Joe and Jada - Wale tells WILD Kanye West story, talks Rihanna and Usher collabs & new album

Fat Joe and Jadakiss sit down with DMV hip hop legend Wale ahead of his upcoming album 'Everything Is A Lot,' dropping November 14th. Wale tells them about what went into his new project, his collaborations with Rihanna on "Bad (Remix)" and Usher on "Matrimony," the time Kanye West made a song with him and then didn't clear the sample, and how he met Jerry Seinfeld during the production of 'The Album About Nothing.' Joe and Jada also talk trash to Wale about the Washington Commanders and Wizards, Joe says the Knicks are going to win the championship, and Jada tells a story about walking into Def Jam and not recognizing any of the young people running the place.

4:30 - Wale, the sneaker head legend

8:30 - Talking 'Everything Is A Lot'

14:15 - Wale plays "Mirroronnabenz"

18:00 - Being secretive with features

24:15 - Story behind "Bad (Remix)" with Rihanna

26:00 - When Kanye didn't clear his song

28:45 - Fat Joe says Usher owes him sneakers

38:30 - NFL & NBA trash talking

45:30 - Fat Joe's been hanging with Thibs

48:15 - Jada doesn't recognize anyone at Def Jam anymore

56:15 - Never let one of the guys be your hypeman

58:30 - Wale debuts "Belly of the Beast"

[Timestamps may vary due to advertisements.]

Joe and Jada now on Patreon

All lines provided by Hard Rock Bet

See omnystudio.com/listener for privacy information.

Episode Transcript

Speaker 1 (00:00):
Bro, if I had that what you had doing them stories, man,
I probably man, I don't even care if it yo
them entertaining these sort of true I know I should
be signing like last suit, how it up?

Speaker 2 (00:25):
Yardist is Joe cracked at Dawn? It's your boy, Jada.

Speaker 3 (00:29):
You know what it is that Joe and jadas show
every show legendary, every show iconic, and we haven't failed
you yet, and we will never fail you or never
let you. Band Ladies and gentlemen, please make some noise
today for our brother.

Speaker 2 (00:47):
You know what I mean.

Speaker 3 (00:48):
D m v's home e m V zone, heavy in
the sports, heavy in the sneakers.

Speaker 4 (00:55):
He makes it.

Speaker 3 (00:57):
He had features with some of the most incredible people
I'm asking.

Speaker 4 (01:01):
Him about in a minute. You know what I mean.

Speaker 3 (01:03):
He gets on his ship every now and then. You
might get a red, you might get what. You're always
gonna see him, You're always gonna hear him. He's always lived,
he's always relevant. Lazy gentlemen, makes some noise, Bob brother
wild laugh.

Speaker 2 (01:20):
How do you like that?

Speaker 4 (01:22):
I love that, no doubt.

Speaker 2 (01:24):
You know. DNV is a very spiritual place for me.
You know what I'm saying. In my whole career.

Speaker 4 (01:30):
You know church down there line, but B E.

Speaker 1 (01:32):
T was in I got a crazy DZ lets I
started Howard University. How can I be downs and all
that shit over there. BT was based out of uh DMV,
so I would say him trained down there to do
all teams everything. The whole BT was in fucking DC,
So you had to go to d C. And we

(01:54):
was out there so much because they threw all events
out there that I learned so much about d m
V coaching.

Speaker 2 (01:59):
Man, But what's uping lay man?

Speaker 4 (02:01):
Man?

Speaker 2 (02:01):
Were happy to have you here, brother, It's good to
be here.

Speaker 1 (02:04):
You know, it's sur real because it's like you know,
probably here that's all time. A lot of grew up
listening to me, like now we like by the answer
questions by y'all, Like that's a.

Speaker 4 (02:14):
Little step on the convoy.

Speaker 1 (02:17):
He might have crazy yeah, but yeah, I mean it
kind of dropped some seeds about some things. He's going
to come as. That's more than the convo. But my
thing is, you know I woke up this morning. My
outfit wasn't so premeditated. Well, my young boy, you or
folk five hit me up and say, you know why
they coming? I said, I know he said, well, you

(02:39):
gotta throw something on your feet crazy, and I said,
you know why they I don't think he going to
I don't think we're doing that. But I went and
premeditated the outfit that brought out the TSH. It's about
twenty something years old. Just for the culture, you know
what I'm saying, Because we salute you so much as
a sneaky giant? What got you went to sneak is?

(03:01):
And are you still currently? Do you have the passion
for the sneaky game?

Speaker 4 (03:06):
Uh?

Speaker 1 (03:07):
I think just culture, like all of us, wherever you're from.
If he was black, he was on sneakers, like you
know what I'm saying. And we didn't really have money
until I was like maybe like in high school and
when I started working, I just started collecting and collecting,
and then you know, I go, like any other hobbies
collect and as far as now, I don't.

Speaker 2 (03:24):
Really got a pass like like like I used to.

Speaker 1 (03:27):
Like it's a little bit like stepped throwing, like the
whole ship burnt out from real like it's just everything. Nah,
but they make it some good designs, but it's not
so like I'm on the whole, like I get clearance
rack ship and just pop it off like these is
on Clarence. Like remember these jumps came out on something.
I'm on it like that, I wear it without. I

(03:47):
like that.

Speaker 2 (03:48):
I like that.

Speaker 1 (03:49):
I like like what I'm saying, and I still got joints.
Like but I like where the Reggie Miller is. Everybody
on dunks now like we was doing that, were doing that,
you know what I'm saying. So I'm on, I'm on
hoop shoes wherever. I want one more question before my
business partner takes off with the intelligent question. This is
the wise and telling the god wise intelligence.

Speaker 2 (04:12):
O't be here hat and know the re Republic. But
check this shit out. Man sad Day yesterday and V's
on DiAngelo? Did you know him? What he mean to
you coming out of the d n V.

Speaker 1 (04:28):
You know what I'm saying, No, that's more Southern Virginia,
but you know it didn't be none of the less.
But I just think what he meant to hip hop,
the Voodoo sound is like a lot of go go
bands was inspired by that album, you know what I'm saying,
Like a lot of people like you know what I'm saying.
He just represented a certain type of uh, black Man

(04:49):
like like, you know what I'm saying in that era,
like you feel me Like I came out with that
six pack losing weight. I lost two fat joes, Yo.

Speaker 4 (05:00):
Said, yo, I.

Speaker 1 (05:00):
Gotta get it shape. Listen that it was unreal right
that the motherfucker.

Speaker 2 (05:05):
You fat Joe.

Speaker 4 (05:08):
I mean he was left at the lot.

Speaker 2 (05:10):
I got one left. It was three, fat Joe. I'm
telling y'all.

Speaker 1 (05:18):
But DiAngelo man, shout out to cool and Dre, your
our brother Drey d that's his favorite.

Speaker 2 (05:25):
He was fucked up yesterday. He was.

Speaker 1 (05:27):
He was so sad. You know, everybody got their favorite.
Oh the Angela, Oh no, that's it. That's there's nobody
better the Angelo for Dre.

Speaker 2 (05:37):
Yesterday I was talking to him and I seen him
fucked up in the face. I was like, yo, Dre,
I'm on the facetithing and he was like, yeah, you
know this it wasn't the same Dre. You know he
lost this hero. You know, D'Angelo meant the lot. You know,
Andrewstone one of the first rappers and turned into rest
of Pieces. You didn't know that she might be first, second,

(05:58):
second rapper, shot rockets first. She was a dead ass
second rapper in America and then she came back years
later with the rope some showings for sugar Hill and
all I'm telling you she was. She was at the
inception Kiss You Come with the super energetic questions. Were

(06:22):
just kicking it with Cross. You got a new project coming,
talking us about what's going on with.

