November 3, 2025 • 19 mins
Join the guys today as Manaia tables some audio from a convicted felon (who just happens to be an award winning singer, songwriter, and record producer)
#realtalk
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Episode Transcript
Available transcripts are automatically generated. Complete accuracy is not guaranteed.
Speaker 1 (00:00):
Go ahead on and break them off with the lap.
Speaker 2 (00:02):
Who's the meat? Now, get a It's Jerry here from
the Headachey Breakfast. Just letting you know that if you're
listening to the podcast but didn't know that we also
do a live radio show, we do. And if you're
wondering how to find out what frequency to listen to
us in your area, just takes north or south as
an island to three four eight three. It will let
you know. And now let's get on with.
Speaker 1 (00:23):
The podcast, Heart and fresh out the kitchen.
Speaker 2 (00:31):
It's been a while since I've listened to us the
remix to Ignition. I know you're a huge fan.
Speaker 3 (00:37):
When she's running her hands from my fro and I'm
bouncing on twenty foes bowspouncepouncepous spous spous Big Arkelly guy,
And has come to my attention over the last sort
of thirty forty seconds that you guys have never heard
the R Kelly's seminal work Real Talk, and so I
(00:58):
would like to present Fear on today's podcast, R Kelly's
Real Talk.
Speaker 2 (01:02):
Okay, so is R Kelly's Real Talk. Just before are
you going to play something for us?
Speaker 3 (01:06):
Yeah?
Speaker 2 (01:06):
I'm good audiot.
Speaker 3 (01:07):
Okay, is it real? It's real talk?
Speaker 2 (01:12):
Is it? When's it?
Speaker 3 (01:13):
Is it from sixteen years ago? The video was uploaded.
Speaker 4 (01:18):
Okay, okay, so not from prison.
Speaker 3 (01:20):
No, no, no, no, so two thousand and nine, Yeah
that's right.
Speaker 2 (01:24):
Uh yeah, no that two thousand and nine.
Speaker 3 (01:26):
It'd be about right. Yeah, it's a it's a song,
you know what, live me, let cals tell it to you.
Speaker 5 (01:32):
I decided to do this shit real talk on YouTube
because I think it's a great song, you know what
I'm saying, even though it's a lot of profanity in it,
but the profanity represents just how real shit gets when
you arguing with your girls and shit.
Speaker 3 (01:48):
So it's so it's a song about you know, it's
a real, open, honest, raw representation of arguing with your
girl a little bit. And he decided to premiere it
on YouTube. Let's how you know it's two thousand not yeah,
because he's addressing the fact that it's gonna go on YouTube.
Speaker 2 (02:03):
Yeah, that's a lot that was early YouTube.
Speaker 3 (02:04):
Well at that time, it was basically like the videos
of people putting mintos into coke and then throwing that
bottle on the floor. Absolutely early adopter. Kelly let's let
Robert Kelly continue. Has young you know what I'm saying.
Speaker 5 (02:17):
So I did it on YouTube, but I'm gonna do
the ship for y'all on YouTube.
Speaker 2 (02:21):
Hold on, I.
Speaker 5 (02:22):
Gotta give me a drink. I'm gonna take me a shot.
Of course, we got the stove. He's jumping off. Get
a box of We're gonna be real, man, I'm just
gonna be real. We're just gonna roll to film and
we're gonna do it. I'm doing this for the fans
that I know around the globe. They love real talk.
Speaker 1 (02:39):
I wasn't wait a minute. Calm down.
Speaker 3 (02:44):
Let me know. If you're on a poster at any time,
was it a club.
Speaker 1 (02:46):
With who get the man?
Speaker 6 (02:51):
You know what, girl, I'm not about to sit up
here and argue with you about who's the blame.
Speaker 1 (03:00):
Seeker. Only thing I'm trying to establish your choosing.
Speaker 3 (03:04):
That first off, only is he on the phone. He's
on the phone. He's in a room, he's got three
of us home. He's in the background. It looks like
they're in the recording studio and he's on he's on
a landline. But it's one of remember when the landlines
you could the first generation of landlines where you could
take it out of the wholester and walk around the house.
Speaker 2 (03:20):
Yeah, like a mobile. It was. It was considered. It
was called courts.
Speaker 3 (03:25):
Yeah, and then you'd always lose the basket. Yeah, and
then you could push the button on the base and
then it would take you where it was.
Speaker 2 (03:30):
Oh, man, cordless phone awesome, Oh god, how good were
the court My nana had a cordless one. They were good.
Speaker 3 (03:35):
They were way better than because my cousin so in
her household there were two teenage girls and there they
always were on the phone back in the day, and
they got one of those phones with the cord that
could reach the entirety of the house.
Speaker 2 (03:47):
Oh wow, you know the ones.
Speaker 3 (03:48):
It's like down the hallway.
Speaker 2 (03:49):
And they used to have those in the States or
on all of the sitcoms and stuff.
Speaker 3 (03:52):
Yeah, they go walking around that. She had a sitcom phone, man,
she could go and call people from her room.
Speaker 4 (03:56):
They had some of those, like you could wind them
up and then you know, like an electric fit. It
was really weird.
Speaker 3 (04:05):
Now, listen to the way that R. Kelly says establish here, it's.
Speaker 1 (04:08):
Real talk seeker. Only thing I'm trying to establish.
Speaker 5 (04:13):
Established, established, real talk seeker only thing.
Speaker 6 (04:18):
I'm trying to establish who choose, not pools rter Wol's wrong,
but what's right and what's wrong?
Speaker 1 (04:25):
Real?
Speaker 2 (04:26):
No, no, no, no, no, no, no no. We've got R Kelly
talking about what's right and what's wrong?
Speaker 4 (04:31):
Well, and who's writing who's right?
