Bobby goes down a Stephen King rabbit hole after watching "The Life of Chuck" and realizing how many movies King wrote or inspired that he didn’t even know were Stephen King and he shares the titles that surprised him most. The conversation also hits on what everyone’s currently watching, including a quick detour into a new show Brandon’s starting and a documentary that gets the room talking. Then it flips into concert talk with a rapid-fire questionnaire: best live shows, what it’s like seeing an artist from the very front row, and the painful question of who's an artist you loved until you finally saw them live. They wrap by breaking down the easiest ways to ruin a concert fast, from bad sound to drunk people to the little crowd habits that can kill the vibe for everyone.
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:07):
Hey, welcome to episode five sixty eight. We're gonna talk
about concerts. In a second, we'll do a concert questionnaire.
I got Eddie and Brandon Ray here, but I wanted
to start because I watched that movie Life of Chuck.
You haven't seen it yet.
Speaker 2 (00:19):
I have not seen it yet. I haven't.
Speaker 3 (00:20):
I saw your posts and I looked it up. It
looks super interesting.
Speaker 1 (00:23):
You haven't seen it.
Speaker 2 (00:24):
I haven't.
Speaker 1 (00:25):
Okay, I'm not even telling anything about it. But Stephen
King wrote the original, which is a short story, and
so I looked up all of the Stephen King movie adaptations,
and I think of Stephen King as someone who writes
scary movies. Horror.
Speaker 2 (00:40):
Yeah, horror movies he does. But not no, dude, I've
seen think lists like this too, where I'm like, wow,
he wrote that.
Speaker 1 (00:50):
So and I can roll down some of these here
Stephen King wrote, and I'm just gonna go in order.
He wrote Shawshank Redemption.
Speaker 2 (00:56):
Yep, that was the one I was shocked at.
Speaker 1 (00:58):
And I think the original the name of it isn't
Shawshank Redemption. It's like the Shawshank Redemption of some woman. Yes,
another short story, I believe. Yeah, it is a short
that's yeah. The Shawshank Redemption is it number one? Stand
By Me is at number two, crazy, one of my favorites,
highest rated. I just don't think of Stephen King as
(01:18):
someone who writes stand by Me or Shawshank Redemption type things,
because it's always Kujo, Children of the Corn, it and so.
But either at the it's as well. Yeahh the Green Mile,
which is not horror? Did you know? I didn't know that.
I think I had heard that, but I don't know
I would have listed it.
Speaker 2 (01:38):
I don't.
Speaker 1 (01:38):
I couldn't recall that The Shining and Misery or at four.
Speaker 2 (01:41):
And five, those are horror movies.
Speaker 1 (01:44):
It at six, doctor Sleep, I don't know what that is.
Speaker 4 (01:47):
Mike saw that the sequel to The Shining.
Speaker 1 (01:51):
Oh, so it's also scary, Carrie, is it a that's scary?
Fourteen oh eight? That's from a short story Dolores Claiborne.
That movie was crazy?
Speaker 3 (02:02):
What John Cusack Delors Claiborne, Oh, fourteen o eight. I'm sorry, Oh,
I don't know.
Speaker 1 (02:08):
We moved on past that. So what's fourteen oh eight?
Speaker 3 (02:10):
It's with John Cusack. Basically he's he's in this hotel room.
It's a haunted hotel room and all this crazy stuff
happens in it. I'm sorry, I thought we were still
but keep going. Yeah, it's scary, but it's like the
one of the wildest movies I've ever seen.
Speaker 1 (02:26):
Delores Claiborne. That sounds like the singer of the Cranberries.
Speaker 5 (02:30):
Oh, Delores Aroor or whatever her name is. What I
was thinking Delores from Silence of the Lambs. But he
didn't write that is Oh, that's what it is, Deloris.
Speaker 2 (02:44):
That's the that's the Spanish version.
Speaker 1 (02:47):
It is so Stephen King has written so many freaking
things that aren't horror, including the Life of Chuck.
Speaker 2 (02:54):
Yes, oh yeah, he wrote that too.
Speaker 1 (02:55):
He wrote The Long Walk, which also came out last year.
Is great. It was a movie where they have to
keep walking. If they stop walking, they get shot.
Speaker 2 (03:02):
Oh yeah, that's cool.
Speaker 1 (03:05):
Big shout out of Stephen King.
Speaker 4 (03:07):
That's all.
Speaker 1 (03:07):
I just want to start this big shout of Stephen King.
Speaker 2 (03:09):
Do you remember the movie about the old car.
Speaker 1 (03:13):
Herbie the Lovebug.
Speaker 2 (03:14):
No, No, I think it was. It's like an old
fifties car. Oh Christine, Christine, dude, that's an awesome movie,
Like the car turns to life. You know, and every
time it like wakes up, it plays fifties music, creepy man,
does it kill? It runs over people?
Speaker 1 (03:33):
It does kill, it kills. Yeah, it's like that, and
it feels like that's like I get a high rating. Though,
like any car that ever like turns human, I feel
like they really don't get the benefit of the doubt
when it comes to ratings, Like.
Speaker 2 (03:44):
The radio turns on and it's playing like rock and Robin.
Speaker 1 (03:48):
Tweet and then killing people.
Speaker 2 (03:51):
Yeah, dude, it's awesome.
Speaker 1 (03:52):
I also looked up because I was kind of surprised
about how many things Stephen King wrote that turn into
movies that I've seen that I didn't realize were Stephen
King because I just associate all horror with him. What
do you think now, remove Stephen King, all authors adaptations
from books to movies. What do you think the biggest
of all time?
Speaker 3 (04:10):
Is?
Speaker 2 (04:11):
The first that comes to my mind is John Grisham.
John grisha Yeah, like he did The Firm, he did
Pelican Brief, a lot of those nineties lawyer movies.
Speaker 4 (04:23):
Mike, you know, now, I don't put money on Stephen King.
Speaker 1 (04:27):
Harry Potter.
Speaker 2 (04:28):
Oh, dang makes sense, Yeah, it does make sense.
Speaker 1 (04:33):
One point three, four billion dollars, Harry Potter and the
Deathly Hallows and number one, number two Stephen King, no
book adaptations. The Lord of the Rings, of course, made
over a billion dollars.
Speaker 2 (04:45):
Yes, number three, Okay, I got this one.
Speaker 1 (04:49):
Hunger Games, Jurassic Park, dang it. Whoa Michael Crichton made
over a billion dollars. Harry Potter at four, the Hobbit
at five, and the Hobbit is Lord of the Rings. Yeah,
m hm. At number six, you're not guessing it's it's
not stim King. So uh, this is something that's very,
very very old. I would have thought like eighteen hundreds,
(05:11):
but apparently I don't know, maybe it.
Speaker 2 (05:13):
Is something very old.
Speaker 1 (05:15):
The sake Shakespeare, Alice in Wonderland. I'm not sure when
Alison went only came out, but Lewis Carroll wrote it
has made over a billion dollars.
Speaker 2 (05:24):
Yeah, I would guess Alison wonder is probably this.
Speaker 1 (05:26):
You don't have to guess. You have a computer over there.
Speaker 4 (05:28):
Yeah, eighteen sixty five what I.
Speaker 1 (05:31):
Would have guessed. The eighteen hundreds.
Speaker 2 (05:32):
I was going to guess nineteen sixty.
Speaker 1 (05:34):
Oh, you'd missed that by one hundred, by lot. The
da Vinci Code at seven? Yeah, who was Dan Brown?
Speaker 2 (05:40):
Dan Brown?
Speaker 1 (05:41):
Seven hundred and sixty million. Now finally worthy your boy
Stephen King?
Speaker 2 (05:45):
Stephen King really and he beat John Grisham.
Speaker 1 (05:50):
I don't see John Grisham yet, but Stephen King's it
has made seven hundred nineteen million dollars. Oh, what's the
biggest horror adaptation ever? At the Clown?
Speaker 4 (06:00):
Yeah?
Speaker 2 (06:01):
Does he also do the other clown spin off ones?
Like what's the cons name Pennywise?
Speaker 4 (06:06):
Yeah?
Speaker 2 (06:07):
Like, don't they have other Pennywise movies?
Speaker 4 (06:08):
They have the like the remakes of it, and then
they have the TV show.
Speaker 1 (06:13):
But those aren't all from a book. Those are just
movies spun off of the book, right, Yeah? Yeah, these
are absolute books that were written that then turn into
movies adaptations. The Hunger Games at nine from Susanne Collins
eight hundred and sixty five million. Did you read those?
Speaker 2 (06:25):
No? Wow?
Speaker 1 (06:26):
Awesome? I think you would like those.
Speaker 2 (06:29):
You read those?
Speaker 1 (06:30):
I read them before they were movies, and way before.
Speaker 2 (06:32):
They were How many books are there?
Speaker 1 (06:34):
Three? I believe books, and I think they made four movies.
Of those three books, they split.
Speaker 4 (06:38):
The last one and then they have the newer prequels.
Speaker 1 (06:42):
I didn't like they split the last one.
Speaker 4 (06:44):
I hate it when they do that me too. Harry
Potter started.
Speaker 1 (06:46):
That The Chronicles of Narnia at ten.
Speaker 2 (06:49):
That's the Lion Witch and the Wardrobe.
Speaker 1 (06:51):
Right, yeah, you read that one.
Speaker 2 (06:53):
I mean at school. I think try to Gone.
Speaker 1 (06:55):
With the Wind makes the list. Wow, it's actually if
in adjusted for inflation, which we didn't do. We just
did the money coming in, it would have been number one.
But Margaret Mitchell Gone with the Win in the book.
Speaker 2 (07:05):
You ever seen that movie? No, it's a great movie.
It's long though, it's really long.
Speaker 1 (07:09):
The fault of our stars? Is that Mandy Moore? Or
is that a long walk to a million to walk
to remember?
Speaker 2 (07:14):
It was a good one, great movie. Harry Connor Junior.
Speaker 1 (07:17):
Well, I'm getting them all confused.
Speaker 2 (07:18):
I think it's Mandy Moore and the.
Speaker 1 (07:19):
Green Mile Life of Pie. The Godfather at two hundred
and fifty million dollars. Jaws was a book.
Speaker 2 (07:26):
I didn't realize that.
Speaker 1 (07:27):
Shawshank Redemption which when they say short story though, how short?
And how do we read a short story?
Speaker 2 (07:35):
And how do you turn that into a long movie?
Speaker 1 (07:37):
Well, how do you read a short How do you
buy a short story? Back in the day. Is it
a novella? Is that what they call it?
Speaker 4 (07:43):
I just remember reading them in school. They'd be in
a textbook and they'd only be a few pages long.
But I don't know. If you go out and buy
a short story.
Speaker 2 (07:49):
I bet you can Amazon Shashank, But.
Speaker 1 (07:51):
You couldn't then, is my point. There was no Amazon
when it came.
Speaker 2 (07:54):
Out, Like, so why would they even write those?
Speaker 3 (07:57):
Well?
Speaker 1 (07:57):
Who's seeing it?
Speaker 2 (07:58):
But you know what's interesting too, are like the short movies.
You know what I'm talking about, Like there's a whole
category in the oscars where it's like short films, best
short Film, best short Film?
Speaker 1 (08:09):
Who watches that? How would you ever get those back
in the day? Right, Like Blockbuster didn't have that to
go to the library? Mark, Mark, Mike, what did you
think about short films?
Speaker 4 (08:17):
Sometimes they would just play them at movie theaters like
before other movies. So you'd go watch a short film,
or they do big compilation days where like it's a
short film day and you just go watch.
Speaker 1 (08:24):
Who would go to a short film day?
Speaker 4 (08:26):
We almost went to one last year.
Speaker 1 (08:27):
It looked well, But I could see now watching a
short film because you have access to get pretty much everything. Yeah,
but in nineteen ninety eight, how are they having that?
Who was seeing it?
Speaker 4 (08:37):
A lot of new directors now would just put out
their short film on YouTube and then that's how they
get a full feature film. Like they see their short
film that, I guess their attention and they get the
money to make the fool.
Speaker 1 (08:46):
Oh that makes sense. And I hear you on that now.
I'm talking about that. That's been an award for twenty
five thirty years.
Speaker 2 (08:52):
Forever, and every time they would list the movies, I'd
never heard of any of them. I just wanted to
shine a light on Stephen King. Hey, that's cool, bro,
nobody's doing Did you know that because of the trailer?
Because in the trailer it says from the author that also.
Speaker 1 (09:05):
Written by Stephen King. Yeah, I saw that on the
image on the front page. Okay, and so I said
Stephen King, and I thought, oh, is this going to
be a horror movie? And then I started watching it.
It's not a horror movie at all. And then I thought,
what else have I watched of his that I didn't
even associate with him because I just associate with him
horror movies.
Speaker 4 (09:23):
I think you would also like The Running Man which
is a remake that came out last year with Glenn Powell.
He also wrote that originally Arnold, I'm really Arnold, and
then Glenn Powell did it.
Speaker 1 (09:33):
Was that Glenn Powell good? Though I didn't see good
reviews on it.
Speaker 4 (09:36):
It was pretty good. It's about like him going on
a TV show where he has to stay alive and
if he does, he wins like millions of dollars.
Speaker 2 (09:42):
And everyone's trying to kill him.
Speaker 1 (09:43):
Right, Yah, everybody in.
Speaker 4 (09:43):
The world is like recording him, chasing him down. Anybody
can kill him.
Speaker 1 (09:46):
Would I like it?
Speaker 4 (09:47):
I think you would.
Speaker 1 (09:48):
Stephen King has written over eighty books. He's written sixty
five novels and includes seven written as Richard Bachman. Right,
I remember hearing about that. Why did he write as
Richard Backman? Oh? What was it?
Speaker 4 (10:01):
It's like when he first started out, Like The Long
Walk was his first ever book that he wrote under
that name.
Speaker 1 (10:06):
Why so is that his real name?
Speaker 3 (10:11):
Because no, it was like an alter ego that he
made up, Like he wrote Thinner.
Speaker 1 (10:16):
Have you ever read a Stephen King book? Because I
have not read. I've never again. I just wouldn't think
to grab one. He wrote in a Richard Backman for
a few reasons. He was publishing too much and the
seventies publishers believed an author should put out one book
per year, so they thought that would hurt sales if
he kept putting out more books. So then he was like, fine,
I'll just create somebody else, and he created Richard.
Speaker 2 (10:38):
Buckman had a boy.
Speaker 1 (10:40):
And then he also wanted to know if people would
still buy his books if Stephen King wasn't on the cover,
because he already had success. So he wondered could book
stand on their own?
Speaker 2 (10:49):
And the answer was no.
Speaker 1 (10:51):
No, I think they sold, really some of them did,
Stephen Whatever, Yeah, what a Richard Bachman.
Speaker 2 (10:55):
I think Richard.
Speaker 1 (10:58):
And the Bakman books are a little more sicle less supernatural.
Speaker 2 (11:01):
But how do you market?