Speaker 1 (06:27):
That what's called everything is a lot? Yeah, Like I
ain't dropping four years like I had this. You know,
I changed management. Uh, my contract was up with NMG,
Like had to figure out a couple of things, and
you know, the industry, like about seventy percent of the
people got laid off in the.

Speaker 2 (06:43):
Past four years. So just trying to figure everything out.

Speaker 1 (06:46):
And it's really about everything that's been happening from my
last album to now, like with me, like in my
mind and my surroundings. I like that man toll you
got a tour with it.

Speaker 3 (06:58):
Uh.

Speaker 2 (06:58):
You know we told every album.

Speaker 3 (07:00):
Yeah, you stay on the road when you drop so
any crazy features.

Speaker 4 (07:04):
I adn't listen.

Speaker 2 (07:05):
Well I listened to that.

Speaker 4 (07:06):
I didn't want to listen to it in any race
on me because I was trying to get They.

Speaker 2 (07:10):
Definitely got the you can't rewind That was one Jay
that was my note on the joint.

Speaker 4 (07:15):
That was your note man, like you're doing the block.

Speaker 2 (07:19):
Tina sent that ship to me. She said, he's on tomorrow.
How about this? I never did this for no other guests,
no other nothing. I think so. I think so too.
You think I'm lying. I was talking about something out.
Oh no no no, ain't no capping this.

Speaker 1 (07:34):
I sat down. I'll tell you your whole album, the intros, bananas,
the first joint.

Speaker 2 (07:40):
That's that.

Speaker 1 (07:41):
If you really really wanted, oh you gotta do that ship.

Speaker 2 (07:53):
Sick Sweaty wrote, yeah, and I know you wrote it.
That's what the motherfucker that. That's show who you play?
I said, damn got me twisted over. You real your
Keith sweat is a business man. I know over the first.

Speaker 1 (08:10):
Thank you, thank you, thank you to the lawyers that
have the type of clarice. Three runners and to me,
that's runners right. Three Runners made that Jont run. But
the crazy thing is that it sounded so different when
you first send me that. Jont heard that. He said,
street running.

Speaker 4 (08:28):
You can't throw that.

Speaker 2 (08:29):
Don't do that. You're gonna play yourself. He might though
he might have. He might not. He might He might
be right back there because I know this, I know
that circle, that circle of calm.

Speaker 4 (08:38):
I know.

Speaker 2 (08:38):
No, he might got he might got that one. But
street Runner t s man, Yeah.

Speaker 4 (08:43):
This is the same.

Speaker 2 (08:44):
It's close enough.

Speaker 1 (08:45):
It's close enough. I ain't gonna argue that he got
he got some more coming. Don't worry, m got that
running unless you get lest I started street Runner. I'm
giving you that tree running. I started Chris Robinson, I started,
Jesse Torrero. I started, you're saying you started people's name

(09:10):
easy cooling Drake.

Speaker 2 (09:14):
To her premature cooler Drake, I started calling. I started Miami.

Speaker 1 (09:20):
I started, I started, Yeah, I started La Man. I
started Hour See. But you know what about I always
figured a for a nice guy. He's actually he knows
how to throw shots. To see we started. He was like, yeah,
Miami rappers, and that's the ship Jada's famous for. In
the verses, ah these New York guys in Miami.

Speaker 2 (09:43):
I said, damn no.

Speaker 1 (09:44):
When I said Miami, I'm talking about you know the
little I got y'all, little y'all get money, y'all do
y'all do y'all Miami ship.

Speaker 2 (09:51):
I know who you be, you know who you be
with in Miami. Man y'all. Listen, y'all like that talk
shit too. That intro was crazy. You made it album
like I would love to make an album. For some reason,
they stereo cast US rappers. It's just like, it ain't
no different than what you do. It ain't no different.
It's went in there. You fucked a lot with the

(10:11):
Afro beats. You it's you African or African America. I wouldn't.
I wouldn't.

Speaker 1 (10:16):
I wouldn't even consider none of them beats afrobeats for real.
They kind of like I'm asking you a question, is
you again American? Or are you African?

Speaker 3 (10:24):
Uh?

Speaker 2 (10:26):
I'm afric We are Africans.

Speaker 1 (10:28):
Yes, But I'm just saying the way you float on
them African beats, which almost like you from.

Speaker 2 (10:34):
Nigeria, not from Washington. I'm telling you that you you
know what you did on that show.

Speaker 1 (10:41):
My parents met at the University of DC and they
both came into America like like early eighties.

Speaker 2 (10:49):
That's fired.

Speaker 1 (10:50):
Oh, so that's how it happened because you sounded really authentic.
See I never did reggaetone because I'm like a New
York Puerto Rican and it would have said like Joe's
trying to do that ship and he don't sound right.

Speaker 2 (11:04):
You did it right. So in the middle of your album,
I'm saying to myself, Yo, while at African, I'm the
one who always said everybody African, don't do that ship.
To me, I'm just telling you you sounded African on
this ship. My full name was this the fuck I
think everybody but you you don't notice. I didn't know.

(11:29):
I didn't.

Speaker 1 (11:29):
He was too busy making street runners. Man, Yo, you crazy,
It was too busy. He made all these people. I'm
sure you don't know what the fus day on outside
of making people fat three. You don't know what's going on.
But yeah, I'm not Jerian. I was born and actually
that's what I'm talking about, and that came out on
this album and done, perfect, done, incredible.

Speaker 2 (11:50):
You know what I'm saying. I love this album.

Speaker 1 (11:53):
I felt like it was the time that you could
have been authentic with yourself. This what that album feels
like to me. You did what you love to do
and the ship fire.

Speaker 2 (12:03):
Appreciate it.

Speaker 4 (12:04):
You gotta get used to this guy.

Speaker 2 (12:07):
Nah, oh no, he used to be I know what
it is. You know what I mean?

Speaker 1 (12:11):
High praise and I appreciated that. Yeah, intro I didn't
get I didn't hit. They didn't get the context of
the album from the fucking loud too.

Speaker 2 (12:22):
Yeah, it's afro beats.

Speaker 1 (12:24):
Conundrum, conundrum, Conundrum, Conundrum is fire, broy don't want to play?
You don't want to play Conundrumna, Nah, this guy come
out the next day.

Speaker 2 (12:35):
I got no with the next effident.

Speaker 1 (12:37):
Yeah, we this ain't right now, so when we play it,
it's gonna come out the next day.

Speaker 2 (12:42):
It might be too early due fourteen. Well, listen to
your man though.

Speaker 1 (12:47):
You know, Fat Joe is known as one of the
greatest an rs in the whole fucking system.

Speaker 2 (12:53):
You can listen to him.

Speaker 1 (12:55):
You can listen to the light skined guy from the
bank who really run seeing me like the god Christopher
Williams over there, and that's a really owned the man
men O Brown Stole Lord over there. You can listen
to it. I'm telling you what's fire on the fucking album.
But it's okay, it's okay. Yeah, I'm in calling many.
They created each other for real, they created them in

(13:19):
and then they just started creating everybody else. Okay, we
could do Marior on the band. I just wanted to
make a self affirmation zone. Man, that's that's a flyship,
so good. Hello maryon maryon on the bands who the

(13:49):
flyers in the room cor inspired everybody. That's the spiring
right now you I want to my own horn. I'm
just clearing that you and I know you just a mirror.
But my faar is on the youth. The four them
level boys ain't nowhere there. You don't care, but just
to know it that that be playing You don't share.
It's a paranoid. Your probably took the toll. But the
President told maryor it ain't no Yo. You deserve everything
you do. They gonna Trycas you want to move? They

(14:11):
gonna try because it work right? Should it never stopped listening?
And oh Mary, don't you forget Remember Glenn Lowis, don't
feel like you're really him. But I'm gonna see to
it if you feel like you really him, because I'm
gonna need you because now we see what this really
is when you see your too twins, right, you deserve
everything you do. They gonna Trycas you want to move,
They gonna try because it work right?

