#346: Alabama White Sauce On Your Roast Beef

#346: Skeery makes a major apology to a longtime Slice and what's revealed pisses Brody off; Brody recorded new AI podcast rejoin sounders and Skeery is less than thrilled about the final product; Skeery finds it sus that one of his friends won't bring his new girlfriend around; Brody was in a fit of rage after the doctor's office screwed him over; The boys discuss Smoothie King's new ketchup flavored smoothie and a company that released breast milk flavored ice cream

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Episode Transcript

Speaker 1 (00:00):
Start Up, dot Up, start Up, Brooklyn Boys, start Up,
Brooklyn Boys, start up Up, They making noise Up, start Up,
dot Up, Episode three forty six of The Brooklyn Boys podcast.

Speaker 2 (00:21):
Hello David Brody.

Speaker 3 (00:23):
Hello, Scary Jones. Very exciting, very exciting day, big day
on our podcast. I don't know what makes this day
bigger than the other days, but you know, well you
have you have exciting contents. I've got exciting content, don't
we always?

Speaker 2 (00:39):
Isn't that? What we aim to do is please the slices.

Speaker 3 (00:43):
Sometimes before the show, one of us will say, oh,
I don't have a lot today.

Speaker 2 (00:47):
What do you got today?

Speaker 3 (00:49):
You said you had something huge for me, and I
know I've got a lot of stuff today.

Speaker 2 (00:53):
I'm very excited.

Speaker 3 (00:53):
Well no, I mean, well, the huge thing is not
it's I don't know how big this is, but it's
an apossole what she said.

Speaker 2 (01:02):
Yeah, it's an apology.

Speaker 3 (01:04):
I have to come off right right up top before
everybody starts leaving their talkbacks.

Speaker 2 (01:09):
I'm sure it's already too late, but on a I
can leave talkbacks. We haven't said anything yet.

Speaker 4 (01:15):
Well.

Speaker 3 (01:15):
On the previous episode of The Brooklyn Boys Slice Time
talkback episodes.

Speaker 2 (01:23):
Days ago, yep, okay, I went off.

Speaker 3 (01:27):
We went off. The Brooklyn Boys went off on Juan Valdez,
you know, Juan Vazquez. Why because you accidentally you accidentally
played a talkback that he left for Gandhi's podcast, Ghani
from the Elvis Duran show, right, saw us on the
side yet, so I accidentally played that and he was

(01:47):
kind of, you know, sucking up to them and saying
he wants to and we were upset because he gave
her a gift and he's never given us any gifts. Correct, Well, okay,
So basically the gift was he hand painted a picture
of Gandhi and her face coming out of a flower

(02:09):
pot with flower flowers, right, And it was very it
was beautiful and and that's how we described it, and
it was it was. Yeah, it was a great gift.
And I'm like, well, wait a second, what about your
boys over here? You love the Brooklyn Boys, your a
slice for life? Should we should play the play the
free ship for us? Jingle, scary, go ahead, the.

Speaker 2 (02:26):
Free ship for us? Oh, just so we should solicit
for that, right? Yeah?

Speaker 3 (02:31):
I think I brought that one home. Free ship for us.

Speaker 2 (02:35):
Yeah, I'll play that for you. Hold on, a second
any day now.

Speaker 3 (02:42):
For us' right, we like free ship, especially if it's
handmade ship. And one is a big fan of ours,
a very loyal supporter. Yeah, we appreciate his talkbacks. Yeah
you know and moderate well. I to Gandhi yesterday and
I said, Gandhi, I just want to say, right off

(03:03):
the bat, I'm sorry. I apologized, but I played two
of your talkbacks and accidentally on the Brooken Boys podcast
like time by the way, Okay, you can accidentally play one,
but you didn't accidentally. Well, I said, we needed to
hear the second one, the second part of it, and
it was because Juan Valdez as we know him, was
thanking you. It was actually ingratiating himself to you. And

(03:27):
said Gandhi to Gandhi, yep about your podcast and how
you know if you like the painting he made? Well,
I said, I then went off on Wan because Wan
has never done anything to paint or do something for
the Brooken Boys. He's been a longtime fan of the
Brooken Boys. And then Gandhi was like, what are you

(03:47):
talking about?

Speaker 2 (03:48):
I said, what do you mean? What am I talking about?

Speaker 3 (03:50):
He he goes, she goes scary look back there on
the windowsill next to your desk.

Speaker 2 (03:59):
What the fuck?

Speaker 3 (04:00):
I said, that's a painting that our friend tattoo Bob
did for me. And then she goes, really, she goes,
that's tattoo Bob. She says, it looks awfully like the
same style of painting that Huan did for me.

Speaker 2 (04:15):
She said, no fucking way, I said.

Speaker 3 (04:17):
This thing has been sitting here as my prize possession,
on my windowsill where I sit. Wait, does this mean
tattoo Bob did the thing that he gave Gandhi, a
hand painted Scary Jones picture, which has been sitting here
for two years since we moved in. I'm like, this
is great, this is awesome. We talked about it on

(04:38):
the radio. Okay, great, all that being said, she was, no, no, no, no,
let's go over there. I walk over to the picture.
We pick it up, looking for some kind of artist whatever.
I turn it around the signature Juan Veasquez. Wow, all
this time I thought that that picture was painted by

(05:03):
tattoo Bob.

Speaker 2 (05:04):
Well, let me ask you a question. Does it look
like you?

Speaker 3 (05:07):
No, it's great, though, I mean, it's it's got these
big bug eyes.

Speaker 2 (05:11):
It's it's actually it's an.

Speaker 3 (05:13):
It's interpretation, don't they say that artists can interpret anyway
they want. If it looks nothing like you, there's a
good chance it could be tattoo bo. It's well anyway.
So I apologize, sanz Hawan Valdez. I apologize on behalf
of the Brooklyn Boys. Thank you so much for the
scary Jones picture that I've had and cherished all this time.

Speaker 2 (05:35):
I take it all back. I take it all back.
Hold on a second.

Speaker 3 (05:39):
I understand that you're apologizing to him because he drew
he made a painting for you.

Speaker 2 (05:44):
Yeah, he did. Thank you. We're good. We're good. But
wait a minute, where's the painting for Brody?

Speaker 3 (05:52):
I mean, I'm I don't necessarily want one, but I
didn't get one, So I'm going back to pitching.

Speaker 2 (05:58):
So Gandhi got one?

Speaker 3 (06:00):
Did he do one for for the for the Serial
Killers podcast? They get one?

Speaker 2 (06:04):
No, but he said that he's gonna do them next.
The fuck.

Speaker 3 (06:11):
What I'm I'm I support him, I defend him, and
I get bhoop kiss from him? Oh fuck that what?

Speaker 2 (06:21):
I think? We're okay here and there's nothing to see here.
Me and one were cool.

Speaker 3 (06:26):
Me and one Jan and I Juan and I and
by the way, He'll always say, and it'll always be
brody and scary, except when it comes to paintings, and
it's scary and Gandhi and nobody else. Yeah, yeah, yeah,
this is your boy.

Speaker 2 (06:41):
And as always I paint for scary and Gandhi.

Speaker 3 (06:43):
That's correct.

Speaker 2 (06:45):
So yeah, so I think I'm cool.

Speaker 3 (06:46):
And I'm so sorry that I ripped ripped you wan,
I'm not sorry. I'm not sorry. No, no, no, I'm
not sorry at all. You've set you gotta pay. What
does the only make paintings for current iHeartMedia employees?

Speaker 2 (07:02):
Is that why I didn't got one?

Speaker 3 (07:04):
I don't know. I mean, I got it. I gotta
say it's it's it's a great painting. It's it's it's hilarious.
Everyone comments on it. But my god, I'm sorry. I
was giving Tattoo Bob all the credit. Tattoo Bob by
the way, another artist.

Speaker 2 (07:15):
On the Morning show.

Speaker 3 (07:16):
Yeah, you don't even deserve the painting because you didn't
even give you. You got the painting. You didn't bother
to look to see a name on the back. You
put it up on your desk and you never looked.
And you've never know what. And he never thanked you.
I bet because you'd never thanked him, is why I
didn't get a painting.

Speaker 2 (07:32):
No way, that's what I think. No.

Speaker 3 (07:35):
Wow, Why did I think it was tattoo bob all
this time? Wow? So my gift was I get my
name first on every talk back and you got a painting?

Speaker 2 (07:44):
Huh? So wait, does he are you a painting?

Speaker 5 (07:46):
No?

Speaker 2 (07:47):
I don't want a painting now now I'm good. You're good.

