Fool #1 calls a woman to talk to her about a reduction. Is this appropriate or nah?
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Episode Transcript
Coming up at about four minutes after the hour. Guys, today,
it's my strawberry letter and the subject is his female
company is too comfortable. His female company is too comfortable.
We'll get into that find out what that's all about.
But right now it is time for the prank phone
call for today. I'm just waiting to hear this one.
Speaker 2 (00:23):
What do you want something super stupid? Do you want that?
I mean, y'all got to tell me how y'all want
it now, y'all, yes, y'all know it's lails of my stupidity.
Y'all y'all won't Okay, let's go for it, all right,
This right here is Mona, fix your appearance. Mona, fix
your appearance, and I'm gonna call from corporate wardrobe. That's
(00:47):
what I'm calling, corporate wardrobe. Come on, Mona, fix your appearance.
Speaker 3 (00:54):
Hello. Hello, I'm trying to reach a Mona, please jesuit her. Hi?
How you doing. My name is James over with the
with the corporation. I'm with your corporate wardrobe. You've been
with the company for about eight years now, Am I correct? MoMA?
Speaker 4 (01:10):
Yes, sir? Okay, correct?
Speaker 3 (01:12):
Like I said, I'm from a corporate Wardrobe wanted to
kind of give you a call. There's been some conversation
about it, but wanted to give you a call about
your appearance in the office. Okay, okay, now your your
your appearance seems to be pretty much intact as far
as your clothing is concerned. So it's nothing that has
(01:33):
nothing to do with that.
Speaker 4 (01:34):
Okay. Now, first of all, what uh my pearents have
to do with your corporation?
Speaker 3 (01:41):
Well, what's going on? Like I said, you you've been
with corp for about what eight years? Now? Am I right?
Speaker 4 (01:47):
Yes, sir, I have Okay, and you call me telling
me something? My kids?
Speaker 3 (01:54):
Right? What I what I want to talk to you
about is that? What? What? What's some of the work
because in the office of having a problem with and
what we want to do is get you an actual
doctor's appointment because we want to see about helping you
get a breast reduction.
Speaker 4 (02:12):
Oh what a breath reduction?
Speaker 3 (02:16):
Okay? Now you you you? You? I mean from from
my understanding that your your breasts are too large?
Speaker 4 (02:22):
Hold up, hold up, now, who is this first?
Speaker 3 (02:24):
What was my name is? James? Like I said, I'm
with Corporate Wardrobe and I'm calling you actually pretty much
human Resources of Corporation.
Speaker 4 (02:33):
Okay, No, if you ain't calling here by something else,
certainly what we do here. So you calling me telling
me somebody give me a breath reduction. What you need
to do is try to dig up slow, because what
I'm doing over here, I'm gonna wham they was on
here and I'm gonna where they came out. I wear
them problem, Mona.
Speaker 3 (02:51):
All we want to do is we want to get
you a doctor's appointment so we can help you get
your get your breast reduced. So you know you you'll
feel a lot more comfortable and the people in the
office to be a lot more comfortable.
Speaker 4 (03:02):
Okay, I'm not You ain't gonna do it. Man. You
ain't gonna come in and tell me some what y'all
gonna do to me? What you talking about?
Speaker 3 (03:09):
I'm even just.
Speaker 4 (03:10):
Being this foremost eight years and I ain't never had
no problem when nobody's telling me something about my friends.
So what you need to do is find out who's
going around here making these rumors. And first of all,
I'm gonna dig up because maybe one he's up in
here talking about me and you know, jealous because I'm
on top of my and they jealous of me. I'm
on you know, I'm on mind and they run ain't
got top of my brain.
Speaker 3 (03:30):
Look, ma'am, my job is to get your breast reduced.
I gotta get I gotta bring them down.
Speaker 4 (03:36):
Big too. Can you reduce that? Excuse me, my big?
Can you reduce that?
Speaker 3 (03:41):
Man? Listen, I gotta get your breast down to it.
I gotta get her death. I gotta bring them down.
Speaker 4 (03:46):
An ain't what you're gonna get downe is that's what
you're gonna get done, and start worrying about my breath.
So you and whoever whoever calming you are telling you
something about what I'm doing at this this Tell them,
I said, the kids mind, So what I do you do,
I'm gonna do me. So they don't like that, then
hay holler at them because I'm an find whoever doing
(04:06):
it because they're jealous. I'm a bad they don't understand it.
And the man's come in and what woof woof when
they come to who they come to my desk and
ask for who, they ask for me?
Speaker 3 (04:16):
Mona, mona, I understand that. But what I'm saying is
your breasts are distraction in the office, and I gotta
get your breast brought down first.
Speaker 4 (04:23):
While whoever you are, you might even come to see
you can sit in the front of my desk and
see how it's looking. You might want to come back
and bring out your crew.
Speaker 3 (04:32):
Mona, I can't. I can't. I don't want to come
set your desk and see your your your I gotta
get you to a doctor and get your breast reduced.
Speaker 4 (04:41):
Now when you wanted a point, I ain't gonna see no,
I'm going.
