Episode Transcript
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Speaker 1 (00:00):
Start up, dot up, start up, Brooklyn Boy Boy, start up,
Brooklyn Boy, start up.
Speaker 2 (00:09):
Dot dot up.
Speaker 1 (00:10):
They making noise dot up, start up, dot.
Speaker 2 (00:14):
Dot up, Episode three twenty seven. It's the Brooklyn Boys podcast.
What's going on there? David Brody's going on there? Scary Jones?
How's your mic sounding today? My mic sounds amazing. Yeah.
Good moving out for a second. That's the connection. It's
only coming out on your end. I'm very good. Lices
(00:36):
got me loud and clear. Man man oh man, wow,
you know, uh, first of all, before we get going, Brody,
I don't even know if I could talk about this.
You sent me a video on TikTok and you make it.
You pointed out something to me on TikTok. Oh yeah,
well a slice. I don't want to out the slice.
(00:58):
A slice sent me a video of Well here's the thing.
Somebody claiming to be Cowboy Trucker was was in the
Facebook group, the Brooklyn Boys facebook group, right, Ben Ben Dover,
Ben Over, we are not part of the Brooklyn Boys
facebook group, but uh so talk amongst yourselves. But but
(01:20):
Ben Dover was in the slices group. Right. Somebody messaged
me that hey, his real name is Ben Dover And
I said, you know Ben Dover is bend Over. Yeah,
it's Joe. It's a joke, right, play on words a pun. Well,
Ben Dover has a TikTok account, uh huh. And somebody
sent me the video who then I sent it to
(01:40):
Scary of Cowboy Trucker. Now, if you you don't listen
to Slice time, you missing out because Cowboy Trucker is
quite the character. Z uh okay, But he's wearing a mask.
Can't see his face? Was that captain an American mask? What
kind of a mask? Was that wrestling? Like one of
those Nacho Leebra deals? Right, yep, yeah, So I gotta
(02:02):
tell you. At first, I just know what the arms
and his arms look like. I skimmed through the video
and at first I didn't think anything of it, and
You're like, no, that's really him, And I went back.
I said, hey, look it's Cowboy Trucker and he went
ha ha as if I was like saying, oh, this
guy might be No, no, that's actually him. So I
went back, Brody and you didn't know this. I analyzed it.
It's definitely him, speaks in the same cadence. But the
(02:24):
crazy part is he's on these tized. I analyzed it
by listening to it. Yeah, well I analyzed it. I listen,
I watched it under a microscope it. Yeah, but no,
I audio analyzed it, you know. I orally analyzed it.
A you are a ll y Orally And so I
gotta tell you that's fucking him. I mean this guy.
(02:47):
But the crazy part is he's in all the videos
with a freaking mask on. So we still don't know
his true identity. He just wears a mask in all
the videos, but that's his voice. Yeah, so we have
some idea the shape of cowboy trucker. Yeah, the way
his arms look and his legs. We're getting closer. We're
getting closer. We may or may not know his first name.
(03:08):
Now we may we may or may not know it.
So yeah, right, he's like lions may and it may
or may not work. Yeah, And I just I keep
getting Brodie. I don't know what to do. Think about this.
Think about this. Back in college, you had some friends
that you don't speak to anymore. Right, Oh, I've got
(03:28):
a similar story. Go on. Well, no, I don't know
if you know where this is going. I don't, but
I trust me to have a similar story. I think,
all right, well I have I have friends from college.
What I haven't spoken to in years? Mm hmm. These
people have gone off, they've gotten married, they've had kids,
all the other start of family, all the good stuff. Yeah,
(03:48):
all the non scary stuff. Yeah, all stuff that I
cannot relate to. Well, all these years later, I get
phone calls and I get text messages occasionally from some
of them, and they're asking for favors, like I know them,
like we're still in touch, Like we're still so you know,
(04:09):
like we see each other every week, like you know,
me and Jetsky Bryan like that kind of relationship. Right.
So there's this event happening in North Jersey on March
twenty third on Sunday called Jonas Khan and it's at
the American Dream, which is that huge complex. They got mall.
This's a mall, they got entertainment, and they Jonas brothers
are like taking over the place for the entire day. Okay,
not a sponsor, by the way, Actually we are going
(04:31):
to be partnering them with Zee. You grew up like
fifteen to twenty minutes from there, correct, And they've always
wanted to do some huge event. It's almost like comic
Con for Jonas Brothers fans, and it's going to be
doing the con part convention. It's not cons in this
as a scam. It's CONSI right. So there we go.
So they're gonna be doing all these activations, but you
have to in order to get in, you need tickets.
(04:53):
So because we are listed as a partnership with them
with you know, we're kind of hosting some of the
things there. I got people coming to me left and right,
and and you know this this I'm not gonna I
don't want to out her, but I this girl I
know from college.
Speaker 3 (05:12):
You know.
Speaker 2 (05:13):
Uh, he's like hitting me up. Hey, remember me, old friend,
My daughter would love to go to Jonahs Khan. What
can you do for her? Can you help her out?
Can you get her tickets? There's no tickets available. So
I'm sitting here thinking like, why do I even entertain
the thought of texting her back? You know, I don't
(05:34):
really owe her a text back, but I feel like
people like this, and she's not the only one. I
have some some other friends, a couple of guys that
I know that around jingle ball time, they come out
of the woodwork. And again these are people haven't physically
seen in person for we're going on twenty twenty five
years now, maybe more. Where does your allegiance lie? Like,
(05:56):
where do you draw the line? Do you would?
Speaker 4 (05:58):
You?
Speaker 2 (05:59):
Do you ghost them? You tell them I can't help you. Yes,
make the effort and be a good old friend. And nope, nope, nope,
you right back and you say, hey, I really I'm
not involved with this is the station event. It's not
a morning show event. And uh, you really don't get
access to giveaway tickets. It's very strict the rules and
(06:19):
this this contest rules, and the mall is regulating it.
You know, I wishing you just know me though, Brodie.
I like to help everybody. I like to make everybody.
I'm ape like to give money to scammers in office
buildings a ticket back to I'll never get scammed again,
like that, I'll never get but get scammed again. I'm
a do good I'm a people pleaser, and I just
(06:40):
want to always be seen in a favorable light to everybody.
That is who I am as a person, that is
my being. Oh you know, you know a good way
that you could make somebody very happy? How is to
take me to a stake dinner. Fuck you. You know. In fact,
I'm such a people pleaser that yesterday Yester please people. Hey,
(07:00):
actually today, So Mario Carbone came up to the show,
the guy who owes to all the famous carbone YEP restaurant,
and he has his sauces, and I had a bunch
of sauces that I was gonna bring home some jars
of sauce. Carbone Find Foods not a sponsor of this podcast. Well,
as I'm walking toward the and you know the station
towards around the corner, everybody's sitting around at their desks,
(07:23):
and and then people like, oh, is there any more
sauce left? I'm like, oh no, I don't think there's
anything left. I said I got, And then before long,
I'm like offering a jar to Scottie b a Jordan producer,
jar to producer Sam a Jarred And you know, Andrew,
people who didn't get your sauce, you're giving them out
like when you gave away my chocolate covered strawberries to everybody.
Do you know how many jars of sauce I actually
(07:44):
walked out of the radio station with. I'm going with
zero correct because I would have walked out with how
many I know. See, that's the diffgion between you and me.
In a nutshell, I'm like, I'm more happy to give
it away and be like, you know what, do I
really need this? We need to play red hot chili peppers,
shut up dickets. I didn't take me a second on
(08:06):
that one, So I said, you know what, I'm just
gonna give it away. Fine. That that's the kind of
person I am. I'm a do gooder. I always wanted
to portray it in a positive light. And there's nothing
wrong with it. Just it just people can't come out
of the woodwork.
Speaker 3 (08:17):
You can't.
Speaker 2 (08:18):
You can't be given woodwork tickets. You can't. I had that.
I had woodwork when I when I was working there.
I get the woodwork, jingle ball tickets, requests, I get
deb But listen, I have to be honest with you.
I did it once, so uh we have We have
a friend who I haven't seen and I don't know
six or seven years used to work at another radio
station in New York, and I like your you know,
(08:41):
we were friendly. She went to work for the company
that produces concerts. So when you when you see like, oh,
such and such on tour. Uh produced by blah blah
blah company. Yeah right, she works for that company, so uh.
I want to say a year and a half ago,
I wanted to take my daughter to see the the
band Ghost and they were putting on the show and
(09:04):
I couldn't get good tickets. The all the tickets low
low down was sold out. He only had like nosebleed seats,
and I wanted to try to get at least decencies.
So I hit her up again. Hadn't spoken to her
in five six years, and was like, Hey, I was
wondering if your company, if you could help me. I
want to purchase these tickets. I don't want them for free,
but can you get me better seats? She's like, oh,
let me see what I can do. That was the
(09:26):
last time I heard from her. Never even got back
to me to say she couldn't think she I think
she did what you're supposed to do to your woodwork friends.
She should at least got back to me and said, hey,
I tried, we don't have access to those tickets whatever,
blah blah blah. She didn't get back to this. Oh
let me look into that for you. Absolutely respond to her, Hey,
(09:47):
let me see what I can do for you and
just ghost her mic drop done. No, no, no, tell
her you can't. I'm saying, be honest. Unlike unlike our
friend who said, oh, let me look into that for you,
and I never heard from her again. This is a
person I knew for like ten years, but I hadn't
spoken to in a few years. Pandemic, she quit, she
changed jobs, And it's also about what can you do
(10:08):
for me? Right? If I'm gonna do for you, then
you do for me, Which is also why I also
don't like reaching out to people for favors, because I
know there's gonna come a day when they're gonna hit
me up for a favor.