Speaker 2 (14:32):
Should it? Never stop listening to the yo? Okay?

Speaker 1 (14:43):
Maryl Merroll on the left. The coach sent you home.
You don't know what's coming next? You thinking more state
could You've always been a dog, but the porter wasn't knowing.
They gonna send your ass home for you even get
to stretched Marrion, MARYL. Merrill. Look at all your transgressions.
Niggas think you crazy, cracking stinaky to a breast.

Speaker 2 (14:57):
People think you're mad.

Speaker 1 (14:58):
I ain't mad, reflecting us the flower bomb dropping.

Speaker 2 (15:01):
No bike utes, been a few years. See what we're
gonna through.

Speaker 1 (15:04):
Get so many peers that stopped calling you. Yeah, let's
make it clear on who you lawyer to take on
your tears. See what we're gonna do is memory. Look
at me, no murror, look at me. They tried by
your style. They walk out with crooked sea. Don't self sabotage.
No the ops wake.

Speaker 2 (15:18):
If you ever needed talk, No, I always be in your.

Speaker 1 (15:20):
Face saying you deserve everything you do. They gonna try
and get you one them move. They're gonna try it
because it work right, you know what I'm saying. Or
another style listening and.

Speaker 2 (15:31):
Thank you, thank you, thank you, thank you.

Speaker 3 (15:36):
Can I get a.

Speaker 2 (15:40):
Knocking out, knock dock it up? Can slid it on
the afro beak No, he got real afro. Nah, that's
just that's that it's melodically. Yeah, it's like from a
trap cor Wes. They never sent me the features. You

(16:01):
have people on there, but I couldn't tell who it was.
Now you know, that's the new thing. You don't put
the fielture They after ba people obsorb me.

Speaker 3 (16:10):
You know who?

Speaker 1 (16:11):
I always been upset it and our idol Hello cool
j because there's some leaching dairy super platinum songs he
had on that.

Speaker 2 (16:20):
We never knew who's song and ship never like the
girl never got up. I don't know. He's saying, well,
you're doing well.

Speaker 1 (16:28):
And when Tasha from Bone Dogs dougs rug God, God
bless him for saying her name at the end of
the Songsha Cleveland definitely in the house, Thanks Tasha because
Billy's in the house, wishes in the house and flesh
and then Tasha all Tasha doing that the girl.

Speaker 2 (16:49):
They said, Yeah, who's saying? What more can I say?
Jeff Frozen the house always want another girl, asked Google.
I don't think nobody gave me an answer. Who sing on?
What What more can I say? What can I say?

Speaker 4 (17:05):
Damn.

Speaker 2 (17:06):
I don't know. That sounds like a sample. You could
have said, you're crazy for this one. Whoever that was,
he probably showing.

Speaker 4 (17:13):
Out the light shot get the light shout out.

Speaker 1 (17:15):
Get something mane niggas might want to get.

Speaker 3 (17:19):
What was then?

Speaker 1 (17:20):
I say on the records that never like Tupac half
Man records. I don't know who was singing on that, yeah,
or who even produced.

Speaker 2 (17:29):
He is. Guy's a nigga for a cigarette and let
him get on the record.

Speaker 1 (17:34):
He like, I ain't gonna, ain't gonna you know the
song with y'all, I ain't gonna he lets it's the
only feature. But they got a million motherfuckering streams. Park
put anybody on. Yeah, but you know he left from
the heart.

Speaker 2 (17:47):
Yeah, you do that. Now they'll sue you and say
they made up the hand song, or they'll just ship crazy.
It's just a little bit. It's a less unney.

Speaker 1 (17:54):
You ain't even allow motherfuckers in the studio these days.
Motherfuckers be like, yo, you said that wrong. You do
it over ship you did. They were talking about how
they wrote the ship, how they did like it's incredible
out here, like you gotta watch you.

Speaker 2 (18:08):
You got the studio. No, it's real talk. I know
of lawsuit. I know one guy in particular who is
hanging out with the Backstreet Boys. He's in the studio
in Orlando hanging out with the Backstreet Boys and say
they said, I'm gonna do it like this. He said, Yo,
you used to say we're gonna do it like this.

(18:28):
The man sued them like he did something in the studio.
So smart guy.

Speaker 1 (18:34):
No, true, they're stealing anyway. He said, oh man, what
the Backstreet Boys can take that out now? They was,
you know what they're stealing?

Speaker 2 (18:44):
Front man? Who you say, but boys? The men or
a new edition? Who would you say?

Speaker 1 (18:49):
The Backstreet I'm not saying nothing because now I know
it's gonna be a headline and it's gonna be like
a whole bunch.

Speaker 2 (18:55):
But we can talk out. Man, what's up with them giants? Man?

Speaker 4 (19:01):
No the sega out of that?

Speaker 2 (19:05):
Are you a chief saying I'm a chiefe? You made
the made man? No? See, I got him on the
box and rewinded I fight the time when you could
rewind the time. Travis Kelsey, my guy in my business
partner on the box yesterday yesterday's price.

Speaker 1 (19:21):
It's not that wasn't Travis. That wasn't Travis Swift doing that.
Jont let me tell you something. My first time ever
bought the Way with a number one seller in CVS.
I was in l A and I went in there
CBS to give me some sugar free cook candies. They
got it there and I'm online and there's this white
dude there and he got a box of Rewinded and

(19:44):
he turns around and said, man, you you by.

Speaker 2 (19:46):
He said, I'm a faithful customer. He don't know who
the l I am. And I'm like yeah.

Speaker 1 (19:50):
He said, if this guy's where's it, I could wear
it too. And he showed me Travis Kelsey. I said, wow,
Travis man the Swifties this. He was like, yeah, I'm
about to go through my I was like, we had
a customer. First time I caught a customer online in
the story. It felt great.

Speaker 2 (20:07):
Guys, I get it. Prognation, Rognation, where's the hard camp?
But yeah, hey, I get it. I get it. I
get it. I get it. You can't fucking David Letterman
over here. I get it. I get it. I get it. Jare,
I get it. I get the whole team Jaden's mind.

Speaker 1 (20:24):
I get it the courts eye ship God, God, I
know I see If I see that, I see the
whole vision.

Speaker 2 (20:30):
Now I get it.

Speaker 4 (20:31):
Well, good.

Speaker 2 (20:33):
Joe, he said, you niggas, niggas want to do streaming games.
Watch this. I'm gonna be the media master. Watch this, bro.

Speaker 1 (20:43):
If I had that what you had doing them stories, man,
I probably man, I don't even give it yo them,
Jones entertaining, he's shortly true. I know I should be
signing like last suit. I got everyone looking at me
like I'm crazy.

Speaker 2 (20:56):
I'm not. I've seen all one guy, he said, see
that quick?

Speaker 4 (21:01):
Nah that quick?

Speaker 2 (21:02):
I seen one guy on Instagram. We probably blowing them up.
Jada on like this, but he was like yo.

