Fat Joe and Jadakiss are joined by the legendary comedian Bill Bellamy. Joe and Jada talk to the former 'MTV Jams' host about coming up in the 1990s comedy scene alongside some of the greatest comics of all time, including Chris Rock, Bernie Mac, Dave Chappelle, and Martin Lawrence, who Bellamy crowns as the greatest host of HBO's 'Def Comedy Jam.' The podcast quickly turns into a story-for-story contest, with Fat Joe telling some of his patented tales about Bruno Mars, Sony Music CEO Tommy Mottola, and, believe it or not, the Taliban; Bellamy recalling hilarious stories about creating the phrase "booty call," The Notorious B.I.G. not knowing how to swim, and finding out firsthand the Michael Jackson was on his own plane of existence; and Jadakiss telling a WILD story about being passenger side to a driver that was starting to lose his mind.
6:00 - Bellamy came up with BEST class of comedians EVER
14:30 - Origin of "booty call"
18:30 - Fat Joe & Bellamy trade amazing Biggie, Rick Ross, Bruno Mars stories
35:45 - Bellamy's Michael Jackson story
39:00 - Fat Joe says he saved Sony Music CEO's life
45:30 - Jadakiss tells a WILD tale about a loopy driver
52:00 - Bellamy's 'WorstChristmasEver' movie
58:00 - Eddie Murphy stories
[Timestamps may vary due to advertisements.]
Joe and Jada now on Patreon
All lines provided by Hard Rock Bet
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Transcript
Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Like he's trying to figure out how I'm gonna get
Tommy's a real gayo Yo, kidding you crying and gone yoo,
it is funny.
Speaker 2 (00:22):
Yeah, yeah, what y artist is? Joe Crack the Dawn?
Speaker 3 (00:25):
You know what it is, your boy, Jada. This is
the Joe and Jaden's show. Every show legendary, every show iconic.
When you're think of today's guests, you think of funny.
You think it's some of the best haircuts ever. You
think of some of your best moves come. You think
of the box office, you think of stand up, you
(00:48):
think of my early career. Vj's MTV was very inspirational
and influential to your career. You can make it on
that without further Ado Ladies and Gentlemen makes some noise
for Bill Bellamy.
Speaker 2 (01:05):
I'm in here, Joe. How you get a last name
like Bellamy?
Speaker 4 (01:10):
It's just it just worked out. It sounds like it
sounds like I already had money.
Speaker 2 (01:15):
I was broken.
Speaker 1 (01:16):
Fuck Bill Bellamy. Yo, he's here, Yeah, Newark, New Jersey. Yeah.
Speaker 4 (01:21):
People used to say, is that your real name? I
was like, yeah, because I'm actually William. But William sound
too formal. You know what I'm saying.
Speaker 2 (01:28):
So, I'm like Bill Bellamy the two Bees.
Speaker 1 (01:30):
It was good. It goes good.
Speaker 2 (01:31):
The same ship, same ship.
Speaker 1 (01:33):
So my man Billy will yea, Sir William, My man
Billy Blanco. His name is Spanish is Gemo, Willie. Yeah,
Guemo and Spanish is William. You know, I mean that's
(01:54):
not about it. Yeah, boy, Billy Blanco man that you know.
He was with the high school teacher. She be like, yeah, Ma,
one day we had a house party. She popped up
with him. I said, damn, he taking the teacher down.
What my man Billy Blanco many years ago he got
some grown booty. Humh yeah with the teacher. With the
(02:15):
teacher at the house party. We all up in the
in the house party. He got the teacher with him. Nah. Yeah,
we ain't never had early. He did his number. That's number, y'all.
Bill telling me what's something? I love it? You look great,
Thank you man.
Speaker 2 (02:29):
I'm going to.
Speaker 1 (02:30):
See I love to see you know. Our o g's
looking great, Yo. Man.
Speaker 4 (02:34):
I work out. I take care of myself. I laugh
all the time. You know what I'm saying. I'm always
enjoying that part of my life, and I'm doing what
I want to do man, you know what I'm saying.
We at that part, Like you said, OG, we got
the experience and the talent, which means now we you know,
we can move the way we want to move.
Speaker 1 (02:51):
It's sad because we want everything early, but they always
tell you as you get older, you figure it out.
Speaker 4 (02:55):
I wanted my ship immediately. I remember when I first
came in the game. I was like, fuck the way,
let's get it today. I'll never forget. Like it was
like ninety one ninety two. I'm in New York, I
live in Jersey. I'm coming over here doing stand up
and shit, just trying to get on. This is when
hip hop was pop. It ninety one ninety two Cats,
we had record labels. People was like, you know, everybody
(03:19):
was pushing their records. You know, you had your street teams.
This is like vintage ninety hip hop era, and so
stand up was sort of like the brother and sister
of hip hop. U.
Speaker 2 (03:31):
Cats was coming to see us, We coming to see you.
Speaker 4 (03:33):
Everybody know everybody, and it was just one of those
amazing times for me and I just happened to get
lucky to be in the right place and just get on,
like just you know, be funny enough, having the right swag,
had the right.
Speaker 2 (03:46):
Gear, you know what I mean, and then be on
point on deaf comics.
Speaker 1 (03:50):
Who would you say? Is your who was?
Speaker 4 (03:52):
Some other comedians came out. I got the best class whatever, Joe,
I want to know. Ever, there'll never be another class
better than us. We were dream team. You gotta figure
like ninety one ninety two, Jamie Fox, Martin Lawrence, Chris Tucker,
Chris Rock.
Speaker 1 (04:10):
Listen, they don't stop.
Speaker 4 (04:11):
Sed you the entertainer Steve Harvey, Dave Chappelle like, I mean,
just Joe Toy like it just deal.
Speaker 2 (04:19):
It's just like all of us came out.
Speaker 4 (04:21):
It was like so many funny Bernie Mack come on,
that's the funniest people I've ever seen in my life.
Like Tommy Davison, like just think. I just had an
interview a couple of days ago, and we were talking
about there will never be a time where that many
people were able to become stars. A lot of people
(04:42):
became TV stars. We had all them sitcoms.
Speaker 1 (04:45):
When you cross the pass with like Jim Jim Carrey,
I didn't I didn't grow at that time.
Speaker 4 (04:50):
Jim Carrey was on fire. But he was in he
was on the West West coast. The only person I
met back then was Damon So I met Damon in
the early part of my career. He was on the
West They was on but they they was already because
I remember auditioning for In Living Color, like, Yo, there's
this show they going about to do on Fox. It's
(05:10):
gonna be nuts, It's gonna be the real sadding not live.
That's what That's what the word was at the time,
And so I didn't get that. Jamie Fox was selected
to do that and Tommy Davison and Jim Carrey and
that show was phenomenal. That's all names. So you got Martin,
you had Jamie, you had In Living Color. I'm knowing
(05:30):
forgetting some of the shows, but they were all on
at one time.
Speaker 1 (05:34):
I heard you in the interview say that Martin Lawrence
was the best def jam com comedy host ever ever.
Do we think he gets his props or is it
that he's just so like because he feels like an
introvert when it comes to interviews and all that, like
he do. Do we feel like Martin gets his props
(05:54):
like he deserves.
Speaker 2 (05:56):
I don't think.
Speaker 4 (05:56):
I don't think people give Martin Lauren his flowers the
way they should, because let me tell you something, there
was nobody funny than Martin Lawrence on Death Comedy Jail.
Like if two Comics was in the car crash, you
wouldn't be mad if Martin was hosting because he gonna
carry it. And the way he was hitting the audience
and free styling, like it was vintage Martin Lawrence. Like
(06:18):
I mean, I enjoyed him immensely watching him just be natural.
I didn't know Martin Lawnce was that funny.
Speaker 1 (06:26):
I was like, God, damn, you know, Martin Lawrence was
almost like your men, Like you know, you got a
boy that's mad funny. Yeah, you know, came a store,
a comedian or nothing like that. But he was just
dumb funny. But the guy put it on on TV right,
like everything he was saying was like shit that we
go through in the hood every day.
Speaker 2 (06:48):
But when it's lost, they looked like it was off
the head.
Speaker 4 (06:50):
Like to me, I felt like Martin Lawrence was like
a rapper that could freestyle better than everybody, you know
what I mean, Like he could just go in the
studio and be like bam bam. He don't need to
write it down, but you'd be like, damn, how you
thinking that to me? That's how Marn was. He was
so fast, Like if you go back and watch the
clips and big Bird like that. He has a chnic
jokes that he said on me here a good line.
(07:12):
I mean he tore up you good, get it, play up.
Speaker 1 (07:15):
It's true because you you know when the cops stop you, sir,
I was over there and then then what are you
talking about?
Speaker 2 (07:20):
You like Dannis could lie like all my impulse like
you know.
Speaker 1 (07:26):
Or your wife cats? You doing some shit? You know
who's burger king? Oh my god? Oh yeah, yeah, you
know what I'm saying. Who's burger king in the morning?
You're looking at Oh I was looking at watches and
the new sneakers. Graffiti. Don't let them see the explorer. God,
damn it that algorithm. H don't let them see that ship.
(07:48):
You see that ship? My shiit graffiti, hip hop grandmaster fly, like,
you better be ready for that ship.
Speaker 4 (07:55):
You gotta have a dummy, a dummy past explorer. Yeah,
you gotta have a dummy. Shoe's wife. He hit the
phone house paint, you know what his best Yeah, you
know roof fis you.
Speaker 1 (08:09):
Figure the French people are making these breads now ma,
Like this is a fucking incredible incredible you see this,
I tell you, switch that ship up. That shit'll be
like there used to trap on Wednesday. Switched that bread up.
Boun want time that shit be like booby trap. Yo.
Speaker 4 (08:28):
They used to have that, like when when laptops first
came out, Like when you was working in a cubicle
and you was doing something that you was supposed to do,
you had that dummy screen to come down when your
boys come up.
Speaker 2 (08:38):
We need that on our phone.
Speaker 1 (08:40):
This sock market comes Yeah, we need that. That's the
new app. Guys, whoever fucking with the AI all that
that's the ship you need.
Speaker 4 (08:48):
You just made me think of something funny. You know
what they should do, like for for chicks or going
dude's phone, the phone should blow up. You just have
blue stuff all over your face. That's cool like the
money Yeah yeah, Like it's like if your girl go
on your phone, they take a picture and blow up boode.
So you come downstairs, she's sitting there with a whole
blue face. I said, what's you on my phone?
Speaker 1 (09:08):
Now?
Speaker 2 (09:09):
Media killed love man? Yeah, Social media is tough.
Speaker 5 (09:11):
Social media killed you can get it, and it didn't
kill it.
Speaker 1 (09:15):
What it did was not killed love. You think why
because every time you feel I'm like dad Bill Bellamy,
he been with his wife so long. Then that shit
come in the middle, just the fucking scribble into the
group comes.
Speaker 2 (09:30):
Breaking news like, bro shit, I've been married twenty four years.
It is no joke. How many people broke up in
twenty four years?
Speaker 1 (09:39):
Oh that's crazy?
Speaker 4 (09:41):
I mean I remember I got married in two thousand
and one. Right, people who were going out dating, they've
been together forever, they got married the same summer and
they was broke up in the fall.
Speaker 2 (09:54):
Like that's how crazy I was, Like, Yo, So.
Speaker 4 (09:56):
When you're in Hollywood and you living, you trying to
do your career, you're trying to do everything. You don't
have no like positive Like you said, you don't have
any positive Like.
Speaker 2 (10:05):
Oh, man, they could go to the movies with us. No,
they don't talk no more.
Speaker 1 (10:08):
You know. But people can sit a little Hollywood fucking
every everybody fucking each other. Yeah, and then they only
like each each other's huts. Man, And the family tree
is a cousin is this ship is out of yeah,
it's out of the family. Yo. You ever seen you
ever seen the family trees when they do that ship, Yo,
God bless everybody.
Speaker 2 (10:29):
Man, I don't wear that. When I tell you, boy,
the family cheer.
Speaker 1 (10:33):
They be like this one slept with this one, and
the kid is from this this and everybody coloring ships
that come down and them. This is everybody's cousins. Everybody's
a fucking cousin. That shit crazy.
Speaker 3 (10:46):
How hard is it making the transition from stand up
and then boom you're on the big screen, you're doing
lead rolls?
Speaker 1 (10:55):
Yo? It was.
Speaker 4 (10:56):
It was crazy, man, because you know, things have kind
of fast for me. So I like, I got on
I got on MTV. That was huge because at that time,
you know, that helped that wave of hip hop. We
started selling records like Crazy Cats going on tour. I
mean you you Nordy Clean My Teeth or all the
casts that was coming up at that time.
Speaker 2 (11:17):
You know, it was an explosion.
Speaker 4 (11:19):
And I remember sitting there on my show going, man,
I'm interviewing all these movie stars. I want to be
a movie star that looks so fly, like they got
the movie premiere, they got this stuff going on.
Speaker 2 (11:28):
So I had aspirations. I was like, one day somebody.
Speaker 4 (11:31):
Gonna interview me, you know what I'm saying, And so
next thing, you know, I got a little small rolling
Who's the man?
Speaker 1 (11:37):
Who's the man?
Speaker 6 (11:37):
Yeah?
Speaker 1 (11:38):
I know.
Speaker 2 (11:38):
It was the most hip hop people would ever.
Speaker 4 (11:41):
Yeah, you know, Joe got a nice little resume on
the lowers I have for cheap bone yo. Yo, they
kind of half of Joe head or you just see
Joe here in the barbership.
Speaker 1 (11:52):
Got Joe y'all suck this shit? Was that it was
a big look. Yeah, I think of one of the
funniest movie One was a big that's a big look
when you know body you coming in the game and
naughty boyny there this one and that one that love
of doctor j Nick half a Cheekbone. I was thirty six.
