EP 551 - Eddie Pepitone

WHAT'S UP FOOL? EP 551

Felipe and Rodrigo welcome special guest - American character actor, stand-up comedian, and podcast host, Eddie Pepitone.

Connect with us on Instagram 

 Felipe - @ Felipeesparzacomedian
Rodrigo - @ rodrigotorresjr
Eddie - @ eddiepep

Hear about Felipe's tour dates, new merch drops & more by signing up @ http://felipesworld.com
Felipe Esparza is a comedian and actor, known for his stand-up specials, “They’re Not Gonna Laugh at You”, “Translate This”, and his latest dual-release on Netflix, “Bad Decisions/Malas Decisiones” (2 different performances in two languages), his recurring appearances on Netflix’s “Gentefied”, NBC’s “Superstore” and Adultswim’s “The Eric Andre Show”, as well as winning “Last Comic Standing” (2010), and his popular podcast called “What’s Up Fool?”. Felipe continues to sell out live stand-up shows in comedy clubs and theaters around the country.

Episode Transcript

Speaker 1 (00:00):
Don't turn, don't turn. What's up?

Speaker 2 (00:30):
What's up?

Speaker 3 (00:31):
Oo?

Speaker 2 (00:31):
Podcast? What's up everybody? Yeah? Man, I'm here, man. I
got a big ass cold sore right now, like a
hurpy flavor fever blister on my mouth, coming out of
my nose, and I'm like Joe dear stairs, that's where
I cocks up. There's nothing about that. He's an ass
I got. I got fucking crabs on my eyebrows. What's

(00:55):
up everybody? We got any peppertone today? Funny comedian Rodrigo
toilets right here? Yeah, man, comedian chilling. How was the weekend? Bro?

Speaker 1 (01:06):
Good dude?

Speaker 2 (01:07):
It's crazy, dude, how much time you're doing on stage
fifteen thinking you're moving off five minutes.

Speaker 1 (01:15):
Twenty thirty you'll be headlining?

Speaker 2 (01:18):
Yeah, Rod, You and I have known each We known
each other like forever, and he's doing opening up and
it's not emerged for like fifteen years for you, Yeah,
well for himself, for not but for me. We fin's
two dollars ten one summer standing we've been going on
tour was the inside Joe because usually only those ten

(01:38):
minutes with me, So he's he's been going on with
comedian now for robe list. So he said, I'm doing fifteen.

Speaker 3 (01:46):
Bonus round fifteen, So do you have do you can
you do a headlining set if you needed to?

Speaker 1 (01:53):
By the time I get to stretching it, you know
what I mean? Pace to myself. I definitely you know,
the most I did thirty without you.

Speaker 3 (01:59):
Know, wasn't it difficult to make the jump from like
twenty till like forty five?

Speaker 2 (02:07):
Thing? And they're gonna happen. Yeah, yeah, I will see
like big comments like taps your push up to the
comedy store, do an hour and they come back to
the next year and do another hour that's different. And
I go to my bed, my hotel, my bedroom, bro
and add water and go like this with my fame
twenty problem. But I think what it is is that

(02:30):
when you're young comic, you gotta do those ten minutes brother,
that are strong. Oh, you gotta do fifteen minutes that
are strong because you want to impress somebody, and you
don't get a lot of opportunities to do another twenty
minutes because you're performing at the comedy store. Do you
on the only year with ten minutes?

Speaker 1 (02:47):
Pretty much like showcase?

Speaker 2 (02:48):
So once you once you like, you do an hour special.
I guess you're forced to do hour bro another hour.
You can't be going back to the same one hour. Man,
these comment these people man my hearing with a stave
bullshit again, ah seeing jokes.

Speaker 3 (03:07):
Yeah yeah, I try to mix it up.

Speaker 2 (03:09):
Oh man, people thought when I want to ask comment standing,
I was doing those jokes and I started stand up.
Yeah in twenty ten. So when I remember being in
Arizona and a woman lips thinking my jokes verbatim, falling
along too a song and pushing her friend, this is

(03:30):
the funny part of me.

Speaker 3 (03:33):
That's funny.

Speaker 1 (03:33):
But that's what fans do though, I mean they know
the whole entire bid the joke.

Speaker 3 (03:39):
Yeah. Yeah, it's a lot of pressure to keep coming
up with new shit.

Speaker 4 (03:45):
You know.

Speaker 3 (03:46):
That's why what I do is I kidnap. I kidnap
young people and I put them in a basement and
I hold a gun to their fucking head and I say,
come up with new material for me, you know my style.
Let's go and the kids get frightened and they eventually
do it. You know, it's the family show.

Speaker 2 (04:14):
You wanna go there, We'll go there.

Speaker 3 (04:16):
If it's a family show, then this is one fucked
up family.

Speaker 2 (04:25):
I seen you one time at the comedy store. We're
on the same show you at night, but you went
up like two coming before me.

Speaker 1 (04:32):
Bro.

Speaker 2 (04:33):
I died, Bro, I died laughing cause there was what
cause there was new?

Speaker 3 (04:41):
What's that? What's going on?

Speaker 2 (04:47):
Yeah?

Speaker 3 (04:47):
But I don't know it.

Speaker 2 (04:48):
Couldn't it's testy one two, buckle my shoe. We'll get
it together. What's up? People?

Speaker 3 (04:59):
There's a level of the base sounds distant?

Speaker 2 (05:01):
Yeah, how about now, bro? What I was talking? That
sounds good? Can't move right there? How about now, guys?

Speaker 3 (05:12):
I hope you can hear me. Apocalypse soon right on?

Speaker 1 (05:16):
Drew?

Speaker 3 (05:17):
Yeah, his mic never works.

Speaker 1 (05:25):
You really got this podcast.

Speaker 3 (05:27):
Down to a science man. You've been doing it six.

Speaker 2 (05:30):
Years, six years, Bro, we got the best sound in Atlanta?

Speaker 3 (05:34):
Was that over the top when I said I kidnapped children?

Speaker 2 (05:38):
No brout? Okay, you're starting Willie Bartender, he kidnaps comedians.
Have you ever done that?

Speaker 1 (05:47):
Though?

Speaker 2 (05:48):
As a young as a comic, like like, you meet
a young comic and you're going through some bad times.
So and he has he has a car that was
good insurance and ac Hey, kid, you want to go
on to the road.

Speaker 3 (06:05):
Yeah, yeah, I never did that. I love when someone
else drives, though, man, because driving is fucking stressful on
you know, in a different city. And shit, where did
I go? I went to Hood, Oregon, Good Oregon. Yeah. Man,
it's like an hour an hour out of Portland. But

(06:28):
it's up in the mountains and I had to do
it myself. It was pouring, it was foggy, and I'm like,
you know, going, God, damn it. I don't want to
die now. I have a new special act, you know
what I mean. Like, if I didn't have a special
coming out, I wouldn't mind going over a cliff. But
this was like, holy shit.

Speaker 1 (06:48):
That's dbe Cooper Land right there.

Speaker 2 (06:50):
Uh dB Cooper Land.

Speaker 3 (06:52):
Uh isn't he the guy who threw himself out of
the plane?

Speaker 2 (06:55):
Yeah?

Speaker 1 (06:55):
Washington, Yeah, Washington in a little Portland area.

Speaker 3 (06:59):
Oh oh I see yeah yeah yeah, yeah, that was
a cool story. They never found him.

Speaker 1 (07:03):
Never a little bit of.

Speaker 3 (07:04):
The money though, hmm.

Speaker 2 (07:06):
They never thought his money.

Speaker 1 (07:07):
A little bit of it. Supposedly in like one of
the little river washes.

Speaker 2 (07:11):
They've followed up special.

Speaker 3 (07:17):
My new special is gonna be on YouTube. Uh today.
It came out today. It's called the collapse. Yeah, the collapse. Yeah,
like the way the countries collapse.

Speaker 1 (07:28):
Oh shit, where'd you guys film at at it?

Speaker 2 (07:31):
Uh?

Speaker 3 (07:31):
In Chicago in Lincoln Hall. We can't hear it though?
Too bad there is.

Speaker 2 (07:40):
It's not an effect, you fuck up?

Speaker 3 (07:47):
Watch?

Speaker 1 (07:49):
Do you know what I been through?

Speaker 2 (07:51):
Excuse me?

Speaker 3 (07:52):
Do you know? I'm talking to my Apple Watch? Talk
do you dropper?

Speaker 1 (08:04):
And I still box?

Speaker 3 (08:12):
And that was the Apple watched to ask me how
you're doing? They said, when the Apple Watch, I don't
know if you have one, but it asked me did
you fall? And I'm like, oh, like you care now, bitch,
Like where were you when I went through an illness recently?
Now all of a sudden because I'm dancing around a little,

(08:35):
you know that kind of thing your watch.

Speaker 2 (08:38):
I have a Galaxy Watch, but I have my Apple
Watch right now, I tell you. I was like, I
can't imagine having a bad set with his watch on
fifteen years ago and my watch realizing what's going on
in time of me. You should try moving around. Ah.

Speaker 1 (08:55):
I was gonna say, like, do people that like have
their notes on their watch or whatever? That we could
go to, but you can't do.

Speaker 3 (09:00):
That's what I'm thinking about bets on the watch sometimes like.

Speaker 1 (09:04):
Yeah, that's all totally just so you don't run the light.
It was like, dude, that ship like that.

Speaker 2 (09:08):
We're going to do seventeen and ship.

Speaker 1 (09:09):
Well, like you know, you're gonna want to respect that ship.
You mean, come on, that's part of being a professional,
right it is, That's what they say.

Speaker 2 (09:16):
And when you were doing stand up doing the open mics,
I know, I know people run the light in those
open mics. What the long you see someone run the
open micro.

