Taekwondo Vigilantes, the ‘Purple Rain’ Stage Play & a ‘Bad Diner’ Survey

ICYMI: Hour Three of ‘Later, with Mo’Kelly’ Presents – Guest Host Tiffany Hobbs filling in with thoughts on a family of taekwondo instructors that saved a woman from sexual assault AND the Minneapolis’s State Theatre’s plan to adapt Prince’s ‘Purple Rain’ into a stage play…PLUS – A look at a new survey of the 10 most offensive things you can do at a restaurant - on KFI AM 640…Live everywhere on the iHeartRadio app

Episode Transcript

(00:00):
You're listening to Later with Mo Kellyon demand from KFI AM six forty.
It's Later with Mo Kelly. I'mTiffany Hobbs filling in with you. If
you knew a martial art taekwondo,karate, jiu jitsu, would you use
it if you saw someone being assaulted. There's one family who was confident enough

(00:24):
in their skills to open a canof whoop arts. I'm not going to
say it because my mom is inthe studio. Whoop arts. You can
fill in the blank on a manwho was attacking a woman. This family
took it upon themselves to jump inwhen they perceived and assault as happening.
Steph, Let's hear what they talkedabout. Imagine just how important their years

(00:47):
of taekwondo training would be. Untilyesterday Sunny, when the Odds were coming
back from a late lunch around fourpm, twenty year old Simon says he
heard screams at the Cricket wireless storenext door. In the second screen,
yeah, we knew it was likea cry for help. When they opened
the doors, twenty two year oldHannah says they saw something horrible and they
saw a man on top of awoman and the woman is on the ground.

(01:11):
After that, it only took amoment for their dad, Grandmaster han
On, to jump in. Hegrabbed the suspect and took him down,
and he just kept him in thecorner. He just kept pushing down automatic
self defense automatic tech on nose style. Simon and his brother, eighteen year
old Christian, also stepped into help, while Hannah and her mom, han

(01:32):
took the woman back to their dojo, making sure that she's okay because she
needed that after that experience. Accordingto Sheriff Ed Gonzales, when deputies arrived,
that suspect, identified as nineteen yearold Alex Robinson, was still pinned
to the floor. He was clawinghis way out. He bit my dad
tonight back at the dojo. Grandmasterhan didn't seem too rattled by any of

(01:53):
it. Yeah, of course,I'm very proud of my family. His
family, just grateful. They tellme to have been the right place at
the right time. Family of fivetwenty two eighteen A mom, a dad,
dad is a grand master. I'mvery proud of this family. This

(02:14):
is an amazing feat and something thatagain most people wouldn't necessarily do if confront
it with an assault. It's hard, it's paralyzing. Saying something like that
is in fact a paralytic because youdon't know what you're gonna do. We
can surmise, we can hypothesize,but you truly don't know what you're going
to do unless you're in that situation. And this family acted quickly to confront

(02:38):
this attacker and to get this womanto safety. But I have questions because
the first thing I thought of wasis this legal? The dad's a grand
master. Isn't this some sort ofviolation? If you're a professional martial artist,
doesn't this become you using your weapons, your hands, your feets,

(03:01):
your head, whatever it is.Aren't you registered? Can't you get in
trouble? Mark? Did you wantto say something? No? But I've
trained most of my life in martialarts, and I don't know if any
rule. I think that old tropethat you see on TV shows where people
bragged that their hands are registered asdeadly weapons, I don't know that that's
true anywhere. And see, that'swhat I'm wondering because I've heard that said,

(03:23):
and I while I'm proud of thisfamily, I'm kind of like,
Okay, what happens next? Theydon't really give us a follow up,
you know, and if you're sayingthat in your experience, that's more of
a trope, kind of a stereotype than perhaps they're in the clear.
But that's a grand master. Wellthat's what it's for though. You protect

(03:44):
people who need protecting. I wasgonna say, following up to what he
said, I think maybe they takethat into account if you are just assaulting
them, like without any reason,like Mark said, they were protecting so
they were just using their weapons ofdefense. Okay, so there's a line
you're saying. Think so it feelslike a gray area. Yeah, you

(04:09):
know, it feels like Dad's agrandmaster. I'm like, maybe the kid
sending the kids out to kind ofdo his thing, grandmaster sends the students
out. But I feel like Dadcould very well be putting himself in some
sort of legal jeopardy in the longrun. Yeah. I'm not a lawyer,
but these people seem like real worldsuperheroes to me. They do,
and they're the superheroes we deserve.They're definitely the superheroes I would call on.