(12:12):
I was shown here and I think another movie I
like it like that that I played like a prisoner.
Speaker 2 (12:18):
They had like my eyebrows and.
Speaker 1 (12:20):
Ship and changed said they gonna see it was what
they should have showed my face. This show just I
became a big dog in the game. Yeah yeah, yeah,
you look, that's that's that value. It would have aged
you well. Fat Joe and that bitch y'all. Let me
tell you something. I don't get high, but one of
(12:43):
one of my most paused outer body experiences was that
where I felt I was high was in the movie
Booty Call.
Speaker 2 (12:53):
I could not believe this ship. This ship was so hilarious.
Speaker 1 (12:56):
I must have watched this ship thirty thousand times and
every time got funny and funny and funnier. You knew
that shit was gonna be crazy.
Speaker 4 (13:05):
No, no, no no, because here's the thing.
Speaker 2 (13:10):
Booty Call came from a joke.
Speaker 4 (13:12):
Like I did not know that Booty Call was gonna
be something that's just gonna stick this thirty years ago, bro,
Like that's insane, Like I did. The first time I
did the joke was at Uptown in Harlem, and the
joke came from Mike Tyson because if you remember, Mike
Tyson got caught up in Indiana.
Speaker 2 (13:29):
So I read the article.
Speaker 4 (13:31):
When Mike was like I was, I was, I just
asked the come to the room for affecting with talking
and I'm like, at three in the morning, and she
missed Indiana. That's a booty car, right, I said it
just like that, And I said, oh shit, I'm onto something.
I went on stage and I kept playing with it
till I got it down there. Right boom, shit took off, life, crazy, movie, comedy,
(13:53):
Taco bell commercials, Foody Call. I seen this shit on friends.
I seen people say, hey, check that shit, say jack
the sh shit out of me?
Speaker 1 (14:01):
If I did not Jada.
Speaker 2 (14:03):
No, no, we don't have a fat and ship.
Speaker 1 (14:05):
But what about the yesterday's pricing, Today's watch dancing and
all that ship? And I was like, yo, could we sue?
We got sue everybody. It was like, no, sir, don't
have it. You know you don't have that pattern. But
the scene with the fucking the rent who's rap on
the plastic bo that was sh was with Jamie.
Speaker 4 (14:30):
That was with Jamie and Tommy Davidson, Right, yeah, yeah, yeah, yeah.
I didn't do I didn't do the movie. They did
the movie. You came up with the term booty I
came with the term. And then what happened. I was
supposed to do that movie. I chose to do Love Jones.
I had just did a comedy special call Booty Call.
Then the movie came out Booty Call, and I said
(14:50):
I want to be a dramatic actor, so I said
I'm gonna jump off in this movie with these real
actors to kind of flip it. And that's why I
wasn't in that movie, but I was offered that movie.
Speaker 2 (14:59):
That's almost like being a Disney star.
Speaker 5 (15:03):
Still. That was my ship.
Speaker 2 (15:04):
Yeah, yeah, yeah, But how to Be a Player?
Speaker 1 (15:06):
That was good.
Speaker 4 (15:06):
So I went zig zag, So I went dramatic Hollywood
and then came back with how to Be a Player.
Speaker 2 (15:12):
So that was like ninety five ish. That was dope.
Speaker 1 (15:15):
Dain stereotype you and just make you like like fat Yo.
Always been a killer in every movie, even the fucking well.
Speaker 2 (15:22):
You can see you saw me in Night School.
Speaker 1 (15:25):
I'm beating the guy up, stabbing him and fucking with comedians.
Speaker 4 (15:29):
It's like they always want me to kill somebody else. Voice,
drive your voice. But I can see you as a
good chef conducted.
Speaker 2 (15:36):
I could see you as a chef. Nobody wants to
be a chef, a school bus, drout or nothing.
Speaker 1 (15:42):
It's always he's a mafia killer something, he's a criminal,
he's a dish.
Speaker 2 (15:47):
I can't shake the ship. Yeah, if you was a
school teacher, you still be a killer.
Speaker 3 (15:51):
You gotta be willing to wear that different headcuts like
Samuel Well.
Speaker 2 (15:55):
You gotta do it to the Mexican dude that every
role he's victory, he kills somebody.
Speaker 1 (15:59):
Was I shit, you man, what what's the ship? What's
his training? Drake? I fucking shit, you what what what's
the training? They are the Mexican guys that.
Speaker 7 (16:09):
You ever answered your ship pushed it on me? I'm
like the New York you ever had your ship pushed
it more? HOLDI then you always guess what Joe, we
got to roll Field? What's that your drug dealer killer?
All really in the astatsine as well?
Speaker 1 (16:26):
Thank you, thank you very much. Ten toes down, ten
toes down? That shit crazy? You know they calling me
the greatest storytelling then yes, sir, I think, Hold up,
you got some stories, Joe Man, I tell you who
could take me out? You see, Joe I wanted to
do and I still want to do.
Speaker 5 (16:46):
I tell you you can take you out, Barble Walters.
Speaker 1 (16:49):
No, I want to do a stand up, not a
stand up on One Man's show. Oh yeah, it's all
about stories in my life. I had a segment of
it with Somebody's Gonna steal now when they hear this,
where I would take If Bill Bellamy was in the
tennis I'd be like, Yo, Bell, come up here, tell
your elles story. After you finished, I gotta come with
(17:09):
a better one. So I had like Nori on the list.
I had irv gott He rest in Peace on the list,
all the greatest storytellers. And I was gonna go like
they tell a story like Rick Ross.
Speaker 6 (17:21):
Yo.
Speaker 1 (17:21):
Rick Ross came to the studio one time. He had
just had that heart scare. He had something with his heart,
and for some reason he called us. In the first
place he wanted to come was cooling d Stewart. I
don't know why. So he shows up and we're chilling
and we're just there and he just goes fen to
no you touch it. I don't understand from the jungles
(17:47):
of Mexico, maybe sending no plasticing enough you smell through
the plastic you had. I'm trying to the minute that
man stopped, I said, simple, someple so he looked at
me like, oh I say simple, I said, Yo's like
eighty eight. We used to walk down the block and
(18:08):
tell the Dolphine simple simple sample.
Speaker 2 (18:11):
They come and I throw it in the air and
the dive like pigs.
Speaker 8 (18:15):
Yo.
Speaker 1 (18:16):
I don't know why. I try to ware up everybody
in every story ever created.
Speaker 2 (18:24):
Joe, I don't know.
Speaker 4 (18:25):
I think you are one of the greatest storytellers because
you've just been in the ship so long and you
got good stuff.
Speaker 1 (18:31):
You got is.
Speaker 4 (18:33):
About timing, yeah it is, but but you gotta think
Joe for hip hop, Joe been around every single person.
Speaker 5 (18:41):
You need a cabin with a fire place.
Speaker 1 (18:45):
With a flannel with snow outside.
Speaker 8 (18:48):
Yo, just telling hip hop and gangster's story, yo, yo, Yo,
the one that had me in tess when you said
you wanted to meet Bruno Mars because you heard he
was Puerto Rican.
Speaker 1 (19:00):
Yo, that ship have seen here and to be producing
this ship last night at the harm of you. He
didn't want the ball feet like he didn't want to.
He knew he didn't want that. But that Bruno Mars
shit crazy, huh.
Speaker 4 (19:13):
Yo, is so fucking funny because I didn't see the
punchline coming. I'm thinking Bruno Mars Filipino, like I'm in La.
I saw Bruno Mars's Filipino. I did not know he
was one thousand Puerto Rican. He was both both, okay,
but I didn't you know all the other one because
he didn't give you no love. But god, I think
(19:35):
we did something.
Speaker 1 (19:37):
I think we did something to his dad or somebody
in a relative who guy talk to him. They beat
up his father. I don't know the lines. I wouldn't
go to.
Speaker 2 (19:46):
I would go to white Castle.
Speaker 1 (19:48):
Somebody say something, smack his cheek off, like in the
two in the morning and everybody waiting for fucking white Castle.
I turned around, cry and finish the onion rates on
the hippie with the yelling lad. He's the fly.
Speaker 2 (20:04):
But my point is I want to eat the way
he reacted.
Speaker 1 (20:08):
I said, we must have somebody did terrorist cuts and
pitch but you know, but yeah, that's one of them.
Got so you said you said the woman to tell
you a crazy story. I need a strug. I need
I want you.
Speaker 5 (20:22):
I don't know.
Speaker 4 (20:22):
I don't think I ever told this one. So I'm
brand new. I'm coming up in the game. I'm on MTV,
so I'm hosting this like showcase. Puff is there. I
don't know Big yet. Big is brand new. I want
to say it's Webster Hall, but I'm not sure where
it's at. So Puff comes up to me and I'm
(20:45):
hosting a junk. He's like, yo, man, this is when
they was calling them Notories b I G. He wasn't
Biggie yet, it was just Notorious b I G. And
they something legally came he couldn't say that name had
to become Biggie whatever case of point.
Speaker 2 (20:58):
You know which biggie to know to right, So he
was Biggie first. He was Biggie first. Any Swiss and
Notorious Big you with me? That's where we're at.
Speaker 4 (21:07):
So you know, when you hosting, they come up with
you with a little bit of you know, information, They
write it down and say, this is my man new
artist right here. You know, make sure this shit gonna
get crazy, but don't bug out. Shit gonna get crazy,
but don't bug out. So I don't know that Beig
got this song called party in Bullshit And so fifty
motherfuckers come on stage and I'm thinking it's a riot,
(21:30):
but it's a part of the song.
Speaker 2 (21:32):
And so I'm hosting and I'm gonna give it up.
Speaker 1 (21:35):
Oh did you run out the back door with it?
Did you run out the back door?
Speaker 9 (21:43):
Oh?
Speaker 2 (21:43):
But it was so crazy because I was like, Yo,
what the fuck, I'm hosting it?
Speaker 1 (21:47):
It's a riot.
Speaker 4 (21:48):
And then they was like throwing each other around and
pushing his ship body and bullshit, and I'm like, yo,
this is bullshit because I'm about to die like a motherfucker.
Speaker 1 (21:58):
Right.
Speaker 4 (21:59):
And then after the song was on, everybody left. But
in that moment it was like a moshpit. Did you
ever see that live?
Speaker 1 (22:05):
I thought they start, they faked have a fight, and
then the song comes back.
Speaker 4 (22:10):
And they had it in the movie. But the guy
that was in the movie, to me, it was actually me.
That was me doing that thing. That was that scene
in the movie came from that moment. I was in Lebanon,
just leving up. I was in Lebanon, right, I had
(22:33):
a show. That's when they called me. Ali Kashani say,
I'm gonna lay come on my people. I do a
show in Lebanon. It's so incredible. I come back to
this hotel. When I come back, three guys standing up
like synchronized swimming.
Speaker 2 (22:51):
Front Joe my brother, So.
Speaker 1 (22:53):
I look at how you doing.
Speaker 2 (22:56):
The guys.
Speaker 1 (22:57):
The guys are waiting for you. The guys they want
to shoot rockets with you. I said, huh, the Taliban
they love you. They war I said, my asshole got
this tight. Okay, okay. I met the telephone. The Taliban.
(23:19):
It's no fucking bullshit. So I told her, Hey, hey,
my planes already leaving this I get them stairs. I
grabbed them bags so fucking fast. I went to the
airport like one in the morning. The shit ain't take
off to ten in the fucking morning. Like I ran
to the airport. You was that, you was real pre
check the real Taliban shoot rockets with them game. Thus
(23:42):
like your shoot rockets. Fuck out of it, Yo. I
ran so fast to that airport. I was like, let's
go scat and everybody knew they heard that ship. They
was like, Yo, we gotta get fuck that. Let's go.
Speaker 2 (23:54):
We stood in the fucking airport overnight, just shook the death.
Speaker 1 (23:59):
It was down.
Speaker 2 (24:01):
Fuck that. Look anyway, that's one, YO, got one. Hey,
I got another one for you. So this is another one.
This is a big story.
Speaker 1 (24:13):
Were on the step. Can I give you this one?
I want to hear it.
Speaker 4 (24:15):
I don't think I ever told this one. So we
and we in Lake Hasu. We're doing remember Lake Havasue.
Speaker 1 (24:21):
Then you do it. Remember when we did this string?
I think you were there. You was there.
Speaker 4 (24:26):
It was like ninety two I'm thinking roughly ninety ninety
four fuck ain't even have the bounty around his head. Now,
yeah he ain't no get this so Big as big
as on. Now nobody knows Big cannot swim. So I
don't know if you remember this ship. We had the
pods on the water, right. So in Lake Havasule. This
(24:49):
is my first time going to Arizona. I get there,
they tie off the boats and they party from boat
to boat to boat, a bunch of white kids.
Speaker 2 (24:57):
They having a good time. They drink.
Speaker 4 (24:58):
It's hot than a motherfucker, right, And so Big had
to be on the pod. So I'm standing there and
and Big like mother hother, fuck up a little that
pole blig. I said, what's the problem.
Speaker 5 (25:14):
It was like biggu can't swift, Bigga with b phudders
full of that wool liug.
Speaker 1 (25:19):
I was.
Speaker 2 (25:22):
Swear to God and I was like, yo, Big, they
not gonna let you fall in the water. It was
like love, but I gotta do my shit on loan BG.
But they had them floating, y'all. I think you was there.
Speaker 4 (25:36):
There was some big go back and look, I cannot
make this up. I don't know how they hypnotizem like
eighteen to get Big on that pod. Because he was
terrified of falling in the water.
Speaker 1 (25:47):
That you want to know who's crazy, right, So I
was gonna tell you.
Speaker 2 (25:52):
He got one.
