All Episodes

September 11, 2025 91 mins

Fat Joe and Jadakiss are joined by the incomparable DJ Khaled. Joe and Jada ask Khaled about his feelings around the Kendrick Lamar vs. Drake beef, his reconciliation efforts in the Jada-Beanie Sigel and Rick Ross-Young Jeezy feuds, working with Jay-Z and Beyoncé on "Shining," the story behind Hov hopping on "God Did" with Lil Wayne, Rick Ross, and John Legend, his top Miami hip hop anthems, and his top five DJs of all-time. Khaled tells Joe and Jada how much he appreciates the show and their brotherhood, reminisces on Fat Joe and Big Pun's collaborations, and shares some legendary stories from his early days in the Miami club circuit.

4:00 - Khaled can't get enough of Bad Bunny's tour

7:30 - Kendrick-Drake & 50 Cent-Fat Joe beefs

19:45 - Why Khaled new Joe and Jada was DIFFERENT

43:30 - Khaled's Fat Joe & Big Pun stories

59:30 - Top 5 Miami anthems

1:02:30 - Getting Jay-Z & Beyoncé on "Shining"

1:07:30 - Hov hopping on "God Did"

1:24:30 - Jadakiss Top 5 D.O.A.

1:28:00 - "Never Surrender"

1:31:15 - Top 5 DJs of all time

1:35:00 - Khaled's early years in Miami club circuit

[Timestamps may vary due to advertisements.]

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Transcript

Episode Transcript

Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
It's the number one show. I've been waiting for the
show I've been no about.

Speaker 2 (00:03):
Not just to get on it, Pete, I've been waiting
for the show Mini has in before he existed.

Speaker 1 (00:22):
What up y'all is? Joe cracked the dawn?

Speaker 3 (00:25):
You know it is your boy, Jayda. This is the
Joe and Jayden Show. Every show legendary, every show iconic.
I know I tell y'all that, but this particular show
is on another level.

Speaker 1 (00:42):
You know what I mean?

Speaker 3 (00:43):
You see the roster sogna in the back roster sign
Mango tree, Mango tree, no further duel use and gentlemen,
give it up for our brother DJ Khali.

Speaker 1 (00:55):
It we the bash mat before we even start.

Speaker 2 (01:03):
Congratulations to the number one show, this show right here.
Not only was I excited to get on the show,
all my brothers, your family, but this is the number
one show.

Speaker 1 (01:15):
Ya heard it first. No, it's not about when he
said something. You got to understand.

Speaker 2 (01:20):
This the number one show for a lot of reasons,
because not only do you represent hip hop every time
I see y'all to y'all's chemistry is just unbelievable. But
I do want to say this, my brother Joe ain't capping,
all right, listen, and I ain't laughing. My brother Joe
ain't capping, and I ain't laughing.

Speaker 1 (01:40):
I don't want to.

Speaker 2 (01:41):
I don't even want to get into his stories because
you know what I'm saying. That's if he want to
tell his stories, that's Joe krap. But he ain't capping.

Speaker 1 (01:51):
Listen.

Speaker 4 (01:51):
We got Cuban Jaya. You see his shirt right there.
He got that good, Louis, Louis, Why you vetter.

Speaker 1 (01:59):
He came with that? I don't know.

Speaker 4 (02:01):
It's a lot of weed behind the scenes. I'm drinking
on topless Joe. I don't go topless all the time.
Oh man, on topless Joe. I'm fresh with Puerto Rico.
Try out to the baldies out there.

Speaker 2 (02:14):
Listen, let me tell you somebody this Puerto Rico, Yo, Joe,
when I tell you bad Bunny has, Can we be honest?
It's probably my top three show I ever been to
in my life, and I'm gonna be even I even
want to be even more honest. It's really my favorite show.

(02:34):
But I'm gonna say top three because you know, I
just experienced it and I don't want to neglect the
other two great ones that I've been in.

Speaker 1 (02:43):
The man coming out like Frank Sinatra. Then he got
like narration, then he got like Broadway filming there.

Speaker 2 (02:53):
Then the man going to a turn up that's unbelievable.
Then he go into some live instruments that's like from God.

Speaker 1 (03:02):
Hold on.

Speaker 2 (03:03):
The sound system might be the best sound system ever
heard of my life. It sounds better than the records.
Sab Savi spianard the Spaniard. You know, Savi throw the Spaniard.
So everything in Spanish. I just said in Spanish. I
know Spanish, but I don't know all Spanish.

Speaker 1 (03:28):
Spanish. Nobody listen.

Speaker 2 (03:30):
I didn't want to leave, even if I didn't understand
what he was saying.

Speaker 1 (03:34):
I'm going next week.

Speaker 2 (03:35):
The man performed like on the Holy Mountain, m after
the Holy Mountain. Then he goes Casita, that's where we
be at, and then it's a whole nother vibe. Then
he get on the roof and it's it's a whole
other energy.

Speaker 1 (03:52):
But now now I'm gonna be real with you.

Speaker 2 (03:54):
I usually go to concerts, I come support and show
love because I love love music.

Speaker 1 (03:58):
But I didn't wanna to leave. Sorry, that's Puerto Rico.
I got tickets next week? Are you going? Yeah, I'm going.
Smartest thing he ever did, and you bought Iqua. I'm boughdy.
You know.

Speaker 2 (04:11):
I was over there screaming Big Pun forever they know.
I was out there seeing graffiti of Joe and Pun.

Speaker 1 (04:18):
I said, all right, go ahead, sorry because I just
I'm fresh from Puerto Rico. So you gotta understand. It's like,
you know, first from every island in the universe.

Speaker 2 (04:28):
I love to go to the Caribbean, That's what I do.
But you know, when it comes down, bought Equa and
Puerto Rico, you know. Joey Krack, Now, this is my brother,
that's like my blood. You've seen the posts I post
up the other day. Don't get it twisted? Yeah yeah,
don't nae, mister Joe and Jada, don't you ever get
it twisted?

Speaker 1 (04:49):
You'll care? No no, no, no no no no no
no no nah.

Speaker 2 (04:54):
I love Joey krat but I love my brother jadakiss too.
Both of y'all been there for me from day one.
I appreciate y'all. Joey Craig, you already knows it's different. No, no, no, no,
please let me. This is Joe and Jada. It's different.
I love you, brother, I love you to the highest two.

(05:17):
But I wanted to get to ask you. Can I
ask you a question, maybe one or two.

Speaker 4 (05:21):
You've been in many rap beefs us in Fat Joe,
he sent beef. Yes, Jada, Beanie, you put them together.

Speaker 2 (05:29):
I'm the first one to put Jada and Beanie on
a record when Beanie came out of jail. I had
Jada and Bean's on a record and talking like a different.

Speaker 1 (05:39):
Type of talk.

Speaker 2 (05:41):
I'm the one that was behind the scenes where Ross
and Young Jeezy was going at it.

Speaker 1 (05:45):
Because Ross my brother. You know that. Everybody know that.
But I got love for Jez.

Speaker 2 (05:51):
That's my brother too, A real one like me, gonna
always say we gotta come together, we gotta stick together.
We can never let nobody divide and conquerors. I'm the
one that helped put that back together. Joe and Joe.

Speaker 1 (06:06):
I mean Ross and Jesus Jesus as Jez and ask Ross. Now,
don't ask me, Let me ask you a question. With
all this beef.

Speaker 2 (06:15):
Going on, that was I survived the Fat Joe fifty beef.

Speaker 1 (06:19):
That's a big beef.

Speaker 2 (06:20):
Listen said when they going at it fat Joe and
fifty cent going at it all that, But Joe, we're
gonna keep it real. I'm the one out of the
crew that always says, Joe, we don't need that, we
need to come together, we don't need that. We need love,
we need positivity. And at the same time, it's not
as that we don't want to slow up the money.

Speaker 4 (06:42):
No, but did you try that with this nuclear bomb
that went on?

Speaker 1 (06:47):
With?

Speaker 3 (06:47):
Like?

Speaker 4 (06:48):
Because I know the sixth God was always your brother,
he supported me. I love Drake, Ross is your day one.
I love, Ross is your brother. I love what did
that feel like when the whole world's fighting each other?

Speaker 2 (07:00):
And what it feels like is that I didn't get
in that energy. There's two energies. I'm not going to
get in hate. Ask me a question, how do you
deal with Hey?

Speaker 1 (07:09):
Please? Can you ask me how do you deal with Hey? Brother?
I don't.

Speaker 2 (07:14):
And then when you speak about all those great legends
that you just talked about from Drake, my brother, future Drake, who.

Speaker 1 (07:21):
Else you name? Ross? Ross?

Speaker 2 (07:23):
Those are my brothers. If you question, you can't question
my friendship. How it's impossible. Ain't nobody like motherfucking DJ
Cavitt shoe. You know that shoe. You know, take your
glasses off, let them see you know that Superno that okay,
So no, no, You know what I'm saying is when

(07:43):
it comes to me, not only I'm going to tell
my brothers, we got to represent love even when shit
gets A lot of this shit is a misunderstanding and
a lot of not communication, Okay. And that's what it
be about, lack of communication and misunderstanding. When it come
down to DJ call, I'm the one that's going to
try to fix it. I don't want no trophy, I

(08:07):
don't want no promotion. I do a lot of shit
behind the scenes. At the end of the day is
I love my brothers, and my brothers know that. I
guarantee you they know that. That's what I'm about. So
you couldn't squash this one. I would love to squash it.
So it's still up. So I don't use the word could.
Everything's possible with God, okay. And I believe in God

(08:29):
and I role with God. They ain't believe in us.

Speaker 1 (08:32):
God did and be ready for Alama God, And that's
the world of God.

Speaker 2 (08:38):
So this is the world of God. Guess what, oh
matter of fact, thank you guys for coming to the
Holy Ground. This is the cattle residence, the Holy Ground.

Speaker 1 (08:50):
You know what I'm saying.

Speaker 2 (08:51):
That's what it's about, yo, Joe, take it how you
want to take it. I'm about unity, peace, love, and
when it comes down to music, Jada, I'm a collaborator.

Speaker 1 (09:04):
M hmm. That's what I do. I don't rap now.
If I wrap it be a fucking problem because ain't
nobody gonna outwork me. Chad it right on my rhymes.
I start tomorrow. I show them how to do this
ship because I ain't gonna stop. Just being honest, No, I.