Speaker 3 (10:19):
Right.
Speaker 2 (10:19):
Maybe that's why she didn't get back to me, because
I don't work in radio anymore, so I can't help her.
I can't help her. You're You're useless to her, You're
dead to her. Right, Yet people still ask me for
We had a listener ask me if I can help
with do something for them with the Elvis Durant Show
social media account. Well, I said, I don't. I don't
(10:39):
work there anymore. No, I'm not not gonna what I'm
gonna reach out to the morning show and be like, hey, Abby,
who you don't I don't know you really except that
I know you want to do an only fans for
your feet. Can you follow this person because I think
you unfollowed them. I don't like, I don't, I don't.
I don't work anymore, but I have I have a
similar old friend question I need your help with. And
for those of you listening that want to leave us
(11:03):
talk back. By the way, I'm going to call you slices.
But I was told by a very good friend that
I say slices too much. Someone who listens to the
podcast a friend of mine. So I'm gonna say this
one time, slices. That's the second time. Let me know
your opinion on scary situation about the tickets and my
situation which is similar like a third cousin to scary story.
So when I was seventeen, when I was seven twenty, Yeah,
(11:30):
when I was seventeen to twenty years old, it was
a very good word. I had a job, and I
worked at Chuck E Cheese Chuck E Cheese's, and I
had a group of I had a group of friends.
I had two different groups of friends. The manager friends
like the people that were supervisors and managers, and I
had the grunts like me when I started, And I'm
(11:53):
still very good friends with a few of the people
that weren't managers. Those were my rock friends. We went
on rock concerts to get right. But I'm also I
was really good friends for many years with the managers.
I got promoted, I became a manager. I was part
of that circle also, And even after we we all
stopped working there, and when I was twenty, we stayed
(12:14):
friends for a couple of years, close friends, and then
we sort of grew apart. You know, you don't work
with someone for a while, you grow apart. That's understandable, right, sure.
And then I don't know, I want to say, maybe
five years after we stopped working together, we got together.
We hung out, We were boys, all good and I
(12:34):
want to say there was like five or six of
us roughly. That was our group. We used to go
to restaurants together, We go to diners after work. That
was our group. Okay, twenty eleven, some of us got
together for a reunion. We had a reunion of where
we work. So some of the six showed up, some
of them didn't, and it was great. To see them.
(12:56):
Love the guys, but we're not really friends anymore. They someone,
they got married, they're kids, like you. You haven't seen
him in a while. He grew apart, they moved, they're
in different parts of the area. You don't see them.
So one of the guys, who again, I like him
very very much. He was one of my best friends
back in the day when I was twenty and I've
seen him a couple of times over the years. And
(13:16):
you know, I'm not in my twenties anymore, so it's
been a long time. Okay, I get an email from
one of the guys from that group's wife because my
buddy's not on social media. My old friend who I
haven't seen, I want to say, since two thousand and two,
but again occasionally. All right, I'm painting the picture. The
(13:36):
wife says, Hey, the gang's getting back together. One of
the boys from the group is moving to Florida, and
we're throwing them a going away party. It's gonna be
in a couple of months. Save the date, and we're
all chipping in. We're getting them gifts. He's moving to Florida.
We're not gonna see him again, right, follow me? God
(13:57):
with you have you seen the problem yet, I haven't
seen you haven't seen this person since two thousand and two. No, no,
before that, I have not seen him. Maybe in thirty years.
Oh even more than that. Oh wow, he didn't to
my recollection. I don't think he was at the reunion
in two thousand and eleven. That's wait a second, So
how do you We're throwing a goodbye party party. It's
(14:19):
somebody that nobody has seen for twenty years. And guess what,
you already said goodbye thirty years ago. That's my point.
We're having a goodbye party for someone that we don't
see anymore. It's weird who who got married and and
and moved and and has been nothing but with his wife.
I don't think anybody's seen him, so kind of all
kind of have to buy him a goodbye gift, a
(14:40):
going away gift. Ah, I like you said, I already
said goodbye. I'm gonna go because I want to see him.
I do like him very much, but it's like not
seeing someone since junior high school. I have to go.
We're gonna going away party for a guy that you
know when he lives here. He lives in the ne
New York area. We haven't seen Yeah, No, that's yeah,
(15:03):
that's weird. Florida. We're still not gonna see him, but
now we're gonna have an excuse not to see him.
And I gotta get him. I gotta shout out for
a gift. Right, he lives in Staten Island. Is not
that far. No, hardly. If you're in New Yorker, he's
maybe like forty five minutes an hour with traffic. Would
you go to the party and just not bring a gift? Well,
(15:23):
that's the other question. How can I go to the
party and not bring a gift? I gotta bring a gift.
What do I get a guy that I don't know?
Speaker 3 (15:31):
I don't know?
Speaker 2 (15:32):
I mean on tan lotion. He's moving to Florida. I mean,
how do you remember him best? I mean when you care.
I remember him as a manager of Chuck E Cheese
when I was twenty years old. Get him a Chuck
E cheesehead. No, I don't know. That's my dilemma. You
have going away parties for people that you don't you
certainly not. No, that's what we are you apparently we are.
(15:53):
But are you gonna wax nostalogic with these people and
you gonna show up and he'd be like, hey, remember
the good old days, because that's what they turned into
a bunch of reminiscent sessions. Listen, I'm looking forward to
seeing the guy. Is it a formal party? I mean where?
I mean? Is it a at a fancy place? I mean,
what's going on here? It's a decent restaurant. I think
it's not even like it's a bar and people getting
together sitting around having a may be a bar restaurant.
(16:15):
I don't I haven't checked out a gift. Then I'm
that guy. Mmm, I'm already that guy. Fuck it. And Brodie, Yeah,
don't be putting us in awkward situations like that. Yeah,
I don't know. I'm again. I'm excited to go. And
(16:37):
if any of them are listening to this podcast, I
love you all, like family, like brothers. I just, uh,
it's just awkward. Something's missing, you know. You know, a
couple of years ago, and I might have talked about
it on the podcast, I had a kind of a
a reunion of people that I hadn't seen since, like
public school, elementary school, like neighborhood friends, and you're friends
(16:59):
with everybody from you no I'm talking about elementary school
K through six. We had a few, you know, and
it was great. We caught up with a good time.
It was a great. Remember when when I barred your
blue crayon and didn't give it back. Oh yeah, a
bunch of us shut right. That was the kind of
(17:19):
stories we had.
Speaker 5 (17:20):
Hey.
Speaker 2 (17:21):
Remember in third grade, Miss Barrow, we can sit Indian style,
and now you can't anymore. You have to do criss
apple sauce.
Speaker 3 (17:27):
Right.
Speaker 2 (17:27):
Remember we played Remember Duck Duck goose and I had
I said goose and you chased me. That was awesome.
Remember we played tricks on Miss Barlow in her class.
Remember the old hot she's not because she's seventy, the
old water seat, pour the water shit out, plopping some
water like those were the story and we shot spitballs.
(17:47):
Remember those were the stories we had. Yeah, so yeah, so,
I mean, listen, it's nice to catch up with people.
I'm okay with his and I'm very excited to see them.
It's just I would have liked My point was in
that story. I would have liked to have had a
union get together before he was moving to Florida, because
now we're gonna have a great time. Yeah, and I'm
gonna see him and be like old memories, what a
(18:09):
great guy, because he's a great guy. He's a solid guy.
They're all fucking funny. They do movie quotes like we do,
they do song quotes. They're just funny guys from Brooklyn.
But now he's moving to Florida, So I'm gonna get
happy and then say it again. I think we should
have gotten together for a better reason than one of
us is leaving, you know, hey, speaking of having a reunion. Yeah,
(18:30):
let's call our boy Spruce. Oh yeah, we told him
we wanted to talk to him tonight. You better be
available and Spruce on the loose. We haven't spoken him
in a minute. Is he moving to Florida? That's that's
kind of a weird ring, isn't it.
Speaker 4 (18:44):
Hello, Hey, it's on the loop.
Speaker 2 (18:49):
What's going on?
Speaker 4 (18:49):
Guys?
Speaker 2 (18:50):
Hold hold on? I gotta play his theme song because
I have it the scary doesn't hold on? Sonne now here, Spruce?
(19:14):
Do you ever play that? Yes?
Speaker 4 (19:16):
No, I've never heard that before.
Speaker 2 (19:17):
That's kiss right, yes, kiss deuce deuce for Spruce. Hey, listen,
I got a beef. So everybody's been missing you man,
It's been a long time since we've spoken on the podcast, Everybody,
I run into where Spruce? When Spruce coming back on
the podcast, why do you guys banish me?
Speaker 3 (19:40):
What happened?
Speaker 2 (19:40):
Whoa whoa, whoa whah. When you said that thing about
Scary's girlfriend, we were like, can't have Spruce anymore?
Speaker 4 (19:45):
Okay, Scary?
Speaker 2 (19:50):
And every time I I you know, the thing is,
I do see Spruce sometimes in the hallway at work
and I put he puts a big smile on my face.
But you try to give him money for his train,
That's a whole other story. Tell Spruce the story real quick,
real quick, Spruce, I accident twice. Twice. I got hit
up in two different neighborhoods for twenty dollars for a
(20:12):
guy that was trying to get back to the Jersey
Shore because they confiscated He didn't have his car, he
had no money on him, and he just needed money
for the train. You fell from the oldest track, my dude.
