On today’s date in 1891, a small group of music patrons gathered at one of New York’s docks to greet Russian composer Peter Ilyich Tchaikovsky, who had been invited to America to take part in the grand opening of a new music hall. Back then, it was just called “The Music Hall,” but over time it took on the name of wealthy steel magnate Andrew Carnegie, who funded its construction.
“Carnegie is an amazing eccentric,” Tchaikovsky wrote to his friends back in Russia. “He rose from being a telegraph boy, transformed with the passing of years into one of America’s richest men, but one who has remained a simple, modest man who does not at all turn up his nose at anyone.”
And, despite his legendary melancholic funks and chronic bouts of homesickness, the composer admitted he found the rest of New York rather impressive. “American customs, American hospitality, the very appearance of the town, the remarkable comfort of my accommodations — this is all very much to my taste and if I were younger I would probably be greatly enjoying my stay in an interesting new country,” he noted.
On the down side, Tchaikovsky reported you couldn’t buy cigarettes on a Sunday, and it was sometimes hard to find a public bathroom when you needed one — a common complaint of New York tourists even today!
“All told, I am a much bigger fish here than in Europe. Incidentally, Central Park is magnificent,” Tchaikovsky concluded.
Peter Ilyitch Tchaikovsky (1840-1893): Orchestral Suite No. 3; Detroit Symphony; Neeme Järvi, conductor; Chandos 9419
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