Speaker 4 (09:21):
Know that, but lem ain't on the top floor when
it when it talk for where you with them?

Speaker 1 (09:26):
Hot for? To make my stocks go? What the beards go?
Don't play. Nothing can stop me up all the way up.
You know what I'm saying. If you want me to
stop it, sining, if I stop it right now, no, no,
she can't know. Just keep all this ship. This is
I understand. You know nobody's stopping this sin Yo. I

(09:49):
didn't say edit nothing. I just said, Jamie, if you
want me to stop, you let me know, cause you
gotta say keep going, keep going, yo. Listen kind of
this what I'm saying right, it's the number one show.
I've been waiting for the show.

Speaker 2 (10:03):
You know, I've been with nobody, not just to get
on it, Pete, I've been waiting for this show men
he has in before it existed.

Speaker 1 (10:11):
Y'are not het what I'm saying, Like Justin Baber said,
this ain't clocking me. You You think I'm just picking
you up because we got cameras here. I'm bigging you
up because I love y'all. Y'all deserve it, and this
the fucking number one show and I'm not taking that
away from nobody.

Speaker 2 (10:26):
What I'm saying is when I see that ship pop
on the ground, I get excited. When you talk about
what's the best albums and what's the best collapsed and
what's the best features, how many Jada features they had,
and then Jada, you know, throwing a tab and Joe
telling amazing stories.

Speaker 1 (10:41):
Thinking that cat.

Speaker 3 (10:42):
I'm like, they think that's cat.

Speaker 1 (10:49):
You know you're want to sell it.

Speaker 4 (10:52):
When I said I wanted to sign Joey Badass.

Speaker 1 (11:03):
Ladies, apologize, thank you, thank you.

Speaker 3 (11:08):
He really was gonna son Joey Bedless, I got several
dems of static smoke, visit kids that ain't no cap
We gotta apologize.

Speaker 1 (11:19):
I got up, brother, that's real because you know call
it God. Bless you, Thank you brother, God, bless your family.
Thank you.

Speaker 4 (11:30):
You live a life that Benny would dream of living.
How do you keep touch with reality? Because you got
to understand the viewers and the people have the answer
for you.

Speaker 2 (11:45):
God is reality. That's the problem. Everybody trying to know
what's reality. Keep it a rid keep it God, keep
it God.

Speaker 1 (11:56):
Understand that. No no, no no no, overstand that. Over that's
the reality to me. I know that. But let me
just tell you because you've just said something before that
you said family's right in life.

Speaker 2 (12:12):
I can speak for myself. I dreamed and it was
a goal to have a family. When you met me,
I was grinding for my family without a family, m
meaning asking you know what I mean, aside of the
line and my wife. That's how focused I was when
you met me.

Speaker 1 (12:33):
You know that. You know when they say yo, you
gotta work. That's my favorite.

Speaker 2 (12:39):
Thing is to outwork everyone. So my job is to
protect my kids and my wife. That's my job, and
that's the job, and that's my life. So when you
asked me a question like that.

Speaker 1 (12:57):
That's all I gotta tell you? What else you want
me to tell you? See, I view everything as inspiration.
So when I see you from island to island on plane,
your own plane, this that I looked at everything as inspiration.

Speaker 2 (13:11):
They told me I couldn't fly so away and got
a globe with sixty five. They said I could never fly,
and I was scared to fly. When the side was born,
I flew immediately. God said, calla, here's a side. You're
fearless now, yo, Joe. This to Joe and Jada.

Speaker 1 (13:30):
I've been waiting for this. I've been watching you.

Speaker 4 (13:32):
Give back to everybody, not taking credit for it, but
just giving back, giving back to all communities and everything.
How important is it for you to give back to
the people, because I'm sure y'all walked the show.

Speaker 2 (13:50):
Ever since I knew what life was, I've been giving back.
When I was broke, I was giving back and I'm
always gonna give back. We've been giving back from day one.
That's what we do. If you see it, man, bless up.
If you don't bless up through my blessings and more success,

(14:13):
we started a foundation Coach Chef Melissa. You know I
hate a lot. That's that lobster with the caviar. Come,
here's just a lobster with the caviar. That chef Melissa,
here's it just cheflica. People talk about hit records anthem.

Speaker 1 (14:30):
Yeah this because y'all. Number one thing that Calin has
is he has a nine for ten. Every one of
his team members are so fighter and important.

Speaker 4 (14:41):
He ain't just got a chef. He got the best
chef in the world, Chef Melissa, and she urg and
feeds if it's thirty of all of us, if she
takes care of all of us. Hey, yo, listen, my sisters,
my kids, my family, we love you, Melissa.

Speaker 1 (14:57):
What you got lobster rows? You know what time it is?
We late? Nice? She's still out here representment, so she
knew Jaya was coming. Thanks so much. Let me here.

Speaker 3 (15:06):
I just want to throw some words out to you
and see what what they mean to you.

Speaker 1 (15:11):
You know what I mean branded? Everything you promote, we
branded is number one. An't look branded. We the best coconuts.

Speaker 2 (15:22):
Go to wedbest dot com and you just self a coconut.
But you think it's a game, y'all tripping y'all out
here thinking shit is cool. The game change. You know,
it's back to the basics. It's back to passing out flyers.
Talk to me about whoever neglect whoever neglected radio played
themselves because it's back to radio. Y'all out here thinking

(15:44):
shit is cool, It's not. It's back to the hustle.
It's who outwork everybody, But you gotta work smart. I
was just telling my team today, I was like, Yo,
the game change. The world moving so fast that they
see a losion that starts a collision.

Speaker 1 (16:05):
It's moving so fast.

Speaker 2 (16:07):
I'm telling them, Yo, when it moved that fast, it's
back to the basics. I don't care how big you are,
Jada Joe. I don't give a fuck how big you are.
You gotta work because the fans not only do they
got love and they show us love and they do
so much beautiful things by supporting our music and our brands.

(16:27):
But there's so much shit going on that the shit
ain't poking. That shit lasts for a day or two.
So it's back to the basics. So now the fans
gotta see you work. They gotta see you sweat, they
gotta see you put in that groundwork. It's back to
them big pun fat Joe stickings.

Speaker 1 (16:46):
Hey, listen, you know what I'm saying. If you saw
I don't know if you saw Cardi b Tabel Tooler
to hit the streets and she went on one twenty
fifth through the CDs on the map with the inside.
Josh sent that to the freaking goofy talking about yo,
non nice show.

Speaker 4 (17:04):
I said that to this, she said, how much you
want me to go back to the streets. I'm on
one twenty five. Yeah, I loved it. When I seen
that shit, I was so excited. First of all, shout
out to Cardi b. She on that Alama God too
and she going crazy. Shout out to Cardi b b
X in the building. She's coming on the show real soon.

(17:26):
I gonna have reals. The number one show. Everybody coming
on the show. Were killing these dudes. Number one, this
shit out of control. We number one, non controversial.

Speaker 1 (17:36):
You know what I mean by the show, Jason, Chuck, Jayda,
hold on, hold on, Joe, I'm sorry. I've ain't got nothing.
I got counted on. You know, I'm gonna talk forever.
This is Jada Less.

Speaker 2 (17:43):
When you came on the show and said when Jada
came on the show. If I'm not mistaken, I don't
know word for word. This is how I love. The
show is super different and real. You said, ain't nobody
talking about styles? No, when you laid the law down
before the show started, as Joe, I told him that,

(18:06):
I said, I love it because ain't nothing like brother
going and keeping it real. Ain't nothing like it. They
ain't nothing like it because it's fucking rare. Ain't nothing
like why is it rare?

Speaker 1 (18:20):
Ain't nothing true brotherhood in this business? And Shoe, you
love this ship? You don't love this?

Speaker 4 (18:29):
I loved this octopus out she just made no.

Speaker 1 (18:32):
I never seen a man. I love a show so much.
You know the man. I love the man transition like like, Yo,
this is Joe Crack. Listen the man so professional talking
to me. I said, I never seen no man so
focused like the well tell you the war by the
four Pistol. You see this ship right, so Crack, you

(18:54):
never seen No. I can't take it now. The man
is so profession shit with it when listening. Shit, that
was unbelievable. Because go ahead, I'm sorry, Joe.

Speaker 4 (19:05):
Because nowadays it's so much fuckery going on in this world,
not just this industry that when you see.

Speaker 1 (19:13):
People keep it real with each other, you can't believe it.
And all they doing is being men, real women. If
you stay solid and you represent your brother, they look
at it like what it's a miracle that you guys,
you know, keep it real with each other.

Speaker 4 (19:30):
Why has that been a race? You know, we're going
through some shit in this world.

Speaker 1 (19:35):
You know it's Joe and Jada. Yeah, no, no, no, no,
no no, no, this out.

Speaker 2 (19:38):
Joke, tam, it's Jada kiss in fact Joe Joey Krat Right,
don't get it.

Speaker 1 (19:44):
Listen, guys, guys, wake up. You know what I'm saying.

Speaker 2 (19:49):
You know when they say authentic and you know, everybody
want to keep it real and everybody know the real
this and that Jada kissing Joey.

Speaker 1 (19:57):
Krat Yeah, I tell them, guys, just say just a
show like yo, Like this ain't just records.

Speaker 2 (20:03):
These guys have have unbelievable legendary history that we love
and respect.

Speaker 4 (20:11):
You know what I've told Jada, people are thanking me
so much every day because this guy has been their
favorite rapper.

Speaker 1 (20:21):
They never heard him talk. They're like, I can't believe
this guy talks No.

Speaker 4 (20:28):
Your fans never knew your true person. That they knew
your music, they never seen you talk. They come up
to me every day. Yo, he's so funny. He's there,
he's that thank you for making them.

Speaker 2 (20:39):
Talk, Yo, Joe, I agree with you, Jadya Listen, he's
not lying.

Speaker 1 (20:45):
So I know you. You my brother.

Speaker 2 (20:47):
You always could have smiled on my face and made
me laugh when I come to Yon because you make me.

Speaker 1 (20:52):
Feel like I'm at home when we recall records.

Speaker 2 (20:55):
There's so many legendary stories I have with you, and
out of all little stories, you always kept the show
one hundred so real trusts.