Speaker 2 (04:32):
Well, he's not saying it's not who's right and is wrong? No,
he's saying what's right and what's wrong. I apology now,
big cool for R. Kelly trying to establish or establish
what's right and what's wrong.
Speaker 3 (04:46):
Because a great point that he's raised, and this is
why it's such an insight into the in the workings
of a relationship. It's important to establish not who's right
who's wrong, because it's you and them against the problem,
but what's right and what's wrong. And that's something very
important to English. I think.
Speaker 2 (05:01):
Okay, I mean, how did he go?
Speaker 3 (05:04):
And then just you know, let's find out he'll talk
seek girl only thing.
Speaker 6 (05:09):
I'm trying to establish what you was, not Hool's right,
Hool's wrong.
Speaker 1 (05:13):
But what's right, what's wrong?
Speaker 6 (05:15):
He'll talk just because your friends say she saw me
at the club with some mother bitches sitting in vipy
smoking and drinking and kidding it.
Speaker 1 (05:25):
Tell me, girl, did she say there were.
Speaker 7 (05:27):
Other guys there? Did she stay there were other guys?
There were there other guys there?
Speaker 1 (05:34):
Will tell me this. How the fuck you know?
Speaker 6 (05:37):
I was with the mother girl's saying when the whole
club packed, went a minute, let me finish what.
Speaker 1 (05:42):
I've got to say. I've been with you five years
and you listening to your motherfucking girl. I don't know
why you fuck with them? All jealous? No man having that?
Speaker 2 (05:51):
Hold on, wow, hold on, Kelly, hold on her friends.
So her friends saw her at the club. So he's
the other club, Yes, worth a whole lot of other
bitches girls allegedly. Okay, but tell me that the girls
in the vip area.
Speaker 3 (06:12):
Yes, okay, but tell me this. Did anyone else see
me there? So his first thing wasn't I didn't do
it? It was did anyone else see me there?
Speaker 2 (06:20):
Wasn't it whether or not that he had his friends
with them at the same time with.
Speaker 4 (06:24):
The other guys there, and the whole club was packed
with the other guys.
Speaker 2 (06:28):
Well, he's definitely going to be in the VIP areio
the other guys there. That is what he said, do
you want to hear to get yep, because a lot happened.
Speaker 3 (06:37):
He goes on a couple of.
Speaker 7 (06:39):
Times, tell me girl, did she say there were other
guys there? Did she stay there were other guys there?
Speaker 1 (06:47):
Well, there are other guys?
Speaker 2 (06:49):
Three times?
Speaker 3 (06:50):
And I love that he cut the music out for
this as well. By the way, in the video, and
we'll put this into the conclave. But in the video,
at this point he is getting his hair braided, He's
getting corners put in.
Speaker 2 (07:01):
I thought he was in the recording studio with his
friends on the phone.
Speaker 3 (07:03):
He is, and at one point someone starts braiding is here,
but he flicks the person braiding his hair away when
he stands up and starts getting quite animated about did
she say there were other guys there?
Speaker 2 (07:15):
Can I say something? I've never been a fan of R. Kelly,
mainly because I've never really listened to. OK, I'm coming around. Yeah,
I quite like Kelly.
Speaker 3 (07:23):
That's so raw.
Speaker 4 (07:24):
I don't know if it's a great time to come
around to ar Kelly.
Speaker 2 (07:26):
Really, who is this guy? He's good man Kelly. This
guy is good so he with pause here, it's got morals. Yeah,
he's got a great voice. Yeah, he's he's like, he's
interested in working up the issues with his partners.
Speaker 3 (07:40):
He wants to note that his girl, whose friend said
that he was sitting and partying in the VIP with
other girls, were the other guys there with the other
guys there? Yeah, what's wrong with that? And so he's
asked her that so far.
Speaker 2 (07:54):
This guy stands like a standout individual.
Speaker 3 (07:57):
And I think I think her replies she's not in
the video, but I think the reply is basically no.
And so this is his reply to that.
Speaker 1 (08:03):
Okay, well tell me this how to fuck you know?
I was with the mother girl.
Speaker 3 (08:07):
Who's ten, which is a great point.
Speaker 2 (08:12):
He was with them because his girlfriend's girlfriends saw him
with a whole lot of other girls in the VIP area.
But there were other guys there too. Yeah okay, but
was he hooking into them? Well we don't know.
Speaker 3 (08:26):
That develops and the whole club packed.
Speaker 1 (08:28):
Wait a minute, let me finish what I've.
Speaker 6 (08:30):
Got to see.
Speaker 2 (08:31):
Nobody interrupted him.
Speaker 3 (08:32):
No, Well he's on the phone. You can't hear her replying.
Speaker 1 (08:35):
Would you five years and your mother fucking girl?
Speaker 3 (08:39):
And that's another great point. So that been together five years.
Speaker 2 (08:41):
And he's never done anything wrong.
Speaker 3 (08:43):
No, and you listen to f and girlfriend, he's never
done a single thing five years with the mother.
Speaker 1 (08:49):
Girl who's been when the whole club packed.
Speaker 6 (08:51):
Wit a minute, let me finish what I've got to see.
Speaker 1 (08:54):
I've been with you five years, and you to your
mother fucking girl friend. I don't know why you fuck
with them.
Speaker 6 (09:00):
I'm all jealous, nor man having assholes any week on
who's got assholes?
Speaker 4 (09:05):
No? No, no, everyone's got an asshole nose. I don't
know where you fuck with them? All jealous? No man
have an ass hose anyway?
Speaker 2 (09:15):
Oh okay. He's saying that your friends suck because.
Speaker 3 (09:18):
They don't have a man anyway. So I don't know
why they're jealous of you.
Speaker 2 (09:22):
That's where I don't go wrong'd friends into it.
Speaker 3 (09:26):
So now the next time she's like, well, I'm going
to go and hang out with Kelly, who you don't like.
