February 28, 2025 • 4 mins
Jackie's Hummer-driving-husband beeps bye to the kids every morning at 7:30, so Danielle calls as an irritated neighbor!
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Episode Transcript
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Speaker 1 (00:00):
Don't answer the phone. Elvis durand Elvis durand phone tappen.
Let's do it, Danielle. Yes, it's giving us a phone
tap today. What do you have today?
Speaker 2 (00:08):
All right, Well, Jackie says, my husband drives a hummer
and every morning before he leaves to work, at around
seven thirty am, he drives down the street and beeps
the horn at the kids. So I want you to
call from the neighborhood and say, you know, not for anything,
but it's seven thirty in the morning.
Speaker 1 (00:22):
Can you please stop beeping the horn?
Speaker 3 (00:24):
This is good.
Speaker 1 (00:24):
So that's what we did today's Danielle phone tap. Let's
listen in hell, Ray please's calling Ray.
Speaker 2 (00:33):
Yes, I live over on Cuddy Road. Okay, can you
please stop it at seven thirty in the morning with
the beeping?
Speaker 3 (00:39):
Excuse me?
Speaker 1 (00:40):
You have the black hummer? Right, yeah, you're driving me crazy. Okay,
every morning.
Speaker 2 (00:47):
Seven point thirty, I gotta hear a beeping sound. I'm
trying to freaking sleep and I don't need to hear it.
Speaker 3 (00:52):
Okay. You know, I gotta tell you that. You know,
if you'd ask me nice, maybe I would do it.
Speaker 1 (00:58):
Why would you at seven thirty in the morning. Keep
a big call like that.
Speaker 3 (01:01):
Well, because I'm beeping at my kids, I'm saying goodbye
to them.
Speaker 1 (01:04):
Okay, can you do it in the house before you leave?
Speaker 3 (01:07):
Like I tell you, Normally, I would have no problem
with what you're asking me because it's I didn't realize
I was doing that.
Speaker 1 (01:13):
Okay, but so what's the time.
Speaker 3 (01:15):
I really don't like you coming off like a big shot,
and I don't give it think either.
Speaker 1 (01:18):
The fact that you got a hummer in the first
place is ridiculous.
Speaker 3 (01:21):
Where were you coming off now?
Speaker 2 (01:25):
It doesn't matter what my name is, obviously, usually when
someone has a hummer and making up for other things
that you know are not the up to Paul.
Speaker 3 (01:33):
You're a videos What do they excuse me?
Speaker 2 (01:35):
Why are your am I carsing at you?
Speaker 3 (01:40):
You're doing off like that to me.
Speaker 2 (01:43):
Okay, you know what I've heard in the neighborhood. Let's
just say you've heard what I've heard. I heard you
making up the stuff.
Speaker 3 (01:49):
What idios?
Speaker 2 (01:51):
Why are you driving a black Camra in such a
wonderful neighborhood.
Speaker 1 (01:54):
You're kind of like messing up the neighborhood. You're a loser, Okay,
I'm a loser. You've got the hummer to try and
prove something, but I'm the loser. Yeah, is there a
reason you're hanging up on me?
Speaker 3 (02:08):
I don't want to talk to you.
Speaker 1 (02:09):
Okay.
Speaker 2 (02:10):
If I call you a little blonde gweed at wife,
would she talk to me?
Speaker 3 (02:13):
You might beat dad, just like I'm gonna do. Why
don't you sign your husband to my door?
Speaker 1 (02:17):
I don't have a husband.
Speaker 3 (02:19):
Yeah, well, what a surprise.
Speaker 1 (02:21):
What's that supposed to mean?
Speaker 3 (02:22):
To be married to him? Like you?
Speaker 2 (02:24):
First of all, I got lots of guys that want
to get.
Speaker 3 (02:27):
On my Okays, No, I'm brustop beeping all right?
Speaker 1 (02:30):
Can you get rid of the car too?
Speaker 3 (02:32):
No, I'm not getting rid of the car.
Speaker 1 (02:33):
It's making our neighborhood look like an isore.
Speaker 3 (02:35):
Your house probably makes the neighborhood look like an isore.
Speaker 1 (02:38):
My house is nice. Have you seen my house? No?
Speaker 3 (02:40):
Which one? Is it?
Speaker 1 (02:41):
None of your business?
Speaker 2 (02:42):
Ah?
Speaker 1 (02:43):
You know, lady, you know what I worked with the
town and so.
Speaker 3 (02:48):
I can get who you work for me. I don't
give up who you work for. I can clear enough
for you.
Speaker 1 (02:54):
It's clear enough for me. But don't talk.
Speaker 3 (02:56):
About like you think you are. I don't who you
are sensop from my house.
Speaker 2 (03:01):
You should give it because I have the power to
listen in on any phone call you ever make yourself. Please,
why don't you just get rid of the hammer and
get out of the neighborhood.