Speaker 1 (25:54):
No, no, I actually don't have one, but I'm gonna
tell you about one. Listen, somebody they can put fat
Joe out of business. In the storyteller game, I'm watching
one day on Instagram and Will Smith decided to tell
a story. Okay, he said, Man, I'm hosting the b
t Awars. Everything beautiful, this one and that one's there.
(26:18):
He said, Michael Jackson was in the audience. He said,
all of a sudden, it turned into a riot. He says,
whole life. He wanted to meet Michael Jackson. Will Smith
want to meet Michael. So he said they rushed them
out on his security and he said they threw them
in a closet. He said he was in the closet
that was pitch black and he was in there, like
(26:39):
you know, the whole place was wild, and he heard
a voice. He said it was Michael Jackson. They threw
them in the same closet. He's like, hey, Will Will
turned around and was like huh. He didn't even know
what to say. He said, Yo, I met everybody in
the world. He didn't even know what to say. He said,
oh shit, Mike. Mike said, that guy shift nineties, messing
(27:01):
it up again. I know we got so much money.
When I saw that shit, it was like and then
I knew Fat Joe storytelling days is over. When I
seen Will Smith telling story it's like, all right, well
it's time to go.
Speaker 2 (27:16):
I was like, yeah, don't let this man start telling stories.
Speaker 3 (27:22):
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Speaker 4 (29:04):
But we have all been through stuff that this is
the beauty of hip hop to me that you know,
it's so amazing. We have had the pleasure of being
in the circle of so many talented people. Right the
era is never coming back.
Speaker 2 (29:20):
Thank God.
Speaker 4 (29:20):
We're alive to tell the stories because the young people
can't go back and meet Michael Jackson, they can't go
back and meet Big, can't go back and meet Tupac.
Speaker 2 (29:29):
You know what I'm saying.
Speaker 4 (29:30):
Like I've had, You've had. I mean, godly we can.
We can go on for days because they're like little
movies in our minds. Like you make me think of
stuff that I wouldn't think of because I'm just sitting
here talking to and You're like, Oh, that reminds me
of Boom boom boom.
Speaker 1 (29:44):
Yeah, that's crazy. But you know I've never met m
Jay well like meeting Maya Jackson. That's the one mind
me and the wind Hotel, No way you saw them.
Speaker 4 (29:56):
Like Yo, when I interviewed Michael Jackson right and I'm
gonna tell you right now, I was so nervous because
Michael Jackett was the only artist who ever debut his
video on every network simultaneously.
Speaker 2 (30:14):
I don't know if you remember that.
Speaker 4 (30:15):
You remember that it was and I was the guy
in the middle of time square get ready for the History,
blah blah blah blah. That was me. I was writing
in the Middle Times, a middle time though, No, it
was it was scream remember History scream with him and Janet,
which blew up. So check this out. So I'm at
Sony Music and they like, Yo, Mike coming in. Be ready,
(30:39):
It's gonna be open.
Speaker 1 (30:40):
That's about the worst thing they could do to pending, like, Yo,
Mike's coming, Mike.
Speaker 9 (30:44):
Yo.
Speaker 2 (30:44):
Like you see how they it's a bunch of people here.
Speaker 4 (30:47):
Just imagine this time's too for Michael Jackson's security, publicists,
his team, the record label team. Mike was rolling heavy.
I will never forget this. High realized Michael Jackson's big
star in the world.
Speaker 6 (31:01):
Right.
Speaker 2 (31:02):
Mike had to go to the bathroom.
Speaker 1 (31:04):
It was with Yo.
Speaker 4 (31:05):
They went in the bathroom. It was a dude on
the toilet. My man was like, break it off, maam.
My man was like, I'm not done. He said, I'm
not done. He said, you done. Boom both the door.
My man had to wipe his ass get out.
Speaker 2 (31:18):
I told you that story about God five thousand and one.
Speaker 1 (31:21):
He said. His daughter called them and said, now pop
is Joe kappin. My man got five thousand and one
that design that the Rodney jerk is telling me, Yo,
come down to hire factory. You're gonna do some shit
for Michael Michael Jackson. So he can't Poppy shout out
the pop me do Minikno, he gets Poppy. Who's with him?
He said, Yo, Poppy going downtown. We're gonna be somebody
(31:43):
really read read famous, he said. He said Kelly. He said, no,
it's now aunt Kelly. He says, more famous. So guys
in the studio and nobody's there. Yes, so guy said,
y'all gonna use the bathroom. He said, he went to
use the bathroom in that shit happened. They started looking.
They was like, you come in now he was taking
(32:04):
the piss. MJ walked in. He say, pissed on himself,
got five thousand and one and ran out. He didn't
even take the order. And now he was like, let's go.
Poppy was like, yo, but what's the matter this this?
He was telling him be careful. He pissed on himself
and ran out. The bitch, bro, but he went Michael
J fucking missed all whatever he went. He was embarrassed.
Speaker 2 (32:26):
He pissed on himself.
Speaker 1 (32:28):
Bro.
Speaker 2 (32:28):
Michael Jackson's security was heavy.
Speaker 1 (32:30):
Bro.
Speaker 4 (32:31):
And here's the thing. So I'm the host. I got
all these questions and ship right, I got like twenty
questions that I think every fan would want to ask
Michael Jackson. They looked at that list. They was like,
he gonna answer this, this, this, They killed my whole list.
I was sitting there like, wah wah waht that's when
Sony music. That's when Tommy Mottola you know that ever? Yeah,
(32:52):
they was, they was they was the mob at that point.
Speaker 1 (32:55):
My bad. He pointed that feet.
Speaker 2 (32:57):
That's my god. Temmy Matola, man, listen.
Speaker 1 (33:01):
That you got everybody come up here and call it
the mob. Yo, Toler's killing people everything. He's my friend,
he's your buddy. I was you know, I saved Tommy Mottola.
Yeah right, Temmy, you told me I could say this
story when it happened, glad Joe. Tommy Mottola invites me
(33:23):
to breakfast upstate, right, So we drive up there. He
probably the only motherfucker that could get me up there
like that. So he said, Joe, let's go eat breakfast
for me and up rich go up there. He lives
over there with him. Remy, do the time?
Speaker 2 (33:35):
App what's that jail? He can nah?
Speaker 1 (33:37):
She did it up state? No, she was in girl,
it was in.
Speaker 2 (33:42):
No, it's only one.
Speaker 1 (33:45):
Yeah. She was in Bethel Hill right by the way
besides that jail. He is fucking beautiful up there, drop dead,
gorgeous trees, fash. The point is, I go in this place.
Tommy orders this big pancake we eating, and he starts choking.
He starts choking, like you get I was about to
(34:07):
give him the listen. I'm like, Tommy, are you okay? Tommy,
are you okay? I'm like, you're rich, Tommy, are you okay?
He's like, motherfucker choking to depth. We gotta give him
the heymlet. Then the ship finally went down. He said
hold up, Jokes said, Tommy, you almost died on us.
(34:35):
I was about to give you the hamlet. You said here,
you can tell a fucking story if you want, Joe
save to be told the fucking this That mother almost
died in front of me.
Speaker 2 (34:46):
The man was choky, the regular.
Speaker 1 (34:53):
In your throat.
Speaker 2 (34:53):
I swear to God, that man was like. I was like,
but Tommy, he was like, you know when that happened?
Was you never really?
Speaker 1 (35:02):
I was like, yo, Tommy. He was like he was
like yo. I was like, yo, Tommy, are you sure?
Are you don't get your rich I'm looking at it rich.
I think he was going he's fucking up and I'm like,
no way, fucking Tommy, but Tola, he's gonna die then, Tommy. Mate,
(35:30):
not with that, Joe. I'm like, Yo, ship the craziest ship,
as they do. I was like, ship, this is the
real deal. I got scared to death. I'm fucking catching
anxiety and explaining it to you. It was the real
It was the real deal. I swear to God, it
was the real deal. But I'm gonna tell you the
(35:51):
craziest ship, the crazier ship is we leave Tommy. Tommy's
going in his car. I don't know, but it was
a main bax, something fucking incredible. And the man turned
around and said, hey, I know you like to tell stories. Yeah,
fucking tell the story you saved Tommy. Vintola's they cute me.
Speaker 10 (36:09):
Jumped in the car, say the crying God. He hit
me with the cap of the cap. He was like,
I know you like telling stories, Dad, tell him why
you saved Tommy. Get out of here, gets in the car,
breaks out. I'm not you, yo, that really dude. Look
I'm not we can't the man what is he doing?
Speaker 9 (36:32):
Yo?
Speaker 1 (36:32):
I'm trying to tell people this ship really happened. Like
he said, I'm like, I see Yo, Temmy, you okay,
Now I'm scared tor fucking death. I love you. I
don't want Tommytola, but I don't know you, Tommy. I
(36:55):
don't want Tommy Mattola to die on your front of
Fat Joe. I'm like, I was harry a fight. What
was Rich gonna do? Rich was standing that he might
know the Heimlich?
Speaker 2 (37:07):
Rich was sitting there.
Speaker 1 (37:07):
I said, you're Rich? Do you know the Heimlich? He's
you know Tommy's Tommy's like a fucking real Yeah, he's
a real dude, real doubt.
Speaker 2 (37:17):
The last thing he wants is the hem and he
definitely don't want mouth to mouth.
Speaker 1 (37:21):
You don't want the heim lick. Tommy don't want the
heim Lick. He's dealing with it on his own time.
Get he's coordinating it, Phil, he made a week over here. No, No,
she's coordinating this ship like he's trying to figure out
how I'm gonna get.
Speaker 4 (37:41):
Tommy's a real Get Yo kidding you crying God? Yeah, Yo, shaid,
it's funny.
Speaker 1 (37:50):
I love you. Tell me I want to be like you?
And what was he doing World War Time. No, you
gotta man, it's not a laughing matter. What I'm trying
to tell you. I was scared to death. You thought
(38:11):
it was funny. If you thought that was you thought
that was one of the funniest ships I ever said Eddie.
Speaker 2 (38:19):
Murphy never threw the red leather suit on him.
Speaker 1 (38:23):
What was he doing? He was, y'all. I was scared.
Speaker 2 (38:30):
I was terrible.
Speaker 1 (38:31):
I'm telling y'all about a real story in life. You're
missing the funniest point of the whole ship, yo. You
missing the go ahead down on that. The man is
all the way stable.
Speaker 2 (38:47):
He's good.
Speaker 1 (38:48):
I walk him to the car, you know, Tommy ve
told us the dawn. I walk him to the car,
brand new, fucking made back. I never got money with him,
but he's just my guy. But he went into some
fly ass car. He turned around and said, all right, dang,
I know you like to tell stories. Tell him how
you fucking say, Tommy Mottola, Yeah, Joe, tell your story?
(39:12):
So right, tom alright, t poor dog man. I said
all this one. I'm saving this ship for Bill Bellay, Yo,
bro mother, that was a great one.
Speaker 6 (39:21):
Man.
Speaker 1 (39:22):
Yeah, I would have killed me if I was dead.
Oh my god, you just reenacted and you not listening.
Speaker 2 (39:29):
I was really scared, like I'm not trying to tell
you that was terrified.
Speaker 1 (39:33):
I don't want nobody dying in front of me. Let
alone Tommy motoa, Tommy, you.
Speaker 6 (39:38):
Know what, I had one of the cuddy that it
wasn't with Tommy Mottola, who was with one of my
men from my block.
Speaker 1 (39:44):
He caught the heimlet you can't catch.
Speaker 3 (39:47):
Then you went you had something, you had seize your some.
It was someone that got mixed with something like he went,
I lost them. It was no no, I lost him
for a minute, like he left for him driving.
Speaker 5 (40:05):
Listen, he come.
Speaker 1 (40:05):
He used to drive me home.
Speaker 6 (40:07):
I have to give him bread to drive me to
the crib. Now he come pick me up. One day
he go get the apple juice.
Speaker 5 (40:13):
He come out.
Speaker 6 (40:14):
He's like, yo, you ready, Yeah, I'm ready. Now we're
going over the hill. We're going to get on the
saw milk. We're going to get on the sprain. I
think now we go with Wilo got a lot of ills,
like saying frid he go over, come down now out.
Speaker 5 (40:30):
Of no way.
Speaker 3 (40:30):
He bustes a youth and goes back up and I'm
like his GPS telling me it was traffic over. I'm
giving him the benefit of the doubt. Now he starts
like talking about the eighty six bets. He starts blocking
out he's not dead. Now, I'm like, oh Lord, please Lord, shit.
Speaker 1 (40:50):
Look he's on He's in the driver's side though.
Speaker 6 (40:52):
Crime.
Speaker 3 (40:52):
I'm in the passage down praying seventy five hour follers.
Speaker 1 (40:57):
There's small lawns. I'm doing everything.
Speaker 3 (40:59):
I'm scaring that yeah, like you just this's worse than
time because he's on the whip.
Speaker 1 (41:04):
You over, padcakes.
Speaker 5 (41:06):
He's on the whip right me. Look and he start
going like uh he's talking gibbers.
Speaker 9 (41:13):
Oh my god. I'm saying, please Lord. Now I'm looking
at him. I'm looking at the thing to put it
in park. You know what I'm saying me eye contact
the day for park. I call his name one times loud.
Speaker 8 (41:29):
No.
Speaker 1 (41:30):
Now he's came back, yo, kids, what's up?
Speaker 5 (41:32):
Whens?
Speaker 1 (41:33):
Soon as he did that, me pop, soon as I
threw it in park, he stepped on the cat. He
would have he would have went into the bill.
Speaker 2 (41:41):
Are you kidding me?
Speaker 3 (41:43):
Now?
Speaker 1 (41:43):
People punking? They seeing this medio kids?
Speaker 3 (41:46):
You alright, ma, I'm trying to call yeah, good, I
really not though, poll my get out. I go around,
I get him out, unbuckled seatbelt, put him, get him
out the car, put him in the passenger.