Speaker 1 (11:02):
The Long Walk and The Running Man and Thinner were
all written by Stephen Backman. In the eighties, a bookstore
clerk noticed similarities of the two and blew the cover
and then matched copyright records and publicly exposed Bachman as King.
King killed off Bachman with a fake obituary that read
Richard Bachman died of pseudonym cancer. That's funny.
Speaker 3 (11:28):
This also says Bachman was inspired by Backman Turner overdrive.
Speaker 2 (11:31):
No way that.
Speaker 1 (11:35):
Stephen King Canadiana because btos Canadian. Yeah, it taken care
of business every day, taking care of business every way.
Uh yeah, there you go. He's born in Maine. He
close enough.
Speaker 2 (11:49):
It's really close up there.
Speaker 1 (11:50):
He threw a rock over to Canada. Big shout out
to Stephen King. If you haven't seen that movie, I
sent Eddie a screenshot. Ronnie Dunn text me Brooks and done.
It was like, what's that movie you're talking about the
dancing Man? And I said, no, there's a dancing man
in it, but it's a walk to remembered.
Speaker 2 (12:08):
Remember what's uh? I said it the wrong movie? No, no, no, no,
it was a Life of Chuck.
Speaker 1 (12:13):
And I said hey, because I was getting some feedback
from listeners that were like, I don't get it, and
I don't want to tell you what there is to
get or not get, but there is something in it
that you have to understand. It's not just a movie
you watch and you take it all for what is
being presented to you. There's a deeper meaning to it,
and I can understand if it's not your thing, or
if you're not focused on it, it could maybe you don't
catch it, and they're like, I didn't get it, thought
it was stupid, totally get it. Hit me up and
(12:37):
I was like, hey watch this, but it depends what
kind of mood you're and you may not like it.
And like four hours later hit me back. He was like,
we really like that.
Speaker 2 (12:45):
Oh that's awesome.
Speaker 1 (12:46):
Nice. He said, what else you got? I said, have
you watched The Long Walk? And he's thinking, yeah, he said,
I already watched it. It's good. I said, Okay, I'm done.
I'm tapped out. That's about all I got as far
as movie.
Speaker 2 (12:56):
Recommend it when you send me the text, I pictured Ronnie,
you know, just like on his couch on Netflix, you know,
on the search button. Oh, let me tell Bobby what
it is running.
Speaker 1 (13:05):
He watches the other one. So yeah, big shoutout Stephen
King anything anything, guys want to add to that.
Speaker 2 (13:11):
No, I'm just I'm looking forward to that movie only because.
Speaker 1 (13:14):
Don't because it won't be as good as I don't know.
Speaker 2 (13:16):
But but there are so many crime movies. There are
so many just movies about like, you know, bad things happening,
like crime or whatever, or like a murderer. And I
see this trailer, and I'm like, Okay, this is one
movie that set looks so different than everything else that's
out there.
Speaker 1 (13:36):
The thing is, I never saw a trailer for it.
Speaker 2 (13:38):
Because I watched the trailer and oh you did, Okay,
so you sought it out. I didn't even know of
the movie no after you told me about it. I
watched the trailer yesterday.
Speaker 1 (13:46):
I stumbled up on the screen capture when I was
just going through, and I thought, I'm drawn to that.
The colors, Yeah, it's pretty blue, Tom Hiddleston Huddleston.
Speaker 2 (13:59):
And I told Mike too. I'm like, man, it's He's
told me it was on Hulu and I said that's
crazy because I'm always on Hulu because that's where I
get my live TV. And I never saw that movie
pop up.
Speaker 1 (14:08):
Hulu kind of blows for finding new stuff because they
do populate it with a lot of like dateline current stuff,
so the first few roads like all the normal TV
stuff in serieses, so you don't really know unless you
search it out for Hulu. On that we're Netflix, but
Hulu also sucks. And what you watched recently, that's like
the eleventh tab down too. You got to go way
down where Netflix is like Tab two. You're already watching this,
(14:29):
you want to keep watching, And here's our top ten
shows of the week.
Speaker 2 (14:32):
I like the top ten me too, Yes, and Hulu
does not have that.
Speaker 1 (14:35):
We're a couple weeks out, by the way, for this
podcast being on Netflix. Cool, a coupled a few weeks.
Speaker 2 (14:41):
That's amazing.
Speaker 1 (14:42):
Yeah, so I wasn't actually fighting for Netflix there. I
really feel that way.
Speaker 2 (14:46):
But then halfway through, I thought to myself, that's what Yeah,
let me just say it.
Speaker 3 (14:51):
Yeah, okay, Hey, speaking of Bobby recommendations, I started watching
Paradise on Hulu.
Speaker 1 (14:58):
I don't know if you have Hey have art of Hulu? Whoa, dude,
it's blowing my mind.
Speaker 2 (15:04):
Yeah, it's different, great recommendation.
Speaker 1 (15:07):
I loved it. I did not see that the twist
has been so talked about, but I still don't want
to talk about it. I didn't even know. I didn't
see that coming. It just looked by the previews to
be an awesome show based on what they showed. And
then there's another twist in it, and you go, oh,
that's this is not the show. I'm watching it at all.
(15:27):
I love it, and it comes back in February.
Speaker 2 (15:30):
Wow.
Speaker 3 (15:30):
Fun fact, long long time ago, James Marsden hit on
my wife at a bar nice and she turned him down.
Speaker 1 (15:37):
I was like, why would you.
Speaker 2 (15:39):
Do that, James Marsden, He's the he's the president.
Speaker 3 (15:41):
She turned down the president of the United States.
Speaker 2 (15:43):
Man.
Speaker 1 (15:43):
He's a really good looking older guy. Yeah, because I
think he's in his fifties now and he still looks
way young.
Speaker 2 (15:48):
Oh. You know what's funny is he's known to my
kids from The Sonic and Sonic the Hedgehog.
Speaker 1 (15:54):
Oh that's right. Yeah, I know him mostly from Jerry Duty.
Such a good show. That show nailed it is. Yeah,
they've made another one. It's not out yet, but it's
not a jury. I think it's but Mike can search
what it is. There's a different premise, okay, because I
think everybody then going in for jury UDEs looking around
like this is a joke, am I being Yeah, we're
(16:14):
James Martin.
Speaker 4 (16:15):
It's a corporate retreat.
Speaker 1 (16:17):
Oh that's cool, it's gonna be good.
Speaker 2 (16:18):
That sounds that sounds fun.
Speaker 1 (16:19):
They go on to corporate retreat. Did I finally saw
kind of Gross or the documentary? Thoughts?
Speaker 2 (16:27):
I learned a few things.
Speaker 1 (16:29):
Did you enjoy watching it.
Speaker 2 (16:30):
I did. I mean, I'm such a fan that I
loved watching it, but overall I was ready for it
to end. Really yeah, I mean I love the stories.
I got some stories that I'd never heard of before.
There were some stories cool that he's that he's told here,
you know, in the studio, and I was like, that's crazy.
He told it here the exact way he told in
the documentary. Love that, but he just got a little
(16:52):
little he got a little whiny for me after my
wife says about his music. But I don't see that
in the music, like, and maybe the music is like,
oh that's art cool, it's whiny and everything whatever, But
in person, like I was like, all right, due, I'm
kind of like, I'm done. I feel for him that
he had to go through things like that, and maybe
still goes through things like that, but I was kind
(17:13):
of done hearing about it.
Speaker 1 (17:14):
The documentaries on HBO Max is part of the Music
Box series and it's called Counting Crows. Have you Seen
Me Lately?
Speaker 2 (17:20):
Yeah?
Speaker 1 (17:22):
I loved it. But I'm a massive Counting Crows fan,
as is Eddie. It's my favorite band, my favorite band
kind of cross and I thought it was fantastic, and
I'd never heard of the disorder he had, the disassociated never.
Speaker 2 (17:33):
Heard of that, and I felt bad for him. I did,
But after watching the whole documentar, I'm like, oh, I'm
ready for this to be over.
Speaker 1 (17:39):
You don't want to hear about it anymore.
Speaker 2 (17:40):
Kind of done. But you know what, though, I think
the cool cool stories in that is I didn't know
the viper room situation.
Speaker 1 (17:48):
When he went and just like tended bar for a
while because he can feel normal.
Speaker 2 (17:50):
Yeah, and the band's like, are we still a band?
Or are we not a band?
Speaker 1 (17:53):
Because he'd been gone.
Speaker 2 (17:54):
Yeah, but it really helped him out to become him.
And the Dread story too. I always thought he was
black because of the Dreads.
Speaker 1 (18:02):
Yep, I can see that, or at least but he's
very white, but at least or I still am not
convinced he's not some black really, Yeah, what is he like?
You know what I am? I did the twenty three
in me. I think that's one I did. Yeah, and
I got like a little Irish, some German, some, but
it's all as Caucasian as you could possibly be.
Speaker 2 (18:23):
I mean, he's Jewish Durre.
Speaker 1 (18:27):
Its interesting, Yeah, so did people hate on him for
having Dreads, where they say he was like appropriating. Oh,
I don't know, is that even a thing? Then?
Speaker 6 (18:36):
Yeah?
Speaker 1 (18:36):
Always thought I always thought Fergie was black too.
Speaker 2 (18:39):
For the record, yeah, I'm with you on that where
I'm still convinced she could be.
Speaker 3 (18:42):
I thought that until the national anthem.
Speaker 1 (18:45):
Mmmm, you know that was a bad one.
Speaker 2 (18:47):
Yeah, whoop whoop, whoop, whoop, whoop whoop.
Speaker 1 (18:50):
I guess I never thought about it until I heard
the dreads thing, and I was like, wait, why would
people care that he had dreads?
Speaker 2 (18:55):
Yeah, I don't know. I thought it was interesting that
he kind of had never really felt like himself until
he got dreads and then.
Speaker 1 (19:01):
He's like, maybe I need dreads.
Speaker 2 (19:03):
Dude, you come in to marrow with dreads.
Speaker 1 (19:05):
I'm so white though, it just wouldn't work. It'd be
for sure appropriation.
Speaker 2 (19:11):
I know for sure, if I had hair, I would
definitely try to do.
Speaker 1 (19:14):
You probably could, though, because I think the less white
you get, the more you can do dreads. But generally
I have seen white guys with dreads. But just I
think dreads are so cool.
Speaker 2 (19:23):
I think they're so cool.
Speaker 1 (19:24):
Like I have black friends that have dreads and they
look so cool. And then I've known a couple of
white guys. They just like dirty. Yeah, they don't look
good on white guys.
Speaker 2 (19:31):
Like my wife if she doesn't wash her hair in
like a couple of weeks, she started they started dreading. Yeah, right,
you have a little bit.
Speaker 1 (19:37):
Yeah, music box counting Crows? Have you seen lately? Really
liked it? And you watched the other one?
Speaker 2 (19:42):
I loved it? What's the other one?
Speaker 1 (19:44):
Hallelujah? Jeff Buckley?
Speaker 2 (19:45):
Jeff Buckley, hallelujah? Loved it? Is it called hell?
Speaker 1 (19:48):
No, that's what I think you have on him?
Speaker 2 (19:49):
I don't think that's what it's called.
Speaker 1 (19:50):
Jeff went I love that one. We talked about that.
Speaker 7 (19:53):
Yes, let's take a quick pause for a message from
our sponsor, and we're back on the Bobby cast.
Speaker 1 (20:07):
Let's do a concert of questionnaire and all three of
us can answer these. You can relive one concert you've
already seen, so you had to go to this concert,
but you get to go back to this concert and
relive it. Which concert do you go back to?
Speaker 4 (20:22):
Eddie?
Speaker 2 (20:23):
Dang?
Speaker 1 (20:24):
Do you do why?
Speaker 2 (20:25):
I mean, that's the first one that comes to my mind.
But I'm trying to think, like early, early on, you know,
you start thinking, like your first few concerts are so
impressionable to just this young you going to a concert
for the first time, seeing someone from one stage. But
my first two were like Clint Black and George Strait
and they were awesome and I'll never forget them, but
like respect like different. Yes they weren't together got it,
(20:49):
But I'm happy with that experience. I wouldn't care to
go back. Pearl Jam opening up for you two in
Hawaii at it's the stadium called Aloha Stadium.
Speaker 1 (21:02):
Brandon, you get to go back to one concert that
you've already seen.
Speaker 3 (21:04):
What is it, probably two thousand and four, the Cotton Bowl.
It was the very first Crossroads Guitar Festival. We got
there at like seven am and got front row.
Speaker 1 (21:17):
We're on the DVD.
Speaker 3 (21:19):
It's Eric Clapton, BB King, Buddy Guy, Carlos Santana, Joe Walsh,
John Mayer who was there with you, Me and my
brother and our best friend Chad, and we drove like
five hours.
Speaker 1 (21:31):
Chad, Chad, I'm gonna be that dude. Though I don't
think you can call a festival on every art to
the festival, I think you can go on. You can
go one because mine's at a festival. I didn't do the
whole festival. I did the one m artists. Okay, okay, okay,
you just picked the greatest hits album.
Speaker 3 (21:43):
Sorry.
Speaker 1 (21:43):
As far as like, what's the best album ever, You're right,
you did that thing. I'm gonna go so I'm not
doing all of a cl But I saw John Mayer
play acl that was in the rain, and what I
would do different as I would just wear different clothes
because I got so wet all cotton. But it was
super cool.
Speaker 2 (22:01):
That was when it got real money, right.
Speaker 1 (22:03):
The vibe was awesome. It was like one of the
first times I'd seen John Mayer do a full length
show because he's been, you know, my favorite solo artist forever.
So that's what I would do.
Speaker 2 (22:13):
What was the rain situation for him? Like did he
just play just like and that's why I was cool.
That's really awesome.
Speaker 1 (22:19):
Okay, I have I have one, and this is that counts,
by the way. I hate to be that. No, no, I agree,
that's that's a good point.
Speaker 3 (22:28):
When I was about twelve years old, this is like
right before I'm before I start playing guitar. I was
a big Creed fan. Sorry, Eddie. But Creed's playing United
Spirit Arena in Lubbock, Texas. But it wasn't Creed that
I like freaked out about.
Speaker 2 (22:45):
There we go, dude.
Speaker 3 (22:48):
Collective Soul was their their main support. It was another band,
Clips Soul, and then Creed. And that night, that moment
was when I was like, I want to play guitar, Like.
Speaker 1 (23:00):
This Roland made you want to play guitar.
Speaker 3 (23:01):
Dude, everything about that band like and dude, he called
somebody out up in the up in the boxes, like
people were watching TV in their boxes, and he stops
the show and.
Speaker 1 (23:13):
He's like, this is what I'm talking about. You know,
we're charging as the main support, not even it's the headliner.
You don't know. He's like going off.
Speaker 3 (23:20):
He's like, we have to charge like all this money
for concert tickets and people can barely afford it.
Speaker 1 (23:25):
And look at this jackass up here.
Speaker 3 (23:28):
He's he's watching TV during the concert, Like if you man,
We're like.
Speaker 2 (23:32):
Yeah, the guy probably has no idea what you're talking
about him.