Speaker 1 (09:25):
Life log But it was always at the laugh Factory.
But the laugh Factory would turn the mic off on
your remember that was yeah, you mean, but then they
would turn the mic off, the sound off, so they'll
keep talking them.

Speaker 3 (09:34):
Some places they they shoot you man banglad Dish Bangladesh
has a very bad reputation open mic wise. Yeah, they'll
they'll shoot you over there.

Speaker 2 (09:47):
They'll pull a rug on you. What's Up four podcast?
What's Some People? This shirt is available right now. Also
man Bro socks. Now we got a Levato socks. I
don't even know how much they cost, but.

Speaker 3 (10:04):
I need by the way, we'll get you. No, I mean,
I'm going in New Orleans like you are.

Speaker 1 (10:12):
At it. I was like, you ain't lying.

Speaker 3 (10:14):
No, I'm not lying.

Speaker 1 (10:16):
I was fucking around that sock check. I have two
different colors.

Speaker 2 (10:22):
They're matching though, they match from Edmonton.

Speaker 3 (10:26):
What No, No, East Coast. I'm a hockey nut though,
hockey nut. I'm from the East Coast. Yeah, I'm from Yeah,
I love hockey.

Speaker 2 (10:36):
You no from hockey.

Speaker 1 (10:41):
You have hockey here till the Kings Kings.

Speaker 2 (10:45):
Ball hockey game brought up before the game ended.

Speaker 1 (10:48):
You know, well take punk over here for the.

Speaker 2 (10:52):
Public, says send me there, dude. It was a country night.

Speaker 3 (10:55):
Bro.

Speaker 1 (10:55):
Oh my god, you left the game the game before then.

Speaker 2 (11:00):
Then they know who won. Yeah, I take care because
they gave me a jersey, bro, and I had cool
and after the third quarter, like I don't know what
period I left, They have three periods right next real
close too. Oh man, that was like my third hockey game.

Speaker 1 (11:21):
Oh.

Speaker 2 (11:22):
I really like the uniforms of the other team. They
were playing the Ducks. They're good, Bro, uniforms lot at
the Miami Dolphins.

Speaker 3 (11:31):
Yeah, the Maroon Yeah, oh yeah, Ducks.

Speaker 2 (11:36):
I saw a badass hockey movie though, Bro, like hockey movies,
which was came out in nineteen seventy seven with Paul Newman. Bro.

Speaker 3 (11:46):
Damn, oh you're talking about slap shot.

Speaker 5 (11:49):
Slap shot the Handsome brother that Hansen brother looked like that.

Speaker 2 (11:55):
Oh there it is. Yeah, Bro, that have some brothers.

Speaker 1 (11:58):
Bro.

Speaker 2 (11:58):
Bro, that movie is.

Speaker 1 (11:59):
Hot in the covert.

Speaker 3 (12:04):
Yeah, the Handsome brothers.

Speaker 2 (12:05):
Just brought these guys, Damn, Bro, and they just the
first time they put them in because everybody's hurt.

Speaker 1 (12:10):
Look the World series Bro, boom.

Speaker 3 (12:14):
They fuck everybody up, Bro, and they all have glasses. Yeah,
which is hilarious.

Speaker 6 (12:23):
CaCO Brolan, that's Newman, Paul Newman when he was young man.

Speaker 2 (12:34):
I tell the guys that was your wife to get
him mad at me kick him out of the game. Brom.

Speaker 3 (12:41):
You know this movie and this this blows my mind.
It's nasty. There's brothers put it.

Speaker 2 (12:47):
When they're bringing the brothers, Bro, they're going crazy. Yeah yeah,
but everybody gets everybody gets kicked out.

Speaker 3 (12:52):
And by the way, this is what minor league hockey
is like.

Speaker 2 (12:56):
It's like being in the auditorium in there, dude, the gladiatory. Yeah. Yeah,
see this movie, it's like it's like Major League where
the owner is trying to do everything to get the
team to suck so they could get a better price.

Speaker 1 (13:13):
They overcome it and this themselves and.

Speaker 2 (13:15):
Then they become they start winning. It's gonna be too expensive.
I was gonna want to buy them. They bringing the
bringing the brothers right now, bro, and they fuck everybody
up right now.

Speaker 1 (13:25):
Yeah. So when when this movie come out in the
six six there's a hardcore punk rock band that's called Slapshot.
I think I think they're they're probably exactly.

Speaker 3 (13:35):
But it was written by a woman. This Nasty was
really a woman who I believe traveled with the team.

Speaker 1 (13:46):
The brothers there, the handsome brothers.

Speaker 2 (13:48):
They sun up. Yeah. Look I've only seen the poster. Dude,
see they part Noman the captain. The first time he
brought him, man, he goes, fuck you bring him in there?
Whatelse we got to lose. But then they start wearing bro.

Speaker 1 (14:08):
And that's when when you make it right and the
goal it's called a slap shot.

Speaker 2 (14:11):
Right scat esca just that movie Dog.

Speaker 3 (14:21):
That's the guy from Twin Peaks.

Speaker 2 (14:22):
That dude, Yeah, oh damn, he's a guy also. Man
that flips off Chevy Chase in Animal.

Speaker 3 (14:29):
Farm and from a boat in Animal House, Animal Farm,
Farm funny farm.

Speaker 2 (14:37):
With shitty ass house with a dead body in a
in a yard, and you learn you learn about homes,
about buying a home and watching that movie, you learn
about easement and finding a dead body in your heart
and oh fuck, because.

Speaker 1 (14:56):
You're gonna report that if you buy a house and
electricity against no phone?

Speaker 2 (15:02):
Was this they bout a farm with no electricity and
no phone. It was like, yeah, one of the places
where you go to a neighbor's house.

Speaker 3 (15:09):
I'm out on the road to use upon that kind
of ship.

Speaker 2 (15:12):
Where'd you grow up at?

Speaker 1 (15:13):
Boon?

Speaker 3 (15:16):
I grew up in Brooklyn my first ten years, and
then my dad moved us to the country, which was
Staten Island, just one of the other boroughs of New York,
and and then I moved all around the City's.

Speaker 1 (15:29):
Funny that was considered the far away back then, even
though it's one of the boroughs.

Speaker 3 (15:34):
Right, you guys both.

Speaker 1 (15:35):
From l A about an hour away from here East.

Speaker 2 (15:39):
Yeah, there's a lot of people from Riverside bro at
the place where I was at.

Speaker 1 (15:46):
Boston, A lot of relocated over there for work.

Speaker 2 (15:50):
Dude, because I mentioned this, because I mentioned this joke,
I said that I have a hard time with the
ladies here in Boston, but in Eugene, Oregon, the man
over there pulled up to a bar with a rolled
up sleeping bag, walked up with two chicks, bro rolled up.

(16:10):
What sleeping bag?

Speaker 3 (16:14):
Is it?

Speaker 2 (16:14):
A room for two?

Speaker 1 (16:15):
You don't even need a ten at that point.

Speaker 2 (16:17):
So he started stand up comedy in Brooklyn.

Speaker 3 (16:20):
No, I started it in Manhattan when I was about
twenty twenty. I don't even do it stand up, I
would say about thirty years, because for the first ten
or fifteen years I was doing improv. I started doing
stand up, but I was so fucking nervous because stand up,
as you know, is nerve wracking when you're young. It's

(16:44):
really fucking nerve wracking. So I started doing it when
I was twenty. But then I went into improv and sketch.
I took a lot of acting, and then I really
got back in a stand up like in my thirties,
like early thirties.

Speaker 1 (17:01):
He did all the old school clubs out there in
the city.

Speaker 3 (17:05):
Some of them, you know, Catchurizing Star, the improv comic strip,
the comedy Seller. When it was first starting.

Speaker 2 (17:14):
Yeah, what's that we bought bud from? They know their buddy.

Speaker 1 (17:19):
Phil Selmon, Dude, do you know him? Sounds familiar, Phil,
phil Selmon, he's a Fred Stoller knows him. But he's
a little bit out, kind of in between one hey Poughkeepsie.
Maybe in between like the city and Nayak.

Speaker 3 (17:36):
Yeah, oh my god, Wait a minute, Phil said, he
looks young. Is he young?

Speaker 1 (17:41):
No?

Speaker 2 (17:41):
It was you anymore.

Speaker 3 (17:43):
Well let's take a picture of him now, but.

Speaker 1 (17:45):
Uh, it's Fred Stoller's mom said he's like another like
little comedy swindler. And she said, oh that goes another one,
meaning like I don't know, up to no good or
something or mm hmmm, I don't know.

Speaker 2 (17:57):
I al we met him, but where we were introduced
by him when we were with Nayak. We needed to
get something connect so Roger Paul, Yeah, Paul Yeah. Two
six to two zero eight r J Management two one two.

Speaker 1 (18:14):
Eric Goldon still going strong, He is still going I
think so.

Speaker 3 (18:18):
Yeah.

Speaker 2 (18:19):
I used to go to his office. I think five
years ago I went to his office. We got high.
I had to go into whenever I would do a
show and not the night before, I know that he
will be in his office and I will creep to
his office and we hit that bomb bro no water
the whole night.

Speaker 1 (18:37):
Because like but what like by fifty second and Broadway
or something.

Speaker 2 (18:40):
We hit the bomb with no water in New York
in New York? Yeah, did you live in New York?
But I worked there for a whole week one time
doing a pilot, so every night I would.

Speaker 3 (18:50):
Go visit him and was he your manager?

Speaker 2 (18:52):
No friend?

Speaker 3 (18:53):
Just a friend? In nineteen everybody knows that.

Speaker 2 (18:56):
In nineteen ninety nine, there was a show called Locals.
Was Mike Robles Yeah, rest in peace, Mike Roblest and
he had a comedy Latino comedy stand up show and
they didn't know it, but they didn't know any Latino
comedians in California. And me and gabrig lest we knew
all of them. So we helped book the whole show.