Speaker 5 (41:59):
Getting it now, I'm trying to like going in and out. Yo,
what's your wife's number?
Speaker 1 (42:04):
Hospital?
Speaker 3 (42:05):
Listen, what's your wife? What's your wife? Keep asking him
his wife numb? And then he finally got it. I
shook him to his wife. Wipe the sweater. I was
half I was discing. Bobby lated, and then he didn't
know nothing. After it was probably wife.
Speaker 1 (42:22):
He didn't know nothing.
Speaker 2 (42:23):
He didn't know what you said the apple juice. I
thought maybe it would.
Speaker 1 (42:25):
Be like a die diabetic. Yeah, yeah, maybe Now he.
Speaker 3 (42:28):
Got some other You know, a lot of people, even
with my mom, shout out to Saint John's, the nurses
on the fifth floor and the eighth floor to he
love you.
Speaker 1 (42:36):
A lot of times when you go when you don't
take your medicine, he could cause like a some ship.
Speaker 5 (42:43):
Take your medic You gotta take your medicine.
Speaker 1 (42:45):
That's one of the biggest killers is when when people
need your diabetic but you still want to act like
you're not diabetic.
Speaker 2 (42:52):
You gotta take it.
Speaker 1 (42:52):
That's what fuck my brother up. He walking around like
he ain't diabetic. I'm like, your jewne, did you take
your medicine? Your diabetic? Then over here own type of
cakes and ship. I went to what we did the
fiftieth Anniversary of Hip Hop in Yankee Stadium. I went
to we had a squeet. Yeah, so my brother's diabetic.
The guy who takes care of him is diabetic. I
(43:13):
walk up in that bitch they having cakes and regular
so I'm like, I'm looking down, like, yo, these dudes
want to die.
Speaker 4 (43:22):
Yeah.
Speaker 1 (43:22):
Yeah, sat shut out the thort. They trying to kill himself.
I sat next to my brother, I said, I was
so happy that day. But I sat next to her.
But I was like, I said, yo, Joe, He's like,
yo's a Joe. I was like, what the fuck you.
Speaker 2 (43:35):
Doing drinking pepsis and cakes and cake.
Speaker 1 (43:39):
No, he was on it, on it, on it, on it,
on it, on it, And then you.
Speaker 2 (43:42):
Know, that's the worst thing you could do, is like
lie to yourself, like you take your medicine.
Speaker 1 (43:47):
Man, it's a lot of people like that. There's people
like that are bipolar, right that they don't like how
the medicine feels and then they don't take the medicine
and they and they bogged the fuck out. Yeah, you
know he was shut.
Speaker 2 (44:03):
Boy, I would have been shut. You knew something was wrong.
Speaker 3 (44:07):
He went out on me and start talking about the
They started talking JD nine mets and ship like that.
Speaker 5 (44:13):
It was crazy.
Speaker 1 (44:14):
He started going to the hip.
Speaker 2 (44:18):
And he hit that boy kiss was shotting.
Speaker 1 (44:21):
Yo, this is an art.
Speaker 2 (44:22):
He had to figure out where to throw that ship
off park?
Speaker 1 (44:25):
Yeah, okay, at what time am I gonna do the
save my life?
Speaker 2 (44:31):
You said your life on.
Speaker 1 (44:32):
His pitch and dive over put the pitch on parks?
Or was I throwing in park? His wife knew he
was bugged out, floored when you brought him a that
he was at the thing. He ain't bugged, but she
knew he had the thing. She took it.
Speaker 4 (44:46):
But if he was doing the apple juice, I'm gonna
say it was diabetic. So he's probably going in the shot.
His low blood sugar, so he so he was His
coherency was probably off because he's doing the apple juice,
probably to bring the sugar level.
Speaker 1 (44:58):
I'm diabetic. One time that ship happen and the meat
when you take your medicine. You gotta eat, yo, Diabetes
is a trick man, the fucking insulin. If you don't
eat and then you go into a coma, so you
gotta eat. So he's almost like he keeps you fat.
But that's not the point. The point is I take
the medicine. I'm going to the side, thank you, sir,
(45:21):
on my weight, to a restaurant, and then at that point,
my sugar drops, right, And sometimes you don't even know
how to tell people. So I had to run in
the store or get an orange juice. But that shit
was feeling. That's probably one of the worst feelings because
there's too much sugar. No, no, no, this ship was low.
Once I drink the ours juice, I was okay. But
(45:42):
when they drop, that's one of them feelings. If you're
not diabetic, nobody, you do not want it drop it.
Speaker 2 (45:49):
Oh you know what I mean?
Speaker 1 (45:50):
You do not want that. That shit is some real shit.
You know what I'm saying.
Speaker 2 (45:54):
Tell us about the Christmas joint you got going on?
Speaker 4 (45:56):
Oh okay, it's called the worst Christmas ever. It's a
comedy family, you know what I'm saying. It's a clean
cut movie, but it's about love. You know, it's about
a guy who you know, is going through a divorce
doing the holidays and he's trying to decide, if you know,
can he get the family together for the sake of
the holiday and uh, you know, we got to make
the right choice, family over everything.
Speaker 2 (46:17):
You know what I'm saying.
Speaker 4 (46:19):
The kids are coming in and the feelings is weird
because the wife is moving on and he ain't moving
on yet, you know. So that that I think it's
a really fun vibe. And then also it's a lot
of comedy. And then obviously you know I do that.
Speaker 1 (46:31):
I do that very well. Man. Let me tell you something.
How do you feel about you've been with your wife
twenty four years? How do you feel about your wife
all her friends getting divorced and they sitting down together
talking that divorce shit, that misery love? Yeah, you know,
to me, I think what you just she come back
like she fully charged with that ship narrows like theckets.
(46:56):
She ain't ship. They all ship. They yes, getting divorced.
This epidemic.
Speaker 4 (47:02):
Yeah, it's it's tough man. Like to me, I think
the thing is is just keep your keep your your
house private.
Speaker 6 (47:09):
Bro.
Speaker 4 (47:09):
You know what I'm saying you can, Like, I'm very
select about what I'm putting on social media, what I'm
letting access get to. Because once you start putting people
in your house, they in your house and they start affected. Yeah,
they get to change the attitude of your house or
the altitude of your house. Right, And so to me,
I think private should be private. Like I hate how
people put so much personal stuff on social media, Like
(47:33):
if me and Jada got a beef, I'm gonna talk
to Jada. I'm not gonna go on the social media
and then say something and then Jada gotta go on
then come back.
Speaker 1 (47:41):
I'm old school. I'm like, yo, we on some man shit,
Like yo, man, I thought.
Speaker 4 (47:45):
And it might not even be an issue. It might
be some misunderstanding. He ain't even see now it turned
into something because Jada Cousin called your bill talking reckless
that you see what I'm saying, just keep building.
Speaker 1 (47:56):
Let me tell you something. They offered me all types
of money to have like a reality show. But I
knew I wouldn't have a wife after one Seaton Nahna,
Cause you know I'm the type I go, yeah, you
know this, this, that, and I walk away and be
like bitch like that shiit on camera. Oh yeah, you're done,
you done, you cooked? Now you cooked? You do that
(48:18):
ship to yourself, you know, you walk away, y'all your
wib you know the fucking I'm done, You've done. And
that's when the cousins get involved.
Speaker 4 (48:29):
And everyone starts having, you know, opinions about your personal life. Right,
and to me, kill it kills love, but also too
it's you know, I think as men, you know, I
think we have to protect the crib. You feel me.
Speaker 2 (48:42):
And then you get a chance to create your home
how you want your home.
Speaker 4 (48:47):
You do your job, you go out, you be the
best Joe, you be the best Jane, and then you
come home and then you be the best at home.
Speaker 1 (48:53):
Right.
Speaker 2 (48:54):
But they can't be blended.
Speaker 1 (48:55):
It's no different than than Schwartzer. I mean, it's your
out and you go home.
Speaker 2 (49:01):
When I go home, I'm Jason.
Speaker 1 (49:04):
There you go.
Speaker 5 (49:04):
You know what I'm saying.
Speaker 2 (49:05):
He was swzing, you don't. Yeah, but he was knocking
the bait off.
Speaker 1 (49:08):
I thought, Yeah, I mean he was fucking millennial. He
told you I'll be back.
Speaker 4 (49:16):
Okay, yeah, yeah, I think after a Joe, you left
your money, man, you're going to the strip up.
Speaker 1 (49:22):
You know he got I got.
Speaker 3 (49:26):
Oh ship.
Speaker 1 (49:27):
He dropped them fucking but he dropped him along. I
thought it was this. I didn't see what he dropped.
Speaker 3 (49:34):
Moldanger tonyover it, holy ship, put this old ship.
Speaker 1 (49:39):
Look I see it. I put everything like this ship.
I thought he dropped something light. I'm fucking holy for
he dropped the fucking Vickey roony oh ship, cause I
was the anyone who came outside with those.
Speaker 5 (49:55):
He got the Mackey rody.
Speaker 1 (49:57):
But he paid for everything cash.
Speaker 2 (50:00):
Yeah, dropped the mickey rue your money right there.
Speaker 1 (50:03):
You just dropped to Wallace. I looked over there. You
dropped the whole fucking boat that. I know what you
just dropped that.
Speaker 2 (50:10):
You dropped it Bentley.
Speaker 5 (50:11):
You going to the Monica and little ship.
Speaker 1 (50:13):
He cheating. No, No, I ain't going like this. I'm
going on some ship Monica shit. He told me many Mandy,
I look like I'm in the fucking Swiss Watch. Look like.
Speaker 2 (50:25):
That tonight.
Speaker 1 (50:26):
I've been waiting a whole year for that. Then I
was trying to figure out how I'm gonna bum rush
her sneaking.
Speaker 3 (50:32):
If you would have I would have did it with me,
and you could have did it performed together and made
it much more easy.
Speaker 2 (50:39):
Bro.
Speaker 1 (50:40):
Sure. The point is I've been dying to go. I
was going no matter why, I ain't have a little
seats and then they called me in Yo, we want
you to perform, and I said, that's even I wanted
to sneak in my wife. I'm best friends and shit
like that. Fat Joe performing lot, but I'm coming in
there looking like a mother a fucking movie up in
(51:00):
that bitch. You're gonna go get it because the story
is twenty years from now, They're gonna be like one.
Speaker 2 (51:05):
One time during the holidays, Granny and Monica.
Speaker 1 (51:09):
Was on tour and they went to Brooklyn and they
brought out Fat Joe and boy, yeah you gotta do it.
Did he come out in that white cocaine Fendy for
laser looking like he says, floating in that bitch? You
know what I'm saying, Yeah, you gotta do a bit,
you don't.
Speaker 2 (51:26):
It gotta be like that with you. That's an everlasting moment.
Dude with the goggles on him, coming with the goggles
and ship. Oh that's how you're doing it.
Speaker 1 (51:33):
I'm acting up. That's why you know I brought out
the you know the artillery. You know what I'm saying.
We gotta shine.
Speaker 4 (51:41):
You're a fly dude, though, Joe, I give you a
floppers man. You always add a crazy swag about yourself.
Speaker 5 (51:46):
Minutes.
Speaker 2 (51:47):
Listen, Eddie Murphy. Have you seen the documentary?
Speaker 4 (51:51):
No, I have not our half to us. Everybody says phenomena.
Everybody says phenomena.
Speaker 1 (51:58):
Again, anything where Eddie Murphy and these stories with Eddie Murphy.
Because I'm like, like, I'm on the Eddie Murphy man.
I did not realize how much I loved him till
I seen this doctor. You know, I'm the guy they
threw out of the movie theater. When Raw came out, I.
Speaker 3 (52:14):
Was about to say I was about I thought he
was about to say they wanted him for forty eight hours.
Speaker 1 (52:24):
I thought he was about to say that shit too.
Let me tell you something, Eddie Murphy, Raw the whole project.
It was a hundred of us. And I'm talking about
garylic Bums. We all we had that adolescent bum ship
guy sneaking in the movie theater with forty young We
forty young. That is the most ghetto, pissed, smelling, fucking
(52:47):
movie theater you ever seen in your life. All the
one hundred of them. I'm the only guy got thrown
out the movie. I was laughing, I'm.
Speaker 2 (52:59):
See before you after.
Speaker 1 (53:00):
Your glass smoking, me and styles. They kicked us out?
What me? Styles and cage? They kicked us out.
Speaker 2 (53:08):
We woke up cracked.
Speaker 3 (53:09):
The whole bay Plaza was empty the movie then is
the parking lot Evy, y'all was high open the door.
Speaker 1 (53:16):
That mean people had to see us sleeping on the staircase.
All of that. We opened the door and.
Speaker 2 (53:21):
Y'all was already to loveist. Y'all was already the last.
Speaker 1 (53:25):
It was yet we didn't have an albumbout yet. No,
he's about to be popping.
Speaker 6 (53:30):
And then we our dudes came around one last time,
but they was about to go home.
Speaker 1 (53:34):
The whole ship was empty. It was no more workings,
no more people there. Damn, that's not poppy poot on nigger,
you smoke that ship. Let me tell you something. I'm
in the house with motherfucker's smoking and they smoking so much,
and that second hand smoke his will because I'm watching
(53:55):
BT and they got my man. What was my man?
Lavelle for Novelle Crawford.
Speaker 2 (54:01):
The man looked like a human eminem.
Speaker 1 (54:03):
Yeah, he had some soup on. He was so fucking fat.
His head looked like I thought it was the Eminem
was talking to me like eminem nuts. Yeah, I thought
the cigaret was the Eminem and Peanut talking to me.
He was like, you know, crack is a hell of
a drug. Get talking. I was like, yad, that wasn't
we I never smoked, but I'm telling you it was
(54:27):
like you in the studio and the twenty guys is smoking.
