November 11, 2024 • 9 mins
Intern Ava type casts the morning show based on their personalities.
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Episode Transcript
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Speaker 1 (00:01):
Today's Daily Highlight from Elvis Duran in the Morning Show
and turn Ava is.
Speaker 2 (00:06):
Here, high Ava, good morning.
Speaker 3 (00:07):
I know you have to put the headphones on.
Speaker 1 (00:09):
Ava.
Speaker 2 (00:09):
Oh yeah, she can't hear it. I don't think I
have headphones. Oh that's not good.
Speaker 1 (00:13):
Thank you.
Speaker 2 (00:15):
All right, here's some headphones we love. Ava. Of course,
Ava was here when we when we talked about the
cockroach problem in her apartment. Yeah. We're still not over
that conversation, Oliver.
Speaker 3 (00:25):
Of a sudden, I can hear.
Speaker 2 (00:26):
Okay, yeah, okay, let's move on beyond the cockroach thing. Ava.
So do you do a lot of auditions for parts
in film? And I chose I do?
Speaker 1 (00:37):
Yes.
Speaker 2 (00:38):
What's that like living in New York City and hitting
the pavement and going to these auditions and and what's
it like?
Speaker 1 (00:45):
It's not the same anymore. I think we all got
to watch like the gorgeous little interviews of people like
being found on the street at fourteen and then like
being who they are now. Now it's like self tapes.
You're like in your closet, you're roommates reading for you.
Everything's online. It's all a little bit like what do
you look like? Do you look the part? Okay, got
(01:06):
it go. There's no kind of It's not about like
bringing your personality into the room as much as it
used to be until you get like the callback or
the second callback, which to finally get to be yourself.
But the first two are pretty much like do you
look the part, do you live nearby? Are you union?
Do you have an agent? Well?
Speaker 2 (01:27):
So, have you had offers? Some some comeback offers? Few?
And what this is kind of funny because Gandhi was
telling me you told the story. What makes it so
unique about the parts that you get callbacks for?
Speaker 1 (01:42):
Well, there's a range between like Charlie Chaplin's daughter and
like singing girl in Woods. But the main thing I
get the callback for tend to be either foster children
or drug addicts.
Speaker 2 (01:55):
Okay, and I don't.
Speaker 1 (01:58):
I don't have I don't know. If I don't know,
if I look vulnerable, I must look like like small.
I'm five two, I don't know. People maybe see me
and are like, oh no, I don't know. My agent
told me I have sad eyes, which I don't know why.
(02:19):
Apparently they're sad and maybe it's like the tragic beauty
or like right brooding.
Speaker 2 (02:24):
Yeah, I don't know. I mean, I don't know what
a foster child will look like, because that's a whole
rainbow of looks. I was told by Gandhi that the
most things you're called back for are crackheads and runaways.
Speaker 1 (02:37):
Yep, yep, that sounds about right. I recently did a
self tape where I had to be well, like, I'm
sitting obviously in my closet in my apartment in New
York City, but I meant to be on a train
to nowhere, running away to like and it's like the
self tape is calling my parents and being like, don't
look for me. I'm gonna be fine. I just I
(02:59):
have to go my own way. And now he's like,
what is happening right now? Also, the girl I was
like sixteen, I like, I don't know, I'm doing my
best here with what I got.
Speaker 4 (03:09):
I could kind of see it, well.
Speaker 2 (03:13):
Hold on the crackhead or the runaway, the runaway.
Speaker 4 (03:17):
I could see you, like, you know, give you a
denim jacket, a pack of smokes, maybe a little malmourished.
Speaker 1 (03:21):
Yeah.
Speaker 2 (03:22):
And while I think you got yourself, are you telling
her she looks mel nersed? I'm saying, maybe, well, you're
very very well. What you're saying, Oh my god, you
know you are you saying? Are you saying she needs
to lose a few pounds if she wants to play
the runaway? I'm not saying that. Maybe a little you know.
Speaker 1 (03:44):
The eye liney yeah, yeah, yeah, actually coffee.
Speaker 2 (03:47):
Look all right, I.
Speaker 1 (03:48):
Have freckles in the summer. Does that make me less white?
I think it makes me more.
Speaker 2 (03:53):
No, I think freckles make you look more bougie.
Speaker 4 (03:57):
You okay, So as somebody that tried act as well
and had an agent, you do get I don't want
to say type cast a certain parts when you haven't
gotten any roles yet. And frankly I was because I
got called in for every police officer, military guy. I'm like, fine,
I don't care. You give me a job yeah back
in the day.
Speaker 2 (04:17):
Yeah, no, I see you like a member of the
village people, documentary docuentries or a serial killer. I'll tell
you what. So, Ava, not only are you intern Ava,
but your actress AVA actor or AVA will call you
hats could go ahead look at us and type cast us.
