Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:22):
If I am six forty mo Kelly here, it's Friday. Dammit,
it is Friday. Thank you Jesus, thank you so much
for getting us here to Friday. And let me tell
you it's a very special Friday. Nobody died on the Metro.
Nobody died on the Metro. No earthquake today. Did you
(00:44):
notice that No. Seven to eleven got robbed? As far
as I know, or at least it hasn't hit the
news yet. Maybe it's getting robbed right now. We'll hear
about it on Monday. But it was a pretty good week,
or I should say a pretty good way to end
the week. All things considered. We have a very special
edition of the Runner Reports tonight. I get the suspicion,
(01:07):
I get the sneaking suspicion that Mark is probably going
to talk about Alien romulus.
Speaker 2 (01:13):
I think you win the prize.
Speaker 3 (01:14):
Okay, the prize is approximately nothing, but you win the prize.
Speaker 2 (01:18):
Well, I knew you were going to see it this week.
Speaker 1 (01:21):
I didn't know if you were going to make it
the central focus of the Runa Report.
Speaker 3 (01:25):
I gotta tell you, we could talk for the whole
show about the whole Alien series and just go right
down the list and what we liked and didn't like
and were disappointed by in every single one of the movies,
including those Trasher Alien Versus Predator movies. Oh, we can
talk about that forever as fellow nerds.
Speaker 1 (01:40):
Okay, this is all I want to know prior to
you doing the RUNA report, and I've asked a few
people about it who've seen the movie.
Speaker 2 (01:48):
I was.
Speaker 1 (01:49):
I was registered to see the movie because I didn't
want to see just another alien franchise movie that went nowhere.
Speaker 2 (01:58):
In other words, more people had.
Speaker 1 (02:02):
Stumble upon the alien creatures and they die, and that's
most of the alien movies. We were supposed to get
more of a backstory in Prometheus and Covenant, and.
Speaker 3 (02:15):
They went big in those and they got kind of
philosophical and I admired the Cajones to do that, but
it didn't really work, did it right?
Speaker 2 (02:23):
The idea was great, execution not so much.
Speaker 1 (02:27):
And I didn't know if this was going to in
any way tie into them, be connected to them. Did
we learn something more than we learned before or is
it just humans being dumb?
Speaker 2 (02:38):
And you know they got killed again. Well, folks, no
need to listen at eight thirty because here we go.
Speaker 1 (02:43):
No, no, no, those are questions I had in my head.
You don't have to answer them now. I'm just saying
that that's what I was concerned about going to the movies.
Speaker 3 (02:50):
That just slightly different wrinkle, but there is plenty of
familiar stuff and I actually want to see it again.
Speaker 1 (02:56):
See that is a good tease, all right, because if
you want to see it again with except of like
kung Fu or something like that, you know I do.
Speaker 2 (03:03):
Don't start on kung No, I'm not, That's.
Speaker 1 (03:05):
What I'm saying. I'm just saying there with a few exceptions.
You know, I take it to heart what you do say,
the things that you do, Like, wow, this is being recorded,
you know that, right.
Speaker 2 (03:15):
I do know. I do know. And this is where
the rim shot comes in too, because you know I
wasn't serious.
Speaker 3 (03:20):
Well give with one hand, take away with the other,
and you can't laugh at my joke in the studio
and not give me the rim shot. I was like, oh,
you are at me. He's laughing at your cruelty. He's
laughing at your sadism. It doesn't mean you punching down.
(03:40):
Later with Kelly pushed on arguing.
Speaker 1 (03:43):
With my wife and and then she gives me what
I want later on.
Speaker 2 (03:47):
It's because like no, no.
Speaker 1 (03:48):
No, If I have to say it, it takes all
the purpose out of it.
Speaker 3 (03:52):
I don't even know where to go with that one.
Tell me more about how this is like arguing with
your wife, MO, please, because we all want to hear this.
Speaker 1 (04:00):
Because whenever I argue with my wife, all I hear
is wanh wah wah wah.
Speaker 2 (04:04):
Yeah, wah wah wah, wah, wah, wah wah wah wah.
Speaker 3 (04:07):
Charlie Brown's teacher with the news, gotcha, Okay, right.
Speaker 1 (04:12):
Well, we're also going to talk about, well we had
talked about previously, but there's an update to the story
of digital IDs and I said, hey, I would love
to be able to have that for me because I'm
all about the digital revolution. Well, it's getting closer and closer,
at least here in California where you'll be able to
use your California driver license on your phone to get
(04:33):
on and off planes, or at least in the continent
of the United States use some airports and other places.