Oh my, he fell for it when he was sitting
in his car in downtown Manhattan. Then he fell for
it again by some black guy's both times, right, a
(20:34):
guy named Tyrone, Yeah, Tyrone in his suit in the
building you guys work in. He was in the lobby,
which is a walkthrough. You know, you can walk from
one end of the street to the other. So I
work in the building. Yeah, No, I was sitting. I
was sitting Rode hold on a second. I was sitting
on the chairs in the lobby. You know that lobby.
There's that bench that you wait in the building. Yeah,
(20:54):
oh yeah, So I was sitting there. And then he
comes over to me, and he comes out of the
turnstiles and he's like, yeah, he was. I work in
this building, and I'm trying to get back to the
Jersey Shore. I got no car. They towed it. It's
up at the lot. I need I need money. You
have eighteen dollars or fourteen dollars for a tray. And
it's the same exact story. Different. I told him a
(21:16):
month his name.
Speaker 3 (21:17):
His name was Tyrone.
Speaker 2 (21:19):
Yes, his name was Tyrone.
Speaker 4 (21:20):
You know what in the book, in the Book of
Suspect names, Tyrone is on the first page.
Speaker 2 (21:26):
Yeah, page one, a alphabetical order. So I will see.
I will say it's nice to see you in the hallways.
Before I see see spruce, I smell spruce. Spruce has
the best cologne. He's always dude, you are always smelling fresh.
I don't know what you wear. I don't know what
your secret is, man, but I'm like, oh, Spruce must
be around that corner because I could smell him.
Speaker 4 (21:49):
I don't know if that's good advance hear it's a
good guy.
Speaker 2 (21:52):
But we always hug it out. And I don't care.
I don't care what you said about David Brody. I
think he's a good guy. He would never say.
Speaker 4 (22:00):
I just want to know why he had to keep
mentioning that it was a black guy.
Speaker 2 (22:04):
They did this to you. The reason, the reason, the
reason I mentioned it is that both guys were black,
and he first he thought it was the same guy
because he can't, you know, get the part. You know
it is shut up, look alike, scary stop that goes No,
that's not true, only because the stories. The only reason
(22:25):
why I thought it was the same guy in different
neighborhoods was because it was the same exact story. He
had to get back to Tom's River. Both the guys,
both the guys hold on. Both guys took their empty
wild out of their pockets and showed me there was
no money in it. He had no credit card on
him and Spruce. You know it's funny. You know, we
(22:46):
do slice telling our listeners leave us voicemails. Somebody somebody
this week somebody somebody left the voicemail and said, he's
scary that guy you gave money to in the lobby.
Did you man him? Listen. The reason I actually wanted
to talk to you because they were being ripping me
on the Big show, that Alis Durant show, because okay,
(23:08):
I know somebody who who she's Italian and she's from
New Orleans. Okay, she's from from Louisiana originally, right, U huh?
And the morning show and the listeners crucified me because
I made an observation and this is just me talking, right, okay,
and I need your help. Maybe not, but I want
(23:30):
you to be honest. So she wanted to she let
us know that, you know, all of her friends have
these Southern drawls. They talk like kind of like unto
a New Orleans accent. Right, she doesn't have one, but
I happen to know she comes from money. She's she's
parents are rich. So I said, oh, I said, well,
(23:51):
you're next of kin in a rich family. Yeah, that's
why you don't have the accent, because we're all trying
to figure out why don't you have an accent? But
your all friends do because she was actually doing a
russions of her friends from New Orleans. But she speaks
all scholarly like this, and oh, okay, she's got that
college that college accent, you know I'm talking about when
you go away to school, you come back four years
(24:11):
later and they all sound the same. So I think
when you're from a place of affluence, you lose the accent.
But people are telling me that that's racist. So what
does that mean that poor people can't speak right? They
speak with dialects, and they're crushing me left and right.
But I wanted to talk to you. And Brody he's
hearing this story now for the first time as well.
(24:33):
I can't be out of my mind, right, I'm not crazy?
Speaker 3 (24:36):
Right?
Speaker 4 (24:36):
Well, I told Brody knows this about me. When I
first came to New York. The artistic director in my school,
because you know, I'm originally from Louisiana.
Speaker 3 (24:48):
And I grew up in Virginia.
Speaker 4 (24:50):
Yeah, and the artistic director in my school called me
in his office and he said, you sound like a
black hillbilly.
Speaker 2 (24:57):
We have to think a BLI that's what he told me.
Speaker 4 (25:01):
So I spent three years taking voice in speech classes,
and that's probably why I do other dialects pretty well,
pretty good, I think, because I just had this. They
just they hammered me like that drill instructor in full
metal jacket.
Speaker 2 (25:23):
They were just on me my southern accent. I bet
you could suck a golf ball through a garden hose.
Holy shit. So wait a second, Spruce, so let's hear
your accent. I want to let's hear the original accent.
I'm sure you can get back to it if you
wanted to.
Speaker 4 (25:39):
Right, Look, Brody, you know this when we did when
we did some stuff for Ed Lovers Show, Remember.
Speaker 2 (25:48):
That brod buck buck McDonald.
Speaker 4 (25:52):
Buck McDonald, buck McDonald was a variation of what I used.
Speaker 2 (25:57):
To sound like. Well. So, so, just to give an example,
so I heard a guy on the radio to Spruce
did his character called Buck McDonald, and he was the
southern guy who was maybe had some racial problems. Uh
well he was, yeah, right right, So Spruce did a
character he's a radio as a as a yes, as
(26:20):
a racist member of the clan Jesus and nobody knew
that Spruce was black, and I helped him write the
bit and I'm, you know, I'm a Jewish white guy.
But I heard a guy who does a commercial in
the radio all the time. I remember the guy's name
is Buck McDonald. I recorded this guy because he sounds
like Spruce's character. See if you can hear it to day,
hold on, here we go. Are you a victim of
the Tom Shuir trap and think there's no way out?
Speaker 4 (26:42):
I'm Chuck McDowell, founder of Wesley Financial.
Speaker 2 (26:47):
Yeah, okay McDonald was.
Speaker 4 (26:51):
I was Buck McDonald. I was Buck McDonald, one of
the original boys in the hood.
Speaker 2 (26:57):
Okay, that's the way he's that's the way spruces just
found sound. Okay, now that was okay. But you went
to uh, I guess finishing school. Is that what it is? Speech?
Classic speech classes? I finishing school where they it's on
his head.
Speaker 4 (27:14):
Yeah, I want to finish.
Speaker 2 (27:15):
I went to finishing school in Europe. Is mainly on
the plane. Here's the thing I always you know he is.
He's the princess of Genovia. Now, yes, I am listen.
I wanted to bring this onto this podcast because because
I wanted to bring this on to this podcast because
school we could speak at will here and I don't
(27:37):
get cut off, and I can't. I can actually my
thought cut off. No, I can have thought all full
thought and it's not out of context like sometimes. Right,
So she does best that you work with on the
morning show, and I'll let you speak. All I'm trying
to set over you. They talk over you. So what
I'm trying to say is time you try to speak.
Somebody's just stop. Enough of that shit. God, I get
(28:03):
enough of that way, I don't want to.
Speaker 4 (28:05):
Okay, go ahead, I'm.
Speaker 2 (28:06):
Sorry, finishing right by the way, scary scary spruce. What
was the name of your polo pony?
Speaker 4 (28:13):
What what was the.
Speaker 2 (28:17):
Name of your polo horse? His name was Prince Roger? Okay,
thank you, all right, Prince Roger. So so am I
wrong for thinking that that as money? You know, you
come from a wealthy family that all of a sudden
(28:39):
you lose the accent and you become more well to
do because you hear people all the time, not just British,
you know. But oh I think I'm going here and
I'm doing that, and like if people lose it so so,
but then the opposite is also true that I guess
if you never get out of the neighborhood where you're from, people,
whenever we get out the neighborhood you're from, you only
(29:01):
hear people talk like that. So you stay with the
local dialect. And that could be any dialect that doesn't
necessarily mean a Southern dialect or anywhere else. I'm talking
about people from Brooklyn who never got out of Brooklyn.
You know, I get a blue collar family in Brooklyn,
and you can hear my Brooklyn in me. Now, Yeah,
I tried to my accent. So I just want to know,
(29:21):
am I nuts? And but I'm certainly not. I'm certainly
not racist for thinking this.
Speaker 4 (29:27):
I say this in a in a loving way, and
you have to let me explain what I'm saying, Yes,
before you jump the conclusions when I say this floor
is yours.
Speaker 2 (29:38):
Yeah, scary. You are a terrible, terrible big person. Okay,
Proty stepped on you. You me explain.
Speaker 4 (29:51):
F The reason I'm saying you're a terrible biggot bit
is that you're not very good at it. You're not
good at being a bigger. So I think you might
say something that people think has some bigotry in them,
but they're unintentional. You don't mean them and that so
(30:13):
you don't mean that statement as a bigot, would I believe? Man,
I'm from the South. I've seen all the bigot and
you're a horrible and you're not a Big're a horrible one.
Speaker 2 (30:23):
You're horrible, right, A horrible at being one?
Speaker 3 (30:26):
Right?
Speaker 2 (30:26):
Okay, well, thank you. That's a compliment. I take it
as a compliment. Yeah, but but I just want to
know from you from your standpoint, because you are from
you are from Louisiana. Like are your friends that maybe
you know the before and after, the people that maybe
have like quote, successfully made it with in life? You know,
(30:48):
think of somebody that went from rags to riches? Did
they lose their I would say this.
Speaker 4 (30:52):
I would say this, it's about environment. I don't know
if your friend is from Louisiana.