Speaker 1 (23:35):
He's like, and it's just a meetup of the concert.
He's like it's on television and he's getting yelled at
and he's watching the he's like, no, no, I didn't even
turn this on. It's hurt and it's you guys. If
you could see any artist that you've never seen that's
alive and be front row, who would it be?
Speaker 2 (23:52):
Yeah, Taylor Swift, Yeah, I'd love. I'd love to see
that show. I just when that show came around, I couldn't.
I mean there, you can't get a hookup quote unquote
hookup for that and it's too expensive.
Speaker 1 (24:05):
So this is a harder question for me because I
feel like anybody that's alive that I've really wanted to
see I have been able to see unless I go
back to living, because then I would probably go like
Paul McCartney, Yes, that'd be cool too if he plays
and he does play a lot of the Beatles stuff.
Speaker 2 (24:18):
He just finish his tour, I think American tour.
Speaker 1 (24:20):
So I have to go to that older spot because
I've seen anybody that's making current music relevant, super relevant,
I think I've been if I wanted to go, But
I think it'd be really cool to go front row
Paul McCartney's mind.
Speaker 2 (24:32):
That'd be awesome. And my mom just went to go
see him and it was so special to her because
she you know she's been a fan of the Beatles
since she was a little girl. She's like, I've never
ever seen I never got to see the Beatles, never
have seen Pau McCartney concert. And here she is, like,
you know, seventy eight years old watching Paul McCartney play.
It was a really cool, she said, Brandon.
Speaker 3 (24:54):
I have to agree with the Paul McCartney thing. I've
never seen him. All of my family, like my my
father in law has seen him. My father in law
saw the Beatles at Metz Stadium.
Speaker 2 (25:05):
Wow, that was like the way it got crazy right, Oh,
it was insane.
Speaker 3 (25:09):
And so just just hearing all of his stories and
like reading Paul's books and just following that would just
be incredible.
Speaker 1 (25:16):
I think I would have possibly picked John Fogerty because
I was a massive CCR fan, still am. But we
saw him at Iharlready Music Festival.
Speaker 4 (25:24):
Him.
Speaker 1 (25:24):
Man, he's eighty and can still go awesome, It can
still can still. I would stay. He sounds eight out
of ten, yeah, to what you would think, not three
out of ten doing an impression of John Fogerty.
Speaker 2 (25:37):
Eight out of ten and he is older.
Speaker 1 (25:41):
He's eighty plus eighty plus.
Speaker 2 (25:43):
Where like your voice just can't do stuff like that.
And his music requires high singing, high and intense.
Speaker 1 (25:49):
Yeah, and he slowly walks out there and then he's
like Amy, he kills it. I watched the documentary of
Chevy Chase and mentioned this on the show. It's called
I'm Chevy Chasing, You're Not. And the whole documentary is
basically showing how hard he was to work with, but
also showing his life. And he's in his eighties now,
and he moves slow and still makes little jokes and stuff.
(26:12):
But then I was thinking that, like when Fogerty came in,
moved a little slow but went hard. Yeah, Chevy Chase
moved a little slow, and I think he just is
the normal eighty three year old at this point.
Speaker 4 (26:21):
Yeah.
Speaker 1 (26:21):
Have you watched that.
Speaker 3 (26:22):
I've seen clips. It's crazy.
Speaker 1 (26:25):
It doesn't make me like him less.
Speaker 2 (26:26):
Really, because you kind of expected that from him anyway. Yah.
Speaker 1 (26:29):
The expectation was he's difficult to work with it, but
then you understand why it was difficult to work with
and like the abuse he went through as a kid
that made him like he is. They kind of do that.
Let's show the villain why the villain's the villain, and
it doesn't justify how at times he treated people. But
like all of his friends that came on this or people,
some people didn't even want to come on, but they
were like, yeah, man, he's a dick, but you just
(26:49):
always knew he was a dick. But he was so funny,
and a lot of people interpreted him being a dick
for he was just doing his comedy, even with people
that weren't comedy people. So I can see why people
did not like him, But I also can see why
he was so famous and funny, and it was it's
a good documentary.
Speaker 2 (27:08):
His movies were just funny. I loved so many of
his movies.
Speaker 3 (27:11):
I don't think I could be friends with them. Yeah,
oh no, I don't think he wants to be friends
with anyone.
Speaker 2 (27:16):
Right, is that the vibe?
Speaker 1 (27:18):
But I could definitely understand how why he made it. Yeah,
and it's also he was really good looking too, super funny,
really good looking back in the day. But it's it's
on CNN right now, but I watched it on demand
on YouTube TV like cable. But then it comes down
on HBO Max in a few weeks.
Speaker 2 (27:35):
Okay, good, because I saw it exclusively on something else
that CNN.
Speaker 1 (27:40):
But you can find it on demand on CNN on
demand on if you have Hulu Live or live. What
artist did you love until you saw them live? I'll
go first. I didn't read these questions ahead of time either,
but I'll go first because I have an answer. And
I don't think it's that I love them less, but
I just realized they are not good live because I
(28:01):
can still love their music. And what is unfortunate now
is this person is sick and he's still out performing
and go for it and it's still fun to see him.
But this is before he was sick. He still wasn't
good live. It was ever Clear. Oh yeah, yeah, yeah,
Art Alexis.
Speaker 2 (28:17):
We saw him when he wasn't sick and it still wasn't.
Speaker 1 (28:20):
I love ever Clear. I love so much of the
after glow before that. I loved Sparkling Fade, I think
is what the album was massive. I even loved the
story like he was older when they hit and he
was trading like work for studio time in a garage.
He's like thirty years old. Ever Clear was a massive
part of my college life. Saw them play live, saw
(28:41):
him play live at like a winery, did do we
go to that together? No, I went with you there
yet it was one of you, Yeah, one of you's.
Speaker 2 (28:48):
I went lest so he played solo.
Speaker 1 (28:50):
Yep, it was him Marcy playground lead singer. Yeah, and
who sings this? Oh, it's all my bride out each
six six they were all and there's one more dude?
Speaker 2 (29:00):
Was it Jim Blossom's guy?
Speaker 1 (29:01):
No Fountains of Fountains Wayne?
Speaker 3 (29:03):
Oh, dude, the guy and he passed away. The singer
did during COVID he audited, Yeah, the main songwriter of
Fountains of Wayne.
Speaker 1 (29:11):
There was two guys.
Speaker 3 (29:12):
There, but the singer passed away. The guitar player that
was with him, but not the singer. I don't think
so got him. He also wrote that thing that's better
than No.
Speaker 1 (29:20):
I'm just kidding.
Speaker 2 (29:21):
I have no idea. I just I just thought that
he was one of the singer. But we went Yeah
me sounds Randon. We went to and it was those
four lead singers and the mark must have been sick
then for sure. Yeah, Like, why didn't I go with you?
That sounds like something we would one hundred percent go.
Speaker 1 (29:35):
To, because I think we all talked about it, and
Brandon and I went because you would have gone.
Speaker 2 (29:39):
For sure, I must have had COVID. I think I
had COVID.
Speaker 1 (29:42):
It was pre COVID eighteen.
Speaker 2 (29:44):
Maybe I don't know.
Speaker 1 (29:45):
Yeah, you probably did.
Speaker 2 (29:46):
Don't understand why I wasn't there.
Speaker 1 (29:47):
The Marcie Playground guy came out first and played like
three songs because that's and they have one he hasn't,
but they played two other ones too. It was good.
Speaker 2 (29:56):
And then Eve said, yeah, and I think art alexis
closed he headline, but it was he couldn't sing. Do
you remember that, Brandon?
Speaker 1 (30:02):
I do? Yeah, it was it was great. I mean
it was funn even him singing bad because we sang
with that and it wasn't a winery.
Speaker 2 (30:08):
So we we saw him a while back and he
couldn't sing.
Speaker 1 (30:10):
So full concert.
Speaker 2 (30:12):
Yes, So when you went to this one, did you
kind of expect, Oh, it's probably a bad night. Let's
see how he does today.
Speaker 1 (30:17):
Is a bit different because when we saw him we
went to it legit like a like and it wasn't
an arena but a small it wasn't.
Speaker 2 (30:26):
It wasn't ACL Live, right, so it was a ACL Live, yes,
al that arena. It's uh, it's not really a theater.
Speaker 1 (30:32):
It's bigger than a theater regardless modern day theater. We went,
but they had instruments band and Jen Blossoms open Marcy
Playground was there. Their full band opened, Sugar Ray played
ever Clear play. You see the kind of concepts we
go to. It was so awesome because they had so
much music and there were drums and guitars. I didn't
feel like Arta Alexis was so bad that show. I
(30:54):
think they masked it with music when when Brandon and
I went to the winery to watch, it was just
him an acoustic guitar and it was just him sitting
up there, So it was more he was more vulnerable, Yeah,
for sure. Yeah, and he's out playing now and he's sick.
I think he has you know, I don't want to
guess it's his ailment.
Speaker 2 (31:13):
I was about to guess it's not a fun.
Speaker 7 (31:16):
Let's do it.
Speaker 1 (31:17):
And I'm rooting for him. Oh he's got a mess, okay,
and he's still not playing and awesome, But yeah, I
would say that for him, that was not a good
one for me.
Speaker 2 (31:25):
Uh, I'm gonna go Bob Dylan, but I still oh, yeah, good.
I still love Bob Dylan and I love his music.
I love his his albums, and I love listening to
him still, but man live, I don't recommend that for anyone.
Speaker 1 (31:38):
So I went and saw him at ACL Festival, and
I'm not a fan. I'm more of a fan now
of his story and what he means to songwriting. After
watching the movie, reading the book first, then watch the book,
I forget. Yeah, I think so that was a good book.
I think so. I read it so long ago when
it was kind of boring to me, but I still
like understood why the people that I like like him.
(32:01):
But his music, except for the hits, was not something
I was drawn to. So he was just playing at
ACL and I walked over if doing songs had ever
heard of either?
Speaker 2 (32:09):
But no, No, they probably were. That's the all point.
They were probably the hits. You just can't understand them.
I'm not even being a hater. I'm not hating either
because I love Bob Dylan. I didn't love him enough
for it to affect me in a negative way. I
just walked off, dude. The crazy one was I saw him.
It was a dual tour of Willie Nelson and Bob Dylan,
and they were playing baseball stadiums and I went and
I think Willie Nelson played first. It was awesome, It
(32:32):
was great, will He's amazing. Then Bob Dylan comes out
and for the first five or six songs, like it's inaudible,
Like you can't you're really playing music trivia with his music,
Like is that like a rolling stone?
Speaker 1 (32:43):
Because of the sound or because of his way.
Speaker 2 (32:47):
These kind of things like that, and you don't really understand.
So people started leaving. Like I'm talking, I would say
sixty percent of the crowd just left, wow and wild,
and forty percent of us were they and I stayed.
I'm like, I'm such a fan. I've never really seen
him before. Someone to stay and he sings, He finishes
whatever song he's singing. Then he he had a hat on.
(33:08):
I remember the hat was really low and he kind
of picks the hat up, looks up and goes welcome
Bob Dylan fans. He goes into like a rolling stone
and it was crystal clear, And I'm like, did he
do that on purpose to eat out the non fans?
Speaker 1 (33:24):
Just test it all, you guys.
Speaker 2 (33:25):
I feel like he's that kind of dude where like
he feel like he's like Chevy Chase too, like difficult,
probably very difficult.
Speaker 1 (33:31):
He knows exactly who is as an artist. He's kind
of a dick.
Speaker 2 (33:33):
I've heard the opposite. I've heard multiple people that have
met him, hung out with him, and he's like he
is the nicest person you'll ever meet. Wow, because I
thought the same thing. I'm like, oh, I wouldn't want
to meet Bob Dye.
Speaker 1 (33:45):
Because I feel like somebody would do that to run
people off.
Speaker 2 (33:49):
I feel like that was just a fun game to him,
like let's see how that.
Speaker 1 (33:52):
Feels like what a dick would do.
Speaker 3 (33:54):
But okay, I have a question for the Counting Crows
fans in.
Speaker 1 (33:59):
The room or diehards. I know, yeah, you hate when
he changes the songs up here, you know I and
I'm they talk about the documentary too.
Speaker 3 (34:06):
Well, That's what I was going to ask you guys about, like,
you know, diehard Bob Dylan fans they don't care because
they just love Bob Dylan. But do you guys, A
do you notice that whenever you see them.
Speaker 2 (34:17):
County Crows County Cruise. Oh yeah, okay, we know it's
coming too.
Speaker 1 (34:21):
Okay, you do do you care? Does it bother you? Like,
do you wish he would stay. So the last show
that Eddie and I went to together, he actually played
them eighty five to ninety percent right on, and we
were surprised by that. I think I would compare it
to I went and I went to the I saw
the Mona Lisa right So I go to the Louver
and I've never seen them Mona Lisa before, and I'd
heard by so many people that it's so small. You're
(34:43):
going to be so shocked at how small it is.
In my head, it was a posted stamp, So when
I finally saw it, it wasn't a post to stamp.
It was like a TV screen. I was like, this,
think's bigger than I thought because I had the expectation
that it was so small. I didn't go to a
bunch of Counting Crows shows, Okay, so I just heard
forever they suck live. They don't play songs like they're
(35:04):
supposed to. So I go to a show the first time.
We're in Austin, and I love County Crows, but I've never
been to a show. I'm going these are going to
be all songs that I know the words too, but
every one of them is going to be completely out
of sync, and so I go with the attitude of
I'm just going because I like them maybe, and they
played like half of the songs and I was like, oh,
that's not a post to Stamp at all. Yeah, that's
like DV and so, because my expectation was they change
(35:26):
every song, the fact that they did half the songs
it didn't land on me negatively. There were people around me.
They're like, this sucks because they didn't know that he
gets bored like Bob Dylan does. It just changes songs
up the show that Eddie and I went too recently,
because I've probably seen them now four or five times.
Like I said, he did eighty to ninety percent all
the right way, and we were shocked, wow, because their
(35:48):
expectation was he's going to change up all these songs,
and when he played mister Jones normally, it was abnormal
to us.
Speaker 2 (35:56):
Yeah, like, wait, why isn't he changed it.
Speaker 1 (35:58):
I'm believing good enough to get an original version. But
if you watch on TikTok, people will get upset when
they play songs differently because they don't know that's what
he does.
Speaker 2 (36:08):
A lot, and they've been doing that forever, yeah, forever.
So Yeah, it doesn't. It doesn't bother me. I like it.
Speaker 1 (36:15):
I like it because I know he's gonna do it,
and when he doesn't do it, I like it even
more when he does it originally the original version. Good question, man,
I watch your answer to that that question. Who did
you see? Maybe it's tough for you as an artist.
You've opened for a lot of people. You're in the biz.
This person may hit you up and want to beat
you up. Yeah, maybe I need to go back.
Speaker 3 (36:34):
No, maybe, And maybe I saw them on and Off night, But.
Speaker 1 (36:39):
It was guns and Roses. Man, were they all come back?