Speaker 2 (04:39):
So we'll tell you about that.
Speaker 1 (04:40):
And the Into It Dome opened up last night and
it had some issues, had a few issues, and even
Bruno Mars had to step into one point because security
was not on the job doing their thing to we'll
tell you about that, and there's so much more. When
we had talked about the Olympics, and you know what,
I think what's really came out of the Olympics. I
(05:01):
think people wrongly, wrongly but justifiably in many ways. You
saw people like ray Gun get up there and you
think to yourself, you know what, maybe I can be
an Olympian too.
Speaker 2 (05:14):
Well.
Speaker 1 (05:15):
Doctor Dre who we told you about, he has a
new school which is going to be at Morningside High
He and Jimmy Iveen well, he wants to compete at
the la Olympics and we'll tell you how and why.
And I don't know. Look, he's older than I am.
I don't know what he would be able to compete in. Mark,
(05:36):
if you given any thoughts as to what you would
compete in.
Speaker 3 (05:38):
I want you to picture our training montage with me
as the Burgess Meredith character and you throwing down your
piece of cardboard and working hard on the breaking.
Speaker 1 (05:48):
I would know I would not do breakdancing. If I
were to try anything in the Olympics, I would try
something like shooting, because I think that is not age specific.
I think if you have a talent, you have a talent,
and you can still be seventy years old and compete
in that.
Speaker 3 (06:04):
Well, what's not fun about shooting except you know, unless
you're on the Metro. If they find a way to
combine those two, since it's going to be in LA,
that would be And don't you steal that idea anybody.
Speaker 2 (06:15):
I just came up with that right now.
Speaker 1 (06:17):
Yeah, how long before you go on to trademark and
copyright that.
Speaker 3 (06:20):
Yeah, I should have done that before I ran my mouth.
But yeah, they've got to combine shooting with the Metro
some some sort of event like that.
Speaker 2 (06:27):
Hey, very quickly before we go to the news break,
you have to let us know. Thank you?
Speaker 3 (06:39):
Any rain No, no, we thought it was going to
be a little hotter over the weekend, but apparently it's
going to be just about the same. Then next week's
going to be hot, gonna bump up a few degrees
next week.
Speaker 2 (06:49):
All right, sounds good.
Speaker 1 (06:50):
It's later with Mokeli Can't by Aim six forty OnLive
Everywhere on the iHeartRadio app. When we come back, we'll
tell you about the Digital California IDs headed to your.
Speaker 2 (06:58):
Phone and mine laid with Mom.
Speaker 1 (07:10):
Live Everywhere on the iHeartRadio app Pop Quiz, Pop Quiz, Stephan.
Speaker 2 (07:15):
I think I'll start with you, and there's a point
to this.
Speaker 1 (07:18):
Okay, if you were pulled over by law enforcement and
you did not have your wallet on you for whatever reason,
could you give them? In other words, would you remember,
do you have the knowledge? Could you give them your
driver's license number? Would you be able to?
Speaker 3 (07:36):
Absolutely not, Mark Ronner, No, not in California. In Washington,
I eventually had a memorized but not here yet.
Speaker 1 (07:46):
I wonder I memorized mine early on, and actually this
was drilled into me by my father for that reason.
In the event you should be stopped by police and
you need to identification whatever, always know your driver's license number,
and I know.
Speaker 2 (08:04):
It to this day.
Speaker 3 (08:06):
Listeners would enjoy hearing your driver's license number, well.
Speaker 1 (08:09):
Ye, yeah, is it XYZ one two three? Also your
social Security number? Sure eight six seven five three oh nine.
Wait a minute, wait, that sounds awfully familiar. And he
lives on one two three Main Street. The reason I'm
talking about this because digital California IDs are headed to
(08:32):
your smartphone and mine in the event that you should
lose your driver's license or in the event that you
just want to have a digital form of it. We
talked about it last year where California DMV was rolling
out a portion of this where you could have a
mobile form of your ID on your phone, but you
couldn't really use it anywhere. It's just maybe just to
(08:54):
have on your phone back then, but this would be
able to be used at airports around the country for
most of the country and some businesses as far as Apple.
