Episode Transcript
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Speaker 1 (00:00):
A nice story.
Speaker 2 (00:02):
Let me take you to Roanoak Roanoke City Public schools.
A plumber is there working in Fairview Elementary.
Speaker 1 (00:14):
Just doing some work.
Speaker 2 (00:15):
Right while he's doing some work in Fairview Elementary, which
I don't really know anything about.
Speaker 1 (00:21):
Diane, Do you know that from me?
Speaker 2 (00:22):
I don't remember that one on the days of the
early days of Dick and Diane.
Speaker 1 (00:26):
Don't you don't remember talking about Fairview? You never had
to talk about their football team.
Speaker 3 (00:30):
That was the high schools.
Speaker 1 (00:32):
Oh, you didn't go down a level or clue? Wait,
what do you make in a face?
Speaker 3 (00:35):
I told you that was to have to talk about
high school football is great, okay, normal season crap. Go
to the game.
Speaker 1 (00:48):
This is why it didn't work after you Now, wait,
what do you mean? What do you mean by that?
Go to the game.
Speaker 3 (00:52):
They were big on talking about local high school football,
and when growing up around here, you really don't care
once unless your team mix it to the playoffs. Once
you're gone, you're gone.
Speaker 2 (01:06):
Didn't Diane spend a decent amount of time talking about
Hasefield High School football?
Speaker 3 (01:11):
Different when there's a big scandal involved.
Speaker 2 (01:14):
Yeah, but can I ask you this about Roanoke and
I know you when it was Dick and Diane, you
guys ruled the roost the but like in Houston, for example.
Speaker 3 (01:25):
Okay, Roanoak is not Texas.
Speaker 1 (01:28):
Right, man, I just want to finish.
Speaker 2 (01:30):
Yeah, when in Houston, because on Friday nights sometimes I
would do the Friday Night Football Report and during twice
an hour you would give Class five A the a
LEYTHELSIC rams are up thirty eight to fourteen on Maydy
Creek or whatever, and you had like nobody was calling
them in, but there were like printouts and stuff of
(01:51):
what was going on.
Speaker 3 (01:52):
Yeah, from like the wire.
Speaker 1 (01:53):
Yeah, you used to have to get them off the
wire and fill them in.
Speaker 2 (01:56):
So it was high school football huge.
Speaker 1 (02:00):
No, high school football is huge everywhere.
Speaker 2 (02:04):
No, it's not the Yes, so you weren't given the
what so what were you reporting.
Speaker 3 (02:09):
On normal everyday things and sports and stuff that people
care about high school football?
Speaker 2 (02:17):
But were you were you only giving scores or were
you doing things like the high school quarterback? No?
Speaker 3 (02:23):
No, no, they wanted scores.
Speaker 1 (02:25):
Yeah, right, everybody wants to know who's winning.
Speaker 3 (02:32):
That's Those were the first times I ever got hotline.
Speaker 2 (02:36):
Oh because oh wait, remind me of that. You've told
us that before where where.
Speaker 3 (02:41):
You get hotlined, they call the hotline. The general manager
calls the hotline and screaming like, why are you not
reporting on this? Because I'm from northern Virginia and we
don't care, which is what I wanted to say. But
as a new hire, of course I didn't.
Speaker 1 (02:58):
Did you have to do like midweek inn views with
the coaches?
Speaker 4 (03:01):
No?
Speaker 1 (03:01):
They that in Delaware? No, they they do. When I
was driving to they interview the head high school football coach.
Speaker 2 (03:09):
But was it like like Hayfield is a bad example,
But would it be like this school is getting ready
to go represent our area in nationals and they were
just doing like an interview.
Speaker 1 (03:21):
These are weekly check ins? Oh jesus h yeah on
Chicken Country.
Speaker 3 (03:25):
Oh and that's somebody from Texas.
Speaker 1 (03:27):
We didn't that we didn't do. See that shocks me.
Speaker 2 (03:30):
I think you every chip Nola the no that we
didn't do?
Speaker 1 (03:36):
Okay, Well, so you guys were actually not as into
it as everyone thinks, but more into it than Diane.
Was that the only time you got hotline?
Speaker 3 (03:48):
I think so that I can remember? Yeah, are you serious?
Speaker 1 (03:51):
Oh man? Why? Oh a lot?
Speaker 3 (03:58):
No, everybody was except for the everybody was really nice there,
because I mean I was literally like twenty two years old,
right out of college, was very nervous about everything, and
every bad.
Speaker 1 (04:08):
I believe everybody. I've seen that.
Speaker 3 (04:10):
Everybody, Oh sorry, cool as a cucumber at all costs.
Speaker 1 (04:14):
No, No, I'm saying I've seen you be nervous.
Speaker 3 (04:16):
Well yeah, but I mean to think about it when
you're when you're you're you're in your first real job.
Speaker 2 (04:21):
I told you, I get nervous every day. I am
nervous every single day.
Speaker 3 (04:25):
But and everybody was really really nice, except for the GM.
Speaker 2 (04:30):
You know who used to be a really really bad hotliner.
From what I've been told, Oh who praise hands? Really Kaplan, Yeah.
Speaker 3 (04:39):
That seems off brand.
Speaker 1 (04:41):
I believe he used to be really really bad. I
don't know if that's true or not. That's just what
I've heard.
Speaker 2 (04:46):
Yeah, but he used to be really really bad about
hotlining people.
Speaker 3 (04:51):
I mean, I'm not saying that. It is if somebody
has has left a mic open unwittingly and they and
they're you know, getting inside studio talk that's going out
over the air, Sure that's hotlineable, you know, but.
Speaker 2 (05:04):
Are you calling just agream at them or are you
calling to go, Hey, your MIC's on.
Speaker 3 (05:08):
No, no, no, But I'm I think you should scream
it him for that? But do you really but to like,
will you be the PD?
Speaker 2 (05:13):
Be the PD for a second and we'll be back
right after this man, this place.
Speaker 1 (05:19):
This place sucks.
Speaker 3 (05:23):
MIC's on way to yell at me? Dumb ass?
Speaker 1 (05:27):
Who Christian? Will you call Kaplin? Real quick? Please? The no?
Speaker 2 (05:34):
No, I just I just want to ask him. Listen,
I I will. You won't hear me say a bad
word about Kaplin? But I can understand how like love
my Kaplin?
Speaker 3 (05:42):
Like like when you talk about that accidentally giving a
car away.
Speaker 1 (05:47):
I didn't do that.
Speaker 5 (05:48):
I did.