(19:17):
That we pretty much we just threw in names every
day and booked the whole show. We got Dommy re
aroun the show so many people.

Speaker 3 (19:26):
What was it for Locals?

Speaker 2 (19:28):
And it was on a pilot. It was a stand
up show like Premium Blend Wow, yeah yeah, and it
was it was like the first stand up show in
English on all Spanish network.

Speaker 3 (19:41):
Oh nice.

Speaker 1 (19:43):
It was like Sundays at a PM.

Speaker 2 (19:44):
Did you do well? Yes, it blew up. It does
so well that we did. We went on tour and
they will post our tour dates on television.

Speaker 3 (19:55):
That's cool.

Speaker 2 (19:56):
So that's bro. You don't need to.

Speaker 1 (19:57):
Do radio when you're doing that on the end of
the episode.

Speaker 2 (20:00):
So as soon as the show and ends, you want
to see the cat Locals live. There will be performing
in New York, Houston, Texas, Corporus, Christy, San Francisco, Oakland, California.
And when all those shows were sold out, we made
no money, but we have fun.

Speaker 3 (20:19):
Crazy, you made no money.

Speaker 2 (20:22):
I didn't get rich, but we have fun.

Speaker 3 (20:24):
You know.

Speaker 2 (20:25):
I got to go on the road with these guys
and my young at the Young Comic.

Speaker 1 (20:29):
All over the country too.

Speaker 2 (20:29):
All over the country, we met a lot of that's
how I met. I met Roger Pap so I ate
to help him and whenever he'll fly to LA to
do the show, we will take care of him all
the time and hang out with him, go eat. It's
basically our friend. That's nice, dude, I met so many
crazy people. Of his clients list is all everything, bro,

(20:54):
baseball player, fucking archer, a wrestler, a stand up a
magician a dog.

Speaker 3 (20:59):
He's like, he's like an old schools show biziness.

Speaker 1 (21:02):
Yes, totally.

Speaker 3 (21:03):
Do you ever see the fucking movie my one of
my favorite movies of all time, Broadway Danny Rose and
Woody Allen plays a manager and he he represents people
who play spoons, balloon makers, like the low levels the
show biz like people who have a monkey for an

(21:24):
act people Camarine Song and dance guy.

Speaker 2 (21:27):
Funny that movie with hilarious dog. He's following or he's
like he's at the end of his career. Ever, everybody
that he has is at the end of their career.
So he's following this guy that like a mobster. I
guess he was like, he's like this big actor and
that guy wants to get fucked up where he goes
and he can't find him? Bro, and he's adida.

Speaker 3 (21:49):
On top of h oh, you're talking about Woody Allen?
That that one is no, no, no, no, that one?
What the fuck? Luke? Oh yeah, you're right, you're right.

Speaker 2 (22:04):
The cast on that table is all old school stand
up comedians.

Speaker 3 (22:09):
Bro, That's right. The opening see Maury Amster.

Speaker 2 (22:12):
And have that guy on Seinfeld the one I goes,
you know, the pen writes, upside down, you know what,
you know the guy and one of the guys, the
comedians on that episode, on that show, on that movie.
He's on an episode of Seinfeld the Pen. He writes,
upside down, I forget the other name, Uncle Leo, not

(22:34):
Uncle Leo.

Speaker 1 (22:37):
The Stiller the dead. Get back to your special, bro,
not so special with the So Who's Broadway Danny rose
Woody Allen, Yeah, yeah, he he.

Speaker 3 (22:48):
Plays the manager and yeah, you're right. Luke Kenova is
his big act. And of course when he gets big,
he leaves him, which happens as soon as they get
big there like Danny, I need to go, I need
to go with you know Jack, you know, just some
big fucking guy. People constantly get betrayed in this in

(23:10):
this business. They constantly I'm sorry, but you can't help
me anymore.

Speaker 2 (23:15):
One time, Joe Diaz, classic bro Joe DIA's, he would
always go to Gabory Glassys Christmas parties. He would invite
everybody but me, you know, everybody but you. And because
at one time I was I was invited, I didn't go,
and I invited a guy and nobody likes to take

(23:36):
my place.

Speaker 3 (23:38):
Nobody liked him who was it Stoler.

Speaker 2 (23:41):
Now, oh ship, no, King Kong Boss. Doesn't you say
King Kong Boss. No, it was anyway, So.

Speaker 3 (23:52):
Sandy Baron, that's right, Sandy Baron, Jeff Crown. Sandy Barron
was one of those comedians that they were supposed to
be at the Carnig that way, which was pretty cool.

Speaker 2 (24:02):
So so said, Joe goes to that party, right, oh yeah,
And there's a bunch of gifts they get. Everybody got
a gift back. And then they were playing poker and
then one of the he goes, he goes, he goes.
The biggest prize was a picture of Gabriel's ex manager
crying at the improv when Gabriel fired.

Speaker 3 (24:24):
He said, true, I don't know who took that picture,
but that's true.

Speaker 1 (24:33):
That's cruel.

Speaker 2 (24:33):
He's crying.

Speaker 1 (24:36):
Click on.

Speaker 4 (24:37):
It's weird when you run into your own manager when
you're doing it's weird. Yeah, you're doing good when you're
doing good, oh man, Because I remember I was with
a Berry Cats bro for a long time and I was, yeah,
I was believing it, Bro, I really tellt on the
nail bow stupid, I really tell you when the ni

(25:01):
So then I went to see that guitar comic Chris,
and he had undeniable on his profile.

Speaker 3 (25:06):
Undeniable what does that mean?

Speaker 1 (25:12):
It means what it says, he's not. I'm very care Brocter, and.

Speaker 3 (25:21):
You're on denial. Oh did he used to say that
to you? Yeah? Yeah, well you know that's the show
bise ship like the way you bullship. You know, there
he is.

Speaker 1 (25:35):
He was.

Speaker 3 (25:36):
He was in the Seinfeld movie with Ornie.

Speaker 2 (25:39):
Yeah, I saw only last Night.

Speaker 3 (25:41):
He kills him at the improv now or now, bro.

Speaker 2 (25:46):
I always I always remember him in that movie and
and me from being the last comic standing. I see
how how they made him the bad guy that way,
because there have to be a.

Speaker 3 (25:57):
Bad guy, all right, Yeah, yeah, it has.

Speaker 2 (26:01):
To be a bad guy, no matter what. You can't
have you can't have sine flowed walking around the whole
movie stepping on people and ship forget for spots to
do that fucking special. You gotta show Ernie Adams, the
guy with fives of comedy going. Yeah.

Speaker 3 (26:15):
Yeah, that's why reality shows are such bullshit. They just
they have these fucking fake villains.

Speaker 2 (26:24):
Oh my god, you want to hear about fake villiness
right now?

Speaker 1 (26:27):
Go for it.

Speaker 2 (26:28):
Soul true hel he's on some reality show. I guess,
I don't know if Kevin Hart or somebody's doing it.
Gonna be the least come and Standing. I'm gonna be
the bad guy. Bro.

Speaker 1 (26:42):
That's part of the conflict, right, because you know.

Speaker 2 (26:45):
When I did Last Coming Standing, you know that there
was literally like picking up people who's gonna be the
bad guy then? But looking for me? I spoke to
everybody who won on Last Coming Standing and lost and
on the Bowl and Dante. I spoke to everybody, and
they said, man, they're gonna pin. They're gonna pick you
out and and get like the cry baby or the

(27:09):
show the stuck of the asshole, the nice guy, the sweetheart,
America's Favorite, And did you win? Yeah? I chose American Favorite?

Speaker 1 (27:19):
You won?

Speaker 2 (27:19):
Yeah?

Speaker 3 (27:22):
You won in two thousand? Yeah, bro, what year of that?
What year of the show was?

Speaker 2 (27:27):
That was season seven?

Speaker 3 (27:29):
Oh fuck? Because I was on season one?

Speaker 2 (27:31):
Shut up?

Speaker 1 (27:32):
Yeah with with fucking that.

Speaker 2 (27:37):
Fan and of Ralphie May.

Speaker 3 (27:40):
Ralphie May and we went on tour me Ralphie and
a couple of other guys from the show, the Top
five something like that. You know, I only made it
to I didn't get in the house. I made it
right before that, the semi final, but it was really
an annoying show and just like the fuck, Okay, guys

(28:02):
look really excited and we're comics. Comics don't look excited.

Speaker 2 (28:08):
You know, Like what when I was on the show,
they got rid of all that, bro they did no, no,
nothing on your show. Yeah, I was happy.

Speaker 1 (28:19):
More about you guys lives yea.

Speaker 3 (28:22):
Who do you compete against at the finals?

Speaker 2 (28:25):
The finals was Tommy John Agane and Roy was junior.
Roy Wood beat him.

Speaker 1 (28:36):
Mike Kappelin very Mike, I love Mike, very.

Speaker 2 (28:39):
Weird, horrible guy, very funny. And yeah, the one that
you are, Mike just the final?

Speaker 1 (28:49):
Oh yeah?

Speaker 3 (28:51):
And is that Greg Robinson?

Speaker 2 (28:53):
Greg Robinson was he like the host of the Wow.
The judges were Natascha the Garo, No way fucking Greg Gialdo.

Speaker 3 (29:04):
And I miss Greg.

Speaker 2 (29:06):
What's his name from? Everybody loves Raymond.

Speaker 3 (29:10):
Roman Brad Gertt No Ray Romano.

Speaker 2 (29:14):
No, he's a guest star. He's small.

Speaker 3 (29:17):
Oh Andy Kimler, Andy Kindler, Yeah right right, Ah. That
show is just you know whatever, I mean, it helps
some comics.