Speaker 3 (07:50):
I don't want a painting. Now I'm good. I mean
it's it's actually a great painting. I'm actually gonna post it.
So we posted. Uh, I did the apology for Instagram.
I didn't post it yet, and and god he was
in it with me with her painting and my painting.

Speaker 2 (08:02):
Side by side, so fantastic. So yeah, but I didn't.
I didn't post it yet.

Speaker 3 (08:07):
But now I didn't post my picture that one did
for me because he didn't do one for me.

Speaker 2 (08:14):
So we're back to bitching. Wow, no ship for up
for me, ship for you here. I was just coming
here trying to apologize.

Speaker 3 (08:23):
Glad you're I'm glad you're excited for you. Yeah, I'm
glad you're apologizing. I don't have to apologize to Wan.
Did I miss did I miss it? Did he ship
it to me and I didn't get it? Did he
send it to the radio station and because I'm out there,
I didn't get it. Did he make a painting of
the Brooklyn Boys? No, No, he didn't. It took him
a long time to do that. I mean it's it's beautiful,

(08:43):
it's it's very detailed.

Speaker 2 (08:45):
Uh huh. So I appre I appreciate you one.

Speaker 3 (08:50):
Yeah, on Brody doesn't as always, as always is Brody
and scary. Yeah, but as Holais, you didn't make a
painting for me as always with scary. Okay, you see
the way we just came back from commercial. Yeah, and
there was there was nothing announcing us coming back from commercial.

(09:11):
And I said, last episode of the episode before, we
need to have rejoins. We need to have something that
says all we're back, the Brooklyn Boys are back, or
you know, like like radio shows do more with Elvis
Duran in the morning show.

Speaker 2 (09:23):
Whatever. So I emailed you fifteen or sixteen of them.

Speaker 3 (09:27):
I'd like to play them now, all different genres, and
I think these are really good. One of them I
did was a tribute to kiss where the way they
used to open the show all the time. So uh,
don't play the one that says you wanted the best
until I tell you to.

Speaker 2 (09:41):
Dude, you've got them ready. We have eighteen of these?

Speaker 3 (09:43):
Yeah, terrific, Yeah, fantastic. Well, because I want I don't
want burnout. I don't want them to play every time
we come back from commercial. We have an auditional eighteen
of these right now. Yeah, that's that's the segment. Here
we go or only like ten to twelve seconds each.
Oh god, this is gonna ge it grow on people.
Excuse why don't we Why don't we play?

Speaker 2 (10:04):
Like? Why we play eight now and then we'll play
eight later?

Speaker 3 (10:17):
Yeah?

Speaker 2 (10:18):
The fuck is that? Why did you lower it? I
didn't lower it, lowered by itself? What the hell was that?
I play another one? Ladies subs?

Speaker 4 (10:40):
Yes?

Speaker 2 (10:41):
Is that us?

Speaker 1 (10:43):
Yeah?

Speaker 2 (10:43):
Ladies, but it only has to be said once. By
the way, what do you say? And now you can
talk over the instrumental? Don't lower ladies and gentlemen. You
don't have to. You don't have to say ladies and
gentlemen twice.

Speaker 3 (10:53):
Though you have a rockstar, you do?

Speaker 2 (10:57):
I like that? Come back from commercial?

Speaker 3 (10:59):
Yeah, I don't think we can match that energy. Ever, Well,
come on this other genres? What else you got? Announce
which one genre? I have a country I have a
country female. There's a country female. All right?

Speaker 2 (11:15):
The podcast is bad? What what from the shooting school?

Speaker 3 (11:27):
Were back on?

Speaker 2 (11:28):
Our audience likes country music.

Speaker 3 (11:30):
We're back from a fucking uh driving driving to the
general store, uh down a dirt dirt road on our
pickup truck. Really in the generally, that's what we're talking about.
We have a varied audience.

Speaker 2 (11:43):
My friends.

Speaker 3 (11:44):
Stop insulting people. But that doesn't sound like a great comeback.
That's not how the Brooklyn Buts are. First of all,
Brooklyn is Brooklyn, New York. What the hell does that
have to do with the country rejoin scary? We do
a national podcast for a national audience.

Speaker 2 (11:58):
I know, but that that is, that's off.

Speaker 3 (12:00):
That's so I got electric, I got an electronic I
got here.

Speaker 2 (12:03):
Okay, here's here's an electronic mail. Let it play.

Speaker 3 (12:06):
Let it play.

Speaker 6 (12:12):
The Brooklyn Boys podcast.

Speaker 2 (12:24):
What's you yelling for?

Speaker 3 (12:26):
To let people know what's back?

Speaker 2 (12:29):
It's your kind of music? That is not.

Speaker 3 (12:31):
First of all, that's not electronica. The one another one
I got another one that.

Speaker 2 (12:35):
Another electric here electronic mail one would stop lowering the volume.

Speaker 3 (12:39):
I'm not lowering it. It's doing it on its own.
This is your crack pot AI team, that AI team
that did this. You know, I put a fade on
all of them. She could talk over them.

Speaker 2 (12:55):
Brooklyn Podcast. Really wait, okay, you have to say it twice?

Speaker 3 (13:06):
Wait?

Speaker 2 (13:07):
Yes, the dude ready for the beat drop? Yep?

Speaker 3 (13:14):
Yeah, I mean I like them instrumentation at the end,
but I do not like the way that the crescendo happened.

Speaker 2 (13:20):
And keep calling and these.

Speaker 3 (13:22):
Are two drawn out It should be it should be
four seconds like boom. It shouldn't be like.

Speaker 2 (13:28):
Drawn out for like thirty seconds. All right, No, it's
like a big intro, like, hey we're back. It's big news.
You want to do some rap ones.

Speaker 3 (13:35):
Yeah, don't forget. People skip thirty on the commercials. Sometimes
you don't want them to miss these. Here we go,
oh god, yeah, the Brooklyn Boys podcast is back.

Speaker 1 (13:51):
The Brooklyn Boys Podcast, The Boys Podcast.

Speaker 2 (14:00):
It's a lot, it's long back and there we go.

Speaker 3 (14:06):
I don't know, man, it takes a lot. That's a
big wind up, a big wind up. Well, you don't
have to hold your breath for ten seconds. Big deal.
It's content for the listeners. We're not on a radio
station with a clock and a time schedule. I know,
but I wanted to sound professional. Oh what don't you
got these do our professional? These are very professional. The

(14:26):
Brooklyn podcast is bad and now we come back. That
wasn't that one wasn't as bad as all the rest.

Speaker 2 (14:45):
I love them. Keep going. I think we're far from perfect. No, no,
this is terrific. Love it. Oh, now we have a
rock one. Do we have rock in the beginning? No,
that was the anthem. Here we go. Come on, man,
that's a rip off of something the Brooklyn Boys podcast.

(15:16):
Sounds like machine Joe Kelly.

Speaker 3 (15:18):
And then we start talking. See that's great short, that's
what you wanted.

Speaker 2 (15:23):
Boom.

Speaker 3 (15:24):
Yeah.

Speaker 2 (15:24):
I don't know about that one. All right, the second
version of a rock of rock. Here we go.

Speaker 3 (15:33):
The Brooklyn Boys podcast. Yes, yes, this is a brody
kind of rejo This is my this is me baby?

Speaker 2 (15:46):
Is that your genre?

Speaker 3 (15:48):
That's me rock? There we go? Oh you got you
did sca yellow Scott. This is a rejoin to the
show as done by a SKA female. Right, we just
the commercial the Hello Fresh Order yours now Boom.

Speaker 7 (16:07):
Brooklyn Boys Podcast, Mighty Mighty Boss Tones.

Speaker 3 (16:18):
Yeah, and then we're back.

Speaker 2 (16:20):
Yeah.

Speaker 3 (16:22):
For some reason, it's not clicking with me. It's just
something is off.

Speaker 2 (16:26):
You're off. Something is off. Here is another one, Nah,
another scuff.

Speaker 3 (16:32):
The yeah. Yeah you really think and that's supposed to
drive the energy.

Speaker 2 (16:45):
Yeah to the next break. Yes.

Speaker 3 (16:47):
Otherwise it's like commercial commercial. Hey, we're back now, it's
like commercial commercial boom, all right, unless you got another
couple of more for women. He's a gentleman, ladies and gentlemen.

Speaker 2 (17:04):
You cut it off. Oh boy, I don't like him.

Speaker 3 (17:10):
You got you wanted the best gentlemen the Brooklyn.

Speaker 2 (17:20):
Yeah, listen to that. That sounds like Van Halen Padamo.

Speaker 3 (17:22):
That's yes, that's driving music.

Speaker 2 (17:24):
Man, that's great.

Speaker 6 (17:28):
Man.