Speaker 3 (04:45):
To a doctor. Your mona, you're going to a doctor.
Speaker 4 (04:48):
You bringing so he is. I ain't going no doctors.
What you talking mind? The doctor whoever you me to
go see, I ain't trying to hear it.
Speaker 3 (04:55):
Yeh. What I'm gonna do is they said you would
act like this moment. They said you would react just
this way. This is what the people in the office
are talking about.
Speaker 4 (05:05):
I don't give a damn what they I'll be in
this company for almost eight years. I ain't no hand
nobody account of me telling me some my bread. What
you need to do. First of all, you need to
come in and see me because it might like what
you're sick. Because I'm a big, bad bowl threety four woman?
You better yet?
Speaker 3 (05:21):
Well?
Speaker 4 (05:22):
What's is your name?
Speaker 3 (05:23):
And now?
Speaker 4 (05:23):
What's your what's your name?
Speaker 3 (05:25):
Why do you need my name?
Speaker 4 (05:26):
I need your names because I ain't never had somebody
coward my damn job to tell me some about my beer.
I need to know your name because I'm go'n get
some lottery in this because I don't play this, see
I need I don't play that. So whoever you is,
and your carpet and whoever kind of me by my bread,
I don't play that. I need your name, I really do,
because you don't, I'm gonna find out who this is.
Speaker 3 (05:47):
You do want to know my name?
Speaker 4 (05:49):
I want to know your damn name. Hell y'all, I
want to know your name.
Speaker 3 (05:52):
What is it? Are you listening?
Speaker 4 (05:54):
What is that a nest?
Speaker 3 (05:56):
You? Tommy from the Steve Harvey Morning Show? You just
got by your girlfriend?
Speaker 4 (06:03):
You bress bigger than mine?
Speaker 3 (06:09):
You know, got limps?
Speaker 4 (06:13):
Me and y'all need to clin what you're gonna make
me go? Right? I can't believe it's in her bread's
bigger than man, and then she got a limpse. I
listened to this show every morning, and I just can't
(06:36):
believe I got she did it. She got me. You
know you got me. But I'm gonna catch her limps.
I'm gonna catch the watching. It's okay. I'm gonna give him.
Speaker 3 (06:46):
All right, baby, I got one more thing for you, baby?
What is what is the baddest I'm talking about the
baddest radio show in the land.
Speaker 4 (06:53):
Maybe you already know that one and only Steve Harvey
Morning Show.
Speaker 3 (06:58):
And tell him and.
Speaker 4 (06:59):
Guess what play on this? Hi, pirone. I just want
to let you know I'm a side sixteen with a
low cut.
Speaker 2 (07:09):
Now you have it. Come on, Mona, come home, mona, baby,
I need you to fix your parents. Now, come on.
Speaker 4 (07:15):
Who you're talking to.
Speaker 3 (07:18):
Crazy?
Speaker 2 (07:19):
I'm calling you call I'm gonna call you a certainty, y'all.
Y'all appears you know.
Speaker 1 (07:25):
We're gonna call our attorneys right here. We got a
case case.
Speaker 2 (07:32):
I'm about to catch another plate all right. July July
twenty sixth, twenty seven, twenty eight, I will already be
in Philadelphia, Pennsylvania. It's the Helium Comedy Club. The Nephew
is coming to town. Tickets are on sale right now,
right now, right now. What I got laying in the cut?
I got some stuff. Man, let me see Buffalo, New
York laying in the cut. I got some stuff laying
in the cut. I don't curll. Y'all better get ready
(07:55):
board and if you come Tallahasset, Floyd, I believe that's
laying in the cut. We'll talk about that later. But
all right, this weekend, I am at cry out. That
is cry out. Don't worry about a call out that
I got to tell me. Be messing for y'all listening.
I'm the zoom mess up guy. All right, I screw
it all up. But anyway, but I look good on it?
Speaker 3 (08:15):
Do I look good?
Speaker 2 (08:16):
Do I look fly on the zoomy? What y'all think
you look? Let's go. I'm not going to be confident
your clothes? What what?
Speaker 3 (08:25):
You know? What? What? What?
Speaker 2 (08:26):
What is this that I ain't sexy to y'all?
Speaker 4 (08:29):
No more?
Speaker 3 (08:30):
No more, no more.
Speaker 4 (08:33):
I don't know.
Speaker 2 (08:33):
I never I've never been sexy to y'all. I don't
know about calling shirky, but definitely not to me. I'm
not appealing it. I'm not appealing any kind of way.
I mean nothing. Well, Junior speaks for the group on
this one. I just gave you that nice introduction for
your poem, this is how you do me. You think
that deserved for me to.
Speaker 4 (08:55):
Because of intro.
Speaker 1 (09:01):
Coming up next Strawberry Letter. The subject is his female
company is too comfortable. We'll get into it right after this.
Speaker 2 (09:09):
I'm not sexy at all, I said
Speaker 1 (09:11):
No, MO, you're listening to the Stave Hardy Morning Show.
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