You be the you be the casting director for us.
Speaker 1 (04:37):
All right, I've already done Gandhi Gandhi ceo who needs
to have an eat pre love moment. So like she's
in her office, she's like, I'm just not happy anymore,
and then she goes on an adventure.
Speaker 2 (04:50):
Wow, Danielle, I see that, daniel What do you see
with Danielle?
Speaker 1 (04:56):
Cheerleading coach but like one of the inspiring ones, you know,
like like it's you know, but like you have.
Speaker 2 (05:05):
To be like a coach of something like something.
Speaker 1 (05:07):
But I feel like cheerleading is creative and like beautiful
but also really difficult, and people judge it not knowing
the work that goes.
Speaker 2 (05:13):
Into that straight. See.
Speaker 1 (05:19):
Now I don't see the militant, but that's because you're
wearing like a hoodie and.
Speaker 4 (05:22):
You're like military.
Speaker 3 (05:26):
I'm sorry, that's true.
Speaker 1 (05:29):
That's true.
Speaker 2 (05:29):
That's that's actually very true.
Speaker 3 (05:31):
Uh you are.
Speaker 1 (05:34):
I can see you as a writer, like a struggling writer.
Speaker 2 (05:38):
Always struggle, struggling, not a success, cabaret not a success.
Speaker 1 (05:45):
Yeah, I feel like I feel like writer in Brooklyn
apartment that like is it like your it was your
grandma's apartment and you're like and your grandma was like
wanted to be a writer, but and now you're like
fulfilling the dream for both of you, and then you
like have.
Speaker 2 (05:59):
A or something. Yeah he's allergic to Yeah?
Speaker 1 (06:03):
Okay, well actually even better, you like ourself like like
a masochist.
Speaker 4 (06:07):
Writer, you'lady to pay the rent.
Speaker 1 (06:10):
And then you actually love and then you guys start
like a coffee shop or something.
Speaker 2 (06:17):
Eva. Not only is she typecasting, especially's writing the play
the screenplay. Yeah, gandhi, what do you think so far?
Speaker 3 (06:22):
So when we were trying to typecast Nate, somebody I
won't say who said he might be able to do
the like the the basketball or football coach who hung
out with the kids a little too much.
Speaker 2 (06:35):
Wow, who was always monitoring the soaps in the shower?
Can we move on? Probably the same thing? Hold hold on,
hold on, hold on, hold on, Actor Ava, go ahead, typecast.
Speaker 1 (06:52):
It seems act like scary has so many options like
but they're all very like niche, but they all fit
within this Okay, okay, I'm thinking middle school principal, also baseball. Also, oh,
the cop actually could be fun.
Speaker 3 (07:08):
But n MYPD, like NYPD, I.
Speaker 2 (07:11):
Would think, mall copy.
Speaker 1 (07:16):
I can see you wrinning about Daga, and I can
see you.
Speaker 2 (07:22):
I don't see.
Speaker 1 (07:25):
I'm trying to think about your story.
Speaker 4 (07:27):
I look how you're painting with such a vivid brush,
like this is just like you're this, You're that.
Speaker 2 (07:32):
She's like giving like like whole scene.
Speaker 1 (07:35):
Because otherwise, how are you meant to fulfill your destiny?
This is your moment. I have something it's like on
the tip of my tongue, and I can't think about
it for you. Help me, Guys, think beyond whatever.
Speaker 2 (07:49):
The name was mall cop but he has to have
a sandwich while he's writing his scooter.
Speaker 1 (07:52):
Or dedicated owner of summer camp.
Speaker 2 (07:59):
Love these kids that he would teach them how to smoke.
You know what? What you did do was scary. Half
of those roles were people in some sort of uniform.
I thought, that's a good point. Now what should I do?
(08:20):
What should I do? Kenny? I want to be an actor? Now, Ava,
what should I do? Cast me?
Speaker 1 (08:26):
I want you to be like the Wizard of Oz.
I feel like you're like a wizard. You have a
fantasy to you. I feel like you should do like
some kind of wizardly thing.
Speaker 2 (08:37):
Okay, I'll do it.
Speaker 3 (08:38):
I mean you are a very wizard of Ozzy. You're
definitely a man behind the curtain.
Speaker 1 (08:43):
Exactly. There's a magic but also a human noss.
Speaker 2 (08:47):
You know, the wizard actually turned out to be a
very vulnerable, interesting character. You know, he actually showed his
true side when they figured out how to open the curtain.
I love that, So Ava, let us know if you
get more offers for anything other than crackheads and runaways,
and let's let's watch your career blossom, because I totally
(09:07):
believe in You're fabulous, You're great.
Speaker 1 (09:09):
Thank you.