Speaker 3 (05:50):
But did he get hotline for that?
Speaker 1 (05:52):
Oh?
Speaker 3 (05:52):
Yeah, okay, that that's understandable. You've watched a whole station,
do you remember?
Speaker 2 (05:58):
Do you remember how Loopy talked to the winner through
that Q speaker right, But he didn't realize that the
microphone talks to him.
Speaker 1 (06:06):
He thought it's where the sound came out, so he
gave away the car. Hey you're calling seven, just want
a quarterback?
Speaker 3 (06:19):
But to me, it's so counter. I understand people want
to scream at people for things that are warranted. That
you should be screamed at about sure, but all you're
gonna do is make it if somebody mispronounces something, do
it in a gentle way.
Speaker 1 (06:33):
Right, don't like screaming guy, the guy in Roanoke, you do.
Speaker 3 (06:38):
Jump down somebody's throat, because that's only going to make
them suck even worse after the commercials are over.
Speaker 2 (06:44):
But wait, so your general manager in Roanoke would scream
at people for mispronouncing a word.
Speaker 3 (06:52):
Oh yeah, he was notorious, notorious for stuff like that.
Yeah you know who?
Speaker 2 (06:56):
You know who was supposed to be really bad and
I haven't even gotten to my star were yet the Well, yeah,
that's what I'm hearing. Is he not answering? I know
he's not at work?
Speaker 1 (07:09):
What do you want it from me? I mean, I
love I love Mike, Kathlan love him. They do too.
Speaker 2 (07:17):
Yeah, but apparently no, you know who used to be
really really bad.
Speaker 1 (07:21):
And has also changed the I don't know.
Speaker 2 (07:23):
I never worked for the guy but before we got
to DC one on one, and I'm not talking pig
vomit from the from what you call it?
Speaker 1 (07:32):
From Powers Days?
Speaker 2 (07:33):
The the guy who used to be the general manager
GoF Lebar apparently was horrific, horrible. I never I've never,
I don't know him, never met him, and that predates
my being here.
Speaker 1 (07:48):
But apparently he was horrible, horrible.
Speaker 3 (07:53):
Sometimes, who was.
Speaker 1 (07:55):
The last PD to call you in the studio and
you career like to yell at me or make sure
you understand that you can or cannot be doing this
Brian Phillips. Oh, so you at this station have never
been hotlined? No? Wow, Well, now I know Joe would
call to be a part of the show. And we
(08:18):
learned last week Dustin doesn't know the hotline number. That
is true. That is true. So if he wanted to,
he was never able to know.
Speaker 2 (08:25):
If somebody I know, nobody, like even the really bad
pds we had, like Wellington. If Wellington would have called
the hotline me, I would have told me eat my
balls and hung up on him.
Speaker 1 (08:34):
I would have I don't care hath him, not even
like Rick Schmidt. Rick Schmidt is gonna call and hotline me.
It is the same thing, hey, Rick.
Speaker 3 (08:45):
Would it would have he would have been way too intimidated.
Speaker 1 (08:51):
Well, that's the problem. The management is afraid of Elliot
the Sometimes that's a good when's the last air check meeting?
You had, I phillips. Yeah, not here, Billy, exactly, because
I afraid of you.
Speaker 2 (09:07):
I wouldn't do it here. What am I gonna do?
Sit down with Dustin? Well, let me get out of
my little DJ notebook. The U give me some good insights?
Is room for improvement?
Speaker 1 (09:17):
I don't disagree with that. I don't disagree with that.
So you're you'd be.
Speaker 2 (09:22):
But I'm not gonna sit there and go, well, let's
go listen back to this break.
Speaker 1 (09:26):
So you wouldn't be. Why don't you listen to eating
my nuts? Willing to do it? No?
Speaker 2 (09:31):
No, I'm not gonna sit there and go hey, let's uh, hey,
I rolled some tape on the show today.
Speaker 1 (09:35):
Let's sit down and go over it. No, well, then,
how if you say there's room for improvement and if
it's not through a PD and I know it's not
through morning show boot camp? Oh yeah? Oh oh, so
you're saying right moment, right time? Maybe okay, yeah, totally.
Oh yeah, I would talk to anybody, it's just sometimes
(09:58):
it is.
Speaker 2 (09:59):
Well, then let's make sure you get in here at
eleven and bring a notepad. I've rolled some cassette tapes
on you, and let's go over. So my God wants
to be a scheduled thing.
Speaker 1 (10:09):
If it was, that's that respect that our word, you're
here and there. If it was a one off, there
may be good reason to it. Yeah.
Speaker 2 (10:22):
If somebody, Yeah, if a PD said oh hey, you
know what, had a thought? Yeah, I'd listened to that
all day, of course I would. Why wouldn't I?
Speaker 3 (10:31):
Right, that's constructive, that's fine.
Speaker 2 (10:32):
Yeah, but I don't need you call in the hotline
in the middle of the show.
Speaker 1 (10:35):
God, damn it, you said the name wrong.
Speaker 2 (10:38):
Yeah, Like, we call back because I'm going to mispronounce
five hundred other things.
Speaker 1 (10:44):
Yep, Oh they're calling back.
Speaker 2 (10:46):
Why don't you go talk for six hours a day,
longer than you work in a full day.
Speaker 1 (10:52):
Okay, now that seems personal. The where's kaplan? And now
I'm gonna yell at him for you? How did we
end up here? Ronoke?
Speaker 3 (11:02):
Oh?
Speaker 1 (11:02):
Yeah, Diane, Dick and Diane.
Speaker 2 (11:04):
When Diane was getting hotline for not doing high school
football scores?
Speaker 1 (11:08):
Stupid? What was the GM's name.
Speaker 3 (11:12):
I don't want to say why because I thought he
would have been long dead, But I looked him up
and apparently he's about two hundred and twelve but he's
still alive.
Speaker 1 (11:19):
But where is he working? Is he working? I doubt it.
Speaker 2 (11:23):
I can tell you the one PD that I or
GM that I hated the most. Now the GM used
to yell at me all the time when I worked
with Lander.
Speaker 1 (11:32):
He's dead. That stuff. I so many people want Dustin
just for kicks. The hotline you, but he does not
know the number? Oh line one. Oh, this is not
gonna be a good call, is it?
Speaker 2 (11:46):
Hi?
Speaker 1 (11:46):
Mike Kaplan? How are you?
Speaker 3 (11:48):
Oh?
Speaker 2 (11:48):
Hi?
Speaker 1 (11:49):
Elliott?
Speaker 2 (11:49):
Hi?