Speaker 1 (21:06):
Not many like you. You know what I'm saying.

Speaker 2 (21:08):
And then when you're doing this show, I knew you
would only do a type of show like this if
you was besides somebody that was one of the realist
that ever did it. I'm just being honest, and that's
what I said before this, I said, this is Joe
and Jada.

Speaker 1 (21:26):
I knew that Jay who was like a kissing Joey Krack.
I knew that Jada don't like talking like it's not
play ourselves. I knew Jada don't like talking. I walked
them into a room the first day we shot. See yo, Jada,
I don't know what your finances is. That a lot
of money though I ain't gonna got a lot. No, No,

(21:47):
you got at Listen, Jada, your brown paper dad d
Jada is a brown paperback legend. You don't laughing about
Joe is real.

Speaker 2 (21:58):
You know people I know that brought brown paper out
to Jadakiss When you said, when you said how.

Speaker 1 (22:02):
Many feet is he gotten?

Speaker 2 (22:03):
He had a smile because you know, brown bags came
through your crew, laughing because you love a brown paper bag.

Speaker 1 (22:10):
But when we made your.

Speaker 2 (22:11):
Solen brown paper bag, I was disappointed.

Speaker 1 (22:13):
In myself and then put you on it.

Speaker 3 (22:15):
No, it was the mad That's one of the maddest moments.
I feel like I supposed to be. Imagine him on
brown paper bat.

Speaker 4 (22:27):
He would have went I tell him, I go like that, Yeah,
he would have went crazy. Try I tell him like
this And see your Jada, I don't know what your
finances are.

Speaker 1 (22:35):
I know you're doing great. I'm doing great.

Speaker 4 (22:39):
We have an opportunity in this show right here to
get the super bag, and that means it's going to
get huncomfortable. Sometimes it's gonna get whatever. But we gotta
stand on our ground and we gotta go all out.
We can't play. You know, I started it off the

(23:00):
first I came out boot boot, the JB seats the distance.
I started shooting at everybody to see who wanted the
drama right quick. Everybody said, Joe, this podcast, chill podcast.

Speaker 1 (23:14):
But I told Jay to Yo, we got no choice.
Let me think singing.

Speaker 4 (23:20):
The reason why we love TNT it's because Charles Barkley
is a Hall of Famer.

Speaker 1 (23:25):
I'll go down your throat like Barkley.

Speaker 4 (23:28):
You got se Quill O'Neill, most dominant player in the NBA.
You got Kenny Smith. The point is people want people
who really played the game from the bottom to the top,
has seen everything across the world. My man, Top five,
dead or live, we'll talk. And then you got Joe Crack,

(23:51):
whatever that means to you. Right together, I knew all
these guys was in trouble. Everybody trouble said it because
the authenticity is too real.

Speaker 1 (24:04):
How you gonna out talk us? Sue Crack, you said
it perfect, Jada.

Speaker 2 (24:09):
That's what I was trying to tell you, And that's
why this show is special because not just me, but.

Speaker 1 (24:15):
I could speak I would think. I can speak for
a lot of us. We've been waiting for this. We've
been waiting for this show. Yeah, check it out.

Speaker 3 (24:28):
You know what it is, your boy Jada kiss Joe
cracked Joe and Jada that this is what we're doing
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Haha. Hard rock man, it's seven. Those beautiful people, man,
they always book me.

Speaker 4 (25:27):
I'm out there real soon too, go out there, have
a great experience, great time.

Speaker 1 (25:31):
Don't forget the gamble a little and have some fun. Peace.
Pay a boll and bonus bets, not a cash offer offered.

Speaker 3 (25:39):
By the Seminole Tribe of Florida and Florida offered by
Seminal hard Rock Digital LLC and all other states. Must
be twenty one and over and physically present in Arizona, Colorado, Florida, Illinois, Indiana,
New Jersey, Ohio, Tennessee, or Virginia to play. Terms and
condition apply. Concerned about gambling in Florida.

Speaker 1 (26:01):
Call one AA admitted in Indiana.

Speaker 4 (26:04):
If you are someone you know has gambling problems and
once helped, Call one.

Speaker 1 (26:08):
Eight hundred and nine with it.

Speaker 4 (26:10):
Gambling problem, Call one eight hundred Gambler a Z Colorado, Illinois,
New Jersey, Ohio, Tennessee and VA.

Speaker 1 (26:22):
What about DJ Caller? What could he do? Now? You're
filthy rich, if you're hop skipping to jump every country,
if you go to a bad money show, you on
stage with him, You CrowdSurf in the fucking football game?
What else could you do? Now?

Speaker 4 (26:38):
What are you trying to prove? What else can you do?
I'm not trying to add on to.

Speaker 2 (26:43):
The world because you've done so much, Joe Crack, I'm
not trying to prove nothing. My only competition is me.
I'm working on the fourteenth album Alima.

Speaker 1 (26:52):
God. Some people can't make it past their first album
to have a career. Yeah. Now only do I love music.
I remember coming as a kid.

Speaker 2 (27:04):
I had to be at least seven eight years old
when I fell in love with music. Around ten or eleven,
I had to know, like, yo, this shit is serious.
Twelve thirteen, I said, this is my life, so hip
hop my life, and it changed my life, and it's
done so much for my life, but also throughout my career.

(27:26):
I knew I was going to be an entrepreneur. I
knew I was going to make music. I knew I
would be a DJ. I knew I would be a producer.
I knew i'd be an artist. I knew I would
be a music ezech. I knew that I was one
day going to be a part of music.

Speaker 1 (27:40):
History, right.

Speaker 2 (27:42):
I don't know how what I was going to do
as far as like, you know, when the albums came.

Speaker 1 (27:47):
I remember dropping the first album. Joe I came to you.

Speaker 2 (27:51):
You know, we had many talks on the swimming pool
I think I was convincing you about put eminem on
lean back.

Speaker 1 (27:59):
I was telling them like, He's like.

Speaker 2 (28:00):
Yo, I told him put eminem on lean back, and
he was like, Yo.

Speaker 1 (28:03):
Okay, we can't.

Speaker 2 (28:04):
I'm like, I thought we couldn't get I was like, yo,
I'm like, the fuck he talking about is Joey Krack.

Speaker 4 (28:12):
That's when I really knew the power of callent so
call it's relentless, determined. I mean I heard stories of
you getting guys on records where you climbed over their
benching gate.

Speaker 1 (28:25):
Yes.

Speaker 3 (28:25):
Facts, one of the most consistent, relentless Yes, knocked down
your door knob.

Speaker 1 (28:34):
Yes, Sally, he needs his verse. Yo, listen in the mundy.
But kiss hold On came out of the cineratd he
goes beyond. But Joe hold On, I'm god he said
that because first of all, that's facts. Hold On. I'm
always here for you. No, no, no, no.

Speaker 2 (28:53):
No reason why I'm saying that is because even when
it's not my record. Remember on a lot of my
brother Ross's albums with him and Pooch, and I remember
how to get Jada kiss on. Maybach Music one of
the Mayba one of the may Back music parts and

(29:14):
Ross like, yo, we need kiss on there. I was like, yo,
we reached out a kiss. Kiss automatically that y'all got you.
I'm in New York City. The problem is we gotta
turn in the album. I called him. We got to
turn the album. The next day, I'm lighting up kiss
his phone like no weather, people around doing.

Speaker 1 (29:32):
Nobody can get jail. Listen, listen, this's sen not Dada Kiss,
same day.

Speaker 2 (29:35):
Listen down on me, not just Jada kiss everybody. Finally
I got the message the kiss. He's like, Yo, come
to Yonkers studio.

Speaker 1 (29:47):
Kiss. Did I show up? Well? D Block poled up
a d block played the record? Kiss? You know what
he do? Light one up? Let that music play? You
did it? Hey? Continue to I'm just telling you the
truth because I got to make sh it up if
you want me to make first I got from Jady Kiss,
I had to chase. Oh no, no lying again. Listen

(30:08):
listen lying and the man not only no, I'll give
him Rolex. You get me, he's lying. The man not
only delivered.

Speaker 2 (30:17):
I left the studio, went to the mastering studio, mastered
the album, and the rest was history. You know, Jada kiss.
You know anytime I called him for a cold album.
Not only did he blessed the album, he always, always, always,
always always got me.

Speaker 1 (30:40):
And I'm forever grapeful for that brother, forever. You know
what it is. Charlie pulled up to the block. Charlie Pistol,
the whole crew.

Speaker 3 (30:49):
They're gonna full up middle of the street, opped on
dirt bikes.

Speaker 1 (30:55):
I missed that one. Now, who's telling you kids? Yeah,
I was like this superhero.

Speaker 3 (31:01):
They he made people's lives that when I see them
to this day.

Speaker 1 (31:06):
They like, thank you for brilliant DJ called to the block. Now,
I love that.

Speaker 2 (31:12):
I had so much fun. I forgot we was we was,
you know, shooting the video, Like.

Speaker 1 (31:16):
Well, it was so much fun.

Speaker 2 (31:18):
And Shoeburn not mean it's that Jady Kiss blessed me
besides my albums. I reached out to Kiss one time
to bless me for my Jordan's commercial.

Speaker 1 (31:29):
Oh you know what I'm.

Speaker 2 (31:30):
Saying, Yeah, he blessed me with that. You're saying, you
know what Joe Man like being on this show. You're saying,
y'all two brothers. I can, I can the whole show.
I can just dedicate me praising y'all. First of all
y'all to hip hop kings, to hip hop legends, and
not only I love you, everybody love you.

Speaker 4 (31:48):
I really want to ask you question that's on my mind,
but I know you're not going to answer it. Don't
ask because what what's the biggest check you ever got
in your life?

Speaker 1 (31:58):
Oh?

Speaker 4 (32:00):
No, oholl say yeah you got him singing that yo
yo yo, what's the biggest check?

Speaker 1 (32:06):
You know? What's so beautiful about that question that none
was ever given to me? I know that. No, no, no,
I'm going to answer. Okay, none was ever given.

Speaker 4 (32:16):
Let me give you, Let me give you a let
me give you a reference. One day I did a deal.
I made a million dollars. I ran over here to
tell him so bad. I came sat down, like, you know,
I maybe a deal for a million dollars.