Speaker 1 (21:07):
One time, I was on one hundred and thirty first
and Fat Joe's man on the the shout out the
bomb ba Opie Megatron. They own the rim shop and
Joe was just chilling in there. So I pull up
with my man's I want to play in music, and
we caught him off point. He looked like he was shut.
I said, listen, I gotta do it. I got go
in the comments. I said, you are very blessed you

(21:29):
didn't try me because it would be a messy situation
in there. Now, how about you come twenty twenty five
and try to play with me. See if it ain't
gonna get messy, I could guarantee you whatever. I don't
remember what he's talking about, but I promise you if
we was in Halem on one hundred and thirty first
at eighth Avenue, it was heavy in there, heavy fat

(21:50):
Joe ain't just gonna be sitting up in the middle
of hall of them.

Speaker 2 (21:53):
It would have got real messy in I don't know.
I don't know how we got here, but I believe you. No,
you better believe it.

Speaker 4 (21:59):
You gonna go all. He's gonna go a lot of
places before you leave New Yorkers.

Speaker 2 (22:03):
New Yorkers look good with that like that and keep
you in gage. I believe it.

Speaker 4 (22:06):
Though.

Speaker 2 (22:07):
When we got that, I know Niggas knows New Yorkers know.
But let me tell you something.

Speaker 4 (22:12):
How about we let him tell us something.

Speaker 2 (22:16):
I want to ask you about the song you did
that you got Rihanna on.

Speaker 3 (22:20):
That's what I was about to start, asking about some
of those features. No talking about that one first one
that wants a serious one he pulled though, he got
some incredible fucking features and you like your career.

Speaker 2 (22:34):
You know you are charmed facts.

Speaker 3 (22:42):
Don't tell him that. Don't don't tell him that tennis
studio with me. He's been in D Block studio next
to me. No emit, lady, kids, man, you're a great rapper.
Man we're talking about him.

Speaker 2 (22:58):
I don't want to talk about Let me tell you
about the time I made Jada Kiss. I was somewhere
yonky the dark, cold nighty y all right, nah.

Speaker 1 (23:09):
But the joon with Robb like she she just we
I met her like a long time ago, like before
I was even I was still I was still in
school for real.

Speaker 2 (23:17):
It was right around the time I dropped out.

Speaker 1 (23:19):
I was on tour with Mark and uh, like I
think backstage at Glastonbury, it wasn't too many like black
people like, so we just got cooled in and then
I started, like, you know, getting bigger and bigger. And
then I remember like getting back to me, this is
my third album now and I'm on rock Nation, so
you know Jay Brown.

Speaker 2 (23:36):
The whole thing.

Speaker 1 (23:37):
She was like I want to I want to get
on the song, and uh yeah, and then I mean
then I had to like I remember, like she kept
going to the club like like every other night, and
I was like one of these nights going to the
studio soon as and the day that she was ready,
I said, bro, everybody get the fuck out, like Yo,
what y'all want to eat?

Speaker 2 (23:54):
That was like McDonald's.

Speaker 1 (23:55):
I was like, oh cool, had some jay's started like
getting the vibe and there she just did it and
then uh, I think we ended up like I try
to get like a different beat because I really wanted
a real remix. Let me ask you a question, how
did you feel when she jumped into s u V.
I'm presuming she left and you had to be honest
vocals on your song, like.

Speaker 2 (24:17):
What I hope? I hope this should get cleared.

Speaker 4 (24:20):
That's a fact. It ain't. It ain't no, it ain't much.
It's not done yet.

Speaker 2 (24:27):
Ship.

Speaker 1 (24:27):
You got to know some artists right now that they
love to go to the Nigga sessions and hear they
new ship drop them to give them two verses and
then don't clear that Kanye did that to me. Now
I have to deal with that a lot of time
did that to me? I don't I don't even know
how it happened. But when I was out there writing

(24:48):
for him like, and this is Paris this a long time.

Speaker 2 (24:50):
Ago, Kanye okay.

Speaker 1 (24:52):
And then I remember like I wanted them on this
song and I had called girls on drugs and he
was like no, no, no, no, get no, no, this
is the one.

Speaker 2 (25:01):
And they played me this song and with Todd Dollars,
I was on it, and he's like this, go go
ship right. I'm like, go go, don't sound nothing like that,
like but I you know, I get it. Throw me
Jane West.

Speaker 1 (25:12):
So I did this song. I didn't really like the
song for real. I mean, it wasn't like it wasn't
fucking with nothing on my album.

Speaker 2 (25:18):
But it's Kanye. So I let her ride and shit
like that. You know.

Speaker 1 (25:22):
He's like, yeah, you should put on an album. I'm like,
fuck it having aale album. I can't hurt.

Speaker 2 (25:26):
I don't like the song.

Speaker 1 (25:27):
So when it came time to what's his name the
label Home My Now Death, damn, they wouldn't clear. They
said Kye wasn't clear, and I'm like, what the fuck
is that? And then he got mad at me. A
little bit later down the road, lay, I don't think
you appreciate I gave you, like the big one of
your biggest songs ever.

Speaker 2 (25:42):
And I'm like, damn, I ain't even clear it, Like he.

Speaker 1 (25:46):
Ain't even know he the loose ain't over till it's
over with these players is my favorite rapper. But he
said Joh definitely definitely an inspiration to.

Speaker 2 (25:54):
My whole ship. Oh no, I West fire in the stage.
He want the Paris but wait, I'll tell you the
Kanyate stories, but get had it might be four numbers.

Speaker 4 (26:04):
How the hell did you meet Jerry Seinfeld?

Speaker 3 (26:06):
Uh?

Speaker 1 (26:07):
I was just always outside they like I just was
a kind of different nigga, Like I had different interests,
like we all hang together whatever. But I used to
just like watch different ship And I remember like I
had an injury and I couldn't I couldn't do ship
like for a while, and I had them Joints on
the DVD and I was just watching them and I
was like, man, there's a lot of psychology and this ship.

(26:27):
And then I just made a mixtape around that when
I when I still living in my mother creb like,
and I was like, I don't know if they gonna
understand it, but I put it out and it just
kind of caught and I did part two right before
I signed in the store, and I think right before
I did part two, it got he caught winded a
mixtape and then he wanted he had to show in
Baltimore and he wanted to meet me.

Speaker 4 (26:48):
Now, how the hell did the usher joint? That's one
of my favorite songs in the world.

Speaker 2 (26:53):
By the way, shiit it? Man?

Speaker 1 (26:55):
You know, I d say I'm one of the biggest
rappers that don't have a main producer, and I kind
of think, so all my all my hits from somebody else,
and I'm one day. Jake One was like, man, by
the way, I don't wanted that to an art, to
be able to work with different producers and make hit
records with different producers. A lot of guys just got
one guy who give him that sauce. It's actually hard

(27:15):
to leave somebody you just made a hit with to
fuck with another producer and get it hit from them.
Sorry for cutting you off. And then I wish I
could do that more. I'm like more of an introvert
that I become more because I know too much, so
I just don't be happily around nobody. But but like
Jake One was like, man, this is around the time
I was like like three years in the row, I

(27:36):
had like the number one most played on urban radio
song three years.

Speaker 2 (27:40):
So Jake One made a joke. He's like, man, I
want to do one of those with you. I was like,
we'll send me beat like that.

Speaker 1 (27:45):
Man, I just started finishing together and then me and
sam Do put that hook down, and then Niggas was like, yo,
I should have sound great on it.

Speaker 2 (27:54):
Didn't overthink it. I sure did it and clear the
man never did shit for me. Man, your Ulsher, you
owe me about a hundred favors. What Usher?

Speaker 1 (28:07):
I need to taste? Man, your Usher. I've been chasing
you for my whole man. Usher might think I'm whack.

Speaker 2 (28:14):
Man.