(04:32):
I wish Moe was here for thisbecause he could definitely speak to whether
or not he's ever been in aconfrontation and had to choose between using his
martial arts skills and perhaps not.I don't know, or what are you
gonna say? Team, Well,I was gonna say in all fifty states,
vigilantism is legal as long as youdon't go above and beyond and actually

(04:57):
hurt someone like you cannot pull outa gun and you to shoot someone that
you see committing a crime. Butif you are trained and you do have
the ability to stop a crime,you actually can. In all fifty states,
there are certain limitations to what youcan they cannot do, but there
is nothing that says that this individualwho saw a crime being committed can't step

(05:18):
in and stop it from happening.This makes me think about the young man
at USC and the stabbing of thehomeless man, because the update to that
story, and we covered it yesterdayhere on The mo Kelly Show, is
that he was exonerated. There willbe no charges filed for him stabbing that
homeless man who is breaking into carsto death, so he gets to walk

(05:42):
away scott free. Kind Of likethat. Vigilanteism seems like again there's a
fine line, a thin line betweenstopping a crime perhaps going a bit too
far and ending a life. Wellthat's different because that self defense. So
in the act of someone attacking youdirectly, you are legally able to defend

(06:05):
yourself with whatever means you need.If this individual feared for the life and
felt like this individual that was breakinginto their home could have possibly taken their
life, yes, you cannot goabove and beyond. And after you take
them down, then beat the dudeto in head in with a back butt.
Self defense is different from an actof vision autism. When you see

(06:28):
a crime being committed that does notinvolve you, but you are able to
stop it. If it's a thirdperson action that you're involving yourself. And
if I see you being attacked andI have the ability to stop the individual,
I can't do that. But thereare just limits to how much I
can and cannot do. Gotch youI'm seeing here in the story it says

(06:48):
that this assailant, this attacker,terrible person, was in fact trying to
run away. They say he wasscratching, biting, anything he could do
to get away from the family,the fire who was holding him down.
So this fills almost like we're goinghandle on the law here. But if
we looked at the particulars of thisstory, would then the father be in

(07:09):
the wrong or the family being thewrong. When this guy is trying to
get away, to keep him inthat controlled space, you know, I
feel like he might have a case. No, again, there are limits
to what you can do as faras even holding someone and you know,
imprisoning them. It's a fine fineline, but yeah, it is legal.

(07:32):
I also am just really impressed bythis family. When many families of
five, I beg to say,most families of five are doing other things.
This family of five has committed themselves, each one of them to earning
black belts, says each has afourth degree black belt in taekwondo. What

(07:54):
what kind of this family in itselfhas gone above and beyond? So not
only are they super h year olds, but they're super diligent, they're consistent,
They've managed to do this. Theysave this young woman. Kudos to
them, and I guess I gotsome questions answered, So thank you.
Yeah, you know, I wasthinking if Moe were here, that'd be

(08:15):
something that for sure we could talkabout with him, But yeah, I
think we covered it. I thinkhe'd be proud of US as he is
practicing his martial arts in Soul,Korea, which is why I'm here k
I AM six forty Live everywhere onthe iHeartRadio app. You're listening to Later
with Mo Kelly on demand from KFIAM six forty. It's Later with Mo