Speaker 2 (09:11):
My agents think the same thing, interns and actor APA,
everyone
Today's Daily Highlight from Elvis Duran in the Morning Show
and turn Ava is.
Speaker 2 (00:06):
Here, high Ava, good morning.
Speaker 3 (00:07):
I know you have to put the headphones on.
Speaker 1 (00:09):
Ava.
Speaker 2 (00:09):
Oh yeah, she can't hear it. I don't think I
have headphones. Oh that's not good.
Speaker 1 (00:13):
Thank you.
Speaker 2 (00:15):
All right, here's some headphones we love. Ava. Of course,
Ava was here when we when we talked about the
cockroach problem in her apartment. Yeah. We're still not over
that conversation, Oliver.
Speaker 3 (00:25):
Of a sudden, I can hear.
Speaker 2 (00:26):
Okay, yeah, okay, let's move on beyond the cockroach thing. Ava.
So do you do a lot of auditions for parts
in film? And I chose I do?
Speaker 1 (00:37):
Yes.
Speaker 2 (00:38):
What's that like living in New York City and hitting
the pavement and going to these auditions and and what's
it like?
Speaker 1 (00:45):
It's not the same anymore. I think we all got
to watch like the gorgeous little interviews of people like
being found on the street at fourteen and then like
being who they are now. Now it's like self tapes.
You're like in your closet, you're roommates reading for you.
Everything's online. It's all a little bit like what do
you look like? Do you look the part? Okay, got
(01:06):
it go. There's no kind of It's not about like
bringing your personality into the room as much as it
used to be until you get like the callback or
the second callback, which to finally get to be yourself.
But the first two are pretty much like do you
look the part, do you live nearby? Are you union?
Do you have an agent? Well?
Speaker 2 (01:27):
So, have you had offers? Some some comeback offers? Few?
And what this is kind of funny because Gandhi was
telling me you told the story. What makes it so
unique about the parts that you get callbacks for?
Speaker 1 (01:42):
Well, there's a range between like Charlie Chaplin's daughter and
like singing girl in Woods. But the main thing I
get the callback for tend to be either foster children
or drug addicts.
Speaker 2 (01:55):
Okay, and I don't.
Speaker 1 (01:58):
I don't have I don't know. If I don't know,
if I look vulnerable, I must look like like small.
I'm five two, I don't know. People maybe see me
and are like, oh no, I don't know. My agent
told me I have sad eyes, which I don't know why.
(02:19):
Apparently they're sad and maybe it's like the tragic beauty
or like right brooding.
Speaker 2 (02:24):
Yeah, I don't know. I mean, I don't know what
a foster child will look like, because that's a whole
rainbow of looks. I was told by Gandhi that the
most things you're called back for are crackheads and runaways.
Speaker 1 (02:37):
Yep, yep, that sounds about right. I recently did a
self tape where I had to be well, like, I'm
sitting obviously in my closet in my apartment in New
York City, but I meant to be on a train
to nowhere, running away to like and it's like the
self tape is calling my parents and being like, don't
look for me. I'm gonna be fine. I just I
(02:59):
have to go my own way. And now he's like,
what is happening right now? Also, the girl I was
like sixteen, I like, I don't know, I'm doing my
best here with what I got.
Speaker 4 (03:09):
I could kind of see it, well.
Speaker 2 (03:13):
Hold on the crackhead or the runaway, the runaway.
Speaker 4 (03:17):
I could see you, like, you know, give you a
denim jacket, a pack of smokes, maybe a little malmourished.
Speaker 1 (03:21):
Yeah.
Speaker 2 (03:22):
And while I think you got yourself, are you telling
her she looks mel nersed? I'm saying, maybe, well, you're
very very well. What you're saying, Oh my god, you
know you are you saying? Are you saying she needs
to lose a few pounds if she wants to play
the runaway? I'm not saying that. Maybe a little you know.
Speaker 1 (03:44):
The eye liney yeah, yeah, yeah, actually coffee.
Speaker 2 (03:47):
Look all right, I.
Speaker 1 (03:48):
Have freckles in the summer. Does that make me less white?
I think it makes me more.
Speaker 2 (03:53):
No, I think freckles make you look more bougie.
Speaker 4 (03:57):
You okay, So as somebody that tried act as well
and had an agent, you do get I don't want
to say type cast a certain parts when you haven't
gotten any roles yet. And frankly I was because I
got called in for every police officer, military guy. I'm like, fine,
I don't care. You give me a job yeah back
in the day.
Speaker 2 (04:17):
Yeah, no, I see you like a member of the
village people, documentary docuentries or a serial killer. I'll tell
you what. So, Ava, not only are you intern Ava,
but your actress AVA actor or AVA will call you
hats could go ahead look at us and type cast us.