Speaker 3 (36:43):
It was recent? It might have been actually it might
have been like four years ago. There were parts of
the show that were great, Oh, this is like Welcome
to the Jungle?
Speaker 1 (36:54):
Was spot on? Did he sound like old Axel on.
Speaker 3 (36:57):
Some songs and then and then other songs it was like,
what what is happening?
Speaker 1 (37:02):
Like this is like this is horrible?
Speaker 2 (37:04):
Was he changing the song structure or was it just
his voice couldn't keep up with it?
Speaker 3 (37:09):
Was his voice like you know, he's got that low
low thang and then he goes ah bye and he
couldn't like regulate it.
Speaker 1 (37:16):
He also he was having trouble keeping it. It wasn't
that he was consciously going I'm just not gonna sing
this song the same way.
Speaker 3 (37:22):
Yeah, exactly, and that whole diva mentality like you saw
it start to come out, you know, like he was
like yelling at his crew and then he would say
things like the crowd wasn't into it enough, and it
is like, dude, this is a sold out bridge Stone
Arena show, like people are giving it all they got.
It was just it just left a It made me
understand what people were talking about.
Speaker 1 (37:44):
Yeah, even though I'm still I'm a.
Speaker 3 (37:45):
Huge Guns and Roses fan whatever, but it was just like, ah,
would I go see them again?
Speaker 1 (37:50):
I don't know. And after you guys walked off, he
goes the real fancy.
Speaker 2 (38:00):
He learned it from Bob.
Speaker 1 (38:04):
I saw clips. I didn't go. But similarly, and I
think it's just if people come back in their hold
and they had a distinct way of singing, they can't
do it. You feel bad for them. But when I
watch clips of a CDC, oh yeah, and you feel bad.
I'd still like to go to the show me too.
But it's that registerment. Rian Johnson and then also even
(38:25):
Angus playing guitar. They have to be eighty years old too. Yeah,
and he runs around a lot. He's not really able to.
That's hard, dude.
Speaker 2 (38:34):
Do you know who still Well, it's been it's been
probably seven or eight years that I've seen him, but
the Rolling Stones, and I know they had to cancel
a tour whatever been. And I know when I saw
them by eight years ago, they rocked.
Speaker 3 (38:47):
Did you see him at Nissan? And Nissan me too, Man,
I was there.
Speaker 2 (38:50):
And that's one of those where I was just like
so shocked that they were still so good.
Speaker 1 (38:55):
So a question, and this is maybe not be a
fair question I had heard could be completely false. Here
do they have a band back behind? I see him
playing as well back behind underneath, and that if you
pay attention to Keith Richards, he's awful lot. You can
hear it. It's like, but they have a band setting
all the fundamentals up for them, and they kind of
play over the top of that band, not tracks, but
(39:16):
a band you can't see. Do you think that's true.
Speaker 2 (39:18):
I think that it's probably true. But I did hear
mess ups and that's probably the old guys having their
instrument's still like the sound guys, you know, but like, yeah,
do you remember Keith Richard's guitar, Like you can hear
it where it's like, oh, that which is the guitar hero?
You know when you hit the.
Speaker 3 (39:39):
Yeah, which which that's the Keith Richard it's that sloppy
jangly thing.
Speaker 1 (39:45):
But I don't I don't think that's true. That's what
I have when I play a sloppy jangly thing. It's
my actual thing. It's all slamp all jangle.
Speaker 2 (39:53):
But dude, Mick Jagger was just like he moved a
lot up and down the stage, his hair great, and
he sounded awesome.
Speaker 6 (40:02):
The Bobby Cast will be right back. This is the
Bobby Cast.
Speaker 1 (40:15):
I have two questions left. What runs a concert for you?
I'll go first in that it wasn't the fault, but
I went to see Tom Petty once and they couldn't
get the sound right in the crowd the whole time
yelling turn it up, turn it up. And Tom Petty's
playing and only the first part can hear it in
the crowd in the back, like turn it up, we
can't hear. And like three songs went through, and then
finally there was like a button that was supposed to
(40:36):
the full sound, so that was bad. I don't mind
is it the sound or the crowd that was a
sound issue. Okay, but the sound. But if the crow
wouldn't yell, they wouldn't have got it. Ever, all of
it was annoying, but that very much an outlier, Like
I don't think that that happens a whole lot. I
don't mind phones. Some people be like, man, a phone.
(40:58):
It doesn't hurt me if you're holding a phone up, Like,
I don't mind phones. I don't like when people talk
or yell during slow during ballads at a at a singer.
Like let's say somebody sitting downt a piano and he's like, yeah,
well I just heard. It's like the bro bo we're
(41:19):
here and everyone here is yeah. Like when those slow
down moments happen. I like it when everybody slows down
and lets the guy do the thing because it's a
vulnerable point.
Speaker 2 (41:29):
I agree with that.
Speaker 1 (41:30):
That's that ruins it for me. Or when someone's just
trying to like yell a joke, get a joke in
when someone's playing something slow, or it's I hate that
that one off person who's trying to get the spotlight
when it's not their spotlight to have Brandon.
Speaker 3 (41:43):
Yeah, I mean there's all all of that. I mean,
I guess depending on where you're sitting, just just people
talking constantly or or get getting drunk, Like.
Speaker 1 (42:01):
Just just go somewhere else, man, Like that drunk's tough,
you know, but talking like having a full blown loud
conversation during a ballad, Yeah, quiet song, yeah, like you can.
They're doing higher, we're going to creed all the time.
Talk to your buddy. But when they're doing arms wide
(42:22):
open and you want to hear that the heart, shush,
shut up, Come on, okay, Eddie.
Speaker 2 (42:29):
Yeah, I'm gonna stick with the crowd. I think the
crowd's usually what ruins it for me. But specifically I
like to stand up at concerts. I don't like to
sit down and watch the show. And I've had multiple
moments where crowd members have been like can you please
sit down or like stand up the whole show, and
you see them kind of move because I'm standing up
(42:52):
and jumping and enjoying the concerts.
Speaker 1 (42:54):
About the show.
Speaker 2 (42:55):
So I think, like, yeah, I hear they're a crowd
that they hate. I hate that people don't really get
into the shows. You know, like as much as I
think they should.
Speaker 1 (43:03):
A little bit, isn't it read the room in those
situations like I get universally you bought taking stand up.
But again, if you're a Nora Jones concert, I don't
know what I didn't and you're standing up and that's
a sit down show.
Speaker 2 (43:18):
Yeah that happened that. Who's the one that has the
music with the the puppies that are Sarah McLaughlin. It
was a Sarah McLaughlin show.
Speaker 1 (43:28):
In the arm you're standing up. But see, I think that's.
Speaker 2 (43:32):
Rude of you.
Speaker 1 (43:33):
You fairly can't. You're legally can right well, but it's rude.
It's also kind of rude at a show if you're
standing up the whole time if everybody around you, what
I'll do everybody around me standing up, I stand up
and say up. If everybody around me sits down, I'm
not gonna be the one guy at an Aqua Lung
concert that's standing up because everybody behind me is like
wanting to just sit and enjoy the show.
Speaker 2 (43:53):
Aqual long, I feel you gotta get up and jump.
Speaker 1 (43:55):
No. Aqual long was a piano.
Speaker 2 (43:59):
Not proud of than Sunshine.
Speaker 1 (44:01):
There's a piano concert.
Speaker 2 (44:03):
I just think to me is like, you can do
whatever you want, and if you're bothering people, which I
wasn't bothering anyone, you can stand you.
Speaker 1 (44:10):
Are bothering someone. If it's again, I'm not.
Speaker 2 (44:13):
Look, I wasn't in front of the wheelchair aisle. Dude,
they can stand up to with me and you're you're
not wrong, You're not wrong.
Speaker 1 (44:20):
I just say I read the room and just like
I don't like to talk loud during a slow song
if the everyday around me is not standing up, and
it's one of those sit down moments that you really focus,
I sit down.
Speaker 2 (44:32):
You ever see those South American shows of like rock
bands going to South America and the whole freaking's arena
is jumping and you're trying to.
Speaker 1 (44:42):
Do that Sarah mclaugh And you know what, that's annoying.
Speaker 2 (44:45):
I'm just saying, I think in America we need to
get into our concerts here. Man, they wanted, the artist
wants us.
Speaker 1 (44:55):
To keep get into concerts differently. Different songs are meant
to be gotten into different ways.
Speaker 2 (45:01):
I remember I was at a Band of Horses concert
and I was just jumping up and down and the
people around me after two or three songs started jumping
with me and they're like, we love your energy. I'm like,
thank you, let's go.
Speaker 1 (45:12):
That's awesome. I like that. I like that for you.
That's really cool.
Speaker 2 (45:15):
I don't think you would have been that guy.
Speaker 1 (45:17):
However, if we're to ray La Montaigne show and you're
jumping around when it's supposed to be accepted and beautiful,
it's just a room. It's read the room.
Speaker 3 (45:25):
Yeah, there's concert etiquette for sure, and it's on all sides.
Speaker 4 (45:29):
Man.
Speaker 3 (45:29):
Just you know, we were at Brian Adams.
Speaker 1 (45:32):
At bridge Stone.
Speaker 2 (45:33):
It's a stand up show for me, oh my god,
like yeah, if there's like momentum and yeah, but even
everything I do, I do it for you.
Speaker 1 (45:40):
I'm still stand everybody standing up for sure.
Speaker 3 (45:42):
But there's a there's a woman and I mean he's
got an older crowd. She's literally talking on her cell
phone man speakerphone, facetiming with the person you know, watching
the show, and she's like so good, right, and you
can hear you can hear the person on the speakerphone
and trying to sing the song.
Speaker 1 (46:03):
Just like somebody get her out of here, like this
is awful.
Speaker 2 (46:06):
Okay, okay, see, that's a question for you guys singing along.
I've had people where I've sing I've sat around them
and they're singing so loud that I can't hear the
artists that I'm there to see.
Speaker 1 (46:18):
I think it's to read the room type thing. Again.
I think it's an understand the etiquette based on what
everybody else is doing as well.
Speaker 2 (46:25):
If but you know you're not a good singer, and
you could ruin what the person the people around you
are hearing.
Speaker 1 (46:31):
By everybody singing along, it can be the worst thing
in the world. Sing as loud and proud at you
can't because that's a sing a long song. Again. If
Alanis is up there doing unforgiven, so that's metallic. No,
but wait, that's one that goes I and the said
(46:55):
she's uninvited, thank you there. Nobody even said that. I
thank you myself, me for forgetting there. If she's doing
uninvited and you're singing so loud when it's one of
those moments again that it's supposed to be her moment,
then you need to shut up. I don't care if
you sing really good, it's just I don't people that
don't have the we'll call it emotional intelligence to understand
(47:22):
why you should act a certain way, when you should
act a certain way based on the emotion of what's
coming from the stage. I get irritated at that.
Speaker 3 (47:30):
Here's a question for you as a performer, Like.
Speaker 2 (47:34):
You're not a performer, no, no, no, we love to
know this from you.
Speaker 1 (47:38):
Yes, no, no, no, Like greater performer than any of
us ever. Do you know what it's like? Yes, well
both both of you guys.
Speaker 3 (47:48):
And I'm specifically talking about your your fan base like
raging idiots, comedy fan base.
Speaker 1 (47:54):
All that, all that stuff.
Speaker 3 (47:55):
What is your big biggest pet peeve about an audience?
Speaker 1 (47:59):
Like, oh, if I'm telling you jokes and people are talking, done,
shut it down because it's all timing.
Speaker 2 (48:04):
But but what about talking to you that I don't care?
That's what I'm Yeah, don't care, don't talk. Yeah.
Speaker 1 (48:10):
If I'm playing music and you're singing along, that's okay.
I love it because there's music. If I'm talking, the
silence is as part of the much part of the
act as the talking is. So you're stepping on words
I'm saying that are getting laughs or gaps I'm leaving
to get a laugh based on the next word that
I'm saying, even and it's hard to not scold an
audience if they're like lovingly talking to you, but it
(48:32):
still interrupts everything, Like I'm like, hey, so went out yesterday,
did it? I love you. It's hard to be angry
at someone that's telling you they love you, but what
they're doing is runing that for everybody else. What I've
had to do in those situations is if you just
don't pay any attention to it, even though it's so
obviously out there presented to you, If it's bothered somewhere,
(48:53):
if it's loving or whatever it is, it's it's ruining
the product. You cannot let the audience it's in or
they're all going to think they.
Speaker 2 (49:01):
Can get in by by acknowledge.
Speaker 1 (49:03):
You can't acknowledge it at all, good, bad and different.
You just have to go and if they keep doing it,
then you have to stop the show. And I've done
that before and go. Man, it's weird to have to
get onto somebody for being so loving and I love
you back, but all these people paid for a ticket.
Speaker 2 (49:20):
Right, Yeah, he's done that before.
Speaker 3 (49:21):
Yeah you have, you definitely have the last time you
guys played at the opry.
Speaker 1 (49:24):
What I loved.
Speaker 3 (49:26):
You guys are asking people to clap and then they
got off.
Speaker 1 (49:29):
We're like, stop clapping, you're running across. We can't keep up.
Speaker 2 (49:32):
I feel like we never learned on that one.
Speaker 1 (49:34):
Yeah, well keep up with normal clapping. So but you're
doing a good job, crowd, But we love keep up.
They loved every second of it. It's so funny. And
in music that's a lot easier to do, yeah, because
there's music and you can. But if you're just talking
and someone's talking, it would be the comparable too. If
we're playing music and someone brings out a guitar from
the crowd and starts playing guitar in the middle of it. Yeah,
it's the same way as talking during talking.
Speaker 3 (49:53):
Okay, how do you feel about doing Q and a's
after your comedy shows.
Speaker 2 (49:57):
After why are you?
Speaker 1 (50:00):
Well, they're they're nightmares.
Speaker 3 (50:01):
Oh dude, this guy, this drunk guy like went off
on Bobby in this beautiful theater and his and his
his wife is just hiding because he's just he's justlings.
Speaker 1 (50:13):
Yeah, and it's like you don't want to like have
somebody removed because they're obviously a fan or yeah, that's
that's tough. The weirdest part about Q and A is
the weirdest part about any of that is, or even
meet and greets, is when people want to like kiss
you or touch you and we're like, oh, I just
want to give you and you're I appreciate you being here,
but I don't. I don't want your germs. So I'm
(50:37):
sorry about that.
Speaker 2 (50:37):
By the way.
Speaker 1 (50:38):
Yeah, that's how Brandon got I hadn't seen you. All right,
that's it. Thank you boys for hopping in. Thank you
everybody for listening. If you got to this end at
the end of this Bobby cast, we appreciate it. And Eddie,
chill out. When Life House is playing hanging by a moment,
you don't need to stand up and do the waves.
Speaker 2 (50:58):
Just take it in long descent. I'm starting up, man.
Speaker 1 (51:02):
Thank you guys for listening. Soon, as of right now,
we're not able to say yet. We know but our
this show will be on Netflix. We have a lot
of great artists lined up for those first few episodes,
but for now we'll just keep talking ourselves. Make shut that.