Speaker 3 (17:29):
Come on man, we can do better than this. We
are better than this. No, I'm better than you. You're
not better than this. No, this is and one of
these on the ones that say you you wanted.

Speaker 2 (17:38):
One of the best. Yeah, this is my tribute to
Kisses to open this show.

Speaker 3 (17:42):
You wanted the best, you got the best, the hottest
man in the world, Kisses, Gene Simmons, I did this
and you got the best, the hottest protest in the world,
the Brooklyn Boys, once again losing his voice because he's
screaming so loud, straining his volage boards. What are you

(18:04):
talking about? It's Ai.

Speaker 2 (18:05):
He's not losing his voice. That's it. And you got
the best THET podcast.

Speaker 3 (18:15):
I don't know, man, from Commercial. I like the way
he fades out there. I like that. It's like a
cold fade where it ends on a note and the
note note fades out. But man, I love it. Slices
tell scary, he's crazy. Leave us at talkbacks, you love those.

(18:38):
That's the way to come back. Come from Commercial.

Speaker 2 (18:41):
I hate every single one of them. I hate you
for hating them.

Speaker 3 (18:47):
I mean, we're supposed to be going in a more
professional direction. That's just such and all. That's a professional
What are you talking about? Those are professionally done, Ai rejoins.
We need to make it sound polished and professional. We
need to We need to dig into our own piggy
banks here and and pay someone to do professionals don't

(19:07):
have a piggy bank, then it's gonna be incumbent upon
me because I I'm gonna have to do something here.
I cannot live with free AI versions of what that
It just terrific. I can hear the slices leaving talkbacks
now how much they love them and how scary's crazy.
It's just so rude, some of them, and they're so crude,

(19:30):
crude and rude. It's just the job is to get
people's attention from listening to the commercials. Then it's like, uh,
this was All State. You're a good and hands with
All State. The Brooklyn Boys are back and it's like, yeah,
I musing.

Speaker 2 (19:44):
Yeah, what do you want? The Brooklyn Boys are back?

Speaker 3 (19:48):
You all no, no, no, I want something, something bouncy,
something something melodic. I don't mind some drum and bass,
but I want it. But I also wanted and did electronic,
I did e DM you You're never happy. Yeah, it
just doesn't even match the production values of our other
jingles and our other intros.

Speaker 2 (20:09):
Does that make any sense? It's like a whole different style.

Speaker 3 (20:14):
Uh you know what, It's like, I think you're for
a meal and you're offering me an international buffet and
I don't like it. I don't like cloth. That's like,
you know, Oh, I'm gonna test some sushi. Oh I'm
gonna have some spaghetti. I'm gonna mix that with pizza
and a hot dog. That that's what that was. That
was mission. I'm not gonna play all of them coming

(20:36):
out of commercial. We're gonna play one one, no, no,
But that does not that every one of those, None
of those go with the rest of what we do
and our imaging that we use for Brooklyn boys, What.

Speaker 2 (20:48):
Are you talking about? I did hip hop.

Speaker 3 (20:51):
We have we have Beastie Boys as part of our imaging.
We have startup, startup that's hip hop.

Speaker 2 (20:55):
Yeah, no, that's great.

Speaker 3 (20:57):
I did hip hop ones the boys are back in town.
But those are real people, real production rooms, real music,
real voices.

Speaker 2 (21:04):
This is all. This is all slock.

Speaker 3 (21:07):
This coming from a guy who's one of his closest
friends follows AI women. Well, I can't be held accountable
for my friend's actions.

Speaker 2 (21:14):
I'm sorry. I mean, just let's talk about each other.

Speaker 1 (21:18):
Done.

Speaker 2 (21:18):
I've done great.

Speaker 3 (21:19):
I can't wait.

Speaker 2 (21:20):
I wish we were doing I don't want to.

Speaker 3 (21:22):
I can't wait for Slice time for three forty six
so I can hear all the slices calling up saying
Brody is right, Scary's a big complainer. Don't we love them?
I mean to take a ship in your cocoa puffs.

Speaker 2 (21:33):
Terrific.

Speaker 3 (21:34):
I don't mean they were refreshing, they were modern. They
were today's sound. AI is today. I'm given. I'm giving
them again.

Speaker 2 (21:42):
I'm a man of the people.

Speaker 3 (21:44):
I am a man of the people. I am a
man of the AI people. I am a man of
all people. You better watch where you step because it
may replace you. One day. We may be replaced by AI.
I'm gonna find an AI co host that likes the
work I do. That's what I'm gonna do. You know
what that's to do it? And then one one Van
de Valdez can make a painting about my AI co host,

(22:06):
or he could just tell AI to make a painting
for you, right and not make one for me, just
for the co host. That's AI already. And after the break,
by the way, I'm gonna tell you about my new
my favorite AI Instagram account. I am addicted. I can't
stop watching him. Did you watch the guy sent you?

Speaker 2 (22:23):
Yes?

Speaker 3 (22:24):
Ah? How good is he? Phenomena?

Speaker 2 (22:26):
It's great?

Speaker 3 (22:27):
All right?

Speaker 2 (22:28):
Now here is some great production values.

Speaker 3 (22:31):
Listeners. Hold on, hold on, hold on, Here's what I
want you to do. Scary, Oh boy, I'm gonna let
I'm gonna let you do it scary. When we come
back from commercial, I want you to play any one
of those jingles so the slices can hear what it
sounds like coming out of the slow commercials. Okay, you
got it, Hey, get one ready, we're gonna go to commercial,
and when we come back, we're gonna play one. The

(22:52):
slices can hear how it sounds. Can we come back
to excitement, Yes, but just know that this that's scary
is quality a A one Blue Ribbon material, this.

Speaker 2 (23:05):
Podcast.

Speaker 6 (23:06):
We will be right back, yeah.

Speaker 3 (23:12):
The Brooklyn Boys podcasts back the Boys podcast. Yes, all right,
we're back, Yeah, we're back. All right, Thank you so much.
It sounds great. That sounds I understand the concept, and
I like the idea of a regional we call those,

(23:33):
by the way, in the business slices, we call that
the rejoin, we call that the stager the But I
think we can do better. I think that is just
a draft. That is a rough draft of what we
are capable of on the Brooklyn Boys Podcast. I just
think we go back to the drawing board and we
get new ones. Maybe you say you mean me, Well,

(23:55):
I think we should pay.

Speaker 2 (23:56):
I think we should. We'll look into it and pay
someone to do real ones. Yeah, real ones.

Speaker 3 (24:02):
We have to pay for the music to be created,
and we have to pay for the singers and the
studio time. You're talking about hundreds and hundreds of dollars.
I just gave you sixteen for free, and it sounded
that way too. It sounded for free. That's that's the
budget we're on.

Speaker 2 (24:16):
All right.

Speaker 3 (24:16):
Let me tell you speaking to AI, I want to
play my new favorite AI guy. Hold on, let me
pull them up.

Speaker 2 (24:22):
Hold on.

Speaker 3 (24:24):
So you've all seen small town usually Southern, with small
town sheriffs. Usually they're fat, and that they don't take
any shit. Yep, right, Like, let me tell you something.
Here's what's going on. So here's an account. It's called
Exclusively Organic Media on Instagram. Kay, it's a fat sheriff.

(24:46):
It's AI. He's got a buzz cut and he didn't
take any shit and everything is like every complaint he
starts with, I'm gonna just break it down for you.
He gives you, like something we've all complained about, and
he says, in this cant money, you go to jail
for that ship. I love it.

Speaker 8 (25:02):
So let me let me play this guy here, let
me hold on. Here we go for you, Here we go,
Here we go. We're gonna break it down for you.
When ordering ice cream, go ahead and ask for a sample.
You ask for several more. In this county, you are
going to jail. I'm gonna break it down for you.
An ordering ice cream, I'm gonna break in love. Hold on,
hold on, I'm gonna break it down for you. Pickleball
is most likely the new four square for adults. But

(25:23):
don't you dare say we are not athletes. If so,
in this county, you are going to jail.

Speaker 2 (25:27):
Okay, I'm gonna break it down for you.

Speaker 4 (25:29):
If we allow you to merge in front of us
in traffic and you don't give a simple hand gesture
to acknowledge us bold in this county, you are going
to jail. I'm gonna break it down for you. If
you are constantly mixing up there, there, and there. In
this county, we have standards, and you are going to jail.
I'm gonna break it down for you. When you hear
a banger of a song, come on, start clapping on

(25:50):
one and three. Nope, in this county, we roll two
and four and you are going to jail.

Speaker 2 (25:57):
Why do you like that one so much?

Speaker 3 (26:00):
It's the ludicrousness of a county sheriff complaining about people
being off rhythm.

Speaker 2 (26:05):
Yeah, that's right. There's one hundred of those. I can't
stop watching them. Right up, Brody, it's great, he says.