The feature will be part of iOS fifteen mark, so
you can look forward to that. Can't wait, And I
guess that's supposed to be later this year. iOS fifteen
(09:15):
is coming out and there's not a specific date but soon.
For Google Wallet, I have Google Pixel, so be soon
that I'll be able to use it.
Speaker 3 (09:25):
Just get a tattoo. Then when the batteries on your
iPhone start wearing down, which they inevitably do, and mine
is now, you'll always have the tattoo.
Speaker 2 (09:33):
Well, here's the thing.
Speaker 1 (09:35):
You can save a photo or like a PDF of
your California driver's license on your phone. Yeah, you can,
and I think most people do. If you just need
to have that information available. I do, but I do
as well. But this will provide one more I guess,
(09:55):
layer of access if you will if you're traveling, if
you do any type of traveling, you'll be able to
use this along with your digital boarding pass and probably
would be easier to get on a plane. I'm waiting
for it being usable as a legitimate form of ID
if you encounter law enforcement.
Speaker 3 (10:13):
Have you considered having a show word of the day
like the old Groucho thing where the duck comes down
In today's word would be dystopia?
Speaker 2 (10:21):
Why why don't we just get chipped while we're at it.
Speaker 1 (10:25):
We're already chipped just by having the phone, holding the phone.
Speaker 3 (10:28):
Yeah, but cops don't have a right to take it
or open it. It's not a right.
Speaker 1 (10:32):
I'm just saying, if you're worried about surveillance of where
you are, your phone, which is on right now, is
pinging off some tower very close by, they would they
would be able to use that in any murder investigation.
Speaker 3 (10:45):
Oh yeah, the person of Interest show. They'd come right
to you, they'd throw you down.
Speaker 2 (10:48):
Yeah, they know exactly where you are.
Speaker 1 (10:50):
That's the thing is, like, I don't worry about, you know,
government surveillance, because.
Speaker 2 (10:55):
They already do.
Speaker 1 (10:56):
I can't worry about something which already happens, and I've
opted in, I've granted permission. And that's another reason why
we're talking about the shake alert app, which would require
me to have my location on all the times.
Speaker 2 (11:10):
Like, no, you got to turn on your mic sephone
and two things. You're the engineer. I just swear. I
don't know what it is. That's the last that's the
second time that happened. Anyway. I remember.
Speaker 1 (11:25):
I'm not gonna say what you guys are talking about.
But when I was walking past you and Tuala, when
you guys were getting ready for the show, and all
I heard was like I just said this, and now
it's the first thing that pupped my phone.
Speaker 2 (11:36):
Oh no, kidding, they're listening.
Speaker 1 (11:38):
But what's funny is that you just mentioned the thing
about giving them permission. South Park did a whole episode
about that where they had to literally read the whole
thing because you'll see at the very end they like
take their kids or something, and so all the kids
actually got onto it and they read. They had to
(11:58):
read the entire in terms of agreement before they could
actually go through because we got to get into this
store or this you know whatever.
Speaker 2 (12:06):
So that's funny. Well I'll tell you this.
Speaker 1 (12:09):
If you think that the government isn't already surveilling you
on some level, I think that's being naive.
Speaker 2 (12:15):
Now.
Speaker 1 (12:16):
It may not be active in the sense that we
want to see what Stephan is up to, but they
are collecting this information. Companies are collecting this information and
using it for however and whenever they may need it.
I mean, yeah, Tawalla and I were having a conversation
and then shortly thereafter, the ads just started popping up.
Speaker 3 (12:36):
That happens to everybody, Yeah, everybody. I mean, this happens
to us at home as well. And actually I'm not
going to say anything more because I don't want people
to know my weird medical stuff. But it pops up
the instant after you've had a discussion. They're listening. Yeah,
I see tutorials that pop up on Instagram on how
to turn that stuff off, But I'm not even sure
(12:57):
that completely works, are you?
Speaker 2 (12:58):
I don't think so either.
Speaker 1 (13:00):
Look, when I use the assistant on my phone, I
don't want to trigger it. The only way that I
can use it is if I allow opt in allow
my phone to listen. That is an opt in, but
I don't know that it's completely not listening if I
don't opt in because of the advertisements that I also receive.
(13:22):
So the only way I can sleep at night is
just assume that everything I do is public. That's the
only way everything I everything I'm put in an email,
everything I'm put in text, not that you know it's
always on some server.
Speaker 2 (13:34):
I'm just saying that.