Speaker 1 (11:49):
Everyone? How are you doing? I'm okay? What is going on? Hey?
Can I ask you a question? I want you to
be honest? Right?
Speaker 5 (11:57):
All right?
Speaker 1 (11:58):
And I have told you to your face. I love you.
I think the world of you.
Speaker 2 (12:01):
Right.
Speaker 1 (12:02):
Uh no, No, it's not bad. Also, Doesn'tward's voice sound
weird on the phone? Yes? Why does? Why does your
voice sound?
Speaker 2 (12:09):
Are you pushing on your Adam's apples so people don't
recognize your voice?
Speaker 1 (12:12):
He sounds relaxed?
Speaker 2 (12:14):
The God bless her, God bless your Okay, here's my
question for you, Kaplan. We were I was trying to
do a story out of Roanoke that I haven't gotten
to because Diane started complaining that she had a general
manager when she worked in Roanoke. Maybe you remember that
famous Dick and Diane show out of Roanoke, But she
(12:35):
had a she had a general manager that used to
hotline them all the time.
Speaker 1 (12:40):
M HM.
Speaker 2 (12:41):
Was there a point in your career where you were
really bad about hotlining people?
Speaker 4 (12:48):
There was a point probably twenty some years ago that yeah,
I would hotline, but like, you know, if they were
on the air, they were doing something that was maybe
just not up to par, I would I.
Speaker 5 (12:59):
Would, I would, you know what?
Speaker 4 (13:00):
I would look at it like, you know, you're you're
a baseball manager, right, yeah, well i'd like to be.
Speaker 1 (13:05):
I'd much prefer to be doing that. But yes, the
same here.
Speaker 4 (13:09):
But you know, you look at it and you know
pictures walking batters left and right, and you go out
to the mountain and you coach them and you coach
them up and you say, hey, look they're all freaking strike.
Speaker 1 (13:19):
So you know, I would do that, but you know, after.
Speaker 4 (13:22):
A while, I think then it became texting people, and
then it became like, you know what, don't interrupt them
because that's not that you know what, They're.
Speaker 2 (13:30):
Not listening to me anyway, and that they're just gonna
get flustered, right, Yeah, well that.
Speaker 1 (13:37):
Diane was.
Speaker 2 (13:37):
Diane was upset because she thought it made her flustered,
which I find hard to believe. You can't fluster die
You what.
Speaker 1 (13:45):
About a Hartsfield Jackson. But no, doesn't that make sense?
I mean, doesn't that make sense.
Speaker 3 (13:53):
I mean, like some.
Speaker 4 (13:53):
People though it was, you realize after a while. Some people,
you know, obviously that's not the same of coaching. They want, right,
you need a step like you know, I get it.
Diane doesn't want in the moment talk to me after
the show. Nothing's that urgentalst She's cursing out and you
know FCC likenses, which she would never do.
Speaker 1 (14:12):
The Yeah, no, no, she forgot high school football scores.
That's what she was getting hotline for.
Speaker 2 (14:20):
Well, there are certain there's certain parts of the country
in Texas.
Speaker 1 (14:29):
Oh.
Speaker 4 (14:29):
I was in the Louisiana Diane over the holiday, and
there were they would escort cops would escort the buses,
the high school football team buses to this.
Speaker 2 (14:38):
And that's why I had to hotline Diane and her
do the goddamn scores.
Speaker 1 (14:42):
Exactly makes sense?
Speaker 2 (14:43):
That makes sense, all right, Mike, I'll talk to you soon,
all right, all right, love you buddy.
Speaker 3 (14:49):
See.
Speaker 1 (14:49):
Am I going to line too? Hi? Elliott in the morning.
Speaker 5 (14:55):
Elliott. Yes, it's Herbert, and I'm putting my necktie on.
Speaker 1 (15:00):
Man.
Speaker 5 (15:00):
I'm calling you out because I remember you got a.
Speaker 2 (15:03):
Wait a minute, is this Hoby? I know Hoby's voice.
Speaker 1 (15:08):
Hoby's waiting for Coaches Corner on Saturday, which he was
on after a good Friday night game back in high school.
He could have been featured on Virginia Radio Diane with
you wait, I'm sorry, so what what are you calling
me about?
Speaker 2 (15:23):
Sir?
Speaker 5 (15:25):
You got hotlined and I remember hearing it you way
back when this is back when Haber was on and
Craneus and all those guys.
Speaker 1 (15:33):
Penis, you did a story, you.
Speaker 5 (15:36):
This story about a woman who took a lobster tail
into a ball.
Speaker 1 (15:40):
Yeah that was yeah, that was That was Mark O'Brien.
That was Mark. That was more concerned.
Speaker 2 (15:46):
That was But I don't you know what if I
remember Brian probably apologized, see if.
Speaker 5 (15:52):
You got in trouble and you refuse to play, Oh.
Speaker 1 (15:55):
That's when I got back from being suspended. Yes, yes, okay.
Speaker 5 (16:00):
And then the whoever it was that called you up
said I don't want to do this on the air,
And you did not want to go off the air
because you wanted to be fired on the air.
Speaker 1 (16:10):
That is true, That was that was O'Brien.
Speaker 2 (16:13):
Yeah, yeah, no, I'd rather get fired on the air. Yeah, exactly. No,
I'd rather get fired on the air, like I don't.
Don't drag it out, all right, very good, thank you, No,
I don't.
Speaker 1 (16:26):
All right, but hoole. Yes, it was my bad though,
because I asked you, when's the last time a PD right, holland.
Speaker 3 (16:33):
Oh so he was a GPP.
Speaker 1 (16:34):
Yes, yeah, so I guess that would have been O'Brien.
But Brian Phillips was your last program director. Yes, and
he was upset about what he wanted to hear, this
Ronoque story.
Speaker 2 (16:45):
The no, No, I can tell you exactly what I
got hotline for.
Speaker 1 (16:49):
Oh so it left an impression.
Speaker 2 (16:51):
Yeah, stop trying to talk over the intros of songs.
Speaker 3 (16:55):
You're not good at it.
Speaker 2 (16:57):
That's what he told me. Stop trying to talk over
the intros of songs because I would get.
Speaker 1 (17:04):
I'd have to stop because I couldn't figure out the timing.
So he's like, you're ruining.
Speaker 2 (17:11):
But I told him I was like, Brian, I'm not
talking over the lyrics and he was like, I know,
but you also are just.
Speaker 1 (17:20):
And that doesn't look professionally.