(08:35):
Kelly. I'm Tiffany Hobbs. Ilove Prince. Prince Rogers Nelson can do
very little wrong. He is notexempt in all ways. He was problematic.
We can't deny that, but manyartists in the eighties and nineties were
They continue to be. Prince isnot exempt. And one of the ways

(08:58):
in which Prince demonsed some of thetoxicity that he embodied was through movies,
or were through the movies that heappeared in. Some of the content of
the movies doesn't age well. However, there are people, very wrong,
people who live amongst us who wantto turn everything they can into a stage

(09:22):
play, and for that they've currentlyset their sights on Prince's iconic classic,
classic classic, iconic cult classic moviePurple Rain. What they're doing is they
want to adapt Purple Rain into thestage play format. But it's not as

(09:43):
easy as you think. Movies don'talways translate well to stage plays. Stage
plays don't always translate well to movies, and in this case, Purple Rain
is the next probable victim of whatlike will be an unsuccessful attempt at taking

(10:03):
an iconic movie and turning it intosomething else. Earlier this year, plans
for the stage musical based on PurpleRain were announced. The premiere was set
for next spring before a possible moveto Broadway. This has apparently been in
development for years. So these evil, evil people have been working on this

(10:26):
under our noses, and they're planningto release it to the masses very soon.
Why not just because they like PurpleRain the movie, but because the
fortieth anniversary of the album, whichpairs with the movie and the movie itself,
actually occur this summer. We're comingup on the fortieth anniversary of Purple

(10:48):
Rain. Do you feel old yet? Mark shaking his head. Oh my
god, forty years times just flyingpast. This is insane. I refuse
to acknowledge this. It's insanity.Forty years now, mind you. I
was only one, of course,Ran, Yes, of course you were
only five Mark when Purple Rain came. I don't know what you're talking about.

(11:09):
I was in the spirit realm yetto be sired. You were just
a mere thought, yes, yourthoughts. Because of the anniversary, this
fortieth anniversary, The playwrights, theproduction team, all these people with vested
interests. Of course they're economic,are hoping to capitalize on the momentum of
the anniversary, but they're finding,like with other movies turned plays, that

(11:31):
there are multiple challenges of transforming historicmoments in the movie to a musical format.
And they're also contending with casting.Who do we cast in the lead
role? Do we want a superstar, do we want someone who is seemingly
unknown. There are all of thesequestions that are arising before the stage play

(11:54):
could even come out. And shouldwe keep scenes that are outdated or at
worst inappropriate, and what kinds ofscenes might those be? They're inappropriate scenes
if you've seen the movie or youhaven't. That include pickup lines that are
a little you know, they're alittle tongue in she'. They're not that

(12:16):
bad, but they're there. They'refrom the eighties, they're a little you
know, they're not that they're noteven that good. But should that be
put into the stage play? Becausewe don't want to offend anybody as well,
there's a female character who was slappedby a male character. Can that

(12:37):
exist today? Probably not, orat least not without pushback. And then
also a man tosses a woman intoa dumpster. Can that exist today?
Probably not, or at least notwithout some sort of pushback. So again,
there are these scenes that they're wrestlingwith because they are iconic scenes,

(13:00):
and if you leave those out,people who love the movie, the people
they're trying to appeal to, maynot necessarily see themselves there because they're there
because of the integrity of the movie. But these scenes won't necessarily farewell in
the current climate. Also, thestage play will be longer than the actual

(13:20):
movie. The movie itself only featuresnine songs on the pairing soundtrack. There
are nine songs Let's go Crazy,There's all these beautiful songs, stuff can
you cup, Let's go crazy forus once you get it. There's all
these songs that are very memorable,but there are only nine of them,
and a stage play format is longer. So they're looking to actually extend the

(13:43):
movie and make more original songs.To that, I say absolutely not,
because you can't recreate what Prince wastrying to do or what he did,
and these playwrights, who knows whothey may be, are gonna try and
do duplicate the Prince sound and elongatethe play so that we have prince esque