Speaker 1 (13:35):
Someone is actively looking at it, because otherwise I would
go crazy.
Speaker 3 (13:40):
Yeah, we're finding out that George Orwell was really limited
in his imagination. Oh yeah, yeah, Like my secret is
I just never do anything good. You want to you
want to spy on me, Good luck with that. You're
gonna you're gonna nod off.
Speaker 1 (13:54):
Well say with me, because it's one of those things
as a when I'm quasi public figure know, they're like,
I can't do the things that I used to do anymore.
I can't go to the strip clubs like I used to. Sure, bummer,
you know, I just put on a why do you
kind of have a mustache?
Speaker 2 (14:09):
Yeah, I got it.
Speaker 3 (14:10):
I can put on a costumer put on one like
five in the umbrella academy, Go go incognito.
Speaker 2 (14:16):
You can get away with some stuff.
Speaker 1 (14:17):
But you know, I try to leave my life pretty
open in that way because the only thing that's more
difficult than lies is maintenance on lies.
Speaker 2 (14:27):
You know, it's it's easier to just.
Speaker 1 (14:29):
Not do anything wrong and you never have to look
over your shoulder or worry about what you're doing or
what someone might see. But my still my assumption is
going back to the story about the Digital California IDs
for my personal life, it makes it easier. I like
to have everything digitized. I'm not under any illusion all
(14:49):
that information is out there. It's just for me and
my selfish desires. I would rather have everything digital. It's
an amazing way to live.
Speaker 4 (14:59):
No, no, no, Because I got got this crazy, crazy email
today in my junk folder my iHeart junk folder, and
it was from It was like some scam and they
said Greeny's Tawala, we have caught you, and I'm like what,
And then I read on and it says because of
(15:22):
a recent app you open, we were able to upload
spywear onto your phone and we have caught you masturbating.
Speaker 2 (15:29):
Now in order.
Speaker 4 (15:31):
For you to keep this video from going on all
your social media. You must send us like five thousand
dollars in bitcoin immediately. We are not gonna wait. We
do not take this lightly. Everyone will see what you
do at night.
Speaker 2 (15:45):
I'm like, like, what my thing is? Like, I want
to see the video for me.
Speaker 1 (15:50):
It's not your video, but I'm just like, if you
send me that emails and I'm like, knock yourself out.
Speaker 3 (15:56):
Yeah, look, it could be AI for all I know.
It's shameful to master. I mean, times have changed on
that front. You got to come up with something better.
I really like a little bit better that way. I
know what you do at night?
Speaker 1 (16:07):
Yeah, like oh you mean okay?
Speaker 3 (16:10):
Like yeah, I mean if you catch me doing that,
I want high fives. You're not gonna shame me.
Speaker 1 (16:16):
But but the lesson in that is, because all of
our legitimate information is out there, it can be used
against us.
Speaker 2 (16:24):
Yeah.
Speaker 4 (16:24):
So I'm like, wait, how do you know my name?
Because normally they say greeting sir. You know, I'm like, man,
you even hit me with the tawala. Oh and they
also had the ieheart. Would you want the people that
ieheard to know this? I'm like, I think they do.
We talk about stuff like that. It's how you got
the job. What are you talking about? First line on
(16:45):
your resume.
Speaker 2 (16:46):
Mark always got to make it weird, just on a
nightly basis, following your leads.
Speaker 1 (16:52):
Please okay, it's later with mokel Can if I am
six forty we have an into it update when we
come back.
Speaker 2 (16:56):
We're live everywhere. Can I need a second? Okay? Okay,
good luck. Well, there's no need for that.
Speaker 5 (17:15):
You're listening to Later with Moe Kelly on demand from
KFI AM six forty and.
Speaker 1 (17:21):
Last segment, I was talking about how technology, smartphones, how
it's moving all of our lives forward. Where you will
enter this place in that place maybe with just your
digital ID. Well, something similar to that is happening at
most concert venues or if you've gone to a sports
arena lately, if you've gone to maybe Sofi Stadium to
(17:43):
see a Rams or Chargers game, you probably have to
download an app.
Speaker 2 (17:47):
They have hard.
Speaker 1 (17:47):
Tickets, but they also have the option where you can
download the team's app and you can transfer tickets, like,
for example, if you're gonna go to the game, or
I'm gonna go to the game with Twala and we're
not gonna be in the same car, but while it's
coming later, like twenty minutes later. On the app, I
can transfer the tickets digitally or a ticket to him,
(18:08):
and he'll have the tickets so he can get in
the venue and just show his phone.