Speaker 2 (17:22):
And he and I got the you know, this is Philadelphia,
like this is a major market. And I was like, yeah,
I'm trying to be respectful of the music. And he
was like, but you're ruining everything.
Speaker 1 (17:36):
Oh my god, that's funny. Yeah, so I was.
Speaker 2 (17:38):
He told me stop trying to talk over the like
the intro of the of the song, because you don't
know how to do it.
Speaker 1 (17:46):
And I said, yeah, I know. Did he ever try
to sit you down and teach you.
Speaker 2 (17:51):
No, he just said you could talk, but just don't
do it, like, don't start the song and then talk
like talk and then then you start, like when you're
getting ready to say uneagle one oh six, unless it
says zero zero cold intro, don't hit the button. But
after that then you can hit the button on eagle
(18:12):
one oh six.
Speaker 5 (18:15):
There you go.
Speaker 2 (18:21):
Now, a lot of times I wouldn't be able to
help myself, so I would want to keep on talking,
and I.
Speaker 3 (18:29):
Would go and go and go, and then this one time,
and that's why.
Speaker 2 (18:34):
Everything's backed up on the schoogle Eagle one oh six.
Speaker 3 (18:40):
You're ruining it online?
Speaker 1 (18:42):
What don't don't talk over the music? But I was like,
that's how all the goodness jockeys do it? So was
your cue?
Speaker 3 (18:53):
I almost hit the post?
Speaker 1 (18:55):
Was your cue? The post to stop talking? Like, wrap
it up? Because I've heard a the No.
Speaker 2 (19:01):
No, it would be like, like, what's a what's a
song that has like an intro?
Speaker 1 (19:06):
Well that one had a twenty second Yeah, I messed
that up? Who's hitting this? You were me, well, what
do you want a long intro orre you? No? No, no, no,
something kind of this is five seconds? Beautiful, beautiful.
Speaker 2 (19:17):
Yeah, And that's what's happening on And it would kill
me that I'm still not sull be talking. But I'm
not because it's Philadelphia's best new music.
Speaker 1 (19:34):
Oh, I have all kinds of time. My buddy said,
I had five.
Speaker 2 (19:36):
Seconds on Eagle's the first Did you get that song
for a reason?
Speaker 1 (19:45):
I know the era? Oh no? But do you know
Brian's connection to Rock's head?
Speaker 2 (19:50):
Oh?
Speaker 1 (19:51):
He discovered them? Are you serious? Yes, we're to god.
I thought that's why you did.
Speaker 2 (19:54):
I was like, wow, you know, Brian, if I tried
to tell that story. I had five seconds to do it.
That's the other thing I would tell Brian. The intros
aren't long enough.
Speaker 3 (20:03):
Can you get with the musicians?
Speaker 1 (20:10):
You want to do one more? Yeah, okay, I'm knball.
I want to do it how you were told to
do it, or you want to do it how you
were doing it? When this one has connection to someone
that's in your life.
Speaker 2 (20:20):
Currently, all the music comes back, you know, it's the
music is really the story of your life.
Speaker 1 (20:26):
I don't care. I'll do it anyway. That's because I'm
a pro. So when would you like me to hit play?
Are you Brian or you me?
Speaker 2 (20:34):
Because if you're Brian, it'll be right after I say
on Eagle one O six, I'm you?
Speaker 1 (20:38):
Oh go ahead. Oh there's a lot going on. And
the play on Sunday Eagle one.
Speaker 2 (20:51):
Six Daniel Well, we don't know if it was Suzannah Hoffs,
but he did drive one of the Bengals.
Speaker 1 (21:04):
All right, nobody cares about what happened as we want
to know. Just give us a thumbnail, pretend like it's
the talk up.
Speaker 3 (21:11):
Yeah.
Speaker 1 (21:15):
No, no.
Speaker 2 (21:15):
So I thought it was a very nice story. I
thought it was a very nice story. So this so
this this. This plumber right, is doing some work at
Fairview Elementary School in Roanoke. And while he was doing
some work, I guess, he found something that was like
really old down in like like the like maybe the
basement or wherever everything was.
Speaker 1 (21:37):
He found an.
Speaker 2 (21:38):
Old, old, old lunch box that was down there, and
he brought it to the office, and they, like the
school posted about it, and it made its way around
and they found forty years later the girl that lost
her lunchbox, she was a little kid, yeah, and she
got reunited with her lunchbox.
Speaker 1 (22:03):
I'm looking at the original post. That's in great condition. Yeah.
Speaker 2 (22:07):
They said that the items found inside the lunch box
where they said you could still smell the hot chocolate
in the thermos, which I bet smelled like rancid. It's
not veil, the they believe that it was.
Speaker 1 (22:23):
The girl was in fourth grade in nineteen eighty two.
Isn't that cool? How far away from the school does
she live now? Oh?
Speaker 2 (22:31):
You know what, I don't know if it says that,
Oh look at that drawing that was in there.
Speaker 1 (22:34):
Now, Oh that's Garfield or is it Heathcliff? Oh that's it?
Never mind, whatever, I don't know where the lady lives.
Speaker 3 (22:47):
Tracy Draine, and you can see her name on the
little piece of tape.
Speaker 2 (22:52):
The lunch box had clues as to who it might be,
a thermist that smelled like hot chocolate, and a drawing
in a name tag for Tracy Drain. Because of that,
they were able to find it and track her down,
and the two of them got together yesterday and she
got her lunchbox back.
Speaker 1 (23:09):
Isn't that kind of cool?
Speaker 2 (23:10):
Like that?
Speaker 1 (23:11):
I thought that was a sweet story. I'm happy that
you gave it to us. Yeah.
Speaker 2 (23:15):
Now, I had to get through Kaplan and Mark O'Brien.
Speaker 1 (23:20):
I had to get through a lot. I had to
get through a lot of Diane get in the hotline.
Speaker 2 (23:24):
I had to get through a lot of people before
we got there. But I thought that was a very
nice story. All right, let's do this.
Speaker 1 (23:33):
Oh you want? I saw? Yeah, Well, Phillips just hotlined
me and said wait until he's done talking. Oh all right,
so let's do this.
Speaker 2 (23:42):
Let's take a quick break, we'll come back and then
we'll do a little bit of dirt and then right
after that I will give you, oh yeah, I will
give you tickets to go see the capitals.
Speaker 1 (23:54):
Take on the La.
Speaker 2 (23:56):
Kings Sunday, December twenty second game into Capital Wannarea Going.
Speaker 1 (24:04):
Tickets are on sale through watchcats dot com. Well you
can win them, Elliott. The Martins changes in my life
and now you want to come back, but
A nice story.
