June 27, 2023 • 8 mins
The Superjesus' Sarah McLeod joins Ugly Phil for a very special live performance.Â
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Mark as Played
Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:05):
She stands with the head of the clouds twell. I
love about Sarah clouds like a wood she uses in
a hole, air shroud her. Sarah on the clouds, a
homeless smile and even long cavity she does about ram
(00:27):
sand and shoulders above the crowd.
Speaker 2 (00:31):
You will call her own clowns.
Speaker 3 (00:34):
Sarah clowns, Sam clown.
Speaker 4 (00:38):
I love that song that you wrote for me. There, Phil,
that's all right?
Speaker 2 (00:41):
Would it be fair to say that you're slightly hungover?
Speaker 4 (00:43):
You went straight? Just wake me up, drag me in
here and go straight for the jig.
Speaker 5 (00:46):
I gave you a warning about a week ago, you know,
and then when I saw you got the whole where
do I park?
Speaker 2 (00:51):
I thought, I said to everybody.
Speaker 6 (00:53):
She's going to be hungover and she's got gaff on
her eyes.
Speaker 2 (00:57):
How have the gig's been going?
Speaker 4 (00:58):
Amazing? Yeah, it's a good too. A month on the road.
Speaker 6 (01:01):
It was a bit scary because I was playing piano,
but it was really fun.
Speaker 7 (01:04):
You know that version that you did after Tina Turner
died of Private Dancer, which we played on the air here,
Oh yeah, very good.
Speaker 6 (01:11):
That is a beautiful song. It's written by Mark and Noofler,
what a great song. And what got me about that
song the reason I wanted to sing it was there
was that line in the chorus where she says, I
mean private dancer, dancer for money. Do what do you
want me to do? Private dancer dancer for money? Any
old music will do?
Speaker 4 (01:26):
Is that line? Any old music will do.
Speaker 6 (01:28):
It's like the character in the Dancer like she's just
so checked out, you know, just sort.
Speaker 4 (01:32):
Of going through the mood. She doesn't care what she's
dancing too.
Speaker 6 (01:35):
Like that really spoke to me, like that's beautiful, tragically beautiful, based.
Speaker 7 (01:39):
On women that used to dance for money, who essentially
we just felt like, why am I doing this?
Speaker 4 (01:44):
Yeah? Just look at the wall and think of the money.
Speaker 2 (01:46):
Yeah, that's exactly right, which is how I do my
radio sometimes. Did you do any other covers what you're on?
Speaker 6 (01:53):
I did, because now I'm a piano player. I did
an Elton John song. I didn't buy a yellow bit road. No,
she's terrifying, but I did it.
Speaker 2 (02:00):
Jan Have you still got Daryl Breathwaits piano? Let's just
drag it in here.
Speaker 4 (02:05):
Who's Dale Braithwaite or the piano?
Speaker 2 (02:08):
And then you're going to be doing Super Jesus.
Speaker 6 (02:09):
James that you and my tour doing the Who and
then straight into the Super Jesus.
Speaker 2 (02:13):
So talk to me about the Who stuff we're doing.
Speaker 6 (02:15):
Tommy and from beginning to end, then back with the
Super Jesus for a huge tour goes.
Speaker 4 (02:18):
To like four months.
Speaker 2 (02:19):
Is that right?
Speaker 4 (02:19):
Where are you going to all around the country?
Speaker 6 (02:21):
Well?
Speaker 7 (02:21):
Sure, thoughs because he's from an up and coming Sydney
band called.
Speaker 2 (02:24):
The Young Radicals.
Speaker 4 (02:25):
It's the Ritzy kids feel.
Speaker 2 (02:26):
I thought they've got.
Speaker 4 (02:27):
There every time.
Speaker 2 (02:28):
They've got a new ep out called Lick the Spoon.
Speaker 4 (02:30):
It's called Walking Talking, Miss. You're really good at this. Yeah,
I'm so glad you've done your preparation exactly right.
Speaker 2 (02:35):
So Super Jesus, what a great band.
