone get a worried Edgar? All right, scary
walks in, scary walks in. We make we make all
you know, nicey niceties with everybody, the general manager, the DJ,
(02:10):
all whatever, blah blah blah blah was cold. It was
a window open. It's now time because scary walks in
and goes, hey, once plasing to get crowded. That was
first of all, like I I noticed it, but I
already did not even bring that up. So already I
felt that you shouldn't even have You should just glossed
over that, but you didn't. You just went right to it.
So I was. It was uncomfortable. Now it's time for
(02:31):
us to get on the microphone. So the DJ Feruggio
he hands both of us microphones wanting to and they go, hey, guys,
you're on. What do you want to do whatever? So
Scary goes, let us just get on the mic. So
we walk up. Scary gets ready, tells the DJ crick
it up, crack it up right, and I just laid
back because this is scariest thing. He loves a dress
(02:53):
in the crowd, so there he gets. So do you,
by the way, not as much, though not as much. No,
great is still alter. Let's greg continue to do with
a little bit more professionalism. Okay, as you're going to
see what in the hell getting late tonight? That's very confecionate.
I'll get to that. Er also says what's up and
(03:20):
then extends the name of the place, like what's up?
When Greg initially this story to wait. Wait, he left
out the part where he said, who's getting late tonight?
Just remember that this is the kind of atmosphere that
this place stands. We've got to paint the full picture.
But serious alright, alright, continue serious steering the ship. Right,
(03:43):
you're the plaintiff. I feel like I gotta be Judge
Crotch here, yes, continue with the story. Alright. So Scary
gets on the microphone. Now, everybody was gonna get a
blue ticket. So that's the only way you can win
these prizes if you get a blue ticket and then
we do a raffle okay, currentcer tickets. We had to
a mountain bike. We had you give away. Who goes
to the mountain bike? Please? I thought that was so ridiculous.
(04:03):
The mountain bike myself? Who it was so excited. He's
got something for eBay. Al Right, so here we go.
So the music is going sow. The DJ goes, lady
and gentlemen from the other star and morning show at
radio stations see one hundred. It's scary chow say Greg Kay.
Scary on the mic and goes, what's up motherfuckers? Happy
(04:28):
and positive? Way? I seriously I froze like I didn't
know what to do. I gripped the mic even harder
and I want I almost and you, Scary, you could vouch.
I like duck down slightly on these stairs behind him,
says if no one could see me, And then he goes,
there's what we're gonna do tonight, and he starts yelling
at the crowd like in all their eyes are like
(04:49):
popping out of their heads because I don't think they
believe that you just called them what's up? Motherfucker's. So
then all of a sudden, I don't admit that was
a little bit of an abrasive opening. He and today's
do that. So then Scary goes, all right, we're giving
out these blue tickets. If you don't want one, I
don't give a ship. This happens, yes, Okay, maybe the
(05:15):
tone was he He's like, we got tickets to give away,
and we got prized to give away. You don't want
one of those prizes. I don't give a ship. And
then he goes and so then he starts patting me.
He's like patting me on the back like it's my turn, right,
and he goes like that right now, hitting me, so
(05:42):
that I do the bicrophone and now it's like all
eyes went for scary, Like what's Gregg ticket to say?
So I go, happy Holidays, everybody, Merry Christmas? Happy were friends?
And then I always wait, hold on. Then this is
where I start to really make fun because there's a
couple right in front. They clearly heard it's everything you're said.
And I go like, he said, you know why you
(06:02):
don't want a ticket? We don't give a ship. You
do want one of the prizes. Again, we don't give
him ships, like scary, just like jump back in, So
who wants a ticket? Motherfucker? All right, all right, just
to get to the point here, you know, and he
(06:23):
has the penchant for exactly that you do. You do
admit to referring to the crowd as mother effort. I'm
excited to see it. And second second on the carpet,
and secondly, you did not given a ship. Twice about
what the crowd did or did not want to do?
Is that correct? The thing? Is that correct? The other
(06:47):
MC in the club, this guy Jay Rock, friend of ours,
He's like, I gotta tell you not everyone really cares
to have a blue ticket. And I'm like, well, obviously,
they don't understand the magnitude of having the blue ticket.
They could win contra tickets, they could win a mountain bike,
they could win a black panel TV. This is all
hard to get items and panel? What bart? What bar
do you go to for free with no cover and
(07:08):
get a free raffle ticket and could walk away with
one of five awesome prices? What kind of body you
go to when people tell you they don't give a
shi and call your mother mountain bike? I agree, guys, Holds,
Why I said, I gotta I gotta an this up
a little bit. I should, we gotta make we gotta
stress the importance of wanting a blue raffle ticket because
at the end of the night, people are gonna come
up to us when we have five people standing there
(07:29):
to open up the five presents, and then why did
I get a present? Because you don't get a blue
raffle ticket. We didn't call you not. How is stressing
the importance of a raffle ticket saying I don't give
a ship if you don't take a raffle because because
because up until that moment, Brodie, nobody really wanted raffle tickets. Ticket.
If you don't care about I want to take it. Okay,
(07:50):
Now that being said, I do understand it's very hard
to pump up a crowd at a club. Some people
might not know what's going on as far as tickets
and raffles your attention as with mothers. However, that being said,
all things considered, do you feel like your tone was
off referring to the crowd as motherfucker? Is this NPR?