Speaker 1 (28:14):
I ain't gonna lie chase Usher plenty of time. He's
a I considered my friend on skates. Now, Man, you
can't catch up.

Speaker 2 (28:21):
You can't catch it. Now you go to Usher's show. Bro,
I'm in Vegas. I had a show.

Speaker 1 (28:27):
I think what's the club Ondres treys Man and I
fucked around and told the teen to give me some
tickets to Usher. I fucked around. I sat in them
seas for two minutes. Then it was the Fat Joe
Greatest Hits ten Records in the world. Usher happy performing
and fucking records, rep sweat and bullets, ripping the place down.

(28:49):
I mean that you get an Usher ticket. It's coming
with some whist Amajor your performing lives.

Speaker 2 (28:55):
You heard them joints. I can't lie. He came to
my show after he came to Dres that hung out
with me, and that was against his contract. He couldn't
really but oh yeah, this is you ow sneakers. You
on me all type of ship. No, you sneakers, Usher
owes me sneakers. I should have me.

Speaker 1 (29:14):
Professor standing up there, his his god daughter's sweet sixteen
fat your greatest hits, and he looked me.

Speaker 2 (29:23):
In my eyes and say, yo, I got you with
the Jordan's. That motherfucker been skating for me, doing connecting
more than you. No, I know, I know Ushes.

Speaker 4 (29:33):
You just want to appear that they made for us.

Speaker 2 (29:35):
You know. Yeah, I want joints. I want I want this.
You want them to say confessions on his side. I
want this to say simple.

Speaker 1 (29:45):
I want that ship to say simple. You see what
I'm saying, y'all got the camera. I want I want the.

Speaker 2 (29:53):
Ushes to say something.

Speaker 1 (29:54):
You need something exclusives us. Yes, I ain't even know
he had any Thank God, I ain't got no holes
on my side.

Speaker 2 (30:00):
You know what I'm saying. Oh no, he got them.

Speaker 4 (30:02):
They made him something making them.

Speaker 2 (30:04):
Ship made one that's like that. I could call m
J myself. He got, he got, he got, he got
a solution they like for us.

Speaker 4 (30:14):
You know, I can't see you what it is.

Speaker 2 (30:18):
He got.

Speaker 4 (30:19):
Know they be dazzled up.

Speaker 2 (30:22):
They got justin timberlakes, them ships with all that shine
and all that brush your way. It's you don't care.
You just want to, Sam want to.

Speaker 4 (30:32):
I want them.

Speaker 2 (30:34):
I wanted for that clearance cell. You know.

Speaker 3 (30:40):
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Speaker 4 (32:21):
Football season, you played football? Yeah, what was you aspired
to make it to the NFL.

Speaker 1 (32:27):
Everybody thought they was going to the league when we
were little, like but uh she my first day of
camp in college because I was recruited as a wide
receiver because I was playing running back my whole life.
But I was too small to running back in college.
But then I've seen them Florida nigga running out the
first day, I said, A right, So I had to

(32:50):
work my way back up that jump because I was
not running like that. Yeah, and then I got kicked out.
Shout out my man Freezy out there in Miami.

Speaker 4 (33:00):
They kicked him out of Robin Morris. I know, y'all
caught the vapors.

Speaker 2 (33:03):
Then I'm not coach Joe wal He coached Joe WoT
he used to coach the Jets. That was my coach.
And then I transferred to Virginia State and was I was.
I was getting to it out there. You know the
thing about living in Miami, he shit be a one
hundred and twenty degrees and they got the fucking equipment
on a hundred and twenty. That's what I learned more

(33:23):
about football.

Speaker 1 (33:24):
Spending two weeks in Carol City my freshman year of
college than I did the whole first season and Robert Moore.

Speaker 2 (33:30):
I learned more about football and Kerol City. Yeah, I'm
the only guy that ever played but got thrown out
the park.

Speaker 1 (33:37):
Rich Flair used to play and they penalized them for
fifteen yards and then they took away another fifteen yards.

Speaker 2 (33:44):
You could bring Rich in here. If I'm lying, they
maybe get the fuck out the park the referee. I'm
like you, full locker. I was going bad out there,
dangerous fans. Shit man.

Speaker 1 (33:57):
The women used to go, yeah, Joe, this one, they
start taking them yards. It was like, get the fuck out,
crack get. I was courting them the game. I kept
going crazy out there. But Florida are different. Thing with
the football, bro, who's your team in the NFL? NFL,
I told you I'm a bed Weton.

Speaker 2 (34:13):
I'm Kansas City Chiefs. You been in Kansas City a
couple of years since. They've been winning, since Chiles, since Chinese,
since Chavis Chelsea did the joint. Hello, but in basketball snicks,
you know you ain't watching on that.

Speaker 4 (34:28):
No, I can't do nothing.

Speaker 1 (34:30):
I feel like if the Giants was like doing better,
like you you're gonna be You're gonna come in with.

Speaker 2 (34:34):
Joshon Dot go there for no reason? Man, I remember
you from yoldn you Menia pops man.

Speaker 4 (34:40):
Remember.

Speaker 3 (34:42):
Jo?

Speaker 1 (34:43):
What do you mean? I got what I've been around, yo,
I've been around too long to get sucked by the
giants and jets. I've been around too and Miami ain't happening.
Miami talks.

Speaker 2 (34:54):
I looked to Miami twenty some years.

Speaker 1 (34:56):
I watched them get the ass whip every week, that
ship on the twenty one to seventh.

Speaker 2 (35:02):
Like one thing. I threw no y' least at the heat, y'all?
Do you know to go with no whack?

Speaker 4 (35:09):
What about the heat?

Speaker 1 (35:10):
I had the heat for I'm always been a Knick fan,
you know, in solidarity with the heat.

Speaker 2 (35:16):
You know, I was in the studio. You've been in
the studio too many times with them cursing me out
every night for fucking years. The next sucked the heat
was winning checks. Do you know the type of verbal
abuse these guys were giving me hour to two? You
got a studio seven o'clock, you talk ship for two hours.

(35:37):
Guess what was the two hours?

Speaker 1 (35:39):
Y'all?

Speaker 2 (35:39):
Niggas is trash?

Speaker 4 (35:41):
This this that yo?

Speaker 2 (35:42):
I mean, this is great.

Speaker 1 (35:43):
They're gonna played me on the two K bust my
ass with the heat on the nickname, like it's.

Speaker 2 (35:48):
Just disrespect for many years.

Speaker 1 (35:50):
But we go through that with the Redskins commanders, like
there's a lot of I'm in my old used to
be Jones all the time because he's a Cowboys fan.

Speaker 2 (35:56):
We ain't had nothing to brag about in a long time,
so I get it, That's what I'm saying.

Speaker 1 (36:00):
And your your Washington and your basketball team ain't nothing
to brag about either.

Speaker 2 (36:06):
The motherfuckers. The last thing y'all have was John Wall aren't.

Speaker 1 (36:09):
Yeah shots the GHN We're gonna be soon though, Yeah, yeah,
that's the process.

Speaker 2 (36:14):
Yeah. They look they look poor as lengthy. They look
like you got you got more better that.

Speaker 4 (36:22):
Whoa? Whoa?

Speaker 2 (36:23):
What you call that when they get the fuck out
of here?

Speaker 4 (36:27):
Man?

Speaker 2 (36:28):
You know what the fuck I'm talking about them? Anime
is animeth Anime is something crazy?

Speaker 1 (36:35):
Take that that was driving to be you as a
basketball fan. I'm feeling real good, right, you got I think.

Speaker 4 (36:46):
We got in. Don't get to no, no, we win this.