Speaker 4 (02:38):
Super Jesus, what a great band.
Speaker 7 (02:40):
Although Jenna thinks you maybe should rename the band Baby Jesus.
Speaker 2 (02:43):
Is it too late in the Korean now?
Speaker 4 (02:44):
Well, that's what everyone needs to say.
Speaker 6 (02:45):
When we were on two of the Baby Animals and
we used to do a jam at the end where
we had both bands together, people even made t shirts
that said to Baby.
Speaker 7 (02:52):
Jesus, if you could get one of those, Jenna would
wear it, you know, they're like.
Speaker 4 (02:55):
Hens teeth now. Yeah, maybe get it on the black market.
Speaker 2 (02:59):
If you need it. Up and Coming Sydney Band for
any of your.
Speaker 4 (03:01):
Gigs, Sean's your man Radicals The Ritzy Kids Kids is
a much better name anyway, thank you.
Speaker 2 (03:09):
The House of the Rising Sun. What key is this in?
Speaker 4 (03:11):
I'm playing it in C sharp minor? Yeah? That's it?
What keys your guitar? Because how many flat are you?
Speaker 7 (03:17):
And yeah?
Speaker 4 (03:18):
Okay? Yeah? So what that's it there? Okay, So that's
that and then it's this one.
Speaker 6 (03:24):
Yep, yeah, that one, and then this one, yeah, and
then this one and then this one and then this one.
Speaker 3 (03:37):
Yeah.
Speaker 5 (03:37):
There you go, without any further Ado Sarah from the
Super Jesus and Solo with Baby Jesus and from the
up and Coming Sydney Band for the Young Radicals.
Speaker 3 (03:50):
Time.
Speaker 2 (03:52):
Hang, I'm gonna plug your microphone.
Speaker 4 (03:54):
The echo.
Speaker 2 (03:56):
There is.
Speaker 3 (03:58):
House in only they come'tresing song.
Speaker 4 (04:14):
And it's breed n one of many a poor soul.
Speaker 7 (04:23):
I know.
Speaker 3 (04:25):
Guess my mother she.
Speaker 1 (04:40):
Wants a tailor, she said, are these new blue jeans.
Speaker 8 (04:52):
And my brid.
Speaker 3 (04:56):
Again?
Speaker 8 (04:57):
The man.
Speaker 4 (05:00):
Down in new all legs? Now the only thing again,
will niece?
Speaker 9 (05:14):
Is it? See true?
Speaker 3 (05:21):
Hell up.
Speaker 4 (05:24):
Time it's satisfied.
Speaker 3 (05:29):
It's weird.
Speaker 4 (05:31):
He's on a drum.
Speaker 3 (05:55):
Are the children?
Speaker 10 (05:59):
Is it.
Speaker 3 (06:01):
Wod incense?
Speaker 4 (06:12):
And mister ree at.
Speaker 10 (06:14):
The hell of the riseing shot.
Speaker 6 (06:40):
I got one foot on the platform.
Speaker 3 (06:47):
And then.
Speaker 8 (06:51):
The tree, and I'm going.
Speaker 3 (06:59):
Back to New.
Speaker 1 (07:02):
Orleans to advable lands.
Speaker 9 (07:10):
Changed there is it has in New all.
Speaker 8 (07:26):
Leans they called theirs and it's been.
Speaker 4 (07:44):
Of many a poor soul.
Speaker 1 (07:48):
And God, I know, well, And.
Speaker 2 (08:02):
Why how'd that feel for you?
Speaker 3 (08:06):
Sean?
Speaker 4 (08:06):
Pretty good? I thought, Sean really sort of stole the
show there.
Speaker 2 (08:10):
I was even when it comes to.
Speaker 4 (08:12):
Give me a crack man, give me a break, I know, right.
Speaker 2 (08:14):
And I like the way he sort of nudged you
out of the way as well. A lot of the time.
You know, you didn't get the vocal in there, but
it's because you didn't have the microphone with the echo
on it. We've only got one. I think we made
a becho.