Speaker 2 (18:14):
Well, that is how it's supposed to work.
Speaker 1 (18:17):
It didn't quite happen that way last night for the
grand opening, the formal grand opening of the Into a
Dome ticket holders and here's the first mistake in the
greed of it. All ticket holders for the Into a
Dome are required to download the Into a Dome smartphone app.
Speaker 2 (18:35):
That's the first mistake. Okay, when when you have it as.
Speaker 1 (18:38):
An option, great, When you're acquiring it, not so great.
But after you download the app, people can transfer their
tickets from other buying services like Ticketmaster and upload photos
of themselves, allowing the arena to admit them through face
scanning technology. And I know Mark probably loves that. The
whole face scanning technology. What's an Yeah, this is a
(19:01):
direct you know, I will say the direct next chapter
of what we were talking about.
Speaker 2 (19:06):
Do you have face Idea on your phone? Because I do.
Speaker 3 (19:09):
I have it on my phone in my laptop. Not
only don't I like it? But the phones take such
terrible pictures that you look like a drowning victim. And
I hate looking at myself on my phone photos.
Speaker 1 (19:19):
I don't like looking at my at myself in photos
or videos, and I usually avoid the mirror at home. Well, aw, device,
I thought about you when I was like, oh, that's
nice when.
Speaker 2 (19:32):
I wait for the second half.
Speaker 1 (19:34):
Right, I was like washing my hands in the bathroom
and I look up and I'm like, oh god, And
I was like, that's what momas feel like. Yes, I
don't want to see yourself look, especially in the morning.
I keep my head down. And as you get older,
I know this is a long digression. As you get older,
you notice, or at least I notice something different about
myself each year.
Speaker 2 (19:55):
It's like, wait a minute, be it on your face, hair,
he or hair not there. It just you notice something different.
Speaker 1 (20:03):
Your body changes, your face changes, and say, I just
say it. I don't want any bad news walking by
the mirror anyhow. But to Mark's point, yes, I will
use a facial recognition technology for my devices because it
just helps quicker in that regard. But the downside is, yes,
all of that goes out there. But look, we're all
(20:26):
on social media, they can find pictures of us.
Speaker 2 (20:29):
It's not all that damn hard.
Speaker 1 (20:30):
Like I said, we act, we opt into this, and
we actually give it away. But going back to the
End to It Dome, they force you to or require
you to download, download the into It Dome smartphone app.
You can transfer your tickets and also other buying services
and upload photos of yourselves, allowing the arena to admit
(20:50):
you through face scanning technology. It didn't quite work that way,
and the scanners that were supposed to allow fans into
the venue were offline for about forty minutes.
Speaker 2 (21:02):
Maybe they never had a dry run.
Speaker 1 (21:04):
Maybe it was not used to the number of people
trying to access the server all at once, because it's
a concert, not just you know, five or six people
at a time.
Speaker 2 (21:15):
But it took an extra two.
Speaker 1 (21:17):
Hours because of all these delays before Bruno Mars finally
got to the stage two hours that's how they opened
the End to It don't And then after he got
on stage, not long after he hit the stage, Bruno
Mars had to take it upon himself to stop his
(21:37):
own performance because a fan was having some sort of
emergency down front, and security, I guess did not feel
the need to step in and assist the fans. Some
sort of medical emergency. It's not clear what it is,
but Bruno Mars stopped his own concert and yelled at
(21:59):
security to get their asses over there and help this
person out.
Speaker 2 (22:02):
No, I'm being serious.
Speaker 6 (22:07):
Let's your security slow down the show a security. Yeah,
we got someone in the middle over here, some attention,
got ahead, You got a security n.
Speaker 4 (22:32):
Come.
Speaker 2 (22:34):
Oh good.
Speaker 1 (22:37):
Don't you like the mellow R and B interlude in
the background as as if it's.
Speaker 2 (22:42):
Part of the act. That's why they started cheering.
Speaker 1 (22:45):
Yeah, it's like, wait a minute, stop all the music,
and then everyone would have realized it's serious. But if
you keep playing in the background, Oh okay, he's just
up there having fun.
Speaker 6 (22:58):
Let's just security.
Speaker 2 (23:07):
Let's break it down. They're still playing.