Speaker 3 (26:11):
Just a big old fat guy, you know, like probably
named Bubba, And he's like, let me tell you something.
If you do the ship but the Brooklyn boys don't
approve of in this county, you're going to jail.

Speaker 2 (26:21):
Like that's basically what it is in this county.

Speaker 3 (26:24):
All right, that's gonna have to i'might have to take
him and do one for the Brooklyn boys.

Speaker 2 (26:29):
Let me break it down for he's scary.

Speaker 3 (26:31):
If Brody does Ai jingles and you don't like him
in this county, you're.

Speaker 2 (26:34):
Going to jail, right to jail.

Speaker 3 (26:36):
Now, he's got merch, he's got merch. You can buy
merch from him, that says, let me break it down
for you. Well's speaking of merch. We didn't make. We
didn't sell one piece of merch in July of twenty
twenty because all we have is odd sizes left and stock.

Speaker 2 (26:50):
Gary.

Speaker 3 (26:51):
Yeah, no, Orry, that's not true.

Speaker 2 (26:53):
Really okay, also not helpful? All right? Well okay, well
go true go there. Brooklyn Boy is true.

Speaker 3 (26:59):
I merch Matt, and I confirmed that most of the
items there have all the sizes. Oh perfect. So if
that's the case, bag No, I didn't know that. So
if they're back in stock and you wanted to buy
something previously, go back to the merch store. The Brooklyn
Boys merchan store stuff was back in stock. But there's
plenty of stuff in stock in all the sizes.

Speaker 2 (27:20):
Okay.

Speaker 3 (27:21):
So if that's the case, go to Brooklyn Boys dot
Bigcartel dot com. That's Brooklyn Boys dot Bigcartel dot com.
And if you're new to the podcast, why not show
your support right away? Yeah, before you fall in love
with us, which you will. You're probably thinking, this is
the first I saw an ad for the Brooklyn Boys, which,
by the way, we have sponsored ads. Now, hey, you
know what, I don't know who these guys are.

Speaker 2 (27:41):
I love them.

Speaker 3 (27:41):
Those jingles Brody did fantastic. I'm gonna buy his shirt.
Maybe I'll get a shirt that says I love Brody's
new AI jingles. We don't have one of those yet.
Maybe I'll have AI create one.

Speaker 2 (27:50):
Maybe I will create one.

Speaker 3 (27:52):
You know what, if you don't buy our merchandise in
this county, you're going to go to jail. Now, I'd
like to know why you were so pissed off when
you called me yesterday. You were heated, you were so angry.
Something happened to you, Brodie at the doctor's office. Yeah,
what's going on?

Speaker 2 (28:10):
Happened?

Speaker 3 (28:11):
Because I haven't heard you to that at that level
of anger in a long time.

Speaker 2 (28:18):
You said, you know what, save it for the podcast.
I have to tell the story.

Speaker 3 (28:23):
So here you are.

Speaker 2 (28:25):
I'm gonna tell you right now. It ended. It ended.

Speaker 3 (28:27):
I cursed in a doctor's office. So here's what happened.
I have I twined something in my knee, in my
left knee playing pickleball. I may have strained my hamstring.
I did something that's causing me a little knee pain.
I've talked about it. I had my knee drained a
couple of times, right, so I went back to the
orthopedist and I felt like I needed to get my

(28:48):
knee drained again. He says, you know what, you have
a little pressure build up, but it's not from fluid.
You might have damaged something, nothing serious, but you should
get an MRI. Now, I've met my deductible for the year,
so anything I do between now and December thirty first
is freeol scary.

Speaker 2 (29:07):
If you'd like an MRI, I'll get you one, all
side free. Brody loves that word.

Speaker 3 (29:12):
Now, I don't like MRIs. I can't go in the tube.
I get claustrophobic in the tube. And now they have
ones there called open MRI where it's like being in
the middle of an ice cream sandwich. It's a round
disc on top of you and on a round platform,
and you get in and although it comes pretty close
to your head and your body, you can still look

(29:34):
out to the sides, so you're not as claustrophobic. But
I gotta be honest with you, I don't love that either,
because I feel like I can't sit up and I'm trapped.
That's just me. I don't like it. If I have
to do it, I don't like it. So about two
years ago I found a place that is new technology.
There are two things now that I don't know if

(29:54):
a lot of people know about. There's something called an
upright MRI, where you sit in a chair and you
watch television, and the MRI goes around you whatever area
it needs to go around you. So I was having
severe headaches a couple of years ago, and they put
a like a helmet on your head with a cage
in front of your face, and the MRI the machine

(30:17):
goes around your head, but it doesn't like go near
your face. Okay, you can watch television, you're sitting in
a chair, you're not in anything.

Speaker 2 (30:25):
It's terrific.

Speaker 3 (30:26):
And they have a new thing now called an extremity
MRI where you can stick your leg or your arm
into the machine and you don't have to put your
whole or or your penis.

Speaker 2 (30:36):
Scary, I know what you're saying. My mind went there
right away.

Speaker 3 (30:40):
Yes, yeah, right, so I'm like fantastic. So the place
I went to last time that has the open MRI
is maybe thirty five minutes south to where I live.
So I called the company that has twenty locations around
New Jersey and I said, listen, I need it upright MRI. Uh, well,

(31:01):
you have a prescription. Yes, great, I had it faxed over.
They said, where do you want to go? I said,
I got to have an upright MRI. I know it's extra,
but I'm already paid up so it's free. I want
the best, I want the upright MRI. I said, well,
we have a location in the one south of you,
and we also have one in UH one fifteen to twenty.

Speaker 2 (31:23):
Minutes west of you.

Speaker 3 (31:24):
I said, oh, I'll go to the one that's fifteen
minutes twelve. We'll call that Location two from the rest
of the story. So I said, okay, so I don't
have to go to Location one. Nope, Location two has
an upright and an extremity MRI.

Speaker 2 (31:36):
You're great, bye, You're in luck. So she's side.

Speaker 3 (31:40):
So I says, have them fax over the prescription. I'll
call you back when it's going. We're still by the
way in twenty twenty five, so medical companies have to
fax because because of hippo laws and emails being hacked,
they can't email prescriptions or medical records for that well,
that's why they leave voicemails sometimes with your permission, and

(32:01):
they can't leave it where anyone else that can have
access to your medical records anyway. So they called me
back and she says, I, we have you booked in
Location two for an open MRI. I said, no, no,
not an open MRI. I want an upright MRI. Oh right, okay, yeah, upright, MRI.

Speaker 2 (32:18):
Okay. She said, so you're all booked for last night.

Speaker 3 (32:25):
Yeah, at eight thirty at night. They close at nine thirty.
You're there at eight thirty. Great, okay. So I get
there at eight thirty and I go to the counter
and she says, I checks me in. She says, I
need you to fill out this form, these forms on
a tablet. She gives me the tablet with a pen
with a like a rubber thing on the end to
fill out this form. Now, when you handwrite a form,

(32:47):
it's fairly easy, but this is on a tablet and
it's fine, and you have to like hit the dots,
hit fill in the circles whatever. Sure, And there's like
a hundred questions and some of the questions repeat themselves
later on.

Speaker 2 (33:00):
So it's like, what surgeries have you had?

Speaker 3 (33:02):
So I list the five or six surgeries I've had
in my life, which I have to type on the tablet,
and then later on it says, what serious surgeries have
you had? Okay, I already listed those, so it doesn't
let me copy and paste. I gotta I gotta put
them all out again. And then it says, uh, what
are the symptoms that bring you here? So I fill

(33:24):
out all the symptoms, and then and then later on
in the survey, it says what symptoms will you be
having checked for in your MRI, Like same as the
ones I said I had symptoms of what else would
I be coming here for?

Speaker 2 (33:36):
So I fill out the whole thing.

Speaker 3 (33:37):
It's really annoying, and as I'm doing this, it's not
letting me hit submit. Every time I hit submit, it
says you must answer all the questions, but it doesn't
show me which ones I didn't answer. So okay, I'm scrolling. Okay,
So while I'm doing this, the woman next to me
comes up to the counter. Just hi, I'm here. I'm
checking in just oh, would you like a tablet or pay?

(33:58):
Per forms like I didn't get that choice. Oh sorry,
By the way, how does this result in you screaming
and yelling? I don't understand what's going on here. I'm
getting there, We'll get there faster, Yes, sir, sir, please
cranky bastard.

Speaker 2 (34:13):
I'm not cranky.

Speaker 3 (34:14):
I'm just like I want to hear a guy. Well,
let's move me through the day. You don't have to
go second by second, minute by minute talk to.

Speaker 2 (34:20):
Me right, okay.