Speaker 2 (00:02):
Let me take you to Roanoak Roanoke City Public schools.
A plumber is there working in Fairview Elementary.
Speaker 1 (00:14):
Just doing some work.
Speaker 2 (00:15):
Right while he's doing some work in Fairview Elementary, which
I don't really know anything about.
Speaker 1 (00:21):
Diane, Do you know that from me?
Speaker 2 (00:22):
I don't remember that one on the days of the
early days of Dick and Diane.
Speaker 1 (00:26):
Don't you don't remember talking about Fairview? You never had
to talk about their football team.
Speaker 3 (00:30):
That was the high schools.
Speaker 1 (00:32):
Oh, you didn't go down a level or clue? Wait,
what do you make in a face?
Speaker 3 (00:35):
I told you that was to have to talk about
high school football is great, okay, normal season crap. Go
to the game.
Speaker 1 (00:48):
This is why it didn't work after you Now, wait,
what do you mean? What do you mean by that?
Go to the game.
Speaker 3 (00:52):
They were big on talking about local high school football,
and when growing up around here, you really don't care
once unless your team mix it to the playoffs. Once
you're gone, you're gone.
Speaker 2 (01:06):
Didn't Diane spend a decent amount of time talking about
Hasefield High School football?
Speaker 3 (01:11):
Different when there's a big scandal involved.
Speaker 2 (01:14):
Yeah, but can I ask you this about Roanoke and
I know you when it was Dick and Diane, you
guys ruled the roost the but like in Houston, for example.
Speaker 3 (01:25):
Okay, Roanoak is not Texas.
Speaker 1 (01:28):
Right, man, I just want to finish.
Speaker 2 (01:30):
Yeah, when in Houston, because on Friday nights sometimes I
would do the Friday Night Football Report and during twice
an hour you would give Class five A the a
LEYTHELSIC rams are up thirty eight to fourteen on Maydy
Creek or whatever, and you had like nobody was calling
them in, but there were like printouts and stuff of
(01:51):
what was going on.
Speaker 3 (01:52):
Yeah, from like the wire.
Speaker 1 (01:53):
Yeah, you used to have to get them off the
wire and fill them in.
Speaker 2 (01:56):
So it was high school football huge.
Speaker 1 (02:00):
No, high school football is huge everywhere.
Speaker 2 (02:04):
No, it's not the Yes, so you weren't given the
what so what were you reporting.
Speaker 3 (02:09):
On normal everyday things and sports and stuff that people
care about high school football?
Speaker 2 (02:17):
But were you were you only giving scores or were
you doing things like the high school quarterback? No?
Speaker 3 (02:23):
No, no, they wanted scores.
Speaker 1 (02:25):
Yeah, right, everybody wants to know who's winning.
Speaker 3 (02:32):
That's Those were the first times I ever got hotline.
Speaker 2 (02:36):
Oh because oh wait, remind me of that. You've told
us that before where where.
Speaker 3 (02:41):
You get hotlined, they call the hotline. The general manager
calls the hotline and screaming like, why are you not
reporting on this? Because I'm from northern Virginia and we
don't care, which is what I wanted to say. But
as a new hire, of course I didn't.
Speaker 1 (02:58):
Did you have to do like midweek inn views with
the coaches?
Speaker 4 (03:01):
No?
Speaker 1 (03:01):
They that in Delaware? No, they they do. When I
was driving to they interview the head high school football coach.
Speaker 2 (03:09):
But was it like like Hayfield is a bad example,
But would it be like this school is getting ready
to go represent our area in nationals and they were
just doing like an interview.
Speaker 1 (03:21):
These are weekly check ins? Oh jesus h yeah on
Chicken Country.
Speaker 3 (03:25):
Oh and that's somebody from Texas.
Speaker 1 (03:27):
We didn't that we didn't do. See that shocks me.
Speaker 2 (03:30):
I think you every chip Nola the no that we
didn't do?
Speaker 1 (03:36):
Okay, Well, so you guys were actually not as into
it as everyone thinks, but more into it than Diane.
Was that the only time you got hotline?
Speaker 3 (03:48):
I think so that I can remember? Yeah, are you serious?
Speaker 1 (03:51):
Oh man? Why? Oh a lot?
Speaker 3 (03:58):
No, everybody was except for the everybody was really nice there,
because I mean I was literally like twenty two years old,
right out of college, was very nervous about everything, and
every bad.
Speaker 1 (04:08):
I believe everybody. I've seen that.
Speaker 3 (04:10):
Everybody, Oh sorry, cool as a cucumber at all costs.
Speaker 1 (04:14):
No, No, I'm saying I've seen you be nervous.
Speaker 3 (04:16):
Well yeah, but I mean to think about it when
you're when you're you're you're in your first real job.
Speaker 2 (04:21):
I told you, I get nervous every day. I am
nervous every single day.
Speaker 3 (04:25):
But and everybody was really really nice, except for the GM.
Speaker 2 (04:30):
You know who used to be a really really bad hotliner.
From what I've been told, Oh who praise hands? Really Kaplan, Yeah.
Speaker 3 (04:39):
That seems off brand.
Speaker 1 (04:41):
I believe he used to be really really bad. I
don't know if that's true or not. That's just what
I've heard.
Speaker 2 (04:46):
Yeah, but he used to be really really bad about
hotlining people.
Speaker 3 (04:51):
I mean, I'm not saying that. It is if somebody
has has left a mic open unwittingly and they and
they're you know, getting inside studio talk that's going out
over the air, Sure that's hotlineable, you know, but.
Speaker 2 (05:04):
Are you calling just agream at them or are you
calling to go, Hey, your MIC's on.
Speaker 3 (05:08):
No, no, no, But I'm I think you should scream
it him for that? But do you really but to like,
will you be the PD?
Speaker 2 (05:13):
Be the PD for a second and we'll be back
right after this man, this place.
Speaker 1 (05:19):
This place sucks.
Speaker 3 (05:23):
MIC's on way to yell at me? Dumb ass?
Speaker 1 (05:27):
Who Christian? Will you call Kaplin? Real quick? Please? The no?
Speaker 2 (05:34):
No, I just I just want to ask him. Listen,
I I will. You won't hear me say a bad
word about Kaplin? But I can understand how like love
my Kaplin?
Speaker 3 (05:42):
Like like when you talk about that accidentally giving a
car away.
Speaker 1 (05:47):
I didn't do that.
Speaker 5 (05:48):
I did.
Speaker 3 (05:50):
But did he get hotline for that?