Speaker 1 (36:49):
I mean somebody I want you to pay off America
all over the world talking about y'all secret money though, Joe.
They're talking about secret money in the NBA. Always be
with these contracts and all of that. They say that,
they say that they coming for the NIXT That's what
I heard.

Speaker 2 (37:05):
That's the room up. That's what they say. Nigga do
whatever they want. Man, it's our now.

Speaker 1 (37:10):
Once we get our time, they want to come and
start fucking corruptions.

Speaker 2 (37:15):
The Clippers started it, but y'all gonna finish your brother.

Speaker 3 (37:17):
You see how they swept that Clippers ship under the Rupna.

Speaker 4 (37:21):
They're gonna make the Knicks a big.

Speaker 2 (37:25):
Nigga give what they do.

Speaker 1 (37:27):
I'm telling you that our bench is stacked up. I
starting five is fenom.

Speaker 4 (37:34):
You know where people.

Speaker 2 (37:35):
I'm telling y'all people from Americans. That's how I'm telling
you that. You now listen what I'm saying He always
gets mad at me. Lose lousion. I get it. Your
I get it if you're passionate. But the Niggers, no,
you are. No, We're winning the chip this year. That's
what I'm trying to tell you.

Speaker 4 (37:53):
You're gonna step out there and say that I know
so all right.

Speaker 2 (37:56):
What I'm trying to tell you is basketball is my life. Guys.
We can tell basketball is my life.

Speaker 4 (38:03):
He always says.

Speaker 1 (38:04):
He always says, rook ain't NBA, Joe. But what I
can tell you is them six championships I won at
the Rucker. We were stacked from one to fifteen. The
Knicks have a bench and they got to start in five.
Nobody's gonna stop us this year. Y'all gonna see.

Speaker 2 (38:24):
He had hot sauce and on them that the Knicks
gonna be good because you know how to coach it. No,
I'm not saying that.

Speaker 1 (38:31):
What I am I know all them like, yeah, what
I'm saying to you, no, tell NBA was stacked. Okay,
I'm sorry, Audio. I root for the Nicks too, because
I got love. We don't have nothing to root for
it most of the time in basketball.

Speaker 2 (38:44):
So I get it. I get it.

Speaker 1 (38:45):
But he kind of might that might be too big
telling you to reach it's now enough. Boston fell apart,
every team Boston fell apart. They're gonna be I They're
not gonna be that. And when they had everybody we
beat them last year. Everybody said, look, this is the

(39:07):
Knicks walk in the park. Student of artists. Yes, you're
supposed to.

Speaker 3 (39:16):
Know that.

Speaker 1 (39:17):
You can't say that locking room health. We're good at health.
Nobody's beating us. I'm telling you we're gonna win this chip.
We're gonna suck around with okay, see, and we just
got it. You know.

Speaker 2 (39:30):
We gotta rough them up a little, you know me?
I seen you with Tims.

Speaker 4 (39:36):
What's up with them?

Speaker 2 (39:37):
We might not want to know, man, but love, I
want to know.

Speaker 4 (39:41):
People want to know.

Speaker 2 (39:43):
I want to buy that ship, right, I want to
ship too. Now, you was in Louis, was in them?
You was in Louis and you ain't know. I was
across the street and Burden, so you was like, yo, Joe,
you Lois because I cast.

Speaker 4 (39:57):
That's where Tims was at.

Speaker 1 (39:59):
Was over there, very off the wait Tips, it is mad,
but I realized Tips walked away with thirty million.

Speaker 2 (40:06):
They don't get dog one thing about Timsey's kind.

Speaker 3 (40:10):
Of ship is this?

Speaker 2 (40:11):
That's crazy?

Speaker 4 (40:12):
I am.

Speaker 2 (40:13):
I hate myself like that too. What did we gotta do?

Speaker 1 (40:18):
I gotta go to Mongolia to get out of it
and make the fuck they're gonna give them the same thing, nobody.
I gotta go to Mongolia. I gotta get booked at
some shows where the niggas, it's like, yo.

Speaker 4 (40:31):
Be careful, dude.

Speaker 2 (40:33):
The gang members came in there with the guns and
to make a dollar. Motherfuckers make thirty million on the
walk out. Why you not mad like me?

Speaker 4 (40:44):
Man ain't got nothing to do with that man, business man.

Speaker 2 (40:48):
Well Tims said. I told him, come on the podcast.
You know I love set hell Noo and he said yes.
He said, I'm gonna get your number. I said, yo,
just just ex world while willing. He said, West Oh.

Speaker 4 (41:03):
Won't be talking to him no time soon.

Speaker 2 (41:05):
And they said so you should have knew that. Yea,
because I'm not got him with thirty million on the
walk out.

Speaker 4 (41:13):
Yeah, you're going to coach man, Yeah, he wanted to.

Speaker 2 (41:17):
He want to coach and make their play. Fifty West
lives across the street from me. I seen him. I said,
they walking exercise. I told him what Tim said. He said,
man's my guy.

Speaker 4 (41:27):
Man.

Speaker 2 (41:27):
He said that man, I know him thirty years. That
man should have sent me some chalking to Champagne. He
walked off with thirty as he watched the coach. He
just can't see past that. Please give me thirty ms.
So put the national.

Speaker 4 (41:45):
You had to get out of here. It is over
you out.

Speaker 2 (41:49):
I'm taking the thirty.

Speaker 1 (41:54):
Coconut coconut, but the ones that you could peel their
inside with the spoon on the beach.

Speaker 2 (42:02):
Piece of the Gods, one fair Rise.

Speaker 4 (42:07):
Beloved.

Speaker 2 (42:08):
I don't know what y'all waiting for, Like, yo, this
is what we're doing it for. You know what I'm saying, Like,
let me get out of here. Bertie Am.

Speaker 3 (42:17):
How you feel about the state of the music industry
whatever is left of it right now?

Speaker 4 (42:24):
Mant I.

Speaker 2 (42:26):
My last time was like a four years ago.

Speaker 1 (42:28):
And so much changed and changed dramatically for you, like
the styles, the sub genres, the But there's an artist
that came to win in that time.

Speaker 2 (42:39):
That's a fact, literally came and went.

Speaker 1 (42:42):
Like the industry plant stuff that some people think it's
really some people not like you know, fans, be more
aware this is it's it's the wild wild West right now.

Speaker 3 (42:50):
I think I'm going Death Gym too. You think the
last time I went there it was crazy. It's a
bunch of young It's it's like this show on Netflix
with the levels that ship you like stay and I
went to the floor and.

Speaker 4 (43:08):
There's a bunch of new youth.

Speaker 3 (43:10):
What's the show squak No, It's almost it's like squat games,
mixed with the other ship that came out doing the.

Speaker 2 (43:17):
Food on the ship man, with the levels, all the food,
it's like that got ship.

Speaker 3 (43:22):
I went to this floor. I seen nobody I knew,
but it was like a bunch of young kids. You
know what I'm saying. They ain't control. Then they took
me all the way up to the towers. Then I
saw all of the people that I used to know,
all of my people that worked on my album. So
that freaked me out. That alone, it's a whole They

(43:42):
put the youth and so many people are like yes, man,
people I don't know. Then a few that I knew,
they put them in the chimney.

Speaker 2 (43:50):
Well I never know.

Speaker 4 (43:52):
Well it was that the chimneys they heard me kind
of supposed to be kind of hot. Put them up.

Speaker 2 (44:02):
I'm like, yo, And I got to meet a whole news. Well,
you know, people got to work. And the problem is
that's a lot of people that been gatekeeping and they've
been getting they checks for years and years and years
getting exposed lazy.