Stephen King, Richard Bachman, Yeah, uh and you guys. All right,
that's it. Thank you guys, We'll see you guys next week.
(51:24):
Thanks for listening to a Bobby cast production
Hey, welcome to episode five sixty eight. We're gonna talk
about concerts. In a second, we'll do a concert questionnaire.
I got Eddie and Brandon Ray here, but I wanted
to start because I watched that movie Life of Chuck.
You haven't seen it yet.
Speaker 2 (00:19):
I have not seen it yet. I haven't.
Speaker 3 (00:20):
I saw your posts and I looked it up. It
looks super interesting.
Speaker 1 (00:23):
You haven't seen it.
Speaker 2 (00:24):
I haven't.
Speaker 1 (00:25):
Okay, I'm not even telling anything about it. But Stephen
King wrote the original, which is a short story, and
so I looked up all of the Stephen King movie adaptations,
and I think of Stephen King as someone who writes
scary movies. Horror.
Speaker 2 (00:40):
Yeah, horror movies he does. But not no, dude, I've
seen think lists like this too, where I'm like, wow,
he wrote that.
Speaker 1 (00:50):
So and I can roll down some of these here
Stephen King wrote, and I'm just gonna go in order.
He wrote Shawshank Redemption.
Speaker 2 (00:56):
Yep, that was the one I was shocked at.
Speaker 1 (00:58):
And I think the original the name of it isn't
Shawshank Redemption. It's like the Shawshank Redemption of some woman. Yes,
another short story, I believe. Yeah, it is a short
that's yeah. The Shawshank Redemption is it number one? Stand
By Me is at number two, crazy, one of my favorites,
highest rated. I just don't think of Stephen King as
(01:18):
someone who writes stand by Me or Shawshank Redemption type things,
because it's always Kujo, Children of the Corn, it and so.
But either at the it's as well. Yeahh the Green Mile,
which is not horror? Did you know? I didn't know that.
I think I had heard that, but I don't know
I would have listed it.
Speaker 2 (01:38):
I don't.
Speaker 1 (01:38):
I couldn't recall that The Shining and Misery or at four.
Speaker 2 (01:41):
And five, those are horror movies.
Speaker 1 (01:44):
It at six, doctor Sleep, I don't know what that is.
Speaker 4 (01:47):
Mike saw that the sequel to The Shining.
Speaker 1 (01:51):
Oh, so it's also scary, Carrie, is it a that's scary?
Fourteen oh eight? That's from a short story Dolores Claiborne.
That movie was crazy?
Speaker 3 (02:02):
What John Cusack Delors Claiborne, Oh, fourteen o eight. I'm sorry, Oh,
I don't know.
Speaker 1 (02:08):
We moved on past that. So what's fourteen oh eight?
Speaker 3 (02:10):
It's with John Cusack. Basically he's he's in this hotel room.
It's a haunted hotel room and all this crazy stuff
happens in it. I'm sorry, I thought we were still
but keep going. Yeah, it's scary, but it's like the
one of the wildest movies I've ever seen.
Speaker 1 (02:26):
Delores Claiborne. That sounds like the singer of the Cranberries.
Speaker 5 (02:30):
Oh, Delores Aroor or whatever her name is. What I
was thinking Delores from Silence of the Lambs. But he
didn't write that is Oh, that's what it is, Deloris.
Speaker 2 (02:44):
That's the that's the Spanish version.
Speaker 1 (02:47):
It is so Stephen King has written so many freaking
things that aren't horror, including the Life of Chuck.
Speaker 2 (02:54):
Yes, oh yeah, he wrote that too.
Speaker 1 (02:55):
He wrote The Long Walk, which also came out last year.
Is great. It was a movie where they have to
keep walking. If they stop walking, they get shot.
Speaker 2 (03:02):
Oh yeah, that's cool.
Speaker 1 (03:05):
Big shout out of Stephen King.
Speaker 4 (03:07):
That's all.
Speaker 1 (03:07):
I just want to start this big shout of Stephen King.
Speaker 2 (03:09):
Do you remember the movie about the old car.
Speaker 1 (03:13):
Herbie the Lovebug.
Speaker 2 (03:14):
No, No, I think it was. It's like an old
fifties car. Oh Christine, Christine, dude, that's an awesome movie,
Like the car turns to life. You know, and every
time it like wakes up, it plays fifties music, creepy man,
does it kill? It runs over people?
Speaker 1 (03:33):
It does kill, it kills. Yeah, it's like that, and
it feels like that's like I get a high rating. Though,
like any car that ever like turns human, I feel
like they really don't get the benefit of the doubt
when it comes to ratings, Like.
Speaker 2 (03:44):
The radio turns on and it's playing like rock and Robin.
Speaker 1 (03:48):
Tweet and then killing people.
Speaker 2 (03:51):
Yeah, dude, it's awesome.
Speaker 1 (03:52):
I also looked up because I was kind of surprised
about how many things Stephen King wrote that turn into
movies that I've seen that I didn't realize were Stephen
King because I just associate all horror with him. What
do you think now, remove Stephen King, all authors adaptations
from books to movies. What do you think the biggest
of all time?
Speaker 3 (04:10):
Is?
Speaker 2 (04:11):
The first that comes to my mind is John Grisham.
John grisha Yeah, like he did The Firm, he did
Pelican Brief, a lot of those nineties lawyer movies.
Speaker 4 (04:23):
Mike, you know, now, I don't put money on Stephen King.
Speaker 1 (04:27):
Harry Potter.
Speaker 2 (04:28):
Oh, dang makes sense, Yeah, it does make sense.
Speaker 1 (04:33):
One point three, four billion dollars, Harry Potter and the
Deathly Hallows and number one, number two Stephen King, no
book adaptations. The Lord of the Rings, of course, made
over a billion dollars.
Speaker 2 (04:45):
Yes, number three, Okay, I got this one.
Speaker 1 (04:49):
Hunger Games, Jurassic Park, dang it. Whoa Michael Crichton made
over a billion dollars. Harry Potter at four, the Hobbit
at five, and the Hobbit is Lord of the Rings. Yeah,
m hm. At number six, you're not guessing it's it's
not stim King. So uh, this is something that's very,
very very old. I would have thought like eighteen hundreds,
(05:11):
but apparently I don't know, maybe it.
Speaker 2 (05:13):
Is something very old.
Speaker 1 (05:15):
The sake Shakespeare, Alice in Wonderland. I'm not sure when
Alison went only came out, but Lewis Carroll wrote it
has made over a billion dollars.
Speaker 2 (05:24):
Yeah, I would guess Alison wonder is probably this.
Speaker 1 (05:26):
You don't have to guess. You have a computer over there.
Speaker 4 (05:28):
Yeah, eighteen sixty five what I.
Speaker 1 (05:31):
Would have guessed. The eighteen hundreds.
Speaker 2 (05:32):
I was going to guess nineteen sixty.
Speaker 1 (05:34):
Oh, you'd missed that by one hundred, by lot. The
da Vinci Code at seven? Yeah, who was Dan Brown?
Speaker 2 (05:40):
Dan Brown?
Speaker 1 (05:41):
Seven hundred and sixty million. Now finally worthy your boy
Stephen King?
Speaker 2 (05:45):
Stephen King really and he beat John Grisham.
Speaker 1 (05:50):
I don't see John Grisham yet, but Stephen King's it
has made seven hundred nineteen million dollars. Oh, what's the
biggest horror adaptation ever? At the Clown?
Speaker 4 (06:00):
Yeah?
Speaker 2 (06:01):
Does he also do the other clown spin off ones?
Like what's the cons name Pennywise?
Speaker 4 (06:06):
Yeah?
Speaker 2 (06:07):
Like, don't they have other Pennywise movies?
Speaker 4 (06:08):
They have the like the remakes of it, and then
they have the TV show.
Speaker 1 (06:13):
But those aren't all from a book. Those are just
movies spun off of the book, right, Yeah? Yeah, these
are absolute books that were written that then turn into
movies adaptations. The Hunger Games at nine from Susanne Collins
eight hundred and sixty five million. Did you read those?
Speaker 2 (06:25):
No? Wow?
Speaker 1 (06:26):
Awesome? I think you would like those.
Speaker 2 (06:29):
You read those?
Speaker 1 (06:30):
I read them before they were movies, and way before.
Speaker 2 (06:32):
They were How many books are there?
Speaker 1 (06:34):
Three? I believe books, and I think they made four movies.
Of those three books, they split.
Speaker 4 (06:38):
The last one and then they have the newer prequels.
Speaker 1 (06:42):
I didn't like they split the last one.
Speaker 4 (06:44):
I hate it when they do that me too. Harry
Potter started.
Speaker 1 (06:46):
That The Chronicles of Narnia at ten.
Speaker 2 (06:49):
That's the Lion Witch and the Wardrobe.
Speaker 1 (06:51):
Right, yeah, you read that one.
Speaker 2 (06:53):
I mean at school. I think try to Gone.
Speaker 1 (06:55):
With the Wind makes the list. Wow, it's actually if
in adjusted for inflation, which we didn't do. We just
did the money coming in, it would have been number one.
But Margaret Mitchell Gone with the Win in the book.
Speaker 2 (07:05):
You ever seen that movie? No, it's a great movie.
It's long though, it's really long.
Speaker 1 (07:09):
The fault of our stars? Is that Mandy Moore? Or
is that a long walk to a million to walk
to remember?
Speaker 2 (07:14):
It was a good one, great movie. Harry Connor Junior.
Speaker 1 (07:17):
Well, I'm getting them all confused.
Speaker 2 (07:18):
I think it's Mandy Moore and the.
Speaker 1 (07:19):
Green Mile Life of Pie. The Godfather at two hundred
and fifty million dollars. Jaws was a book.
Speaker 2 (07:26):
I didn't realize that.
Speaker 1 (07:27):
Shawshank Redemption which when they say short story though, how short?
And how do we read a short story?
Speaker 2 (07:35):
And how do you turn that into a long movie?
Speaker 1 (07:37):
Well, how do you read a short How do you
buy a short story? Back in the day. Is it
a novella? Is that what they call it?
Speaker 4 (07:43):
I just remember reading them in school. They'd be in
a textbook and they'd only be a few pages long.
But I don't know. If you go out and buy
a short story.
Speaker 2 (07:49):
I bet you can Amazon Shashank, But.
Speaker 1 (07:51):
You couldn't then, is my point. There was no Amazon
when it came.
Speaker 2 (07:54):
Out, Like, so why would they even write those?
Speaker 3 (07:57):
Well?
Speaker 1 (07:57):
Who's seeing it?
Speaker 2 (07:58):
But you know what's interesting too, are like the short movies.
You know what I'm talking about, Like there's a whole
category in the oscars where it's like short films, best
short Film, best short Film?
Speaker 1 (08:09):
Who watches that? How would you ever get those back
in the day? Right, Like Blockbuster didn't have that to
go to the library? Mark, Mark, Mike, what did you
think about short films?
Speaker 4 (08:17):
Sometimes they would just play them at movie theaters like
before other movies. So you'd go watch a short film,
or they do big compilation days where like it's a
short film day and you just go watch.
Speaker 1 (08:24):
Who would go to a short film day?
Speaker 4 (08:26):
We almost went to one last year.
Speaker 1 (08:27):
It looked well, But I could see now watching a
short film because you have access to get pretty much everything. Yeah,
but in nineteen ninety eight, how are they having that?
Who was seeing it?
Speaker 4 (08:37):
A lot of new directors now would just put out
their short film on YouTube and then that's how they
get a full feature film. Like they see their short
film that, I guess their attention and they get the
money to make the fool.
Speaker 1 (08:46):
Oh that makes sense. And I hear you on that now.
I'm talking about that. That's been an award for twenty
five thirty years.
Speaker 2 (08:52):
Forever, and every time they would list the movies, I'd
never heard of any of them. I just wanted to
shine a light on Stephen King. Hey, that's cool, bro,
nobody's doing Did you know that because of the trailer?
Because in the trailer it says from the author that also.
Speaker 1 (09:05):
Written by Stephen King. Yeah, I saw that on the
image on the front page. Okay, and so I said
Stephen King, and I thought, oh, is this going to
be a horror movie? And then I started watching it.
It's not a horror movie at all. And then I thought,
what else have I watched of his that I didn't
even associate with him because I just associate with him
horror movies.
Speaker 4 (09:23):
I think you would also like The Running Man which
is a remake that came out last year with Glenn Powell.
He also wrote that originally Arnold, I'm really Arnold, and
then Glenn Powell did it.
Speaker 1 (09:33):
Was that Glenn Powell good? Though I didn't see good
reviews on it.
Speaker 4 (09:36):
It was pretty good. It's about like him going on
a TV show where he has to stay alive and
if he does, he wins like millions of dollars.
Speaker 2 (09:42):
And everyone's trying to kill him.
Speaker 1 (09:43):
Right, Yah, everybody in.
Speaker 4 (09:43):
The world is like recording him, chasing him down. Anybody
can kill him.
Speaker 1 (09:46):
Would I like it?
Speaker 4 (09:47):
I think you would.
Speaker 1 (09:48):
Stephen King has written over eighty books. He's written sixty
five novels and includes seven written as Richard Bachman. Right,
I remember hearing about that. Why did he write as
Richard Backman? Oh? What was it?
Speaker 4 (10:01):
It's like when he first started out, Like The Long
Walk was his first ever book that he wrote under
that name.
Speaker 1 (10:06):
Why so is that his real name?
Speaker 3 (10:11):
Because no, it was like an alter ego that he
made up, Like he wrote Thinner.
Speaker 1 (10:16):
Have you ever read a Stephen King book? Because I
have not read. I've never again. I just wouldn't think
to grab one. He wrote in a Richard Backman for
a few reasons. He was publishing too much and the
seventies publishers believed an author should put out one book
per year, so they thought that would hurt sales if
he kept putting out more books. So then he was like, fine,
I'll just create somebody else, and he created Richard.
Speaker 2 (10:38):
Buckman had a boy.
Speaker 1 (10:40):
And then he also wanted to know if people would
still buy his books if Stephen King wasn't on the cover,
because he already had success. So he wondered could book
stand on their own?
Speaker 2 (10:49):
And the answer was no.
Speaker 1 (10:51):
No, I think they sold, really some of them did,
Stephen Whatever, Yeah, what a Richard Bachman.
Speaker 2 (10:55):
I think Richard.
Speaker 1 (10:58):
And the Bakman books are a little more sicle less supernatural.
Speaker 2 (11:01):
But how do you market?
Speaker 1 (11:02):
The Long Walk and The Running Man and Thinner were
all written by Stephen Backman. In the eighties, a bookstore
clerk noticed similarities of the two and blew the cover
and then matched copyright records and publicly exposed Bachman as King.
King killed off Bachman with a fake obituary that read
Richard Bachman died of pseudonym cancer. That's funny.
Speaker 3 (11:28):
This also says Bachman was inspired by Backman Turner overdrive.