Speaker 1 (32:30):
So I sat right here.

Speaker 4 (32:31):
He sat next to me, and I was like, when
I was about to tell your calendar, cand of just.

Speaker 1 (32:35):
Say yoh, they just left. I said, oh truth based
commercial five million in my.

Speaker 4 (32:41):
Uh in my bathroom right here.

Speaker 1 (32:44):
I didn't even have to leave the house. I was like, oh,
whole say, can you see?

Speaker 4 (32:52):
This was the moment I've been waiting for to tell y'all,
I just made a million and some shit.

Speaker 1 (32:56):
He said, man, just pay five million, brushing my tea.
They just left. I sat back, I said, Yo. At
that point, I was, I'm terrified to tell you whatever.

Speaker 2 (33:08):
I'm I'm gonna be honest with you, man, Like it's
not about the number amount that we made you.

Speaker 1 (33:13):
I'm saying, what's the check? What's it a check?

Speaker 4 (33:16):
What's the biggest check that you looked at and you said, hallelujah,
we good?

Speaker 1 (33:24):
You know what?

Speaker 2 (33:24):
The biggest thing that I love about being an overcomer,
you know, just keep it real. We're overcoming, super Jada,
kiss your overcomer, Joey Crack, you're overcome, O rich DJ Shod,
I'm an overcomer. If it was up to them, they
would want us broke, miserable, unhappy. They would want us

(33:45):
instead of being right here. They would want us to
you know, just they don't want that's for us.

Speaker 1 (33:51):
No, no, how sad.

Speaker 2 (33:52):
But you know what, the best things people ain't the
best things ever?

Speaker 1 (33:56):
Different, my blessed how sad? Is it a success?

Speaker 4 (34:00):
There's people out there they are really upset that we
worked taughd and God blessed us to be successful.

Speaker 1 (34:07):
But tell you does that ever bother you? Because I
tell us, I tell you where it doesn't bother me.
That I take care of my mother and father, my
wife and my kids, and if my brothers that I love,
that's with me forever. I'm right here.

Speaker 2 (34:26):
That don't bother me. And that's what it's about. You
know what I'm saying. It's not about how much you make.
It's a feeling that is undescribable. When I talk to
my mother and my mother and I know that I'm
taking care of my mother or father and they ain't
got to pay for nothing.

Speaker 1 (34:46):
When I see my kids.

Speaker 2 (34:49):
Go to dream All we live in Miami, go to
dream All to play with Ninja kids for the day
and come back home the same day and make it
the school man, what a blessing. You know how it
feels when my son wake up and say, Yo, I want.

Speaker 1 (35:05):
To it's done. That's what it's about, Joe.

Speaker 2 (35:10):
That number of man, what you're talking about, it's no
limits when God bless you, because I'm not stopping mmm.

Speaker 1 (35:20):
And when you're in Miami, let's go shopping. I can't
go shopping. The best your courtiney seventh with him, I
can't go shopping shop. Lit's just kiss. I can't go
shopping with another fact your chest guy here something he
would rub me to fucking be miserable. Every jacket. I

(35:40):
wasn't shopping with him. Man, I like what. I don't
want to stop. I'm walking out with a scarf. You
can stop it. No no, no, no no, she can't
stop it. Kelly, leave it. Don't listen.

Speaker 4 (35:51):
Tell you the one day he says, your joke, bring
your money right, we're gonna shop it.

Speaker 1 (35:56):
I come a dethel bag of money. He come with one.
We go over there. Every store we walk in, he
grabbed the flyes Jack. I need this, I needed this.
I'm looking. I'm walking out with a scarf, a fucking handkerchief.
I'm not your Keller. I cannot go shop, Joe, Joe,
You're pulling everything out here, Joe krat. They called the lion,

(36:18):
they call us Miami dolphin. Yo. Kiss you think your kiss?
That's one thing they take.

Speaker 2 (36:25):
They take my kindness for weakness, because you know I'm
kind and kiss. You know I got loved. But a
lot of people take our kindness for weakness.

Speaker 1 (36:36):
You could listen.

Speaker 2 (36:38):
I want you to take it for greatness. I want
you to take it for motivation. I want you to
take it for inspiration. I want you to take it
so you know you could do it. I've heard Joe
say and I heard many of the great say it,
and I'm gonna say it every time I seen somebody win.
Real hustles respect real hustlers, and they show love the

(36:59):
other and they let him know it's possible. Remember, I
was the kid in the back seat of a Joe
Crack Escalade UKN bands in a Lexus Crack and an
mb MPV.

Speaker 1 (37:13):
I think I named all your whips. You did yao.

Speaker 2 (37:18):
So I just want you to know he was there
when I get I was in the winge so to
see my brother not only beat an icon, Fat Joe
and Big Pun.

Speaker 1 (37:30):
So how all your relationships?

Speaker 2 (37:31):
I was there with the con Rolls recorded is still
not a player. I'll tell you a story. The main
record is still not playing. Me and Joe Crack came
to the studio and be pun with Joe Crack was like, Yo,
we gotta go to the studio. I'm in New York
visiting Joe. I was staying in Brownsville. God bless my
man passed away. Bugsy, God bless him, and Joe's like, Yo,

(37:53):
I'm gonna pick you up. I'm like, I gave him
the adderge I'm in Browns, but he's, yo, what are
you doing in Browns? So I ended up meeting in
the city, and we go to the city to meet
Big Punt. He come in the studio, Big Pun sitting
on a chair like this, you know, in the studio,
like the lounge, and he got a little nickelbags all
over the table and he rolling up a blunt Joe

(38:17):
crap walk in the studio, you know, Joe grating the
dawn at that time, No, still the dawn.

Speaker 1 (38:21):
But I love his growth. You gotta, you gotta, you
gotta always bigger.

Speaker 2 (38:27):
Man for his growth, because at that time it was
like John Gotti mm hmm. The man walking in the
studio gets fun of a big check, gives him a
check a check, and that says, see the Lexus outside
shords and my lion right. He recorded still not a Player,

(38:52):
but didn't record the final version. Steve Rifkin and everybody
from the label kept calling Joe and Pun like, yo,
what's up when we get in this record?

Speaker 1 (39:00):
When we get a single? One get rigid remix remixed.
I'm glad you said that.

Speaker 2 (39:05):
The remix and Pun weighing the booth and freestyle just
talking mad craziness like yo, the label this and this
and that and this and that they're trying to this
and that the man did like a free style, just
so like at that time, people wanted to know if
you was working, they paying for studio time and all that,
and who produced the record was. I forgot the name

(39:28):
of the producier, but big them up. I remember you
know the record Minnesota. But I just loved it.

Speaker 1 (39:33):
Because I got.

Speaker 2 (39:36):
I gotta see Pun in his rare form, And I'll
never forget because that's when one of the what was
the beat that Clue had that didn't come out? That
was just so uh it was a beat that Clue
had they gave you that day yard Pun heard it
and he whipped it down.

Speaker 4 (39:54):
You know, you people can't see this house right, but
this is fucking we in like Frank Sinatra's house and
some ship whatever Jackie GLEASEI Sami whoever the motherfuckers ran Miamla.
We're in the Milio Stephan's house here, and so many
times I came over here to see Calli and calib

(40:17):
be like this.

Speaker 1 (40:18):
He look at me. He go, no, no, I swear
to guy. He's just.

Speaker 4 (40:25):
I'm proud of you, you fat Joe. You're doing big things,
but nothing like you walking in with big punt. Yeah,
break that down for us, because he told me this,
and I'd be like, yo, Pump, I mean, like, call
it what you want me to do with He'd be like, yo,

(40:46):
you and pun.

Speaker 1 (40:47):
Now you've seen me in.

Speaker 2 (40:49):
Price, You've seen that you kiss. You're part of that era.
You seen the Joe and Punt era. And I just remember,
remember I'm the kid in the back seat. You know,
Joe loved me so much much. He really had a hundred.
You know you always say a hundred guys with him.
I know you want to throw the towel and all that. Okay, listen,
if it ain't a hundred, it got to be seventy

(41:09):
five thirty super snipers.

Speaker 1 (41:12):
I'm gonna be real with you. It was special, bro.

Speaker 2 (41:16):
Okay, I can tell you that what I'm saying is
Joe and Pine. I'm so blessed in my career to
see that, to witness the birth. I remember Joe telling
me he played me the twins. He played me Twins,
who was in a Lexus in front of Fifth Avenue
in South Beach, in front of a front of club

(41:38):
Cream and he played me Twins and he's like, Yo,
this is for a mixtape. I couldn't believe he told
me it was. That's how focused I was back in
them days. The mixtape was the hottest shit in the world.
I was showing them. I can't believe you saying this
is for a mixtape. I said, this took one. That's

(41:59):
how focused I want us. And by the way, mixtape
was the one. I'm just trying to show you how
I was thinking.

Speaker 1 (42:08):
Your brain was progress. Joe.

Speaker 2 (42:11):
Not only had you know blessed me to have a
relationship with Pun, but Pun used to come to Miami.

Speaker 1 (42:15):
He came to Miami.

Speaker 2 (42:16):
He went to bless him Man Homer drive.

Speaker 1 (42:20):
Down to Marc to Miami in the van and playing
his music.

Speaker 3 (42:24):
Pun was on promo to All Together, his first album,
with my first album, we did. We went all over
the world, they go, We did things, Dominion together, We
did Man.

Speaker 1 (42:35):
We was on Mad Flights together. Kiss the Man.

Speaker 2 (42:38):
Punk came down to Miami to play me the album
and I'm gonna tell you the story. He said Catt
to meet me at wet Willis. We go to wet Willie's.
I jump into the van. You know, wet Willis at
that time was ship. The man popped the doors open.
There's a band. It's me and it's Pun, and the

(43:01):
man had a big ts hain like this.

Speaker 1 (43:05):
Hold on. He plays me.

Speaker 2 (43:08):
The Battle with Jady kissing, Big Pun look on Everything
I Love. He plays me in front of people, the
Battle Kits with Jayda and funny. He plays me that
whole album. And I'm listening to a ship. Who thought

(43:29):
of that?

Speaker 1 (43:29):
You and Pun acting like y'all was battling on a record. No,
he played me that. I don't know of him Greenland somebody.
He played me that. No, I'm glad on everything because.