I'm looking at me. Looked like a human Eminem.
Speaker 2 (54:32):
He had to suit on.
Speaker 1 (54:34):
His head was swing. He's like, crack.
Speaker 2 (54:36):
You know, I'm tired of smoking crack.
Speaker 1 (54:38):
I did, Yo.
Speaker 2 (54:39):
This was the funniest ship ever seen in my life.
Speaker 1 (54:43):
Y'all. Bill Bellamy, thank you man. This ain't that. That
ain't this. It's cracking.
Speaker 5 (54:49):
Kiss makes some noise for guests.
Speaker 1 (54:51):
Bill, y'all man, I love y'all man. Appreciate true. That's
your Darry brother.
Like he's trying to figure out how I'm gonna get
Tommy's a real gayo Yo, kidding you crying and gone yoo,
it is funny.
Speaker 2 (00:22):
Yeah, yeah, what y artist is? Joe Crack the Dawn?
Speaker 3 (00:25):
You know what it is, your boy, Jada. This is
the Joe and Jaden's show. Every show legendary, every show iconic.
When you're think of today's guests, you think of funny.
You think it's some of the best haircuts ever. You
think of some of your best moves come. You think
of the box office, you think of stand up, you
(00:48):
think of my early career. Vj's MTV was very inspirational
and influential to your career. You can make it on
that without further Ado Ladies and Gentlemen makes some noise
for Bill Bellamy.
Speaker 2 (01:05):
I'm in here, Joe. How you get a last name
like Bellamy?
Speaker 4 (01:10):
It's just it just worked out. It sounds like it
sounds like I already had money.
Speaker 2 (01:15):
I was broken.
Speaker 1 (01:16):
Fuck Bill Bellamy. Yo, he's here, Yeah, Newark, New Jersey. Yeah.
Speaker 4 (01:21):
People used to say, is that your real name? I
was like, yeah, because I'm actually William. But William sound
too formal. You know what I'm saying.
Speaker 2 (01:28):
So, I'm like Bill Bellamy the two Bees.
Speaker 1 (01:30):
It was good. It goes good.
Speaker 2 (01:31):
The same ship, same ship.
Speaker 1 (01:33):
So my man Billy will yea, Sir William, My man
Billy Blanco. His name is Spanish is Gemo, Willie. Yeah,
Guemo and Spanish is William. You know, I mean that's
(01:54):
not about it. Yeah, boy, Billy Blanco man that you know.
He was with the high school teacher. She be like, yeah, Ma,
one day we had a house party. She popped up
with him. I said, damn, he taking the teacher down.
What my man Billy Blanco many years ago he got
some grown booty. Humh yeah with the teacher. With the
(02:15):
teacher at the house party. We all up in the
in the house party. He got the teacher with him. Nah. Yeah,
we ain't never had early. He did his number. That's number, y'all.
Bill telling me what's something? I love it? You look great,
Thank you man.
Speaker 2 (02:29):
I'm going to.
Speaker 1 (02:30):
See I love to see you know. Our o g's
looking great, Yo. Man.
Speaker 4 (02:34):
I work out. I take care of myself. I laugh
all the time. You know what I'm saying. I'm always
enjoying that part of my life, and I'm doing what
I want to do man, you know what I'm saying.
We at that part, Like you said, OG, we got
the experience and the talent, which means now we you know,
we can move the way we want to move.
Speaker 1 (02:51):
It's sad because we want everything early, but they always
tell you as you get older, you figure it out.
Speaker 4 (02:55):
I wanted my ship immediately. I remember when I first
came in the game. I was like, fuck the way,
let's get it today. I'll never forget. Like it was
like ninety one ninety two. I'm in New York, I
live in Jersey. I'm coming over here doing stand up
and shit, just trying to get on. This is when
hip hop was pop. It ninety one ninety two Cats,
we had record labels. People was like, you know, everybody
(03:19):
was pushing their records. You know, you had your street teams.
This is like vintage ninety hip hop era, and so
stand up was sort of like the brother and sister
of hip hop. U.
Speaker 2 (03:31):
Cats was coming to see us, We coming to see you.
Speaker 4 (03:33):
Everybody know everybody, and it was just one of those
amazing times for me and I just happened to get
lucky to be in the right place and just get on,
like just you know, be funny enough, having the right swag,
had the right.
Speaker 2 (03:46):
Gear, you know what I mean, and then be on
point on deaf comics.
Speaker 1 (03:50):
Who would you say? Is your who was?
Speaker 4 (03:52):
Some other comedians came out. I got the best class whatever, Joe,
I want to know. Ever, there'll never be another class
better than us. We were dream team. You gotta figure
like ninety one ninety two, Jamie Fox, Martin Lawrence, Chris Tucker,
Chris Rock.
Speaker 1 (04:10):
Listen, they don't stop.
Speaker 4 (04:11):
Sed you the entertainer Steve Harvey, Dave Chappelle like, I mean,
just Joe Toy like it just deal.
Speaker 2 (04:19):
It's just like all of us came out.
Speaker 4 (04:21):
It was like so many funny Bernie Mack come on,
that's the funniest people I've ever seen in my life.
Like Tommy Davison, like just think. I just had an
interview a couple of days ago, and we were talking
about there will never be a time where that many
people were able to become stars. A lot of people
(04:42):
became TV stars. We had all them sitcoms.
Speaker 1 (04:45):
When you cross the pass with like Jim Jim Carrey,
I didn't I didn't grow at that time.
Speaker 4 (04:50):
Jim Carrey was on fire. But he was in he
was on the West West coast. The only person I
met back then was Damon So I met Damon in
the early part of my career. He was on the
West They was on but they they was already because
I remember auditioning for In Living Color, like, Yo, there's
this show they going about to do on Fox. It's
(05:10):
gonna be nuts, It's gonna be the real sadding not live.
That's what That's what the word was at the time,
And so I didn't get that. Jamie Fox was selected
to do that and Tommy Davison and Jim Carrey and
that show was phenomenal. That's all names. So you got Martin,
you had Jamie, you had In Living Color. I'm knowing
(05:30):
forgetting some of the shows, but they were all on
at one time.
Speaker 1 (05:34):
I heard you in the interview say that Martin Lawrence
was the best def jam com comedy host ever ever.
Do we think he gets his props or is it
that he's just so like because he feels like an
introvert when it comes to interviews and all that, like
he do. Do we feel like Martin gets his props
(05:54):
like he deserves.
Speaker 2 (05:56):
I don't think.
Speaker 4 (05:56):
I don't think people give Martin Lauren his flowers the
way they should, because let me tell you something, there
was nobody funny than Martin Lawrence on Death Comedy Jail.
Like if two Comics was in the car crash, you
wouldn't be mad if Martin was hosting because he gonna
carry it. And the way he was hitting the audience
and free styling, like it was vintage Martin Lawrence. Like
(06:18):
I mean, I enjoyed him immensely watching him just be natural.
I didn't know Martin Lawnce was that funny.
Speaker 1 (06:26):
I was like, God, damn, you know, Martin Lawrence was
almost like your men, Like you know, you got a
boy that's mad funny. Yeah, you know, came a store,
a comedian or nothing like that. But he was just
dumb funny. But the guy put it on on TV right,
like everything he was saying was like shit that we
go through in the hood every day.
Speaker 2 (06:48):
But when it's lost, they looked like it was off
the head.
Speaker 4 (06:50):
Like to me, I felt like Martin Lawrence was like
a rapper that could freestyle better than everybody, you know
what I mean, Like he could just go in the
studio and be like bam bam. He don't need to
write it down, but you'd be like, damn, how you
thinking that to me? That's how Marn was. He was
so fast, Like if you go back and watch the
clips and big Bird like that. He has a chnic
jokes that he said on me here a good line.
(07:12):
I mean he tore up you good, get it, play up.
Speaker 1 (07:15):
It's true because you you know when the cops stop you, sir,
I was over there and then then what are you
talking about?
Speaker 2 (07:20):
You like Dannis could lie like all my impulse like
you know.
Speaker 1 (07:26):
Or your wife cats? You doing some shit? You know
who's burger king? Oh my god? Oh yeah, yeah, you
know what I'm saying. Who's burger king in the morning?
You're looking at Oh I was looking at watches and
the new sneakers. Graffiti. Don't let them see the explorer. God,
damn it that algorithm. H don't let them see that ship.
(07:48):
You see that ship? My shiit graffiti, hip hop grandmaster fly, like,
you better be ready for that ship.
Speaker 4 (07:55):
You gotta have a dummy, a dummy past explorer. Yeah,
you gotta have a dummy. Shoe's wife. He hit the
phone house paint, you know what his best Yeah, you
know roof fis you.
Speaker 1 (08:09):
Figure the French people are making these breads now ma,
Like this is a fucking incredible incredible you see this,
I tell you, switch that ship up. That shit'll be
like there used to trap on Wednesday. Switched that bread up.
Boun want time that shit be like booby trap. Yo.
Speaker 4 (08:28):
They used to have that, like when when laptops first
came out, Like when you was working in a cubicle
and you was doing something that you was supposed to do,
you had that dummy screen to come down when your
boys come up.
Speaker 2 (08:38):
We need that on our phone.
Speaker 1 (08:40):
This sock market comes Yeah, we need that. That's the
new app. Guys, whoever fucking with the AI all that
that's the ship you need.
Speaker 4 (08:48):
You just made me think of something funny. You know
what they should do, like for for chicks or going
dude's phone, the phone should blow up. You just have
blue stuff all over your face. That's cool like the
money Yeah yeah, Like it's like if your girl go
on your phone, they take a picture and blow up boode.
So you come downstairs, she's sitting there with a whole
blue face. I said, what's you on my phone?
Speaker 1 (09:08):
Now?
Speaker 2 (09:09):
Media killed love man? Yeah, Social media is tough.
Speaker 5 (09:11):
Social media killed you can get it, and it didn't
kill it.
Speaker 1 (09:15):
What it did was not killed love. You think why
because every time you feel I'm like dad Bill Bellamy,
he been with his wife so long. Then that shit
come in the middle, just the fucking scribble into the
group comes.
Speaker 2 (09:30):
Breaking news like, bro shit, I've been married twenty four years.
It is no joke. How many people broke up in
twenty four years?
Speaker 1 (09:39):
Oh that's crazy?
Speaker 4 (09:41):
I mean I remember I got married in two thousand
and one. Right, people who were going out dating, they've
been together forever, they got married the same summer and
they was broke up in the fall.
Speaker 2 (09:54):
Like that's how crazy I was, Like, Yo, So.
Speaker 4 (09:56):
When you're in Hollywood and you living, you trying to
do your career, you're trying to do everything. You don't
have no like positive Like you said, you don't have
any positive Like.
Speaker 2 (10:05):
Oh, man, they could go to the movies with us. No,
they don't talk no more.
Speaker 1 (10:08):
You know. But people can sit a little Hollywood fucking
every everybody fucking each other. Yeah, and then they only
like each each other's huts. Man, And the family tree
is a cousin is this ship is out of yeah,
it's out of the family. Yo. You ever seen you
ever seen the family trees when they do that ship, Yo,
God bless everybody.
Speaker 2 (10:29):
Man, I don't wear that. When I tell you, boy,
the family cheer.
Speaker 1 (10:33):
They be like this one slept with this one, and
the kid is from this this and everybody coloring ships
that come down and them. This is everybody's cousins. Everybody's
a fucking cousin. That shit crazy.
Speaker 3 (10:46):
How hard is it making the transition from stand up
and then boom you're on the big screen, you're doing
lead rolls?
Speaker 1 (10:55):
Yo? It was.
Speaker 4 (10:56):
It was crazy, man, because you know, things have kind
of fast for me. So I like, I got on
I got on MTV. That was huge because at that time,
you know, that helped that wave of hip hop. We
started selling records like Crazy Cats going on tour. I
mean you you Nordy Clean My Teeth or all the
casts that was coming up at that time.
Speaker 2 (11:17):
You know, it was an explosion.
Speaker 4 (11:19):
And I remember sitting there on my show going, man,
I'm interviewing all these movie stars. I want to be
a movie star that looks so fly, like they got
the movie premiere, they got this stuff going on.
Speaker 2 (11:28):
So I had aspirations. I was like, one day somebody.
Speaker 4 (11:31):
Gonna interview me, you know what I'm saying, And so
next thing, you know, I got a little small rolling
Who's the man?
Speaker 1 (11:37):
Who's the man?
Speaker 6 (11:37):
Yeah?
Speaker 1 (11:38):
I know.
Speaker 2 (11:38):
It was the most hip hop people would ever.
Speaker 4 (11:41):
Yeah, you know, Joe got a nice little resume on
the lowers I have for cheap bone yo. Yo, they
kind of half of Joe head or you just see
Joe here in the barbership.
Speaker 1 (11:52):
Got Joe y'all suck this shit? Was that it was
a big look. Yeah, I think of one of the
funniest movie One was a big that's a big look
when you know body you coming in the game and
naughty boyny there this one and that one that love
of doctor j Nick half a Cheekbone. I was thirty six.
(12:12):
I was shown here and I think another movie I
like it like that that I played like a prisoner.
Speaker 2 (12:18):
They had like my eyebrows and.
Speaker 1 (12:20):
Ship and changed said they gonna see it was what
they should have showed my face. This show just I
became a big dog in the game. Yeah yeah, yeah,
you look, that's that's that value. It would have aged
you well. Fat Joe and that bitch y'all. Let me
tell you something. I don't get high, but one of
(12:43):
one of my most paused outer body experiences was that
where I felt I was high was in the movie
Booty Call.
Speaker 2 (12:53):
I could not believe this ship. This ship was so hilarious.
Speaker 1 (12:56):
I must have watched this ship thirty thousand times and
every time got funny and funny and funnier. You knew
that shit was gonna be crazy.