Speaker 2 (11:31):
No way that.
Speaker 1 (11:35):
Stephen King Canadiana because btos Canadian. Yeah, it taken care
of business every day, taking care of business every way.
Uh yeah, there you go. He's born in Maine. He
close enough.
Speaker 2 (11:49):
It's really close up there.
Speaker 1 (11:50):
He threw a rock over to Canada. Big shout out
to Stephen King. If you haven't seen that movie, I
sent Eddie a screenshot. Ronnie Dunn text me Brooks and done.
It was like, what's that movie you're talking about the
dancing Man? And I said, no, there's a dancing man
in it, but it's a walk to remembered.
Speaker 2 (12:08):
Remember what's uh? I said it the wrong movie? No, no, no, no,
it was a Life of Chuck.
Speaker 1 (12:13):
And I said hey, because I was getting some feedback
from listeners that were like, I don't get it, and
I don't want to tell you what there is to
get or not get, but there is something in it
that you have to understand. It's not just a movie
you watch and you take it all for what is
being presented to you. There's a deeper meaning to it,
and I can understand if it's not your thing, or
if you're not focused on it, it could maybe you don't
catch it, and they're like, I didn't get it, thought
it was stupid, totally get it. Hit me up and
(12:37):
I was like, hey watch this, but it depends what
kind of mood you're and you may not like it.
And like four hours later hit me back. He was like,
we really like that.
Speaker 2 (12:45):
Oh that's awesome.
Speaker 1 (12:46):
Nice. He said, what else you got? I said, have
you watched The Long Walk? And he's thinking, yeah, he said,
I already watched it. It's good. I said, Okay, I'm done.
I'm tapped out. That's about all I got as far
as movie.
Speaker 2 (12:56):
Recommend it when you send me the text, I pictured Ronnie,
you know, just like on his couch on Netflix, you know,
on the search button. Oh, let me tell Bobby what
it is running.
Speaker 1 (13:05):
He watches the other one. So yeah, big shoutout Stephen
King anything anything, guys want to add to that.
Speaker 2 (13:11):
No, I'm just I'm looking forward to that movie only because.
Speaker 1 (13:14):
Don't because it won't be as good as I don't know.
Speaker 2 (13:16):
But but there are so many crime movies. There are
so many just movies about like, you know, bad things happening,
like crime or whatever, or like a murderer. And I
see this trailer, and I'm like, Okay, this is one
movie that set looks so different than everything else that's
out there.
Speaker 1 (13:36):
The thing is, I never saw a trailer for it.
Speaker 2 (13:38):
Because I watched the trailer and oh you did, Okay,
so you sought it out. I didn't even know of
the movie no after you told me about it. I
watched the trailer yesterday.
Speaker 1 (13:46):
I stumbled up on the screen capture when I was
just going through, and I thought, I'm drawn to that.
The colors, Yeah, it's pretty blue, Tom Hiddleston Huddleston.
Speaker 2 (13:59):
And I told Mike too. I'm like, man, it's He's
told me it was on Hulu and I said that's
crazy because I'm always on Hulu because that's where I
get my live TV. And I never saw that movie
pop up.
Speaker 1 (14:08):
Hulu kind of blows for finding new stuff because they
do populate it with a lot of like dateline current stuff,
so the first few roads like all the normal TV
stuff in serieses, so you don't really know unless you
search it out for Hulu. On that we're Netflix, but
Hulu also sucks. And what you watched recently, that's like
the eleventh tab down too. You got to go way
down where Netflix is like Tab two. You're already watching this,
(14:29):
you want to keep watching, And here's our top ten
shows of the week.
Speaker 2 (14:32):
I like the top ten me too, Yes, and Hulu
does not have that.
Speaker 1 (14:35):
We're a couple weeks out, by the way, for this
podcast being on Netflix. Cool, a coupled a few weeks.
Speaker 2 (14:41):
That's amazing.
Speaker 1 (14:42):
Yeah, so I wasn't actually fighting for Netflix there. I
really feel that way.
Speaker 2 (14:46):
But then halfway through, I thought to myself, that's what Yeah,
let me just say it.
Speaker 3 (14:51):
Yeah, okay, Hey, speaking of Bobby recommendations, I started watching
Paradise on Hulu.
Speaker 1 (14:58):
I don't know if you have Hey have art of Hulu? Whoa, dude,
it's blowing my mind.
Speaker 2 (15:04):
Yeah, it's different, great recommendation.
Speaker 1 (15:07):
I loved it. I did not see that the twist
has been so talked about, but I still don't want
to talk about it. I didn't even know. I didn't
see that coming. It just looked by the previews to
be an awesome show based on what they showed. And
then there's another twist in it, and you go, oh,
that's this is not the show. I'm watching it at all.
(15:27):
I love it, and it comes back in February.
Speaker 2 (15:30):
Wow.
Speaker 3 (15:30):
Fun fact, long long time ago, James Marsden hit on
my wife at a bar nice and she turned him down.
Speaker 1 (15:37):
I was like, why would you.
Speaker 2 (15:39):
Do that, James Marsden, He's the he's the president.
Speaker 3 (15:41):
She turned down the president of the United States.
Speaker 2 (15:43):
Man.
Speaker 1 (15:43):
He's a really good looking older guy. Yeah, because I
think he's in his fifties now and he still looks
way young.
Speaker 2 (15:48):
Oh. You know what's funny is he's known to my
kids from The Sonic and Sonic the Hedgehog.
Speaker 1 (15:54):
Oh that's right. Yeah, I know him mostly from Jerry Duty.
Such a good show. That show nailed it is. Yeah,
they've made another one. It's not out yet, but it's
not a jury. I think it's but Mike can search
what it is. There's a different premise, okay, because I
think everybody then going in for jury UDEs looking around
like this is a joke, am I being Yeah, we're
(16:14):
James Martin.
Speaker 4 (16:15):
It's a corporate retreat.
Speaker 1 (16:17):
Oh that's cool, it's gonna be good.
Speaker 2 (16:18):
That sounds that sounds fun.
Speaker 1 (16:19):
They go on to corporate retreat. Did I finally saw
kind of Gross or the documentary? Thoughts?
Speaker 2 (16:27):
I learned a few things.
Speaker 1 (16:29):
Did you enjoy watching it.
Speaker 2 (16:30):
I did. I mean, I'm such a fan that I
loved watching it, but overall I was ready for it
to end. Really yeah, I mean I love the stories.
I got some stories that I'd never heard of before.
There were some stories cool that he's that he's told here,
you know, in the studio, and I was like, that's crazy.
He told it here the exact way he told in
the documentary. Love that, but he just got a little
(16:52):
little he got a little whiny for me after my
wife says about his music. But I don't see that
in the music, like, and maybe the music is like,
oh that's art cool, it's whiny and everything whatever, But
in person, like I was like, all right, due, I'm
kind of like, I'm done. I feel for him that
he had to go through things like that, and maybe
still goes through things like that, but I was kind
(17:13):
of done hearing about it.
Speaker 1 (17:14):
The documentaries on HBO Max is part of the Music
Box series and it's called Counting Crows. Have you Seen
Me Lately?
Speaker 2 (17:20):
Yeah?
Speaker 1 (17:22):
I loved it. But I'm a massive Counting Crows fan,
as is Eddie. It's my favorite band, my favorite band
kind of cross and I thought it was fantastic, and
I'd never heard of the disorder he had, the disassociated never.
Speaker 2 (17:33):
Heard of that, and I felt bad for him. I did,
But after watching the whole documentar, I'm like, oh, I'm
ready for this to be over.
Speaker 1 (17:39):
You don't want to hear about it anymore.
Speaker 2 (17:40):
Kind of done. But you know what, though, I think
the cool cool stories in that is I didn't know
the viper room situation.
Speaker 1 (17:48):
When he went and just like tended bar for a
while because he can feel normal.
Speaker 2 (17:50):
Yeah, and the band's like, are we still a band?
Or are we not a band?
Speaker 1 (17:53):
Because he'd been gone.
Speaker 2 (17:54):
Yeah, but it really helped him out to become him.
And the Dread story too. I always thought he was
black because of the Dreads.
Speaker 1 (18:02):
Yep, I can see that, or at least but he's
very white, but at least or I still am not
convinced he's not some black really, Yeah, what is he like?
You know what I am? I did the twenty three
in me. I think that's one I did. Yeah, and
I got like a little Irish, some German, some, but
it's all as Caucasian as you could possibly be.
Speaker 2 (18:23):
I mean, he's Jewish Durre.
Speaker 1 (18:27):
Its interesting, Yeah, so did people hate on him for
having Dreads, where they say he was like appropriating. Oh,
I don't know, is that even a thing? Then?
Speaker 6 (18:36):
Yeah?
Speaker 1 (18:36):
Always thought I always thought Fergie was black too.
Speaker 2 (18:39):
For the record, yeah, I'm with you on that where
I'm still convinced she could be.
Speaker 3 (18:42):
I thought that until the national anthem.
Speaker 1 (18:45):
Mmmm, you know that was a bad one.
Speaker 2 (18:47):
Yeah, whoop whoop, whoop, whoop, whoop whoop.
Speaker 1 (18:50):
I guess I never thought about it until I heard
the dreads thing, and I was like, wait, why would
people care that he had dreads?
Speaker 2 (18:55):
Yeah, I don't know. I thought it was interesting that
he kind of had never really felt like himself until
he got dreads and then.
Speaker 1 (19:01):
He's like, maybe I need dreads.
Speaker 2 (19:03):
Dude, you come in to marrow with dreads.
Speaker 1 (19:05):
I'm so white though, it just wouldn't work. It'd be
for sure appropriation.
Speaker 2 (19:11):
I know for sure, if I had hair, I would
definitely try to do.
Speaker 1 (19:14):
You probably could, though, because I think the less white
you get, the more you can do dreads. But generally
I have seen white guys with dreads. But just I
think dreads are so cool.
Speaker 2 (19:23):
I think they're so cool.
Speaker 1 (19:24):
Like I have black friends that have dreads and they
look so cool. And then I've known a couple of
white guys. They just like dirty. Yeah, they don't look
good on white guys.
Speaker 2 (19:31):
Like my wife if she doesn't wash her hair in
like a couple of weeks, she started they started dreading. Yeah, right,
you have a little bit.
Speaker 1 (19:37):
Yeah, music box counting Crows? Have you seen lately? Really
liked it? And you watched the other one?
Speaker 2 (19:42):
I loved it? What's the other one?
Speaker 1 (19:44):
Hallelujah? Jeff Buckley?
Speaker 2 (19:45):
Jeff Buckley, hallelujah? Loved it? Is it called hell?
Speaker 1 (19:48):
No, that's what I think you have on him?
Speaker 2 (19:49):
I don't think that's what it's called.
Speaker 1 (19:50):
Jeff went I love that one. We talked about that.
Speaker 7 (19:53):
Yes, let's take a quick pause for a message from
our sponsor, and we're back on the Bobby cast.
Speaker 1 (20:07):
Let's do a concert of questionnaire and all three of
us can answer these. You can relive one concert you've
already seen, so you had to go to this concert,
but you get to go back to this concert and
relive it. Which concert do you go back to?
Speaker 4 (20:22):
Eddie?
Speaker 2 (20:23):
Dang?
Speaker 1 (20:24):
Do you do why?
Speaker 2 (20:25):
I mean, that's the first one that comes to my mind.
But I'm trying to think, like early, early on, you know,
you start thinking, like your first few concerts are so
impressionable to just this young you going to a concert
for the first time, seeing someone from one stage. But
my first two were like Clint Black and George Strait
and they were awesome and I'll never forget them, but
like respect like different. Yes they weren't together got it,
(20:49):
But I'm happy with that experience. I wouldn't care to
go back. Pearl Jam opening up for you two in
Hawaii at it's the stadium called Aloha Stadium.
Speaker 1 (21:02):
Brandon, you get to go back to one concert that
you've already seen.
Speaker 3 (21:04):
What is it, probably two thousand and four, the Cotton Bowl.
It was the very first Crossroads Guitar Festival. We got
there at like seven am and got front row.
Speaker 1 (21:17):
We're on the DVD.
Speaker 3 (21:19):
It's Eric Clapton, BB King, Buddy Guy, Carlos Santana, Joe Walsh,
John Mayer who was there with you, Me and my
brother and our best friend Chad, and we drove like
five hours.
Speaker 1 (21:31):
Chad, Chad, I'm gonna be that dude. Though I don't
think you can call a festival on every art to
the festival, I think you can go on. You can
go one because mine's at a festival. I didn't do the
whole festival. I did the one m artists. Okay, okay, okay,
you just picked the greatest hits album.
Speaker 3 (21:43):
Sorry.
Speaker 1 (21:43):
As far as like, what's the best album ever, You're right,
you did that thing. I'm gonna go so I'm not
doing all of a cl But I saw John Mayer
play acl that was in the rain, and what I
would do different as I would just wear different clothes
because I got so wet all cotton. But it was
super cool.
Speaker 2 (22:01):
That was when it got real money, right.
Speaker 1 (22:03):
The vibe was awesome. It was like one of the
first times I'd seen John Mayer do a full length
show because he's been, you know, my favorite solo artist forever.
So that's what I would do.
Speaker 2 (22:13):
What was the rain situation for him? Like did he
just play just like and that's why I was cool.
That's really awesome.
Speaker 1 (22:19):
Okay, I have I have one, and this is that counts,
by the way. I hate to be that. No, no, I agree,
that's that's a good point.
Speaker 3 (22:28):
When I was about twelve years old, this is like
right before I'm before I start playing guitar. I was
a big Creed fan. Sorry, Eddie. But Creed's playing United
Spirit Arena in Lubbock, Texas. But it wasn't Creed that
I like freaked out about.
Speaker 2 (22:45):
There we go, dude.
Speaker 3 (22:48):
Collective Soul was their their main support. It was another band,
Clips Soul, and then Creed. And that night, that moment
was when I was like, I want to play guitar, Like.
Speaker 1 (23:00):
This Roland made you want to play guitar.
Speaker 3 (23:01):
Dude, everything about that band like and dude, he called
somebody out up in the up in the boxes, like
people were watching TV in their boxes, and he stops
the show and.
Speaker 1 (23:13):
He's like, this is what I'm talking about. You know,
we're charging as the main support, not even it's the headliner.
You don't know. He's like going off.
Speaker 3 (23:20):
He's like, we have to charge like all this money
for concert tickets and people can barely afford it.
Speaker 1 (23:25):
And look at this jackass up here.
Speaker 3 (23:28):
He's he's watching TV during the concert, Like if you man,
We're like.
Speaker 2 (23:32):
Yeah, the guy probably has no idea what you're talking
about him.
Speaker 1 (23:35):
He's like, and it's just a meetup of the concert.
He's like it's on television and he's getting yelled at
and he's watching the he's like, no, no, I didn't even
turn this on. It's hurt and it's you guys. If
you could see any artist that you've never seen that's
alive and be front row, who would it be?