Speaker 4 (43:46):
For years he kept telling me, because because as far
as I know, there is no more big punk music. First,
Joe Kraft knows there is no more big punk music
like New versus Ship like that. And he kept telling me, Yeah,
so there's a joint Jada and fucking Pun.

Speaker 1 (44:06):
Pun played it for me. It never came out. Jada
on Everything I Love?

Speaker 2 (44:13):
He playing for me. Hold on, you know, I'll never forget.
I drove from Miami. That's when I was doing the
Luke Show on ninety nine Jams, and every Friday we
would do a world Premiere.

Speaker 1 (44:26):
I remember world Premier like everything that was hot before
it was hot.

Speaker 2 (44:33):
And I drove all the way from Miami in New
York and I went to Pun's house. He had his house,
and I gotta keep it real with you. I don't
know why y'all think Joe Kappen. The man Pun had
a hundred people around his house and like at least
fifty people in it.

Speaker 1 (44:49):
He was going to jail for a thousands.

Speaker 2 (44:51):
No, listen, I'm sing here, died I ja listen way
in the house and I'm trying to find the dat,
trying to find the da. I had Pun freestyle over
Biggie Victory from top to bottom. When he got done freestyling,

(45:12):
with all due respect, God bless my brother. When the
beat shut off, the man took a nap. I never
seen nothing like it in my life. He just got
done ripping it down. Legendary. And when the bee faded out,
took a nap. No, you gotta understand, I'm sitting in

(45:34):
the living room like no, he getting busy. So after
you wake up with chow me talking. First of all,
I couldn't believe I was in Pun's house. I never
forget it. My brother Nasty, he has to die because
I give him all my dashs back in the days
we're trying to find it. I had him rhyme from

(45:56):
the beginning of victory to end of victory.

Speaker 1 (46:01):
Imagine how that shit sounded, beig fun. How could you
lose it? I am I saying this loss.

Speaker 2 (46:08):
I'm saying my brother Nasty being lazy because he got everything.
That man right there, if there's a buffet, he's showing up.

Speaker 4 (46:17):
That's my brother, now, Nasty. You know, Nasty's a great guy.
You know when I met Kali, tell me you love
this shit?

Speaker 1 (46:24):
Right? I met Kali?

Speaker 4 (46:27):
What was the New Music seminar Recipeace Clark's Seminar Clark
Can't had a battle?

Speaker 2 (46:32):
Clark K had a battle in and Who for Us?
My man that won the freestyle battle on New Year
and Seminar with the Trade Your Man Loved Him Pumped
Supernatural super Supernatural one. The Supernatural won the freestyle battle.
Clark K had a DJ battle. I met Joey Krack
in front of New Music Seminar Outside I had a

(46:56):
The Flow Joe album, Wowyl Nyl you know Joey Crack
at that time, even if he was happy, he had
a grill like this, so you didn't understand if it
was if he's gonna hurt you or if he's just
being like So when I met him, he was like, Yo,
how you got that vital? Because what album wasn't out yet?

(47:19):
And I was I ain't gonna lie. I was scared shitness,
I can't lie. I was like, Yo, this is a promo.

Speaker 1 (47:26):
You know what I'm saying. I got to connect. I
didn't want to reveal the connect it says you know,
it's all love now. And he asked, you know, ship
hop what was his name? It was Rock and Soul.
The record Soul gave it to me.

Speaker 2 (47:40):
It was they always held They always held certain promos
for me when I come in town, Like you know
what I mean, I always keep my relationships at a
high key. So even though I wasn't from New York,
when I come to Rock and Soul, they always had
my my my Ship on the side. And there was
a Joey Crack album. He's like, Yo, how you got that?
You know, I'm not trying to tell on the TV.

Speaker 1 (48:02):
And this is around the time we used to beat
up the bootlegs and.

Speaker 2 (48:05):
So you know, it was a sticky time bootlegg in
and all that. And you know, I was like, yo,
I'm a fan. Boomom boom. And we build a relationship
from that day on. And I'll never forget. He came
to Orlando with Pun and they had like a red bat.
Matter of fact, there's a peat those pictures that he
post up with the red BMW the convertible.

Speaker 1 (48:23):
That is. I met Joey Crack months before that.

Speaker 2 (48:30):
And he came to Orlando and there was a show
with Shaq and Knives and they got pictures of that.
You know, when they talk about that thing, I always
comment on the comments.

Speaker 1 (48:39):
I was there. Yeah, ain't that crazy? Now? Now?

Speaker 4 (48:42):
Now, shit come up and you gotta see ya. I
was there, you remember, I was.

Speaker 1 (48:46):
I was here. I was a baby, but I was
embracing this greatness.

Speaker 2 (48:50):
I gotta see Bizmarquee, Joey Crack and Pun and all
these great Remember I'm a little kid just in love
with hip hop. I was djaying clubs and halls before
I was able to try right. You know, I was
passing out flyers at twelve years old to parties I
wanted you to come out to.

Speaker 1 (49:12):
I'm not making this up. Top five Miami anthems, Top
five Miami anything from trick Daddy? Which one I mean
too many? Is? Motherfucker? Know that one? What the number

(49:37):
one is? Motherfucker wan to know? On? That's my favorite,
That's my favorite. That's what that's that's what mount my mother.
Hold on, that's I can't forget Uncle Luke, any one
of them, anyone birthday, all them. And then of course
Rose Rose Road is in fucking to Rose hustling, and

(50:00):
then I mean it's it's hustling. It's more than time.

Speaker 2 (50:09):
Hold hold on, hold on, d J cont and I'm
so hood rush More, j call board raised rush More,
kiss you kiss you know my humble. I'm humble, but
I'm very confident. See people get humble and competent confused.

(50:29):
I'm humble because every day I pray. Every day I'm
giving thanks with the camera on and when it's off,
God is the Great. Hard is God, and that's what
I'm this will light. But I'm confident, Yo, kiss crap.

(50:51):
Ain't nobody ever doing like a d J cant.

Speaker 1 (50:56):
We can get down to work album.

Speaker 2 (50:59):
My adlog is several greatest hits, not one greatst hits,
several different parts of greatest hits. I could talk to
you hours and hours about anthems that we all was
a part of, grew up on, or a time marker

(51:22):
in their in their light.

Speaker 1 (51:25):
Don't get a twisted this DJ callwick.

Speaker 2 (51:28):
My confidence level not only is at a high level,
it's facts. It's different when it's at a high level.

Speaker 1 (51:35):
When it's facts. God, my humble news receipts my humbleness
all glory to God, said Alamba God, no God want
mean what does Alama of God mean? Alam in Arabic
means world, Alum Alim means world, world of God. This

(51:56):
is world of God.

Speaker 2 (51:58):
The reason why I named my Alma Alama God only
is my son name Alim of God.

Speaker 1 (52:03):
You know I thought about it coming off of God,
did I said, Man, you know what.

Speaker 2 (52:11):
I'd to remind people not only they adn't believe in us,
that God did. And I felt like when I said that,
it resonated with the world and they oversteal what I
was saying. That's why that song had was so impactful,
and the album was impactful. Five nominations are the Grammys.
We ain't win one, but we won in real life,

(52:32):
and God will and we will win one.

Speaker 1 (52:34):
Top five moments.

Speaker 4 (52:37):
You know, I was there when you We was in
Noble and we heard a little beat. You recorded it,
and the next thing I knew, two days later you
have Beyonce singing that shite. Top five moments that blew
your mind and you maybe it was easy coming in here.
What what's the top five moments? It blew your mind
and you was like, is this happening?

Speaker 1 (52:56):
What are you talking about? What recording something that? It was?
Actually Zooma shot the Noble because Nobles. I love Noble.
I got the Noble Sushi sneakers. It was Zooma.

Speaker 2 (53:07):
It was Zooma, and I heard his record player was
in the private room, and I was like, this shit crazy.
So I just ambit. I'm there with you, ran bit
And the next day I went home, looped it up,
got with the team and we made Shining, Shine It
Shine It, present it to jay Z and Beyonce. And

(53:28):
I'll never forget because I went to see jay Z
and I brought my own speak at the end, and
I was like, I need to have a meeting with you.
And one thing I love about Jigga if he love you,
the man is accessible me.

Speaker 1 (53:41):
And you asked in like as big as.

Speaker 2 (53:43):
He is nine out ten, if you got love and respect,
you can have a meeting with him. Shot a meeting
with him, and I remember I was like, yo, I
played him a bunch of beats and I was like,
yd knew my album and I played him shining instrumental.
I'm like, Yo, I need you on this and he

(54:03):
was like this.

Speaker 1 (54:03):
Look. I remember turning it down. I was like, yo,
but I need you and I need the Queen on this.

Speaker 2 (54:09):
He looked at me like it was crazy not being honest.
You war me lot of you. I can lie to you.
I So I was like, yo, I need the Queen
on this too. So when I'm leaving, he's like, YO,
leave me the it's too many great stories will hold,
but that particular story, He's like, leave me with that joint.
He ain't say he gonna get the Queen on it.
He't say nothing. That same day, I had to now

(54:32):
do something for ESPN. I think it was at the Barkleys,
and it was like I did something like you know
what I'm saying.

Speaker 1 (54:41):
On stage. It was on TV whatever that situation was at.

Speaker 2 (54:44):
That time, and he was there and he had a
I think he was honoring Lebron or something. So we
bumping each other again and when I see him, he's like, yo, no,
I played that with the Queen.

Speaker 1 (54:57):
You know me, I'm trying to keep it cool. I'm
trying to keep it cool. So I'm like, it's love,
you know, I'm just keeping it cool. So I'm legal.

Speaker 2 (55:08):
I get to the car, I'm telling on my team
like yo's jiggen to say, you play it for Beyonce.
So later on, hours after that, the man Jiggers sent
me a picture of him in the jet like the
sunrise through the jet window, you know me and be

(55:29):
listening to this joint.

Speaker 1 (55:32):
I'm looking at my text like this, look.

Speaker 2 (55:35):
You know that ship when you look at your phone,
you trying to see somebody around like you're like, look,
you're like this, so boom. A few days later, there's
a Rock Nation brunch in La I think it might
have been like the first one, if not the first
or second one.