Speaker 1 (05:52):
Oh?
Speaker 3 (05:52):
Yeah, okay, that that's understandable. You've watched a whole station,
do you remember?
Speaker 2 (05:58):
Do you remember how Loopy talked to the winner through
that Q speaker right, But he didn't realize that the
microphone talks to him.
Speaker 1 (06:06):
He thought it's where the sound came out, so he
gave away the car. Hey you're calling seven, just want
a quarterback?
Speaker 3 (06:19):
But to me, it's so counter. I understand people want
to scream at people for things that are warranted. That
you should be screamed at about sure, but all you're
gonna do is make it if somebody mispronounces something, do
it in a gentle way.
Speaker 1 (06:33):
Right, don't like screaming guy, the guy in Roanoke, you do.
Speaker 3 (06:38):
Jump down somebody's throat, because that's only going to make
them suck even worse after the commercials are over.
Speaker 2 (06:44):
But wait, so your general manager in Roanoke would scream
at people for mispronouncing a word.
Speaker 3 (06:52):
Oh yeah, he was notorious, notorious for stuff like that.
Yeah you know who?
Speaker 2 (06:56):
You know who was supposed to be really bad and
I haven't even gotten to my star were yet the Well, yeah,
that's what I'm hearing. Is he not answering? I know
he's not at work?
Speaker 1 (07:09):
What do you want it from me? I mean, I
love I love Mike, Kathlan love him. They do too.
Speaker 2 (07:17):
Yeah, but apparently no, you know who used to be
really really bad.
Speaker 1 (07:21):
And has also changed the I don't know.
Speaker 2 (07:23):
I never worked for the guy but before we got
to DC one on one, and I'm not talking pig
vomit from the from what you call it?
Speaker 1 (07:32):
From Powers Days?
Speaker 2 (07:33):
The the guy who used to be the general manager
GoF Lebar apparently was horrific, horrible. I never I've never,
I don't know him, never met him, and that predates
my being here.
Speaker 1 (07:48):
But apparently he was horrible, horrible.
Speaker 3 (07:53):
Sometimes, who was.
Speaker 1 (07:55):
The last PD to call you in the studio and
you career like to yell at me or make sure
you understand that you can or cannot be doing this
Brian Phillips. Oh, so you at this station have never
been hotlined? No? Wow, Well, now I know Joe would
call to be a part of the show. And we
(08:18):
learned last week Dustin doesn't know the hotline number. That
is true. That is true. So if he wanted to,
he was never able to know.
Speaker 2 (08:25):
If somebody I know, nobody, like even the really bad
pds we had, like Wellington. If Wellington would have called
the hotline me, I would have told me eat my
balls and hung up on him.
Speaker 1 (08:34):
I would have I don't care hath him, not even
like Rick Schmidt. Rick Schmidt is gonna call and hotline me.
It is the same thing, hey, Rick.
Speaker 3 (08:45):
Would it would have he would have been way too intimidated.
Speaker 1 (08:51):
Well, that's the problem. The management is afraid of Elliot
the Sometimes that's a good when's the last air check meeting?
You had, I phillips. Yeah, not here, Billy, exactly, because
I afraid of you.
Speaker 2 (09:07):
I wouldn't do it here. What am I gonna do?
Sit down with Dustin? Well, let me get out of
my little DJ notebook. The U give me some good insights?
Is room for improvement?
Speaker 1 (09:17):
I don't disagree with that. I don't disagree with that.
So you're you'd be.
Speaker 2 (09:22):
But I'm not gonna sit there and go, well, let's
go listen back to this break.
Speaker 1 (09:26):
So you wouldn't be. Why don't you listen to eating
my nuts? Willing to do it? No?
Speaker 2 (09:31):
No, I'm not gonna sit there and go hey, let's uh, hey,
I rolled some tape on the show today.
Speaker 1 (09:35):
Let's sit down and go over it. No, well, then,
how if you say there's room for improvement and if
it's not through a PD and I know it's not
through morning show boot camp? Oh yeah? Oh oh, so
you're saying right moment, right time? Maybe okay, yeah, totally.
Oh yeah, I would talk to anybody, it's just sometimes
(09:58):
it is.
Speaker 2 (09:59):
Well, then let's make sure you get in here at
eleven and bring a notepad. I've rolled some cassette tapes
on you, and let's go over. So my God wants
to be a scheduled thing.
Speaker 1 (10:09):
If it was, that's that respect that our word, you're
here and there. If it was a one off, there
may be good reason to it. Yeah.
Speaker 2 (10:22):
If somebody, Yeah, if a PD said oh hey, you
know what, had a thought? Yeah, I'd listened to that
all day, of course I would. Why wouldn't I?
Speaker 3 (10:31):
Right, that's constructive, that's fine.
Speaker 2 (10:32):
Yeah, but I don't need you call in the hotline
in the middle of the show.
Speaker 1 (10:35):
God, damn it, you said the name wrong.
Speaker 2 (10:38):
Yeah, Like, we call back because I'm going to mispronounce
five hundred other things.
Speaker 1 (10:44):
Yep, Oh they're calling back.
Speaker 2 (10:46):
Why don't you go talk for six hours a day,
longer than you work in a full day.
Speaker 1 (10:52):
Okay, now that seems personal. The where's kaplan? And now
I'm gonna yell at him for you? How did we
end up here? Ronoke?
Speaker 3 (11:02):
Oh?
Speaker 1 (11:02):
Yeah, Diane, Dick and Diane.
Speaker 2 (11:04):
When Diane was getting hotline for not doing high school
football scores?
Speaker 1 (11:08):
Stupid? What was the GM's name.
Speaker 3 (11:12):
I don't want to say why because I thought he
would have been long dead, But I looked him up
and apparently he's about two hundred and twelve but he's
still alive.
Speaker 1 (11:19):
But where is he working? Is he working? I doubt it.
Speaker 2 (11:23):
I can tell you the one PD that I or
GM that I hated the most. Now the GM used
to yell at me all the time when I worked
with Lander.
Speaker 1 (11:32):
He's dead. That stuff. I so many people want Dustin
just for kicks. The hotline you, but he does not
know the number? Oh line one. Oh, this is not
gonna be a good call, is it?
Speaker 2 (11:46):
Hi?
Speaker 1 (11:46):
Mike Kaplan? How are you?
Speaker 3 (11:48):
Oh?
Speaker 2 (11:48):
Hi?
Speaker 1 (11:49):
Elliott?
Speaker 2 (11:49):
Hi?