Hold one? Keep in mind, as as Greg T had explained,
(08:15):
you were Scary Jones and Greg T from the Elvis
Duran Morning Show. If Elvis was there and you his
emissaries in this club, would he like you calling our
listeners those names. Tell him what you told me earlier
about how maybe not be good representation. It might not
be good representation. All right, all right, let's do it.
(08:35):
We're running out of time, okay, So Gregg T you
can't vote. Scary, you can't vote. Let's go around the room?
Was scary in the wrong for his addressing the crowd
as mother ef time and place and where we were?
The last statement, final statement is in your while you
make your vote. Noticed that it was twelve, It was midnight.
(08:56):
People have been drinking and half paying attention. Were you
drinking a twenty one and I was on my has
a twenty one and over establishment where everyone's adults and
just chilling hanging out, and the place was half full.
And so that consider that, and it was it was
a name of Reason, and it was loud, e d
(09:17):
M and hip hop music. Final statement from the plaint
I just don't take that based on half the place
is half empty. I mean you don't really need to
yell at them, and exactly like like I just think
when you go somewhere, you gotta you gotta just know
the crowd, like you don't have to overdo it. And
today with smartphones and everything, I don't know why you'd
(09:38):
want to be out there yelling mother efforts at people.
So I got I wouldn't do it, Gandhi, but scary
and the wrong yes or no, no, I say I'm scary.
I love you Dandhi. Alright, David elaborate on why though,
I would just like to say, I'm glad you weren't
there representing the Brooklyn boys. I vote you were in
(10:00):
wrong because no cooking boy would never talk that way
when we're there from Elvis's show, we don't. But some
Brooklyn Boys Face voted okay, okay, okay, okay, Garrett. I
need I need to hear it from Scary. I heard
I heard great tease interpretation. I need to hear Scary
say it fair enough. You don't believe me? Are you kidding?
I do believe he wants how Scary said it's yeah.
(10:22):
I was like, I got the music playing in the background.
Can play this, Let play a song. Okay, let's let's
put some let's for a second. Okay, God, I got
right here. Put us in the mode here, I got
it pop that. Here we go. I'm playing pop that.
It's it's midnight twelve thirty. All right, gentlemen's scary Joe
(10:54):
got these tickets over here. Concert, we got flat title TVs.
We got Mountain. Okay, okay, I think no, I don't
give a ship out here myself. I want to change
my vote. Do incredibly wrong. I get a thank you first.
(11:21):
I thought it was inappropriate, an how I just feel
like I would have been sad watching you it was.
I don't want to be sad nor Yeah. Then he
wanted to throw our t shirts to a half at
the room. I'm like, dude, I'm gonna hit the floor.
What if? What if they didn't want a T shirt?
(11:42):
I am going with Greg Ta. The reason is, when
you're out there representing the show, it doesn't matter what
kind of crowd you're in front of. Your still representing
the show. You should have seen him a chucky cheese.
(12:04):
You're not. I don't give a ship. You know what, Tolking,
you can sum up your part? Can I just point
something out? Since apparently scary it's you and I alone
in this venture. We're hosting something together on Friday, Friday
after part it. Now we're hosting this with Madison Beer.
(12:28):
We're trying to get some other people. Uh and yeah, ticket,
they should listen to the sponsor sponsor slipping. Hey what
about you? Yes? No, you know I had to abstain
for voting, but I would have had to go with
you Ta. Sorry, it's five votes to one. Could you
imagine okay, the fact that you asked people if they
got late? Okay, okay, okay, real quick. The way that
(12:50):
whole thing happened is after I saw that this was
going on, it was it was completely like out of control.
No one even like like I couldn't even believe that
he was just still going on. So at that point
I just wanted to make a joke. So they were
given out the yellow blue tickets, and I'm like, and
I'm like, scared, watch this. If you get a blue ticket,
(13:10):
you're getting late. And I That's how it was, but
I didn't like that better. It took him till one
was inappropriate. Ironically, I look around it, and if this
is I always test the room. And if the room
is carded kind of like out of control in a
sloppy way, then I don't really care. So I spoke
to the crowd on Saturday night at the Big Apple Show,
(13:32):
How did you speak out? Yeah? You kids, watching kids?
You don't like the class ship, you don't like the
big top you're in mother, don't you don't get the
blue popcorn, you don't don't like this pop don't get
(13:53):
the don'ts. And now it's to his cousins for you bitches.
I ran out into the dad scary voice. Hey everybody,
you're white, your white van voice, Hey you guys. He
(14:14):
was seven years old when I first went to the circus.
I'm so excited to fill I don't like a lollipop,
you can suck it to see some jugglers and kicked
the ship out of the cloud. And I can't wait
till you Welcome to the greatest show. Motherfucker's not what
(14:40):
is the greatest. What I'm trying to say is there's
a time in a place to behave a certain way.
And Friday Night Scary was different than Saturday Night Scary.
I was two different people, just still representing the same show. Yes, yes,
I'm talking to a different order. On your side, I
love your The fifteen Minute Morning Shelf