This is the entire D4vd arc in one run—no topic hopscotch. With Jennifer Coffindaffer, we build the timeline from the Hollywood Hills abandonment to the tow-lot discovery and explain why a disciplined investigation can look “slow” from the outside: good cases are built on quiet work, not noise. We lay out what a Tesla can realistically provide—access events, navigation history, maybe camera data if it wasn’t disabled—and where that digital exhaust needs help from trace and humans who can actually place hands on a wheel.
We separate attention bait from evidence. The viral concert clip? Walked back. A teacher’s classroom pickup video? If verified, potentially timeline-relevant. Tattoos and lyrics might feel “on brand,” but in court they’re decor unless tied to dates, places, and acts. On the forensic side, we talk like adults: how pathologists distinguish dismemberment from decomposition, what toxicology can still add despite heat and time, and what a homicide ruling really signals.
Standard of proof stays front-and-center: linkage isn’t guilt. As of this recording, there are no charges. Everyone is presumed innocent unless and until proven guilty. We close with the practical checklist to move this from headline to case file: corroborated timelines, converging digital + forensic hits, and communications evidence that doesn’t collapse under scrutiny.
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