Speaker 3 (34:21):
So the guy comes out. He says, uh, David Brodie.
I said, yep, so I walked him. He says, my
name is John, I'll be taking I'll be your MRI tech.
I said, fantastic, John, I'm very excited. And he walks
me in and I go into the into the room
and there is uh an open MRI machine.

Speaker 2 (34:37):
And I said, hey, John, I'm sorry, we must.

Speaker 3 (34:39):
Be in the wrong room. I'm here for the upright
MRI machine. He says, we don't have one of those.
I'm sorry, I'm sorry. What he says, Yeah, we only
have those in location one in the South South Jersey.
I said no, No, I made an appointment. I said,
well we don't. We don't have that here. I'm sorry,
So I said, mother, what a fucker? I don't know not,

(35:03):
I said, not you, So I will I walk out
of go excuse me? To the receptionist, I said, excuse me,
I just filled out a hundred question questionnaire on your
tablet and I find out now you don't have an
an upright MRI machine here.

Speaker 2 (35:17):
Oh, no, we don't. You don't.

Speaker 3 (35:19):
No, I made an appointment for an upright emmer. Well
you must have made it through Central Booking. She says, well,
we do have an extremity's MRI machine. Oh great, yeah,
but they don't work at night and it hasn't. Our
machine's been broken for three months, so we can't use
that anywhere. Oh wait, wait, wait, so I go, what

(35:41):
do you mean it's been broken for three months? I
did you tell the main office?

Speaker 6 (35:47):
Oh?

Speaker 3 (35:47):
I don't know. Well, if the machine's broken, did you
tell yet? You have twenty locations, does anyone? I don't understand,
I said. I came straight from I played pickleball last
night and I went right there eight at night. I
went to the mrire like, yeah, we can't help you.
So I'm like, great, just here, here's the main number. Again,

(36:09):
call them and reschedule immediately. Because there's a big weight
for the upright MRI machines. I had to wait two
weeks for an appointment and there was no there was
no machine.

Speaker 2 (36:19):
So well you got to cut the line now, right.

Speaker 3 (36:21):
No, So I call, I call up the main number
and I get I get Sylvia. Sylvia sounds like she's
a hundred. So I tell her what happened. I'm terribly sorry.
I'm gonna have to reschedule you. I said, okay, great,
but first I have to open up a new account
for you because all of our locations are separate.

Speaker 2 (36:41):
I said, what does that mean?

Speaker 3 (36:43):
That means I need to take your Location two account
and copy and paste each line into the form for
location one. So I have to go to location one
that they want to go to. It's just I saw
hold on one second. I said, okay, just let me
copy your name. Ok I gotta open up the other window. Okay, now,
let me go to this other window. I have to copy.

Speaker 2 (37:03):
You're talking out loud every every step of.

Speaker 3 (37:05):
The way, so I said, I said, I said, Sylvia,
I got it. I don't you go. I don't need
to know what you're doing. Well, I want you to
know that I'm taking care of it. No, I know
you're taking care of it. Okay, just all right. Let
me let me just close this tap.

Speaker 2 (37:15):
I go.

Speaker 3 (37:16):
Let you. I'm not stopping you. I mean, let you
just just do it, okay, And I have to. I
have to, okay, copy and paste your insurance.

Speaker 2 (37:24):
And I gotta go. And I hear her.

Speaker 3 (37:26):
She's doing the drop downs. She's not even doing like
control see control V. She's doing the drop down. By
the way, she doesn't want to foul this up. She
wants to make sure that she does it and she
gets you the right stuff, and you don't have to
do it because then you'll fill out the forms all
over again.

Speaker 2 (37:42):
Right, So.

Speaker 3 (37:44):
Just open open MRI copy I go No, no, not
an open m R. I an upright MRI. Oh that's right, yep.
Let me okay, let me there. Yeah, but she keeps saying,
let me like someone's stuck. Okay, let me just put
this here and let me just now let me here, admit,
I go. I'm not who's stopping you. I would submit.

Speaker 2 (38:05):
I wouldn't.

Speaker 3 (38:06):
I wouldn't interrupt her a train of thought. She might
fuck it up. I'm telling you, I said, let me
go through her process. If this is the way that
she does her work and her job, let be, I said, Sylvia,
do you want to put me on hold and come
back when you need me? No, I may have questions,
I said, Oh, okay, all right, now, let me continue.
I'm not stopping you, Sylvia. Now let me just let

(38:28):
me just do this, and let me let me do that,
and let me just okay, now I have to just
I have to now register it now. So I got
a I got an MRI appointment scary in two weeks,
all right, on a on a Monday night. So congratulations,
And we can't do slice time on that Monday, okay,
and so so help them. God if there's no upright
MRI machine there. I mean, guys, slic does this happen

(38:51):
to you where you're like you go to the doctor's
office and they're like, oh, the doctor, they don't have
the prescription, they don't have the they don't have the
thing for you. Like I couldn't have been more specific,
upright MRI? Yep, got it? How do you not know
your company only has them in one location? Yeah, oh yeah,
we'll send you to We'll send you to the one
in western New Jersey.

Speaker 2 (39:10):
No problem, Oh we don't have one of those. It
was like it was.

Speaker 3 (39:13):
Like, you know, okay, well, what you have the extreminity machine?

Speaker 2 (39:16):
Yeah?

Speaker 3 (39:17):
Has it worked in like three months? What am I in,
like small town Hickville. I can't get that from here now,
we don't have that. Come on, man, come on man.

Speaker 2 (39:25):
So yeah, I cursed.

Speaker 3 (39:27):
I cursed in front of john I feel Johnny apologize,
but I was like, no, fucking way, No fucking way, scary.
Something in my life has to work, has to happen,
happen and do like I sign up for.

Speaker 2 (39:39):
It's got a I'll tell you what.

Speaker 3 (39:41):
I'll tell you what though, when we come back from commercial,
when we play one of my rejoints.

Speaker 2 (39:45):
Coming back from commercial, Oh, we're gonna do another one
of those, another one of those.

Speaker 3 (39:49):
I'll tell you what happened to me in a restaurant
that went wrong but then went.

Speaker 2 (39:52):
Very very right.

Speaker 3 (39:53):
Ooh, the tease.

Speaker 2 (39:57):
With Scary and Brodie not Scary.

Speaker 3 (40:00):
Before I tell you what happened at that restaurant, I
want to tell you. Oh, isn't it great how we
came back without the rejoint. I guess we didn't need it. Uh,
let's start again.

Speaker 2 (40:10):
No, we don't have to start again. We're good. We'll
do it next time.

Speaker 5 (40:13):
I know what.

Speaker 3 (40:13):
No, the next break, we'll come back with a rejo
I'm you're not playing it?

Speaker 2 (40:19):
So I was.

Speaker 1 (40:20):
I was that.

Speaker 3 (40:20):
You know, I love you know, I love you know.
I love Tommy's Tavern and Tap. You know I love
that place. I know you're a big fan and I
go there all the time. Well, they have they have
summer not summer. They have seasonal specialty menus and I
really really liked the one for the spring, and I
love the fall one with the turkey gobbler with the
stuffing and the marshmallow sauce.

Speaker 2 (40:42):
I can't wait. Are you getting? Is this a David
Brody commercial here? What's going on here?

Speaker 3 (40:50):
What's the paying right?

Speaker 2 (40:52):
They're not paying me? No, they're not paying me?

Speaker 3 (40:53):
Is that a commercial? An appropriate endorsement? No, I've been
not excited. No, I I trust you. I'm not making
any money in life. Okay, okay, so they have they
have a new item, scary. It's a it's a roast
beef sandwich on it's a roast beef panini. But it
says whatever the ingredients saw like roast beef and cheese

(41:14):
and panini. And it says covered in Alabama white sauce.

Speaker 2 (41:20):
That sounds slang for jizz.

Speaker 3 (41:22):
Yeah yeah, how awful? Is that sound like she got
a whole load of Alabama white sauce? If you know
what I'm saying, it's terrible?

Speaker 2 (41:33):
Is that a thing?

Speaker 3 (41:34):
Hold on a second, now, now you got me, Now,
hold on, I'm gonna I'm gonna I'm gonna read to
you what it is, but we haven't written down in
front of me there, No, don't ask A. I thought
you don't like A. I'm gonna tell you so.

Speaker 2 (41:48):
But I mean, think about how nasty that sounds. You know,
it's filthy.