You know, it's going to be a whole thing. So
I think that's an error on our Kelly's I think
up until.
Speaker 2 (09:35):
This so far he's without fault.
Speaker 3 (09:36):
He's fired a couple of strays at the friends, So
I don't think they deserve that.
Speaker 2 (09:41):
I don't think.
Speaker 3 (09:41):
So let's see if you can lend us, though.
Speaker 6 (09:43):
He'll talk, always accusing me of some more bullshit when
I'm just trying to have a good time.
Speaker 1 (09:49):
You'll do this kills I who you're doing that?
Speaker 6 (09:52):
Don't you think I got enough bullshit.
Speaker 1 (09:54):
On my mind? We'll talk hold on them. Didn't I
just give your money, It'll get your hair to and nails.
Speaker 2 (10:00):
Don't Okay? Wait wait wait wait wait wait, So he
gave his girlfriend some money to go and get her
hear her clothes and get her nails done.
Speaker 3 (10:08):
Toes and nails.
Speaker 2 (10:10):
Okay, that's just kind of the same thing. So didn't
he just kind of well, that doesn't excuse him from
getting fresh with people at the club.
Speaker 3 (10:18):
No, no, well, but but but I know he's just
accused of it. But his position is I didn't do it.
So first off, he thinks she's lying. He's like, after
all the things I've done for you, he's still going
to sit there.
Speaker 2 (10:28):
Light and do we know much about this? R? Kelly Fellow?
I mean, so when he says something, is it normally
does he tell the truth? Is he always honest?
Speaker 3 (10:36):
I don't know if he is always honest. I don't
know if he's got the best track record of the truth.
Speaker 2 (10:42):
Really Robert Kelly no, okay.
Speaker 4 (10:43):
Says here in Wikipedia. He's a former singer, songwriter and
record producer. So I'm not sure what he's up to.
Speaker 3 (10:48):
Yeah, interposed at the moment. All right, let's kick going that.
Speaker 1 (10:54):
Don't you think I got an abortion?
Speaker 2 (10:56):
All my man?
Speaker 3 (10:58):
That's that does real talk.
Speaker 2 (10:59):
By the way, he's a lot of bullshit. The bullshit,
well he's got you know, he might be his own bullshit. Yeah,
the complainers can't for the cotcases and such court cases
means what courtcases?
Speaker 3 (11:11):
Oh, we don't need to go and do it. There's
a Netflix docker. You can go watch the Netflix docker
about cows, about cows, about Robert.
Speaker 2 (11:18):
Right, should we take do we need to take a
break or not?
Speaker 1 (11:27):
Hold on, didn't I just give your money? Tot'll get
your hair tools and nails done another day? Yeah, he
asked for smiling.
Speaker 3 (11:36):
You asked for who you asked was smiling?
Speaker 2 (11:39):
Yeah? Yeah?
Speaker 3 (11:40):
You were happy?
Speaker 2 (11:40):
Then?
Speaker 3 (11:41):
Yeah you were happy?
Speaker 2 (11:42):
Then why was there as smiling? That was like, can
you ask smile?
Speaker 3 (11:46):
Who's can? And his point is you're all smiles then?
And now you want to throw these allegations at him.
But I'm gonna be honest.
Speaker 2 (11:55):
These major allegations for him, Yeah.
Speaker 3 (11:57):
I don't think he's handling them very well. These This
is not the defense of an innocent man. I don't
think he's written the whole song about testing a little
bit too much real talk talking about.
Speaker 6 (12:07):
Gave fools some damn money. I ain't gave nobody no
damn money.
Speaker 2 (12:12):
Girl.
Speaker 1 (12:13):
Is your twigging?
Speaker 3 (12:15):
You see what you're she's tweaking as you're tweaking, Jerry,
she you means she wasted. Yeah, because she's now accusing
him of giving some other girl money. And that's why
he's going, well, hold on, gave who's.
Speaker 2 (12:28):
Some damn That's okay? Isn't it to give out some
money to be well?
Speaker 3 (12:32):
But I mean the very previous line was about getting
her hair toes and nails did yeah, And so now
she's probably saying, well, but you also did that for
someone else.
Speaker 2 (12:43):
Is he successful? Is he successful? He's got lots of money,
got a lot of money, that's right.
Speaker 1 (12:50):
Don't know the deed.
Speaker 6 (12:51):
Yeah, you're asked for smiling dead real top.
Speaker 1 (12:56):
Gave foolsome damn money. I ain't gave no damn money, girl.
Is your twigging?
Speaker 6 (13:04):
You see what your problem is, always running off at
the mouth, telling your girl.
Speaker 1 (13:08):
Your motherfucking business.
Speaker 6 (13:10):
When they don't eat with us, they don't sleep with
what they eat don't make us shit.
Speaker 2 (13:19):
What they eat don't make us ship.
Speaker 3 (13:21):
And that is one of the most philosophical quotes you'll
ever hear in any song in your life. What they
eat don't make us ship?
Speaker 2 (13:33):
What's I going to do with what they eat?
Speaker 4 (13:34):
But they don't eat with us, they don't sleep with us. Besides,
what they eat don't make us shit.
Speaker 3 (13:39):
It's just such a good metaphor. What they're doing over
there has got nothing to do with us. What they
eat don't make us ship. It is one of the
most poetic ways I've ever heard for someone to say
what they're doing over there doesn't affect us. And I
think that's something that we need to take on board
of the show.
Speaker 2 (13:55):
He's mounting a strong defense. He's a strong defense I
mean to an agment that doesn't seem to exist. But
he's still mounting a very strong defense.
Speaker 3 (14:01):
Because often in radio, you know, people are like, well,
you know, we've going to compete with this station, that station, YouTube,
what are we doing on social media?
Speaker 2 (14:08):
I mean ship?
Speaker 3 (14:09):
But what what they eat don't make us ship?