Speaker 2 (23:52):
Yeah, Taylor Swift, Yeah, I'd love. I'd love to see
that show. I just when that show came around, I couldn't.
I mean there, you can't get a hookup quote unquote
hookup for that and it's too expensive.
Speaker 1 (24:05):
So this is a harder question for me because I
feel like anybody that's alive that I've really wanted to
see I have been able to see unless I go
back to living, because then I would probably go like
Paul McCartney, Yes, that'd be cool too if he plays
and he does play a lot of the Beatles stuff.
Speaker 2 (24:18):
He just finish his tour, I think American tour.
Speaker 1 (24:20):
So I have to go to that older spot because
I've seen anybody that's making current music relevant, super relevant,
I think I've been if I wanted to go, But
I think it'd be really cool to go front row
Paul McCartney's mind.
Speaker 2 (24:32):
That'd be awesome. And my mom just went to go
see him and it was so special to her because
she you know she's been a fan of the Beatles
since she was a little girl. She's like, I've never
ever seen I never got to see the Beatles, never
have seen Pau McCartney concert. And here she is, like,
you know, seventy eight years old watching Paul McCartney play.
It was a really cool, she said, Brandon.
Speaker 3 (24:54):
I have to agree with the Paul McCartney thing. I've
never seen him. All of my family, like my my
father in law has seen him. My father in law
saw the Beatles at Metz Stadium.
Speaker 2 (25:05):
Wow, that was like the way it got crazy right, Oh,
it was insane.
Speaker 3 (25:09):
And so just just hearing all of his stories and
like reading Paul's books and just following that would just
be incredible.
Speaker 1 (25:16):
I think I would have possibly picked John Fogerty because
I was a massive CCR fan, still am. But we
saw him at Iharlready Music Festival.
Speaker 4 (25:24):
Him.
Speaker 1 (25:24):
Man, he's eighty and can still go awesome, It can
still can still. I would stay. He sounds eight out
of ten, yeah, to what you would think, not three
out of ten doing an impression of John Fogerty.
Speaker 2 (25:37):
Eight out of ten and he is older.
Speaker 1 (25:41):
He's eighty plus eighty plus.
Speaker 2 (25:43):
Where like your voice just can't do stuff like that.
And his music requires high singing, high and intense.
Speaker 1 (25:49):
Yeah, and he slowly walks out there and then he's
like Amy, he kills it. I watched the documentary of
Chevy Chase and mentioned this on the show. It's called
I'm Chevy Chasing, You're Not. And the whole documentary is
basically showing how hard he was to work with, but
also showing his life. And he's in his eighties now,
and he moves slow and still makes little jokes and stuff.
(26:12):
But then I was thinking that, like when Fogerty came in,
moved a little slow but went hard. Yeah, Chevy Chase
moved a little slow, and I think he just is
the normal eighty three year old at this point.
Speaker 4 (26:21):
Yeah.
Speaker 1 (26:21):
Have you watched that.
Speaker 3 (26:22):
I've seen clips. It's crazy.
Speaker 1 (26:25):
It doesn't make me like him less.
Speaker 2 (26:26):
Really, because you kind of expected that from him anyway. Yah.
Speaker 1 (26:29):
The expectation was he's difficult to work with it, but
then you understand why it was difficult to work with
and like the abuse he went through as a kid
that made him like he is. They kind of do that.
Let's show the villain why the villain's the villain, and
it doesn't justify how at times he treated people. But
like all of his friends that came on this or people,
some people didn't even want to come on, but they
were like, yeah, man, he's a dick, but you just
(26:49):
always knew he was a dick. But he was so funny,
and a lot of people interpreted him being a dick
for he was just doing his comedy, even with people
that weren't comedy people. So I can see why people
did not like him, But I also can see why
he was so famous and funny, and it was it's
a good documentary.
Speaker 2 (27:08):
His movies were just funny. I loved so many of
his movies.
Speaker 3 (27:11):
I don't think I could be friends with them. Yeah,
oh no, I don't think he wants to be friends
with anyone.
Speaker 2 (27:16):
Right, is that the vibe?
Speaker 1 (27:18):
But I could definitely understand how why he made it. Yeah,
and it's also he was really good looking too, super funny,
really good looking back in the day. But it's it's
on CNN right now, but I watched it on demand
on YouTube TV like cable. But then it comes down
on HBO Max in a few weeks.
Speaker 2 (27:35):
Okay, good, because I saw it exclusively on something else
that CNN.
Speaker 1 (27:40):
But you can find it on demand on CNN on
demand on if you have Hulu Live or live. What
artist did you love until you saw them live? I'll
go first. I didn't read these questions ahead of time either,
but I'll go first because I have an answer. And
I don't think it's that I love them less, but
I just realized they are not good live because I
(28:01):
can still love their music. And what is unfortunate now
is this person is sick and he's still out performing
and go for it and it's still fun to see him.
But this is before he was sick. He still wasn't
good live. It was ever Clear. Oh yeah, yeah, yeah,
Art Alexis.
Speaker 2 (28:17):
We saw him when he wasn't sick and it still wasn't.
Speaker 1 (28:20):
I love ever Clear. I love so much of the
after glow before that. I loved Sparkling Fade, I think
is what the album was massive. I even loved the
story like he was older when they hit and he
was trading like work for studio time in a garage.
He's like thirty years old. Ever Clear was a massive
part of my college life. Saw them play live, saw
(28:41):
him play live at like a winery, did do we
go to that together? No, I went with you there
yet it was one of you, Yeah, one of you's.
Speaker 2 (28:48):
I went lest so he played solo.
Speaker 1 (28:50):
Yep, it was him Marcy playground lead singer. Yeah, and
who sings this? Oh, it's all my bride out each
six six they were all and there's one more dude?
Speaker 2 (29:00):
Was it Jim Blossom's guy?
Speaker 1 (29:01):
No Fountains of Fountains Wayne?
Speaker 3 (29:03):
Oh, dude, the guy and he passed away. The singer
did during COVID he audited, Yeah, the main songwriter of
Fountains of Wayne.
Speaker 1 (29:11):
There was two guys.
Speaker 3 (29:12):
There, but the singer passed away. The guitar player that
was with him, but not the singer. I don't think
so got him. He also wrote that thing that's better
than No.
Speaker 1 (29:20):
I'm just kidding.
Speaker 2 (29:21):
I have no idea. I just I just thought that
he was one of the singer. But we went Yeah
me sounds Randon. We went to and it was those
four lead singers and the mark must have been sick
then for sure. Yeah, Like, why didn't I go with you?
That sounds like something we would one hundred percent go.
Speaker 1 (29:35):
To, because I think we all talked about it, and
Brandon and I went because you would have gone.
Speaker 2 (29:39):
For sure, I must have had COVID. I think I
had COVID.
Speaker 1 (29:42):
It was pre COVID eighteen.
Speaker 2 (29:44):
Maybe I don't know.
Speaker 1 (29:45):
Yeah, you probably did.
Speaker 2 (29:46):
Don't understand why I wasn't there.
Speaker 1 (29:47):
The Marcie Playground guy came out first and played like
three songs because that's and they have one he hasn't,
but they played two other ones too. It was good.
Speaker 2 (29:56):
And then Eve said, yeah, and I think art alexis
closed he headline, but it was he couldn't sing. Do
you remember that, Brandon?
Speaker 1 (30:02):
I do? Yeah, it was it was great. I mean
it was funn even him singing bad because we sang
with that and it wasn't a winery.
Speaker 2 (30:08):
So we we saw him a while back and he
couldn't sing.
Speaker 1 (30:10):
So full concert.
Speaker 2 (30:12):
Yes, So when you went to this one, did you
kind of expect, Oh, it's probably a bad night. Let's
see how he does today.
Speaker 1 (30:17):
Is a bit different because when we saw him we
went to it legit like a like and it wasn't
an arena but a small it wasn't.
Speaker 2 (30:26):
It wasn't ACL Live, right, so it was a ACL Live, yes,
al that arena. It's uh, it's not really a theater.
Speaker 1 (30:32):
It's bigger than a theater regardless modern day theater. We went,
but they had instruments band and Jen Blossoms open Marcy
Playground was there. Their full band opened, Sugar Ray played
ever Clear play. You see the kind of concepts we
go to. It was so awesome because they had so
much music and there were drums and guitars. I didn't
feel like Arta Alexis was so bad that show. I
(30:54):
think they masked it with music when when Brandon and
I went to the winery to watch, it was just
him an acoustic guitar and it was just him sitting
up there, So it was more he was more vulnerable, Yeah,
for sure. Yeah, and he's out playing now and he's sick.
I think he has you know, I don't want to
guess it's his ailment.
Speaker 2 (31:13):
I was about to guess it's not a fun.
Speaker 7 (31:16):
Let's do it.
Speaker 1 (31:17):
And I'm rooting for him. Oh he's got a mess, okay,
and he's still not playing and awesome, But yeah, I
would say that for him, that was not a good
one for me.
Speaker 2 (31:25):
Uh, I'm gonna go Bob Dylan, but I still oh, yeah, good.
I still love Bob Dylan and I love his music.
I love his his albums, and I love listening to
him still, but man live, I don't recommend that for anyone.
Speaker 1 (31:38):
So I went and saw him at ACL Festival, and
I'm not a fan. I'm more of a fan now
of his story and what he means to songwriting. After
watching the movie, reading the book first, then watch the book,
I forget. Yeah, I think so that was a good book.
I think so. I read it so long ago when
it was kind of boring to me, but I still
like understood why the people that I like like him.
(32:01):
But his music, except for the hits, was not something
I was drawn to. So he was just playing at
ACL and I walked over if doing songs had ever
heard of either?
Speaker 2 (32:09):
But no, No, they probably were. That's the all point.
They were probably the hits. You just can't understand them.
I'm not even being a hater. I'm not hating either
because I love Bob Dylan. I didn't love him enough
for it to affect me in a negative way. I
just walked off, dude. The crazy one was I saw him.
It was a dual tour of Willie Nelson and Bob Dylan,
and they were playing baseball stadiums and I went and
I think Willie Nelson played first. It was awesome, It
(32:32):
was great, will He's amazing. Then Bob Dylan comes out
and for the first five or six songs, like it's inaudible,
Like you can't you're really playing music trivia with his music,
Like is that like a rolling stone?
Speaker 1 (32:43):
Because of the sound or because of his way.
Speaker 2 (32:47):
These kind of things like that, and you don't really understand.
So people started leaving. Like I'm talking, I would say
sixty percent of the crowd just left, wow and wild,
and forty percent of us were they and I stayed.
I'm like, I'm such a fan. I've never really seen
him before. Someone to stay and he sings, He finishes
whatever song he's singing. Then he he had a hat on.
(33:08):
I remember the hat was really low and he kind
of picks the hat up, looks up and goes welcome
Bob Dylan fans. He goes into like a rolling stone
and it was crystal clear, And I'm like, did he
do that on purpose to eat out the non fans?
Speaker 1 (33:24):
Just test it all, you guys.
Speaker 2 (33:25):
I feel like he's that kind of dude where like
he feel like he's like Chevy Chase too, like difficult,
probably very difficult.
Speaker 1 (33:31):
He knows exactly who is as an artist. He's kind
of a dick.
Speaker 2 (33:33):
I've heard the opposite. I've heard multiple people that have
met him, hung out with him, and he's like he
is the nicest person you'll ever meet. Wow, because I
thought the same thing. I'm like, oh, I wouldn't want
to meet Bob Dye.
Speaker 1 (33:45):
Because I feel like somebody would do that to run
people off.
Speaker 2 (33:49):
I feel like that was just a fun game to him,
like let's see how that.
Speaker 1 (33:52):
Feels like what a dick would do.
Speaker 3 (33:54):
But okay, I have a question for the Counting Crows
fans in.
Speaker 1 (33:59):
The room or diehards. I know, yeah, you hate when
he changes the songs up here, you know I and
I'm they talk about the documentary too.
Speaker 3 (34:06):
Well, That's what I was going to ask you guys about, like,
you know, diehard Bob Dylan fans they don't care because
they just love Bob Dylan. But do you guys, A
do you notice that whenever you see them.
Speaker 2 (34:17):
County Crows County Cruise. Oh yeah, okay, we know it's
coming too.
Speaker 1 (34:21):
Okay, you do do you care? Does it bother you? Like,
do you wish he would stay. So the last show
that Eddie and I went to together, he actually played
them eighty five to ninety percent right on, and we
were surprised by that. I think I would compare it
to I went and I went to the I saw
the Mona Lisa right So I go to the Louver
and I've never seen them Mona Lisa before, and I'd
heard by so many people that it's so small. You're
(34:43):
going to be so shocked at how small it is.
In my head, it was a posted stamp, So when
I finally saw it, it wasn't a post to stamp.
It was like a TV screen. I was like, this,
think's bigger than I thought because I had the expectation
that it was so small. I didn't go to a
bunch of Counting Crows shows, Okay, so I just heard
forever they suck live. They don't play songs like they're
(35:04):
supposed to. So I go to a show the first time.
We're in Austin, and I love County Crows, but I've never
been to a show. I'm going these are going to
be all songs that I know the words too, but
every one of them is going to be completely out
of sync, and so I go with the attitude of
I'm just going because I like them maybe, and they
played like half of the songs and I was like, oh,
that's not a post to Stamp at all. Yeah, that's
like DV and so, because my expectation was they change
(35:26):
every song, the fact that they did half the songs
it didn't land on me negatively. There were people around me.
They're like, this sucks because they didn't know that he
gets bored like Bob Dylan does. It just changes songs
up the show that Eddie and I went too recently,
because I've probably seen them now four or five times.
Like I said, he did eighty to ninety percent all
the right way, and we were shocked, wow, because their
(35:48):
expectation was he's going to change up all these songs,
and when he played mister Jones normally, it was abnormal
to us.
Speaker 2 (35:56):
Yeah, like, wait, why isn't he changed it.
Speaker 1 (35:58):
I'm believing good enough to get an original version. But
if you watch on TikTok, people will get upset when
they play songs differently because they don't know that's what
he does.
Speaker 2 (36:08):
A lot, and they've been doing that forever, yeah, forever.
So Yeah, it doesn't. It doesn't bother me. I like it.
Speaker 1 (36:15):
I like it because I know he's gonna do it,
and when he doesn't do it, I like it even
more when he does it originally the original version. Good question, man,
I watch your answer to that that question. Who did
you see? Maybe it's tough for you as an artist.
You've opened for a lot of people. You're in the biz.
This person may hit you up and want to beat
you up. Yeah, maybe I need to go back.
Speaker 3 (36:34):
No, maybe, And maybe I saw them on and Off night, But.
Speaker 1 (36:39):
It was guns and Roses. Man, were they all come back?
Speaker 3 (36:43):
It was recent? It might have been actually it might
have been like four years ago. There were parts of
the show that were great, Oh, this is like Welcome
to the Jungle?
Speaker 1 (36:54):
Was spot on? Did he sound like old Axel on.
Speaker 3 (36:57):
Some songs and then and then other songs it was like,
what what is happening?