Speaker 3 (41:52):
It sounds filthy, but I think it was also named
that way on purpose to sound that way. You think,
like like if a girl goes to dinner like like, ugh,
I was out to dinner with this guy and I
got my dress covered in Alabama white sauce exactly. Alabama
white sauce is a mayonnaise based barbecue sauce originating from
North Alabama, known for its tangy and creamy flavor. It's

(42:14):
a distinctive condiment often used on smoke chicken, but versatile
enough for other meats, vegetables, and even as a salad dressing.
The core ingredients are mayonnaise, vinegar, typically apple sided vinegar, horseradish,
lemon juice, black pepper often added for extra flavor, and
a touch of heat. That sounds awful, awful, awful. I

(42:37):
actually would try it. See, I'm I'm more adventurous than you. Well,
you're a guy who's put Zeman on his face, aren't
you come on exactly. Hi. Oh no, that's what I'm saying.
So okay, So I want to tell you about the
dinner I went to. So my friend and I we

(43:00):
went to this restaurant we hadn't been to before, and
they had a lot of a lot of food we
liked a lot of food we liked. So the appetizers
were really good. So they're like, oh, you want to
get the meatballs or the rice balls? Like, well, he
wants the meatballs. So I said, well, all right, I
really wanted the rice balls, but all right, we'll get

(43:21):
the meatballs. And you know what this place is known
for their their their coal fired pizza. Why don't we
split a sausage pizza. He said, oh yeah, let's get
the meatball appetizer and we'll split the sausage pizza.

Speaker 2 (43:34):
Fantastic.

Speaker 3 (43:36):
The waiter comes over, very friendly guy, and he says, hey,
how you doing. I'll take your order in a few minutes.
I'll give you some time. I just want to let
you know that the pizza oven's not working tonight. Yeah,
but we came here for the pizza. Yeah we can't.
You're famous for the coal fired pizza ovens. Like, yeah,
the pizza ovens down. I'm really sorry, so I said,

(43:59):
I said, we just had a whole thing. We were
going to order the rice balls of the meat balls.
So we're ordering the meat balls and now we wanted
the pizza. I said, Oh man, I'm just you know,
it's just one of a typical. It's just typical me.
He says, Hey, you know what I said. I feel terrible.
Here's what I'm gonna do. I'm going to give you
a few extra minutes to think about what you want,
and I'm going to bring you in order rice balls

(44:20):
on the house.

Speaker 2 (44:21):
Oh isn't that great?

Speaker 3 (44:25):
So while you wait, here's some free rice balls because
the pizza oven was down.

Speaker 2 (44:29):
Yep.

Speaker 3 (44:30):
Brought them out in like five minutes. Now that that
right there? Okay that I like rice balls. They were
crispy on the outside, miniature ones like maybe the size
of a tennis ball a golf ball, and uh you know,
rice in them, and a beautiful, a really good red
sauce over the top.

Speaker 2 (44:45):
Very very excited over they should do that.

Speaker 3 (44:50):
Didn't even wait for free dessert. He's like free appetizer.
So shout out to Box Car Grill in Short Hills,
New Jersey. All right, box car, Well you not Tommy's
tavern and tap huh, No, I needed a night off
for her. I loved tom okay, but a box car
wasn't expensive and more importantly, my friend would put it

(45:10):
on his expense accounts. I don't have to pay for that.
The whole night was free, but there was still for me.
It was free, but you know, free rice balls. That's
a great waiter. So we did very We tipped them, very,
very nicely.

Speaker 2 (45:20):
So I wanted to bring this up.

Speaker 3 (45:23):
I can't mention names on this one because it's just
way too close to the vest. So we have a
friend who is dating someone now for a long time,
I mean months and months, okay, but yet we have
never seen her.

Speaker 2 (45:43):
We only have heard of her. We know her name, We.

Speaker 3 (45:48):
Know that that they've been on vacation together, my friend
and this girl that he's with, and uh, we have
now all conspired, we've all talked behind his back and said,

(46:09):
we've come to the conclusion and maybe it's maybe it's
the wrong.

Speaker 2 (46:13):
Conclusion, but we've we've come to the conclusion that she
ugly because or she doesn't exist.

Speaker 3 (46:22):
She doesn't We're assuming she does exist because there's no
way that he's gone on vacations with her without.

Speaker 2 (46:29):
Wait a minute, he doesn't post any pictures. Never they
that he doesn't post her at all.

Speaker 3 (46:34):
And now unless it's unless he's dating a man, which
which is a whole, a whole other level. But we
don't think that's the case.

Speaker 2 (46:45):
Anything wrong with that.

Speaker 3 (46:46):
No, not there that there is anything wrong with it,
and not that there's anything wrong with him dating an
ugly girl.

Speaker 2 (46:51):
But is it wrong for.

Speaker 3 (46:52):
Us to assume that because because he a has not
brought her around to any of the friend group stuff. Yeah,
he'd be showing off the eye candy, I would imagine,
like we would never like, he's never brought her to
a party, a function, and he's had plenty of opportunity
to do that where there's going to be mixed company,

(47:12):
where there's gonna be other women in the room. You know, like, oh,
it's a perfect opportunity. You know a lot of times
you just you don't want to be with your boys.
But there's been some situations clearly where it's like bring
au plus one and he chose not to. So we're
trying to figure out what's going on here under the hood.
We we suspect that he's not proud of her, in fact,

(47:36):
maybe bored and wine embarrassed by her, so much so
that he doesn't know he refuses to bring her around
into the fold. We've never seen pictures anytime. I've now,
wait a minute, I've been with him, and I've asked
for a picture of her. He doesn't. He's like, no,
I don't have anything. We don't we don't, ye know,
we haven't been taken any pictures.

Speaker 2 (47:56):
It's weird.

Speaker 3 (47:56):
It's weird, bro, how would you ask for him? By
the way, asking for a picture of his girl friend's
kind of weird.

Speaker 4 (48:00):
No.

Speaker 3 (48:01):
She's like, hey, show me the girl you're dating. Like
in the beginning, when they were dating. I'm like, oh,
that's so cool. Okay, the picture. But not since you've
realized he's hiding.

Speaker 2 (48:09):
What's her Instagram? Nothing?

Speaker 3 (48:11):
Yeah, well she's not on Instagram if you're her. Aren't
you curious as to why you're not meeting your boy's
friends that too, yes, or why you don't post pictures together.

Speaker 2 (48:24):
Wondering the same picture. Is your boy attractive?

Speaker 3 (48:28):
Yeah, he's a good looking guy. Do you think she's
posting pictures with him because he's a step up, but
he's not posting like wouldn't you be like, well, honey,
why aren't you posting pictures of us? Or do you
think she knows she's not attractive? So she's like, I
get it. It's it's just we've never we've never seen
her in pictures. We've never and she doesn't live in

(48:49):
the Niagara Falls area. She's not like living the far.

Speaker 2 (48:51):
Away where we're like, oh, we.

Speaker 3 (48:53):
Never and we never, we never met her and we
don't know if we ever will. But you know her name,
her first name?

Speaker 1 (48:59):
Ah?

Speaker 2 (49:00):
Uh no, no, oh wait, yes, we do know the name.
We do know that. I can't give all that stuff.

Speaker 3 (49:05):
Out, but any okay, any and I don't know the person,
but is there a chance the woman is older and
her name is Sylvia and she likes to copy and paste?

Speaker 2 (49:14):
What do you mean? Did you not listen to the
podcast earlier on Oh gotcha? Gotcha? Yeah?

Speaker 3 (49:19):
No, no, earlier from earlier in this podcast that was
a recall ladies and gentlemen. That's the call back. That's
that's the doctor's office Central booking.

Speaker 2 (49:28):
Yeah joke.

Speaker 3 (49:29):
Anyway, Uh so, yeah, I don't know, man, Is it
another one of your friends who's in love with an
AI girl. No, no, no, he definitely spends quality time
because there's definitely times where we're trying to hang out
and he's not around. If that's what, if that's his scam, Well,
he doesn't want to hang out with you. He's like,
I'm with with my girl. So either I'm having this,

(49:51):
we're having the sex. Unless she doesn't want to meet
us and she's like she wants Maybe she wants him,
Maybe she's super possessive and wants him all to herself.

Speaker 2 (50:02):
Let me ask you a question.

Speaker 3 (50:03):
It could be that how long ago did he date
the girl before the one he's dating now?

Speaker 2 (50:08):
About six months? Okay? And did you meet her? Yes?
And did you guys?

Speaker 3 (50:15):
Yes, in fact, in fact she was Yeah, she was
paraded around, uh prominently. Okay, But did you guys say
inappropriate things in front of her? Did you make that
last girlfriend uncomfortable? Did any of your friend group have
try to hit on her or have sex?

Speaker 2 (50:30):
Did sex?

Speaker 3 (50:31):
Did sex on the way Dave try to like make
with this guy's last girl?

Speaker 1 (50:34):
No?

