Verso: An Art History Podcast

How did a relatively unknown pharaoh become one of the most recognizable figures in the world—and help change what modernity looked like?

When Howard Carter’s team discovered Tutankhamun’s tomb in 1922, the West was already fascinated by ancient Egypt. But the tomb gave that fascination a new protagonist, a stream of astonishing photographs and the suspense of a story unfolding one sealed door at a time. Soon, &ldq...

Albert Barnes spent decades building an institution that was never supposed to become an ordinary museum. After his death, the collection stayed together—but the Foundation around it changed dramatically.

This episode follows the battles over Barnes’s rules, the people who inherited them, and the eventual move from Merion to downtown Philadelphia. It asks a larger question: when we preserve a legacy, are we preserving th...

In 1914, Hilma af Klint and Wassily Kandinsky showed work in the same building in Malmö. He had five paintings in the grand galleries and a reviewer comparing them to bacteria. She had one conventional landscape in a women's section near the fire exit, and ten enormous abstract canvases she'd finished seven years earlier sitting somewhere else entirely.

A century later, that coincidence has turned into a contest: the Swedish mystic ...

In 1884, John Singer Sargent unveiled a portrait at the Paris Salon that he was certain would make him the most celebrated painter in France. Instead, a single fallen shoulder strap turned into the scandal of the season, and the room laughed at both the artist and his sitter.

The woman in the black dress was Virginie Amélie Avegno Gautreau, a New Orleans–born Creole beauty who had spent nearly her whole life in Paris and was s...

The Amber Room was an entire chamber made of carved amber, backed in gold, and once called the Eighth Wonder of the World. Prussia built it, gave it to Russia, and the Nazis looted it in 1941. In 1945 it vanished in the ruins of Königsberg and has never been found. For eighty years people have searched mines, lakes, bunkers, and shipwrecks for it. This is the story of what most likely happened to it, the curator who spent his life ...

Stéphane Breitwieser stole more than 200 works of art from the museums of Europe, hid them in his mother's attic, and swore he was never a thief. No masks, no weapons, no ransom. Just a young couple in nice clothes, walking out in broad daylight with a fortune in Renaissance paintings, silver, and ivory.

He called museums "prisons for art." He said he only stole for love, never money. This episode follows the most prolific art thief...

In 1863, the Paris Salon rejected thousands of paintings, including Édouard Manet's Déjeuner sur l'herbe, and a nervous Napoleon III made a snap political decision: exhibit the rejects and let the public decide. The Salon des Refusés became the scandal of the season, and the laughingstock exhibition quietly set off a chain of rejections, refusals, and workarounds that led straight to the first Impressionist exhibition of 1874 and t...

Jacques-Louis David painted Antoine and Marie Anne Lavoisier in 1788, in one of the most famous portraits of the 18th century. Six years later, Lavoisier was guillotined during the French Revolution's Reign of Terror, and David, now a member of the Committee of General Security, helped run the machine that sent him there. This is the story of the painter, the chemist who founded modern chemistry, and the unanswerable question of ho...

In 1966, Bob Dylan left Andy Warhol's Factory with a silver Elvis painting tied to the roof of his car, then traded it for a couch. This episode follows that Double Elvis through the Factory, the supposed Dylan–Warhol rivalry, Edie Sedgwick, and a much stranger truth, all the way to its home at MoMA and a $27 million auction that proves Dylan should've kept it. A story about myth, fame, and what we decide is worth keeping.

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In 1877, the most powerful art critic in Britain published a review calling the painter James McNeill Whistler a fraud. Whistler sued him for libel. What followed was a two-day trial in which paintings were held upside down, a jury of twelve people was asked to determine the future of art criticism, and the whole thing ended with a verdict of one farthing in damages.

Ruskin and Whistler never met. Not before the trial, not during it...

In 1989, the Corcoran Gallery of Art canceled a Robert Mapplethorpe photography exhibition to protect the NEA from a congressional culture war. The decision backfired spectacularly, triggering mass resignations, donor defections, and a chilling effect on American arts institutions that lasted decades. The Corcoran never fully recovered. It closed in 2014, its $2 billion collection given away for free.

This episode traces the full ar...

In the summer of 1967, Agnes Martin walked into a New York gallery, handed over her brushes, her canvases, and her stretchers, and asked the dealer to give them away to young artists. Then she got in a truck and left. She would not make another painting for four and a half years.

The art world didn't know what to make of it. But then, the art world had never quite known what to make of Agnes Martin.

This episode is the story of one o...

In 1945, Dutch painter Han van Meegeren was arrested for selling a stolen Vermeer to Nazi war criminal Hermann Goering. His defense: he hadn't sold a Vermeer at all. He'd painted it himself.

This episode tells the full story of the twentieth century's most audacious art forger — and the story most people don't know. Van Meegeren didn't just fool the art world's greatest experts with his fake Vermeers. He fooled them because he...

Michelangelo's David was commissioned for a cathedral buttress 150 feet off the ground. But it quickly became one of the most potent political symbols in all of art history.

In this episode, we trace the full political life of the most famous sculpture in the Western world: from the abandoned block of marble that sat in a Florentine courtyard for thirty-five years, to the placement debate that turned a religious commission into a re...

TW: Discussions of suicide

In Part Two of our deep dive into the Bernini and Borromini rivalry, the stakes get personal. With a new pope in power and Bernini in disgrace, Borromini finally had what he'd spent a decade working toward: the commissions, the recognition, and the satisfaction of having been right all along. It didn't last. What followed was a slow, painful unraveling — a series of ruptures with patrons, a knighthoo...

In 17th century Rome, architecture wasn't just art, it was power. The Catholic Church was fighting to reassert its authority over a changing world, and the artists who could build something transcendent enough to make people believe were the most valuable people in the city. Two men defined that moment more than anyone else: Gianlorenzo Bernini, the charming, theatrical papal favorite who understood the game instinctively, and Fran...

You know Vincent van Gogh: Sunflowers. Starry nights. The guy who cut off his ear. One of the most famous artists in history.

But you probably don't know Jo van Gogh-Bonger, the woman who made him famous.

When Jo's husband Theo died in 1891 after just twenty-one months of marriage, she was left with a baby, no income, and hundreds of paintings that critics called "nearly vulgar." She had zero art world experience. Male dealers dismis...

In February 1974, a young artist named Tony Shafrazi walked into the Museum of Modern Art, pulled out a can of cherry-red spray paint, and wrote "KILL LIES ALL" across Picasso's Guernica—the most famous antiwar painting in the world

His act made headlines, exactly as he'd planned. But was it protest or publicity stunt? Political intervention or narcissistic vandalism? And how did the man who defaced a masterpiece go on to beco...

Content Warning: Discussion of suicide

In 1970, Abstract Expressionist painter Mark Rothko was found dead in his New York studio, leaving behind nearly 800 paintings worth millions. Within weeks, his executors—including his trusted accountant Bernard Reis—had signed contracts turning over his entire life's work to the Marlborough Gallery under terms that would shock the art world.

What followed was one of the most dramati...