Speaker 1 (44:16):
And so they don't really want to put in that
work and that pain. You know, I got a friend,
he's my brother. I don't want to say his name,
but now I can't do that. But he be telling me, yo,
I gotta work. He be in the industry getting the
check for thirty years.

Speaker 2 (44:32):
That's his man.

Speaker 1 (44:34):
And he's like, Yo, they actually got me working. I said, well,
what the fuck you think this is? Like, you're getting
a checked.

Speaker 2 (44:42):
You have to work. There's not a lot of passions
fucked up. They're not a lot of passions.

Speaker 3 (44:46):
One thing I learned about this industry, where you find
people that rock with you and go off for you, you.

Speaker 4 (44:52):
Should keep them reports and relationships.

Speaker 3 (44:54):
Because it's not going to be a lot of them,
but that's passionate about their job and really want to
help you.

Speaker 2 (45:02):
You know what I mean. You know I got both
I got I agree with both of you guys, right,
But you know it's a time for the youth to
show what they what they know in the industry and
all that, and we can't have Look what I'm gonna say.
I ain't gonna say it because you no, no, no,
Because I got too many friends, too many people.

Speaker 1 (45:23):
That I love, too many people responsible for my career,
DJ's and all that. But when you got DJ's, unless
they DJing in the greatest Hits station, we got those
ninety four to seven the blot wbls. You can't be
all sixty trying to control the rap game. They gotta

(45:44):
be some young dudes. They got to get up in
there and start DJing. They gotta be some young kids
that you got to hire that that know what's going on.
I think that nobody got the patience. That's my experience
with a lot of the younger people trying to build
the staff for what we're doing too.

Speaker 2 (45:58):
But like everybody don't realize you got to go from
here to day to day.

Speaker 1 (46:02):
They think it's this for a couple of weeks and
then it's right there and like all we know is
like climbing up like that. But like instant gratification is
like you know what, what this conversation brings me to
is Kanye West be bugged out right, and he do
bugged out shit.

Speaker 2 (46:21):
But I agree with him where the man is saying
he's selling every Adida sneaker. He a fucking billionaire, and
they put him to talk to somebody's son when he's
discussing his his sneakers and all that. As a kid
there making ninety thousand.

Speaker 4 (46:38):
A year literally telling.

Speaker 2 (46:40):
Him what to do like, Nah, we ain't doing it
like that. Yo, we're doing that. He's like, Yo, bro,
I'm keeping the lights on in Adidas.

Speaker 4 (46:48):
The man still still protocol odocole.

Speaker 2 (46:53):
You tell a billion dollar dude to walk up in
there and the niggas that gave him that deal, what
you think they got?

Speaker 4 (47:00):
And hey, I don't mean this because he got that.
It's still somebody higher than him and somebody listen.

Speaker 2 (47:08):
I agree with him. I agree with him.

Speaker 1 (47:10):
I think there's certain people that if you know they
win all the time, they keep the lights on.

Speaker 2 (47:16):
They know how to put it on.

Speaker 4 (47:17):
The business man.

Speaker 2 (47:18):
Don't have no young kids.

Speaker 4 (47:19):
You don't get what you as for. You get what
you negotiate. You know that I got used the baffle
on that oh ship.

Speaker 2 (47:27):
Who is the number one DJ in in Washington d C.
I I that was when when you used to be
coming all the time.

Speaker 1 (47:35):
I remember I was flat flex was the nigga that
fron of the flesh DJ pleasant W B t C
at ninety point now and.

Speaker 2 (47:45):
Then the light skin nigga, that's my man. What's the
light skined guy over there?

Speaker 4 (47:50):
Quick Silver the man.

Speaker 1 (47:53):
That's why that's when I first met you, when you
came to ninety point and I was still except half
fat Joe in the back of his pocket, and every
year I performed for his birthday party.

Speaker 2 (48:03):
I swear to God. Baltimore d C. Now now you
had me every year. Come your Joe my birthday, Quick Silver,
the Man, Flex the man, what's my man? Who have
the show on BT?

Speaker 3 (48:17):
Joe Claire, Joe Claire, that's all DM Yeah there, we.

Speaker 2 (48:24):
Gotta shout them out, Quick Silver, Flex, DJ.

Speaker 4 (48:30):
Listen, Stephen.

Speaker 2 (48:33):
That we all peace, man. It wouldn't be no fast
Joe with our piece.

Speaker 4 (48:38):
He's sure.

Speaker 2 (48:39):
I love you, man, everything you ever did for me,
Quick Silver.

Speaker 4 (48:43):
Quick Flex, Sean Flower, d.

Speaker 3 (48:46):
J Allenza, Analyze, Analyze, Joe Claire, Joe Claire, Simpson, Big Simpson.

Speaker 2 (48:55):
Hold up, Oh go go music? You when the butt error?
What's doing the butt? Oh Sex say Sex? Say yo?
That was this ship?

Speaker 4 (49:11):
What's my man? Let my music?

Speaker 2 (49:13):
Uh, don't do that. DJ Cool bro fucking like shit.

Speaker 3 (49:20):
DJ Cool, everybody, dude, listen, we all been booked to
do halftimes at aviations. I just seen you ripped Dubai.
Nobody ripped halftime like DJ Cool. He did something I
never His ship wasn't off it down. They put his
DJ on the court with him. He fucking tore the
built his His ship was.

Speaker 4 (49:42):
Better than the game.

Speaker 2 (49:43):
Let me clean my throat. O ho messed baby? You
know I don't lie? What what they clear my that
they haven't got the words right? Do it?

Speaker 4 (49:55):
Song it?

Speaker 2 (49:59):
I don't even get lyrics right. Energy there there not
energy there. We feel it though he's switching on.

Speaker 4 (50:05):
Don't mind Tea's not on. Lie.

Speaker 1 (50:08):
I don't even get my own ship right, Yo. Remy
fucker podcast. Remy been disrespecting me forever. Like, Yo, bro,
what the fuck wom you don't even get your words right?

Speaker 2 (50:20):
I said, you know I'm fried, Yo.

Speaker 4 (50:22):
Shut out the shout out to North Carolina A and T.
I just did their homecoming.

Speaker 2 (50:27):
You caught up body at that ship I watched on Instagram.

Speaker 4 (50:30):
Let Findy rock with me.

Speaker 5 (50:32):
Never get it was the feelings white on the no
pheling he's saying. His feelings was Yugoslavian. It was Solvanian.
It was everything you set with it. I'm like, Findy,
you're not even saying American. You're saying Jimmy Rish. Don't

(50:54):
say nothing in the same he's feeling it in. I'm
saying this, I'm about to mess up the whole. I
start laughing.

Speaker 2 (51:02):
I'm like, yoke, shut up, listen. I'm in Miami. You
have be rich for the film.

Speaker 1 (51:08):
I'm in Miami, and you know how that shit you
definitely know you one of the kings and this shit
I caught a miracle bag.

Speaker 2 (51:15):
They called me for cant kusid buster Morrows. They coming,
thank you, man? Did I need that bag?

Speaker 5 (51:21):
Right?

Speaker 2 (51:21):
So they send the private playing. We went out there.
Rich player was my hype man. Ooh, the worst performance
ever seen in yo stint of football my name.

Speaker 1 (51:33):
Yo, he's still he's still be bragging about that ship
fifteen years Remember the time I hyped you.

Speaker 2 (51:39):
I'm like, Yo, that shit was the worst shit. Yo,
we just can't do that money Monday morning quarterback shit.
You let your man hype your ship up. That shit
be the worst friendy fucking he was.

Speaker 3 (51:54):
He should do one nothing like with it, Aggie pride
this that when there's no word when they.