Speaker 4 (14:11):
Yeah, so fuck, that's a good appointment.
Speaker 3 (14:13):
What they eat don't make up and take that into
your workday today. By the way, anyone listening to this,
if someone's like, oh, yeah, but such and such does
this or such and such does that, and.
Speaker 2 (14:22):
What they what they eat don't make us ship, make.
Speaker 3 (14:24):
Us ship, all right?
Speaker 1 (14:27):
Your motherfucking business.
Speaker 6 (14:29):
When they don't eat with us, they don't sleep with us. Side,
what they don't make us ship? Real talk?
Speaker 3 (14:38):
That is that is that is the realist talk I've
ever heard in my life.
Speaker 2 (14:40):
That's a really good singing too. Yeah, Christy hit those.
Speaker 3 (14:43):
Nights they eat don't make us ship anyway, He continues.
Speaker 6 (14:49):
You can't my mama's house, what girl, my mom eat
a screen or call for me? Real talk?
Speaker 2 (14:58):
She's calling his at my mother's house. Yeah, was he trying?
Is she trying to find him? Is this pre mobile
phones or something?
Speaker 3 (15:04):
Well, yeah, it's definitely pre mobile phones. He's in a landline.
Speaker 2 (15:07):
Well it's two thousand and nine.
Speaker 3 (15:08):
He's on the cordless landline mobile.
Speaker 4 (15:11):
A lot of landlines still in two thousand and nine.
Speaker 3 (15:14):
So real, she's now called his mom's phone. It's all going.
Speaker 2 (15:17):
Don't get mom involved.
Speaker 1 (15:20):
You call my mama's house and what.
Speaker 6 (15:24):
Girl, My mommy ain't got a screen, or call for
me real talk to watch your mouth fuck me, girl,
fuck you.
Speaker 1 (15:32):
I don't get a fuck about what you're talking about.
I'm sicking as bullshit.
Speaker 6 (15:36):
I'm coming home and getting my ship and getting the fuck.
Speaker 1 (15:38):
About it down.
Speaker 3 (15:40):
Hold no, hold on, hold on, I'm flying off the
handle a little bit.
Speaker 2 (15:44):
You're just into this relationship. You're taking your stuff home.
It's just a disagreement.
Speaker 3 (15:48):
Man from doesn't sound like he's innocent, does it. And
apologies to anyone that's still got kids in the caation
we listening to and that's real talk. Let's see there's
an advance from here.
Speaker 4 (16:00):
Just wait, you gotta.
Speaker 1 (16:01):
Worry about me no more. And the next time your
ass good honey, good fuck? What are your foggy ass friends?
Speaker 2 (16:09):
Wait? Wait wait, wait mate, wait wait wait?
Speaker 3 (16:12):
Do we need to beat these that happen?
Speaker 4 (16:14):
So the next time you're asking horny Jerry, go fuck
honey or funky ass free.
Speaker 2 (16:20):
But maybe shouldn't be together. I'm starting to think you
guys are best not together.
Speaker 3 (16:27):
This is not a healthy relationships, not a great relationship.
Right example, I mean some moments of brilliant philosophical brilliance
in there, but then otherwise basically just the toxic relationship.
Speaker 2 (16:37):
This is if this is real talk, this is real talk.
I can't imagine what's unreal talk. Imagine what's fake talk.
Speaker 3 (16:44):
Let's see how he goes.
Speaker 1 (16:46):
Fuck about what you're told about. I'm thinking this bullshit.
Speaker 6 (16:49):
I'm coming home and getting my ship and getting.
Speaker 1 (16:51):
The funck about it. Dodge, you ain't gonna worry about
me no more.
Speaker 6 (16:55):
And the next time your ass good, honey, good fuf
one of your foggy ass.
Speaker 1 (16:59):
Fore, hell, you're probably.
Speaker 6 (17:01):
Already doing that ship anyway, you're gonna boy right.
Speaker 2 (17:05):
Wait, wait, now you're accusing, guessing, I'm making up to
your friends. But nobody ever said that.
Speaker 3 (17:12):
Where's the evidence.
Speaker 2 (17:13):
Where's the evidence to support that?
Speaker 3 (17:15):
There's none. Hold on with the other guys here.
Speaker 2 (17:18):
You're probably what you just made that up with the
other you just made that up man.
Speaker 3 (17:23):
Other guys there, let's see, I guess.
Speaker 6 (17:28):
Bitch job was shoe wood, bother fucking clues whatever.
Speaker 2 (17:34):
Who's burning those clothes?
Speaker 3 (17:37):
This is a full on relationship's obviously in a while,
and burn all your clothes and I love the way
that in the middle of that he hits a tasteful
little run of notes.
Speaker 6 (17:46):
Hell, you're probably already doing that ship anyway, you're gonna boom.
Speaker 1 (17:50):
What bit job was shoe wood? Bother fucking clue? Who
would your triphle dance? Children? You?
Speaker 3 (18:07):
Oh, there's a fight breaking out in the studio now.
The three guys that were sitting in the studio behind
him have now started a fight. It seems underlated to
lot r Kelly had gone on.
Speaker 1 (18:20):
I kind of camel.
Speaker 3 (18:24):
That's how it is. Wow, Okay, I don't know what
Milton had to do with that and why the fight
broke out in the background with Milton Milton?
Speaker 2 (18:31):
That what that? The Southland the Southland town?
Speaker 3 (18:34):
Yeah, the Melton town of Milton where they built the
highways from opposite ins and they didn't quite meet in
the middle of Melton.
Speaker 2 (18:40):
I never thought that ir Kelly would have been to Melton.
Speaker 3 (18:42):
No, oldn't have thought so either. So anyway, I don't
know what. I don't know what to take away from that,
but that is our Kelly's real talk. When as soon
as I found out you hadn't watched it, I knew
I had to share it with you, and I think
if we can take anything away from that and take
it with you into your day, it's that what they
eat don't make us ship.