Speaker 1 (23:15):
That's when you actually stop the music. If someone's having
a medical emergency, stop the music.
Speaker 2 (23:22):
You read my mind.
Speaker 3 (23:24):
The fact that he's still gonna have some musicality when
he's reporting an emergency. It's like like, hey, now we've
got somebody who's been shot and has a sucking chest
wound in the front row.
Speaker 2 (23:36):
It just keep going with all that.
Speaker 1 (23:38):
And he said it in like his performance voice, and
he didn't break musical character.
Speaker 2 (23:44):
It'd be different. No, stop music, No, this is very serious.
Speaker 1 (23:46):
You can tell when something is serious, as someone having
a medical emergency, how it needs to be addressed. If
i'm security, and I've done low level security for basic events.
When you work with the music business, they're nice that
you have to work security. What you're looking for and
what the artist is looking at two different things. Like security,
they could be facing the audience there maybe looking for
(24:09):
someone who may try to run up on stage. They're
not looking for to see if someone's having a medical emergency.
Their job is to protect the artists, I would think,
And unless the artist says it makes it clear that
something's wrong, they're not going to leave their posts. They're
not going to do anything. Their job is to make
sure that your dumbass doesn't run up on stage.
Speaker 3 (24:30):
It makes me wish that i'd seen something like that
a very white concert, like, oh yeah, it looks like
someone's having a grandmall seizure right up front. Can we
get somebody up there.
Speaker 1 (24:40):
We'll see with very white come on, that was that
was a deep cutsh no, no, no, no, no no no,
he's going to help you out, We're gonna get some
very white for you. But with Verry White, he had
the Love Unlimited Orchestra behind him. The difference is the
Love Unlimited Orchestra would have stopped playing.
Speaker 3 (24:59):
Like if it was James Brown, you couldn't even tell
the difference between an emergency and what he was going
to be doing anyway.
Speaker 2 (25:04):
You couldn't. You couldn't understand what he was saying any No. Absolutely,
but let me just play this again.
Speaker 1 (25:10):
If the band would have stopped playing, they would have
gotten help for the person sooner.
Speaker 6 (25:17):
That slow down the show got a security again.
Speaker 2 (25:27):
We got someone in the middle of here. It's intentional.
Speaker 6 (25:35):
You got a security.
Speaker 1 (25:43):
It seems like it's part of the act. It feels
like it's part of the act. Now I've read all
the publisher accounts. It wasn't part of the act, but
the way he was handling it, And I'm not criticizing him,
I'm saying he could have gotten help there sooner if
he made a clear ra and said stop the show,
we have someone who's having a medical emergency.
Speaker 5 (26:04):
You're listening to Later with Moe Kelly on demand from
KFI AM six forty.
Speaker 1 (26:10):
After the Olympics because you have people like ray Gun
Rachel Gunn. Sometimes oftentimes you'll have a response to that.
Speaker 2 (26:19):
It's like, well, if if.
Speaker 1 (26:20):
Ray Gun can get on an Olympics squad and represent
her country and perform before the world, I can too.
Or people wrongly believe that, and it's not a new phenomenon.
If you were to watch or talk to fans of
the NBA, people say.
Speaker 2 (26:36):
Well, look, that guy's horrible. I could do as well
as that.
Speaker 1 (26:40):
And sometimes you forget those are world class athletes, ray Gun.
Notwithstanding they're world class athletes, they are the top one
percent of the one percent in the world.
Speaker 2 (26:54):
You are not anywhere near them at all.
Speaker 1 (26:58):
So I just chuckle when I hear various stories about
people who maybe you want to try out for the
Olympics next year, as if it's like trying out for.
Speaker 2 (27:07):
A role in a movie.
Speaker 1 (27:08):
You just sort of sign up and show up and
you know you'll get your shot at joining the Olympic team.
It doesn't work that way, but some people seem to
think it does. The twenty twenty eight Olympics, of course,
are going to be here in La and doctor Dre,
who you know formerly of NWA, one of the greatest
music producers ever hip hop producers was musing out loud
(27:30):
to Entertainment Tonight that he would like to compete in
the twenty twenty eight Olympics.
Speaker 2 (27:37):
Would like to compete as if it.
Speaker 1 (27:38):
Were that easy, and you won't be the you won't
believe the sport or the competition that he would like
to compete in. During an interview with Entertainment Tonight, doctor
Dre revealed that he is serious as in quote unquote
dead ass serious about representing the United States archery.