You be the you be the casting director for us.
Speaker 1 (04:37):
All right, I've already done Gandhi Gandhi ceo who needs
to have an eat pre love moment. So like she's
in her office, she's like, I'm just not happy anymore,
and then she goes on an adventure.
Speaker 2 (04:50):
Wow, Danielle, I see that, daniel What do you see
with Danielle?
Speaker 1 (04:56):
Cheerleading coach but like one of the inspiring ones, you know,
like like it's you know, but like you have.
Speaker 2 (05:05):
To be like a coach of something like something.
Speaker 1 (05:07):
But I feel like cheerleading is creative and like beautiful
but also really difficult, and people judge it not knowing
the work that goes.
Speaker 2 (05:13):
Into that straight. See.
Speaker 1 (05:19):
Now I don't see the militant, but that's because you're
wearing like a hoodie and.
Speaker 4 (05:22):
You're like military.
Speaker 3 (05:26):
I'm sorry, that's true.
Speaker 1 (05:29):
That's true.
Speaker 2 (05:29):
That's that's actually very true.
Speaker 3 (05:31):
Uh you are.
Speaker 1 (05:34):
I can see you as a writer, like a struggling writer.
Speaker 2 (05:38):
Always struggle, struggling, not a success, cabaret not a success.
Speaker 1 (05:45):
Yeah, I feel like I feel like writer in Brooklyn
apartment that like is it like your it was your
grandma's apartment and you're like and your grandma was like
wanted to be a writer, but and now you're like
fulfilling the dream for both of you, and then you
like have.
Speaker 2 (05:59):
A or something. Yeah he's allergic to Yeah?
Speaker 1 (06:03):
Okay, well actually even better, you like ourself like like
a masochist.
Speaker 4 (06:07):
Writer, you'lady to pay the rent.
Speaker 1 (06:10):
And then you actually love and then you guys start
like a coffee shop or something.
Speaker 2 (06:17):
Eva. Not only is she typecasting, especially's writing the play
the screenplay. Yeah, gandhi, what do you think so far?
Speaker 3 (06:22):
So when we were trying to typecast Nate, somebody I
won't say who said he might be able to do
the like the the basketball or football coach who hung
out with the kids a little too much.
Speaker 2 (06:35):
Wow, who was always monitoring the soaps in the shower?
Can we move on? Probably the same thing? Hold hold on,
hold on, hold on, hold on, Actor Ava, go ahead, typecast.
Speaker 1 (06:52):
It seems act like scary has so many options like
but they're all very like niche, but they all fit
within this Okay, okay, I'm thinking middle school principal, also baseball. Also, oh,
the cop actually could be fun.
Speaker 3 (07:08):
But n MYPD, like NYPD, I.
Speaker 2 (07:11):
Would think, mall copy.
Speaker 1 (07:16):
I can see you wrinning about Daga, and I can
see you.
Speaker 2 (07:22):
I don't see.
Speaker 1 (07:25):
I'm trying to think about your story.
Speaker 4 (07:27):
I look how you're painting with such a vivid brush,
like this is just like you're this, You're that.
Speaker 2 (07:32):
She's like giving like like whole scene.
Speaker 1 (07:35):
Because otherwise, how are you meant to fulfill your destiny?
This is your moment. I have something it's like on
the tip of my tongue, and I can't think about
it for you. Help me, Guys, think beyond whatever.
Speaker 2 (07:49):
The name was mall cop but he has to have
a sandwich while he's writing his scooter.
Speaker 1 (07:52):
Or dedicated owner of summer camp.
Speaker 2 (07:59):
Love these kids that he would teach them how to smoke.
You know what? What you did do was scary. Half
of those roles were people in some sort of uniform.
I thought, that's a good point. Now what should I do?
(08:20):
What should I do? Kenny? I want to be an actor? Now, Ava,
what should I do? Cast me?
Speaker 1 (08:26):
I want you to be like the Wizard of Oz.
I feel like you're like a wizard. You have a
fantasy to you. I feel like you should do like
some kind of wizardly thing.
Speaker 2 (08:37):
Okay, I'll do it.
Speaker 3 (08:38):
I mean you are a very wizard of Ozzy. You're
definitely a man behind the curtain.
Speaker 1 (08:43):
Exactly. There's a magic but also a human noss.
Speaker 2 (08:47):
You know, the wizard actually turned out to be a
very vulnerable, interesting character. You know, he actually showed his
true side when they figured out how to open the curtain.
I love that, So Ava, let us know if you
get more offers for anything other than crackheads and runaways,
and let's let's watch your career blossom, because I totally
(09:07):
believe in You're fabulous, You're great.
Speaker 1 (09:09):
Thank you.
Speaker 2 (09:11):
My agents think the same thing, interns and actor APA,
everyone
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