Speaker 2 (30:59):
She is, but she left, she did, She's.
Speaker 4 (31:03):
Good, she hasn't you know, she doesn't live there anymore
because you adapt to your environment. That's what I believe
you're like. When I took a class in London for
a summer. When I came back after three almost three months,
I had someone of an English accent, a UK accent
just by default, just by being there.
Speaker 2 (31:25):
So is it safe to say because she had, she
has money, she's more well traveled, and she's gone around
the world. And that's why it's all I'm saying, is right.
Speaker 3 (31:35):
I'm just saying this.
Speaker 4 (31:36):
She's from Louisiana and she came to school in New
York and stayed in New York for three or four years,
like I did.
Speaker 2 (31:45):
She's going to pick she's gonna.
Speaker 3 (31:47):
Pick pick up somewhat of.
Speaker 2 (31:49):
A New York accent. She's gonna lose her accent.
Speaker 4 (31:51):
She takes voice and speech classes, then she's really.
Speaker 2 (31:55):
Gonna get rid of it like I did.
Speaker 4 (31:56):
Right, I mean I have no trace most the times
of a Southern accent.
Speaker 2 (32:02):
Let me give an example to prove the point. So
Scary and I are from benson Hurst, Brooklyn, but I
had most of my family lived in Long Island and
New Jersey, so when I would see them, I would
hear that they didn't speak the way I did. And
so although I still have a remnants of a Brooklyn accent,
people who never left that neighborhood have never experienced other things.
Here's a video Scary sent me of a woman from
(32:24):
our neighborhood in nineteen eighty nine. Oh yeah, on tik
all right, listen to this woman. There's nothing wrong with her.
But this is what the people we grew up with
sounded like. Okay, here we go here.
Speaker 3 (32:36):
I pretty like about this neighborhood.
Speaker 6 (32:38):
Why do you figure because all my friends are here,
my family, I can go out and say hello, take
home to the corner and stop and talk to people.
Speaker 3 (32:49):
I know where my children are.
Speaker 2 (32:51):
I know if I'm not around, somebody'll watch them. You know,
comfortable here, she's comfortable here, comfortable the wrong with her?
I'm sure.
Speaker 3 (33:03):
Okay, listen, listen.
Speaker 2 (33:05):
Here, all my friends are here. That's the way people
in our neighborhood spoke. People never left that neighborhood.
Speaker 4 (33:16):
That woman sounds like happy with some of her life choices.
Speaker 2 (33:20):
I love people neighborhood. You're painting the picture for her.
You don't know her story. They're our neighborhood, Spruce, They're
from our neighborhood, and I'm sure everyone has this in
there in their area. They moved from from our neighborhood
in Brooklyn. They got money, and a lot of them
moved to Staten Island. But in Staten Island. It's all
the people from Brooklyn, so the accent didn't change. So
(33:42):
it wasn't about the money, It's about environment. If you
move out of Brooklyn Staten Island, you lose that accent
because the people around you aren't saying water, They're saying water,
and you might start sound like you go to England,
you start to have a British act. Well, this particular
woman from New Orleans was like, I was trying to
expand she was trying to say, look, look all my
friends talk like Southern draw like that. Whatever. I can't
(34:05):
even do it. I'm terrible at it.
Speaker 4 (34:06):
Look, I think I think most people are I think
most people are sponges. I just think humans are sponges.
That's just our gift to adapt. And if we're in
an environment long enough, we adapt to the environment. And
one of those things is the way you speak, you know,
other than the way you live. You just say, we
(34:27):
just that's a human that's human nature. We adapt to our.
Speaker 2 (34:31):
Environment, all right, Michael Jackson, You know, yeah, listen, it's
no different than when look, there are some politicians who
obviously put on an accent when they're in a certain area.
But There's also some politicians who are just human, and
when they get around people that speak a certain way,
they'll use colloquialisms that that helped them fit in. So
(34:55):
if I was a politician, right and I was let's
say I'm running for office, and I went to a
temple and I was giving a speech in front of Jews,
I might say, oh, you know, you shouldn't know from
it a little more than I would if I was
given a speech to a bunch of Italian guys at
a union hall, I wouldn't be like, so hey, Vinnie
Tony Oi. It wouldn't make any sense.
Speaker 4 (35:14):
Yeah, you went to third Ebenezer Baptist Church in Harlem.
Speaker 2 (35:18):
Right, right, I wouldn't be saying I plots, I plots
when I hear I wouldn't be I wouldn't be using
Yiddish words. But you know, I also me wouldn't be
using uh black colloquialisms at the Ebenezer church. Now that
being said, if I was black, I might just like
being Jewish going to a temple. If I was a
black politician, I might use more Southern accent is Southern phrasing.
(35:42):
If I was at a Southern rally, or a black rally.
And I think we sometimes criticize politicians always he or
she is putting on the accent, They're faking it. I
think it's just natural to uh, you know, your surroundings
bring out certain things when you speak. So that's all
I first of all, I okay, I just want to
say thank you, thank you for not jumping all over me.
(36:03):
I appreciate it. I'm glad that we had this conversation.
And you know, I feel closer. I feel I feel
closer to you right now. I feel closer to you.
Want to I want to hug you. I want to
hug you too. There, Bruce Spruce, Well, quick life update
before you go, because because everybody's been wanting to know,
and then we got to take a break. Okay, what's
(36:24):
your life update? Oh what am I doing right now?
Speaker 4 (36:28):
I'm still it's me, you know, bro, You guys know
I'm just bawling on a budget, you know, doing my job.
Speaker 2 (36:35):
You know, hopefully you know.
Speaker 4 (36:37):
I'm a I get off on creating stuff. So just
as long as I can help still create fun stuff.
I like to laugh, I like to have a good time,
and that's really it. I don't do anything else.
Speaker 2 (36:51):
I'm a slave to my job and I love it.
I love being a captive to my job. My dad, Spruce,
thank you. I'm gonna PLAYNNA play Spruce's song one more time.
OKAD have to jingle out. Thank you so much for
love you buddy. Sounded nice. You loved now Herepruce. There
(37:22):
there goes Spruce.
Speaker 3 (37:23):
The Blyn Boys Podcast. We will be right back.
Speaker 2 (37:28):
I missed Spruce. What a great guy. I was nice
hearing from him. It was really cool to commercial. I'm
glad I got that off my chest and I got
to speak my mind and not be judging. Did you
feel you feel uh heard? You feel seen?
Speaker 3 (37:41):
No?
Speaker 2 (37:41):
I I feel like the slices might be secretly judging me.
But at least I got my side of the story out.
Speaker 5 (37:46):
No.
Speaker 2 (37:46):
You know what I'm looking forward. I'm looking forward to
the slices calling in with their thickest accents that they
either got rid of or still have. Of course, because
that's what they do. It's lifetime. Nothing. There is nothing
wrong with local accents. I don't I don't, I don't
have anything wrong with it. But I I said, look,
it was based on you know, you know money, you know,
if you got money. If you're rich, you lose the app.
(38:07):
If you have the ability to put yourself in other surroundings,
that's all. You don't have to have money. If the
girl from Louisiana moved to North Dakota, I'm pretty sure
her accent would change a little bit. So anyway, I
had two trips recently that I wanted to tell you
about at some point. But let me tell you about
a quick. I took a trip to New Haven up
in Connecticut, and I said, you know what, I'm going
(38:28):
to stop off in New Haven and I'll make a run,
all right. So I had gone up with my family
to Connecticut, and I said, you know what, I'm gonna
run over to New Haven, grab pizza and bring it
and bring it back right great.
Speaker 1 (38:42):
So I.
Speaker 2 (38:44):
I went to Frank pepe again, famous for their white
clam pie. The best, very good again New Haven pizza,
very good, not as good as New York, but very
good pizza. Anyway, the app says, when you order the pizza,
go in. And if you ever been to Frank Peppy,
it's a little storefront and you go in as a
little vestibule area like to the left is it to
go area? And sometimes there's somebody working there, and then
(39:06):
his plates and napkins. And then another door you walk
in and is where the dining is, and then the
back there's a counter and the ovens and everything else.
When you first walk in, there's an area where you
can wait for a table or whatever. So the app says,
when you go in, when you're in the vestibule the
first area, tell the host your name for your pickup
order and they'll take care of it for you. Great, okay. Now,
(39:31):
on the weekends, they have a side location next door
in the parking lot. It's so busy. On the weekends,
they have a separate store which's just for to go.
So I had never gone into the store before to
pick up it to go order because I was there
during the week So I go into the vestibule and
there's a guy there with a with a blue jacket
on and he's wearing a vest similar to the vest
(39:54):
of the guy on the street who tap my car.
Mm hm okay, but it's orange okay. And I said, hey,
pick up for Brody. He says, no Ramos And I said, no,
I'm not Ramos. Brody. Is it ready? He says, I
don't know. I said, well, you know how long it
will be? I don't know. He says, you probably should
(40:14):
go in and ask. So I'm like, all right, well,
why am I checking in with the guy in the
vestibule if he doesn't know if my order is ready,
how long it's going to take. Isn't the whole point
to check in with him? You watch the purpose of
having the guy there to begin with, if I have
to go to the counter anyway. Sure, So I go inside.
I go up to the counter and I say, I'm
picking up for Brody. She says, oh, all right, yeah,
your pizza's right here. It's been sitting here for a
(40:35):
few minutes. I said, okay, well I'll come. The guy
up front had no idea when my pizza will be ready.
The app says, to speak to the guy in the vestibule.