Speaker 2 (29:26):
I love Kindler, but a lot of people on my
show that were the top forty. Whenever when it was
top forty, they went on to do groups good, great things,
you know, besides not winning, and besides not being I
think Tiffany Hattish little Real last comic, Yeah on my ear,

(29:51):
Christada Alonso, Nicki Glazer, so many people that went on
to do their own thing. Mia went on to tour
bro and win two hundred and fifty thousand dollars and
the next day the State of River Psychology.

Speaker 3 (30:10):
You won fifty grand, two hundred and fifty thousand, two
fifty yeah for winning the competition.

Speaker 2 (30:17):
And then I Charles the Port came after me.

Speaker 3 (30:21):
No, I hope that cut.

Speaker 1 (30:23):
Huh you get the fuck?

Speaker 3 (30:26):
Add it?

Speaker 2 (30:26):
Oh? That Tina Turner Bro. That's just one of my
name back was no dead because when you win.

Speaker 3 (30:36):
You don't really wait what happened to the comments?

Speaker 2 (30:39):
What happened to the comments? Cock suckers? So your specials
out right now on YouTube? Yeah?

Speaker 3 (30:47):
Yeah, today came out. It's it's called The Collapse and
it's out on YouTube. It was produced by a company
called Blonde Medicine. Have you heard of them? But who
Blonde Medicine?

Speaker 1 (30:57):
No? Yeah company? There we go.

Speaker 3 (31:01):
Andley Kindler in the state of the Jeff is very hip.
Which Kindler run here?

Speaker 1 (31:08):
Yeah?

Speaker 2 (31:09):
Yeah, he was on here twice, on once once once. Yeah.

Speaker 1 (31:13):
The Rally Studios child support to stimulus.

Speaker 2 (31:21):
That is so funny. Oh man. Yeah, my baby mother,
my baby mama once she was the last bab mama standing.
Well you went, Did you go to the Rear Festival? No?

Speaker 3 (31:34):
I gave the comic ship and went to the Red Festival.
I was like, come on, guys, these are these are
these are brutal regimes.

Speaker 2 (31:43):
You know, because they offered the show there.

Speaker 3 (31:45):
They did not offer me the show now a.

Speaker 6 (31:49):
Hell no, you know, how can you do?

Speaker 3 (31:53):
They fucking butchered this journalist. Do you remember that show show?
They fucking butchered him, took him out in the suitcase,
cut him up, and they're like, come on down and
do some comedy for us, you know, get the fuck
out of here.

Speaker 2 (32:11):
Crazy right, crazy man? I wouldn't. I don't even know
about it.

Speaker 1 (32:18):
Bro.

Speaker 2 (32:18):
So people started like saying, oh man, they're doing it
for one hundred thousand, two hundred thousand.

Speaker 3 (32:25):
It was big money.

Speaker 2 (32:26):
I guess I want to go maund just based on
how long that flight's going to be to get there.
Seventeen hours. I can't is it that?

Speaker 1 (32:36):
Yeah, it has to be there.

Speaker 2 (32:37):
I flew, flew to London, take a break, and then
fly back, get on the plane.

Speaker 3 (32:41):
And can you know LA sucks for flying overseas? La
fucking to go to Europe, it's like fifteen hours from here.
It's such a joke. Yeah, whereas from New York to
fly into Europe seven hours.

Speaker 2 (33:00):
Now, we got to pick up a gig in New York, Bro,
and then do the gig and then leave from that
gate to your Europe to save the five hours back? Ya,
how many automas did Philippe baby mama bade with her
or her cash, Bro, you must tell you what she did.
She paid the warrants of her lover and then the

(33:22):
lover left.

Speaker 1 (33:26):
Yeah, you say you clear your name or you got
your name back to two people got the day back.

Speaker 2 (33:33):
Philippe saw me a blank CD in two thousand and six, Bro,
I told you on stage, I got CD's for sale
for twenty dollars. I have a deal with memory X
right now. Dcds have no cover, no sleeve. If you
play backwards, you can hear George Lopez say and kill
Paula Driguez and twenty bucks.

Speaker 3 (33:56):
Bro Right, Now, where's George Lopez? His show is? Is
this show still on the air with his was it
his daughter?

Speaker 2 (34:01):
No, I got I got to canceled already, it did. Yeah,
but then they did one hundred episode nor eighty at least.

Speaker 1 (34:09):
But yeah, it was the show that he had. It
went on for eighty.

Speaker 3 (34:12):
Huh.

Speaker 1 (34:12):
Yeah, I think three seasons.

Speaker 3 (34:14):
I did his show when he had a talk show.
I don't know if you remember the talk show tonight? Yeah,
was it Glowpez Tonight.

Speaker 2 (34:22):
Yeah, I did it too.

Speaker 1 (34:23):
You did that, you did it too. Yeah.

Speaker 3 (34:25):
He was a nice dude, very nice guy.

Speaker 1 (34:28):
That was a cool show.

Speaker 3 (34:33):
George looked, looks like he's getting ready to play our Youth.

Speaker 2 (34:38):
George Lopez gonna play Michael McDonald's. Okay she too, So
what's up? Food podcast?

Speaker 1 (34:49):
Man?

Speaker 2 (34:49):
Ro Jugo tours here man fresh off the tour where
we had.

Speaker 1 (34:53):
That Ontario on the show, just being that fool. And
then and Gabor bottom up for a special on Saturday.
Then we did the fruit Drive on Sunday of that
long beach laf Patory.

Speaker 3 (35:08):
Okay, food drive.

Speaker 1 (35:10):
Yeah, just bring some cans of food and get in.

Speaker 2 (35:13):
We're at Lumbach laf pattery. I said, man, when you
gotta collect cans and no wady collecting can openers.

Speaker 3 (35:25):
Well that's why you gotta get the pop top.

Speaker 2 (35:27):
Yeah, man, you give a homeless here's the box of food, bro,
How am I gonna open it with my teeth? Mm hm,
get a knife. It's soon because everybody getting ready to
start giving all toys to put their name out there?

Speaker 1 (35:44):
What was the season to give you?

Speaker 2 (35:45):
Right now? Hollow Back you Center, mashed up to the
Hollow Bay You Center, the gym. We're off to the
Lajoia boxed and then left to become a champion another
gym and also shout out to Pongo zal Go medalists
out of holl Aback Youth Center. They're gonna be giving
out turkeys now nine now nine. I'll be there after Thanksgiving.

(36:11):
I'll be there handing out turkeys. I won't pay for them,
but I'll hand it to you. Here's the Lave Factory, bro, Thanksgiving.

Speaker 3 (36:20):
No, I never homeless one.

Speaker 2 (36:22):
I didn't do that, did you? You never performed there?
I've performed as Lave Factory Thanksgiving.

Speaker 1 (36:28):
No.

Speaker 2 (36:29):
Three shows, Bro. They usually start as the first one
at nine or eleven. They did a bunch of homeless
in and they sell it all out, all homeless.

Speaker 3 (36:37):
They eat and then you perform while they're eating.

Speaker 2 (36:41):
Yeah, they have a regular good audience.

Speaker 5 (36:44):
I mean, do they laugh, but yeah, they laugh when
I bring up when they laugh when I'm up there,
there's some comics, bro who are past who start looking busy.

Speaker 2 (36:56):
Broh, the show starts ABC. You want to bomb up there.
You're gonna bomb no matter what, bro Like, you're not
gonna be having a great set. And sometimes I remember
what I was when I was up there. He goes
he was recording my show on the phone and Thanksgiving
it wasn't going that well. I said, can you put

(37:17):
on when you post this big? And well? Can you
post when you're write down? Also that this show is
on Thanksgiving and there's homeless people in the audience. So
when I was on stage, I said, I said, I
told the audio. I know you guys never seen me
on HBO. I know you've never seen me on NBC
Last Common Standing, you never seen me on comments on Lease.

(37:39):
But I but you guys see me coming out of
Raus with a full stomach. You see me coming out
of McDonald's, And I know you guys, I've seen you too, man,
you know. They laughed. And then there was one time
there was the people there were about these two homeless
about to start fighting, and Pop Mooney was on stage.

Speaker 7 (38:00):
Y'all stop fighting, motherfuckers, Paul Mooney. Yeah, oh, y'all stop
fighting motherfuckers. Don't forget y'all fighting for nothing. Out the
whole crowd exploded.

Speaker 1 (38:11):
Yeah, I was remember that ship.

Speaker 3 (38:13):
You're all fighting for nothing. Mooney was fierce pears, bro, Yeah,
like a year before he was Richard Pryor's right here man.

Speaker 2 (38:23):
For some time, every time I saw Whiteley walk out
of the show, I really felt like he to throw
her issue at her. Bro. He walked about, leave you
dumb bitch, leave bitch the fuck out of your dumb
white bitch, get out of here, you fucking cry baby.

Speaker 3 (38:40):
That's how he would deal with people.

Speaker 2 (38:42):
Yeah, the motherfucker don't want to give him, don't want
to give reparations, Get the funk out of here. So
he's gonna deal with me now, how like that? Bro,
He'll sit there, bro and just whoa. His job was
to make the show as comfortable as possible. And that's
like the big laughs kind of like normanc Donald sometimes

(39:04):
when his job was on time, you decleared the whole room.

Speaker 3 (39:07):
Are you serious?

Speaker 2 (39:08):
Where anywhere? And Brian Holseman too, bro another one, and
the late what's the name Brodie Steven another one.

Speaker 3 (39:21):
Guys who were just out.

Speaker 2 (39:23):
There bro just yeah.

Speaker 3 (39:24):
Holtzman now is in Austin at the mother Ship.

Speaker 2 (39:29):
I saw my first joke Holseman ever said, was after
a plane crash and he was hosting a comedy store
pot Look and he said, Delta is hiring.

Speaker 3 (39:43):
Delta.

Speaker 2 (39:45):
He goes, fuck up. Everybody's talking. All these had comics
talk about I want to be in a black box
because everybody, all the information is in a black box.
Fuck that. I want to stay next to a baby
baby survivor.