Speaker 1 (11:49):
Everyone? How are you doing? I'm okay? What is going on? Hey?
Can I ask you a question? I want you to
be honest? Right?
Speaker 5 (11:57):
All right?
Speaker 1 (11:58):
And I have told you to your face. I love you.
I think the world of you.
Speaker 2 (12:01):
Right.
Speaker 1 (12:02):
Uh no, No, it's not bad. Also, Doesn'tward's voice sound
weird on the phone? Yes? Why does? Why does your
voice sound?
Speaker 2 (12:09):
Are you pushing on your Adam's apples so people don't
recognize your voice?
Speaker 1 (12:12):
He sounds relaxed?
Speaker 2 (12:14):
The God bless her, God bless your Okay, here's my
question for you, Kaplan. We were I was trying to
do a story out of Roanoke that I haven't gotten
to because Diane started complaining that she had a general
manager when she worked in Roanoke. Maybe you remember that
famous Dick and Diane show out of Roanoke, But she
(12:35):
had a she had a general manager that used to
hotline them all the time.
Speaker 1 (12:40):
M HM.
Speaker 2 (12:41):
Was there a point in your career where you were
really bad about hotlining people?
Speaker 4 (12:48):
There was a point probably twenty some years ago that yeah,
I would hotline, but like, you know, if they were
on the air, they were doing something that was maybe
just not up to par, I would I.
Speaker 5 (12:59):
Would, I would, you know what?
Speaker 4 (13:00):
I would look at it like, you know, you're you're
a baseball manager, right, yeah, well i'd like to be.
Speaker 1 (13:05):
I'd much prefer to be doing that. But yes, the
same here.
Speaker 4 (13:09):
But you know, you look at it and you know
pictures walking batters left and right, and you go out
to the mountain and you coach them and you coach
them up and you say, hey, look they're all freaking strike.
Speaker 1 (13:19):
So you know, I would do that, but you know, after.
Speaker 4 (13:22):
A while, I think then it became texting people, and
then it became like, you know what, don't interrupt them
because that's not that you know what, They're.
Speaker 2 (13:30):
Not listening to me anyway, and that they're just gonna
get flustered, right, Yeah, well that.
Speaker 1 (13:37):
Diane was.
Speaker 2 (13:37):
Diane was upset because she thought it made her flustered,
which I find hard to believe. You can't fluster die
You what.
Speaker 1 (13:45):
About a Hartsfield Jackson. But no, doesn't that make sense?
I mean, doesn't that make sense.
Speaker 3 (13:53):
I mean, like some.
Speaker 4 (13:53):
People though it was, you realize after a while. Some people,
you know, obviously that's not the same of coaching. They want, right,
you need a step like you know, I get it.
Diane doesn't want in the moment talk to me after
the show. Nothing's that urgentalst She's cursing out and you
know FCC likenses, which she would never do.
Speaker 1 (14:12):
The Yeah, no, no, she forgot high school football scores.
That's what she was getting hotline for.
Speaker 2 (14:20):
Well, there are certain there's certain parts of the country
in Texas.
Speaker 1 (14:29):
Oh.
Speaker 4 (14:29):
I was in the Louisiana Diane over the holiday, and
there were they would escort cops would escort the buses,
the high school football team buses to this.
Speaker 2 (14:38):
And that's why I had to hotline Diane and her
do the goddamn scores.
Speaker 1 (14:42):
Exactly makes sense?
Speaker 2 (14:43):
That makes sense, all right, Mike, I'll talk to you soon,
all right, all right, love you buddy.
Speaker 3 (14:49):
See.
Speaker 1 (14:49):
Am I going to line too? Hi? Elliott in the morning.
Speaker 5 (14:55):
Elliott. Yes, it's Herbert, and I'm putting my necktie on.
Speaker 1 (15:00):
Man.
Speaker 5 (15:00):
I'm calling you out because I remember you got a.
Speaker 2 (15:03):
Wait a minute, is this Hoby? I know Hoby's voice.
Speaker 1 (15:08):
Hoby's waiting for Coaches Corner on Saturday, which he was
on after a good Friday night game back in high school.
He could have been featured on Virginia Radio Diane with
you wait, I'm sorry, so what what are you calling
me about?
Speaker 2 (15:23):
Sir?
Speaker 5 (15:25):
You got hotlined and I remember hearing it you way
back when this is back when Haber was on and
Craneus and all those guys.
Speaker 1 (15:33):
Penis, you did a story, you.
Speaker 5 (15:36):
This story about a woman who took a lobster tail
into a ball.
Speaker 1 (15:40):
Yeah that was yeah, that was That was Mark O'Brien.
That was Mark. That was more concerned.
Speaker 2 (15:46):
That was But I don't you know what if I
remember Brian probably apologized, see if.
Speaker 5 (15:52):
You got in trouble and you refuse to play, Oh.
Speaker 1 (15:55):
That's when I got back from being suspended. Yes, yes, okay.
Speaker 5 (16:00):
And then the whoever it was that called you up
said I don't want to do this on the air,
And you did not want to go off the air
because you wanted to be fired on the air.
Speaker 1 (16:10):
That is true, That was that was O'Brien.
Speaker 2 (16:13):
Yeah, yeah, no, I'd rather get fired on the air. Yeah, exactly. No,
I'd rather get fired on the air, like I don't.
Don't drag it out, all right, very good, thank you, No,
I don't.
Speaker 1 (16:26):
All right, but hoole. Yes, it was my bad though,
because I asked you, when's the last time a PD right, holland.
Speaker 3 (16:33):
Oh so he was a GPP.
Speaker 1 (16:34):
Yes, yeah, so I guess that would have been O'Brien.
But Brian Phillips was your last program director. Yes, and
he was upset about what he wanted to hear, this
Ronoque story.
Speaker 2 (16:45):
The no, No, I can tell you exactly what I
got hotline for.
Speaker 1 (16:49):
Oh so it left an impression.
Speaker 2 (16:51):
Yeah, stop trying to talk over the intros of songs.
Speaker 3 (16:55):
You're not good at it.
Speaker 2 (16:57):
That's what he told me. Stop trying to talk over
the intros of songs because I would get.
Speaker 1 (17:04):
I'd have to stop because I couldn't figure out the timing.
So he's like, you're ruining.
Speaker 2 (17:11):
But I told him I was like, Brian, I'm not
talking over the lyrics and he was like, I know,
but you also are just.
Speaker 1 (17:20):
And that doesn't look professionally.
Speaker 2 (17:22):
And he and I got the you know, this is Philadelphia,
like this is a major market. And I was like, yeah,
I'm trying to be respectful of the music. And he
was like, but you're ruining everything.