She says, I don't know. That guy doesn't work here. Wow,
what was he doing? He was Ramos? He wanted pizza.
I said, I said, pizza for Brody. He said, no,
he thought you worked there. He thought I was checking
(40:57):
in with him, right, yeah, we're checking in with each other. Yeah, No,
Ramo thought I was saying, are you Brody at pizza's ready.
You thought he worked there, he thought you worked there. Yeah,
so I was like ready to complain about the guy,
and she's like, he didn't work here. That how it is?
Speaker 3 (41:13):
How was it?
Speaker 2 (41:13):
How was How was the pizza? A solid eight?
Speaker 3 (41:17):
Really?
Speaker 2 (41:17):
I had this. I had the shrimp. I ordered the
garlic shrimp instead of the clams. Yeah, it was fine.
It was good. Yeah, I'm sure it was good, but
I had I've had pizza in New Jersey this week
that was better. Maybe it's lost its luster. No, it's again.
It's a an acquired taste. If you like that pizza, yeah,
then it's great. Again. I gave it an eight out
of ten. Yeah, I've just had nines and tens that
(41:40):
are absolutely better. But it was good. It was fine,
and I wanted to go to Modern. They would close
that day, so anyway, I saw it, mister Ramos touch pizza.
So I agreed to help my sister plan my nephew,
Lucas's birthday party. Oh your advice on this some money?
I thinks they don't. That's That's what I would say. Oh,
(42:03):
come on, because it's gonna cost you a lot. I've
come a long way, come a long way since running
away from kids. I like being too well to be.
I love I love to be the funk call in
the relationship. I love my nephews and my niece. Yes,
you're very generous. I've seen you give thee my godchild
(42:24):
now Enzo so and so. Uh yep, I think that's
what that's my relationship. That's how As far as it
goes with kids, I want to love them. I want
to hug them. I want to spend some time with them,
spend some money on them, spoil them, and then give
them back so so so. Basically, I want to go
to like an American dream and we want to do
some kind of a party. Maybe give the kids, you
(42:44):
know the old school pizza parties used to do or
used to go to McDonald's, you know, and have burners here. Yeah, scary, yeah,
you can you do a favor before you finish the story.
Can you hit the jingle a second? But what what jingle?
What ching are we talking about?
Speaker 4 (42:58):
You know?
Speaker 2 (42:58):
Hit the jingle? Scary? What the jingle? That's three times?
Speaker 5 (43:02):
Now?
Speaker 2 (43:02):
Hit the jingle? What did I say? Letting you get
away with it again? Hit the jingle? You got to
tell me what the defense Nope, not until tell me
what the offense was. You've mentioned American Dream three times already,
and you're there, You're they're a client of yours. You're
there all the time. I let you get away with
(43:23):
it the first time because the Jonas Con story needed
to be told. All right, Fine, I'm not gonna let
you make a random reference. I'm trying to play my party.
Take him someplace nice, you know, Yeah, Okay, they're right. Fine,
so you know I've never been there, You've never been. No,
you want to come to mel Lucas's party, we may
have it there. No, All right. For those of you
who don't know, about fifteen years ago, they started building
(43:46):
this monstrosity of a thing unrelated to what's there now.
And it was this ugly blue and yellow thing near
where the Jets and Giants play in the meadowlands. There
was a big ski ramp and it was like, Oh,
it's gonna be this mega thing. Then it went bankrupt.
Then another company bought it and they went bankrupt. Then
another company, company after company kept buying it and not
building it. Then, as they were ready to finally open
(44:09):
this massive, incredible indoor water park and rollercoasters, COVID hit
and everything shut down. This place was cursed for fifteen years.
You drive by on the on the Jersey Turnpike and
you're like, look at that fucking I sore. Halfway finish, yeah,
halfway finished. It looked like it was condemned, like from
the seventies, like they would film stranger things there. It
(44:29):
was just horrible. And then finally in like twenty twenty two,
they finished it, opened it, and now it's just unbelievable.
It's not a mall. They don't let you call it
a mall. It's not a sponsor. I'm doing a fucking
commercial for them. It's like seven malls put together, and
it's massive. Hit the jingle on yourself. You did a
better job. It's explain that that I did.
Speaker 3 (44:49):
No. I just think this.
Speaker 2 (44:50):
It's one of those things that I thought it would
never open. All right, So I have a ski jump,
right exactly? They do so anyway, so if we're going
to treat the kids to rides and stuff and have
a pizza party and ice creaming cake whatever they have
and all that and have a whole make a day
of it, yeah, chuckie chie, do you think And because
I'm planning it because you know, because obviously my I'm
the connection to it. Do you think, oh, they came
(45:12):
out of the woodwork for a favor. You are a
connection your print you see what do you mean?
Speaker 3 (45:17):
No?
Speaker 2 (45:17):
No, I'm connected to it because there are my clients.
So my question to you is, if I'm planning this
for my sister's child, what percent of the party do
I have to pay? Your No, your your percentage of
the payment is that you're doing the favor and the
hook up, getting them a discount, a great a great location,
and a date. I feel obligated. You're gonna get free
(45:38):
game tokens, but I feel obligated to kind of because
I'm kind of spearheading this that I need to. Like,
you know, you're doing them the favor they asked you
for a favor. That's the that's the gift. You give
a normal gift to the kid. You don't play, You
don't pay for the party. Your role is to get
them the good price and the and the and the
schmooze and the VIP treatment. All right, that's that's the bonus.
(45:59):
You know, I knew that it was a good thing
to come to you. I knew I would feel better
about myself. I just saved you five hundred bucks again,
Brody saved me money every Now you could take that
money and buy me a steak dinner. Went hell, freeze
is over.
Speaker 3 (46:12):
And scary.
Speaker 2 (46:15):
I got, I gotta, I gotta, yeah, I know, help, Yeah,
I gotta tell you a story of you have had
one of those days where everything goes completely wrong? And yes, yeah,
so I had a I had a business meeting. I
wouldn't call it a job interview, but it was an
opportunity to do some freelance comedy writing, you know, a
(46:36):
little writing on the side. And I had to go
to the lower east side of Manhattan. So if you
look at Manhattan, which is it looks like the letter
the letter I right, it's a north South island. This
is in the lower right part of the island. And
this is the area where there's really no trains. So
there's trains like eight blocks north and some trains six
(46:57):
blocks west. There's trains all around. But if this is
the area of Manhattan where there's really no trains, close okay,
h So I realize I map it out and I
have to get there at one o'clock in the afternoon,
so I figure out if I go to a parking
ride in New Jersey and get on the New Jersey
(47:18):
Path train that gets into Manhattan. So I switch in
New Jersey to a second Path train, and then I
switch to a New York City subway, and then I
can take that east bound and I can get about.
I'm gonna say, nine blocks away from where I need
to go. Okay, a lot of trains involved, lots a
lot of trains. So I decide to leave early because
(47:40):
I don't know how many how it's gonna you know,
you wait for trains, then you get off of train
for another train. Start of waiting. I figure out it's
an hour and five minute commute according to Google Maps.
So I'm like, you know what, I'm gonna give it
like an hour and forty I'm gonna leave an hour
and forty minutes early. I don't want to I don't
want to be late. This is an important meeting where
I might get a chance to my little comedy, little
something on the side whatever. So as I'm leaving my house,
(48:04):
take care of the dogs, and I got some packages.
I got a mail. So I take these big boxes
and I go down the stairs and I walk out
the garage door, not the front door. I walk out
the garage door, and I go to my car, get
in the car, and I'm driving. I get it, you know,
go no problem. And I see that I'm looking good.
I left on time, ready to go. You're rocking, bocking.
(48:27):
So I get on the parkway and I have to
get off at exits. Let's say exit three. I don't
remember the number exit three to go to the parking
ride I need to go to. So I'm about a
I don't know, half a mile away from the exit.
I'm in the left lane. I'm passing people, and I
(48:48):
there's a truck in the middle lane, and there's a
car in front of me and a car behind me.
So I can't get over because the truck is next
to me, and I can't go around the truck and
pass him because it's a car in front of me.
And I can't slow down because it's a car behind me. Right,
lionel Richie can't slow down? Slow down? Yeah, very good.
(49:12):
So I'm trapped now in a car, car, truck sandwich
in the left lane and there's no shoulder. I can't
like go on the shoulder, so I can't get over,
so I miss my exit. Oh that's, by the way,
that's happened to me before. And I will say this,
better to go to the next exit and do the
and and double back, then get into an accident or
(49:34):
risk or risk it. You know what, Dave, I haven't
blowing the horn like a madman to the car in
front of me to pull up faster a little bit
so I can get out of this trap. So finally
I get out, and I get off the next exit. Now,
the next exit involves going around to round around, and
I can take the streets or around to round around
and get back on the park. When the other direction, well,
when I get off, I have to make a left
(49:57):
road close to construction. Many of errors. Here we go. Okay,
So I'm like, oh my god. Now I'm looking at
Now I'm looking at my time, and I'm calculating. I'm like, okay,
I'm still twenty minutes ahead of schedule. I still should
be okay. Can give you some background music for this,
because yeah, it says it, Because this is this sounds
like a circus. It sounds like what's what's next? So
(50:18):
I back out of the street that I've now turned into,
and I make a broke it. I make a K turn,
a U turn, and I go back out to the
street I was at, and I go around the whole neighborhood.
I gotta go around and around and around and around
to get back to where I need to go to.
Then get on a different street to go to the
train station. I get to the trains the train station,
and again this is this was Tuesday of this week. Scary.