Speaker 3 (40:01):
All right, right, right right? He walks a lot of people.

Speaker 2 (40:06):
Yeah, Jamie MARSELI used to put him up last so
people could believe and we could cross the show. What's up,
fool man? So is there an art in the way
you do stand up comedy? Is that something you you
started off doing or you grew into it riffing and.

Speaker 3 (40:27):
Yeah, yeah, Well, I mean I don't know about you.
I don't know about you, dude, but stand up is
very underrated as an art. I mean people think it's
you know, you just go up there and you but
if you know, to form your humor into something that

(40:47):
really hits takes a long fucking time. Yeah right, you know,
to find your voice, to find your confidence, to like
real kind of deal with what's funny. Like right now,
I've been thinking about all the AI shit, you know,

(41:07):
and I've been thinking about have you seen the robotic
dogs that the Pentagon developed? True story?

Speaker 2 (41:14):
Have you?

Speaker 1 (41:15):
Yeah, it's been going on for a minute.

Speaker 3 (41:16):
Yeah yeah, robotic dogs. But they're robot dogs. You know.
The thing I love the most, these motherfuckers and the Pentagon,
and they weaponize these fucking things. But I think about
the strays like I think about robots, the stray dog robots,

(41:38):
Like what happens when they upgrade the software on these
motherfuckers And then you have someone like some celebrity, you
know for the ASPCA talking to the camera, going, these
robotic dogs need a home, and they're like climbing up
a building behind her, like all the way up a
fucking skyscraper and then climbing. Please give these robotic and

(42:04):
then you just see a robot dog with no one
next to it. So you know, I think as comics
we have to evolve, Like now it's high technology, the
Trump shit. How do you make the Trump shit funny?

(42:25):
Do you talk about a lot of comics. A lot
of comics don't want to go near it.

Speaker 2 (42:31):
I've open otage and I say, like yesterday I followed
Trevor and the young the guy that right, funny guy,
Trevor Wallace. Oh yeah, and I open up, Man, what
a time to be white? Right now? This is your moment.
We are living through your zippity do a days even

(42:53):
and everybody who's ever doubted white privilege, it's happening right now, manifested. Like,
even if you don't like Trump, you could walk freely
around the United States of America and see a van
passed by and you don't even look back to see
what kind of band it is. That's privilege. Ah, And

(43:18):
I say, well, for me, it's different. I'm Mexican. For me,
I'm living in nineteen eighty five Back to the Future movie. Yeah,
and we're staring at a polaroid picture and our family
disappearing in on it. And then nobody laughs half of
that half of the audist laugh. But then everybody go oh,
Then I say, then I doubled down.

Speaker 1 (43:39):
I keep saying yeah, good.

Speaker 2 (43:40):
And if I was if I was a white comic
saying that with blue eyes and cute and handsome, I'll
be considered a genius. Right, Ogan would invite me to
the show again, and he would have laughed in the
microphone the way he left at Shane Gillis jokes. But
since I'm Mexican and brown and the way I look,

(44:02):
it looks like I'm telling all my people for that joke,
which i am, which I am, So that's why That's
that's how I play on it. I had another one
that was rougher, but it kind of doesn't work now
because you know, we're in Itto as far Latinos are,

(44:24):
whether that we wanted for they voted for Trump or not,
they're still Latino and we're throwing it together. You know,
I used to say that, but a lot of people
voted for Trump to you know a lot of Mexicans
voted for Trump, you know, different, different and now, but

(44:48):
they also you know, they probably have family members that
are want in this country. You know, people that have
been that've been barring the truck for years. Little inner
see and they're like some people like people. People got
more mad at me for going to Dodger Stadium than
they then they got then they got mad at Ice

(45:08):
for deporting people.

Speaker 3 (45:10):
What because because the Dodgers displace Mexican families.

Speaker 2 (45:14):
Right, the Dodger owner, he owns zero point dot point
zero point zero three percent of all that stuff?

Speaker 3 (45:28):
What stuff?

Speaker 2 (45:29):
Well the cages opposed, Yeah, zero point zero three percent
he invested.

Speaker 1 (45:36):
Its supposed to.

Speaker 2 (45:37):
But he said for Trump, wo for Trump, that's immigrats.

Speaker 1 (45:45):
But yeah, that's crazy though, man.

Speaker 2 (45:47):
But anyways, man, like people, I have more people, more Latinos,
Latinos in America, would rather share negative stuff that happened
into our Latinos then share positive stuff like my tour
that's restarting again, you know, or or my movie that

(46:08):
I co produce about immigrants is called.

Speaker 3 (46:13):
You don't know the title of your own movie?

Speaker 1 (46:16):
Bro.

Speaker 2 (46:16):
Paul Ja coming through in the morning mumbling, they said,
I'm gonna tell you.

Speaker 1 (46:24):
Hang on, Hey, what's the name of.

Speaker 2 (46:26):
The movie, Lisa. The name of that movie, the one
I co produce.

Speaker 3 (46:37):
It says you have an ice on you?

Speaker 1 (46:40):
Yeah, the one the what.

Speaker 2 (46:44):
A Place of Absence? It's a movie a co produce
with a woman and it's a movie about a bunch
of Latina women from South America, from Nicaragua, from Central
America who who who are looking for her kids, their
kids who they stand out to America. They sent they
sent them as kids, young kids to go find the

(47:07):
American dream. And so some of these parents have not
heard back from their kids and oh so they don't
know what's going on. So one of the women she
gets she gets her money together, borrows money, sells her
home and ghost on this is Crazy at road trip
to look for her daughter who went to This is

(47:29):
a documentary documentary. And along the way she meets other
moms who are looking for their kids and it's and
they along the way they give me other people and
it's a very heartfelt documentary about immigrating to America. And
you produced it and I co produced it. But I'm
just saying that a lot of people are mad at
me for not going to go into Dodger Stadium, but

(47:52):
or how I don't speak out immigration? How can I
don't speak out on this? But our rather co produce
movies like this because he feel that it shows that
you're actually doing something instead of just talking about it.
You could go over there and yap and talk about
how my mom made my clothes and I used to
live outside of a fucking Tommy's Burgers.

Speaker 3 (48:14):
Yep, Tommy's Burger.

Speaker 1 (48:18):
What's that doctough?

Speaker 2 (48:20):
That documentary will be playing this Sunday in New York
City at the New York City Documentary Festival.

Speaker 3 (48:27):
Nice and what's the name of it again? The Absence
or something.

Speaker 2 (48:34):
Absence, a place of absence people, if you're in New York,
download it. It's in festivals right now.

Speaker 3 (48:44):
It's in festivals. I'm also I want to answer a
question from Jeff Crown. Hey, Jeff, oh, he says you
have the best laugh. But Jeff asked about is the
Harbor Poets still a thing? And it's this poetry festival
that I first started doing stand up on. What's the
weirdest place that you've done? Stand up on? The weird

(49:09):
Like I used to do it. There would be poets
and then I would come on and they were so
dying to laugh. And it was called the Harbor Series Poets.
If that's what Jeff meant, Yeah, did you do some crazy?

Speaker 2 (49:26):
The word there was that Douggie points, Duggy points. It's
at some house in in Burbank and it was like
a started the show at two in the morning. Yeah,
and there was they didn't get the cock were outside
the cops of the LPD officer working security outside the house.

(49:48):
He just asked us you get here for the party, Yeah,
come on in, And he never went inside. He just
threw it outside at this making should know no people.
People were not invited come in.

Speaker 3 (49:57):
Where was it in Burbank, I don't know.

Speaker 2 (49:59):
The hill in the hills and the house was the
house was made to party bro Like it looked like
five in the afternoon in there all day, but outside was.

Speaker 1 (50:09):
Dark, had electrical shutters on it each like window opening.

Speaker 3 (50:13):
Sounds like Vegas.

Speaker 1 (50:14):
Yeah, totally in the world.

Speaker 2 (50:16):
He had big jacuzzi to dip in. He had a
trailer out inside of the house, like like one of
those one of those sea things what they call it,
like a trailer park. Like therooms.

Speaker 1 (50:27):
How he had the restrooms too.

Speaker 2 (50:29):
Yeah, like a little trailer to live in. I guess
who was this guy? I don't know. They had and
then outside the house, you know people.

Speaker 3 (50:35):
It wasn't Jeffrey Epstein's.

Speaker 2 (50:39):
He went to a party and people pee on the
wall outside in the backyard, you know, high school parties,
college people just pee on the grass. His cap had
a throw and started to the wall, picked a trap
out there. Bro, flood ship the little I glue he
had that little trailer. Who your anyway? So I'm still

(51:01):
there to eleven o'clock in the morning, No fucking way,
and the party continue, Bro, fun It was fun. Bro.
Hey man, it turns something. Man. The word the quote
of the day is this, No one knows you shot
on your pants. Just leave the party. Don't stay and

(51:23):
stay around. Bro, And people if you're talking at a
party and people start talking to you like this, they know, Bro,
fucking no, skip that out of there. Bro. You fucking
sque your butcheeks and you go to a fucking arcle
and you take a ship there and you fucking leave
the underwear in a trash can clean up. You go

(51:43):
back to that party. Bro. I did that before.

Speaker 3 (51:46):
Bro.

Speaker 2 (51:48):
Was it an arc Yeah?

Speaker 1 (51:54):
They always had a restroom though, man. Yeah, dude, but
Arco is always like a mechanic to.

Speaker 2 (52:00):
Shit in there. Up.

Speaker 1 (52:05):
Yeah. Bro, that was like the dirtiest, grimiest restroom everest
come everything.

Speaker 2 (52:10):
Yeah.

Speaker 1 (52:10):
How about the fact that roaches don't even go in there.