Speaker 5 (18:57):
We will talk
Go ahead on and break them off with the lap.
Speaker 2 (00:02):
Who's the meat? Now, get a It's Jerry here from
the Headachey Breakfast. Just letting you know that if you're
listening to the podcast but didn't know that we also
do a live radio show, we do. And if you're
wondering how to find out what frequency to listen to
us in your area, just takes north or south as
an island to three four eight three. It will let
you know. And now let's get on with.
Speaker 1 (00:23):
The podcast, Heart and fresh out the kitchen.
Speaker 2 (00:31):
It's been a while since I've listened to us the
remix to Ignition. I know you're a huge fan.
Speaker 3 (00:37):
When she's running her hands from my fro and I'm
bouncing on twenty foes bowspouncepouncepous spous spous Big Arkelly guy,
And has come to my attention over the last sort
of thirty forty seconds that you guys have never heard
the R Kelly's seminal work Real Talk, and so I
(00:58):
would like to present Fear on today's podcast, R Kelly's
Real Talk.
Speaker 2 (01:02):
Okay, so is R Kelly's Real Talk. Just before are
you going to play something for us?
Speaker 3 (01:06):
Yeah?
Speaker 2 (01:06):
I'm good audiot.
Speaker 3 (01:07):
Okay, is it real? It's real talk?
Speaker 2 (01:12):
Is it? When's it?
Speaker 3 (01:13):
Is it from sixteen years ago? The video was uploaded.
Speaker 4 (01:18):
Okay, okay, so not from prison.
Speaker 3 (01:20):
No, no, no, no, so two thousand and nine, Yeah
that's right.
Speaker 2 (01:24):
Uh yeah, no that two thousand and nine.
Speaker 3 (01:26):
It'd be about right. Yeah, it's a it's a song,
you know what, live me, let cals tell it to you.
Speaker 5 (01:32):
I decided to do this shit real talk on YouTube
because I think it's a great song, you know what
I'm saying, even though it's a lot of profanity in it,
but the profanity represents just how real shit gets when
you arguing with your girls and shit.
Speaker 3 (01:48):
So it's so it's a song about you know, it's
a real, open, honest, raw representation of arguing with your
girl a little bit. And he decided to premiere it
on YouTube. Let's how you know it's two thousand not yeah,
because he's addressing the fact that it's gonna go on YouTube.
Speaker 2 (02:03):
Yeah, that's a lot that was early YouTube.
Speaker 3 (02:04):
Well at that time, it was basically like the videos
of people putting mintos into coke and then throwing that
bottle on the floor. Absolutely early adopter. Kelly let's let
Robert Kelly continue. Has young you know what I'm saying.
Speaker 5 (02:17):
So I did it on YouTube, but I'm gonna do
the ship for y'all on YouTube.
Speaker 2 (02:21):
Hold on, I.
Speaker 5 (02:22):
Gotta give me a drink. I'm gonna take me a shot.
Of course, we got the stove. He's jumping off. Get
a box of We're gonna be real, man, I'm just
gonna be real. We're just gonna roll to film and
we're gonna do it. I'm doing this for the fans
that I know around the globe. They love real talk.
Speaker 1 (02:39):
I wasn't wait a minute. Calm down.
Speaker 3 (02:44):
Let me know. If you're on a poster at any time,
was it a club.
Speaker 1 (02:46):
With who get the man?
Speaker 6 (02:51):
You know what, girl, I'm not about to sit up
here and argue with you about who's the blame.
Speaker 1 (03:00):
Seeker. Only thing I'm trying to establish your choosing.
Speaker 3 (03:04):
That first off, only is he on the phone. He's
on the phone. He's in a room, he's got three
of us home. He's in the background. It looks like
they're in the recording studio and he's on he's on
a landline. But it's one of remember when the landlines
you could the first generation of landlines where you could
take it out of the wholester and walk around the house.
Speaker 2 (03:20):
Yeah, like a mobile. It was. It was considered. It
was called courts.
Speaker 3 (03:25):
Yeah, and then you'd always lose the basket. Yeah, and
then you could push the button on the base and
then it would take you where it was.
Speaker 2 (03:30):
Oh, man, cordless phone awesome, Oh god, how good were
the court My nana had a cordless one. They were good.
Speaker 3 (03:35):
They were way better than because my cousin so in
her household there were two teenage girls and there they
always were on the phone back in the day, and
they got one of those phones with the cord that
could reach the entirety of the house.
Speaker 2 (03:47):
Oh wow, you know the ones.
Speaker 3 (03:48):
It's like down the hallway.
Speaker 2 (03:49):
And they used to have those in the States or
on all of the sitcoms and stuff.
Speaker 3 (03:52):
Yeah, they go walking around that. She had a sitcom phone, man,
she could go and call people from her room.
Speaker 4 (03:56):
They had some of those, like you could wind them
up and then you know, like an electric fit. It
was really weird.
Speaker 3 (04:05):
Now, listen to the way that R. Kelly says establish here, it's.
Speaker 1 (04:08):
Real talk seeker. Only thing I'm trying to establish.
Speaker 5 (04:13):
Established, established, real talk seeker only thing.
Speaker 6 (04:18):
I'm trying to establish who choose, not pools rter Wol's wrong,
but what's right and what's wrong?
Speaker 1 (04:25):
Real?
Speaker 2 (04:26):
No, no, no, no, no, no, no no. We've got R Kelly
talking about what's right and what's wrong?
Speaker 4 (04:31):
Well, and who's writing who's right?
Speaker 2 (04:32):
Well, he's not saying it's not who's right and is wrong? No,
he's saying what's right and what's wrong. I apology now,
big cool for R. Kelly trying to establish or establish
what's right and what's wrong.