Speaker 4 (13:05):
No, no, no no, because here's the thing.
Speaker 2 (13:10):
Booty Call came from a joke.
Speaker 4 (13:12):
Like I did not know that Booty Call was gonna
be something that's just gonna stick this thirty years ago, bro,
Like that's insane, Like I did. The first time I
did the joke was at Uptown in Harlem, and the
joke came from Mike Tyson because if you remember, Mike
Tyson got caught up in Indiana.
Speaker 2 (13:29):
So I read the article.
Speaker 4 (13:31):
When Mike was like I was, I was, I just
asked the come to the room for affecting with talking
and I'm like, at three in the morning, and she
missed Indiana. That's a booty car, right, I said it
just like that, And I said, oh shit, I'm onto something.
I went on stage and I kept playing with it
till I got it down there. Right boom, shit took off, life, crazy, movie, comedy,
(13:53):
Taco bell commercials, Foody Call. I seen this shit on friends.
I seen people say, hey, check that shit, say jack
the sh shit out of me?
Speaker 1 (14:01):
If I did not Jada.
Speaker 2 (14:03):
No, no, we don't have a fat and ship.
Speaker 1 (14:05):
But what about the yesterday's pricing, Today's watch dancing and
all that ship? And I was like, yo, could we sue?
We got sue everybody. It was like, no, sir, don't
have it. You know you don't have that pattern. But
the scene with the fucking the rent who's rap on
the plastic bo that was sh was with Jamie.
Speaker 4 (14:30):
That was with Jamie and Tommy Davidson, Right, yeah, yeah, yeah, yeah.
I didn't do I didn't do the movie. They did
the movie. You came up with the term booty I
came with the term. And then what happened. I was
supposed to do that movie. I chose to do Love Jones.
I had just did a comedy special call Booty Call.
Then the movie came out Booty Call, and I said
(14:50):
I want to be a dramatic actor, so I said
I'm gonna jump off in this movie with these real
actors to kind of flip it. And that's why I
wasn't in that movie, but I was offered that movie.
Speaker 2 (14:59):
That's almost like being a Disney star.
Speaker 5 (15:03):
Still. That was my ship.
Speaker 2 (15:04):
Yeah, yeah, yeah, But how to Be a Player?
Speaker 1 (15:06):
That was good.
Speaker 4 (15:06):
So I went zig zag, So I went dramatic Hollywood
and then came back with how to Be a Player.
Speaker 2 (15:12):
So that was like ninety five ish. That was dope.
Speaker 1 (15:15):
Dain stereotype you and just make you like like fat Yo.
Always been a killer in every movie, even the fucking well.
Speaker 2 (15:22):
You can see you saw me in Night School.
Speaker 1 (15:25):
I'm beating the guy up, stabbing him and fucking with comedians.
Speaker 4 (15:29):
It's like they always want me to kill somebody else. Voice,
drive your voice. But I can see you as a
good chef conducted.
Speaker 2 (15:36):
I could see you as a chef. Nobody wants to
be a chef, a school bus, drout or nothing.
Speaker 1 (15:42):
It's always he's a mafia killer something, he's a criminal,
he's a dish.
Speaker 2 (15:47):
I can't shake the ship. Yeah, if you was a
school teacher, you still be a killer.
Speaker 3 (15:51):
You gotta be willing to wear that different headcuts like
Samuel Well.
Speaker 2 (15:55):
You gotta do it to the Mexican dude that every
role he's victory, he kills somebody.
Speaker 1 (15:59):
Was I shit, you man, what what's the ship? What's
his training? Drake? I fucking shit, you what what what's
the training? They are the Mexican guys that.
Speaker 7 (16:09):
You ever answered your ship pushed it on me? I'm
like the New York you ever had your ship pushed
it more? HOLDI then you always guess what Joe, we
got to roll Field? What's that your drug dealer killer?
All really in the astatsine as well?
Speaker 1 (16:26):
Thank you, thank you very much. Ten toes down, ten
toes down? That shit crazy? You know they calling me
the greatest storytelling then yes, sir, I think, Hold up,
you got some stories, Joe Man, I tell you who
could take me out? You see, Joe I wanted to
do and I still want to do.
Speaker 5 (16:46):
I tell you you can take you out, Barble Walters.
Speaker 1 (16:49):
No, I want to do a stand up, not a
stand up on One Man's show. Oh yeah, it's all
about stories in my life. I had a segment of
it with Somebody's Gonna steal now when they hear this,
where I would take If Bill Bellamy was in the
tennis I'd be like, Yo, Bell, come up here, tell
your elles story. After you finished, I gotta come with
(17:09):
a better one. So I had like Nori on the list.
I had irv gott He rest in Peace on the list,
all the greatest storytellers. And I was gonna go like
they tell a story like Rick Ross.
Speaker 6 (17:21):
Yo.
Speaker 1 (17:21):
Rick Ross came to the studio one time. He had
just had that heart scare. He had something with his heart,
and for some reason he called us. In the first
place he wanted to come was cooling d Stewart. I
don't know why. So he shows up and we're chilling
and we're just there and he just goes fen to
no you touch it. I don't understand from the jungles
(17:47):
of Mexico, maybe sending no plasticing enough you smell through
the plastic you had. I'm trying to the minute that
man stopped, I said, simple, someple so he looked at
me like, oh I say simple, I said, Yo's like
eighty eight. We used to walk down the block and
(18:08):
tell the Dolphine simple simple sample.
Speaker 2 (18:11):
They come and I throw it in the air and
the dive like pigs.
Speaker 8 (18:15):
Yo.
Speaker 1 (18:16):
I don't know why. I try to ware up everybody
in every story ever created.
Speaker 2 (18:24):
Joe, I don't know.
Speaker 4 (18:25):
I think you are one of the greatest storytellers because
you've just been in the ship so long and you
got good stuff.
Speaker 1 (18:31):
You got is.
Speaker 4 (18:33):
About timing, yeah it is, but but you gotta think
Joe for hip hop, Joe been around every single person.
Speaker 5 (18:41):
You need a cabin with a fire place.
Speaker 1 (18:45):
With a flannel with snow outside.
Speaker 8 (18:48):
Yo, just telling hip hop and gangster's story, yo, yo, Yo,
the one that had me in tess when you said
you wanted to meet Bruno Mars because you heard he
was Puerto Rican.
Speaker 1 (19:00):
Yo, that ship have seen here and to be producing
this ship last night at the harm of you. He
didn't want the ball feet like he didn't want to.
He knew he didn't want that. But that Bruno Mars
shit crazy, huh.
Speaker 4 (19:13):
Yo, is so fucking funny because I didn't see the
punchline coming. I'm thinking Bruno Mars Filipino, like I'm in La.
I saw Bruno Mars's Filipino. I did not know he
was one thousand Puerto Rican. He was both both, okay,
but I didn't you know all the other one because
he didn't give you no love. But god, I think
(19:35):
we did something.
Speaker 1 (19:37):
I think we did something to his dad or somebody
in a relative who guy talk to him. They beat
up his father. I don't know the lines. I wouldn't
go to.
Speaker 2 (19:46):
I would go to white Castle.
Speaker 1 (19:48):
Somebody say something, smack his cheek off, like in the
two in the morning and everybody waiting for fucking white Castle.
I turned around, cry and finish the onion rates on
the hippie with the yelling lad. He's the fly.
Speaker 2 (20:04):
But my point is I want to eat the way
he reacted.
Speaker 1 (20:08):
I said, we must have somebody did terrorist cuts and
pitch but you know, but yeah, that's one of them.
Got so you said you said the woman to tell
you a crazy story. I need a strug. I need
I want you.
Speaker 5 (20:22):
I don't know.
Speaker 4 (20:22):
I don't think I ever told this one. So I'm
brand new. I'm coming up in the game. I'm on MTV,
so I'm hosting this like showcase. Puff is there. I
don't know Big yet. Big is brand new. I want
to say it's Webster Hall, but I'm not sure where
it's at. So Puff comes up to me and I'm
(20:45):
hosting a junk. He's like, yo, man, this is when
they was calling them Notories b I G. He wasn't
Biggie yet, it was just Notorious b I G. And
they something legally came he couldn't say that name had
to become Biggie whatever case of point.
Speaker 2 (20:58):
You know which biggie to know to right, So he
was Biggie first. He was Biggie first. Any Swiss and
Notorious Big you with me? That's where we're at.
Speaker 4 (21:07):
So you know, when you hosting, they come up with
you with a little bit of you know, information, They
write it down and say, this is my man new
artist right here. You know, make sure this shit gonna
get crazy, but don't bug out. Shit gonna get crazy,
but don't bug out. So I don't know that Beig
got this song called party in Bullshit And so fifty
motherfuckers come on stage and I'm thinking it's a riot,
(21:30):
but it's a part of the song.
Speaker 2 (21:32):
And so I'm hosting and I'm gonna give it up.
Speaker 1 (21:35):
Oh did you run out the back door with it?
Did you run out the back door?
Speaker 9 (21:43):
Oh?
Speaker 2 (21:43):
But it was so crazy because I was like, Yo,
what the fuck, I'm hosting it?
Speaker 1 (21:47):
It's a riot.
Speaker 4 (21:48):
And then they was like throwing each other around and
pushing his ship body and bullshit, and I'm like, yo,
this is bullshit because I'm about to die like a motherfucker.
Speaker 1 (21:58):
Right.
Speaker 4 (21:59):
And then after the song was on, everybody left. But
in that moment it was like a moshpit. Did you
ever see that live?
Speaker 1 (22:05):
I thought they start, they faked have a fight, and
then the song comes back.
Speaker 4 (22:10):
And they had it in the movie. But the guy
that was in the movie, to me, it was actually me.
That was me doing that thing. That was that scene
in the movie came from that moment. I was in Lebanon,
just leving up. I was in Lebanon, right, I had
(22:33):
a show. That's when they called me. Ali Kashani say,
I'm gonna lay come on my people. I do a
show in Lebanon. It's so incredible. I come back to
this hotel. When I come back, three guys standing up
like synchronized swimming.
Speaker 2 (22:51):
Front Joe my brother, So.
Speaker 1 (22:53):
I look at how you doing.
Speaker 2 (22:56):
The guys.
Speaker 1 (22:57):
The guys are waiting for you. The guys they want
to shoot rockets with you. I said, huh, the Taliban
they love you. They war I said, my asshole got
this tight. Okay, okay. I met the telephone. The Taliban.
(23:19):
It's no fucking bullshit. So I told her, Hey, hey,
my planes already leaving this I get them stairs. I
grabbed them bags so fucking fast. I went to the
airport like one in the morning. The shit ain't take
off to ten in the fucking morning. Like I ran
to the airport. You was that, you was real pre
check the real Taliban shoot rockets with them game. Thus
(23:42):
like your shoot rockets. Fuck out of it, Yo. I
ran so fast to that airport. I was like, let's
go scat and everybody knew they heard that ship. They
was like, Yo, we gotta get fuck that. Let's go.
Speaker 2 (23:54):
We stood in the fucking airport overnight, just shook the death.
Speaker 1 (23:59):
It was down.
Speaker 2 (24:01):
Fuck that. Look anyway, that's one, YO, got one. Hey,
I got another one for you. So this is another one.
This is a big story.
Speaker 1 (24:13):
Were on the step. Can I give you this one?
I want to hear it.
Speaker 4 (24:15):
I don't think I ever told this one. So we
and we in Lake Hasu. We're doing remember Lake Havasue.
Speaker 1 (24:21):
Then you do it. Remember when we did this string?
I think you were there. You was there.
Speaker 4 (24:26):
It was like ninety two I'm thinking roughly ninety ninety
four fuck ain't even have the bounty around his head. Now,
yeah he ain't no get this so Big as big
as on. Now nobody knows Big cannot swim. So I
don't know if you remember this ship. We had the
pods on the water, right. So in Lake Havasule. This
(24:49):
is my first time going to Arizona. I get there,
they tie off the boats and they party from boat
to boat to boat, a bunch of white kids.
Speaker 2 (24:57):
They having a good time. They drink.
Speaker 4 (24:58):
It's hot than a motherfucker, right, And so Big had
to be on the pod. So I'm standing there and
and Big like mother hother, fuck up a little that
pole blig. I said, what's the problem.
Speaker 5 (25:14):
It was like biggu can't swift, Bigga with b phudders
full of that wool liug.
Speaker 1 (25:19):
I was.
Speaker 2 (25:22):
Swear to God and I was like, yo, Big, they
not gonna let you fall in the water. It was
like love, but I gotta do my shit on loan BG.
But they had them floating, y'all. I think you was there.
Speaker 4 (25:36):
There was some big go back and look, I cannot
make this up. I don't know how they hypnotizem like
eighteen to get Big on that pod. Because he was
terrified of falling in the water.
Speaker 1 (25:47):
That you want to know who's crazy, right, So I
was gonna tell you.
Speaker 2 (25:52):
He got one.
Speaker 1 (25:54):
No, no, I actually don't have one, but I'm gonna
tell you about one. Listen, somebody they can put fat
Joe out of business. In the storyteller game, I'm watching
one day on Instagram and Will Smith decided to tell
a story. Okay, he said, Man, I'm hosting the b
t Awars. Everything beautiful, this one and that one's there.
(26:18):
He said, Michael Jackson was in the audience. He said,
all of a sudden, it turned into a riot. He says,
whole life. He wanted to meet Michael Jackson. Will Smith
want to meet Michael. So he said they rushed them
out on his security and he said they threw them
in a closet. He said he was in the closet
that was pitch black and he was in there, like
(26:39):
you know, the whole place was wild, and he heard
a voice. He said it was Michael Jackson. They threw
them in the same closet. He's like, hey, Will Will
turned around and was like huh. He didn't even know
what to say. He said, Yo, I met everybody in
the world. He didn't even know what to say. He said,
oh shit, Mike. Mike said, that guy shift nineties, messing
(27:01):
it up again. I know we got so much money.