Speaker 1 (55:53):
So I walk in the brunch. You know, he just
sent me that pick.

Speaker 2 (55:57):
A few days there me, you know, I can't I
ain't I gotta do the consistency, you know, because I'm like, yo,
let me not fuck this up. Let me breathe, let
her breathe. So I'm walking in the brunch. As soon
as I see hor He's like, yo, come to the crib.

Speaker 1 (56:14):
After the Rock Nation brunch, I wanted to hear something,
and he told me keep your head high through this
whole brunch. Walk around here with your head eye.

Speaker 2 (56:25):
When we do a lot of you for the man Toba,
he said, walk around his bunch with your head off.

Speaker 1 (56:34):
I'm in a black.

Speaker 2 (56:35):
Leather walk around that motherfucker's so relaxed, so at ease.
As soon as the brunch is overund his crib and
he played me Shining and God is Great and I
started that record off and I said, I've been working

(56:56):
my whole life for this.

Speaker 1 (56:58):
That's how I started the record off. Go to Apple Music,
Spotify right now. That's true.

Speaker 2 (57:05):
That's just one story. Don't forget. I got him on
God did I gotts?

Speaker 1 (57:09):
He's keys him and sorry he wouldn't even go on
the God.

Speaker 2 (57:19):
You know, it's crazy, guse when I wanted to see
kiss on Yankas you know, God, that just the album
just dropped that week, and I filmed the video with
him that week that you know, because I went to
New York for the promotion.

Speaker 1 (57:31):
I wanted to film the video with that week.

Speaker 2 (57:33):
The album was like two days old, and Kiss was
on the block with his whole crew, and we had
God that Pete was there. We had God That played
and Kiss was reciting his bars the whole verse, word
for word. The whole block was have it on camera,
pull it up, somebody Jamie sent him. Somebody go on
my Instagram and find it and try it just came

(57:55):
out right the God this story I wanted to play
in my whole album, and I played him Drake No Secret.
That's how my arm starts on God did So. I
play him No Secret, and then it goes into God
did So. When he heard No Secret, he was fobbing,

(58:15):
you know, on the head, started doing this and then boom.

Speaker 1 (58:19):
God that came in. And then when that came in,
you know, I hit him when to talk? You know
that talk? You can't you Joe Jada am I did
I hit him with a talk. They don't believe in that.
It breaks my heart. They don't believe in that. Great
you could be over there hating him being a fuck boy.

Speaker 2 (58:36):
You could be over here in Miami grabbing a mango
off the Holy ground tree. They said, you want to
be a fuck boy, you could be over here and
breaking love more love, more life, more blessings. So remember
he hearing that and a rose come in you like this,

(58:58):
Then the hook come in you like. That's when the
Asus Spade started doing this type of ship. Other man
started doing I'm not making this out. I have this
on film, I have this on pictures.

Speaker 1 (59:10):
I habit. He started doing this. I forgot a hold on. Sorry.
Then little Wayne come in. Mhmm, you like by the time,
he already like this. Look. Then I left the open purse.
I might as well pop that bottle.

Speaker 2 (59:29):
And I said this, lo look I kept doing this
on him, look like pointing him like that's you you got,
that's where you come in.

Speaker 1 (59:38):
So he like this. I see him freestyle in his head.
He loving it. But I continue. I didn't.

Speaker 2 (59:44):
I don't stop the music. I continue playing in the album.
M you gotta pull that God be back again. I
was like looking at Jamie and everybody was like, yeah,
I'm in there, like look at the pictures, go back
and guess you I'm in there like this. Now look
myself myself. When he said bring it back, now he

(01:00:07):
is man, the man. The man starts flowing the first
four bars of the verse. Then he tells Lennyes, come here,
whispering in Lennys his ears the promise I'm right here.

Speaker 1 (01:00:21):
So when he got his hand right here, I see
what he's saying. He says, tell Guru, set up studio something.

Speaker 2 (01:00:32):
It's gonna get done that night. When I leave, he's like, yo,
send me this song, this song, this song. He told
me to send like five songs. So now I'm confused.
I send him five songs. But I'm happy. You know
you're gonna get something going. Something happened. A few days later,
he's like, your calin Lenny Books studio.

Speaker 1 (01:00:53):
Blah blah blah. You know, I replied, so fast, been done. Yah.

Speaker 2 (01:01:00):
The whole time, I'm like, please, God, tell me the
studio is available. Because he picked a certain studio I've
put been done.

Speaker 1 (01:01:07):
It was this New York studio. Yes, New York, it's
New York.

Speaker 2 (01:01:10):
Right hours later, No, no, no, let me keep it more honest.
The man texteds, say, your book studio, your calling book
studio for this time, but I only have an hour
because I got to catch the helicopter to the Hamptons problem.
And He's like on the group text, tell Lenny, tell Guru,

(01:01:31):
make sure he's there. I had Lenny aside, Yeah, whatever
Grover needs, we have to pick him up, bring him there.

Speaker 1 (01:01:42):
Lot. Do you asked Lenny.

Speaker 2 (01:01:45):
Hours? It was like hours in that day. He face
times me and he got the FaceTime to the speaker.

Speaker 1 (01:01:55):
And I hear the verse.

Speaker 2 (01:01:58):
The problem is after it went twelve bars, I heard
sixteen in twenty four and twenty four. The problem is
I thought that the one was here because it kept going,
So I'm confused. I'm not Curency like a hundred bar verse.
So I'm like losing my mind on the FaceTime. But
I'm also like, yo, tell Gruel to sending it so

(01:02:19):
I can do my thing to it. So Grul texted me,
sends me the files immediate and immediately I'm in the
studio with my engineer at one and I'm blending it
and I'm like making the focals and certain beach trucks.

Speaker 1 (01:02:31):
I'm going crazy.

Speaker 2 (01:02:32):
I'm I'm changing the beat now, I got drops, I'm
leveling out the vocals certain echoes gotta breed here.

Speaker 1 (01:02:40):
I'm in my mode. I sent it back to it
right away. God Didn't.

Speaker 2 (01:02:44):
That was a God Did moment, and I never forget
because right after that, I think, I think, like two
three days I did the Drink Champs interview, and I
was just sitting an all time high with so much
confidence before my album came out, because I knew I
had a whole verse, but now that I can oh
verse like something that I've been screaming out to the
world saying they ain't believing as God did. And I

(01:03:05):
got hold on a record called God Did, and he
starts off his verse and saying, oh did oh did
you trying to say kiss and crack? So you got
to remember y'all used to this type of ship. Nah,
we ain't you crack?

Speaker 1 (01:03:21):
You know what I'm saying. I'm a fan of want.

Speaker 4 (01:03:23):
Shit that Grammys with you with the bubblegum ship on
you speaking of the Grammys, and my suit was speaking
of the Grammys.

Speaker 1 (01:03:29):
Yo.

Speaker 4 (01:03:30):
Listen, guys, y'all gotta give it up already or he
comes to the fashion. You have been annihilated and destroyed
on this show. Here, this is Cuban kiss. He has
the guia Veda Louis Vauton shit, and this is the
brown chocolate brown check with the fucking leather. That's a

(01:03:50):
different kind of leather. That's a god, that's a different level.

Speaker 1 (01:03:56):
Yeah, I got those, but you can't come with no
bull now you.

Speaker 4 (01:04:00):
Can, he yo ky yo calling man, stay shipping on
these people over here. Man, these guys are dizzy. We
got them flabby is sick. And then they got to
reinvent their whole podcast whatever because our ship, we just
aren't a storytelling and man, we paint the pictures so

(01:04:22):
clear and I see them they starting to adjust.

Speaker 1 (01:04:26):
Look even you adjust, so you get dated. Right.

Speaker 4 (01:04:29):
So there was the round phone that they made a
cell phone. They they made FaceTime, They had the big TV.
They didn't make the flat spirit ass on it with
the fat ass on it. And now there's a new podcast.
Couse that Joe Jaya, I'm almost over the Rookie of
the Year, Ready.

Speaker 1 (01:04:48):
To say, Joe, just that episode. We still I'm telling you,
we better than everybody I know. But I want to
be real with you because I want you to give
them up.

Speaker 2 (01:05:00):
Kiss crack crack kiss, as much as they don't want
us to win.

Speaker 1 (01:05:04):
That's a fact. As much as they don't want us
to win, you can't, you gotta be might be.

Speaker 2 (01:05:12):
Yeah, No, as much as they don't want us to win,
I want to remind both of all three of us
and everybody that's watching. As much as they don't want
us to win, there's actually more that want us to win.
M You know, unfortunately we get inspired by they don't

(01:05:34):
want us to win. So that's why you hear Crack
passionately saying we the number one, and I'm telling you
the number one because again we humble, but we confident.
And if you're speaking authentic as Joe and Jada, you
can't question that.

Speaker 1 (01:05:54):
Deserving the culture. You can't this this is the culture,
but this is the culture. Let that go, Let it
go over your head for real. This is the This
is the culture. But this is hating the culture. Man.

Speaker 2 (01:06:11):
What I'm saying is, but I want to remind us
because sometimes after rhyme around myself, there's more love than
this hate.

Speaker 1 (01:06:22):
Hate is just loud and annoying.

Speaker 2 (01:06:27):
But real hustlers, true hustlers, always big each other up.

Speaker 1 (01:06:33):
You know that when you see another real hustler, a
real dawn, you never you taught me something there.

Speaker 4 (01:06:40):
I never thought about it. You gave me a point
in the map of the world. The world's so big.

Speaker 2 (01:06:47):
The world's so big, and when they hate, believe it
or not, it's this much out of the whole world.
And I realized that in life. Throughout my career, I
was like, yo, I hate, it's small. The hate is loud,
you know what I'm saying, and the love is massive.

Speaker 1 (01:07:07):
And when I learned.

Speaker 2 (01:07:07):
Throughout my career, you know, when it comes down to hate,
me personally, I want can speak for Catholic calt I
don't deal with it. I'm too busy raising my kids,
feeding my family, and work my dreams, the goals and
bring it to life. I'm busy, no on everything I love.