Speaker 3 (52:13):
Bro How about the fact that gasoline that gas stations
now have sandwiches And I was thinking of like a
gas station that sells sandwiches and they get a chef,
like a fancy, a fancy chef from overseas, and like
they just want to do a notch up on their food.

(52:35):
And it's sort of like a Wolfgang Puck guy at
a shell station. You know, you pull in, you fill up,
you get a nice I don't know, salmon with the
cilantro infusion, mashed potato, I don't know.

Speaker 2 (52:52):
I mean the best I could do in Brodley gas
station is fried chicken with feathers on it. There's a
place and when you're driving to northern California, I think
there's a five North. Yeah, that's it's a subway. But
when you go to the bathroom, if you come out

(53:13):
the wrong door, you step into a Mexican restaurant.

Speaker 3 (53:16):
Oh really, and that.

Speaker 2 (53:18):
Mexican restaurants delicious. Man, they make the home too teas there.

Speaker 3 (53:22):
Right a passage that's fucked up because subways is like
the worst place you can eat, and then you're going
into a great place to eat, so you're paying your dues, right, yeah, yeah.

Speaker 2 (53:33):
That'd be bad ass, bro. Like I think it's there.
There is a gas station out there where there's actually
a chef, but I don't know where it is, and
I don't want to go, but usually where But if
you want to go, like to some good fried chicken
and a gas station by the step by the Staples Center.

(53:54):
It's one of the only places in Los Angeles where
there's actually a place where the fuck and fry and
fried chicken and oil and dipping it out with fries
and fucking fish and onion rings.

Speaker 3 (54:07):
It's good.

Speaker 2 (54:07):
It's good. You know what it is right by the
Staple Center of a flour or what no, not flour.
It's on on twenty one on a look up fried
chicken by the Is that where Kobe used to go?
Or yes, that's where lamar old him used to go there, Bro,
he kept the Kardasians fat.

Speaker 1 (54:26):
M HM.

Speaker 2 (54:28):
Roasted roasted chicken man roasted roasted fried roasted.

Speaker 3 (54:34):
Bro But you said they were dipping it in oil.

Speaker 2 (54:38):
Yeaes the oil thing. Yeah, it was so good, bro
that when I put it downe and Vanice Beech, some
seagull picked it up and took off with it, brom.

Speaker 3 (54:50):
The seagulls, sir, very aggressive. You ever fucking try to
eat a sandwich on a beach and the seagulls just
heart fucking attacking. Man? Do you ever have that.

Speaker 2 (55:04):
I brought a woman there, bro? They attacked it before me.
What I brought a woman there, bro, and they attacked
her before me?

Speaker 1 (55:12):
Is that what you bought me?

Speaker 3 (55:14):
Look, I'm gonna have to throw throw you to the goals.

Speaker 2 (55:19):
So your last basketball was a color.

Speaker 3 (55:21):
It was called for the Masses, for the Let's see
this one. That one was like two thousand and seven, No.
Twenty twenty, twenty twenty, and it won Best Special from
the New York Times Funniest Special the year right before

(55:42):
the pandemic. Okay, and it started showing during the pandemic,
which was great because everybody was fucking inside. You know
what'd you release that one on? I think that one
was on Netflix and then it went you know how
it got fix?

Speaker 2 (56:00):
Now?

Speaker 3 (56:00):
Is so ridiculous to get on, you know, so ridiculous
to get on. Have you done the Netflix special thing yet? No?

Speaker 1 (56:08):
You have mad numbers to be on there?

Speaker 2 (56:09):
Right?

Speaker 3 (56:10):
Yeah?

Speaker 2 (56:10):
I did it. You did my last special Netflix special
and the one before that. I used to think that
they would just give you the money, bro, you know,
like they would just give.

Speaker 1 (56:22):
You the money. What did they do?

Speaker 2 (56:24):
I thought they would just give you the money, and
then they produced the special they're special. But no, man,
they give you the money and you're gonna produce that
special with that money.

Speaker 1 (56:32):
Right, So that's a budget for the entire special.

Speaker 2 (56:35):
So you didn't really make You didn't really make seventy five? Yeah, yeah,
you made ten, bro, because everything went for the production, right, right.
But now what I'm gonna do next time? Probably I'm
a released the strongest twenty minutes special.

Speaker 3 (56:53):
Ever, Broy. I like that.

Speaker 2 (56:55):
I take it down in two minutes, make sure it's strong,
to break it down in ten weeks, to put too
many bits at a time, and hopefully they'll go viral.
A million people or two hundred thousand people could see
it in one day. That'd be perfect. They don't show
you the the the ratings brought your special when you

(57:15):
when your special comes out? Who will Netflix? They don't
tell you.

Speaker 1 (57:19):
They don't the numbers nothing.

Speaker 3 (57:21):
Yeah, so they still don't reveal the number this.

Speaker 2 (57:25):
Out, bro, I didn't know, okay, So they give me
the money for the special. Right, So I thought that,
you know, okay, since they give me the money for
the special, that I was part of the Netflix family,
that's gonna be like Netflix special. But now, homie, I
thought my fucking my billboard was gonna premiere in front
of the laugh Factory when the special comes out. But

(57:49):
I kept checking every week and fucking gab reglets us
his billboard was still there week week, week after week.
And then I found out that now, man, my dad
was an actual Netflix special.

Speaker 1 (58:02):
Mine want it, So what's the difference that I'm his?

Speaker 2 (58:05):
Was like a real Netflix special where Netflix give them
all that money and Netflix going to put in the
work to promote it and all that with billboards and
all that.

Speaker 1 (58:16):
Ah.

Speaker 2 (58:16):
So I didn't even get the billboard. My last special,
I did, bro she.

Speaker 3 (58:22):
W was your last special this year?

Speaker 2 (58:25):
It came out in February. Came out in February, February
of twenty twenty.

Speaker 1 (58:30):
This year.

Speaker 2 (58:31):
Twenty five Yeah came out this year. Okay, Yeah, And
before that came out during the pandemic. I shot it.

Speaker 3 (58:39):
No, No, twenty twenty five is not depending No.

Speaker 2 (58:42):
Twenty five this year. But on before that was the pandemic.

Speaker 1 (58:45):
Oh okay, you shot it right before everything closed.

Speaker 2 (58:47):
Right before right, that's what my special. We taped it
everything shut down, the Full started died and everything.

Speaker 1 (58:53):
Yeah, when Full started getting sick for real.

Speaker 2 (58:56):
We have people coffeeing with cameras again. Yeah, man, but
that's special. I liked it, you know, my mom liked it.
She got it.

Speaker 3 (59:10):
The one that you did this year.

Speaker 2 (59:12):
The one before that. It was more darker, you know
I talk about I did a hardcore story about my
mom getting beat up by my dad and my brother
helped me out and me and that helped.

Speaker 3 (59:22):
Long story.

Speaker 2 (59:23):
Yeah, so it was a dark story. My mom got
to see it live a bunch of times, and she
laughed at the time. She laughed even though it was dark.
She liked it. Last night I got pretty dark too.
Bro like getting dark because we live in a dark world.
Bro live. Yeah. So I'm not good at crowd work.
First of all, I would get an idiot with a

(59:44):
good job I can make fun of. And last night,
bro hilarious, I said I'll do crowd work because I
remember I was talking to Together Perple. It was like
this a glo chair and I asked her, how did
you get in a wheelchair, Bro, drunk driver? Oh, she goes, Yeah, No, yeah,

(01:00:07):
he said he was a drunk driver. He was hit
by a drunk driver in a Carhi, and his dad
was and he was six months old.

Speaker 3 (01:00:17):
Happened, brow, Yeah, that's tough to make funny.

Speaker 2 (01:00:21):
So he's thirty four years old already in a wheelchair. Bro,
that's fucking so. I said, So, you're never taking care
of you since you were six months after the car accident.
He loves you, Bro, He fucking loves you. Bro. I
would have fucking suffocated you in that car. I would
have just squeezed you, bro, and not put you through

(01:00:42):
all this hardship.

Speaker 3 (01:00:43):
Bro, did you say that?

Speaker 2 (01:00:45):
I would have thought about how many are you going
to block me through my lifetime? All the things, how
my dream would have ended taking care of you? Oh my,
then everybody's having a heart attack and the guy in
a wheelchair spinning, bron. But last night I staided it
the same way I would have, he goes. He's a
better man than I am, he goes. I would have.

(01:01:05):
I would have. I would have. I would have thought
about what my ancestor would have done with what would
the Mayans do?

Speaker 3 (01:01:11):
The Mayans.

Speaker 2 (01:01:12):
Would the Mayans do broy they had a kid like this,
drove me the fire pit.

Speaker 3 (01:01:17):
That's what they would do.

Speaker 2 (01:01:19):
So I don't know how that's dark, but I manage.
I guess if you've been doing it long enough.

Speaker 3 (01:01:26):
The Mayans weren't politically correct, right. There was a section
of the Mayans that was woke. Do you remember those guys,
the woke Mians. They were like, don't throw their fucking kids.
They were like, don't sacrifice the kids to the gods.
We don't know if God exists. By the way, someone

(01:01:49):
asked me, am I related to Joe Peppatone. I am not.
Joe Peppertone was a baseball player for the for when
I was growing up in Brooklyn. When I was growing
up in Brooklyn, he was the first basement for the Yankees,
and people used to ask me the whole time, you
related to Joe Peppertone. He was kind of a big deal.
And I used to lie and I used to say yeah,
man to get like popular with the kids. And then

(01:02:11):
I started promising them base balls and order vats and
finally that you know, and I never came up with
him because I wasn't really related I said he was
my uncle, and finally I had a like cop to it,
and they were pissed. I had to leave Brooklyn. You know,
I left Brooklyn.