Speaker 2 (28:02):
Archery quote. I have it set up in my backyard.
Let me stop right there. Oh you're gonna need more
than a setup in your backyard.
Speaker 1 (28:13):
You really are, But that's where we are because we
always think that we're that close to the top performers
in the world.
Speaker 2 (28:21):
But he goes on, I haven't set up in my backyard.
I heard.
Speaker 1 (28:24):
I heard that qualifying for the Olympics is seventy seven
feet and I practice at ninety. Yeah, wouldn't that be
interesting to go as into the Olympics, especially with it
being here in LA and win a gold medal. He's
already skipped to the end about how cool it would
be to win a gold medal in archery here in
(28:46):
LA because the Olympics is seventy seven feet distance and
he has a backyard setup where he practices at ninety.
Speaker 2 (28:55):
Why waste time on the competition. Just give him the
medal delusions of grandeur.
Speaker 1 (29:00):
Okay, he's not the first one to have these delusional dreams.
I just think it really sells short the skill set,
the dedication, the preparation and practice of actual Olympians who've
been doing this for literal decades decades, And he just
was watching TV on a Tuesday and said, Hey, I
(29:23):
like archery. It says that he took archery back in
junior high. Oh that's nice. That's nice archery back in
junior high. You know what I did back in junior high.
I played basketball. This is tantamount to saying, you know what,
they have a ten foot high goal in the Olympics.
I played on a ten foot high goal back when
(29:44):
I was in junior high. And you know what, I
have a basketball hoop in my backyard. I think I
will try out for the Olympic team. It's just about
the same thing. It's just as ridiculous.
Speaker 3 (29:55):
Kind of makes you wonder what other music stars would
do if they were Olympic athletes, Like, what would I
turn be doing in the Olympics? Boxing the three hundred
meter run from your old man. No, I could be boxing,
no doubt. Okay, yeah, you're you're right.
Speaker 1 (30:08):
But here's the thing. Here's the thing. We all have
these dreams. We all think that we are better than
we are. But it's a fantasy. It's not reality.
Speaker 2 (30:19):
You know. I think it's.
Speaker 1 (30:20):
Actually disrespectful if I were to say that. You know,
I think I could try out for any Olympic sport
in the world that was making fun or freak gun.
But I'm not on the level of an Olympic breakdancer
who you know, the real break dancers, not her. I'm
just saying the real breakdancers. I think it's just disrespectful
to put yourself in the same sentence, like, you know,
(30:40):
I saw that on TV. It looks cool. I like
to do it. I think I'll try out for the
Olympic team. In the same conversation, can you do that
headspin thing?
Speaker 2 (30:50):
No?
Speaker 1 (30:50):
Actually, my mother she forbade me from doing headspins.
Speaker 2 (30:54):
Does it cause traction alopecia? No, it costs broken necks?
Yeah that too?
Speaker 1 (30:59):
Okay, Yeah, that was her reasoning, and and I never
I don't think I ever tried a headspin in my
life for that reason, because I was more afraid of
my parents than I was the police. So you know,
I was I was rambunctious and I was rebellious. But
there's certain things I did didn't do because when I
was practicing breakdancing, you know, I was always within eyeshot
(31:22):
of them, so they could see what I was doing.
If I ever did a headspin, there would be consequences
to that.
Speaker 2 (31:29):
It looks remarkably unpleasant.
Speaker 1 (31:31):
Yeah, I don't fund Yeah, I don't know how people
really practice that. It's just I was never a thrill seekert.
So the idea of spinning on my head, no.
Speaker 3 (31:39):
I always got the idea that people never exactly practiced
it on purpose.
Speaker 2 (31:44):
No, no, no, no, that's actually practice. Somebody does that. Yeah,
they practiced that on purpose. Okay, I just was never
one of them.
Speaker 1 (31:51):
And look, if you are an Olympian, a legitimate Olympian,
not talking about Raygun. If you are a legitimate Olympian,
I would never disrespect your craft, uh, your training, your
natural talent for you to get to that level to
be amongst the best. One percent of the one percent
in the world. I'm not gonna sit here and say, well,
(32:13):
I saw that on TV. I could do that. No, no, no.
Twala might say that, but I wouldn't say that. It's
later with Mokelvin k if I am six forty. We're
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Speaker 2 (32:23):
We're not here to make up your mind.
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We're here to give you the latest.
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