When I saw that shit, it was like and then
I knew Fat Joe storytelling days is over. When I
seen Will Smith telling story it's like, all right, well
it's time to go.
Speaker 2 (27:16):
I was like, yeah, don't let this man start telling stories.
Speaker 3 (27:22):
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Speaker 4 (29:04):
But we have all been through stuff that this is
the beauty of hip hop to me that you know,
it's so amazing. We have had the pleasure of being
in the circle of so many talented people. Right the
era is never coming back.
Speaker 2 (29:20):
Thank God.
Speaker 4 (29:20):
We're alive to tell the stories because the young people
can't go back and meet Michael Jackson, they can't go
back and meet Big, can't go back and meet Tupac.
Speaker 2 (29:29):
You know what I'm saying.
Speaker 4 (29:30):
Like I've had, You've had. I mean, godly we can.
We can go on for days because they're like little
movies in our minds. Like you make me think of
stuff that I wouldn't think of because I'm just sitting
here talking to and You're like, Oh, that reminds me
of Boom boom boom.
Speaker 1 (29:44):
Yeah, that's crazy. But you know I've never met m
Jay well like meeting Maya Jackson. That's the one mind
me and the wind Hotel, No way you saw them.
Speaker 4 (29:56):
Like Yo, when I interviewed Michael Jackson right and I'm
gonna tell you right now, I was so nervous because
Michael Jackett was the only artist who ever debut his
video on every network simultaneously.
Speaker 2 (30:14):
I don't know if you remember that.
Speaker 4 (30:15):
You remember that it was and I was the guy
in the middle of time square get ready for the History,
blah blah blah blah. That was me. I was writing
in the Middle Times, a middle time though, No, it
was it was scream remember History scream with him and Janet,
which blew up. So check this out. So I'm at
Sony Music and they like, Yo, Mike coming in. Be ready,
(30:39):
It's gonna be open.
Speaker 1 (30:40):
That's about the worst thing they could do to pending, like, Yo,
Mike's coming, Mike.
Speaker 9 (30:44):
Yo.
Speaker 2 (30:44):
Like you see how they it's a bunch of people here.
Speaker 4 (30:47):
Just imagine this time's too for Michael Jackson's security, publicists,
his team, the record label team. Mike was rolling heavy.
I will never forget this. High realized Michael Jackson's big
star in the world.
Speaker 6 (31:01):
Right.
Speaker 2 (31:02):
Mike had to go to the bathroom.
Speaker 1 (31:04):
It was with Yo.
Speaker 4 (31:05):
They went in the bathroom. It was a dude on
the toilet. My man was like, break it off, maam.
My man was like, I'm not done. He said, I'm
not done. He said, you done. Boom both the door.
My man had to wipe his ass get out.
Speaker 2 (31:18):
I told you that story about God five thousand and one.
Speaker 1 (31:21):
He said. His daughter called them and said, now pop
is Joe kappin. My man got five thousand and one
that design that the Rodney jerk is telling me, Yo,
come down to hire factory. You're gonna do some shit
for Michael Michael Jackson. So he can't Poppy shout out
the pop me do Minikno, he gets Poppy. Who's with him?
He said, Yo, Poppy going downtown. We're gonna be somebody
(31:43):
really read read famous, he said. He said Kelly. He said, no,
it's now aunt Kelly. He says, more famous. So guys
in the studio and nobody's there. Yes, so guy said,
y'all gonna use the bathroom. He said, he went to
use the bathroom in that shit happened. They started looking.
They was like, you come in now he was taking
(32:04):
the piss. MJ walked in. He say, pissed on himself,
got five thousand and one and ran out. He didn't
even take the order. And now he was like, let's go.
Poppy was like, yo, but what's the matter this this?
He was telling him be careful. He pissed on himself
and ran out. The bitch, bro, but he went Michael
J fucking missed all whatever he went. He was embarrassed.
Speaker 2 (32:26):
He pissed on himself.
Speaker 1 (32:28):
Bro.
Speaker 2 (32:28):
Michael Jackson's security was heavy.
Speaker 1 (32:30):
Bro.
Speaker 4 (32:31):
And here's the thing. So I'm the host. I got
all these questions and ship right, I got like twenty
questions that I think every fan would want to ask
Michael Jackson. They looked at that list. They was like,
he gonna answer this, this, this, They killed my whole list.
I was sitting there like, wah wah waht that's when
Sony music. That's when Tommy Mottola you know that ever? Yeah,
(32:52):
they was, they was they was the mob at that point.
Speaker 1 (32:55):
My bad. He pointed that feet.
Speaker 2 (32:57):
That's my god. Temmy Matola, man, listen.
Speaker 1 (33:01):
That you got everybody come up here and call it
the mob. Yo, Toler's killing people everything. He's my friend,
he's your buddy. I was you know, I saved Tommy Mottola.
Yeah right, Temmy, you told me I could say this
story when it happened, glad Joe. Tommy Mottola invites me
(33:23):
to breakfast upstate, right, So we drive up there. He
probably the only motherfucker that could get me up there
like that. So he said, Joe, let's go eat breakfast
for me and up rich go up there. He lives
over there with him. Remy, do the time?
Speaker 2 (33:35):
App what's that jail? He can nah?
Speaker 1 (33:37):
She did it up state? No, she was in girl,
it was in.
Speaker 2 (33:42):
No, it's only one.
Speaker 1 (33:45):
Yeah. She was in Bethel Hill right by the way
besides that jail. He is fucking beautiful up there, drop dead,
gorgeous trees, fash. The point is, I go in this place.
Tommy orders this big pancake we eating, and he starts choking.
He starts choking, like you get I was about to
(34:07):
give him the listen. I'm like, Tommy, are you okay? Tommy,
are you okay? I'm like, you're rich, Tommy, are you okay?
He's like, motherfucker choking to depth. We gotta give him
the heymlet. Then the ship finally went down. He said
hold up, Jokes said, Tommy, you almost died on us.
(34:35):
I was about to give you the hamlet. You said here,
you can tell a fucking story if you want, Joe
save to be told the fucking this That mother almost
died in front of me.
Speaker 2 (34:46):
The man was choky, the regular.
Speaker 1 (34:53):
In your throat.
Speaker 2 (34:53):
I swear to God, that man was like. I was like,
but Tommy, he was like, you know when that happened?
Was you never really?
Speaker 1 (35:02):
I was like, yo, Tommy. He was like he was
like yo. I was like, yo, Tommy, are you sure?
Are you don't get your rich I'm looking at it rich.
I think he was going he's fucking up and I'm like,
no way, fucking Tommy, but Tola, he's gonna die then, Tommy. Mate,
(35:30):
not with that, Joe. I'm like, Yo, ship the craziest ship,
as they do. I was like, ship, this is the
real deal. I got scared to death. I'm fucking catching
anxiety and explaining it to you. It was the real
It was the real deal. I swear to God, it
was the real deal. But I'm gonna tell you the
(35:51):
craziest ship, the crazier ship is we leave Tommy. Tommy's
going in his car. I don't know, but it was
a main bax, something fucking incredible. And the man turned
around and said, hey, I know you like to tell stories. Yeah,
fucking tell the story you saved Tommy. Vintola's they cute me.
Speaker 10 (36:09):
Jumped in the car, say the crying God. He hit
me with the cap of the cap. He was like,
I know you like telling stories, Dad, tell him why
you saved Tommy. Get out of here, gets in the car,
breaks out. I'm not you, yo, that really dude. Look
I'm not we can't the man what is he doing?
Speaker 9 (36:32):
Yo?
Speaker 1 (36:32):
I'm trying to tell people this ship really happened. Like
he said, I'm like, I see Yo, Temmy, you okay,
Now I'm scared tor fucking death. I love you. I
don't want Tommytola, but I don't know you, Tommy. I
(36:55):
don't want Tommy Mattola to die on your front of
Fat Joe. I'm like, I was harry a fight. What
was Rich gonna do? Rich was standing that he might
know the Heimlich?
Speaker 2 (37:07):
Rich was sitting there.
Speaker 1 (37:07):
I said, you're Rich? Do you know the Heimlich? He's
you know Tommy's Tommy's like a fucking real Yeah, he's
a real dude, real doubt.
Speaker 2 (37:17):
The last thing he wants is the hem and he
definitely don't want mouth to mouth.
Speaker 1 (37:21):
You don't want the heim lick. Tommy don't want the
heim Lick. He's dealing with it on his own time.
Get he's coordinating it, Phil, he made a week over here. No, No,
she's coordinating this ship like he's trying to figure out
how I'm gonna get.
Speaker 4 (37:41):
Tommy's a real Get Yo kidding you crying God? Yeah, Yo, shaid,
it's funny.
Speaker 1 (37:50):
I love you. Tell me I want to be like you?
And what was he doing World War Time. No, you
gotta man, it's not a laughing matter. What I'm trying
to tell you. I was scared to death. You thought
(38:11):
it was funny. If you thought that was you thought
that was one of the funniest ships I ever said Eddie.
Speaker 2 (38:19):
Murphy never threw the red leather suit on him.
Speaker 1 (38:23):
What was he doing? He was, y'all. I was scared.
Speaker 2 (38:30):
I was terrible.
Speaker 1 (38:31):
I'm telling y'all about a real story in life. You're
missing the funniest point of the whole ship, yo. You
missing the go ahead down on that. The man is
all the way stable.
Speaker 2 (38:47):
He's good.
Speaker 1 (38:48):
I walk him to the car, you know, Tommy ve
told us the dawn. I walk him to the car,
brand new, fucking made back. I never got money with him,
but he's just my guy. But he went into some
fly ass car. He turned around and said, all right, dang,
I know you like to tell stories. Tell him how
you fucking say, Tommy Mottola, Yeah, Joe, tell your story?
(39:12):
So right, tom alright, t poor dog man. I said
all this one. I'm saving this ship for Bill Bellay, Yo,
bro mother, that was a great one.
Speaker 6 (39:21):
Man.
Speaker 1 (39:22):
Yeah, I would have killed me if I was dead.
Oh my god, you just reenacted and you not listening.
Speaker 2 (39:29):
I was really scared, like I'm not trying to tell
you that was terrified.
Speaker 1 (39:33):
I don't want nobody dying in front of me. Let
alone Tommy motoa, Tommy, you.
Speaker 6 (39:38):
Know what, I had one of the cuddy that it
wasn't with Tommy Mottola, who was with one of my
men from my block.
Speaker 1 (39:44):
He caught the heimlet you can't catch.
Speaker 3 (39:47):
Then you went you had something, you had seize your some.
It was someone that got mixed with something like he went,
I lost them. It was no no, I lost him
for a minute, like he left for him driving.
Speaker 5 (40:05):
Listen, he come.
Speaker 1 (40:05):
He used to drive me home.
Speaker 6 (40:07):
I have to give him bread to drive me to
the crib. Now he come pick me up. One day
he go get the apple juice.
Speaker 5 (40:13):
He come out.
Speaker 6 (40:14):
He's like, yo, you ready, Yeah, I'm ready. Now we're
going over the hill. We're going to get on the
saw milk. We're going to get on the sprain. I
think now we go with Wilo got a lot of ills,
like saying frid he go over, come down now out.
Speaker 5 (40:30):
Of no way.
Speaker 3 (40:30):
He bustes a youth and goes back up and I'm
like his GPS telling me it was traffic over. I'm
giving him the benefit of the doubt. Now he starts
like talking about the eighty six bets. He starts blocking
out he's not dead. Now, I'm like, oh Lord, please Lord, shit.
Speaker 1 (40:50):
Look he's on He's in the driver's side though.
Speaker 6 (40:52):
Crime.
Speaker 3 (40:52):
I'm in the passage down praying seventy five hour follers.
Speaker 1 (40:57):
There's small lawns. I'm doing everything.
Speaker 3 (40:59):
I'm scaring that yeah, like you just this's worse than
time because he's on the whip.
Speaker 1 (41:04):
You over, padcakes.
Speaker 5 (41:06):
He's on the whip right me. Look and he start
going like uh he's talking gibbers.
Speaker 9 (41:13):
Oh my god. I'm saying, please Lord. Now I'm looking
at him. I'm looking at the thing to put it
in park. You know what I'm saying me eye contact
the day for park. I call his name one times loud.
Speaker 8 (41:29):
No.
Speaker 1 (41:30):
Now he's came back, yo, kids, what's up?
Speaker 5 (41:32):
Whens?
Speaker 1 (41:33):
Soon as he did that, me pop, soon as I
threw it in park, he stepped on the cat. He
would have he would have went into the bill.
Speaker 2 (41:41):
Are you kidding me?
Speaker 3 (41:43):
Now?
Speaker 1 (41:43):
People punking? They seeing this medio kids?
Speaker 3 (41:46):
You alright, ma, I'm trying to call yeah, good, I
really not though, poll my get out. I go around,
I get him out, unbuckled seatbelt, put him, get him
out the car, put him in the passenger.
Speaker 5 (41:59):
Getting it now, I'm trying to like going in and out. Yo,
what's your wife's number?
Speaker 1 (42:04):
Hospital?
Speaker 3 (42:05):
Listen, what's your wife? What's your wife? Keep asking him
his wife numb? And then he finally got it. I
shook him to his wife. Wipe the sweater. I was
half I was discing. Bobby lated, and then he didn't
know nothing. After it was probably wife.
Speaker 1 (42:22):
He didn't know nothing.
Speaker 2 (42:23):
He didn't know what you said the apple juice. I
thought maybe it would.
Speaker 1 (42:25):
Be like a die diabetic. Yeah, yeah, maybe Now he.