Speaker 3 (04:46):
Because a great point that he's raised, and this is
why it's such an insight into the in the workings
of a relationship. It's important to establish not who's right
who's wrong, because it's you and them against the problem,
but what's right and what's wrong. And that's something very
important to English. I think.
Speaker 2 (05:01):
Okay, I mean, how did he go?
Speaker 3 (05:04):
And then just you know, let's find out he'll talk
seek girl only thing.
Speaker 6 (05:09):
I'm trying to establish what you was, not Hool's right,
Hool's wrong.
Speaker 1 (05:13):
But what's right, what's wrong?
Speaker 6 (05:15):
He'll talk just because your friends say she saw me
at the club with some mother bitches sitting in vipy
smoking and drinking and kidding it.
Speaker 1 (05:25):
Tell me, girl, did she say there were.
Speaker 7 (05:27):
Other guys there? Did she stay there were other guys?
There were there other guys there?
Speaker 1 (05:34):
Will tell me this. How the fuck you know?
Speaker 6 (05:37):
I was with the mother girl's saying when the whole
club packed, went a minute, let me finish what.
Speaker 1 (05:42):
I've got to say. I've been with you five years
and you listening to your motherfucking girl. I don't know
why you fuck with them? All jealous? No man having that?
Speaker 2 (05:51):
Hold on, wow, hold on, Kelly, hold on her friends.
So her friends saw her at the club. So he's
the other club, Yes, worth a whole lot of other
bitches girls allegedly. Okay, but tell me that the girls
in the vip area.
Speaker 3 (06:12):
Yes, okay, but tell me this. Did anyone else see
me there? So his first thing wasn't I didn't do
it? It was did anyone else see me there?
Speaker 2 (06:20):
Wasn't it whether or not that he had his friends
with them at the same time with.
Speaker 4 (06:24):
The other guys there, and the whole club was packed
with the other guys.
Speaker 2 (06:28):
Well, he's definitely going to be in the VIP areio
the other guys there. That is what he said, do
you want to hear to get yep, because a lot happened.
Speaker 3 (06:37):
He goes on a couple of.
Speaker 7 (06:39):
Times, tell me girl, did she say there were other
guys there? Did she stay there were other guys there?
Speaker 1 (06:47):
Well, there are other guys?
Speaker 2 (06:49):
Three times?
Speaker 3 (06:50):
And I love that he cut the music out for
this as well. By the way, in the video, and
we'll put this into the conclave. But in the video,
at this point he is getting his hair braided, He's
getting corners put in.
Speaker 2 (07:01):
I thought he was in the recording studio with his
friends on the phone.
Speaker 3 (07:03):
He is, and at one point someone starts braiding is here,
but he flicks the person braiding his hair away when
he stands up and starts getting quite animated about did
she say there were other guys there?
Speaker 2 (07:15):
Can I say something? I've never been a fan of R. Kelly,
mainly because I've never really listened to. OK, I'm coming around. Yeah,
I quite like Kelly.
Speaker 3 (07:23):
That's so raw.
Speaker 4 (07:24):
I don't know if it's a great time to come
around to ar Kelly.
Speaker 2 (07:26):
Really, who is this guy? He's good man Kelly. This
guy is good so he with pause here, it's got morals. Yeah,
he's got a great voice. Yeah, he's he's like, he's
interested in working up the issues with his partners.
Speaker 3 (07:40):
He wants to note that his girl, whose friend said
that he was sitting and partying in the VIP with
other girls, were the other guys there with the other
guys there? Yeah, what's wrong with that? And so he's
asked her that so far.
Speaker 2 (07:54):
This guy stands like a standout individual.
Speaker 3 (07:57):
And I think I think her replies she's not in
the video, but I think the reply is basically no.
And so this is his reply to that.
Speaker 1 (08:03):
Okay, well tell me this how to fuck you know?
I was with the mother girl.
Speaker 3 (08:07):
Who's ten, which is a great point.
Speaker 2 (08:12):
He was with them because his girlfriend's girlfriends saw him
with a whole lot of other girls in the VIP area.
But there were other guys there too. Yeah okay, but
was he hooking into them? Well we don't know.
Speaker 3 (08:26):
That develops and the whole club packed.
Speaker 1 (08:28):
Wait a minute, let me finish what I've.
Speaker 6 (08:30):
Got to see.
Speaker 2 (08:31):
Nobody interrupted him.
Speaker 3 (08:32):
No, Well he's on the phone. You can't hear her replying.
Speaker 1 (08:35):
Would you five years and your mother fucking girl?
Speaker 3 (08:39):
And that's another great point. So that been together five years.
Speaker 2 (08:41):
And he's never done anything wrong.
Speaker 3 (08:43):
No, and you listen to f and girlfriend, he's never
done a single thing five years with the mother.
Speaker 1 (08:49):
Girl who's been when the whole club packed.
Speaker 6 (08:51):
Wit a minute, let me finish what I've got to see.
Speaker 1 (08:54):
I've been with you five years, and you to your
mother fucking girl friend. I don't know why you fuck
with them.
Speaker 6 (09:00):
I'm all jealous, nor man having assholes any week on
who's got assholes?
Speaker 4 (09:05):
No? No, no, everyone's got an asshole nose. I don't
know where you fuck with them? All jealous? No man
have an ass hose anyway?
Speaker 2 (09:15):
Oh okay. He's saying that your friends suck because.
Speaker 3 (09:18):
They don't have a man anyway. So I don't know
why they're jealous of you.
Speaker 2 (09:22):
That's where I don't go wrong'd friends into it.
Speaker 3 (09:26):
So now the next time she's like, well, I'm going
to go and hang out with Kelly, who you don't like.
You know, it's going to be a whole thing. So
I think that's an error on our Kelly's I think
up until.
Speaker 2 (09:35):
This so far he's without fault.