Speaker 3 (03:12):
Why don't you? Why don't you tell me where you live?
You want to hide behind where you live. You want
to hide behind your job. You want to hide behind
where your call is from. I told you before, if
you can't ask me nice to begin with, I have
no problem with that. I'm not I want to be
some kind of big shots. C I A yourself?
Speaker 1 (03:28):
Cia? What is that supposed to mean?
Speaker 3 (03:30):
We want?
Speaker 1 (03:31):
You mean?
Speaker 3 (03:31):
What do you like the person?
Speaker 2 (03:32):
You mean?
Speaker 3 (03:32):
Your dumb ass?
Speaker 1 (03:33):
You're the dumb ass.
Speaker 3 (03:35):
Hey, listen to me. Listen to me. You know what
you're hide behind who you are? Listen to me, lady.
I'm gonna stop deeping because it's it's the right thing
to do. I want to listen. Your cant unless you
want it to comes to my fight.
Speaker 2 (03:47):
Dog.
Speaker 3 (03:47):
You're a loser, can't get a life.
Speaker 1 (03:49):
You're driving the hammer because you've got no ding dong.
Speaker 3 (03:51):
Get a life.
Speaker 2 (03:52):
I've got a life, dear, and believe me, it's a
lot better than your little blonde twitty thing that's running
around the neighborhood.
Speaker 3 (03:59):
Do you hear that, jack I'm gonna kill her.
Speaker 1 (04:01):
I'm gonna kill the Jackie. You're on the phone too.
I'm so glad I got both of you.
Speaker 3 (04:08):
What do you got to say? You want to hide
behind your anonymity, Sweetie.
Speaker 1 (04:10):
I don't have to hide anything. All I know is you.
Speaker 3 (04:12):
Gotta be there. Are you? You know who I am,
and I wonder who you are? How long have you
lived in the neighborhood. Listen to me, I'm a big goldman. Listen.
I'm not gonna beat that anymore. In the morning, if
I get where I'm cross from you, I'm gonna go
to h a street beeping or where she lives.
Speaker 1 (04:30):
I live with Elvis duran.
Speaker 3 (04:32):
Better not Jackie. You set me up.
Speaker 1 (04:36):
This is jim Yelman Arrow from Elvis Durant.
Speaker 3 (04:39):
Gonna be able to play us on the radio.
Speaker 1 (04:41):
We've got a beepy beeps. We'll be fine.
Speaker 3 (04:44):
You're good. I phone.
Speaker 1 (04:47):
What the hell's a beepy BEMU? But we got him.
We got some baby beeps.
Don't answer the phone. Elvis durand Elvis durand phone tappen.
Let's do it, Danielle. Yes, it's giving us a phone
tap today. What do you have today?
Speaker 2 (00:08):
All right, Well, Jackie says, my husband drives a hummer
and every morning before he leaves to work, at around
seven thirty am, he drives down the street and beeps
the horn at the kids. So I want you to
call from the neighborhood and say, you know, not for anything,
but it's seven thirty in the morning.
Speaker 1 (00:22):
Can you please stop beeping the horn?
Speaker 3 (00:24):
This is good.
Speaker 1 (00:24):
So that's what we did today's Danielle phone tap. Let's
listen in hell, Ray please's calling Ray.
Speaker 2 (00:33):
Yes, I live over on Cuddy Road. Okay, can you
please stop it at seven thirty in the morning with
the beeping?
Speaker 3 (00:39):
Excuse me?
Speaker 1 (00:40):
You have the black hummer? Right, yeah, you're driving me crazy. Okay,
every morning.
Speaker 2 (00:47):
Seven point thirty, I gotta hear a beeping sound. I'm
trying to freaking sleep and I don't need to hear it.
Speaker 3 (00:52):
Okay. You know, I gotta tell you that. You know,
if you'd ask me nice, maybe I would do it.
Speaker 1 (00:58):
Why would you at seven thirty in the morning. Keep
a big call like that.
Speaker 3 (01:01):
Well, because I'm beeping at my kids, I'm saying goodbye
to them.
Speaker 1 (01:04):
Okay, can you do it in the house before you leave?
Speaker 3 (01:07):
Like I tell you, Normally, I would have no problem
with what you're asking me because it's I didn't realize
I was doing that.
Speaker 1 (01:13):
Okay, but so what's the time.
Speaker 3 (01:15):
I really don't like you coming off like a big shot,
and I don't give it think either.
Speaker 1 (01:18):
The fact that you got a hummer in the first
place is ridiculous.
Speaker 3 (01:21):
Where were you coming off now?
Speaker 2 (01:25):
It doesn't matter what my name is, obviously, usually when
someone has a hummer and making up for other things
that you know are not the up to Paul.
Speaker 3 (01:33):
You're a videos What do they excuse me?
Speaker 2 (01:35):
Why are your am I carsing at you?
Speaker 3 (01:40):
You're doing off like that to me.