Speaker 2 (50:34):
No, no, no, no no, no, we did. None of us.

Speaker 3 (50:37):
Everyone was everyone was buttoned up, everyone was everyone was
on their best behavior. We we tend to be that
way around each other's. Well, you're always buy them. Now,
did you buy his last girlfriend dinner once she went
out with you guys? Actually no, no, we all we
all chip in couples. You know how couples are.

Speaker 2 (50:57):
We just pay. Each guy pays and the ladies don't.

Speaker 3 (51:00):
But anyway, that said, it's it's in previous girlfriends he's had.
It's been very quick to like, hey, yeah, so something's wrong,
something's wrong, something is just not But I'm he's I'm
beginning to think he's he's hiding her from us at

(51:20):
this point, he's like he's actively hiding her.

Speaker 2 (51:24):
I don't know, and I don't know what to say.

Speaker 3 (51:26):
I don't know.

Speaker 2 (51:26):
I don't want to blow the lid off of it.
I don't wanna.

Speaker 3 (51:28):
I don't want to confront him point blank. So why
haven't we met your girlfriend? Like it's I mean, it's rude,
but no, but you can say, so, when do we
get to meet Sarah whatever her name is? Like, so
when did we get to meet to Sarah? Who's making
you so happy?

Speaker 4 (51:42):
Like this?

Speaker 3 (51:42):
Ways you could say it, there's gonna be we should
hang out? Yeah, all right, Well you know what, you know,
what you do? You say something like, oh, you know
what does your girlfriend like Italian food? Oh? She does. Hey,
we're all going couples to this new Italian restaurant. Let's
all go, like find out something that she's into. And
then jest that you guys do that. And then if
he says she's she's a dog, at least at least

(52:08):
in his eyes, Like, I don't, I don't care what
she looks like, but obviously he might, so I don't know.
I'm trying to tell all my friends you we're being
fucking obnoxious for just assuming that she's a fugly and
then and then let me know what my friends are like, Nope, nope.
They are convinced that he's hiding her because he's ashamed

(52:29):
of her. And I'm trying to give him the benefit
of the doubt, but it's they're losing me. He's losing
me really quick. Let me ask you a question. You
guys are all that he says, I'm bringing my girl
to dinner. Yeah, the other four couples already at the table.
Scary Jones gets a round table, but you're all pretty
much facing the door, and he walks in with his girlfriend.

(52:51):
Is your face more shocked on? Look on your face?
If she's ugly or if she's hot at this point
this point, yes, if she's ugly, but she's ugly, would
you subconsciously make the face of new enough because you're
if you're with a dime piece, you're parading that around
any chance you get, just.

Speaker 6 (53:12):
Say it's the Boys podcast, the Brooklyn Boys Podcast.

Speaker 3 (53:29):
Yeah we're back.

Speaker 2 (53:31):
It's the brook Boys Podcast.

Speaker 3 (53:32):
Yeah that sounded awesome.

Speaker 7 (53:34):
You at that one.

Speaker 2 (53:35):
I love that one.

Speaker 3 (53:36):
All right, all right, some of these pro baby there
may be a couple that are usable, a couple out
of the like all of them. Yeah, no, no, that
sky one has to go. All right, Okay, Hey, I
told you about the Alabama White Sauce. Uh huh. I
hope all the slices hear this episode before you all
send this to me, because I know you guys will
send it to me. This just came out yesterday or

(54:00):
the day before in Chicago as of I think it
was yesterday, So.

Speaker 2 (54:04):
I'm telling you you don't need to send it to me.

Speaker 3 (54:06):
I got it. I'm gonna tell you. The ingredient's scary. Ready,
it's a noose. It's a new smoothie offered for a
limited time only in Chicago at Smoothie King. Okay, the
ingredients are asai sorbet or as people who don't know
how to pronounce it, a kai apple juice, strawberries, raspberries,

(54:31):
and heinz ketchup.

Speaker 2 (54:33):
It's a ketchup smoothie.

Speaker 3 (54:39):
No thank you, no fucking way, bro, that's cross lines
ketchup smoothie. You know what, I gotta call our boy,
Brian Phillips. He's in Chicago right now. I'm gonna tell
them go over to Smoothie King. Okay, tell me do that,
and then I have and I have, I have a
fun little dessert that that they were he saying that

(55:00):
I want to see if you would, if you would
drink it or eating?

Speaker 2 (55:03):
Hold on, is it? Is it by a company with
an F?

Speaker 3 (55:06):
Is it this?

Speaker 2 (55:07):
Yeah?

Speaker 3 (55:07):
It is?

Speaker 6 (55:08):
Yeah?

Speaker 2 (55:08):
Yeah, Yeah, that's what I'll do next.

Speaker 3 (55:09):
That's what I'm gonna do that. I was gonna do
that one, but okay, well hold on, let's let's let's
call Brian Philips really quickly. Let me see if he's
had this boy came out yesterday is toilet Brian.

Speaker 2 (55:21):
I'm gonna I'm gonna'm gonna give him the assignment. I'm
gonna give him yesterday, I'll give him assignment. Okay, Yeah,
we're gonna give him assignment.

Speaker 6 (55:28):
Brough.

Speaker 2 (55:29):
This is toilet Brian who falls asleep on the toilet. Yeah,
let's let's see. Is he on the radio on maybe
on the air, I don't know. We're gonna see.

Speaker 3 (55:39):
Hear me.

Speaker 2 (55:39):
Hey, Brian, what's up, dude?

Speaker 3 (55:42):
I'm off today, but my brother, I'm actually on the
architecture tour right now.

Speaker 2 (55:48):
Okay, is that why it's so loud?

Speaker 3 (55:50):
Yeah, I'm actually literally on the right now. Turn that
down whatever that is. Or they're speaking and they're giving
you a tour. Now, that's you know, that's that's the
short guy. Tell them that that we're doing a live
podcast hearing the shot Chicago. We're gonna make this very quick.

(56:12):
I need you to say, Brian, I need you. I
need you to go to a Smoothie King and get
the new Heines catch up Smoothie and tell us who
it is.

Speaker 2 (56:22):
It's only available in Chicago.

Speaker 3 (56:24):
That Smoothy King that sounds awful window, Yes, it sounds awful,
just got released yesterday. It's it's a new smooth from
Smoothie King. It's the Hines. Catch up Smoothie right now. Okay,
look all right, very good, look for video of me
growing up.

Speaker 6 (56:46):
That's great.

Speaker 3 (56:47):
Yeah, that'd be great. I'm I'm vomiting thinking about it.

Speaker 2 (56:50):
Okay, perfectly.

Speaker 3 (56:52):
It has berries in it too, so's we'll catch it
catch later when you're not on alluding tour. Okay, I
want a tour right now. Timing is everything.

Speaker 2 (57:01):
I love you. Take care?

Speaker 3 (57:04):
Oh shit, he he lives in Chicago.

Speaker 2 (57:06):
What is he going on a tour from Chicago for?
In the river less?

Speaker 5 (57:10):
Over here, there's a building built in nineteen twenty five.
It was inspired by the great French building, La Fa Laflor.
And there over there you'll see that building is from
eighteen oh five, inspired by the great Spanish building, a.

Speaker 2 (57:25):
Capac la Claw. That's great.

Speaker 3 (57:30):
So architecture tour all right now, Listen, Chicago's a beautiful city.
But it benefited from the fact that burned down and
they rebuilt it, so it's it's actually a newer city
than it could have been. Yes, all right, now the
other thing, yeah, all right, let's talk about it. All right,
We're just gonna go We're we're gonna go right for

(57:52):
the jugular. They're coming out with breast milk flavored ice cream.
It's out already, company called Freda fri Id.

Speaker 2 (58:00):
That is correct.

Speaker 3 (58:01):
Here is how the company describes describes their product. Yeah, sweet,
a little salty, smooth, with hints of honey and sprinkles
of colostrum and features a distinct colostrum yellow tinge. Right now,
Colostrum is one of the things that you find in

(58:23):
breast milk. So the cow milk, in cow's breast milk,
in the breast milk of a cow.

Speaker 6 (58:29):
Yes.

Speaker 3 (58:30):
So there are companies that I had the audio for
on the phone that died.

Speaker 2 (58:34):
I don't have that audio anymore.

Speaker 3 (58:35):
There's a company I'm not gonna get, not gonna credit
the company, but they sell collect you buy that Lion's
main mushroom shit.

Speaker 2 (58:41):
Yep.

Speaker 3 (58:42):
There's a company that sells colostrum pills or whatever, and
it's high in colostrum. It's the stuff they take off
the top of the it's the stuff they filter out
of the milk that you shouldn't drink from that's designed
for baby cows. They take that off the top and
they sell it to humans and they tell you it's

(59:03):
good for you slices. Don't leave me talkbacks. I don't
want to medical. Sorry, I'm just telling you what it
is now.