Speaker 3 (09:36):
He's fired a couple of strays at the friends, So
I don't think they deserve that.
Speaker 2 (09:41):
I don't think.
Speaker 3 (09:41):
So let's see if you can lend us, though.
Speaker 6 (09:43):
He'll talk, always accusing me of some more bullshit when
I'm just trying to have a good time.
Speaker 1 (09:49):
You'll do this kills I who you're doing that?
Speaker 6 (09:52):
Don't you think I got enough bullshit.
Speaker 1 (09:54):
On my mind? We'll talk hold on them. Didn't I
just give your money, It'll get your hair to and nails.
Speaker 2 (10:00):
Don't Okay? Wait wait wait wait wait wait, So he
gave his girlfriend some money to go and get her
hear her clothes and get her nails done.
Speaker 3 (10:08):
Toes and nails.
Speaker 2 (10:10):
Okay, that's just kind of the same thing. So didn't
he just kind of well, that doesn't excuse him from
getting fresh with people at the club.
Speaker 3 (10:18):
No, no, well, but but but I know he's just
accused of it. But his position is I didn't do it.
So first off, he thinks she's lying. He's like, after
all the things I've done for you, he's still going
to sit there.
Speaker 2 (10:28):
Light and do we know much about this? R? Kelly Fellow?
I mean, so when he says something, is it normally
does he tell the truth? Is he always honest?
Speaker 3 (10:36):
I don't know if he is always honest. I don't
know if he's got the best track record of the truth.
Speaker 2 (10:42):
Really Robert Kelly no, okay.
Speaker 4 (10:43):
Says here in Wikipedia. He's a former singer, songwriter and
record producer. So I'm not sure what he's up to.
Speaker 3 (10:48):
Yeah, interposed at the moment. All right, let's kick going that.
Speaker 1 (10:54):
Don't you think I got an abortion?
Speaker 2 (10:56):
All my man?
Speaker 3 (10:58):
That's that does real talk.
Speaker 2 (10:59):
By the way, he's a lot of bullshit. The bullshit,
well he's got you know, he might be his own bullshit. Yeah,
the complainers can't for the cotcases and such court cases
means what courtcases?
Speaker 3 (11:11):
Oh, we don't need to go and do it. There's
a Netflix docker. You can go watch the Netflix docker
about cows, about cows, about Robert.
Speaker 2 (11:18):
Right, should we take do we need to take a
break or not?
Speaker 1 (11:27):
Hold on, didn't I just give your money? Tot'll get
your hair tools and nails done another day? Yeah, he
asked for smiling.
Speaker 3 (11:36):
You asked for who you asked was smiling?
Speaker 2 (11:39):
Yeah? Yeah?
Speaker 3 (11:40):
You were happy?
Speaker 2 (11:40):
Then?
Speaker 3 (11:41):
Yeah you were happy?
Speaker 2 (11:42):
Then why was there as smiling? That was like, can
you ask smile?
Speaker 3 (11:46):
Who's can? And his point is you're all smiles then?
And now you want to throw these allegations at him.
But I'm gonna be honest.
Speaker 2 (11:55):
These major allegations for him, Yeah.
Speaker 3 (11:57):
I don't think he's handling them very well. These This
is not the defense of an innocent man. I don't
think he's written the whole song about testing a little
bit too much real talk talking about.
Speaker 6 (12:07):
Gave fools some damn money. I ain't gave nobody no
damn money.
Speaker 2 (12:12):
Girl.
Speaker 1 (12:13):
Is your twigging?
Speaker 3 (12:15):
You see what you're she's tweaking as you're tweaking, Jerry,
she you means she wasted. Yeah, because she's now accusing
him of giving some other girl money. And that's why
he's going, well, hold on, gave who's.
Speaker 2 (12:28):
Some damn That's okay? Isn't it to give out some
money to be well?
Speaker 3 (12:32):
But I mean the very previous line was about getting
her hair toes and nails did yeah, And so now
she's probably saying, well, but you also did that for
someone else.
Speaker 2 (12:43):
Is he successful? Is he successful? He's got lots of money,
got a lot of money, that's right.
Speaker 1 (12:50):
Don't know the deed.
Speaker 6 (12:51):
Yeah, you're asked for smiling dead real top.
Speaker 1 (12:56):
Gave foolsome damn money. I ain't gave no damn money, girl.
Is your twigging?
Speaker 6 (13:04):
You see what your problem is, always running off at
the mouth, telling your girl.
Speaker 1 (13:08):
Your motherfucking business.
Speaker 6 (13:10):
When they don't eat with us, they don't sleep with
what they eat don't make us shit.
Speaker 2 (13:19):
What they eat don't make us ship.
Speaker 3 (13:21):
And that is one of the most philosophical quotes you'll
ever hear in any song in your life. What they
eat don't make us ship?
Speaker 2 (13:33):
What's I going to do with what they eat?
Speaker 4 (13:34):
But they don't eat with us, they don't sleep with us. Besides,
what they eat don't make us shit.
Speaker 3 (13:39):
It's just such a good metaphor. What they're doing over
there has got nothing to do with us. What they
eat don't make us ship. It is one of the
most poetic ways I've ever heard for someone to say
what they're doing over there doesn't affect us. And I
think that's something that we need to take on board
of the show.
Speaker 2 (13:55):
He's mounting a strong defense. He's a strong defense I
mean to an agment that doesn't seem to exist. But
he's still mounting a very strong defense.
Speaker 3 (14:01):
Because often in radio, you know, people are like, well,
you know, we've going to compete with this station, that station, YouTube,
what are we doing on social media?
Speaker 2 (14:08):
I mean ship?
Speaker 3 (14:09):
But what what they eat don't make us ship?
Speaker 4 (14:11):
Yeah, so fuck, that's a good appointment.