Speaker 4 (08:25):
I made a echo. I don't know about you.
She stands with the head of the clouds twell. I
love about Sarah clouds like a wood she uses in
a hole, air shroud her. Sarah on the clouds, a
homeless smile and even long cavity she does about ram
(00:27):
sand and shoulders above the crowd.
Speaker 2 (00:31):
You will call her own clowns.
Speaker 3 (00:34):
Sarah clowns, Sam clown.
Speaker 4 (00:38):
I love that song that you wrote for me. There, Phil,
that's all right?
Speaker 2 (00:41):
Would it be fair to say that you're slightly hungover?
Speaker 4 (00:43):
You went straight? Just wake me up, drag me in
here and go straight for the jig.
Speaker 5 (00:46):
I gave you a warning about a week ago, you know,
and then when I saw you got the whole where
do I park?
Speaker 2 (00:51):
I thought, I said to everybody.
Speaker 6 (00:53):
She's going to be hungover and she's got gaff on
her eyes.
Speaker 2 (00:57):
How have the gig's been going?
Speaker 4 (00:58):
Amazing? Yeah, it's a good too. A month on the road.
Speaker 6 (01:01):
It was a bit scary because I was playing piano,
but it was really fun.
Speaker 7 (01:04):
You know that version that you did after Tina Turner
died of Private Dancer, which we played on the air here,
Oh yeah, very good.
Speaker 6 (01:11):
That is a beautiful song. It's written by Mark and Noofler,
what a great song. And what got me about that
song the reason I wanted to sing it was there
was that line in the chorus where she says, I
mean private dancer, dancer for money. Do what do you
want me to do? Private dancer dancer for money? Any
old music will do?
Speaker 4 (01:26):
Is that line? Any old music will do.
Speaker 6 (01:28):
It's like the character in the Dancer like she's just
so checked out, you know, just sort.
Speaker 4 (01:32):
Of going through the mood. She doesn't care what she's
dancing too.
Speaker 6 (01:35):
Like that really spoke to me, like that's beautiful, tragically beautiful, based.
Speaker 7 (01:39):
On women that used to dance for money, who essentially
we just felt like, why am I doing this?
Speaker 4 (01:44):
Yeah? Just look at the wall and think of the money.
Speaker 2 (01:46):
Yeah, that's exactly right, which is how I do my
radio sometimes. Did you do any other covers what you're on?
Speaker 6 (01:53):
I did, because now I'm a piano player. I did
an Elton John song. I didn't buy a yellow bit road. No,
she's terrifying, but I did it.
Speaker 2 (02:00):
Jan Have you still got Daryl Breathwaits piano? Let's just
drag it in here.
Speaker 4 (02:05):
Who's Dale Braithwaite or the piano?
Speaker 2 (02:08):
And then you're going to be doing Super Jesus.
Speaker 6 (02:09):
James that you and my tour doing the Who and
then straight into the Super Jesus.
Speaker 2 (02:13):
So talk to me about the Who stuff we're doing.
Speaker 6 (02:15):
Tommy and from beginning to end, then back with the
Super Jesus for a huge tour goes.
Speaker 4 (02:18):
To like four months.
Speaker 2 (02:19):
Is that right?
Speaker 4 (02:19):
Where are you going to all around the country?
Speaker 6 (02:21):
Well?
Speaker 7 (02:21):
Sure, thoughs because he's from an up and coming Sydney
band called.
Speaker 2 (02:24):
The Young Radicals.
Speaker 4 (02:25):
It's the Ritzy kids feel.
Speaker 2 (02:26):
I thought they've got.
Speaker 4 (02:27):
There every time.
Speaker 2 (02:28):
They've got a new ep out called Lick the Spoon.
Speaker 4 (02:30):
It's called Walking Talking, Miss. You're really good at this. Yeah,
I'm so glad you've done your preparation exactly right.
Speaker 2 (02:35):
So Super Jesus, what a great band.
Speaker 4 (02:38):
Super Jesus, what a great band.