Speaker 2 (59:09):
So this freedom.

Speaker 3 (59:10):
These pints of ice cream that have gone viral there,
you can buy them online. You just google fr I
d A and they say that it's it tastes great,
but but it's not really breast milk because it's they
have the colostrum in there, but it's nust milk. It's
not human breast milk that they squirt into the fucking

(59:31):
thing and freeze and mix and make ice cream out of.
So my question to you, David Brody, is would you
try freeda breast milk flavored ice cream. I think it's
a gimmick. My answer is straight ahead, yes, bring it on.
In fact, make me a shake, if you know what
I'm saying, Make me a milkshake. Make make me a

(59:54):
motor boat. So I'll say, I like the name of
the company because Freda. It sounds like it's free to try,
free to sample, free to eat.

Speaker 2 (01:00:03):
So I like that point. There's nothing free about it.

Speaker 3 (01:00:05):
In fact, I'm proble. I'm sure you're gonna pay a
premium because it's breast milk.

Speaker 2 (01:00:09):
I am not eating it.

Speaker 3 (01:00:10):
I don't want to taste it. I don't want the coloring.
I don't want it.

Speaker 2 (01:00:14):
But it's not real.

Speaker 3 (01:00:16):
It mimics listen, it mimics breast milk, but it's not
breast milk. Look, I know in the grand scheme of
things that human beings drinking from anything that comes out
of cow's tits and being grossed out by human tits,
you know, breasts. Excuse me, teats is weird. It's weird
to begin with that we drink another animal's milk.

Speaker 2 (01:00:36):
I get it.

Speaker 3 (01:00:36):
But when I pour a glass of milk, or I
use milk in a recipe, I like to imagine it's
just milk. I don't think about where it comes from.
It comes from the carton. I put chocolate in it.
I eat ice cream, and by the way, I went
to a new ice cream place called Van Lewin's ice Cream.
There's nothing more about it. By the way, it's been
around for several years. No, no, no, no, a new location.

(01:00:57):
Oh I'm sorry, I meant a new location. I know
it's been around a while, but I never tried it
because it just opened up in an area I was at.

Speaker 2 (01:01:03):
It's fantastic Okay, my god, the blueberry pie.

Speaker 3 (01:01:05):
All right, okay, okay, now back to that, I said,
back to here is t milk here? Hey, hey, hey, hey,
listen up, I said, tea diet ice cream.

Speaker 2 (01:01:15):
Listen.

Speaker 3 (01:01:16):
Here's the ingredient list. Milk, heavy cream, skim milk powder, oh,
skim milk powder, sorry, sugar, dextros, egg yolks, invert sugar,
guar gum, salted caramel, flavoring, honey syrup, LiPo, samal, bovine colostrum,
and yellow food color number one one okay, and red forty.

Speaker 2 (01:01:38):
So you know why I would. I'll tell you what.

Speaker 3 (01:01:41):
What sucks in here is the food coloring and dextrose
and guar gum. That's the reason that I wouldn't drink
that wouldn't eat it for those reasons. But the bovine colostrum. Listen,
it's mind over matter. You're not drinking breast milk. You're
drinking from a cow, just like you always like all
of your milk, most of your milk, so you have

(01:02:03):
nothing to worry about. So you're you're avoiding it for
no reason. You don't, you're not You're not with me
on this. You I can't. I can't slices. You can't
get an old dog to try new tricks.

Speaker 2 (01:02:17):
You can't.

Speaker 3 (01:02:18):
David Brodie, I'm not. I'm not an old dog. But
I'll tell you why. There are people who object to this,
and I'll tell you why they object to why.

Speaker 2 (01:02:24):
Let me let me tell you what. Nope.

Speaker 3 (01:02:28):
Colostrum is a nutrient dense fluid that is released from
the breast of mammals after they give birth for the
purpose of providing nourishment and certain nutrients to the young.

Speaker 2 (01:02:38):
Okay, it is very specific.

Speaker 3 (01:02:40):
It's like it's like it's like pre ejaculate is very
high in the you know, the DNA. Yeah, this is
the good stuff. This is the stuff that comes out
first that the baby needs. So they're taking it from
pregnant cows that just gave birth and instead of giving
it to the babies that need it. That make an
ice cream face you there, You don't know what they're

(01:03:01):
using for. Scary, scary. I just told you what they're
using it for. They're putting it in the ice cream.
But who's to say that they're not producing it for
the baby cows as well? So what is this controversial
all of a sudden? Yeah, Well, I'm telling you why
some people have I'm telling you why some people have objected.
I'm not saying why I object. Oh you know what,
Fuck that crowd. There's snowflakes. There's snowflakes. You're saying is

(01:03:22):
not fuck that crowd. Fuck that calf, is what you're saying.

Speaker 2 (01:03:25):
I'm telling you, I got the.

Speaker 3 (01:03:26):
Snowflake jingle forum. To those who would object, it's snowing
in the control room again, snowflakes. Only a snowflake would
complain about that. There's nothing to complain about. There's nothing

(01:03:47):
to be angry about. And and I'm just trying to
get you on board to potentially try it because it's
not real. It mimics breast milk. There's nothing human about it.
It's all from a calf and colosstrum is nothing that
you should ask your question, voice your question. If they
made it out of human breast milk, would you try it?

Speaker 2 (01:04:10):
I might be a little bit more recalcitrant.

Speaker 3 (01:04:14):
Oh, racalcitrant. That's that they take that from the giraffe.
Calcitrin comes from giraffe milk. I might think twice. Would
you would you eat it if it came from horse milk? Well,
horses don't produce milk for ice cream, so probably not. Okay,
all the usual suspects, I'm there, okay, goat, goats milk,

(01:04:35):
goats milk, yeah, I'm there, yea, yeah, sheep.

Speaker 2 (01:04:38):
Milk, sheep milk, I'm there, okay, cow's milk.

Speaker 3 (01:04:41):
What about?

Speaker 2 (01:04:41):
What about ox milk? You'll be found with ox milk
and buffalo milk, ox milk and buffalo milk.

Speaker 3 (01:04:46):
I don't know. Buffalo do we do Buffalo milk?

Speaker 2 (01:04:48):
I think we we do?

Speaker 3 (01:04:49):
Buffalo burgers, no, give milk they do do? Yes, Buffalo
specifically water Buffalo, I guess, yeah, yeah, yeah, Buffalo, the
flo Mucenella, Buffalo, Ufelo Soldiers, Buffalo motz.

Speaker 2 (01:05:03):
Yeah, I'd be okay.

Speaker 3 (01:05:05):
Any of these, listen, anything that normally produces milk that
we consume, I would. I would definitely try a frozen
product from that. Would you do kangaroo milk? Probably not,
I don't know. But human breast milk, I don't know,
probably not, I don't think so. But this, in this case,
it's all about the tidle breast milk ice cream. So

(01:05:28):
people get excited because you know, it's it's a name thing.
It you know, it's triggering. All right, all right, I
think we've seen enough here. Here's my last one. Would
you eat breast milk ice cream from a monkey?

Speaker 2 (01:05:45):
No?

Speaker 3 (01:05:47):
Why they're the closest thing to humans. No, because you're
not used to drinking their milk. It could have other
crap and what of it had no crap in it. Whatever,
It was totally healthy.

Speaker 2 (01:05:57):
Probably not. No, it doesn't sound appetizing.

Speaker 3 (01:06:00):
You can have a banana shake right from the with
the monkey taking the banana, the monkey and then anyway
banana banana.

Speaker 2 (01:06:05):
You wouldn't do monkey milk?

Speaker 3 (01:06:06):
No, monkey great? What a great chain of restaurants like
monkey milk Monkey milk. No, I'm out somebody let me
say something. Somebody on TikTok is gonna drink monkey milk
and make it a monkey milk challenge.

Speaker 2 (01:06:16):
It's gonna become a big thing. Dude. Even the name
is like monkey milk. It sounds terrific.

Speaker 3 (01:06:20):
I think I think we should buy some free to
ice cream breast milk ice cream and try it. It's
no biggie, a little lape juice e juice, and just
know that that yellow tinge is coming from yellow number
five and fucking red forty.

Speaker 2 (01:06:34):
How about this.

Speaker 3 (01:06:34):
For marketing, you need to rush down to your supermarket
and get the new drink, The Thriller from the Gorilla.

Speaker 2 (01:06:40):
What an old reference.

Speaker 3 (01:06:43):
That's the Thriller from Manila. Oh my god, Gorilla the
Monkey Milk for Everybody

Speaker 2 (01:06:52):
Byeye four