Speaker 2 (01:02:33):
What is dad Island? I work with a comedian from
Brooklyn for New York. My first time I went into
road and every time I mentioned his name, the older
comic was he's still alive. So I always wanted to
not be that comic. But when you throw his name
out instead, he's still alive, Ben.

Speaker 3 (01:02:57):
Creed, He's still alive. Geez.

Speaker 2 (01:03:05):
Yeah, I worked with that guy, but it was a
nice guy.

Speaker 3 (01:03:07):
Nobody is he still?

Speaker 2 (01:03:09):
I don't know, But when I worked with him, he
was My first time went to a pasto.

Speaker 3 (01:03:13):
How old is he?

Speaker 2 (01:03:14):
I don't know.

Speaker 1 (01:03:17):
The boy said he had a dog.

Speaker 2 (01:03:19):
He but his dog with him. We walked all week.
He made food all week. Bro, he cooked all week.

Speaker 3 (01:03:24):
That's sweet.

Speaker 2 (01:03:24):
He smoked wheat out all week. But I didn't smoke
weed back then. That was sober because funny man. First
we met, he goes, hey, I'm being Creed, and then
I faund Philippe, I'm the host. He was real nice.
I fucked up his name one of the nights, where
was it?

Speaker 3 (01:03:39):
Past Texas with.

Speaker 2 (01:03:42):
The comic strip old school.

Speaker 3 (01:03:44):
Oh ship he.

Speaker 2 (01:03:47):
It's funny man, when you back then, you will meet comics,
older comics. And now you meet a comic and show
you photos on his cheek. Bro, just the stupid ass
can't can see the rappers broke away from the jake.
She hangs up by the green room all the time
by the door anyway, So he'll show me fixtures, right,

(01:04:09):
older comics now, But back then, remember that comment that
showed a lot of nasty photo and polaroids. Oh hell yeah,
really had a shoe box, bro, folooids.

Speaker 1 (01:04:22):
It was big. It was an album, and then he
had an album, but he also had the shoe box
of the straight polaroids. Probably in the shoe box where.

Speaker 3 (01:04:29):
The polaroids nasty yeah yeah, le.

Speaker 1 (01:04:32):
Spread spread their legs open.

Speaker 2 (01:04:34):
And the hottest ones yeah yeah, like what not the
hottest ones? Yeah?

Speaker 1 (01:04:39):
Let the team mom or something. Yeah, the lady that
works the register at the.

Speaker 2 (01:04:42):
Team and this guy was married, So he'll put the
dates that like it happened like years ago.

Speaker 3 (01:04:48):
Was he a comic?

Speaker 2 (01:04:49):
Yeeah?

Speaker 1 (01:04:50):
So incriminated, like what was it.

Speaker 2 (01:04:52):
If you met him? Trying to guess if you met
this girl in two thousand, He'll put in nineteen ninety eight.
Why that he met? He put the two thousand because
my wife will see it. Oh happened before we go.
I don't get that, because no woman that dumb and
go man, you have to shut for a long hour time.

Speaker 3 (01:05:12):
Yeah, why is he saving it?

Speaker 1 (01:05:13):
Yeah, so you have to be like really slow, you know,
to like you know, but I I want.

Speaker 3 (01:05:19):
To guess who it is.

Speaker 2 (01:05:21):
He's a black comic.

Speaker 1 (01:05:22):
Oh yeah, she's not the sharpest pencil in the box.

Speaker 2 (01:05:26):
He used to go up on stage with. He was
a school teacher too. She would have a pictures should
have a big block. And he goes, man, I'm gonna
teach her how to get how to speak to that.
You're in the neighborhood and you get stuck in the
black neighborhood. You could speak to us and he'll have
the he'll have the word like this and he'll put

(01:05:48):
thesis f E C E S thesis Yo man clottle
door man, my thesis cold.

Speaker 1 (01:05:57):
It's like a Bonni right.

Speaker 2 (01:05:58):
He bonics basically. So I remember watching you on your
doing a show and you were a man. You went
on a ramp that lasted like seven minutes, and I
was dying at everything. Once I caught I caught on,
I was dying. Bro, you took me to a trip
of seven minutes of nostalgia and laughing. Bro, we couldn't

(01:06:21):
stop laughing. Bro, do you this fool said that? This
bro he started ranting this thing, and then he said,
this fucking lady over there, how about the truth? Let
me tell you ma about the fucking truth? Man, Because
you said how about the truth? You said, you said
it like a woman, yell, how about the troops? All
the truth? How about the troops? And you said, let

(01:06:42):
me tell you about the fucking truth? A comedy story?

Speaker 3 (01:06:45):
Oh the story? Yeah? Yeah, yeah, Well that's my favorite
part of stand up.

Speaker 1 (01:06:50):
You know.

Speaker 3 (01:06:50):
It's like when you get going and you feel like
everybody's with you. You can just ride that way if you bro.

Speaker 1 (01:07:00):
Yeah one yeah, yeah.

Speaker 3 (01:07:02):
Yeah, I love that. But you know, you know the
nights when your brain is clicking and the audience confidence, yeah, confidence,
and you're just fucking you're able to think of all
these different things. But it sucks then like the next
night it don't work man, and you're like, oh fuck,
where's that energy? Where the fuck did it go? I

(01:07:26):
was magic last night, you know that kind of That's
why the stand up people quit all the time, because
it's such a mind fuck, is it not.

Speaker 2 (01:07:38):
You gotta be a psycho path to do this job, man?

Speaker 3 (01:07:41):
Yeah, yeah I think so.

Speaker 2 (01:07:44):
Because man, you can go years without being funny, you
think you are?

Speaker 1 (01:07:48):
Think about what it takes to be like, yeah, how
crazy you gotta be? Like I can go up there
and make all these fools.

Speaker 2 (01:07:52):
Laugh, bro, you can. I can go over there and
say high to my son his birthday, or go over
here and make these eighty people laugh for twenty five bucks.

Speaker 1 (01:08:06):
But like everybody gonna do. That's a funny motherfucker, you
know what I mean?

Speaker 2 (01:08:10):
Yeah, that's a funny motherfucker. Man.

Speaker 1 (01:08:12):
And how about those food that try it and can't
do it though, but they keep doing it? Yeah, and
then you do.

Speaker 2 (01:08:17):
It those other fucking saliaries of stand up comedy that
they look at their prairie night. Why would you give
me the thirst the knowledge to prefer something that I'm
not good at? There it is Broa.

Speaker 3 (01:08:37):
Murray f Murray Abraham. I think he won the Oscar
for that. Yeah, people who can't fuck it? Yeah, that's
hm hmm that's sad. I think the guy is like,
who can't do it? Bobby Lee. I'm kidding.

Speaker 2 (01:08:58):
Bobby Lee knows it's hard. At least he the you know.
I respect him to know that it's hard to write
an hour oh yeah, and be consistent and to find
a time to do it because someone like him, his
fast watch him to destroy and rip the stage every
night he goes up there and I don't have that pressure,

(01:09:18):
you know, and they want him to destroy and he
only had like twenty minutes or thirty an hour. The
hour special coming out too, Bobby.

Speaker 3 (01:09:27):
Does, Yeah, coming out soon. I don't know when they
want you to ask me about always Sonny in Philadelphia.
I did one episode how many episodes you were on
Sunny One? And it was kind of cool though, because
I'm driving to the fucking gig. I already got the gig.
I played a guy who was on welfare and the
name of the episode is d Goes on Welfare. And

(01:09:50):
I was so psyched to act with Danny DeVito, damn,
you know, and the guy he really is like tiny.
I want to pick him up, you know what I mean.
I wanted to pick up the Vito and bring him
to like a jersey Mike's and treat him to like
a sandwich and ship. But anyway, the Vito was so funny.

(01:10:11):
He would rehearse his lines to himself. He'd stand on
the side, and all the other people were really nice.
Charlie Day, Caitlin Rob Are you a fan of that
show at all? Yeah?

Speaker 2 (01:10:23):
I think two episodes? Yeah, I like that. I like that.

Speaker 3 (01:10:29):
But it was fun, man, it's fun. It's fun when
you do. You do any guest spots on Have you
done that ship? Some acting ship?

Speaker 2 (01:10:37):
That show? I was single cam, right.

Speaker 3 (01:10:40):
I think?

Speaker 1 (01:10:41):
So?

Speaker 2 (01:10:41):
Yeah? Yeah, I did Superstore?

Speaker 1 (01:10:44):
You did you were regular?

Speaker 3 (01:10:47):
I was like, was that single cam?

Speaker 2 (01:10:49):
Yeah? And then I did one episode of Shifting Gears
with Tim Allen Morgan Murphy. Shout out to Morgan Murphy.

Speaker 1 (01:10:58):
Was she writing in She yeah, yeah, yeah, yeah.

Speaker 3 (01:11:02):
She wrote me into.

Speaker 2 (01:11:03):
Broke two Broke Girls awesome.

Speaker 3 (01:11:06):
And there was another thing she wrote me into I forgot,
but yeah.

Speaker 2 (01:11:12):
So cool that you did it there? Which one that's
the guy in the wheelchair that came in with the
radio Superstar. That's I'm Shifting Gears with.

Speaker 3 (01:11:22):
Okay, all right, so you got to be.

Speaker 2 (01:11:26):
A Superstore out there playing big time, Cody, you got
to know Colton? Yeah, Colton done. Yeah, you know, I
auditioned for Colton Dun's roll. He did the first time.

Speaker 3 (01:11:38):
Nice.

Speaker 2 (01:11:39):
They didn't get it, of course.

Speaker 3 (01:11:40):
Colton got it.

Speaker 2 (01:11:41):
Yeah, but him and I have the same standing. We
have the same colored skin and the same height.

Speaker 3 (01:11:48):
Is that right?

Speaker 2 (01:11:49):
Yeah, he's standing? Is some goofy at Mexican Google?