(14:07):
music. Oh, the horror markI cannot fathom. Are the prince esque
songs gonna be generated by AI andjust add insult to injury? That probably
would be better, That probably wouldbe closer to the real thing. And
by the way, I haven't seenthe movie since it came out back when
I was not in existence yet.Do you remember any of these eighties pickup

(14:31):
lines? There was one involving awaterbed. I don't remember it right off
hand. I feel like Towala couldprobably jump in here somewhere if he remembers,
But it involves a waterbed. It'sI don't remember it being anything that
again was super memorable, or ofjust being about a waterbed dates it rather
severely. And by the way,were there having the same issues with James

(14:54):
Bond movies about all the content thatmaybe was kind of borderline even back then?
But now I'll just say, youalmost never want to put a woman
in a dumpster. How's that youdon't want to put a woman in a
dumpster? And you don't want toput her in a corner either. I'll
just leave women out of your spaceslike that. Can you imagine if they
took dirty dancing and brought it inits new format or in a new format

(15:16):
to a stage play. Just ohyeah, count me out of that.
But you know things like you know, even I was looking at clips from
Goldfinger last night. Don't slap Dikon the butt when you send her away
and tell her you're going to haveman talk. Okay, same thing for
the Prince stuff. But at thesame time, I don't do you want
all that stuff sanitized? That's thething, and the watering down, the

(15:41):
sanitation or sanitization of it all iswhat's going to limit the integrity of the
movie. People are going to moveto the stage play in hopes that they're
going to see the movie on stage. When you start changing things and messing
with things, then you lose whatthe movie is about at its core.
But those are the questions that they'rewrestling with. Do we keep these things?

(16:02):
Who do we cast? Do wekeep songs? We make songs?
They say, Prince loved musicals,he loved Hamilton, he loved other musicals.
How do we do it justice.How do we respect the movie and
the legacy of this guy. Yeah, you kind of want to have the
ongoing debate. I think that's fairlyhealthy. But at the same time,
if you don't put these things firmlyin their historical context, then who who's

(16:25):
going to understand it? Right?Right? Well, I guess we'll find
out later this fall or next springwhen this thing is supposed to drop.
Count me out. Yeah. Also, Stefan, no matter what you do,
don't play Erotic City on the air. We'll come back with that as
a bumper. But it has tobe sanitized. It has to be totally
sanitized. It'd be like it'd bethe stage play format. We'll do it
that way. You're listening to Laterwith Moe Kelly on demand from KFI AM

(16:51):
six forty. It's Later with MoKelly. I'm Tiffany Hobbes. People are
getting crazy at restaurants. When yougo to a restaurant, are you respectful?
That might sound like a silly questionto ask because it suggests that there
are people who are antithetical to thosewho are respectful. It implies that there

(17:14):
are people out there losing their mindsin restaurants, which then would compose or
comprise the elements of this story thatI'm getting ready to share with you next.
Well, sadly, unfortunately, thereare people and they are losing their
damn minds at restaurants. There's asurvey that was conducted by a market research

(17:36):
firm called you gov, and theycollected data from restaurants employees within restaurants about
the most offensive things diners do atrestaurants, and these ten things ten ten
things kept coming up here. Theyare in order from ten to one or

(18:00):
ten. Blirt with the staff.They said that many patrons come in and
flirt with the staff, and thestaff is sick of it. Leave me
alone. I just want to serveyou your meal and get the heck.
On number nine, they occupy patronsoccupy a table for an extended period of

(18:25):
time during the busiest hours. Theywant you to eat and get out.
They might turn the air conditioning upso it's cold and you're uncomfortable. They
might start kind of hanging around yourtable more to make you feel their presence.
They want you to finish your foodand get out so that they can
get the next group of patrons in. But no, you want to sit

(18:45):
around. Your plate's been empty forthirty minutes. You're not ordering anything else,
You're just sitting there lollygagging, andthey want you to get the heck
out. Number eight. This isvery common. See this all all the
time, and it annoys me.Leave a mess at the table, such
as spilt drinks or food crumbs.I mean, crumbs are kind of unavoidable,