Speaker 7 (02:40):
Although Jenna thinks you maybe should rename the band Baby Jesus.
Speaker 2 (02:43):
Is it too late in the Korean now?
Speaker 4 (02:44):
Well, that's what everyone needs to say.
Speaker 6 (02:45):
When we were on two of the Baby Animals and
we used to do a jam at the end where
we had both bands together, people even made t shirts
that said to Baby.
Speaker 7 (02:52):
Jesus, if you could get one of those, Jenna would
wear it, you know, they're like.
Speaker 4 (02:55):
Hens teeth now. Yeah, maybe get it on the black market.
Speaker 2 (02:59):
If you need it. Up and Coming Sydney Band for
any of your.
Speaker 4 (03:01):
Gigs, Sean's your man Radicals The Ritzy Kids Kids is
a much better name anyway, thank you.
Speaker 2 (03:09):
The House of the Rising Sun. What key is this in?
Speaker 4 (03:11):
I'm playing it in C sharp minor? Yeah? That's it?
What keys your guitar? Because how many flat are you?
Speaker 7 (03:17):
And yeah?
Speaker 4 (03:18):
Okay? Yeah? So what that's it there? Okay, So that's
that and then it's this one.
Speaker 6 (03:24):
Yep, yeah, that one, and then this one, yeah, and
then this one and then this one and then this one.
Speaker 3 (03:37):
Yeah.
Speaker 5 (03:37):
There you go, without any further Ado Sarah from the
Super Jesus and Solo with Baby Jesus and from the
up and Coming Sydney Band for the Young Radicals.
Speaker 3 (03:50):
Time.
Speaker 2 (03:52):
Hang, I'm gonna plug your microphone.
Speaker 4 (03:54):
The echo.
Speaker 2 (03:56):
There is.
Speaker 3 (03:58):
House in only they come'tresing song.
Speaker 4 (04:14):
And it's breed n one of many a poor soul.
Speaker 7 (04:23):
I know.
Speaker 3 (04:25):
Guess my mother she.
Speaker 1 (04:40):
Wants a tailor, she said, are these new blue jeans.
Speaker 8 (04:52):
And my brid.
Speaker 3 (04:56):
Again?
Speaker 8 (04:57):
The man.
Speaker 4 (05:00):
Down in new all legs? Now the only thing again,
will niece?
Speaker 9 (05:14):
Is it? See true?
Speaker 3 (05:21):
Hell up.
Speaker 4 (05:24):
Time it's satisfied.
Speaker 3 (05:29):
It's weird.
Speaker 4 (05:31):
He's on a drum.
Speaker 3 (05:55):
Are the children?
Speaker 10 (05:59):
Is it.
Speaker 3 (06:01):
Wod incense?
Speaker 4 (06:12):
And mister ree at.
Speaker 10 (06:14):
The hell of the riseing shot.
Speaker 6 (06:40):
I got one foot on the platform.
Speaker 3 (06:47):
And then.
Speaker 8 (06:51):
The tree, and I'm going.
Speaker 3 (06:59):
Back to New.
Speaker 1 (07:02):
Orleans to advable lands.
Speaker 9 (07:10):
Changed there is it has in New all.
Speaker 8 (07:26):
Leans they called theirs and it's been.
Speaker 4 (07:44):
Of many a poor soul.
Speaker 1 (07:48):
And God, I know, well, And.
Speaker 2 (08:02):
Why how'd that feel for you?
Speaker 3 (08:06):
Sean?
Speaker 4 (08:06):
Pretty good? I thought, Sean really sort of stole the
show there.
Speaker 2 (08:10):
I was even when it comes to.
Speaker 4 (08:12):
Give me a crack man, give me a break, I know, right.
Speaker 2 (08:14):
And I like the way he sort of nudged you
out of the way as well. A lot of the time.
You know, you didn't get the vocal in there, but
it's because you didn't have the microphone with the echo
on it. We've only got one. I think we made
a becho.
Speaker 4 (08:25):
I made a echo. I don't know about you.
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