Speaker 2 (01:43):
Okay, you know what I've heard in the neighborhood. Let's
just say you've heard what I've heard. I heard you
making up the stuff.
Speaker 3 (01:49):
What idios?
Speaker 2 (01:51):
Why are you driving a black Camra in such a
wonderful neighborhood.
Speaker 1 (01:54):
You're kind of like messing up the neighborhood. You're a loser, Okay,
I'm a loser. You've got the hummer to try and
prove something, but I'm the loser. Yeah, is there a
reason you're hanging up on me?
Speaker 3 (02:08):
I don't want to talk to you.
Speaker 1 (02:09):
Okay.
Speaker 2 (02:10):
If I call you a little blonde gweed at wife,
would she talk to me?
Speaker 3 (02:13):
You might beat dad, just like I'm gonna do. Why
don't you sign your husband to my door?
Speaker 1 (02:17):
I don't have a husband.
Speaker 3 (02:19):
Yeah, well, what a surprise.
Speaker 1 (02:21):
What's that supposed to mean?
Speaker 3 (02:22):
To be married to him? Like you?
Speaker 2 (02:24):
First of all, I got lots of guys that want
to get.
Speaker 3 (02:27):
On my Okays, No, I'm brustop beeping all right?
Speaker 1 (02:30):
Can you get rid of the car too?
Speaker 3 (02:32):
No, I'm not getting rid of the car.
Speaker 1 (02:33):
It's making our neighborhood look like an isore.
Speaker 3 (02:35):
Your house probably makes the neighborhood look like an isore.
Speaker 1 (02:38):
My house is nice. Have you seen my house? No?
Speaker 3 (02:40):
Which one? Is it?
Speaker 1 (02:41):
None of your business?
Speaker 2 (02:42):
Ah?
Speaker 1 (02:43):
You know, lady, you know what I worked with the
town and so.
Speaker 3 (02:48):
I can get who you work for me. I don't
give up who you work for. I can clear enough
for you.
Speaker 1 (02:54):
It's clear enough for me. But don't talk.
Speaker 3 (02:56):
About like you think you are. I don't who you
are sensop from my house.
Speaker 2 (03:01):
You should give it because I have the power to
listen in on any phone call you ever make yourself. Please,
why don't you just get rid of the hammer and
get out of the neighborhood.
Speaker 3 (03:12):
Why don't you? Why don't you tell me where you live?
You want to hide behind where you live. You want
to hide behind your job. You want to hide behind
where your call is from. I told you before, if
you can't ask me nice to begin with, I have
no problem with that. I'm not I want to be
some kind of big shots. C I A yourself?
Speaker 1 (03:28):
Cia? What is that supposed to mean?
Speaker 3 (03:30):
We want?
Speaker 1 (03:31):
You mean?
Speaker 3 (03:31):
What do you like the person?
Speaker 2 (03:32):
You mean?
Speaker 3 (03:32):
Your dumb ass?
Speaker 1 (03:33):
You're the dumb ass.
Speaker 3 (03:35):
Hey, listen to me. Listen to me. You know what
you're hide behind who you are? Listen to me, lady.
I'm gonna stop deeping because it's it's the right thing
to do. I want to listen. Your cant unless you
want it to comes to my fight.
Speaker 2 (03:47):
Dog.
Speaker 3 (03:47):
You're a loser, can't get a life.
Speaker 1 (03:49):
You're driving the hammer because you've got no ding dong.
Speaker 3 (03:51):
Get a life.
Speaker 2 (03:52):
I've got a life, dear, and believe me, it's a
lot better than your little blonde twitty thing that's running
around the neighborhood.
Speaker 3 (03:59):
Do you hear that, jack I'm gonna kill her.
Speaker 1 (04:01):
I'm gonna kill the Jackie. You're on the phone too.
I'm so glad I got both of you.
Speaker 3 (04:08):
What do you got to say? You want to hide
behind your anonymity, Sweetie.
Speaker 1 (04:10):
I don't have to hide anything. All I know is you.
Speaker 3 (04:12):
Gotta be there. Are you? You know who I am,
and I wonder who you are? How long have you
lived in the neighborhood. Listen to me, I'm a big goldman. Listen.
I'm not gonna beat that anymore. In the morning, if
I get where I'm cross from you, I'm gonna go
to h a street beeping or where she lives.
Speaker 1 (04:30):
I live with Elvis duran.
Speaker 3 (04:32):
Better not Jackie. You set me up.
Speaker 1 (04:36):
This is jim Yelman Arrow from Elvis Durant.
Speaker 3 (04:39):
Gonna be able to play us on the radio.
Speaker 1 (04:41):
We've got a beepy beeps. We'll be fine.
Speaker 3 (04:44):
You're good. I phone.
Speaker 1 (04:47):
What the hell's a beepy BEMU? But we got him.
We got some baby beeps.
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