(19:10):
especially depending on what you're eating,so I feel like that one's a
throwaway. But leaving an actual messat the table, drink spilled over,
you see it. People just reallydon't care. And you know what's funny.
I see this a lot with rentalcars too, and being with friends
and renting cars if you're out oftown or for something. People don't treat

(19:33):
things that they don't feel are theirs, or things that they may just be
using temporarily. They don't treat themwith respect. They feel like someone else
will clean it up so I don'thave to necessarily do my part. Goes
for rental cars, goes for restaurants. Number seven. Show up fifteen minutes
late to a reservation. I imaginethis is without calling ahead of time to

(19:59):
let them know that you'll be late. But showing up fifteen minutes late.
My mom and I went out todayfor her birthday. We went to one
of our favorite tea rooms and wewere running a little bit behind, just
having a good day. But Idefinitely called and let them know, Hey,
you know, we're about five toten minutes late. They appreciated that
courtesy call, didn't give us ahard time. We got in right away,

(20:22):
No big deal. But if thattable is being held for you and
you show up fifteen minutes late,you can expect for your table to probably
be given away, and then thearguing ensues, and now you have bad
customer relations and a bad review onYelp or whatever it is, all because
you didn't pick up the phone orsend that text through open table or whatever

(20:45):
your app is to say, Hey, I'm running a little bit late,
but I'll be there. Number five. People really do this, snap their
fingers to get the waiter's attention.They that, by the way, they
love it. They love that,they love it. They love it so
much that they might stab you inthe head or put a little something extra

(21:10):
on your food extra garnish special,specially ye special, exactly snap like hey,
not all the extra japes can you, oh my god, talk about
outdated. That's like it's not innineteen fifty two, like very you know,
it's very Yeah, get over here, snapping your fingers to get attention.

(21:30):
Oh my gosh. Eighty one percentof the people surveys said that that's
something that happens to them often,or that they observe in their restaurants often.
What what kind of people are you? People? It's happening. Number
four, I've done this diet onaccident. Just enjoy yourself. Stay past
the restaurant's closing time. You're justyou're engaged in conversation. You're enjoying yourself.

(21:55):
Oh you look up and everyone's gone. It didn't mean to close down
the restaurant, but you did.Well. They don't like that. Get
the heck out. Number three.Debate menu prices with the staff. God,
no, don't, I don't know. This doesn't look right. I
think this should be no, no, this should be less no. No.

(22:18):
People actually are debating with the staff. It's like the dinner equivalent of
when people tell the tell or thecashiers at a grocery store that why is
it so expensive? Why is suchand such so expensive? It should be
so expensive, like they don't makethe prices. Oh yeah, they're doing
the same thing you're doing. They'rethere, They're a captive audience. One
time, when I was a bartender, I had a guy actually complain to

(22:41):
me that the beer he ordered costx amount more than if he had just
bought a six pack and drunk itat home. Then stay home, no
kidding. Well, if I weren'tknown for being polite, of course,
I would have said that, Ican't imagine you as a bartender mark a
little early. Oh my gosh.Number two allow their children to roam freely.

(23:07):
Kids are just all over the place. They're bumping into things, They're
sneezing in your direction. They wantto taste your food, or kick in
the back of your seat or hittingwhatever the case. Or they turn around
and just stare at you. Theyjust stare at you. Why do kids
do that? He just love Especiallywhen you're in a booth, they like
to stand up. I just lookover that. God, No, kids

(23:27):
shouldn't be allowed. Remember that onerestaurant we talked about a couple weeks ago
where there's an actual age requirement,no kids, and you have to be
over thirty five and thirty I thinkit was. Oh I like that.
That's nice, right, it soundsvery peaceful. Do that on airplanes now,
Oh my gosh. Last one ofthe ten worst things that this survey