(01:07:31):
I'm business. When I wake up in the morning, I'm busy.
I pray all day and I work and outwork. Everyone
that's me. I can't speak for everybody else. But when
it comes down to love and hate, you're gonna have love.
Without love, there's gonna be hate, and without hate, there's

(01:07:53):
going to be loved. You know, it's a life and life.
It's like it's like if you choose good or you
choose evil. Me personally, I choose loving good. What do
you what are you doing? What do you do? I'm
just not I'm just not soft. I'm not gonna blink.
I'm not on a French. Yes, I have some brothers

(01:08:17):
of mine that love me, and they the realist, you know,
Joey Krat and I could speak a hundred other names,
but just in my bloodline, you know what I'm saying.
I'm always gonna be righteous, but I'm not salt. Because
some people take righteousness for salt.

Speaker 1 (01:08:35):
I don't know why.

Speaker 2 (01:08:37):
And when they when they test me with the softness,
I hit them with the righteousness.

Speaker 4 (01:08:46):
Listen, I look at pictures of us, right, because you
got a bunch in this house.

Speaker 1 (01:08:50):
We got a bunch of my house. And I'm not confused.
I know who I am. And so the people could
say cap all they want. They ain't know. They never
heard of Fat Joe getting played in their life.

Speaker 4 (01:09:06):
They never heard of one of their favorite rappers playing
Fat Joe on playing with Fat Joe in their life.
But when I look at these pictures, I always there's
times I ask God, I.

Speaker 1 (01:09:16):
Said, because it man, it's who he is.

Speaker 4 (01:09:19):
He's truly righteous, really about his family it's about his community.

Speaker 1 (01:09:23):
He's about our love and peace. I hear his ship
with nobody that from day one though. I know that,
and Joe you know that, but I don't let jaykiss.

Speaker 2 (01:09:35):
I know you speaking of them because me, everybody know
me and you brothers, we're blid.

Speaker 1 (01:09:38):
Listen, Crack, I love you. I thank you.

Speaker 2 (01:09:41):
Thank you for believing me, thank you for me telling you.
You gave me my first record deal. Thank you, nold
On Joe. If I need a loan, it's too much
you've done for me. Answer the question if I need
a loan, can I come to you one day? Shure
will here.

Speaker 1 (01:09:57):
You know it's a recession, but I got you the recess.
This ship is in my hel yo, that's the bullship. No,
Rich is a recession, you know that. No. No, somebody
asked me the other day for a little bad because
half the bag because it's a gas. There, I'm there.
You know we're honest. Listen, that's the gas. Listen.

Speaker 5 (01:10:15):
But kiss kiss ship, Chada.

Speaker 1 (01:10:27):
Kiss cop five. Have I been like that from day one?
Since you know how to switch?

Speaker 3 (01:10:34):
You know?

Speaker 1 (01:10:34):
No? No, no, Crack, this is different. You different.

Speaker 2 (01:10:36):
Everybody know mean you brother? Chada Kiss top five. Have
I been like that from day one? Facts facts, you know, Chada.
Kids ain't gonna say facts just to say fast.

Speaker 1 (01:10:48):
You know. The man gonna do a flag, Yeah, gonna
do a hole hand up in the sky. The man
like you, I'm saying, like you, Yo, you get the reddit.
Can I get a loan one day if I need it?

Speaker 2 (01:11:06):
But show you making I don't need no Loane, I
don't need.

Speaker 1 (01:11:09):
It, but I want to hear it my richest. Want
to put you do it, show you my richest, fred
I just wanted to have to tell you my richest.
Young Damn, Kelly, you don't answer the question trauma, be
your guy. Tell let me ask that question. Let me
ask you a question. Hold up, So I look at
the picture, Damn, and I look at I know who

(01:11:30):
I am, and I'm a reformed gangster, and I'm a
god lover, a god fearer.

Speaker 2 (01:11:38):
Cassey Center, sorry cause he said all that. You know,
I know Joey Krack. I know Joey Crack, I know
Don Carter Gina, I know the stories that some of
y'all think it's cat.

Speaker 1 (01:11:54):
You know what I'm saying.

Speaker 2 (01:11:55):
What I'm saying is that through all that he is
the nicest. Okay, how can I say this if.

Speaker 1 (01:12:03):
He's your friend, if that's the key word, If he's
your friend. When he's your friend, he's all in. You know,
write that down. I can tell you. What does I'm
gonna tell you, but I can strangers. Now, I don't
know that his friend will tell you that. When I
say all in, through the good, through the trials and tribulations,

(01:12:27):
through anything.

Speaker 2 (01:12:29):
He shows up, no, no, no, no kiss. When I say
show up, not an inspiration motivation? Yo, I love you,
I got you. I'm praying for you.

Speaker 1 (01:12:42):
No no, no, no, no no no show up. Kiss, look
at me, show up, show up, show up? No show up?
Sure again?

Speaker 4 (01:13:00):
Anybody, he's a beautiful man, he's anybody.

Speaker 1 (01:13:04):
He's a beauty. You're killing You're jelly beautiful. They're yelling
against anybody. What I'm trying to tell you is that
it would be guys. I just mean somebody. Curious things.
You ever seen anybody like let's people. I don't know
it's what we're doing here, but I see a side.

Speaker 2 (01:13:18):
Say, I see Joe friends with somebody that a sneakerhead,
a jeweler, a rapper, h a family man. If he's
your friend. You don't know the definition of a friend
that you meet Joey Kraft. And I'm not saying this
because I'm on the Joey and Jody Joey at Jada Shaw.
I cannot say that because of that. You're saying because

(01:13:40):
he says something early is rare to see true brotherhood
fat you know saying me, I'm always salute the brotherhood.

Speaker 3 (01:13:49):
What's the song with fucking Meek Mill and me and
scar Face and John Legend and Akon and.

Speaker 1 (01:13:58):
You know that? So that's all you gained the you
gained the jails with that.

Speaker 2 (01:14:03):
So that record car never Surrender, Ever Surrendered, Tader Kiss,
Meek Mill, Acon, Anthony, Anthony hamiltonbody else, Scarface. Let's have
scar Face, John Legend, all these people on one record.
I never forget making that because I was on my

(01:14:23):
Kusi Jones ship and I was just cutting everybody's vocals
and later on I would just put it together. But
that particular record, I had grown men come up to me,
grown men come up some of the realest guys like
Joey Krat come up to me and say, Yo, your
brother Calvin. You know, I cried tears when I heard

(01:14:45):
that back. I cried tears when I heard that bad
when I play that now when I throw it for
a throwback, and I think about making that collab and
call and kiss and and Anthony Hamilton the film is
part in Africa, and John Legend the film is part

(01:15:06):
in New York, and you film your part in Yonkers,
and you know in Harlem, and yeah, in Harlem. Rue
I was there in Harlem with the Black may Box.
At that time, I think being Meth was starting to
ring off right all this Me and mik and Ross
in Atlanta, was in Atlanta with a hundred behind us

(01:15:26):
with a kon singing the hook, but that particular Scarface
doing his hook his versus Houston. Even Face Mob told
me yo that verse, he said like it put tears
in his eyes saying that verse. You know what I'm
saying like because you know, you know how you say

(01:15:47):
some people think shit is cat and some shit, you know,
some shit is no cap lay with me if you
think you know what I'm saying like that music first
of all, the music, the soulful, the feeling and the lyrics,
but you have so basically is saying love all but
trust fuel.

Speaker 1 (01:16:06):
You know what I'm saying. You know, when I was
making Alima God.

Speaker 2 (01:16:08):
The original name for Alamah God was two named before
it became Alama God. And I'll be careful with my
titles because I lived my titles, so how to be careful.
At first, it was called Love All Trust Fuel, and
I was starting to make an album. I was in
a dark place, saw the record started sounding dark, so
I snapped out quick.

Speaker 1 (01:16:27):
I'm like, yo, yo, yo, I only won two or
three of those joints right guard.

Speaker 2 (01:16:32):
So I changed the title quick and I called it
all Glory to God.

Speaker 1 (01:16:36):
The world's dark right now, so I ended up calling
it all Glory to God.

Speaker 2 (01:16:40):
And then my wife was like, yo, you made an
album called Father a Sade.

Speaker 1 (01:16:44):
You know you got a rep Alama like you right?

Speaker 2 (01:16:47):
And I had the album called Glory to God, and
I was like, you know.

Speaker 4 (01:16:51):
What's gonna be called Alama God, Special Kid, Alarm Man.

Speaker 1 (01:16:55):
So you understand, you know what I'm saying.

Speaker 2 (01:16:57):
If you think about you know, if anybody want to
take time and look at the tied us from the
beginning of my album to where I'm at now, you
look at my life at that time, you know I
lived that title.

Speaker 4 (01:17:09):
Let me ask you a question, right simple because somebody
you know, we brought up top five DJs and I'm
sorry because my brother is so wealthy. You know I
can hire a DJ. I throw this now, or though
you could throw it down.

Speaker 1 (01:17:30):
Throwing the flash. I don't know what that saying sorry
ship like that in the flag shout throwing it? What else?
Your kids? That's what you like. I don't say.

Speaker 4 (01:17:42):
I'm gonna say something we usually don't do. Talk me
out the scenes, but CALLI tore my ear off because
when I said top five DJs, he was like, yo,
I'm a DJ, a real DJ, the whip and nobody
knows more than me how much Calid riffs there on
the show. But he's so rich, right, So I'm like

(01:18:05):
a DJ I can hire. I can't hire cal It
and so. But I caught backlash from other DJs. They
were like, no, Calin is a real DJ, you need
to include him.

Speaker 1 (01:18:16):
Who's your top five DJs of all time? Man? No politics?
Who do you enjoy?

Speaker 2 (01:18:27):
I would say Kid Kapri, Funk Master, Flex, Clark Kent
and the reason why I say, first of all those
three are the one of some of the greatest DJs.
I have a personal personal stories with all three of them.
You know what I'm saying, because I looked up to
him as an idol, you know what I'm saying. So

(01:18:49):
definitely Kid could pre funk flex kr Klint had have
amazing stories with all of them. And then I would
have to say premiere mmmm, and I would have have
to say, uh, it's crazy, because like I want to
throw like a certain mix SAVEE DJ out there.

Speaker 1 (01:19:07):
There was so many at that time that I loved.
So it was like sn s.

Speaker 2 (01:19:12):
Clue and it was like ron g DA and it
was like but I just remember like SNS premiere and
ONYX this is the way we walk in New Dog.