(50:42):
It was about I don't know, forty five degrees. So
I get to the train station and I go to
the park and ride and there's no one there at
the park and ride. So I find a guy, so
I was like, I'll go park. So I go to
park and uh. The guy said you have to scan
the QR code to park. And I scan the code
and I see I see uh. I hear a train
(51:06):
coming in the distance. So I'm like, oh shit, I
better hurry and get that train. So I stay ahead
of schedule. I get out of my car, scary, and
I'm like, oh shit, it's cold outside. Let me go
back in and get my coat because I don't drive
up my coat. I was down on the front seat.
I realize scary that when I left my house carrying
the packages. I didn't have my coat. So now it's
(51:29):
forty five degrees. I gotta go on in the on
the train and get into Manhattan with no fucking coat.
And I can't go home because you make minutes, never
make it back in time. So I run to the train.
I get to the train station and and I missed
the train.
Speaker 6 (51:48):
Of course.
Speaker 2 (51:49):
I'm sitting in the inside of the train station, on
the path station, and there's electric doors, you know, they
have like the censor above them. Sure, so if you
stand by them, the door open.
Speaker 3 (52:00):
Sure.
Speaker 2 (52:01):
So there's people standing by the door. So when the
doors are staying open, and I'm freezing because I have
no cobodies wearing scarves and gloves and hats, and I'm
in a shirt and jeans, you know, looking decent, but
I don't have a coat. So I say, excuse me,
can you Can you guys move a little bit because
you're opening the door, and they're like, oh, no problem.
They walk outside onto the platform and they're on the
(52:24):
other side where there's also a sensor, and the doors
are still open. So I say, excuse me. I hate
to bother you again, could you just move a little
way from the sensor. They're like, yeah, dude, fine, they're
annoyed with me. Of course I don't have a coat.
Yeah that's the Yeah, they're what is it your your
problem is not their emergency. That that's correct. And then,
(52:44):
by the way, thank god you left an hour and
forty early. I mean you said that this was an
hour an hour situation in five minutes, and you left,
so you left yourself a good amount of time to
pad in case situation, a situation like this. I check
Google Maps again and it says I'm still about ten
minutes ahead of schedule. Ten minutes of play. Get on
(53:06):
the train. Oh, what's the problem? Hold on? I get
on the train. I go to the next stop, two
stops away for the transfer. I cross the platform, which
is the first stop of the train I need. It's
the end line of that train, so it's there. Ready
to go. Get on the train, get a seat it
has and I hear I'm all being held in the station.
Do to traffic ahead. Oh god, twenty minutes. Scary. We
(53:28):
sit there. Roughly twenty minutes we're sitting at that station.
I'm like, oh my god, I did everything right. I'm
getting fucked by the universe. I'm getting fucked. So I
email the guy and I say, hey, man, we'll let
you know. I have a problem with the trains. I
may be about ten minutes late. I don't know. So
the train leaves at twenty minutes, goes into the city
(53:49):
and I get into the city. Now I have to
take the L train and take the L train eastbound
towards Brooklyn. Oh jesus, I'm picturing this route in my head.
This is not fun, not fun. So I take the
train and uh, I hear, we're bringing hard on, Paul
do The train gets stuck in the tunnel. Now it's
(54:11):
underground between stations. So I send another email, which doesn't
send because there's no there's no internet in the tunnel.
But I said him, I said, hey, hey, I'm really sorry.
I'm having train problems. I left my house at enough time,
I promise, I said, but I may be like twenty
minutes late now because of the train problems. I'm like,
holy shit, it is ridiculous. So finally I get I
get outside and I'm freezing. I gotta walk nine blocks.
(54:35):
Now I'm on First Avenue, which goes uptown. So even
if I catch an uber or a cab. It's going
in the wrong direction, so I have to walk, so
I freeze my a I'm going scary. I got there
at one oh three wow, three minutes late. Yeah, three
minutes late at I could have been. I could have
been forty minutes. I thought it was gonna be half
(54:56):
hour late. So I got that because I ran mostly
the nine blocks as much as I could in the cold.
I get there and he says, he says, So the
woman comes out, his his assistant comes out, and she says,
oh yeah, he's finishing up a zoom call. He's gonna
be about fifteen minutes. Okay, perfect, Well better that than
pulling a Wally World on you where you cancel the
(55:19):
meeting on you, right. Sorry, after all that he's out today,
he's out sick, after all that panic and all the
thing's going wrong. I got there before he was ready
for me, so he sees me. He comes out, a
very nice guy, and he says, no coat. So I
didn't know what to say, Like do I say I
didn't think it would be cold, which makes me an idiot?
(55:39):
And if I say I forgot my jacket, it makes
me look like an idiot. So I was like, oh yeah,
I left it my car. I was hurrying to make
the trend. I didn't want to be late, so it
worked out fine, But it was one of those things
where you have to leave so early because you never
know how the world is going to fuck you. Well.
I feel that way when it comes time to catching
a flight, like in the morning, if I have an
(56:01):
eleven am flight and I know that it's gonna take
me twenty minutes to get to the airport, and then
because I have clear and TSA pre I'm and I'm
not dropping a bag, maybe it takes maybe get there
like an hour and a half early. I do all
the math in my head. But if I'm ready three
and a half hours before the flight to leave to
(56:21):
go to the airport, I'll sit there and I'll wait
for no reason to catch an uber because why would
I want to spend all this time at the airport.
So I actually cut it close for no good reason,
Like I'll sit home and I'll wait wait it out
because I'd rather wait in my house than at the airport.
But it's never a good thing because something always gets
(56:44):
in the way, something delays you. Why not just take
the time and just you don't have to, you know
what I'm saying, and relax. So when you get there
and well, you don't have to rush. You could walk
around a little bit, go into some of the stores,
and you know, kill some time there. But yeah, for
whatever reason, I procrastinate and I'm like, no, I want
to wait till the very the last minute possible to
(57:06):
leave because I don't want to get there too early.
But you know, when it comes to things that have
like a you know, a hard out, like a like
a flight departing or a meeting, right, you gotta go.
You gotta go early. After all that, I had a
great meeting. Yeah, as I'm leaving now. If you're in Manhattan,
if you know anything about the New York Subway, Manhattan,
(57:27):
most of the big the popular trains, and at the
big stations, the big intersections, when you go down the
station to the subway, you can go east or west,
north or south right. If you're getting on the B train,
you can you can get you can stand on the
platform and one of them goes uptown, one of them
goes downtown on the other side of the track. But
if you go on some of the smaller train lines
(57:49):
that aren't as popular or you know, or they're in
different you know, neighborhoods that aren't as busy. When you
go uptown, you have to go on the right side.
The east side of the street is that station is
only uptown, and the west side of the street is
only downtown. You know what I'm talking about, scars, I
sure do ye if you go to the down the
uptown station and you pay, and then you realize I
(58:12):
wanted to go downtown. Some stations have an underground tunnel
to the other side, but most of them are like,
you fucked. You got to go back out and pay
again again. Right. So on the way home, the L
train is one of the few trains of all of
Manhattan that only goes only goes east west. There's the
reason I'm telling the story. It only goes east west.
It doesn't go up north and south. So I forgot
(58:34):
about the up the north the north south thing because
it's not a north south train. So I get on,
I go down the subway to go home, and it
says Brooklyn. I paid. When I get downstairs, it says
Brooklyn only, meaning not the direction I want to go east.
I don't want to go east, so I have to
go back upstairs now across the street to the northern
(58:55):
side of the street to go west the other direction. Luckily,
I used my phone to pay, so I showed the
security guard at the gate. Hey, I just paid two
seconds ago to go to the wrong direction, and he
opened the door for me like a nice guy, so
I wouldn't have to pay again. That was very cool.
Thank you. That's very nice. If you see and people
(59:17):
say that New Yorkers aren't nice, and they say that
we're there, we're rude and we're nonxious. And here's where
the story takes the slight changes. My train comes. I
get on my train right and I'm looking at the
platform where I just came on, and the guy who
let me in walks away for a second to go
talk to the guy in the token booth. As he does,
some teenager walks up to the toll booth, puts his
(59:38):
hands on the toll booth on the on the turnstile,
and pushes himself up and hops over the turn of
course and jumps on the train with me. So New
York is still New York baby, it's the podcast.
Speaker 3 (59:53):
Hey.
Speaker 2 (59:53):
I want to thank all the slices who responded on
X and screenshotted the Brooklyn Boys podcast as the number
one preset. Please, It's important and I know we keep
stressing it, but I'm gonna keep pounding it every week
we want. We're in a race. It's a contest. The
big wigs are watching, the people from above, the people
(01:00:14):
in the suits, the people that make big decisions. They're
watching to see who has the most amount of number
one presets for the iHeartRadio app. Now, if you don't
see a preset option, that's because you didn't update the software.
So first update the iHeartRadio app. Secondly, go back into
(01:00:36):
the ihart radio app and use and put the Brooklyn
Boys podcast as the number one in the first position preset.
We need to have that done. And third, close the
Spotify app you're listening to us on OK and then
download the iHeart Radio app and then put us at
your number one slot. After that, you know, do what
you want, but put us in the number one slot.
We'd like to listen on iHeart radio and then use
(01:00:57):
the talk back feature and leave us right if you're
if you Spotify or an Apple podcast person or whatever
however you listen to Google Play, please at least download
the iHeart Radio app and put us in a number
one pre set. You never have to open it up
again if you don't want. But we we basically we
need you to do this and we need we need
like the slice army. Do we have an army at
(01:01:17):
this point?
Speaker 4 (01:01:18):
Can we?