Speaker 1 (37:02):
Like this is like this is horrible?
Speaker 2 (37:04):
Was he changing the song structure or was it just
his voice couldn't keep up with it?
Speaker 3 (37:09):
Was his voice like you know, he's got that low
low thang and then he goes ah bye and he
couldn't like regulate it.
Speaker 1 (37:16):
He also he was having trouble keeping it. It wasn't
that he was consciously going I'm just not gonna sing
this song the same way.
Speaker 3 (37:22):
Yeah, exactly, and that whole diva mentality like you saw
it start to come out, you know, like he was
like yelling at his crew and then he would say
things like the crowd wasn't into it enough, and it
is like, dude, this is a sold out bridge Stone
Arena show, like people are giving it all they got.
It was just it just left a It made me
understand what people were talking about.
Speaker 1 (37:44):
Yeah, even though I'm still I'm a.
Speaker 3 (37:45):
Huge Guns and Roses fan whatever, but it was just like, ah,
would I go see them again?
Speaker 1 (37:50):
I don't know. And after you guys walked off, he
goes the real fancy.
Speaker 2 (38:00):
He learned it from Bob.
Speaker 1 (38:04):
I saw clips. I didn't go. But similarly, and I
think it's just if people come back in their hold
and they had a distinct way of singing, they can't
do it. You feel bad for them. But when I
watch clips of a CDC, oh yeah, and you feel bad.
I'd still like to go to the show me too.
But it's that registerment. Rian Johnson and then also even
(38:25):
Angus playing guitar. They have to be eighty years old too. Yeah,
and he runs around a lot. He's not really able to.
That's hard, dude.
Speaker 2 (38:34):
Do you know who still Well, it's been it's been
probably seven or eight years that I've seen him, but
the Rolling Stones, and I know they had to cancel
a tour whatever been. And I know when I saw
them by eight years ago, they rocked.
Speaker 3 (38:47):
Did you see him at Nissan? And Nissan me too, Man,
I was there.
Speaker 2 (38:50):
And that's one of those where I was just like
so shocked that they were still so good.
Speaker 1 (38:55):
So a question, and this is maybe not be a
fair question I had heard could be completely false. Here
do they have a band back behind? I see him
playing as well back behind underneath, and that if you
pay attention to Keith Richards, he's awful lot. You can
hear it. It's like, but they have a band setting
all the fundamentals up for them, and they kind of
play over the top of that band, not tracks, but
(39:16):
a band you can't see. Do you think that's true.
Speaker 2 (39:18):
I think that it's probably true. But I did hear
mess ups and that's probably the old guys having their
instrument's still like the sound guys, you know, but like, yeah,
do you remember Keith Richard's guitar, Like you can hear
it where it's like, oh, that which is the guitar hero?
You know when you hit the.
Speaker 3 (39:39):
Yeah, which which that's the Keith Richard it's that sloppy
jangly thing.
Speaker 1 (39:45):
But I don't I don't think that's true. That's what
I have when I play a sloppy jangly thing. It's
my actual thing. It's all slamp all jangle.
Speaker 2 (39:53):
But dude, Mick Jagger was just like he moved a
lot up and down the stage, his hair great, and
he sounded awesome.
Speaker 6 (40:02):
The Bobby Cast will be right back. This is the
Bobby Cast.
Speaker 1 (40:15):
I have two questions left. What runs a concert for you?
I'll go first in that it wasn't the fault, but
I went to see Tom Petty once and they couldn't
get the sound right in the crowd the whole time
yelling turn it up, turn it up. And Tom Petty's
playing and only the first part can hear it in
the crowd in the back, like turn it up, we
can't hear. And like three songs went through, and then
finally there was like a button that was supposed to
(40:36):
the full sound, so that was bad. I don't mind
is it the sound or the crowd that was a
sound issue. Okay, but the sound. But if the crow
wouldn't yell, they wouldn't have got it. Ever, all of
it was annoying, but that very much an outlier, Like
I don't think that that happens a whole lot. I
don't mind phones. Some people be like, man, a phone.
(40:58):
It doesn't hurt me if you're holding a phone up, Like,
I don't mind phones. I don't like when people talk
or yell during slow during ballads at a at a singer.
Like let's say somebody sitting downt a piano and he's like, yeah,
well I just heard. It's like the bro bo we're
(41:19):
here and everyone here is yeah. Like when those slow
down moments happen. I like it when everybody slows down
and lets the guy do the thing because it's a
vulnerable point.
Speaker 2 (41:29):
I agree with that.
Speaker 1 (41:30):
That's that ruins it for me. Or when someone's just
trying to like yell a joke, get a joke in
when someone's playing something slow, or it's I hate that
that one off person who's trying to get the spotlight
when it's not their spotlight to have Brandon.
Speaker 3 (41:43):
Yeah, I mean there's all all of that. I mean,
I guess depending on where you're sitting, just just people
talking constantly or or get getting drunk, Like.
Speaker 1 (42:01):
Just just go somewhere else, man, Like that drunk's tough,
you know, but talking like having a full blown loud
conversation during a ballad, Yeah, quiet song, yeah, like you can.
They're doing higher, we're going to creed all the time.
Talk to your buddy. But when they're doing arms wide
(42:22):
open and you want to hear that the heart, shush,
shut up, Come on, okay, Eddie.
Speaker 2 (42:29):
Yeah, I'm gonna stick with the crowd. I think the
crowd's usually what ruins it for me. But specifically I
like to stand up at concerts. I don't like to
sit down and watch the show. And I've had multiple
moments where crowd members have been like can you please
sit down or like stand up the whole show, and
you see them kind of move because I'm standing up
(42:52):
and jumping and enjoying the concerts.
Speaker 1 (42:54):
About the show.
Speaker 2 (42:55):
So I think, like, yeah, I hear they're a crowd
that they hate. I hate that people don't really get
into the shows. You know, like as much as I
think they should.
Speaker 1 (43:03):
A little bit, isn't it read the room in those
situations like I get universally you bought taking stand up.
But again, if you're a Nora Jones concert, I don't
know what I didn't and you're standing up and that's
a sit down show.
Speaker 2 (43:18):
Yeah that happened that. Who's the one that has the
music with the the puppies that are Sarah McLaughlin. It
was a Sarah McLaughlin show.
Speaker 1 (43:28):
In the arm you're standing up. But see, I think that's.
Speaker 2 (43:32):
Rude of you.
Speaker 1 (43:33):
You fairly can't. You're legally can right well, but it's rude.
It's also kind of rude at a show if you're
standing up the whole time if everybody around you, what
I'll do everybody around me standing up, I stand up
and say up. If everybody around me sits down, I'm
not gonna be the one guy at an Aqua Lung
concert that's standing up because everybody behind me is like
wanting to just sit and enjoy the show.
Speaker 2 (43:53):
Aqual long, I feel you gotta get up and jump.
Speaker 1 (43:55):
No. Aqual long was a piano.
Speaker 2 (43:59):
Not proud of than Sunshine.
Speaker 1 (44:01):
There's a piano concert.
Speaker 2 (44:03):
I just think to me is like, you can do
whatever you want, and if you're bothering people, which I
wasn't bothering anyone, you can stand you.
Speaker 1 (44:10):
Are bothering someone. If it's again, I'm not.
Speaker 2 (44:13):
Look, I wasn't in front of the wheelchair aisle. Dude,
they can stand up to with me and you're you're
not wrong, You're not wrong.
Speaker 1 (44:20):
I just say I read the room and just like
I don't like to talk loud during a slow song
if the everyday around me is not standing up, and
it's one of those sit down moments that you really focus,
I sit down.
Speaker 2 (44:32):
You ever see those South American shows of like rock
bands going to South America and the whole freaking's arena
is jumping and you're trying to.
Speaker 1 (44:42):
Do that Sarah mclaugh And you know what, that's annoying.
Speaker 2 (44:45):
I'm just saying, I think in America we need to
get into our concerts here. Man, they wanted, the artist
wants us.
Speaker 1 (44:55):
To keep get into concerts differently. Different songs are meant
to be gotten into different ways.
Speaker 2 (45:01):
I remember I was at a Band of Horses concert
and I was just jumping up and down and the
people around me after two or three songs started jumping
with me and they're like, we love your energy. I'm like,
thank you, let's go.
Speaker 1 (45:12):
That's awesome. I like that. I like that for you.
That's really cool.
Speaker 2 (45:15):
I don't think you would have been that guy.
Speaker 1 (45:17):
However, if we're to ray La Montaigne show and you're
jumping around when it's supposed to be accepted and beautiful,
it's just a room. It's read the room.
Speaker 3 (45:25):
Yeah, there's concert etiquette for sure, and it's on all sides.
Speaker 4 (45:29):
Man.
Speaker 3 (45:29):
Just you know, we were at Brian Adams.
Speaker 1 (45:32):
At bridge Stone.
Speaker 2 (45:33):
It's a stand up show for me, oh my god,
like yeah, if there's like momentum and yeah, but even
everything I do, I do it for you.
Speaker 1 (45:40):
I'm still stand everybody standing up for sure.
Speaker 3 (45:42):
But there's a there's a woman and I mean he's
got an older crowd. She's literally talking on her cell
phone man speakerphone, facetiming with the person you know, watching
the show, and she's like so good, right, and you
can hear you can hear the person on the speakerphone
and trying to sing the song.
Speaker 1 (46:03):
Just like somebody get her out of here, like this
is awful.
Speaker 2 (46:06):
Okay, okay, see, that's a question for you guys singing along.
I've had people where I've sing I've sat around them
and they're singing so loud that I can't hear the
artists that I'm there to see.
Speaker 1 (46:18):
I think it's to read the room type thing. Again.
I think it's an understand the etiquette based on what
everybody else is doing as well.
Speaker 2 (46:25):
If but you know you're not a good singer, and
you could ruin what the person the people around you
are hearing.
Speaker 1 (46:31):
By everybody singing along, it can be the worst thing
in the world. Sing as loud and proud at you
can't because that's a sing a long song. Again. If
Alanis is up there doing unforgiven, so that's metallic. No,
but wait, that's one that goes I and the said
(46:55):
she's uninvited, thank you there. Nobody even said that. I
thank you myself, me for forgetting there. If she's doing
uninvited and you're singing so loud when it's one of
those moments again that it's supposed to be her moment,
then you need to shut up. I don't care if
you sing really good, it's just I don't people that
don't have the we'll call it emotional intelligence to understand
(47:22):
why you should act a certain way, when you should
act a certain way based on the emotion of what's
coming from the stage. I get irritated at that.
Speaker 3 (47:30):
Here's a question for you as a performer, Like.
Speaker 2 (47:34):
You're not a performer, no, no, no, we love to
know this from you.
Speaker 1 (47:38):
Yes, no, no, no, Like greater performer than any of
us ever. Do you know what it's like? Yes, well
both both of you guys.
Speaker 3 (47:48):
And I'm specifically talking about your your fan base like
raging idiots, comedy fan base.
Speaker 1 (47:54):
All that, all that stuff.
Speaker 3 (47:55):
What is your big biggest pet peeve about an audience?
Speaker 1 (47:59):
Like, oh, if I'm telling you jokes and people are talking, done,
shut it down because it's all timing.
Speaker 2 (48:04):
But but what about talking to you that I don't care?
That's what I'm Yeah, don't care, don't talk. Yeah.
Speaker 1 (48:10):
If I'm playing music and you're singing along, that's okay.
I love it because there's music. If I'm talking, the
silence is as part of the much part of the
act as the talking is. So you're stepping on words
I'm saying that are getting laughs or gaps I'm leaving
to get a laugh based on the next word that
I'm saying, even and it's hard to not scold an
audience if they're like lovingly talking to you, but it
(48:32):
still interrupts everything, Like I'm like, hey, so went out yesterday,
did it? I love you. It's hard to be angry
at someone that's telling you they love you, but what
they're doing is runing that for everybody else. What I've
had to do in those situations is if you just
don't pay any attention to it, even though it's so
obviously out there presented to you, If it's bothered somewhere,
(48:53):
if it's loving or whatever it is, it's it's ruining
the product. You cannot let the audience it's in or
they're all going to think they.
Speaker 2 (49:01):
Can get in by by acknowledge.
Speaker 1 (49:03):
You can't acknowledge it at all, good, bad and different.
You just have to go and if they keep doing it,
then you have to stop the show. And I've done
that before and go. Man, it's weird to have to
get onto somebody for being so loving and I love
you back, but all these people paid for a ticket.
Speaker 2 (49:20):
Right, Yeah, he's done that before.
Speaker 3 (49:21):
Yeah you have, you definitely have the last time you
guys played at the opry.
Speaker 1 (49:24):
What I loved.
Speaker 3 (49:26):
You guys are asking people to clap and then they
got off.
Speaker 1 (49:29):
We're like, stop clapping, you're running across. We can't keep up.
Speaker 2 (49:32):
I feel like we never learned on that one.
Speaker 1 (49:34):
Yeah, well keep up with normal clapping. So but you're
doing a good job, crowd, But we love keep up.
They loved every second of it. It's so funny. And
in music that's a lot easier to do, yeah, because
there's music and you can. But if you're just talking
and someone's talking, it would be the comparable too. If
we're playing music and someone brings out a guitar from
the crowd and starts playing guitar in the middle of it. Yeah,
it's the same way as talking during talking.
Speaker 3 (49:53):
Okay, how do you feel about doing Q and a's
after your comedy shows.
Speaker 2 (49:57):
After why are you?
Speaker 1 (50:00):
Well, they're they're nightmares.
Speaker 3 (50:01):
Oh dude, this guy, this drunk guy like went off
on Bobby in this beautiful theater and his and his
his wife is just hiding because he's just he's justlings.
Speaker 1 (50:13):
Yeah, and it's like you don't want to like have
somebody removed because they're obviously a fan or yeah, that's
that's tough. The weirdest part about Q and A is
the weirdest part about any of that is, or even
meet and greets, is when people want to like kiss
you or touch you and we're like, oh, I just
want to give you and you're I appreciate you being here,
but I don't. I don't want your germs. So I'm
(50:37):
sorry about that.
Speaker 2 (50:37):
By the way.
Speaker 1 (50:38):
Yeah, that's how Brandon got I hadn't seen you. All right,
that's it. Thank you boys for hopping in. Thank you
everybody for listening. If you got to this end at
the end of this Bobby cast, we appreciate it. And Eddie,
chill out. When Life House is playing hanging by a moment,
you don't need to stand up and do the waves.
Speaker 2 (50:58):
Just take it in long descent. I'm starting up, man.
Speaker 1 (51:02):
Thank you guys for listening. Soon, as of right now,
we're not able to say yet. We know but our
this show will be on Netflix. We have a lot
of great artists lined up for those first few episodes,
but for now we'll just keep talking ourselves. Make shut that.
Stephen King, Richard Bachman, Yeah, uh and you guys. All right,
that's it. Thank you guys, We'll see you guys next week.
(51:24):
Thanks for listening to a Bobby cast production
Host
Bobby Bones
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