(23:49):
says diners do at restaurants. Numberone say they won't pay for a dish
they didn't like. But eight,you hated it so bad that you hoovered
the whole thing right up. Youknow this, I ask for no cheese.
I really didn't want any cheese onthis, but it's gone. Well,

(24:12):
you got to come up with aconvincing excuse, like I was having
a low blood sugar attack and Idespised it. But if I hadn't eaten
it right then I might have died. Now, don't you dare charge me
for this? Yeah? Yeah,send back half of it. Oh,
I didn't like this. It didn'ttaste. I wasn't prepared the way I
asked. Well, you liked itenough, But yeah, people are actually

(24:33):
doing these ten things. Ten thingsI could have you know, three or
four, sure, but ten Andthat's common. This is common from this
survey. So don't be one ofthese people and you're going out to a
restaurant. Treat it like I don'tknow how you treat your home, but
treat it better than you treat yourhome. Perhaps these people are working really,
really really hard. Don't do thesethings. When we come back,

(24:56):
we're going to talk to George Noriand see what's going on tonight on Coast
to We're also gonna say hi tomy mom because it's her birthday. We'll
get into that in a little bit. Okay, if I am six forty
live everywhere on the iHeartRadio app,it's Later with Mokelly, I'm Tiffany Hobbes,

(25:19):
and up next it's Coast to cosAm with George Nori. Hi,
George, Hi, Tiffany. Firstof all, Happy birthday to your mother.
Oh, thank you so much.She's smiling. That means a lot
to me and to her. Thankyou. George. Mine turned ninety five
last morn. Oh my goodness.And you had a birthday earlier as well,
right I did. Happy belated birthdayto you and your mother. Thank

(25:41):
you. That's what's on the showtonight. Show tonight, we're going to
talk about some ancient relics and whatthey mean to us. And then later
on in the show ets and UFO. You know, I love the pendulum.
Dowser convo last night. That wasfun. That was a lot of
fun, And what a fantastic strategyto actually find missing people. You gotta
try that out. It depends onjust asking questions. Yeah, I'm thinking

(26:03):
about it. And you referenced DavidPolitis, who I really enjoy and I
just got so excited. He's agreat guest. He's great. I'll be
listening see you. So all right, have a good one. So,
as George said, my mom ishere. It's her birthday, and we
spent the entire day together and we'recopping it off here on this show.
I wanted to ask her a fewquestions because my mother is actually the daughter

(26:26):
of a radio legend. I'm nota radio legend. I'm a fill in
host, but I may be onmy way there one day, who knows.
But my grandfather was a radio legend, and I wanted to give my
mom the opportunity to say a fewwords about what it was like growing up
the daughter of a radio legend.Mom, Hi, dear, Hi,

(26:49):
mom Hi, I just want tosay one thing about what you said about
kids in the restaurants. You werethat kid, Oh god, you were
that kid. You stood up.I would have you tell you to sit
down. You would start conversations.You would run up and down the aisles.
I'd have to corrall you. Itwas crazy. Can we know this?

(27:14):
You were that kid? But Iturned out, I'm okay and you're
still talking, So thanks mom.I wasn't supposed to turn into a road
session. God. Okay. Soyour granddad my dad. He was one
of the first radio disc jockeys inPeoria, Illinois. His show was from

(27:41):
a Puria, Central Illinois, toChicago, and I'm not sure how far
out it went, but w IR L. I remember that we had
to sit in front of the radioduring the host show. I wanted to
get up, go outside and play, but no, my mom said,
you're going to sit here and you'regonna listen, kind of like what I'm

(28:03):
doing tonight. Guys like that,kind of like that, only it was
great. It was fun. Andhe was also inducted. His name Ranie
L. Briceon. He was inductedinto the Black Radio Hall of Fame in
nineteen ninety three, and that wasquite amazing and I was just thrilled that

(28:27):
that happened for him. And nowit's seemingly come full circle. It's come
full circle. Your daughter here isin front of you on the radio,
on the radio. How does thatfeel? That feels amazing. I never
was able to visit the studio.I never never happened where I went to
see my dad, your granddad.But here I am in the studio with

(28:49):
you. Thank you. It's amazing. So full circle for sure. When
granddad was on the radio and youwere listening, did it make you want
to get into radio? Did youdo anything with your voice? No?
Just point blank to this, pointblank No, it was this listening.