Speaker 2 (01:01:18):
Can we say that, Brody? Do we the slices? I
would call them more of like the reserves, Yeah, the
reserves or the coast Guard, the coast Guard. No, the
coast No, the coast Guards are real branch of the government. No, there,
and so is the reserves. But they're not as large
as the army. I think we have. We have like
we have a posse posse. Yeah, well, well we're Brooklyn,
(01:01:39):
so posse makes sense. But but yeah, all all these slices,
it's imperative that that you help us out on this
and it doesn't cost you anything. It's a free If
you're only gonna do one thing this afternoon or at
night or whenever you listen to this, and your choice
is to put us as a number one preset, We'll
go to Brooklyn Boys dot Big Cartel dot com and
buy some merchandise. Yeah, go buy some merchandise as your
(01:01:59):
first op. Yeah, we got to call Matt Merch because
we have we have weird sizes we don't have we
don't have the mediums and the largest in the excels.
We have a lot of triple x large and the
extra smalls. Well, here's what you do. The people that
mistakenly email us at the at Brooklyn Boys dot Big
cartel dot com. Yeah, and we're not there, send an
email to the website at that let them know what
(01:02:19):
you're looking for that web sizes. That's a great use
of that email address. When he says message us from
Brooklyn Boys dot Big cartail dot com, tell them the
message March, not Merch. When are you gonna get some
some size, some my size? I need a medium tank
top for the summer. I want the large red pizza hoodie.
What's up with that? Okay, yeah you do, that's right.
(01:02:42):
I may have. I may have an extra large pizza hoodie,
an extra one if you want to buy that off
me the extra large. I'm a large. Now look at me,
Look at this is your second quarter is scary? Baby? Yeah,
I'm talking about September when it's cold again and you're
you're you need an extra shut up. Let me tell
you something I gotta make. I gotta do right by myself.
Speaker 3 (01:02:57):
I have to.
Speaker 2 (01:02:58):
I have to help you held accountable somehow, because I
don't want to go back up again. I can't keep
going up and down and up and down, and then
I'm going down and I'm still down. Don't don't make
any jokes about going down. I saw him, he was
about to talk. I was about to say, Bruce Springsteen,
I'm going down. Yeah, but you know whatever, So right,
(01:03:19):
all right, scary is looking to be second quarter scary
all year? Well, yeah, I'd like to listen. If if
I can be third quarter scary in the fourth quarter,
that's an achievement. I think you should be second quarter
scary in the fourth quarter. I mean that looks I'll take.
I'll take third quarter scary in the fourth quarter. I'll
be fine. Lofty goals, but okay, yeah, but i'll try.
And by the way, lofty goals one of my favorite strippers. Yeah,
(01:03:42):
lofty goals of goals. We also have to realize scary
if hold on, if you were a third quarter scary
and fourth quarter yeah, the first quarter scary would be
starting off with a better scary. Exactly. You're right, a
third quarter, scary lost forty pounds, you'd be you'd be
negative ones Gary, you'd be like, you know, last year,
I can't do the program more than once in a year.
(01:04:03):
You can't do it anyway, but you'd be starting off lower.
I would be, yeah, no, of course I want I
want to start like a like the downward staircase every year,
you know, starts the lower place anyway. So, uh, we
also some other housekeeping. We need to talk to Vinnie Primetime.
Vinnie Primetime. You know he's he's about the food incident.
(01:04:25):
Which food incident you talk about? About? Uh, when the
Italian food showed up? Well, that's the Vinnie. But that's
not why we should talk to him. I want to
talk to him about that story. We could call him
he was let's do vine bumbots on the phone. You
want to talk to Vinnie Primetime? All right, prime Time.
I just renamed him Vinnie Primetime. He's texting me like crazy.
(01:04:46):
I'm like, dude, I'm doing the podcast. Hold on, we'll
have him on now. This is the guy who planned
our last meetup, by the way, and that's really why
I want to talk to him. I want to I
want to kind of see if we could, you know,
maybe they maybe think about planning something else. Hold, hello, Vinnie,
Prime Time.
Speaker 3 (01:05:05):
What up?
Speaker 2 (01:05:06):
We just renamed you. You're on the Brooklyn Boys podcast.
Speaker 3 (01:05:12):
Then ah, we'll get great to be here.
Speaker 2 (01:05:14):
Hey, what's happened? What are you doing? How's your how's
your Friday deal? Looking? What's going on here? Good?
Speaker 3 (01:05:19):
Thank god it's Friday. I am I'm hanging out here.
I'm finishing up some work and uh, you know, doing
the same old thing.
Speaker 2 (01:05:26):
Yeah. Well, Scary Scary and I both wanted you on
the podcast today, but for completely different reasons. Yeah, so Scary,
I tell you this, Scary is gonna tell you why
he wants Scar is gonna go first and tell you
why he wanted you on the podcast. So go ahead, Scary.
So so, Vinnie, unbeknownst to most, is the guy who
was responsible for orchestrating and putting together the Brooklyn Boys
(01:05:51):
meet up M E A T, which we had a
couple of years ago. Ever since we had that meet
up and it was a great night, we've been wanting
to do We want to do something again. We don't
know what that's something is, but we know you're the
guy with the connections that can make it happen. We
don't know if we want pizza, We don't know if
we want to do more steak or whatever. But do
you have any potential tricks up your sleeve without saying
(01:06:13):
too much, because because the slices are getting very antsy,
you know, they're restless. The natives are restless, and they
want to They want to do another meet up soon
and we kind of want to do it around spring
and summer when the weather breaks.
Speaker 3 (01:06:26):
You know, are you looking to do it around the
Tri state area again.
Speaker 2 (01:06:32):
Or well, what do you think opposed to Alaska?
Speaker 5 (01:06:34):
Yes, yeah, Well you have slices from all over the country,
so you know some of them the other ones take
them over there? No, no, why don't Why don't they
have some type of vote, some type of vote or
spots here?
Speaker 3 (01:06:52):
There's there's there's.
Speaker 5 (01:06:54):
Steakhouses, of course, there's I mean I could name drop
some some place, but you know, I don't want to.
Speaker 3 (01:07:01):
I don't want Brody to hit a jingle on me.
Speaker 2 (01:07:05):
Well that's gonna happen either. Well no, no, no. If
if you mentioned a client and it's to help us,
not yourself, you're not You're not scary. So if you
mentioned a you know, a steakhouse that has a nice
private room, or or a Talian you know a place,
or a pizza place like like John's Pizza. They've got
a private area upstairs where you know, you can hang
out with the people. So places that have a private
(01:07:27):
room makes sense. Doesn't necessarily have to be in Manhattan either,
it could be in the suburbs. I'm thinking New Jersey.
Speaker 5 (01:07:34):
I think Jersey would be good too. You guys got
a bunch of slices over there and people flew in.
Speaker 2 (01:07:40):
Yeah, they did some flying, so again that that's difficult
for Long Island. But we got to pick someplace. So
wherever we pick gonna be. But are you working on
something potential for us for the summer or what I
don't want?
Speaker 3 (01:07:52):
I had, I had, I did have some conversations. Can
I say it?
Speaker 2 (01:07:59):
Yeah, if you want? Oh, is it going to hurt
the sun? It?
Speaker 3 (01:08:03):
No? I mean, I I don't know. I don't know.
Speaker 5 (01:08:06):
But I was talking to Calandras about potentially doing something,
and honestly, you just made me think of something for
They have a hotel too, so that can kind of
check off a few boxes.
Speaker 2 (01:08:17):
Oh wow, Oh.
Speaker 3 (01:08:21):
Yeah, I didn't think of that.
Speaker 2 (01:08:22):
That's pretty wild. And they have they also have a
big pizza making area to make pizza.
Speaker 3 (01:08:28):
Yeah. Yeah, so there's a lot of things.
Speaker 2 (01:08:31):
And we can do free dessert because they have dessert.
They have dessert, Oh my god. And and then imagine
pizza making classes with the slices. That would be great
and we could be too many people. No, they have
a big room, right, how many people could make pizza
at the same time they have Vinnie.
Speaker 3 (01:08:49):
I don't know. I have to speak to the.
Speaker 2 (01:08:53):
Worth the magic, all right, Well, all right, so that's
why I wanted to talk to you briefly. We were
having It's kind of like an on air meeting, but
we want to show the slices and pull the pull
the curtain back, you know what I'm saying, and show
people that we go through. But these are the negotiations,
These are the these are the baby steps, These are
the beginning. These are the beginnings of something big. But
I think a pizza making class with free dessert, some
(01:09:14):
sphere dolls and canolis and stuff after I mean, huh,
sign me up anyway. Yeah, it's a no brainer. Okay,
So Brody, Brody wanted to talk to you for a second. Yeah, Vinny,
so uh listen. I I had sort of a reputation
when I worked there for many things, you know, being
talented and funny and brilliant, but other things than that,
(01:09:37):
I was a big fan, big fan of all of
the fantastic don't interrupt because you may figure this out,
of all the fantastic restaurants in the New York, New Jersey,
Connecticut area. And we had some Philly people come up
to bringing up some of the best food in the
area and we would just feast on it. Now Scary
is a big fan when his food left over of
(01:10:00):
calling the other radio stations, come on down, Receptionist, come
on down, Power one, O five, the Breakfast Club, Charlemagne.
Speaker 3 (01:10:06):
We got fun.