Speaker 1 (01:19:25):
Remember that ONX all.

Speaker 2 (01:19:26):
I remember it premiering that changed my life, that particular song,
if you go back to that tape, the way he
premiered that and his voice. So like SNS started turning
into like the Street. You know, that's when it's when
when Jigga and Pack and Biggie started coming. So the
so the music and DJ started changing and you started

(01:19:48):
seeing the street come out of it. You know, you
had your boom back and you had your before I
let go, and then you then the top billing and
and the Arab President. But then when sn S came,
he started coming with like this is the way we
walk in New York.

Speaker 1 (01:20:06):
You know, like you know, you just started getting gangster.
You know, am I am I last I exchanged my
whole career.

Speaker 2 (01:20:12):
So that last one is so many I don't have
I can't particular name it. There's so many because even
like the Double R mixtape with the Bland, remember that.

Speaker 1 (01:20:22):
You vote brood Brother pro double R. Remember that Boos
Brothers and Smooth You remember all them niggas had something
going that she voted bro double All that was great recipes,
my brother, my brother. But then you had like a
jam Hey, that was so legendary. Then you had a
DJ scratch.

Speaker 2 (01:20:42):
So the fifth one is always fucked up on me
because you got a scratch that was cutting who ha
public Enemy on ep M D Records. You know ship
that I'm like, what the fuck right? You know, it's
so many. Then you got Terminator acts on Rebel as
a pause, you know, seeing that it's so much ship.
So that fifth one is tough for me because it's

(01:21:04):
just like, you know, I really love it. But you know, Joe,
I noticed you tell a lot of stories, but you
don't tell them. Some of them DJ cattle stories, a
cal coming up in the club and demolishing the fucking place.

Speaker 4 (01:21:16):
Listen, I know that I used to fight being meth
and Miami trying to get in your club, like we
used to be online, trying to bum rush because there was.

Speaker 1 (01:21:27):
This club out here. What was the club at me?
What was the club that was? You had the room
and we had club crave that got crazy to yeah,
I know, but you had a rising. You had a
room in there that morning on the whole room.

Speaker 2 (01:21:41):
When I played Young Jeezy, I'm the I'm one of
the first to play Young Jez.

Speaker 1 (01:21:46):
That's Jeeze. I'll never forget the old.

Speaker 2 (01:21:52):
The whole club down and Young Jeezy before he was
Young Jeezy, and Fab was in the club with him too,
and Meat and everybody in the club, the whole place
I'll never forget. Because my room was like, you're gonna
pay a lot of money get in that room.

Speaker 1 (01:22:10):
And I remember, let's explain that it was a big
club in Calor had a room for everybody. Knew at
two in.

Speaker 4 (01:22:16):
The morning, go to college room, he's gonna start DJing
at that point, remember Wold Thrust and peace, everybody you
know from everywhere in America.

Speaker 1 (01:22:27):
And we're trying to get in that room and it
was b at ft A prime. I never looked at
you play it the hustling, hustling, hustle for wait hours hours,
just what you say, yards.

Speaker 2 (01:22:43):
I played hustling hours on the radio and hustling hours
in the club for hours. One record that Rick.

Speaker 1 (01:22:51):
Was hustling, hustling, hustling.

Speaker 2 (01:22:54):
I never forget, but I remember Gizi and the whole
BMF be in that club, Prevade and they hand me
a vinyl, a white label, and it was geez. I
don't know who Jizi was at that time. I think
fab was there, and it was like me, whoever, these
are my people. They always showed me love and they
supported all my parties, and they're like, YO, want you

(01:23:18):
to play this vinyl. You know it's doing vinyl still
without a question. These people always showed me love. They
come to all my parties. I'm not even I ain't
listen to it.

Speaker 1 (01:23:27):
I went threw it on. When I tell you, the
whole place exploded.

Speaker 2 (01:23:36):
On one play off of one the first ten seconds
of the record, the place exploded. I played it cheesy
right exploded, and then Gizi came to the DJ boot
showed me love and they grabbed the mic and he
jumped on top of the bar the bar. They started
performing that shit and Fave started performing. And you know,

(01:23:57):
ever since that day, me and Jizi had a relationship.
But it's just you know, back in them days, you know,
we ain't have the Instagram and Twitter and all that shit,
So it was it was about you going city to city,
but it was also about building relationship, but making these
moments that people would never forget. You know what I'm saying,

(01:24:21):
That's what hip hop is about.

Speaker 1 (01:24:22):
Y'all.

Speaker 2 (01:24:23):
Remember being a club Puerto Rican Parade, Puerto Rican Parade
in New York City. Joe took me there. I don't
know what club it was, but the VIP was glass.
They had like a glass all glass. And we all
have had Big Pun and my deepest performing prodigy ripping
it down.

Speaker 1 (01:24:42):
Kiss. Like I'm talking about, people hanging off the speaker
and then Joe and Pun come out of nowhere and
performed Twins. And I'm the little kid right there by
the speaker just watching the ship and I'm like, what
the fuck is this?

Speaker 2 (01:24:58):
I'm watching Priday, Prodigy, Mom deep big pun, Joey crack
punk pooing.

Speaker 1 (01:25:06):
Up and what was that? Bends the bends and they
got an interview where he looks you go which one? Oh?
I said? Pray one? That Ben Joe just and nah Yo,
I'm in there.

Speaker 2 (01:25:19):
I'm on the side hanging off a speaker watching Prodigy
and Mom didn't have it performance shook one and then
Joey's cracking them coming out of twins.

Speaker 1 (01:25:30):
Check this out. This ain't that. That, ain't this cracking
kiss baby callage rich, super rich and won't give me ship.
I had enough choice to make some money, boy, because
he's guys here. I got a choice to hustle. Now
you're kind to let me get one of them stones

(01:25:54):
to ay and code because I call this. You got
name everything I call this.

Speaker 2 (01:25:58):
I couldn't make my mind up because it's so many
different stone and different shapes.

Speaker 1 (01:26:02):
And different you crack. It's so many different cuts.

Speaker 4 (01:26:08):
I mean, guy, you know, Kelly, you don't call the
guy Hong Kong's Mon's Golian.

Speaker 1 (01:26:16):
You know he's an allegend, He's somewhere, he's alive. Kung
Moolian yo yo. They go crazy, right, here's a guy.
You got me my goalie. This show has it's it's
took in the life of his own.

Speaker 4 (01:26:34):
So it's my birthday and for my birthday, they give
me a twelfth pack of diapepties and two pass of
Galazi baghol danzi Yo. It's out of control. What's going
on here? But it's a bat that you love this ship,
right Yo.

Speaker 1 (01:26:52):
What's crazy is.

Speaker 4 (01:26:55):
Hong Kong's Mongolian. We made this guy household name, but
they don't know that's what we do. You just gave
the chain a name called we can't make our mind.

Speaker 1 (01:27:05):
It's just called I Got Maya, and this call called
Miami Miami Dolphins, Miamy Dolphins. Listen, man, we went top this.
I'm not confused with shi Yo. This is Joe and Jada.
They said, you know what I love about the Joe

(01:27:26):
and Jada show. You usually got to chase him to
do something. What's I'm gonna be real shit, I'm gonna
be really we want to get on this young crack kiss.
I'm gonna be really true. This is true on everything
I love.

Speaker 2 (01:27:40):
I only can do things that's gonna inspire me and
motivate me, and I feel an energy that I know
that God bless them when I see this show. I'm
telling you not because you'all my brothers, and thank you
for rapping hip hop and loving it so much, because
this ship, this would out your guests on that this

(01:28:01):
is shit y'all talking about. And the way y'all producers
are throwing up the clips and sertain songs and the
other day y'all doing here we Go again again, it
made me immediately find a picking throp here we Go
and yeah, like I'm like, yo, these guys are so
on point.

Speaker 1 (01:28:22):
And what said hip hop? You know, I could be
somebody and be like yo, love.

Speaker 2 (01:28:25):
Or I can tell you how I feel. You know
what I'm saying because I'm never not going to be
the fan, you know what I'm saying. Yeah, I got
a relationship with Jada Kiss. Yeah, Joey Krack, I have
a relationship with y'all my brothers. Don't get twisted. That's
fucking Jade to Kiss, that's Joey Crack. Yes, theay my brothers. Yes,
they got me and I got them too, But don't

(01:28:48):
get twisted. Before I met them, these were my idols.
Like you know, I have many idols. You gotta understand
like this is special and kiss when I see you
on this show. And Joe said it perfectly in the beginning,
we never got a chance to know the personality, right,

(01:29:09):
you know, we knew about Top five and stray bars
coming for your neck.

Speaker 1 (01:29:13):
That's sad, you know what I'm saying.

Speaker 2 (01:29:15):
But I knew the personality because I know you as
a friend and as a brother, I can reach out
to you and we family, you know what I'm saying.

Speaker 1 (01:29:22):
But I knew. The fans didn't know what I knew.
I knew. They ain't know what I knew.

Speaker 2 (01:29:26):
Yes, they love you and they got you. They respect you,
but they ain't know what I knew and what Joe knew.
But guess what now they know to trade this crack.

Speaker 1 (01:29:38):
And the thing is that everybody watching this show know
that about you, and you too crap.

Speaker 2 (01:29:45):
You always been somebody that gonna make people smile, and
it saying, but exactly, don't get twisted a lot of
these people. And no disrespect when I say this, Please
don't respect because you know I no, I'm not gonna
say it there.

Speaker 1 (01:30:01):
Listen, there's a god, I say, there's a comedian. I'm
Alway's name, I keep me posting them. You can't do that.
Is this dude that he be going and Joe which yeah,
when Jesus met Moses true stories to see. I've seen that.
Let's split the sea. I've seen that, my brother. I

(01:30:21):
love everything you do. Keep doing it. You're inspiring me
more to tell the most incredible stories. It's a lot
of stories you eat. It's a problem.

Speaker 4 (01:30:34):
It's a lot of stories we haven't heard yet. Ship
just click and I go crazy. But thank you and
everybody who's been supporting the show. My brother DJ.

Speaker 1 (01:30:44):
Khaled, the one and know only how live in the buildings.
I can kiss. Yeah,
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Colin Cowherd

Colin Cowherd

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Jason McIntyre

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