(29:12):
No. I just never was inclinedto do that. But you do engage
in public speaking. I do.I have done that in the past,
not so much now, but inthe past I have done quite a bit
of public speaking in front of groups. So is this something that you think
maybe you'd want to pursue, becauseI think maybe we could get you back

(29:34):
on, get you to maybe dosomething. No, thank you, I'm
trying to No, it's this isyour gig. I'm happy to be here
though, loving it. This isamazing. I'm so proud of you.
Oh mom, I wish you theyou're my baby girl. Oh, oh
my goodness, I wish you theutmost happiest birthday. You are the brightest

(29:56):
star in the sky. You aremy rock, You are just everything.
And I am so proud to haveyou here watching me do this because you
know how long it's taken me toget here. You know what I've had
to do to get here. You'veseen me, and I appreciate you coming

(30:18):
and giving up part of your birthdayto sit at KFI, not giving out
this part of it. And it'sbeen just wonderful and amazing. And one
thing, you've been listening to KFfive since you were in I think junior
high school. We would be inthe car and you say, turn on
the radio to KFI. Yeah,yeah, yeah, I wondering, remember

(30:40):
that. I do? I do, Which is why talking to George Nori
is just so amazing for me becauseI'm a hush fan right of everyone here.
No, I love science fiction.Yeah. And you've gotten to meet
MO before when you both came toa school that I worked at years ago
for a career day, which wasa wonderful time. That's right, that
was fun too. Yeah, thankyou for having me. Thank you,

(31:03):
And I know my aunt is listening. Yes, can I give a shout?
Out to my sister. You canmy sister shy real love sister love
Ryl Pounds and she is now someonethat was into the entertainment. She's been
a singer and h writes poetry andshe's listening. And she's listening. I

(31:25):
say, she's super excited about hearingyou on the radio as well. I'm
sure awesome. Well, happy birthday, Ma, thank you, love you,
I love you all stuff. Don'tdo it, I'll go ahead,
No, four steps off. Iwant to see if the springs back any
memory. Oh my goodness, yes, I'm sorry. Did I just shout

(31:47):
It's okay, Okay, we wantyes, w I R L Puri Illinois.
Yeah, that's awesome. He playedjazz. Yeah, that's really thank
you for that stuff. That's reallyspecial. Wait to cap off her birthday,
Mark, did you want to sayanything? Or happy birthday to meet
you, thank you, thank yougreat meeting you. I'm a fan.
Yeah, she loves Mark Ronner.Well, who doesn't, for God's sake.

(32:09):
I mean, I can go backthrough a list if you like me
to make the time. No,it's not about me, it's about your
mom. You were very lucky tohave your mom around with you. Mine
is long gone, and I'm veryenvious of you. Oh well, thank
you very much. Mark. Wecan share her, thank you for that.
You're welcome for that, and makesure she's okay with it, though
you know that's for consent. First. She says, she's totally okay.

(32:35):
We're going to get out of here. It's been an absolute blast. Again.
Thank you Mark, thank you Steph, thank you Matt out there somewhere
in the ether in the KFI studios, Twala, I appreciate you, my
mom for being here, all ofyou listening. I'll be here tomorrow seven
to ten, right here with you, and then next week Mo will be
out again and you'll have Chris Merrill. So tomorrow's my last night with you,

(32:57):
and I look forward to it.We're going to have a lot of
fun. Thanks guys. Kfive AMsix forty live everywhere on the iHeartRadio app.
It's later with Mo Kelly. I'mTiffany Hobbes and we're oute We'll help
you figure it out. It's kindof what we do. Kf I and
KOST HD two Los Angeles, OrangeCounty Live everywhere on the radio