Speaker 4 (52:00):
Dropped the soul, he should have just stepped back. He
had a flashback. He thought he was stabshed loot. I
thought he was mad. People would want to.

Speaker 2 (52:10):
Get nobody right. Philly's my man, I had a but
I am I man skilled in finished, so you never
do it? Could your findy just stick to looking pretty? Baby,
stay out the way. Let's go to the last song
off the new LP. Everything is a lot, man, you
gotta love this album. This album is really really great.

(52:32):
We put in that work November fourteenth. Man, before you
go buy some bullshit, purchase you.

Speaker 4 (52:38):
Some good music to do.

Speaker 2 (52:39):
You know what I mean?

Speaker 4 (52:40):
Stream it?

Speaker 3 (52:41):
Buy it. The streams is cool, but we need per
We need sales, you know what I mean? We need sale,
So I stream more albums. So what's the difference you
can doing nothing? You know shit, you don't have a
sound system.

Speaker 2 (52:58):
I don't know how to I go, and don't say
that lazy gentlemen.

Speaker 4 (53:02):
He's delusion.

Speaker 3 (53:03):
He buys you artists, We buy your music, and let's
recip it cake this toast.

Speaker 2 (53:09):
This fucking up some ma su spade. I'll see that.

Speaker 3 (53:12):
So said right there, Everything's a lot No Vembo fourteenth
all platforms shout out to my brother's.

Speaker 4 (53:18):
Still fucking going crazy or you suckers.

Speaker 1 (53:22):
Let me ask you one question before we go to
that song. I've seen you talking a lot about drinking
and addiction and drinking.

Speaker 2 (53:30):
Did you go through the time.

Speaker 1 (53:31):
I think everybody in this industry, if you've been in
this gen longer than like six years, you've been through
some traumatic ship, like regardless of the way.

Speaker 2 (53:37):
No, I don't, I don't.

Speaker 1 (53:39):
I've got to see any of our peers that's been
in it for longer than six it's like one or
two traumatic things that kind of read why how your
brain is? So I think we all have indulged advices
at particular moments, like for whatever reason, to push through something,
to numb something, or simply because like this ship wasn't
made for all. We wasn't made to see all these

(54:01):
opinions and all that. Like you know what I'm saying,
it's just too much, it's too heavy. It's a lot,
and then you have everything's a lot, and then you
got to act like you perfect and all that.

Speaker 2 (54:10):
Yeah, this game you can game.

Speaker 4 (54:12):
Yo.

Speaker 2 (54:12):
Sometimes they try to kill me while the I'm not
even lying, No, they do. They come.

Speaker 1 (54:16):
Sometimes I'd be like, I'd be like, but everybody all
go in it, But everybody go go. But I'll be
thinking it's the price we paid. Unfortunately, I don't know
if it's just our community because we always got to
refer back to the Jews and these guys whether they
get along.

Speaker 4 (54:34):
We play this song no no, no, no, no.

Speaker 1 (54:41):
No, I'm trying to tell you now, ask a look,
Everything's a Lot November fourteenth.

Speaker 2 (54:49):
This song is but I Gotta finish one up now
and this this.

Speaker 4 (54:52):
Song is called up.

Speaker 2 (54:53):
This song is called belly Right, and it's just really
about what we were just talking about, making it look
like I was saying something bad. What it is, I
just when I how much my Jewish friends don't get along.

Speaker 1 (55:04):
They work together, and they make money together, and they
do business together. And for some reason, I feel like
in this industry everybody trying to knock you.

Speaker 2 (55:15):
Down for doing good. I'm just saying that the new song,
let's go, let's get to it like it's the truth though.
That's all I was going and welcome back.

Speaker 4 (55:28):
My name.

Speaker 1 (55:29):
This song is called Bealley and it's just really about
you know, balancing like both sides of my life from
the reality of the situation I'm in, trauma I've been
through and like survivors guilt like all of that.

Speaker 2 (55:43):
And one it's called.

Speaker 4 (55:44):
Everything's a Lot No. Fourteenth, Everything to reality.

Speaker 1 (55:57):
They say the strange thing the box running this, ain't wait,
so I got make that bands come my cheesecake. Nigga's
off size. It's my free play. A man turning from
my barber. Get your free faith. So wait, tell me
wherever you got though. I'm looking through the windows of
your soul. Long back though I lost some good man
because they couldn't see the back door were black, Marinard.
Now keep it in the satchel page. All this hating

(56:18):
on me is a natural for God gave me this,
and theythyst can see the passion. And y'all niggas name
how you're playing with the crash up? But everything a lot,
so bring everything everything so.

Speaker 2 (56:30):
And the fella yadda change change you let that ship up.
I n the fella got him, ain't.

Speaker 1 (56:43):
Ain't yeah, we celebrating my opposition. Ain't not the missing
God's good but I off the question and.

Speaker 2 (56:49):
When he listened. The hate is bigger than me, the
way it is bigger than me. They crashing out.

Speaker 1 (56:53):
I feel like I'm a talent Dago winning Chocolate City
were supposed.

Speaker 2 (56:56):
To be good.

Speaker 1 (56:56):
Never thought I see ray one elevens on social media.

Speaker 2 (56:58):
They they can pick up.

Speaker 1 (57:00):
I don't know the details, Me and cats talking and
Selk Temple, Beverly Hills, Southwest Southwest.

Speaker 2 (57:04):
Shout out to one O six every show I had
a platinum, they was getting me. Let everybody show.

Speaker 1 (57:09):
You love when you're giving them ship when they say
no and no longer pretend to be friends. That's right, man,
don't sketch god drawing and shit. I lost some niggas
the dippers. I lost some niggas to fence. I lost
it all when I got it all, I'm gona target again.
When anything you do offensive, you be hard at the fan.

Speaker 2 (57:22):
I'm going to the Feller Yoda and the feller Yodda
Lord is shit and the Feller yodda big yo Man's on.

Speaker 1 (57:42):
Melrow chain on May Day, all rest patient brands on jpek.
How can I express? And the ship that got me rich?
That depression and the pressure is the motherfucker wine. Drinking
a Malibu is a moth for you said about ten
dollar pieces, but nah ba a dollar short a daylight.

Speaker 2 (57:57):
Niggas with broadways, I'm sorry.

Speaker 1 (57:59):
I'm not for play play small conversations of aka. They
all said, we brothers that felt like I'm by dayla gut.
I got the stripper from Mela. My cousins decided a wedding.
I put her wrest in the kla.

Speaker 2 (58:10):
Yeah.

Speaker 1 (58:10):
Maybe a way to kill us or maybe need to
appear to my parents. I'm on the same way. Look
the ever blow in this talent. It's like a balance
in that. But my parents gave me my stage name.
Man's all melro Chain on may Days, Patience, friends on Jape.

Speaker 2 (58:24):
How can I express?

Speaker 1 (58:24):
And the ship that got me rich at depression and
the pressure of the motherfucker Look, Man's all melros Chain
on Layday, reds patient, everybody.

Speaker 2 (58:32):
Waiting, how can I express?

Speaker 1 (58:34):
And the ship that got me lit that depression, the
pressure with the motherfuckers same thing and the.

Speaker 2 (58:39):
Flealler yodda and the flealler yodda Yeah, and flor yotda Big.
I was not.

Speaker 4 (58:56):
Just ain't that that?

Speaker 2 (58:58):
Ain't this scracking? Kids? Give it up. Our guests, the
one and only Quiley, thank you, got very much to
the hospitality.

Speaker 3 (59:07):
Everything's a lot no vemmo fourteenth you hurt me.

Speaker 2 (59:11):
Let's get it