Speaker 1 (17:36):
Oh my god, that's funny. Yeah, so I was.
Speaker 2 (17:38):
He told me stop trying to talk over the like
the intro of the of the song, because you don't
know how to do it.
Speaker 1 (17:46):
And I said, yeah, I know. Did he ever try
to sit you down and teach you.
Speaker 2 (17:51):
No, he just said you could talk, but just don't
do it, like, don't start the song and then talk
like talk and then then you start, like when you're
getting ready to say uneagle one oh six, unless it
says zero zero cold intro, don't hit the button. But
after that then you can hit the button on eagle
(18:12):
one oh six.
Speaker 5 (18:15):
There you go.
Speaker 2 (18:21):
Now, a lot of times I wouldn't be able to
help myself, so I would want to keep on talking,
and I.
Speaker 3 (18:29):
Would go and go and go, and then this one time,
and that's why.
Speaker 2 (18:34):
Everything's backed up on the schoogle Eagle one oh six.
Speaker 3 (18:40):
You're ruining it online?
Speaker 1 (18:42):
What don't don't talk over the music? But I was like,
that's how all the goodness jockeys do it? So was
your cue?
Speaker 3 (18:53):
I almost hit the post?
Speaker 1 (18:55):
Was your cue? The post to stop talking? Like, wrap
it up? Because I've heard a the No.
Speaker 2 (19:01):
No, it would be like, like, what's a what's a
song that has like an intro?
Speaker 1 (19:06):
Well that one had a twenty second Yeah, I messed
that up? Who's hitting this? You were me, well, what
do you want a long intro orre you? No? No, no, no,
something kind of this is five seconds? Beautiful, beautiful.
Speaker 2 (19:17):
Yeah, And that's what's happening on And it would kill
me that I'm still not sull be talking. But I'm
not because it's Philadelphia's best new music.
Speaker 1 (19:34):
Oh, I have all kinds of time. My buddy said,
I had five.
Speaker 2 (19:36):
Seconds on Eagle's the first Did you get that song
for a reason?
Speaker 1 (19:45):
I know the era? Oh no? But do you know
Brian's connection to Rock's head?
Speaker 2 (19:50):
Oh?
Speaker 1 (19:51):
He discovered them? Are you serious? Yes, we're to god.
I thought that's why you did.
Speaker 2 (19:54):
I was like, wow, you know, Brian, if I tried
to tell that story. I had five seconds to do it.
That's the other thing I would tell Brian. The intros
aren't long enough.
Speaker 3 (20:03):
Can you get with the musicians?
Speaker 1 (20:10):
You want to do one more? Yeah, okay, I'm knball.
I want to do it how you were told to
do it, or you want to do it how you
were doing it? When this one has connection to someone
that's in your life.
Speaker 2 (20:20):
Currently, all the music comes back, you know, it's the
music is really the story of your life.
Speaker 1 (20:26):
I don't care. I'll do it anyway. That's because I'm
a pro. So when would you like me to hit play?
Are you Brian or you me?
Speaker 2 (20:34):
Because if you're Brian, it'll be right after I say
on Eagle one O six, I'm you?
Speaker 1 (20:38):
Oh go ahead. Oh there's a lot going on. And
the play on Sunday Eagle one.
Speaker 2 (20:51):
Six Daniel Well, we don't know if it was Suzannah Hoffs,
but he did drive one of the Bengals.
Speaker 1 (21:04):
All right, nobody cares about what happened as we want
to know. Just give us a thumbnail, pretend like it's
the talk up.
Speaker 3 (21:11):
Yeah.
Speaker 1 (21:15):
No, no.
Speaker 2 (21:15):
So I thought it was a very nice story. I
thought it was a very nice story. So this so
this this. This plumber right, is doing some work at
Fairview Elementary School in Roanoke. And while he was doing
some work, I guess, he found something that was like
really old down in like like the like maybe the
basement or wherever everything was.
Speaker 1 (21:37):
He found an.
Speaker 2 (21:38):
Old, old, old lunch box that was down there, and
he brought it to the office, and they, like the
school posted about it, and it made its way around
and they found forty years later the girl that lost
her lunchbox, she was a little kid, yeah, and she
got reunited with her lunchbox.
Speaker 1 (22:03):
I'm looking at the original post. That's in great condition. Yeah.
Speaker 2 (22:07):
They said that the items found inside the lunch box
where they said you could still smell the hot chocolate
in the thermos, which I bet smelled like rancid. It's
not veil, the they believe that it was.
Speaker 1 (22:23):
The girl was in fourth grade in nineteen eighty two.
Isn't that cool? How far away from the school does
she live now? Oh?
Speaker 2 (22:31):
You know what, I don't know if it says that,
Oh look at that drawing that was in there.
Speaker 1 (22:34):
Now, Oh that's Garfield or is it Heathcliff? Oh that's it?
Never mind, whatever, I don't know where the lady lives.
Speaker 3 (22:47):
Tracy Draine, and you can see her name on the
little piece of tape.
Speaker 2 (22:52):
The lunch box had clues as to who it might be,
a thermist that smelled like hot chocolate, and a drawing
in a name tag for Tracy Drain. Because of that,
they were able to find it and track her down,
and the two of them got together yesterday and she
got her lunchbox back.
Speaker 1 (23:09):
Isn't that kind of cool?
Speaker 2 (23:10):
Like that?
Speaker 1 (23:11):
I thought that was a sweet story. I'm happy that
you gave it to us. Yeah.
Speaker 2 (23:15):
Now, I had to get through Kaplan and Mark O'Brien.
Speaker 1 (23:20):
I had to get through a lot. I had to
get through a lot of Diane get in the hotline.
Speaker 2 (23:24):
I had to get through a lot of people before
we got there. But I thought that was a very
nice story. All right, let's do this.
Speaker 1 (23:33):
Oh you want? I saw? Yeah, Well, Phillips just hotlined
me and said wait until he's done talking. Oh all right,
so let's do this.
Speaker 2 (23:42):
Let's take a quick break, we'll come back and then
we'll do a little bit of dirt and then right
after that I will give you, oh yeah, I will
give you tickets to go see the capitals.
Speaker 1 (23:54):
Take on the La.
Speaker 2 (23:56):
Kings Sunday, December twenty second game into Capital Wannarea Going.
Speaker 1 (24:04):
Tickets are on sale through watchcats dot com. Well you
can win them, Elliott. The Martins changes in my life
and now you want to come back, but
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