Speaker 3 (01:11:52):
Bro, I was too white. They said I'm too white
for that, and I said I can play black, but
they didn't.

Speaker 2 (01:11:58):
Go first he could, bro. It could be five eights.
What's Up? Full podcast? Don't forget to watch Adie Peppertone
new special Man The Collapse, The Collapse of the World
as we know it. When you started to stand up,
what was your style?

Speaker 3 (01:12:17):
I would scream. I would just like now, I still
like to rage, but I temper it. I'll rage and
then I'll go down. I'll like scream and then I'll
go down to like an NPR voice, you know. But
when I first started out, I was just like I
would get up there because I was so fucking nervous

(01:12:40):
when I first started out, you know, I would get
up there like I remember one time in Brooklyn, I
put on a wig a big blonde wig and I
started screaming, I need a fucking haircut. And I was
just screaming, screaming I need it, and I never went
anywhere with it. I would just scream, you know, So

(01:13:02):
I was. I was a screamer. And that's not in
the bedroom. That would just be on stage. In the bedroom.
I was more like, I'm sorry, I didn't mean to
do that.

Speaker 2 (01:13:14):
I started off dead pat mm hmm, yeah, dead pant
like Stephen Wright. M That's why I started off, and
I would I was, I would do Joe's late today.
I went shopping lifting.

Speaker 3 (01:13:28):
I love that shit.

Speaker 2 (01:13:29):
It's kidding. I wasn't shopping, I was lifting. I was lifting.

Speaker 3 (01:13:37):
That's funny, man.

Speaker 2 (01:13:38):
A lot of people talk about how they used to
be poor, how they grew up poor. I'm not gonna
lie to you. I'm still poor. M then.

Speaker 3 (01:13:48):
I you know, it's funny to do all kinds of styles,
like what do you do now? Mostly stories? I haven't
seen you in.

Speaker 2 (01:13:55):
A long nothing now I do. I punchline instead up
with stories like I talk about I'm getting my colors
m m m hm. And I talk about how mostly
like I do a lot of details in the joke,
So I paint. I paint a good, pretty good picture.

(01:14:18):
Bro that people get it. Because I have a joke,
I don't say no more. I said, because I used
to live in front of a bus stop. No, like,
I used to live in front of a bus stop
and people will hang out in my porch waiting for
the bus. And then I said, one time the bus
driver came into my came and knock into my house. Hey, man,
can ease the restaurant. I think a ship real bad,

(01:14:40):
So I let a man.

Speaker 4 (01:14:41):
Man.

Speaker 2 (01:14:41):
Now I get on a bus for free. But stuff
like that. You don't talk about the environment.

Speaker 3 (01:14:45):
Man.

Speaker 2 (01:14:46):
Yeah, I grew up in a gated community. The windows
were gated. Yeah, but now I just talk about like
you don't do, like hardcore stuff like like.

Speaker 3 (01:14:58):
What you don't do like and like that.

Speaker 2 (01:15:00):
I love one oh my last person. I had a
bunch of one liners. Like I went to a I
went to uh how did they go? I went to
uh uh general revealing party? And when I got to
the woman told everyone she got an abortion instead. Then
the bloom blew up and spread blood right in my face. God,

(01:15:27):
that joke kills everywhere except California. But I do a
lot of just like I don't intend to shock the
audience or surprise them, but I just like surprising me. Yeah,
I like that. If I can get away with something

(01:15:47):
without without hurting people, I did my job.

Speaker 3 (01:15:51):
Yeah, I agree.

Speaker 2 (01:15:52):
Like my first joke is I don't know who does it,
either Stephen Wright or Mitch Hebburgh. I'm not afraid of heights.
I'm afraid of with perfect, I said one line perfect.
I love jokes, one liner, Like, whose joke was that you?
That's Stephen right or Mitch Hebberg.

Speaker 1 (01:16:11):
I don't know.

Speaker 2 (01:16:12):
Yeah, he's even right.

Speaker 3 (01:16:14):
They were the masters.

Speaker 2 (01:16:16):
Yeah, there's there's a lot of comics coming up right
now that are hilarious with Yes, that's just very dark.
There's this woman named Christina Young comic she came up.
She surpassed a lot of comics because she wasn't killed
Tony and she murdered and she murdered bro and her dark,

(01:16:39):
her humor is very very dark. And that's what I
aspire to be. But I like watching comics like that
because I feel like, Okay, I know how I know
what is what this world's going through and what we're
going to I don't want to butcher her joke, but
I'll tell you the joke after the show, so what
I wouldn't have to tell her here, and can't murder

(01:17:01):
it the way because it's better the way the way
she says it.

Speaker 3 (01:17:05):
Yeah, yeah, Like, did you ever get into the roast?

Speaker 2 (01:17:09):
Bullshit?

Speaker 3 (01:17:10):
Did you get into the roast?

Speaker 2 (01:17:12):
No? I've never been roast on video, but I roast
comics when they get off the stage, when they're vulnerable
and then they have no comebacks. Like I remember a
comedian destroyed and when he got off and I was
leg what happened?

Speaker 1 (01:17:28):
Bro?

Speaker 2 (01:17:28):
He lost them up there? Where to lose them at
that way? Donmind Railroad? Come up to me after I
did a joke? He lost them, Philip, it what happened?
Let's try.

Speaker 3 (01:17:43):
I never liked the roast battleship me neither Mexicans.

Speaker 2 (01:17:47):
It's as they're they're good for a live show, but
if you ever been in a real rose battle, you
know that you don't have time to prepare, and if
a real roaster roast you at that moment without you
having a time to write, pretty much, fuck you up?

Speaker 1 (01:18:04):
Man.

Speaker 2 (01:18:05):
Like Yeah, like I've seen some I've seen like roasters
like Corey Holcom, Mike Epps, Jamie Fox. They're good right,
like they were the three people walking in here right now.
They're fucking roaster for a whole hour. Just appearances. They'll
say something to me like we got handicaps hiak right here,

(01:18:29):
you know, or something like that. We got Bruce Springsteen
with a good mind. We got Mexican Peter Griffin, Pedro Griffin.

Speaker 1 (01:18:39):
You know.

Speaker 2 (01:18:41):
Yeah, Man, I saw the rose one time. There were roses.
A guy in a wheelchair. Oh my god, Bro, that
guy said, carries his legs and his backpack.

Speaker 3 (01:18:56):
Mm hmm, you have to have thick skin for that ship.

Speaker 2 (01:19:00):
Oh hell yeah, you have ever dude, this guy wilchair
right right. He was like little bro. Also he said
this mother fucked Oh that dude from Corey Holk, Craig Fact,
Craig Facts, probably one of the best. Bro like you, right, Joe.

(01:19:21):
He looks he looked at the guys. Man, this guy
looked like he survived on barbarian assassination.

Speaker 3 (01:19:30):
Barbaric assassination.

Speaker 2 (01:19:33):
No, he said he survived a barbarian execution because he
was like half a body.

Speaker 3 (01:19:39):
Ah that kind of ship, yeah, oh.

Speaker 2 (01:19:42):
Man and t I told him that that fool said
I'm gonna be the I'm gonna be the big man
and stand up and say that, and that was all
he's But like those kind of roles, I like rose
when they're happening right there, man, like somebody just ripping
on somebody mm hmm. And but not like a roast

(01:20:03):
battle pre done. But there's some real gross battles, brother,
And I've seen that been hilarious. Man. Like there was
one big girl and then there's another comedian and his
first line to her was probable of the funny shit. Ever. Yeah,
it's nice to have. I don't know what her name is.

(01:20:24):
You say her name is Ruby and she's a big girl.
It's nice that we have. It's nice that Ruby took
a break from fee five four fuming all day.

Speaker 1 (01:20:38):
That's funny, man, that's fair.

Speaker 2 (01:20:43):
See.

Speaker 3 (01:20:44):
I like it because it's like the jokes are short,
they're like right there, like you see the person to
the point boom right there, Like when the.

Speaker 2 (01:20:56):
Jokes are funny and you didn't have to call the
person a N word or go to his the typical stereotype,
go to the go to stereotype. Yeah, yeah, yeah, unless
the go to stereotype it's coming from another person that's
the same nationality. Like if if I'm being roasted by

(01:21:17):
another Mexican and a roast and he said anything, anything
goes Bro, he could say whatever you want, but a
white guy. But a white guy. I felt like, Bro,
you might want to put a hood on it. You staid,
it's so eloquent.

Speaker 1 (01:21:31):
It's usually the way it goes.

Speaker 2 (01:21:34):
Well. Felippe, I gotta.

Speaker 3 (01:21:36):
Runs so much.

Speaker 2 (01:21:37):
They shoot so much. Bro, that's the end of our show.
Bro wants to Instagram.

Speaker 3 (01:21:42):
It is just at Eddie pepe pep and you can
give me some more pep. You can find me at
any pepatone dot com. The website has got all my
links to shows, to Instagram, all that stuff shows.

Speaker 1 (01:21:56):
This Uh no, no, nothing this week, dude, buck Until
the twenty first, twenty second.

Speaker 2 (01:22:01):
I will be on skank Fastest Weekend with Eddie Peppertone.
I'll be with her a bunch of esketball. We are
doing their history for fools history on Voodoo Santaria. Oh
really and black magic?

Speaker 3 (01:22:14):
Is that what you're doing at Skangfast Yeah?

Speaker 2 (01:22:16):
And I'm doing two show. There's a schedule.

Speaker 1 (01:22:18):
You have the House of Voodoo down there too.

Speaker 2 (01:22:20):
I'm going bro, thank you very much, Eddie Peppertone. Rodrigo
Torres Rezol will be back next week. I don't know
where he is right now. Arizona being horny somewhere and.

Speaker 1 (01:22:31):
Your special to collapse.

Speaker 2 (01:22:32):
Yeah, the collapse. Have a seat, take a picture, right,