Speaker 2 (01:10:09):
And I'm a big fan of going what the fuck
this is the morning show I work on. I'm gonna
take someone at home for my family or me, So
I would take home like a couple of extra boxes
of autit Choke pizza. I would take home some of
the the tinfoil trays that have like the the you know,
the chafing dishes that already have the lids for them
from calaw Mines. Bring before you proceed, Brody. I would
(01:10:31):
have a text message, a mass text to all the
shows that I'm ready to with with the text message
already ready food to send out, like, hey, come on
down for some free grub, that kind of stuff. Now,
Brody would stop me go, don't don't send the text
out yet. Let me get my Yeah, let me pack
up my ship, let me take part in my pocket.
Let me freaking get my first TIBs right all the
(01:10:55):
stations right, other stations they take their food, then they
call us when they're at So I would like be like, okay,
there's there's a tray and a half a chicken palm.
I would take the half a tray and bring it
home and leave the other tray for everybody else. But
you know, sometimes there's things you can't take because you
don't have You can't just put like Italian pastries in nothing.
(01:11:17):
You can't put them in your pocket. So yeah, if
you don't have a box or something, you fucked well.
I heard or that the Great Vinnie who doesn't work
on the morning shown Jenny Primetime Vinny Primetime, got a
text message come for food and showed up with his
own tupperware storage containers.
Speaker 3 (01:11:36):
Okay, okay, I can explain that.
Speaker 2 (01:11:40):
No, no, no, before you explain that, hold on before,
hold on, before you explain that. I want to say,
hail to the new king. The king is dead. Long
live the King. Because you have taken what I did
to another level where you brought your own you pre
planned your own story. I'm surprised you didn't have ice
packs and a thermal bag ready to go, and and
(01:12:03):
and plastic sports and napkin packages to take home. You, sir,
are on a new level. You wouldn't have gotten away
with that ship when I worn. Now that I'm gone,
don't free and clear. I think we should call hi
Vinny Tupperware. But Vinnie, tell him, tell the rest of
the there's a plot, twist's coming.
Speaker 5 (01:12:23):
Tell him, well, there was there was nothing left first
of all, so that was the main thing. And I
how how how much later did I come up after
you texted me?
Speaker 3 (01:12:35):
It was it was I don't even.
Speaker 2 (01:12:36):
Think of it, twenty minutes.
Speaker 7 (01:12:38):
It was first of all, so he said, he said,
this team was here, right, So it was this Italian restaurant.
And I'm thinking, holy ship, there's probably like stacks of
chicken parm stacks of this, stacks of that, and there
was like.
Speaker 2 (01:12:52):
There were there were two trays of spicy rig and
two trays of chicken parm and and the caesar salad
and on a box and holies. But when we start,
when we the morning show picked at it, there was
there was still three quarters of everything left. Then I
texted you and we were on the air talking for
(01:13:13):
twenty five minutes. So we don't know what the fuck's
going on outside our doors because the food's in the hallway.
So that ship was so so, as far as I know,
there's a lot of food left. I texted Vinie, what
happened Vinnie? Twenty minutes? Twenty minutes he shows up with
his tuberware?
Speaker 3 (01:13:32):
Okay? And I came up with the tubbleware because it
was like eight am.
Speaker 2 (01:13:37):
Did you come up with it? What did you come
up with? Spell at spell at see you?
Speaker 5 (01:13:47):
No?
Speaker 2 (01:13:48):
Okay, okay, hold on, you are guilty of what's his name?
The comedian? Oh uh? He got him on the podcast?
Speaker 4 (01:13:55):
Uh uh?
Speaker 2 (01:13:56):
He had oh Sal Sal and sal Volcano Volcano was
on the podcast with christ the Stefano and South said tumberware, tupperware,
tupper it's tupper with two peas, Yes, tupperware. Look at
that all right, you know he did the same thing tupperware. Okay,
so you came in tupperware, ditty container store, grabbed this tupperware.
Speaker 7 (01:14:18):
Listen, it's eight it's eight am. I wasn't ready to
eat the chicken palm, the pasta that was that was there,
so fair enough. I was preparing to have some lunch
for later on. And that's why I brought the tupperware
with me.
Speaker 3 (01:14:34):
It wasn't to take it hold. It wasn't to feed
my family.
Speaker 2 (01:14:39):
Containers. You're ready to go.
Speaker 5 (01:14:41):
I love it.
Speaker 2 (01:14:42):
And yeah, I get that he eats at twelve o'clock.
He's a normal person. He's noth I get it. I
just loved that he came running with the tumperware. Well, anyway,
there was nothing left because the savages. Someone someone leaked
the fact that we had this crazy Italian restaurant up,
and they came when they ravaged the place. I think
(01:15:02):
because one of the actual tins were missing. I think
someone literally full on took a tin and carried it
down the hallway. I mean, that's balls. But I'd like
to say I don't have access to the building anymore,
So it wasn't me.
Speaker 3 (01:15:16):
It was I was just gonna say that sounds like
something Brody would do.
Speaker 2 (01:15:20):
That is absolutely something I would have done. Take the
whole tin, Hit the whole fucking tin. But so there
were tins missing, so somebody somewhere literally lifted that and
and fled with it. I can't believe it. But anyway,
Vinnie's Gary, who do you think it was scary? I'm
not gonna I'm not pointing fingers. Okay, which station? No, no, no,
(01:15:44):
it's not going down there. Sorry, Brody, you think you
don't think you know? You think it was the hip
hop station, don't you? Well, only because they have that,
they have no racist They have the back hallway path
to us, you know what I'm saying. They don't have
to go like if it's the other radio stations they go,
they go past us that hallway that we could see
(01:16:05):
out with the through the glass, so we could see
who's coming down that hallway, but there's a back hallway
that when if you want to be devious, you can
be unannounced and be unobtrusive about coming to take food
because we don't see you. So you go there on
the back hallway. You could take the food and then
sneak back around and okay, so just on the record show,
it was scary called the devious black people the people
(01:16:27):
want most to stall. No, no, no, no, Vinnie, you
heard that, not telling you. I'm not saying anybody. Don't
put words in my mouth broke. You just said it
had in the pump station. And no, it could have
been anyone. It could have been Cobby coming from the
light station. He might have gone gone down the back hallway.
When you say, like, do you mean complexion? What are
we talking about? I don't like the way you're saying dick.
But anyway, poor Vinnie, I just wanted to give you
(01:16:48):
props for bringing tump aware uh to get to grab
some food. You came up empty handed though. Sorry, Now,
why was the tump aware in the building? Was the
tumpware in the building on the off chance that it
be food someday?
Speaker 3 (01:17:02):
You know what, I actually think I took someone else's stuff.
It wasn't mine. I went and I found so.
Speaker 2 (01:17:09):
You can steal the food for the morning show.
Speaker 3 (01:17:12):
Basically, yeah, that's what it came down to. No one's
going to miss that.
Speaker 2 (01:17:15):
Nah, that's all good. But I'm sorry you didn't get
any I gotta say listen. I'm not doing carbs right now.
But the spicy rig looked amazing. Everyone was raving about it.
And the same thing with the chicken palm man O me.
When did spicy rigged Tony become spicy rig. It's a thing,
spicy rig. Look it up, rig, look it up?
Speaker 7 (01:17:33):
All right, It's all right, I'll uh, I'll leave on wait,
I'll leave on one note. But I'm sure we're gonna
do enough eating scary when we're at Atlanta's Paradise Island Bahamas.
Speaker 2 (01:17:44):
We are gonna have a lot of fun at the
Atlantis Paradise Island in the Bahamas. Okay, most of you
hit the jingle I won't be there the food and
wine festivals next weekend, and I'll be there for you.
Any wouldn't be the worst thing if Atlanta sponsored this podcast.
I mean we're both fans.
Speaker 3 (01:18:05):
Hey, well, well, well we'll figure that out. Maybe we'll
we'll talk about it next week while we're.
Speaker 2 (01:18:09):
On the beach, Benny, we could talk about it while
you're on the beach. You can talk about how the
one guy who's not here would love to be here
and sitting and sitting the waterfall alcove in the pool
area that he loves so much. One of his favorite
places in the whole world is the waterfall alcove in
the pool. How much I love walking to car Mines
in in Atlantis. The restaurants. We're gonna be hanging out
(01:18:30):
with that boy Glenn from Carmines. He'll be there at
the at the National Paradise Island Winding Food Festival at Atlantis.
Speaker 3 (01:18:37):
Just take it, Healthie and send it to send it
to him.
Speaker 2 (01:18:40):
Oh please don't. Oh no, yeah, let's not do that.
That'll that that'll that'll right in the heart. Can't do that,
all right, Vin, have a great weekend. Yeah, hey, bring
top away to Atlantis for you for you so you
can bring home some food.
Speaker 3 (01:18:55):
Yeah, yeah, we'll do We'll share it all right.
Speaker 2 (01:18:58):
Oh my god, he's working for us the background slices.
He's one of the best. He's one of the Tubberware.
Another Tumberware person is an Italian happened Vinni's from Queens.
He's an Italian guy from Queens. He was raised out
in Brooklyn.
Speaker 4 (01:19:13):
Chase.
Speaker 2 (01:19:14):
Uh no, I I said Tupperware, and it's on. It's
on every Every branded piece of Tupperware is random says
the word tupperware. Here's the thing, though, tupperware has become
an industry name. It's a default generic any storage container.
It's possibly had, you know, uh uh, any other kind
(01:19:34):
of just a container. It was a regional dialect, but tumberware.
Maybe he maybe he comes from a low income family,
like fucking kidding. That was what people say, tumberware. That
was That was a callback. That's what we called it.
All Right, we gotta go and we we've we've overstayed out.
Welcome this k We had two guests on by not
(01:20:01):
brocl Brockly, no boys, not brocl