Speaker 3 (42:28):
Got some other You know, a lot of people, even
with my mom, shout out to Saint John's, the nurses
on the fifth floor and the eighth floor to he
love you.
Speaker 1 (42:36):
A lot of times when you go when you don't
take your medicine, he could cause like a some ship.
Speaker 5 (42:43):
Take your medic You gotta take your medicine.
Speaker 1 (42:45):
That's one of the biggest killers is when when people
need your diabetic but you still want to act like
you're not diabetic.
Speaker 2 (42:52):
You gotta take it.
Speaker 1 (42:52):
That's what fuck my brother up. He walking around like
he ain't diabetic. I'm like, your jewne, did you take
your medicine? Your diabetic? Then over here own type of
cakes and ship. I went to what we did the
fiftieth Anniversary of Hip Hop in Yankee Stadium. I went
to we had a squeet. Yeah, so my brother's diabetic.
The guy who takes care of him is diabetic. I
(43:13):
walk up in that bitch they having cakes and regular
so I'm like, I'm looking down, like, yo, these dudes
want to die.
Speaker 4 (43:22):
Yeah.
Speaker 1 (43:22):
Yeah, sat shut out the thort. They trying to kill himself.
I sat next to my brother, I said, I was
so happy that day. But I sat next to her.
But I was like, I said, yo, Joe, He's like,
yo's a Joe. I was like, what the fuck you.
Speaker 2 (43:35):
Doing drinking pepsis and cakes and cake.
Speaker 1 (43:39):
No, he was on it, on it, on it, on it,
on it, on it, And then you.
Speaker 2 (43:42):
Know, that's the worst thing you could do, is like
lie to yourself, like you take your medicine.
Speaker 1 (43:47):
Man, it's a lot of people like that. There's people
like that are bipolar, right that they don't like how
the medicine feels and then they don't take the medicine
and they and they bogged the fuck out. Yeah, you
know he was shut.
Speaker 2 (44:03):
Boy, I would have been shut. You knew something was wrong.
Speaker 3 (44:07):
He went out on me and start talking about the
They started talking JD nine mets and ship like that.
Speaker 5 (44:13):
It was crazy.
Speaker 1 (44:14):
He started going to the hip.
Speaker 2 (44:18):
And he hit that boy kiss was shotting.
Speaker 1 (44:21):
Yo, this is an art.
Speaker 2 (44:22):
He had to figure out where to throw that ship
off park?
Speaker 1 (44:25):
Yeah, okay, at what time am I gonna do the
save my life?
Speaker 2 (44:31):
You said your life on.
Speaker 1 (44:32):
His pitch and dive over put the pitch on parks?
Or was I throwing in park? His wife knew he
was bugged out, floored when you brought him a that
he was at the thing. He ain't bugged, but she
knew he had the thing. She took it.
Speaker 4 (44:46):
But if he was doing the apple juice, I'm gonna
say it was diabetic. So he's probably going in the shot.
His low blood sugar, so he so he was His
coherency was probably off because he's doing the apple juice,
probably to bring the sugar level.
Speaker 1 (44:58):
I'm diabetic. One time that ship happen and the meat
when you take your medicine. You gotta eat, yo, Diabetes
is a trick man, the fucking insulin. If you don't
eat and then you go into a coma, so you
gotta eat. So he's almost like he keeps you fat.
But that's not the point. The point is I take
the medicine. I'm going to the side, thank you, sir,
(45:21):
on my weight, to a restaurant, and then at that point,
my sugar drops, right, And sometimes you don't even know
how to tell people. So I had to run in
the store or get an orange juice. But that shit
was feeling. That's probably one of the worst feelings because
there's too much sugar. No, no, no, this ship was low.
Once I drink the ours juice, I was okay. But
(45:42):
when they drop, that's one of them feelings. If you're
not diabetic, nobody, you do not want it drop it.
Speaker 2 (45:49):
Oh you know what I mean?
Speaker 1 (45:50):
You do not want that. That shit is some real shit.
You know what I'm saying.
Speaker 2 (45:54):
Tell us about the Christmas joint you got going on?
Speaker 4 (45:56):
Oh okay, it's called the worst Christmas ever. It's a
comedy family, you know what I'm saying. It's a clean
cut movie, but it's about love. You know, it's about
a guy who you know, is going through a divorce
doing the holidays and he's trying to decide, if you know,
can he get the family together for the sake of
the holiday and uh, you know, we got to make
the right choice, family over everything.
Speaker 2 (46:17):
You know what I'm saying.
Speaker 4 (46:19):
The kids are coming in and the feelings is weird
because the wife is moving on and he ain't moving
on yet, you know. So that that I think it's
a really fun vibe. And then also it's a lot
of comedy. And then obviously you know I do that.
Speaker 1 (46:31):
I do that very well. Man. Let me tell you something.
How do you feel about you've been with your wife
twenty four years? How do you feel about your wife
all her friends getting divorced and they sitting down together
talking that divorce shit, that misery love? Yeah, you know,
to me, I think what you just she come back
like she fully charged with that ship narrows like theckets.
(46:56):
She ain't ship. They all ship. They yes, getting divorced.
This epidemic.
Speaker 4 (47:02):
Yeah, it's it's tough man. Like to me, I think
the thing is is just keep your keep your your
house private.
Speaker 6 (47:09):
Bro.
Speaker 4 (47:09):
You know what I'm saying you can, Like, I'm very
select about what I'm putting on social media, what I'm
letting access get to. Because once you start putting people
in your house, they in your house and they start affected. Yeah,
they get to change the attitude of your house or
the altitude of your house. Right, And so to me,
I think private should be private. Like I hate how
people put so much personal stuff on social media, Like
(47:33):
if me and Jada got a beef, I'm gonna talk
to Jada. I'm not gonna go on the social media
and then say something and then Jada gotta go on
then come back.
Speaker 1 (47:41):
I'm old school. I'm like, yo, we on some man shit,
Like yo, man, I thought.
Speaker 4 (47:45):
And it might not even be an issue. It might
be some misunderstanding. He ain't even see now it turned
into something because Jada Cousin called your bill talking reckless
that you see what I'm saying, just keep building.
Speaker 1 (47:56):
Let me tell you something. They offered me all types
of money to have like a reality show. But I
knew I wouldn't have a wife after one Seaton Nahna,
Cause you know I'm the type I go, yeah, you
know this, this, that, and I walk away and be
like bitch like that shiit on camera. Oh yeah, you're done,
you done, you cooked? Now you cooked? You do that
(48:18):
ship to yourself, you know, you walk away, y'all your
wib you know the fucking I'm done, You've done. And
that's when the cousins get involved.
Speaker 4 (48:29):
And everyone starts having, you know, opinions about your personal life. Right,
and to me, kill it kills love, but also too
it's you know, I think as men, you know, I
think we have to protect the crib. You feel me.
Speaker 2 (48:42):
And then you get a chance to create your home
how you want your home.
Speaker 4 (48:47):
You do your job, you go out, you be the
best Joe, you be the best Jane, and then you
come home and then you be the best at home.
Speaker 1 (48:53):
Right.
Speaker 2 (48:54):
But they can't be blended.
Speaker 1 (48:55):
It's no different than than Schwartzer. I mean, it's your
out and you go home.
Speaker 2 (49:01):
When I go home, I'm Jason.
Speaker 1 (49:04):
There you go.
Speaker 5 (49:04):
You know what I'm saying.
Speaker 2 (49:05):
He was swzing, you don't. Yeah, but he was knocking
the bait off.
Speaker 1 (49:08):
I thought, Yeah, I mean he was fucking millennial. He
told you I'll be back.
Speaker 4 (49:16):
Okay, yeah, yeah, I think after a Joe, you left
your money, man, you're going to the strip up.
Speaker 1 (49:22):
You know he got I got.
Speaker 3 (49:26):
Oh ship.
Speaker 1 (49:27):
He dropped them fucking but he dropped him along. I
thought it was this. I didn't see what he dropped.
Speaker 3 (49:34):
Moldanger tonyover it, holy ship, put this old ship.
Speaker 1 (49:39):
Look I see it. I put everything like this ship.
I thought he dropped something light. I'm fucking holy for
he dropped the fucking Vickey roony oh ship, cause I
was the anyone who came outside with those.
Speaker 5 (49:55):
He got the Mackey rody.
Speaker 1 (49:57):
But he paid for everything cash.
Speaker 2 (50:00):
Yeah, dropped the mickey rue your money right there.
Speaker 1 (50:03):
You just dropped to Wallace. I looked over there. You
dropped the whole fucking boat that. I know what you
just dropped that.
Speaker 2 (50:10):
You dropped it Bentley.
Speaker 5 (50:11):
You going to the Monica and little ship.
Speaker 1 (50:13):
He cheating. No, No, I ain't going like this. I'm
going on some ship Monica shit. He told me many Mandy,
I look like I'm in the fucking Swiss Watch. Look like.
Speaker 2 (50:25):
That tonight.
Speaker 1 (50:26):
I've been waiting a whole year for that. Then I
was trying to figure out how I'm gonna bum rush
her sneaking.
Speaker 3 (50:32):
If you would have I would have did it with me,
and you could have did it performed together and made
it much more easy.
Speaker 2 (50:39):
Bro.
Speaker 1 (50:40):
Sure. The point is I've been dying to go. I
was going no matter why, I ain't have a little
seats and then they called me in Yo, we want
you to perform, and I said, that's even I wanted
to sneak in my wife. I'm best friends and shit
like that. Fat Joe performing lot, but I'm coming in
there looking like a mother a fucking movie up in
(51:00):
that bitch. You're gonna go get it because the story
is twenty years from now, They're gonna be like one.
Speaker 2 (51:05):
One time during the holidays, Granny and Monica.
Speaker 1 (51:09):
Was on tour and they went to Brooklyn and they
brought out Fat Joe and boy, yeah you gotta do it.
Did he come out in that white cocaine Fendy for
laser looking like he says, floating in that bitch? You
know what I'm saying, Yeah, you gotta do a bit,
you don't.
Speaker 2 (51:26):
It gotta be like that with you. That's an everlasting moment.
Dude with the goggles on him, coming with the goggles
and ship. Oh that's how you're doing it.
Speaker 1 (51:33):
I'm acting up. That's why you know I brought out
the you know the artillery. You know what I'm saying.
We gotta shine.
Speaker 4 (51:41):
You're a fly dude, though, Joe, I give you a
floppers man. You always add a crazy swag about yourself.
Speaker 5 (51:46):
Minutes.
Speaker 2 (51:47):
Listen, Eddie Murphy. Have you seen the documentary?
Speaker 4 (51:51):
No, I have not our half to us. Everybody says phenomena.
Everybody says phenomena.
Speaker 1 (51:58):
Again, anything where Eddie Murphy and these stories with Eddie Murphy.
Because I'm like, like, I'm on the Eddie Murphy man.
I did not realize how much I loved him till
I seen this doctor. You know, I'm the guy they
threw out of the movie theater. When Raw came out, I.
Speaker 3 (52:14):
Was about to say I was about I thought he
was about to say they wanted him for forty eight hours.
Speaker 1 (52:24):
I thought he was about to say that shit too.
Let me tell you something, Eddie Murphy, Raw the whole project.
It was a hundred of us. And I'm talking about
garylic Bums. We all we had that adolescent bum ship
guy sneaking in the movie theater with forty young We
forty young. That is the most ghetto, pissed, smelling, fucking
(52:47):
movie theater you ever seen in your life. All the
one hundred of them. I'm the only guy got thrown
out the movie. I was laughing, I'm.
Speaker 2 (52:59):
See before you after.
Speaker 1 (53:00):
Your glass smoking, me and styles. They kicked us out?
What me? Styles and cage? They kicked us out.
Speaker 2 (53:08):
We woke up cracked.
Speaker 3 (53:09):
The whole bay Plaza was empty the movie then is
the parking lot Evy, y'all was high open the door.
Speaker 1 (53:16):
That mean people had to see us sleeping on the staircase.
All of that. We opened the door and.
Speaker 2 (53:21):
Y'all was already to loveist. Y'all was already the last.
Speaker 1 (53:25):
It was yet we didn't have an albumbout yet. No,
he's about to be popping.
Speaker 6 (53:30):
And then we our dudes came around one last time,
but they was about to go home.
Speaker 1 (53:34):
The whole ship was empty. It was no more workings,
no more people there. Damn, that's not poppy poot on nigger,
you smoke that ship. Let me tell you something. I'm
in the house with motherfucker's smoking and they smoking so much,
and that second hand smoke his will because I'm watching
(53:55):
BT and they got my man. What was my man?
Lavelle for Novelle Crawford.
Speaker 2 (54:01):
The man looked like a human eminem.
Speaker 1 (54:03):
Yeah, he had some soup on. He was so fucking fat.
His head looked like I thought it was the Eminem
was talking to me like eminem nuts. Yeah, I thought
the cigaret was the Eminem and Peanut talking to me.
He was like, you know, crack is a hell of
a drug. Get talking. I was like, yad, that wasn't
we I never smoked, but I'm telling you it was
(54:27):
like you in the studio and the twenty guys is smoking.
I'm looking at me. Looked like a human Eminem.
Speaker 2 (54:32):
He had to suit on.
Speaker 1 (54:34):
His head was swing. He's like, crack.
Speaker 2 (54:36):
You know, I'm tired of smoking crack.
Speaker 1 (54:38):
I did, Yo.
Speaker 2 (54:39):
This was the funniest ship ever seen in my life.
Speaker 1 (54:43):
Y'all. Bill Bellamy, thank you man. This ain't that. That
ain't this. It's cracking.
Speaker 5 (54:49):
Kiss makes some noise for guests.
Speaker 1 (54:51):
Bill, y'all man, I love y'all man. Appreciate true. That's
your Darry brother.
Hosts And Creators
Colin Cowherd
Jason McIntyre
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