Speaker 3 (14:13):
What they eat don't make up and take that into
your workday today. By the way, anyone listening to this,
if someone's like, oh, yeah, but such and such does
this or such and such does that, and.
Speaker 2 (14:22):
What they what they eat don't make us ship, make.
Speaker 3 (14:24):
Us ship, all right?
Speaker 1 (14:27):
Your motherfucking business.
Speaker 6 (14:29):
When they don't eat with us, they don't sleep with us. Side,
what they don't make us ship? Real talk?
Speaker 3 (14:38):
That is that is that is the realist talk I've
ever heard in my life.
Speaker 2 (14:40):
That's a really good singing too. Yeah, Christy hit those.
Speaker 3 (14:43):
Nights they eat don't make us ship anyway, He continues.
Speaker 6 (14:49):
You can't my mama's house, what girl, my mom eat
a screen or call for me? Real talk?
Speaker 2 (14:58):
She's calling his at my mother's house. Yeah, was he trying?
Is she trying to find him? Is this pre mobile
phones or something?
Speaker 3 (15:04):
Well, yeah, it's definitely pre mobile phones. He's in a landline.
Speaker 2 (15:07):
Well it's two thousand and nine.
Speaker 3 (15:08):
He's on the cordless landline mobile.
Speaker 4 (15:11):
A lot of landlines still in two thousand and nine.
Speaker 3 (15:14):
So real, she's now called his mom's phone. It's all going.
Speaker 2 (15:17):
Don't get mom involved.
Speaker 1 (15:20):
You call my mama's house and what.
Speaker 6 (15:24):
Girl, My mommy ain't got a screen, or call for
me real talk to watch your mouth fuck me, girl,
fuck you.
Speaker 1 (15:32):
I don't get a fuck about what you're talking about.
I'm sicking as bullshit.
Speaker 6 (15:36):
I'm coming home and getting my ship and getting the fuck.
Speaker 1 (15:38):
About it down.
Speaker 3 (15:40):
Hold no, hold on, hold on, I'm flying off the
handle a little bit.
Speaker 2 (15:44):
You're just into this relationship. You're taking your stuff home.
It's just a disagreement.
Speaker 3 (15:48):
Man from doesn't sound like he's innocent, does it. And
apologies to anyone that's still got kids in the caation
we listening to and that's real talk. Let's see there's
an advance from here.
Speaker 4 (16:00):
Just wait, you gotta.
Speaker 1 (16:01):
Worry about me no more. And the next time your
ass good honey, good fuck? What are your foggy ass friends?
Speaker 2 (16:09):
Wait? Wait wait, wait mate, wait wait wait?
Speaker 3 (16:12):
Do we need to beat these that happen?
Speaker 4 (16:14):
So the next time you're asking horny Jerry, go fuck
honey or funky ass free.
Speaker 2 (16:20):
But maybe shouldn't be together. I'm starting to think you
guys are best not together.
Speaker 3 (16:27):
This is not a healthy relationships, not a great relationship.
Right example, I mean some moments of brilliant philosophical brilliance
in there, but then otherwise basically just the toxic relationship.
Speaker 2 (16:37):
This is if this is real talk, this is real talk.
I can't imagine what's unreal talk. Imagine what's fake talk.
Speaker 3 (16:44):
Let's see how he goes.
Speaker 1 (16:46):
Fuck about what you're told about. I'm thinking this bullshit.
Speaker 6 (16:49):
I'm coming home and getting my ship and getting.
Speaker 1 (16:51):
The funck about it. Dodge, you ain't gonna worry about
me no more.
Speaker 6 (16:55):
And the next time your ass good, honey, good fuf
one of your foggy ass.
Speaker 1 (16:59):
Fore, hell, you're probably.
Speaker 6 (17:01):
Already doing that ship anyway, you're gonna boy right.
Speaker 2 (17:05):
Wait, wait, now you're accusing, guessing, I'm making up to
your friends. But nobody ever said that.
Speaker 3 (17:12):
Where's the evidence.
Speaker 2 (17:13):
Where's the evidence to support that?
Speaker 3 (17:15):
There's none. Hold on with the other guys here.
Speaker 2 (17:18):
You're probably what you just made that up with the
other you just made that up man.
Speaker 3 (17:23):
Other guys there, let's see, I guess.
Speaker 6 (17:28):
Bitch job was shoe wood, bother fucking clues whatever.
Speaker 2 (17:34):
Who's burning those clothes?
Speaker 3 (17:37):
This is a full on relationship's obviously in a while,
and burn all your clothes and I love the way
that in the middle of that he hits a tasteful
little run of notes.
Speaker 6 (17:46):
Hell, you're probably already doing that ship anyway, you're gonna boom.
Speaker 1 (17:50):
What bit job was shoe wood? Bother fucking clue? Who
would your triphle dance? Children? You?
Speaker 3 (18:07):
Oh, there's a fight breaking out in the studio now.
The three guys that were sitting in the studio behind
him have now started a fight. It seems underlated to
lot r Kelly had gone on.
Speaker 1 (18:20):
I kind of camel.
Speaker 3 (18:24):
That's how it is. Wow, Okay, I don't know what
Milton had to do with that and why the fight
broke out in the background with Milton Milton?
Speaker 2 (18:31):
That what that? The Southland the Southland town?
Speaker 3 (18:34):
Yeah, the Melton town of Milton where they built the
highways from opposite ins and they didn't quite meet in
the middle of Melton.
Speaker 2 (18:40):
I never thought that ir Kelly would have been to Melton.
Speaker 3 (18:42):
No, oldn't have thought so either. So anyway, I don't
know what. I don't know what to take away from that,
but that is our Kelly's real talk. When as soon
as I found out you hadn't watched it, I knew
I had to share it with you, and I think
if we can take anything away from that and take
it with you into your day, it's that what they
eat don't make us ship.
Speaker 5 (18:57):
We will talk
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